CHAPTER ELEVEN

FOR a long time after Mr. Flanders left, Vickers sat on the porch, smoked his cigarettes and stared at the patch of sky he could see between the top of the hedge and the porch's roof… at the sky and its crystal wash of stars, thinking that one could not sense the distance and the time that lay between the stars.

Flanders was an old man with a shabby coat and a polished stick and his queer, stilted way of talking that made you think of another time and another culture. What could he know, what possibly could he know of knowledge in the stars?

Anyone could dream up talk like that. What was it he had said? He had thought of it, in an idle way. And that, Vickers decided, was the way it must be — an idle old eccentric with nothing on his mind except the idle thoughts that took his mind off another life, an old and faded life that he wanted to forget.

And there, thought Vickers, I am speculating, too, for there's no way that I can know the kind of a life the old man may have led.

He got up and went into the living room. He pulled the chair out from his desk and sat down and stared at the typewriter sitting there, accusing him of wasted time, of an entire wasted day, pointing with accusing finger at the pile of manuscript that should have been a little thicker if he had stayed at home.

He picked up a few pages of the manuscript and tried to read, but he had no interest and he was gripped by the terrifying thought that he had gone cold, had lost the spark which drove him day after day to the task of setting down the words that must be written — that literally _must_ be written, as if the writing of them were a means of purging himself of a confusion that lurked inside his mind, as if the writing of them were a task, or penance, that must be done as a condition of his living.

He had said no, that he wasn't interested in writing Crawford's book and he had said it because he _wasn't_ interested, because he had wanted to come back here and add to the pile of manuscript that lay there on the desk.

And yet that had not been the only factor — there had been something else. Hunch, he had told Ann, and she had scoffed at him. But there had been a hunch — that and a feeling of danger and of fear, as if a second self had been standing at his side, warning him away.

It was illogical, of course, for there was no reason why he should have a sense of fear. There had been no reason why he could not have taken on the job. He could have used the money. Ann could have used the fee. There was no logic, no sense, in refusing. And yet, without an instant's hesitation, he had refused the offer.

He put the sheets of manuscript back on top of the pile, rose from the chair and pushed it flush against the desk.

As if the whisper of the chair sliding on the carpeting might have been a signal, a scurrying sound came out of one darkened corner and traveled to the next and then was still, so still that Vickers could hear the faint swish of a vine, swung slowly by the wind, scraping against the screen of the porch outside the open door. Then even the vine stopped swaying and the house was still with a deathly stillness that was unnatural, as if the whole house might be waiting for whatever happened next.

Slowly Vickers turned around to face the room, moving his feet cautiously, pivoting his body with an exaggerated, almost ridiculous, effort to be quiet, to get turned around so he could face the corner from which the sound had come without anything knowing he had turned.

There were no mice. Joe had come up, while he was in the city, and had killed the mice. There were no mice and there should be no scurrying from one corner to the next. Joe had left a note which even now still lay beneath the desk lamp saying that he would pay one hundred bucks a throw for every mouse that Vickers could produce.

The silence hung, not so much a silence as a quietness, as if everything were waiting without breathing.

Moving only his eyeballs, for it seemed that if he moved his head his neck would creak and betray him to whatever danger there might be, Vickers examined the room, with particular emphasis upon the darkened areas in the corners and underneath the furniture and in the shadowed places that were farthest from the light. Cautiously he put his hands behind him, to grasp the desk edge, to get hold of something that was solid so that he did not stand so agonizingly alone, transfixed in the room.

The fingers of his right hand touched something that was metallic and he knew that it was the metal paperweight that he had lifted off the pile of manuscript when he had sat down at the desk. His fingers reached out and grasped it and dragged it forward into the hollow of his hand and he closed his fingers on it and he had a weapon.

There was something in the corner by the yellow chair and although it seemed to have no eyes, he knew it was watching him. It didn't know that he had spotted it, or it didn't seem to know, although in the next instant it more than likely would.

"Now!" said Vickers and the word exploded from him like a cannon blast. His right arm swung up and over and followed through and the paperweight, turning end over end, crashed into the corner.

There was a crunching sound and the noise of metallic parts rolling on the floor.

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