"Yester-year"; ten centuries of toilette from the French of A. Robida (Albert Robida) читать бесплатно онлайн полную версию книги (ч. 2)

With these Hat dresses, shawls and small mantles were worn. Such was the sober and retiring toilette of the beuinninf; of the Second Empire, a régime destined to transform it by degrees into a complicated, showy, and exaggerated costume, of doubtful taste and no stjde, with the exception, about 1864, of a few passing alterations and additions.

The main idea of the reign—so far as fasliion was concerned—the great innovation which was to give the tone to toilette, was Crinoline, hooted, attacked, contemned by journalists, caricaturists, husbands, everybody, but victorious over all the clamour and all the mockery.

Bonuet, 1848.

as well as over the blame which it really deserved.

It may be said quite truly that under the Empire woman occupied three or four times as much place in the world—at least in circumference—as dyu'ing any preceding period, even that of Louis XV. of unvirtiious memory,

l'or crinoline reigned more despotically than paniers. It was adopted Ijy women of every class, and girls wlio worked in the fields did not consider themselves dressed on Sundays unless tliey wore balloon-shaped steel hoops like those of the town ladies.

Bustles, and petticoats flounced with horsehair stuff, had made the eye gradually familiar with the enlargement of skirts, and when crinoline, pure and simple, was abandoned, first for steel hoops, and then for the ' cage ' with hoops and cross-bars of steel, the ladies were delighted with the balloon-like effect, and the cage-crinoline became fashionable all over the world.

It is unnecessary to dwell upon the many objections to this mode—we can remember what they were—or upon its inconvenience 5 but, from the aesthetic point of view, crinoline ought to be solemnly anathematized, ridiculed, and excommunicated, for ever—that is to say until the day of its re-appearance under another name.

It is true tliat the skirts wliicli were spread out over the much-reviled crinolines looked like wobbling domes, and that the entire

Criuoline.

toilette was loaded in a heavy and awkward style with little shabby adjuncts ap^ilied to common stuffs, while the paniers of the eighteenth century were worn under the artistically-trimmed skirts of gowns made of rich brocade and flowered stuffs. The exaggeration and the absurdity of paniers possessed the charm of gracefulness, while crinoline had nothing to redeem its ridiculous movement. The masterpiece of Impeiial fashion was overdone.

Witli these absurd and intrusive crinolines, worn by the women of the period, we may recall the memory of the Talma, the burnous, a rather pretty Algerian mantle, the 'pinch-waist ' in ribbed silk with pagoda sleeves—oh ! that pagoda sleeve ! It was an ugly and inconvenient funnel made uglier by lace or fringe trimming.

Special mention must be made of shawls» the famous Indian cashmere, and the large ' tapis ' shawl. The elegance of the shawl has been much lauded, but in fact it is not elegant at all, unless it be small, almost as narrow as a scarf, and worn with an easy carelessness. What is there to be said for the big shawl, hitched upon its wearer's shoulders as though

upon a clothes' peg, and hanging straight down, hiding her figure and her attire ? Merely that it is an ugly garment, and tit only to he worn by market-women on Sundays.

Among convenient inventions we may notice capelines, zouave jackets, red garibaldis, and

Al'^'l

Second Empire Bouuet.

figaros, among the commendable novelties of the Empire.

Bonnets were not meritorious. About 1863, the cabriolet shape, with a curtain, and flowers both outside and inside the brim, was universally worn ; it was in fact only the original big bonnet of the Restoration period, spoiled, ridiculously trimmed, and coming to a lamentable end.

Such, then, was the unbounded luxury with which President Dupiu reproached the women of the time, in the famous pamphlet that made a sensation in 1865,—the luxury which attained its utmost height in the great City on Grand-Prix days, spreading from the hippodrome of Longchamps all along the boulevards, the luxury which, we were told, made of Paris a second Byzantium in decline, gave scandal to the worthy bourgeoise in a little shawl, and brought blushes to the cheeks of the rest of virtuous Europe, still constant to sweet simplicity, and practising the cult of Saint Muslin at sixpence a yard.

This demoralizing and appalling luxury may have been unbounded, but it was not artistic, or in good taste, aud it conveyed at great cost the impression of a sham.

Although the recoil has not yet gone far enough to enable us to estimate or pass judgment upon the fashions of the Second-Empire period as a whole, without being influenced by the sense of something ridiculous that is always conveyed by things merely 'gone ont,' it seems to me that the women and the artists of the next century will regard it very mncli as we do now. We cannot imagine the painters of that future day reviving the fashions of 1860 in their pictures, for the

Piuch-waist.i

delight of fine ladies and Americans in the twentieth century.

Nevertheless, as the custom of sea-bathing became more and more diffused, and was about to develop into a regular annual migration of the whole of the middle classes to the Norman

1 Pince-tiiillc.

or Breton coasts, these habitual summer excursions brought about some welcome changes in fashion.

In 1864, short dresses had a brief triumph, which originated at the fashionable sea-bathing places. No more trailing skirts, or long gowns Avith broad Hounces were worn. The crinoline Avas retained, but moderated in its width, and skirts were draj)ed, caught up, and adorned with a great variety of ornamental trimmings, all large and effective.

Fancy, which had been suppressed since 1830, was once more allowed some play. The very smart short skirts displayed very smart and much-adorned boots; thin little boots were these, coming well up above the ankle, and with high clinking heels. For a short time some fine ladies adopted the tall Louis Treize cane at the seaside.

To this period wide handsome mantles with large sleeves, and also the outdoor garment called 'jump-in' (Saute-en-barque) belong. Hats, quite different from the formal tied bonnet, and saucily perched a little on one side, like bull-fighters' liats,^ with big tufts, or feathers, were worn. The hnir was dressed low.

Large Empire mantle.

waved on the forehead, and placed in a long net at the back of the head.

Short skirts, which suited the crinolines so 1 Known in England .1.^ tlie ' pork-pie.'

well, with broad belts and buckles, and all the braid and gimp with which fashionable costume was covered, were, however, speedily displaced by a return to the objectionable long dresses, and fashion immediately lost its smartness.

The crinoline itself was eclipsed for a while, in 1867, when flat, trained gowns, and ' peplum ' bodices (denoting a revival of the taste for tragedy—fragments from the great French tragedies were recited at this time at the Café-Concert), little ' i^late ' bonnets stuck on in front of the big ball-like chignons, with streamers down the back, called by the expressive name of " Follow me, young man ! " became popular. And so the fight between wide skirts and narrow skirts went on ; crinoline, having held out for a few years, was finally beaten and dead. The big-hooped crinoline now belongs to the domain of archaeology ; it is an antique, like the panier and the farthingale.

As width was still desired, the defeated petticoat was succeeded by the 'pouf,' a big bunch of the gown-material tucked up at the

back over the skirt. Fashion was now on the path of anti-crinoline reaction, and the width of skirts was reduced and re(Uiced, until at last gowns were actually moulded on the body, a mode which lasted two or three years, about 1880.^ The fashions of that time were very pretty, very œsthetic; but after a while the least little increase of width was admitted, and soon after came the ' tournure,' or petticoat-bustle.

From the period of ' clinging ' gowns, we still retain the jersey bodices, which mould the bust and the hips very becomingly. The jersey is admirably adapted to Avalking and country costume. For several summers, from one end of Europe to the other, on every beach in England, France, and elsewhere, the jersey was worn as a kind of obligatory uniform ; women, young girls, children, boys or girls, all were dressed in dark blue jerseys, ornamented with gold anchors—every costume was a sailor's. Children still Avear this becominsf 1 'Tied-l)ack' time in Encjland, and convenient garment, and now it is being adopted by tourists and cyclists.

The day of sumptuary edicts, and legislation by governments with the object of restraining luxury, is over. From the time of Philip the Fair to that of Richelieu a long series of edicts were issued ; these were always rigorously applied just at first, before they fell into oblivion, even by kings who exhausted their Treasuries by the extravagance of their Courts. An instance of this is afforded by the bedizened fop, Henry III., who, in one of his fits of repression of other people's lavishness, threw thirty women into the prison of Fort l'Evêque in one day—and they not the least among Parisian ladies—for having defied his prohibition of brocade and silk.

The time of sumptuary prohibitions, of royal rescripts is over. In the general interests of industry and commerce, all that can develop luxury on a large scale must now be fostered. Luxiiry on a small scale ought, on the contrary, to be repiessed as much as possible, or

MODES ]JH PI.AGIi 1S64.

rather, it ought to have been repressed ; the evil was wrought in past times, and it is now past remedy.

Cliugiug gowQ before l'"80.

Ah ! if fashion, which is mightier than kings and ministers, than decrees, laws, and edicts, had but ordained the preservation of the old feminine costumes of our provinces, the local modes which were in many instances so graceful and becoming, those rural refinements which Paris has so often borrowed, in the various forms of o^owns, mantles, and head-dresses, the Bressan coifs, the lace caps of Caux, the large Breton coifs, the caps of the women of Aries, &c., &c., Avhat a salvage there would have been !

But fashion did nothing of the kind, and those pretty things have vanished before the influx of sham and shabby finery, the tasteless caricature of Parisian elegance, in the shapeless 'confections' turned out by hundreds, and convo3^ed into the r(motest parts of the country !

Local fashions, and the peculiar individual grace of dress that belongs to special regions, have finally ceded their place to new fashions which are mostly pretentious and ridiculous. The ' costume of the country ' has vanished from all our provinces ; it is lost, and now it is for ' the fashion of the towns ' to indemnify us for the loss by some real grace and elegance.

Fasliion is in a period of transition and experiment ; for lack of new novelties, it is trying imitations of the novelties of the past—those which have grown old enough, as the Empress Josephine's dressmaker said.

Fashion goes from the Louis-Seize or Empire 'cut' to the attire of the Valois, to Louis-Treize bodices, to mediseval sleeves, or else to the leg-of-mutton sleeves of 1830. We shall see what will come of these experiments, and whether, in the case of the art of dress as in that of every other art, the study of the ancient shall bring forth tlie new.

Let us hope that an original fashion, 'fin de siècle,' to use the current phrase, may at last arise. If this be so, the granddaughters of the fair ladies of the present day will be able to form mental pictures of their grandmothers in attire that was really their own, a personal possession, and not in costumes borrowed from all the a^es.

APPENDIX.

BALLADE DES MODES DU TEMPS JADIS.

Du tout premier Vertiigadin, Celui qu'inventa Madame Eve A celui qu'admirons soudain, Que d'autres passant comme rêve ! Combien leur existence est brève ! Tu resplendis toujours pourtant, O beauté changeante sans trêve, Mais où sont les modes d'antan.

Où donc es-tu, riche bliaut Armorié sur chaque maille, Et le peliçon d'Isabeau ? EscofRon de haute taille Pour qui l'on vit mainte chamaille, Hennin qui charma Buridan ? Hélas, ce n'est plus qu'antiquaille— Mais où sont les modes d'antan 1

Oil est la fraise de Margot, Et le surcot doublé d'hermine, Oil sont les manches à gigot ? Habit cavalier d'héroïne Que portait Reine ou baladine. Large panier pompadourant, Et toi-même aussi, crinoline — Mais où sont les modes d'antan !

Envoi.

Dame, il ne fut point de semaine Depuis le temps d'Eve pourtant Qui n'eût caprices par trentaine. Mais où sont les modes d'antan !

NOTES.

Head-gear, etc. See p. 168.

The following lines bear witness, among other matters, to the height of the head-gear in England at this time.

"The buckle then its modest limits knew, Now, like the ocean, dreadful to the view, Hath broke its bounds, and swallowed up the shoe : The wearer's foot, like his once fine estate, Is almost lost, the encumbrance is so great. Ladies may smile—are they not in the plot 1 The bounds of nature have not they forgot ? Were thej'- design'd to be, when jîut together. Made up, like shuttlecocks, of cork and feather ? Their pale-faced grandmammas appeared with grace When dawning blushes rose upon the face ; No blushes now their once-loved station seek ; The foe is in possession of the cheek ! No heads of old, too high in feather'd state, Hinder'd the fair to pass the lowest gate ; A church to enter now, they must be bent, If ever they should try the experiment."

Prologue to Sheridan's Trip to Scarhorwuyh, acted in 1777.

Cadogan. See p. 179.

For the Cadogan (said to be derived from the first Earl of Cadogan, who died in 1726), see Murray s Dictionary. The following quotation is given from Memoirs of Baroness D'Oberkirch,vo\.. ii. chap. ix.—" The Duchess of Bourbon had introduced at the Court of Montbéliard [the fashion] of Cadogans, hitherto worn only by gentlemen." It was a mode of plaiting and looping the hair behind, and has been revived of late years in Paris.

Guillotine. See p. 203.

The guillotine at this time was canonized as " La Sainte Guillotine," and worn on necklaces in place of the cross.

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tis, the Antediluvian World, new edit. 12s. Qd. ftegar'e'Co Zwmn, authorized

edition, 3s. Gd.

Doctor Huguet, 3s. &d.

Great Cryptogram, Bacon's

Cipher in Shakespeare, 2 vols. 30*.

Ragnarolc : the Age of

Fire and Gravel, 12s. Qd.

DORE, GUSTAVK, Life and Reminiscences, by Blanche Roosevelt, fully illust. 24s.

DOS PASSOS, J. R., Law of Stockbrokers and Stock Exchanges, 35s.

DOLJDNEY, Sarah, Godica Durleigh, 3 vols. 31s. 6d.

DOUGALL, J. D., Shooting

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DOUGHTY, H. M., Friesland

Meres and the Netherlands, new edit, illust. 10s. Qd.

DOVETON, F. B., Poems and Snatches of Sotigs, 5s. ; new edit. 3.?. 6d.

DU CHAILLU, Paul. See

Low's Standard Books.

DUNCKLEY ("Verax.") See

Prime Ministers.

DUNDERDALE, George,

Prairie and Bush, 6s.

Durer. See Great Artists. DYKES, J. OsATALD. See Preachers.

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Countries.

EDMONDS, C, Poetrrj of the Anti-Jacohin, new edit. 7s. Qd. and 21s.

Educational Catalogue. See Classified Catalogue.

EDWARDS, American Steam

Engineer, 12s. Qd.

Modern Locomotive En-

gines, 12s. Qd. Steam Engineer's Guide,

12s. 6d. H. Sutherland. See

Great Musicians. M. B., Dream of Millions,

Sfc, Is. See Low's StandardNovels.

EGGLESTON, G. Cart, Jug-

gernaut, Qs. Egypt. See Foreign Countries. Elizabethan Songs. See Choice

Editions.

EMERSON, Dr. P. H., East

Coast Yarns, Is.

English Idylls, new ed. 2s.

Naturalistic Photography,

new edit. 5s. Pictures of East Anglian

Life ; plates and vignettes, 105s.

and 14:7s.

and GOODALL, Life on

the Norfolk Broads, plates, 126s. and 210s.

]Vild Life on a Tidal

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K. W., hy G. W. COOKE,

8s. Qd.

Birthday Book, 3s. 6d.

Li Concord, a memoir,

7s. Qd. English Catalogue, 18G3-71,

42s.; 1872-80, 425.; 1881-1»,

52s. Qd. 5 5s. yearly.

In all Departments of Literature.

English Catalogue, Index vol.

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each. Bacon, by Fowler. Haniiltou, by Monck. Hartley and James Mill, by Bower. Sbaftesbnry & Hutcheson ; Fowler. Adam Smith, by J. A. Farrer.

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See Low's Standard Books. ERICHSON, Life, by W. C.

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Surgery, 24s.

Essays on English Writers.

See Gentle Life Series. EVAKS, G. E., Repmtance of

Magdalene Bespar, Sçc, poems,

5s. S. & F., Upper Ten, a

story, Is.

W. E., Songs of the Birds,

n. ed. 6s. EVELYN, J., An Inca Queen,

5s. John, Life of Mrs. Godol-

pMn, 7s. 6d. EVES, C. W., West Indies,

n. ed. 7s. 6d. FAIRBAIRN, A. M. See

Preachers. Familiar Words. See Gentle

Life Series. EARINI, G. A., Kalahari

Desert, 21s. EARRAR, C. S., Histœ-y of

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INIaurice, Minnesota, 6s.

FAURIEL, Last Days of the

Consulate, 10s. Gd.

FAY, T., Three Germanyt, 2 role. 35$.

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Mrs., My African Home,

7s. 6d.

FENN, G. :Manville. Seo Low's Standard Books.

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FFORDE, B., Subaltern, Police-man, and the Little Girl. Is.

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Is.

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Yesterdays with Authors,

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Figure Painters of Holland.

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Record Series, Is. FITZGERALD. See Foreign

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and 12s. Gd. FITZPATRICK, T., Autumn

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lOs. Gd.

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A Select List of Books

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India, 10s. 6d.

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ERA BARTOLOMMEO, AL-

BERTINELLI, and ANDREA DEL SARTO. See Great Artists.

FRANC, Maud Jeanne, Beatrice Melton, 4s.

Eniih/s Clioice, n. ed. 5^".

Golden Gifts, 4s.

Hall's Vineyard, 4s. '

Into tlie Light, is.

Jolm^s Wife, is.

Little Mercy ; for letter,

for worse, is,

Marian, a Tale, n. ed. 5s.

Master of Ralston, is.

Minnie's Mission, a Temperance Tale, 4s.

No longer a Child, is.

Silken Cords and Iron

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Two Sides to Every Question, 4s.

Vermont Vale, 5s.

A plainer edition is ^JubZ'is/iecZ at 2s. Gd.

France. See Foreign Countries. FRANCIS, F., War, Waves,

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Frank's Ranche ; or, My Holiday in the Rockies, n. cd. 5s,

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Glucose, ^"c, 18*.

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3s. 6d.

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lights and shadoivs, 6s.

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Heart Flowers, illust. 24s. French and English Birthday i

Booh, by Kate D.' Clark, 7s. Gd. French Revolution, Letters from

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by the Author of "An Angler's

Days," 5s., Is. Gd., Is. FRIEZE, Dupre, Florentir^e

Sculptor, 7s. Gd. FRISWELL, J. H. See Gentle

Life Series. Froissart for Boys, by Lanier,

new ed. 7s. Gd. FliOUDE, J. A. See Prime

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See Great Artists. GASPARIN, Sunny Fields and

Shady JVoods, Gs.

GEEECKEN, British Empire, 7s. Gd.

Generation of Judges, n.e. 7s.6d.

Gentle Life Sei'ies, edited by J. Hain Priswell, sm. 8vo. Gs. per vol.; calf extra, 10s. Gd. ea.; 16mo, 2s. Gd., except when price is given.

Gentle Life.

About in the World.

Like unto Christ.

Familiar Words, Gs. ; also 3s. Gd.

Montaigne's Essaya.

Sidney's Arcadia, 6s.

Gentle Life, second seriea.

Varia; readings, 10s. Gd.

Silent hour; essays.

Half-length Portraits.

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OtherPeople'sWindows,6s. &2s. 65.

A Man's Thoughts.

In all Departments of Literature,

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lOs. Gd. Germamj. See Foreign Countries. GESSI, RoMOLO Pasha, Seven

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See Great Artists. GILES, E., Australia Twice

Traversed, 1872-76, 2 vols. 30*.-. GILL, J. See Low's Eeaders. GILLESPIE, W. M., Surveying, n. ed. 21s. Giotto, by Harry Quilter, illust.

15s.

See also Great Artists.

GIRDLESTONE, C, Private

Devotions, 2s. GLADSTONE. See Prime

Ministers. GLENELG, P., Devil and the

Doctor, Is. GLOVER, R., Light of the

World, n. éd., 2s. Qd. GLIJCK. See Great Musicians. Goethe's Faustus, in orig. rhyme,

by Huth, 5s. Frosa, by C. A. Buchheim

(Low's German Series), 3s. 6cî. GOLDSMITH, 0., She Stoops

to Conquer, by Austin Dobson,

illust. by E. A. Abbey, 8is.

See also Great Artists.

GRAESSI, Italian Dictionary,

3s. Gd. ; roan, 5s. GRAY, T. See Choice Eds. Great Artists, Eiograj)hies,

illustrated, emblematical binding, 3s. Gd. per vol. except where

the price is given. Barbizon School, 2 vols. Claude le Lorrain. Correggio, 2s. Gd. Cox and De Wint. George Cruikshank. Delia Eobbia and Cellini, 2s. Gd, Albrecht Diirer. Figure Paintings of Holland. Fra Angelico, Masaccio, &c. Fra Bartolommeo, &c. Gainsborough and Constable. Ghiberti and Donatello, 2s. Gd. Giotto, by ÏÏ. Quilter, 15s. Ilogarth, by A. Dobson. Hans Holbein.

Landscape Painters of Holland. Land seer.

Leonardo da Vinci. Little Masters of Germany, by

Scott ; éd. de luxe, lOs. Gd. Mantegna and Francia. Mcissonier, 2^. Gd. Michelangelo. JIulready.

Muiillo, by Minor, 2s. Gd. Overbeck. Eaphael.

A Select List of Books

Great Artists — continued.

Rembrandt.

Reynolds.

Romney and Lawrence, 2s. 6cl.

Rubens, by Kett.

Tintoretto, by Osier.

Titian, by Heath.

Turner, by Monkhouae.

Vandyck and Hals.

Velasquez.

Vernet & Delaroobe.

Watteau, by Mollett, 2s. Qi.

Wilkie, by Mollett,

Great Musicians, edited by F, Hueffer. A seriea of biographies, 3.Î. each :—

Bach, by Poule.

Beethoven.

*Berlioz.

Cherubini.

English Church ComposerB,

* Gluck, Handel, Haydn,

* Marcello. Mendelssohn. Mozart,

*Palestrina and the Roman School.

Purcell,

Eossini and Modern Italian School.

Schubert.

Schumann.

Richard Wagner.

Weber,

* Are not yet published. Greece. See Foreign Countries, GRIEB, German Dictionary, n.

ed, 2 vols. 21s. GRIMM, H., Literature, 8s. 6d. GROHMANN, Camps in the

Rockies, 12s. 6d. GROVES, J. Percy. See

Low's Standard Books. GUIZOT, History of England,

illust. 3 vols, re-issue at 10s. 6ci.

per vol. History of France, illust.

r9-lssue, 8 vols. 10s, 6d, each,

. Abridged by G, Masson, 5s.

GUYOX, Madame, Life, 6s.

HADLEY, J,, Roman Law,

7s, Qà. Half-length Poiiraiis. See

Gentle Life Series. HALFORD, F. M., Dry Fly.

fishing, n. ed. 25s,

Floating Flies, 15s. & SO^j.

HALL, Hoîo to Live Long, '2s. HALSEY, F. A,, Slide Voice

Gears, 8s. 6d. HAMILTON. See English

Philosophers. E. Fly-fishing, 6s, and

10s. 6(3.

Riverside Naturalist, 14s.

HAMILTON'S Mexican Hand-hook, 8.S. 6tZ.

HANDEL. See Great Musicians.

HANDS, T,, Numerical Exercises in Chemistry, 2s. 6ct. ; without ans, 2s.; ans. sep. 6d.

Handy Guide to Dry-fly Fishing, by Cotswold Isys, Is.

Handy Guide Book to Japanese

Islands, 6s. 6d.

HARDY, A, S., Passe-rose, 6s. Thos. See Low's Standard Novels. HARKUT, F„ Conspirator, 6s.

HARLAND, Marion, Home

Kitchen, 5s. Harper''s Young People, vols.

I.—VII. 7s. Qd. each ; gilt 8s, HARRIES, A. See Nursing

Record Series,

HARRIS, W. B., Land of the

African Sidtan, 10s, 6d. ; 1. p.

31s. 6d. HARRISON, Mary, Modern

Cookery, 6s.

Skilful Cook, n. ed. 5s.

Mrs. B. Old-fashioned

Fairy Book, 6s. W., London Houses, Illust.

n. edit. Is. 6d., 6s. not j A 2s. 6d.

In all Departments of Literature>

HARTLEY and MILL. See

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London, 12s. Gi, • See also Low's Standard

Novels. HAWEIS, n.^.,Broad Church,

6s. Poets in the Pulpit,'10s.6d.

new edit. 6s. ; also 3s. 6ci.

M-vs., Housekeeping, 2s. M.

Beautiful Houses, 4s., new

edit. \x. HAYDN. See Great Musicians. HAZLITT, W., Round Table,

2s Qd. HEAD, Percy R. See Illus.

Text Books and Great Artists. HEARD, A.F., Russian Church,

16s. HEARN, L., Youma, 5s. HEATH, F. G., Fern World,

12s. 6d., new edit. Qs. Gertrude, Tell us Why,

2s. 6d. HELDMANN", B., Mutiny of

the " Leander," 7s. 6d. and 5s. See also Low's Standard

Books for Boys.

HENTY, G. A., Hidden Foe,

2 Tols. 21s.

See also Low's Standard

Books for Boys. Richmond, Australiana,

5s HERBERT, T., Salads and

Sandwiches, 6c?.

HICKS, C. S., Our Boys, and

what to do with Them; Merchant

Service, 5s. Yachts, Boats, and Canoes,

lOs. 6d. HIGGINSON", T. W., Atlantic

Essays, 6s. History of the U.S., illust.

14s.

HILL, A. Statelet, From Home to Home in N.-W. Canada, 21s., new edit. 7s. 6d,

G. B., Footsteps of Johnson, 63s, ; édition de luxe, 147s.

HINMAN, R., Eclectic Physical Geography, 5s.

Hints oil proving Wills u-ithout Professional Assistance, n. ed. Is.

HOEY, Mrs. Cashel. See Low's Standard Novels.

HOFEER, Caoutchouc 4- Gutta

Percha, 12s. 6d.

HOGARTH. See Gr. Artists. HOLBEIN. See Great Artists. HOLDER, Charles F., Ivory

King, 8s. 6d.

Living Lights, 8s. G(7.

Marvels of Animal Life,

8s. Qd. HOLM, Saxe, Draxy Miller,

2s. 6(7. and 2s. HOLMES, 0. Wendell, Before

the Curfew, 5s.

Over the Tea Cups, (})S.

Iron Gate, ^-c, Poems, 6s.

Last Leaf, 42s.

Mechanism in Thougld

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2s. and Is. Our Hundred Days in

Europe, new edit. 6s.; 1. paper

15s. —— Poetical Woi'ks, new edit.,

2 vols. 10s. 6d. Works, prose, 10 vols. ;

poetry, 4 vols. ; 14 vols. 84s.

Limited large paper edit., 14 vols.

294s. nett. —— See also Low's Standard

Novels and Rose Library. HOLUB, E., South Africa,

2 vols. 42s. HOPKINS, Manlet, Treatise

on the Cardinal Numiers, 2*, 6d.

A Select List of Books

Horace in Latin, with Smart's

literal translation, 2s. Qd. ; translation only, Is. 6tl.

HORETZKY, C, Canada on

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the Maid, 3s. 6d. See also Low's Standard

Novels. HOWELLS, W. D., Suburban

Sketches, 7s. 6d. Undiscovered Country,

3s. 6cZ. and Is. HOWORTH, H. H., Glacial

Nightmare, 18s. Mammoth and the Flood,

18s. HUDSON", N. H., Purple Land

that England Lost ; Banda Oriental 2 vola. 21*. : 1 vol. Qs.

HUEFFER. E. See Great Musicians.

HUGHES, Hugh Price. See Preachers.

HUME, F., Creature of the

Night, Is.

Humorous Art at the Naval

Exhibition, Is.

HUMPHREYS, Jennet, Some

Little Britons in Brittany, 2s. 6cl.

Hundred Greatest Men, new

edit, one vol. 21s.

HUNTINGDON", The Squires Nieces, 2s.6d. (Playtime Library.)

HYDE, Hîindred Years by Post, Is.

Hymnal Companion to the Boole of Common Prayer, separate lists gratis.

Iceland. See Foreign Countries.

Illustrated Text-Books of Art-Education, edit, by E. J. Poynter, E.A., illnst. 5s. each.

Architecture, Classic and Early Christian.

niust. Text-Books — continued. Architecture, Gothic and Kenais-

siince. German, Flemish, and Dutch

Painting. Painting, Classic and Italian. Painting, Enfjlish and American. Sculpture, modern. Sculpture, by G. Redford. Spanish and French artists.

INDERWICK, F. A., Inter-

regniim, 10s. 6d.

Sidelights on the Stuarts,

new edit. 7s. Qd, INGELOW, Jean. See Low's

Standard Novels. INGLIS, Our New Zealand

Cousins, 6s, Sport and WorJc on the

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18s. IRVING, W., Little Britain,

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Neio Code Copy-Books,

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Shorthand of Arithmetic,

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L., Ten Centuries of European Progress, with maps, 12s. 6d.

JAMES, Croake, Law and Lawyers, new edit. 7s. Qd.

Henry. See Daudet, A.

JAMES and MOLE'S French Dictionary ,3s. &d. cloth ; roan, 5s.

JAMES, German Dictionary,

3s. 6d. cloth ; roan 5s.

JANVIER, Aztec Treasure House, 7s. 6(2. J new edit. 5*.

In all Departments of Literatnrc.

Japan. See Foreign Countries.

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Bevis, ncAV edit. 56*.

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JERD0:N'. See Low's Standard Series.

JOHNSTON, H.H., The Congo, 21s.

JOHNSTON-LAYIS, H. J.,

South Italian Volcanoes, 15s.

JOHNSTONE, D. L., Land of

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Wee Willie WinJcie, 6fc.,

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A Select List of Books

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LAMBERT, Angling Literature, 3s. 6d.

Landscape Paijiters of Holland. See Great Artists.

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nomy, 10s. 6c?.

LANIER, S., Boy's Froissart,

7s. 6d. ; King Arthur, 7s. 6d. ; Mnhinoqion, Is. 6cZ. ; Percy, 7s. Gd.

LANSDKLL, Henry, through Siberia, 1 v. 15s. and 10s. 6d.

Russia in Central Ana,

2 vols. 42s.

Through Ceniral Asia, 12s.

LARD EN, W., School Course on Seat, n. ed. 5s.

LAURIE, A., Secret of the

Magian, the Mystery of Ecbatana, illns.6s. See also Low's Standard Books. LAWRENCE, Sergeant, Auto-

hingraphy, 6s.

and'ROMNEY. See Great

Artists.

LAYARD, Mrs., West Indies,

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42s. LEARED, A., Marocco, n. ed.

16s. LEAVITT, New World Trage-

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LEFFINGWELL, W. B.,

Shooting, 18s.

Wild Fowl Sliooting,

lOs. 6(2. LE FRO Y, W., Dean. See

Preachers. LELAND, C. G., Algonquin

Legends, 8s.

LEMON, M., Small House over the Water, Çs,

Leo XIIL Ufe, 18s.

Leonardo da Vinci. See Great Artists.

Literary Works, by J. P.

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42s. netfc. Like unto Clirist. See Gentle

Life Series. LITTLE, Arch. J., Yang-tse

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2s, 6d. ; gilt edges, 3s. 6d. Nuremberg, photogr. illu.

31s. 6d. Song of Hiawatha, illust.

21s. LOOMIS, E., Astronomy, n. ed.

8s. ed. LORNE, Marquis of, Canada

and Scotland, 7s. 6d.

Palmerston. See Prime

Ministers.

Louis, St. See Bayard

Series. Low's French Readers, edit, by

0. F. Clifton, I. 3d., II. 3d., Ili.

6d.

German Series. See

Goethe, Meissner, Sandars, and

Schiller.

London Charities, annually, Is. 6d. ; sewed, Is.

Illustrated Germ. Primer^

Is.

Infant Primers, I. illus.

3d. ; II. illns. 6d. and 7d.

Pocket Encyclopœdia, with

plates, 3s. 6d. ; roan, 4s. 6d. Readers, I., 9d. ; II., lOd.;

III., Is. ; IV., 1». 3d. J v., Is. id. ; VI., 1». 6d.

In all Departments of Literature.

Loxoh Select Parchment Series. Aldrich (T. B.) Friar Jerome's

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3s. 6d.

Lulu's Stand. Library of Travel (except where price is stated), per volume, 7s. 6d.

1. Butler, Great Lone Land ; also 3s. 6d.

2. Wild North Land.

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