Ring

1

October 11-Thursday

The rain was coming down harder now, and Asakawa turned his wipers on high. The weather at Hakone was liable to change at any moment. The skies had been clear down in Odawara, but the higher he climbed, the moister the air, and as he neared the pass he’d encountered several pockets of wind and rain. If it had been daytime, he would have been able to guess at the weather on the mountains from the appearance of the clouds over Mt Hakone. But it was night, and his attention was fixed on whatever came into the beams of his headlights. It wasn’t until he had stopped the car and looked up at the sky that he’d realized the stars had disappeared. When he’d got on the Kodama bullet train at Tokyo Station, the city had still been wrapped in twilight. When he’d rented the car at Atami Station, the moon was still intermittently peeking out from gaps in the clouds. But now the fine water droplets drifting across his headlight beams were growing into a full-fledged downpour, pounding on his windshield.

The digital clock over the speedometer said 7:32. Asakawa quickly calculated how long it had taken him to come this far. He’d taken the 5:16 down from Tokyo, arriving in Atami at 6:07. By the time he’d left the gates and finished the paperwork at the rent-a-car place it had been 6:30. He’d stopped at a market and bought two packs of cup o’ noodles and a small bottle of whiskey; it had been seven by the time he’d found his way through the maze of one-way streets and out of town.

A tunnel loomed in front of him, its entrance outlined in brilliant orange light. On the other side, just after he entered the Atami-Kannami Highway, he should start to see signs for South Hakone Pacific Land. The long tunnel would take him through the Tanna Ridge. As he entered it the sound of the wind changed. At the same time, his flesh, the passenger seat, and everything else in the car was bathed in orange light. He could feel his calm slipping away, he could feel his hackles rise. There were no cars coming from the opposite direction. The wipers squeaked as they rubbed against the now-dry windshield. He turned them off. He should reach his destination by eight. He didn’t feel quite like flooring it, although the road was empty. Subconsciously, Asakawa was dreading the place he was heading to.

At 4:20 this afternoon, Asakawa had watched as a fax had crawled out of the machine at the office. It was a reply from the Atami bureau, and he had expected it to contain a copy of the Villa Log Cabin’s guest register for August 27th through the 30th. When he saw it he did a little dance. His hunch was right. There were four names he recognized: Nonoyama, Tomoko Oishi, Haruko Tsuji, and Takehiko Nomi. The four of them had spent the night of the 29th in cabin B-4. Obviously, Shuichi Iwata had used Nonoyama’s name. With this he knew when and where the four had been together: on Wednesday, August 29th, at South Hakone Pacific Land, Villa Log Cabin, No. B-4. It was exactly a week prior to their mysterious deaths.

There and then he’d picked up the receiver and dialled the number for Villa Log Cabin to make a reservation for tonight for cabin B-4. All he had tomorrow was a staff meeting at eleven. He could spend the night down in Hakone and easily be back in time.

… Well that’s it. I’m going. The actual place.

He was eager. Never in his wildest dreams could he imagine what awaited him there.

There was a tollbooth just as he came out of the tunnel, and as he handed over three hundred-yen coins he asked the attendant, “Is South Hakone Pacific Land up ahead?”

He knew full well it was. He’d checked his map any number of times. He just felt like it had been a long time since he’d seen another human being, and something within him wanted to talk. “There’s a sign just up ahead. Make a left there.” He took his receipt. With so little traffic, it hardly seemed worth having someone stationed here. How long was this guy planning to stand there in his booth? Asakawa made no move to drive off, and the man began to give him a suspicious look. Asakawa forced a smile and pulled away slowly.

The joy he’d felt a few hours ago at establishing a common time and place for the four victims had withered and died. Their faces flickered behind his eyelids. They’d died exactly one week after staying in Villa Log Cabin. Now’s the time to turn back, they seemed to be telling him, leering. But he couldn’t turn back now. First of all, his instincts as a reporter had kicked into gear. On the other hand, there was no denying that he was scared to be going alone. If he’d called Yoshino, chances were he would have come running, but he didn’t think having a colleague along was such a good idea. Asakawa had already written up his progress so far and saved it on a floppy disk. What he wanted was someone who wouldn’t run around getting in his way, but simply help him pursue this… It wasn’t like he didn’t have someone in mind. He did know one man who would tag along out of pure curiosity. He was a part-time lecturer at a university, so he had plenty of free time. He was just the guy. But he was… idiosyncratic. Asakawa wasn’t sure how long he could take his personality.

There, on the mountainside, was the sign for South Hakone Pacific Land. There was no neon, just a white panel with black lettering. If he’d happened to be looking away when his headlights hit it, he would have missed it completely. Asakawa turned off the highway and began climbing a mountain road between terraced fields. The road seemed awfully narrow for the entrance to a resort, and he had lonely visions of it dead-ending in the middle of nowhere. He had to shift down to negotiate the road’s steep, dark curves. He hoped he didn’t encounter anybody coming from the opposite direction: there was no room for two cars to pass.

The rain had let up at some point, although Asakawa had just noticed it. The weather patterns seemed different east and west of the Tanna Ridge.

At any rate, the road didn’t dead-end, but kept climbing higher and higher. After a while he started to see summer homes scattered here and there on the sides of the road. And the road suddenly widened to two lanes, the surface improved drastically, and elegant streetlights graced the shoulders. Asakawa was amazed at the change. The minute he entered the grounds of Pacific Land he was confronted with lavish accoutrements. So what was with the garden path that led here? The corn and weeds hanging over the road had narrowed it even further, heightening his nervousness over what lay around the next hairpin curve.

The three-story building on the other side of the spacious parking lot doubled as an information centre and a restaurant. Without thinking twice, Asakawa parked in front of the lobby and walked toward the hall. He looked at his watch: eight on the nose. Right on schedule. From somewhere he heard the sound of balls bouncing. There were four tennis courts below the centre, with several couples giving it their all under the yellowish lights. Surprisingly, all four courts were occupied. Asakawa couldn’t fathom what made people come all the way up here at eight on a Thursday night in the middle of October, just to play tennis. Far below the tennis courts he could see the distant lights of the cities of Mishima and Numazu, glittering in the darkness. The emptiness beyond, black as tar, was Tago Bay.

As he entered the information centre, the restaurant was directly in front of him. Its outer wall was glass, so he could see inside. Here Asakawa got another surprise. The restaurant closed at eight, but it was still half full of families and young women in groups. What was going on here? He cocked his head in puzzlement. Where had everybody come from? He couldn’t believe all these people came here on the same road that had brought him here. Maybe what he had used was the back entrance. There must be a brighter, wider road somewhere else. But that was how the girl he’d spoken to on the phone had told him to get here.

Go about halfway down the Atami-Kannami road and turn left. Drive up the mountain from there. Asakawa had done just that. It was inconceivable that there was another way out of here.

Nodding as he was told that it was past time for last orders, he went into the restaurant. Below its wide windows, a carefully groomed lawn sloped gently through the night toward the cities. The inside lights were kept intentionally low, probably to better allow customers to enjoy the view of the distant lights. Asakawa stopped a passing waiter and asked where he could find Villa Log Cabin. The waiter pointed back toward the entry hall Asakawa had just come through.

“Follow that road to the right about two hundred meters. You’ll see the office.”

“Is there a parking lot?”

“You can park in front of the office.”

That was all there was to it. If he had just kept going instead of stopping in here, he would have found it on his own. Asakawa could more or less analyze why he’d been drawn to this modern building, to the point of barging into the restaurant. He found it somehow comforting. All the way here he had been imagining dark, utterly primitive log cabins-the perfect backdrop for a Friday the 13th scenario-and there was nothing of that in this building. Faced with this proof that the power of modern science functioned here, too, he felt somewhat reassured, strengthened. The only things that bothered him were the bad road that led here from the world below, and the fact that in spite of it there were so many people playing tennis and enjoying their dinner here in the world above. He wasn’t sure exactly why this bothered him. It was just that, somehow, nobody here seemed quite… lifelike.

Since the tennis courts and restaurant were crowded, he should have been able to hear the cheerful voices of people from the log cabins. That’s what he expected. But standing at the edge of the parking lot, looking down over the valley, he could discern only about six of the ten cabins built among the trees scattered over the gentle slope. Everything below was immersed in the darkness of the forest, beyond the pale of the street lamps, unrelieved by any light coming from inside the cabins. B-4, where Asakawa would be spending the night, seemed to stand on the border between the darkness and the lighted area-all he could see was the top of the door.

Asakawa walked up to the office, opened the door, and stepped inside. He could hear a television, but there was no sign of anyone. The manager was in a Japanese-style room in the back, off to the left, and hadn’t noticed Asakawa. Asakawa’s view was blocked by the counter and he couldn’t see into the room. The manager seemed to be watching an American movie on video, not a TV program. He could hear English dialogue as he watched the flickering light from the screen reflected in the glass of a cabinet out front. The built-in cabinet was full of videotapes, neatly lined up in their cases. Asakawa placed his hands on the counter and spoke up. Immediately, a small man in his sixties stuck his head out and bowed, saying, “Oh, welcome.” He must be the same man who had so cheerfully showed the guest register to the guy from the Atami bureau and the lawyer, thought Asakawa, smiling back at him pleasantly.

“I have a reservation, name of Asakawa.”

The man opened his notebook and confirmed the reservation. “You’re in B-4. Can I get you to write your name and address here?”

Asakawa wrote his real name. He’d just sent Nonoyama’s membership card back to him, so he couldn’t use it.

“Just you, then?” The manager looked up at Asakawa, suspiciously. He’d never had anybody stay here alone. At nonmember rates, it was more economical for one person to stay at the hotel. The manager handed over a set of sheets and turned to the cabinet.

“If you’d like you’re free to borrow one. We have most of the popular titles.”

“Oh, you rent videos?” Asakawa ran his gaze casually over the titles of the videos covering the wall. Raiders of the Lost Ark, Star Wars, Back to the Future, Friday the 13th. All popular American films, mostly science fiction. A lot of new releases, too. Probably the cabins were mostly used by groups of young people. There was nothing that grabbed him. Besides, Asakawa had ostensibly come here to work.

“I’m afraid I’ve brought work with me.” Asakawa picked up his portable word processor from where he’d placed it on the floor and showed the manager. Seeing it, the manager seemed to understand why he was staying here alone.

“So, there are dishes and everything?” Asakawa said, just to make sure.

“Yes. Use anything you like.”

The only thing Asakawa needed to use, though, was a kettle to boil water for his cup o’ noodles. He took the sheets and his room key from the manager, who told him how to find B-4 and then said, with odd formality, “Please, make yourself at home.”

Before touching the knob Asakawa put on his rubber gloves. He’d brought them to give him peace of mind, as a charm to ward off the unknown virus.

He opened the door and flipped on the light switch in the entry hall. A hundred-watt bulb lit a spacious living room. Papered walls, carpet, four person sofa, television, dinette set: everything was new, everything was functionally arranged. Asakawa took off his shoes and went in. There was a balcony on one edge of the living room and small Japanese-style rooms on the ground and first floors. It was a little luxurious for a single guest, after all. He drew the lace curtains and opened the sliding glass door to allow the night air in. The room was perfectly clean, as if to betray his expectations. It suddenly occurred to him that he might go home clueless.

He went into the Japanese-style room off the living room and checked the closet. Nothing. He took off his shirt and slacks and changed into a sweatshirt and sweatpants, hanging his street clothes in the closet. Next he went upstairs and turned on the light in the Japanese-style room. I’m acting like a child, he thought wryly. Before he’d realized it he’d turned on every single light in the place.

With everything sufficiently illuminated, he now opened the bathroom door, gently. He checked inside first, and left the door slightly ajar while he was inside. It reminded him of his fear rituals as a child, when he was too scared to go to the bathroom alone on summer nights. He used to leave the door open a crack and have his dad stand watch outside. A neat shower room stood behind a pane of frosted glass. There wasn’t even a hint of steam, and the area outside the tub and the tub itself were both dry as a bone. It must have been some time since anybody had stayed here. He went to take off his rubber gloves; they stuck to his sweaty hands. The cool highlands breeze blew into the room, disturbing the curtains.

Asakawa filled a glass with ice from the freezer and poured it half full of the whiskey he had bought. He was about to top it off with tap water, but then hesitated. Turning off the tap he persuaded himself that he’d really rather have it straight, on the rocks. He didn’t have the courage to put anything from this room into his mouth. He’d been careless enough to use ice cubes from the freezer, but he was under the impression that micro-organisms didn’t like extreme heat or cold.

He sank back deep into the sofa and turned on the TV. Singing filled the room: some new pop idol. A Tokyo station was showing the same program right about now. He changed channels. He didn’t really intend to watch anything, though, so he adjusted the volume to a suitable level and then opened his bag. He took out a video camera and placed it on the table. If anything strange happened, he wanted to catch it all on tape. He sipped a mouthful of whiskey. It was only a little, but it strengthened up his courage. Asakawa went over in his head again everything he knew. If he couldn’t find a clue here tonight then the article he was trying to write would be dead in the water. But on the other hand, maybe it was better that way. If not finding a clue meant not picking up the virus, well… after all, he had a wife and child to think about. He didn’t want to die, not in some weird way. He propped his feet up on the table.

So, what are you waiting for? he asked himself. Aren’t you afraid? Hey-shouldn’t you be afraid? The angel of death might be coming to get you.

His gaze darted around the room nervously. Asakawa couldn’t fix his eyes on any one point on the wall. He had the feeling that if he did so, his fears would begin to take physical form while he watched.

A chill wind blew in from outside, stronger than before. He closed the window and as he went to draw the curtains he happened to glance at the darkness outside. The roof of B-5 was directly in front of him, and in its shadow the darkness was even deeper. There had been lots of people on the tennis courts and in the restaurant. But here Asakawa was alone. He shut the curtains and looked at his watch. 8:56. He hadn’t even been in this room for thirty minutes. It easily could have been an hour or more, he felt. But just being here wasn’t dangerous in and of itself. He tried to believe that, to calm himself down. After all, how many people must have stayed in B-4 in the six months since these cabins were built? It wasn’t like all of them had died under mysterious circumstances. Only those four, according to his research. Maybe if he dug deeper he’d find more, but at the moment that appeared to be all. Thus, simply being here wasn’t the problem. The problem was what they’d done here.

So, what did they do here?

Asakawa then subtly rephrased the question. What could they have done here?

He’d found nothing resembling a clue-not in the bathroom, not in the bath, not in the closet, not in the fridge. Even assuming there had been something, the manager would have disposed of it when he cleaned the place. Which meant that, instead of sitting here drinking whiskey, he should be talking to the manager. That would be quicker.

He’d drained his first glass; he made his second a little smaller. He couldn’t afford to get drunk. He put a lot of ice in it, and this time he cut it with tap water. His sense of danger must have been numbed a little. He suddenly felt foolish: stealing time from work, coming all the way up here. He took off his glasses, washed his face, then looked at his reflection in the mirror. It was the face of a sick man. Maybe he’d already caught the virus. He gulped down the whiskey-and-water he’d just made and fixed himself another.

Returning from the dining room, Asakawa noticed a notebook on the shelf beneath the telephone stand. The cover said Memories. He leafed through a few pages.

Inns, B&B’s, and the like often had notebooks like this in the rooms, so that guests could write down their memories and impressions. On the next page was a crude drawing of mommy and daddy. Must have been a family trip. It was dated April 14th-also a Saturday, naturally.

Asakawa kept turning pages. He could feel some sort of force urging him to open the pages at the end of the book, but he kept going through them in order. He was afraid that if he messed up the chronology he might miss something.

He couldn’t say for sure, since there were probably a lot of guests who didn’t write anything, but it seemed like there were only people here on Saturdays until summer started. After that the time between each entry shrank. By the end of August there was a steady stream of entries lamenting the end of summer.

This guy looked like he’d decided the guest book was a means to advertise himself, maybe find a pen-pal. It looked like a lot of people had the same ideas about the place. When couples stayed here, their entries showed it, while when single people stayed, they wrote about how much they wanted a companion.

Still, it made for interesting reading. Presently his watch showed nine o’clock.

Then he turned the page:

That was all there was to the message. August 30th was the morning after the four had stayed here. The initials “S.I.” would stand for “Shuichi Iwata”. His entry was different from all the rest. What did it mean? You’d better not see it. What in the world was it? Asakawa closed the guest book and looked at it from the side. There was a slight gap where it didn’t close tightly. He put his finger there and opened it to that page. Ulp! Consider yourself warned: you’d better not see it unless you’ve got the guts. You’ll be sorry you did. (Evil laughter.) S.I. The words jumped out at him. Why did the book want to open to this exact page? He thought for a moment. Perhaps the four had opened the book here and set something heavy on top of it. The weight had created this force that remained even now, trying to open to this page. And maybe whatever they’d placed on top of the page was the “it” that he’d “better not see”. That must be it.

Asakawa looked around anxiously, searching every corner of the shelf beneath the telephone stand. Nothing. Not even a pencil.

He sat back down on the sofa and continued reading. The next entry was dated Saturday, September 1st. But it said only the usual things.

It didn’t say if the group of students who had stayed here had seen it. None of the remaining pages mentioned it, either.

Asakawa closed the guest book and lit a cigarette. You’d better not see it unless you’ve got the guts. He imagined that it must be something frightening. He opened the notebook at random and pressed down on the page lightly. Whatever it was must have been heavy enough to overcome the pages’ tendency to close. One or two photos of ghosts, for example, wouldn’t have done the trick. Maybe a weekly, or a hardcover book… Anyway, something you look at. Maybe he’d ask the manager if he remembered finding anything strange left in the cabin after the guests had checked out on August 30th. He wasn’t sure if the manager would even remember, but he figured that if it had been strange enough he would. Asakawa began to get to his feet when the VCR in front of him caught his eye. The TV was still on, showing a famous actress chasing her husband around with a vacuum. A home appliance commercial.

… Yeah, a VHS tape would be heavy enough to keep the notebook open, and they might have had one handy, too.

Still in a crouch, Asakawa ground out his cigarette. He recalled the video collection he had seen in the manager’s office. Maybe they’d happened to watch a particularly interesting horror flick, and thought they’d recommend it to the next guests-hey, this one’s cool, check it out. If that’s all it was… But wait. If that was it, why hadn’t Shuichi Iwata used the name? If he wanted to tell somebody that, say, Friday the 13th was a great movie, wouldn’t it have been easier just to say Friday the 13th was a great movie? He didn’t need to go to all the trouble of actually leaving it on top of the notebook. So maybe it was something that didn’t have a name, something they could only indicate with the word it. … Well? Worth checking out?

Well, he certainly didn’t have anything to lose, not with no other clues presenting themselves. Besides, sitting around here thinking wasn’t getting him anywhere. Asakawa left the cabin, climbed the stone steps and pushed open the office door.

Just as before, there was no sign of the manager at the counter, only the sound of the television coming from the back room. The guy had retired from his job in the city and decided to live out his years surrounded by Mother Nature, so he’d taken a job as a manager at a resort, but the work turned out to be utterly boring, and now all he did every day was watch videos. That’s how Asakawa interpreted the manager’s situation. Before he had a chance to call the guy, though, he crawled to the doorway and stuck his head out. Asakawa spoke somewhat apologetically.

“I thought I’d maybe borrow a video after all.”

The manager grinned happily. “Go right ahead, whichever you’d like. They’re three hundred yen each.”

Asakawa scanned the titles for scary-looking movies. The Legend of Hell House, The Exorcist The Omen. He had seen them all in his student days. Nothing else? There had to be some he hadn’t seen. He searched from one end of the shelves to the other, and saw nothing that looked likely. He started over, reading the titles of every one of the two hundred or so videos. And then, on the very. bottom shelf, way over in the corner, he noticed a video without a case, fallen over on its side. All the other tapes were encased in jackets with photos and imposing logos, but this one lacked even a label.

“What’s that there?” After he’d asked the question, Asakawa realized that he’d used a pronoun, that, as he pointed to the tape. If it didn’t have a name, what else was he supposed to call it?

The manager gave a bothered frown and replied, none too brightly, “Huh?” Then he picked up the tape. “This? This isn’t anything.”

… Hey, I wonder if this guy even knows what’s on that tape.

“Have you seen it? That one,” asked Asakawa.

“Let me see.” The manager cocked his head repeatedly, as if he couldn’t figure out what something like this was doing here.

“If you don’t mind, could I borrow that tape?”

Instead of replying, the manager slapped his knee. “Ah, I remember now. It was kicking around in one of the rooms. I just figured it was one of ours and brought it here, but…”

“This wouldn’t have happened to be in B-4, I don’t suppose?” Asakawa asked slowly, pressing the point home. The manager laughed and shook his head.

“I haven’t the foggiest. It was a couple of months ago.”

Asakawa asked once more, “Have you… seen… this video?”

The manager just shook his head. The smile disappeared from his face. “No.”

“Well, let me rent it.”

“You going to record something on the TV?”

“Yeah, well, I, ah…”

The manager glanced at the video. “The tab is broken. See? You can’t record on it.”

Maybe it was the alcohol, but Asakawa was getting irritated. I’m telling you to rent it to me, you idiot, just hand it over, he griped to himself. But no matter how drunk he was, Asakawa was never able to come on very strong with other people.

“Please. I’ll bring it right back.”

He bowed. The manager couldn’t figure out why his guest was showing so much interest in this old thing. Maybe there was something interesting on it, something somebody had forgotten to erase… Now he wished he’d watched it when he found it. He felt the sudden temptation to watch it right now, but he couldn’t very well refuse a guest who had asked for it. The manager handed over the tape. Asakawa reached for his wallet, but the manager stopped him with his hand.

“That’s alright, you don’t need to pay. I can’t charge you for this, now, can I?”

“Thanks a lot. I’ll bring it right back.”

“If it turns out to be interesting, then please do!” The manager’s curiosity had been piqued. He’d already seen every video here at least once, and most of them had ceased to interest him. How did I miss that one anyway? It would have killed a few hours. Aw, but it probably only has some stupid TV show recorded on it anyway.

The manager was sure the video would come back right away.

2

The tape had been rewound. It was an ordinary 120-minute tape, the sort you could get anywhere, and, as the manager had pointed out, the anti-erasure tabs had been broken off. Asakawa turned on the VCR and pushed the tape into the slot. He sat down cross-legged right in front of the screen and pressed play. He heard the capstans start to turn. He had high hopes that the key to unlock the riddle of four people’s deaths was hidden on this tape. He’d pushed play fully intending to be satisfied with just a clue, any clue. There can’t be any danger, he was thinking. What harm could come from just watching a videotape?

Random sounds and distorted images flickered on the screen, but once he had selected the right channel, the picture steadied. Then the screen went black as ink. This was the video’s first scene. There was no sound. Wondering if it had broken, he brought his face close to the screen. Consider yourself warned: you’d better not see it. You’ll be sorry you did. Shuichi Iwata’s words came back to him. Why should he be sorry? Asakawa was used to things like this. He’d covered the local news. No matter what sort of horrific images he might be shown, he felt confident he wouldn’t regret watching.

In the middle of the black screen he thought he saw a pinpoint of light begin to flicker. It gradually expanded, jumping around to the left and right, before finally coming to rest on the left-hand side. Then it branched out, becoming a frayed bundle of lights, crawling around like worms, which finally formed themselves into words. Not the kind of captions one normally saw on film, though. These were poorly-written, as if scrawled by a white brush on jet-black paper. Somehow, though, he managed to make out what they said: WATCH UNTIL THE END. A command. These words disappeared, and the next floated up into view. YOU WILL BE EATEN BY THE LOST… The last word didn’t make much sense, but being eaten didn’t sound too pleasant. It seemed that there must have been an “or else” implied there. Don’t turn off the video halfway through, or else something awful will happen: it was a threat.

YOU WILL BE EATEN BY THE LOST … The words grew larger and chased all the black from the screen. It was a flat change, from black to milk-white. It was a patchy, unnatural colour, and it began to resemble a series of concepts painted on a canvas, one over another. The unconscious, squirming, worrying, finding an exit, spurting out-or maybe it was the throb of life. Thought had energy, bestially satiating itself on darkness. Strangely, he felt no desire to push stop. Not because he was unafraid of whatever wanted to eat him, but because this intense outpouring of energy felt good.

Something red burst onto the monochrome screen. At the same time he heard the ground rumble, from an indefinable direction. The sound seemed to come from everywhere, such that he began to imagine that the whole cabin was shaking. It didn’t feel like the sound was coming from those little speakers. The sluggish red fluid exploded and flew about, sometimes occupying the whole screen. From black to white, and now red… It was nothing but a violent succession of colours, he hadn’t seen any natural scenery yet. Just concepts in the abstract, etched vividly into his brain by the brilliantly shifting colours. It was tiring, actually. And then, as if it had read the viewer’s mind, the red retreated from the screen, and a mountain vista stretched out. At one glance he could tell it was a volcano, with a gentle peak. The volcano was sending up white puffs of smoke against a clear blue sky. The camera seemed to be situated somewhere at the foot of the mountain, where the ground was covered with rugged blackish-brown lava.

Again the screen was swathed in darkness. The clear blue sky was instantaneously painted black, and then, a few seconds later, a scarlet liquid spurted out from the centre of the screen, flowing downward. A second explosion. The spray thrown up by it burned red, and as a result he could begin to make out, faintly, the outline of the mountain. The images were now concrete where they had previously been abstract. This was clearly a volcanic eruption, a natural phenomenon, a scene that could be explained. The molten lava flowing from the mouth of the volcano threaded its way down through ravines and headed this way. Where was the camera positioned? Unless it was an aerial shot, it looked like the camera was about to be swallowed up. The rumblings of the earth increased until the whole screen seemed about to be engulfed in molten rock, and then the scene abruptly changed. There was no continuity from one scene to the next, only sudden shifts.

Thick, black letters floated into view against a white background. Their edges were blurred, but he somehow managed to make out the character for “mountain”. It was surrounded by black splatters, as if it had been written sloppily by a brush dripping with ink. The character was motionless, the screen was calm.

Another sudden shift. A pair of dice, tumbling around in the rounded bottom of a lead bowl. The background was white, the bottom of the bowl was black, and the one on the dice was red. The same three colours he’d seen so often already. The dice rolled around soundlessly, finally coming to rest: a one and a five. The single red dot and the five black ones arranged on the white faces of the dice… What did it mean?

In the next scene people appeared for the first time. An old woman, face lined with wrinkles, sat perched on a pair of tatami mats on a wooden floor. Her hands rested on her knees and her left shoulder was thrust slightly forward. She was speaking, slowly, looking straight ahead. Her eyes were different sizes-when she blinked, it looked like she was winking instead.

She was speaking in an unfamiliar dialect, and he could only catch every other word or so:

… your health … since … spend all your time … bound to get you. Understand? Be careful of… you’re going to … you listen to granny now because … there’s no need to...

The old expressionless woman made her statement, then vanished. There were a lot of words he didn’t understand. But he had the impression he’d just been lectured to. She was telling him to be careful of something, warning him. Who was this old lady talking to-and about?

The face of a newborn baby filled the screen. From somewhere he could hear a baby’s first cry. This time, too, he was sure it didn’t come from the television speakers. It came from very near, beneath his face. It was very like a real voice. On-screen, he could now see hands holding the baby. The left hand was under its head, and the right was behind its back, holding it carefully. They were beautiful hands. Totally absorbed by the image, Asakawa found himself holding his own hands in the same position. He heard the birth cry directly below his own chin. Startled, he pulled back his hands. He had felt something. Something warm and wet-like amniotic fluid, or blood-and the weight of flesh. Asakawa jerked his hands apart, as if casting something aside, and brought his palms close to his face. A smell lingered. The faint smell of blood-had it come from the womb, or…? His hands felt wet. But in reality, they weren’t even damp. He restored his gaze to the screen. It still showed the baby’s face. In spite of the crying its face was swathed in a peaceful expression, and the shaking of its body had spread to its groin, even wiggling its little thing.

The next scene: a hundred human faces. Each one displayed hatred and animosity; he couldn’t see any distinguishing features other than that.

The myriad faces, looking as if they had been painted on a flat surface, gradually receded into the depths of the screen. And as each face diminished in size, the total number increased, until they had swollen to a great multitude. It was a strange multitude, though-existing only from the neck up-but the sounds welling up from them befit a crowd. Their mouths were shouting something, even as they shrank and multiplied. He couldn’t quite make out what they were saying. It sounded like the commotion of a great gathering, but the voices were tinged with criticism, abuse. The voices were clearly not welcoming or cheering. Finally he made out a word: “Liar!” And another: “Fraud!” By now there were perhaps a thousand faces: they had become nothing but black particles, filling the screen until it looked like the television had been turned off, but the voices continued. It was more than Asakawa could bear. All that criticism, directed right at him. That’s how it felt.

When the next scene appeared, it showed a television on a wooden stand. It was an old-fashioned nineteen-inch set with a round channel selector, and a rabbit-ear antenna sat on its wooden cabinet. Not a play within a play, but a TV within a TV. The television within had nothing on its screen yet. But it seemed to be on: the red light by the channel knob was lit. Then the screen-within-the-screen wavered. It stabilized and then wavered again, over and over, with increasing frequency. Then a single character appeared, hazily: sada. The word faded in and out of focus, distorted, and began to look like another before disappearing altogether, like chalk on a blackboard wiped with a wet rag.

As he watched, Asakawa began to find it hard to breathe. He could hear his heart beat, feel the pressure of the blood flowing in his veins. A smell, a touch, a sour-sweet taste stabbing his tongue. Strange-something was stimulating his five senses, some medium besides the sounds and visions that appeared as if he were suddenly recalling them.

Then the face of a man appeared. Unlike the previous images, this man was definitely alive- he had a pulsating vitality. As he watched, Asakawa began to feel hatred toward him. He had no idea why he should hate this man. He wasn’t particularly ugly. His forehead sloped a bit, but other than that he was actually rather well-formed. But there was something dangerous in his eyes. They were the eyes of a beast closing in on its prey. The man’s face was sweaty. His breathing was ragged, his gaze was turned upward, and his body was moving rhythmically. Behind the man grew scattered trees, the afternoon sunlight shone between their branches. The man brought his eyes down and looked straight ahead again, and his gaze locked with the viewer’s. Asakawa and the man stared at each other for a while. The stifling sensation grew, and he suddenly wanted to tear his gaze away. The man was drooling; his eyes were bloodshot. His neck muscles began to fill the screen in a close-up, then disappeared off the left side of the screen. For a while only the black shade of the trees could be seen. A scream began to well up from deep down inside. At the same time, the man’s shoulder came back into view, then his neck, and finally his face again. His shoulders were bare, and the right one carried a deep, bloody gash several centimeters long. Drops of blood seemed to be sucked toward the camera, growing larger and larger until they hit the lens and clouded over the view. The screen cut to black once, twice, almost like blinking, and when the light returned everything was red. There was a murderous look in the man’s eyes. His face drew closer, along with his shoulder, the bone peeking out white where the flesh had been gouged out. Asakawa felt a violent pressure on his chest. He saw trees again. The sky was spinning. The color of the sky fading into sunset, the rustling of dry grass. He saw dirt, then weeds, and then sky again. Somewhere he heard a baby crying. He wasn’t sure if it was the little infant from before. Finally, the edge of the screen turned black, darkness gradually encroaching in a ring on the center. Dark and light were clearly defined now. At the center of the screen, a small round moon of light floated in the middle of the darkness. There was a man’s face in the moon. A fist-sized clump of something fell from the moon, making a dull thud. Another, and then another. With each sound, the image jumped and swayed. The sound of flesh being smashed, and then true darkness. Even then, a pulse remained. Blood still circulated, throbbing. The scene went on and on. A darkness that seemed as if it would never end. Then, just as at the beginning, words faded into view. The writing in the first scene had been crude, like that of a child just learning to write, but this was somewhat better. White letters, drifting into view and then fading, read:

Those who have viewed these images are fated to die at this exact hour one week from now. If you do not wish to die, you must follow these instructions exactly. ..

Asakawa gulped and stared wide-eyed at the television. But then the scene changed yet again. A complete and utter change. A commercial came on, a perfectly ordinary, common television commercial. A romantic old neighborhood on a summer’s evening, an actress in a light cotton robe sitting on her verandah, fireworks lighting up the night sky. A commercial for mosquito-repelling coils. After about thirty seconds the commercial ended, and just as another scene was about to start, the screen returned to its previous state. Darkness, with the last afterglow of faded words. Then the sound of static as the tape ended.

Bug-eyed, Asakawa rewound the tape and replayed the last scene. The same sequence repeated itself: a commercial interrupted at the most important point. Asakawa stopped the video and turned off the television. But he kept staring at the screen. His throat was parched.

“What the hell?”

There was nothing else to say. One unintelligible scene after another, and the only thing he’d comprehended was that anybody who watched would die in exactly a week. And the part which told how to avoid this fate had been taped over with a commercial.

… Who erased it? Those four?

Asakawa’s jaw quivered. If he didn’t know that the four young people had died simultaneously, he could have laughed this off as sheer nonsense. But he knew. They had died, mysteriously, as predicted.

At that moment the phone rang. Asakawa’s heart nearly jumped out of his chest at the sound. He picked up the receiver. He felt as though something were concealing itself, watching him from the darkness.

“Hello,” he finally managed to croak. There was no reply. Something was swirling around in a dark, cramped place. There was a deep rumble, as if the earth were resounding, and the damp smell of soil. There was a chill at his ear, and the hairs on the nape of his neck stood up. The pressure on his chest increased, and bugs from the bowels of the earth were crawling on his ankles and his spine, clinging to him. Unspeakable thoughts and long-ripened hatred almost reached him through the receiver. Asakawa slammed down the receiver. Covering his mouth, he ran to the bathroom. Chills ran up and down his backbone, waves of nausea swept over him: the thing on the other end of the line hadn’t said anything, but Asakawa knew what it wanted. It was a confirmation call.

You’ve seen it now, you know what that means. Do like it said. Or else…

Asakawa vomited over the toilet. He didn’t have much to throw up. The whiskey he’d drunk earlier flowed out of him now, mixed with bile. The bitterness seeped into his eyes, squeezing out tears; it hurt his nose. But he felt that if he threw up everything now, here, maybe the images he’d just watched would go flowing out of him, too.

“If I don’t, what? I don’t know! What do you want me to do? Huh? What am I supposed to do?”

He sat on the bathroom floor and yelled, trying not to give in to his fear. “Look, those four erased it, the important part… I don’t understand it! Help me out here!”

All he could do was make excuses. Asakawa jumped back from the toilet, not even realizing how awful he looked, and peered around the room in every direction, bowing his head in supplication to whatever might be there. He didn’t realize that he was trying to look pathetic, to draw sympathy. Asakawa stood up and rinsed his mouth at the sink, swallowing some water. He felt a breeze. He looked at the living room window. The curtains were trembling.

Hey, I thought I shut that.

He was certain that before drawing the curtains he’d shut the sliding glass door tightly. He remembered doing it. He couldn’t stop trembling. For no reason at all, the image of skyscrapers at night flashed across his brain, the way the lighted and unlighted windows formed a checkerboard pattern, sometimes even forming characters. If you saw the buildings as huge, oblong tombstones, then the lights were epitaphs. The image disappeared, but the white lace curtains still danced in the breeze.

In a frenzy, Asakawa grabbed his bag from the closet and threw his things inside. He couldn’t stay here one second longer.

I don’t care what anybody says. If I stay here I won’t last the night, forget about the week.

Still in his sweats, he stepped down into the entryway. He tried to think rationally before going outside. Don’t just run away in fear, try to figure out some way to save yourself! An instantaneous survival instinct: he went back into the living room and pushed the eject button. He wrapped the videotape tightly in a bath towel and stowed it in his bag. The tape was his only clue, he couldn’t afford to leave it behind. Maybe if he figured out the riddle as to how the scenes were connected he’d find a way to save himself. No matter what, he only had a week left. He looked at his watch: 10:18. He was sure he’d finished watching at 10:04. Suddenly, the time seemed quite important to him. Asakawa left the key on the table and went out, leaving all the lights on. He ran to his car, not even stopping by the office first, and jammed his key in the ignition.

“I can’t do this alone. I’ll have to ask him to help” Talking to himself, Asakawa put the car in motion, but he couldn’t help glancing in the rear-view mirror. No matter how he floored it, he couldn’t seem to get up any speed. It was like being chased in a dream, running in slow-motion. Over and over he looked at the mirror. But the black shadow chasing him was nowhere to be seen.