Oryx and Crake

Sveltana

Snowman opens his eyes, shuts them, opens them, keeps them open. He’s had a terrible night. He doesn’t know which is worse, a past he can’t regain or a present that will destroy him if he looks at it too clearly. Then there’s the future. Sheer vertigo.

The sun is above the horizon, lifting steadily as if on a pulley; flattish clouds, pink and purple on top and golden underneath, stand still in the sky around it. The waves are waving, up down up down. The thought of them makes him queasy. He’s violently thirsty, and he has a headache and a hollow cottony space between his ears. It takes him some moments to register the fact that he has a hangover.

“It’s your own fault,” he tells himself. He behaved foolishly the night before: he guzzled, he yelled, he gibbered, he indulged in pointless repinings. Once he wouldn’t have had a hangover after so little booze, but he’s out of practice now, and out of shape.

At least he didn’t fall out of the tree. “Tomorrow is another day,” he declaims to the pink and purple clouds. But if tomorrow is another day, what’s today? The same day as it always is, except that he feels as if he has tongue fur all over his body.

A long scrawl of birds unwinds from the empty towers—gulls, egrets, herons, heading off to fish along the shore. A mile or so to the south, a salt marsh is forming on a one-time landfill dotted with semi-flooded townhouses. That’s where all the birds are going: minnow city. He watches them with resentment: everything is fine with them, not a care in the world. Eat, fuck, poop, screech, that’s all they do. In a former life he might have snuck up on them, studied them through binoculars, wondering at their grace. No, he never would have done that, it hadn’t been his style. Some grade-school teacher, a nature snoop—Sally Whatshername?—herding them along on what she called field trips. The Compound golf course and lily ponds had been their hunting grounds. Look! See the nice ducks? Those are called mallards! Snowman had found birds tedious even then, but he wouldn’t have wished to harm them. Whereas right now he yearns for a big slingshot.

He climbs down from the tree, more carefully than usual: he’s still a bit dizzy. He checks his baseball cap, dumps out a butterfly—attracted by the salt, no doubt—and pisses on the grasshoppers, as usual. I have a daily routine, he thinks. Routines are good. His entire head is becoming one big stash of obsolete fridge magnets.

Then he opens up his cement-block cache, puts on his one-eyed sunglasses, drinks water from a stored beer bottle. If only he had a real beer, or an aspirin, or more Scotch.

“Hair of the dog,” he says to the beer bottle. He mustn’t drink too much water at a time, he’ll throw up. He pours the rest of the water over his head, gets himself a second bottle, and sits down with his back against the tree, waiting for his stomach to settle. He wishes he had something to read. To read, to view, to hear, to study, to compile. Rag ends of language are floating in his head: mephitic, metronome, mastitis, metatarsal, maudlin.

“I used to be erudite,” he says out loud. Erudite. A hopeless word. What are all those things he once thought he knew, and where have they gone?

After a while he finds he’s hungry. What’s in the cache, foodwise? Shouldn’t there be a mango? No, that was yesterday. All that’s left of it is a sticky ant-covered plastic bag. There’s the chocolate energy Joltbar, but he doesn’t feel up to that, so he opens the can of Sveltana No-Meat Cocktail Sausages with his rusty can opener. He could use a better one of those. The sausages are a diet brand, beige and unpleasantly soft—babies’ turds, he thinks—but he manages to get them down. Sveltanas are always better if you don’t look.

They’re protein, but they’re not enough for him. Not enough calories. He drinks the warm, bland sausage juice, which—he tells himself—must surely be full of vitamins. Or minerals, at least. Or something. He used to know. What’s happening to his mind? He has a vision of the top of his neck, opening up into his head like a bathroom drain. Fragments of words are swirling down it, in a grey liquid he realizes is his dissolving brain.

Time to face reality. Crudely put, he’s slowly starving to death. A fish a week is all he can depend on, and the people take that literally: it can be a decent-sized fish or a very small one, all spikes and bones. He knows that if he doesn’t balance out the protein with starches and that other stuff—carbohydrates, or are those the same as starches?—he’ll start dissolving his own fat, what’s left of it, and after that his own muscles. The heart is a muscle. He pictures his heart, shrivelling up until it’s no bigger than a walnut.

At first he’d been able to get fruit, not only from the cans of it he’d been able to scrounge, but also from the deserted arboretum an hour’s walk to the north. He’d known how to find it, he’d had a map then, but it’s long gone, blown away in a thunderstorm. Fruits of the World was the section he’d headed for. There’d been some bananas ripening in the Tropicals area, and several other things, round, green, and knobbly, that he hadn’t wanted to eat because they might have been poisonous. There’d been some grapes too, on a trellis, in the Temperate zone. The solar air conditioning was still functioning, inside the greenhouse, though one of the panes was broken. There’d been some apricots as well, espaliered against a wall; though only a few, browning where the wasps had eaten into them and beginning to rot. He’d devoured them anyway; also some lemons. They’d been very sour, but he’d forced himself to drink the juice: he was familiar with scurvy from old seafaring movies. Bleeding gums, teeth coming out in handfuls. That hasn’t happened to him yet.

Fruits of the World is cleaned out now. How long till more fruits of the world appear and ripen? He has no clue. There ought to be some wild berries. He’ll ask the kids about that, the next time they come poking around: they’ll know about berries. But though he can hear them farther down the beach, laughing and calling to one another, they don’t seem to be coming his way this morning. Maybe they’re getting bored with him, tired of pestering him for answers he won’t give or that make no sense to them. Maybe he’s old hat, an outworn novelty, a mangy toy. Maybe he’s lost his charisma, like some shoddy, balding pop star of yesteryear. He ought to welcome the possibility of being left alone, but he finds the thought dispiriting.

If he had a boat he might row out to the tower blocks, climb up, rob nests, steal some eggs, if he had a ladder. No, bad idea: the towers are too unstable, even in the months he’s been here several of them have come crashing down. He could walk to the area of the bungalows and trailers, hunt for rats, barbecue them over the glowing coals. It’s something to consider. Or he could try going as far as the closest Module, better pickings than the trailers because the goodies there had been thicker on the ground. Or one of the retirement colonies, the gated communities, something like that. But he has no maps any more and he can’t risk getting lost, wandering around at dusk with no cover and no suitable tree. The wolvogs would be after him for sure.

He could trap a pigoon, bludgeon it to death, butcher it in secret. He’d have to hide the mess: he has a notion that the sight of full frontal blood and guts might take him over the threshold as far as the Children of Crake are concerned. But a pigoon feast would do him a world of good. Pigoons are fat, and fat is a carbohydrate. Or is it? He searches his mind for some lesson or long-lost chart that would tell him: he knew that stuff once, but it’s no use, the file folders are empty.

“Bring home the bacon,” he says. He can almost smell it, that bacon, frying in a pan, with an egg, to be served up with toast and a cup of coffee… Cream with that? whispers a woman’s voice. Some naughty, nameless waitress, out of a white-aprons-and-feather-dusters porno farce. He finds himself salivating.

Fat isn’t a carbohydrate. Fat is a fat. He whacks his own forehead, lifts his shoulders, spreads his hands. “So, wise guy,” he says. “Next question?”

Do not overlook a plentiful source of nutrition that may be no farther away than your feet, says another voice, in an annoying, instructive tone he recognizes from a survival manual he once leafed through in someone else’s bathroom. When jumping off a bridge, clench your bum so the water won’t rush up your anus. When drowning in quicksand, take a ski pole. Great advice! This is the same guy who said you could catch an alligator with a pointed stick. Worms and grubs were what he recommended for a snack food. You could toast them if you wanted.

Snowman can see himself turning over logs, but not just yet. There’s something else he’ll try first: he’ll retrace his steps, go back to the RejoovenEsense Compound. It’s a long hike, longer than any he’s taken yet, but worth it if he can get there. He’s sure there will still be a lot left, back there: not only canned goods, booze as well. Once they’d figured out what was going on, the Compound inhabitants had dropped everything and fled. They wouldn’t have stayed long enough to clean out the supermarkets.

What he really needs is a spraygun, though—with one of those, he could shoot pigoons, hold off the wolvogs—and, Idea! Light bulb over head!—he knows exactly where to find one. Crake’s bubble-dome contains a whole arsenal, which ought to be right where he left it. Paradice, was what they’d named the place. He’d been one of the angels guarding the gate, in a manner of speaking, so he knows where everything is, he’ll be able to lay his hands on the necessary items. A quick in and out, a snatch and grab. Then he’ll be equipped for anything.

But you don’t want to go back there, do you? a soft voice whispers.

“Not particularly.”

Because?

“Because nothing.”

Go on, say it.

“I forget.”

No, you don’t. You’ve forgotten nothing.

“I’m a sick man,” he pleads. “I’m dying of scurvy! Go away!”

What he needs to do is concentrate. Prioritize. Whittle things down to essentials. The essentials are: Unless you eat, you die. You can’t get any more essential than that.

The Rejoov Compound is too far away for a casual day trip: it’s more like an expedition. He’ll have to stay out overnight. He doesn’t welcome that thought—where will he sleep?—but if he’s careful he should be okay.

With the can of Sveltana sausages inside him and a goal in sight, Snowman’s beginning to feel almost normal. He has a mission: he’s even looking forward to it. He might unearth all sorts of things. Cherries preserved in brandy; dry-roasted peanuts; a precious can of imitation Spam, if serendipity strikes. A truckload of booze. The Compounds hadn’t stinted themselves, you could find the full range of goods and services there when there were shortages everywhere else.

He gets to his feet, stretches, scratches around the old scabs on his back—they feel like misplaced toenails—then walks back along the path behind his tree, picking up the empty Scotch bottle he threw down at the wolvogs the night before. He gives it a wistful sniff, then tosses it and the Sveltana can onto his midden-heap of empty containers, where a whole crowd of debauched flies is making merry. Sometimes at night he can hear the rakunks pawing through this private dump of his, searching for a free meal among the leavings of catastrophe, as he himself has often done, and is about to do again.

Then he sets about making his preparations. He reties his sheet, arranging it over his shoulders and pulling the extra up through his legs and tucking it in through the belt effect at the front, and knotting his last chocolate energy bar into a corner. He finds himself a stick, long and fairly straight. He decides to take only one bottle of water: most likely there’ll be water along the way. If not, he can always catch the runoff from the afternoon storm.

He’ll have to tell the Children of Crake he’s going. He doesn’t want them to discover he’s missing and set out looking for him. They could run into dangers, or get lost. Despite their irritating qualities—among which he counts their naive optimism, their open friendliness, their calmness, and their limited vocabularies—he feels protective towards them. Intentionally or not, they’ve been left in his care, and they simply have no idea. No idea, for instance, of how inadequate his care really is.

Stick in hand, rehearsing the story he’ll tell them, he goes along the path to their encampment. They call this path the Snowman Fish Path, because they carry his fish along it every week. It skirts the edge of the beach while keeping to the shade; nevertheless he finds it too bright, and tilts his baseball cap down to keep out the rays. He whistles as he approaches them, as he always does to let them know he’s coming. He doesn’t want to startle them, strain their politeness, cross their boundaries without being invited—loom up on them suddenly out of the shrubbery, like some grotesque flasher exposing himself to schoolkids.

His whistle is like a leper’s bell: all those bothered by cripples can get out of his way. Not that he’s infectious: what he’s got they’ll never catch. They’re immune from him.

Purring

The men are performing their morning ritual, standing six feet apart in a long line curving off into the trees at either side. They’re facing outward as in pictures of muskoxen, pissing along the invisible line that marks their territory. Their expressions are grave, as befits the seriousness of their task. They remind Snowman of his father heading out the door in the morning, briefcase in hand, an earnest aiming-for-the-target frown between his eyes.

The men do this twice a day, as they’ve been taught: it’s necessary to keep the volume constant, the odour renewed. Crake’s model had been the canids and the mustelids, and a couple of other families and species as well. Scent-marking was a wide-ranging mammalian leitmotif, he’d said, nor was it confined to the mammals. Certain reptiles, various lizards…

“Never mind about the lizards,” said Jimmy.

According to Crake—and Snowman has seen nothing since to disprove it—the chemicals programmed into the men’s urine are effective against wolvogs and rakunks, and to a lesser extent against bobkittens and pigoons. The wolvogs and bobkittens are reacting to the scent of their own kind and must imagine a huge wolvog or bobkitten, from which they would be wise to keep their distance. The rakunks and pigoons imagine large predators. Or this was the theory.

Crake allotted the special piss to men only; he said they’d need something important to do, something that didn’t involve childbearing, so they wouldn’t feel left out. Woodworking, hunting, high finance, war, and golf would no longer be options, he’d joked.

There are some disadvantages to this plan, in action—the ring-of-pee boundary line smells like a rarely cleaned zoo—but the circle is large enough so that there’s ample smell-free room inside it. Anyway Snowman is used to it by now.

He waits politely for the men to finish. They don’t ask him to join them: they already know his piss is useless. Also it’s their habit to say nothing while performing their task: they need to concentrate, to make sure their urine lands in exactly the right place. Each has his own three feet of borderland, his own area of responsibility. It’s quite a sight: like the women, these men—smooth-skinned, well-muscled—look like statues, and grouped like this they resemble an entire Baroque fountain. A few mermaids and dolphins and cherubs and the scene would be complete. Into Snowman’s head comes the image of a circle of naked car mechanics, each holding a wrench. A whole squad of Mr. Fix-its. A gay magazine centrefold. Witnessing their synchronized routine, he almost expects them to break into some campy chorus line from one of the seedier nightclubs.

The men shake off, break their circle, look over at Snowman with their uniformly green eyes, smile. They’re always so goddamn affable.

“Welcome, oh Snowman,” says the one called Abraham Lincoln. “Will you join us inside our home?” He’s getting to be a bit of a leader, that one. Watch out for the leaders, Crake used to say. First the leaders and the led, then the tyrants and the slaves, then the massacres. That’s how it’s always gone.

Snowman steps over the wet line on the ground, ambles along with the men. He’d just had a brilliant idea: what if he were to take some of the saturated earth with him on his journey, as a protective device? It might ward off the wolvogs. But on second thought, the men would find the gap dug in their defences and would know he’d done it. Such an act could be misinterpreted: he wouldn’t want to be suspected of weakening their fortress, exposing their young to danger.

He’ll have to cook up a new directive from Crake, present it to them later. Crake has told me you must collect an offering of your scent. Get them all to piss in a tin can. Sprinkle it around his tree. Make a fairy ring. Draw his own line in the sand.

They reach the open space at the centre of the territorial circle. Off to one side, three of the women and one man are tending to a little boy, who appears to be hurt in some way. These people are not immune from wounds—the children fall down or bash their heads on trees, the women burn their fingers tending the fires, there are cuts and scrapes—but so far the injuries have been minor, and easily cured by purring.

Crake had worked for years on the purring. Once he’d discovered that the cat family purred at the same frequency as the ultrasound used on bone fractures and skin lesions and were thus equipped with their own self-healing mechanism, he’d turned himself inside out in the attempt to install that feature. The trick was to get the hyoid apparatus modified and the voluntary nerve pathways connected and the neocortex control systems adapted without hampering the speech abilities. There’d been quite a few botched experiments, as Snowman recalled. One of the trial batch of kids had manifested a tendency to sprout long whiskers and scramble up the curtains; a couple of the others had vocal-expression impediments; one of them had been limited to nouns, verbs, and roaring.

Crake did it though, thinks Snowman. He pulled it off. Just look at the four of them now, heads down close to the child, purring away like car engines.

“What happened to him?” he asks.

“He was bitten,” says Abraham. “One of the Children of Oryx bit him.”

This is something new. “What kind?”

“A bobkitten. For no reason.”

“It was outside our circle, it was in the forest,” says one of the women—Eleanor Roosevelt? Empress Josephine?—Snowman can’t always remember their names.

“We were forced to hit it with rocks, to make it go away,” says Leonardo da Vinci, the man in the purring quartet.

So the bobkittens are hunting kiddies now, thinks Snowman. Maybe they’re getting hungry—as hungry as he is himself. But they have lots of rabbits to choose from, so it can’t be simple hunger. Maybe they see the Children of Crake, the little ones anyway, as just another kind of rabbit, though easier to catch.

“Tonight we will apologize to Oryx,” says one of the women—Sacajawea?—“for the rocks. And we will request her to tell her children not to bite us.”

He’s never seen the women do this—this communion with Oryx—although they refer to it frequently. What form does it take? They must perform some kind of prayer or invocation, since they can hardly believe that Oryx appears to them in person. Maybe they go into trances. Crake thought he’d done away with all that, eliminated what he called the G-spot in the brain. God is a cluster of neurons, he’d maintained. It had been a difficult problem, though: take out too much in that area and you got a zombie or a psychopath. But these people are neither.

They’re up to something though, something Crake didn’t anticipate: they’re conversing with the invisible, they’ve developed reverence. Good for them, thinks Snowman. He likes it when Crake is proved wrong. He hasn’t caught them making any graven images yet, however.

“Will the child be all right?” he asks.

“Yes,” says the woman calmly. “Already the tooth holes are closing. See?”

The rest of the women are doing the things they usually do in the morning. Some are tending the central fire; others squat around it, warming themselves. Their body thermostats are set for tropical conditions, so they sometimes find it cold before the sun is high. The fire is fed with dead twigs and branches, but primarily with dung, made into patties the size and shape of hamburgers and dried in the noonday sun. Since the Children of Crake are vegetarians and eat mostly grass and leaves and roots, this material burns well enough. As far as Snowman can tell, fire-tending is about the only thing the women do that might be classified as work. Apart from helping to catch his weekly fish, that is. And cooking it for him. On their own behalf they do no cooking.

“Greetings, oh Snowman,” says the next woman he comes to. Her mouth is green from the breakfast she’s been chewing. She’s breastfeeding a year-old boy, who looks up at Snowman, lets the nipple pop out of his mouth, and begins to cry. “It’s only Snowman!” she says. “He won’t hurt you.”

Snowman still hasn’t got used to it, the growth rate of these kids. The yearling looks like a five-year-old. By the age of four he’ll be an adolescent. Far too much time was wasted in childrearing, Crake used to say. Childrearing, and being a child. No other species used up sixteen years that way.

Some of the older children have spotted him; they come closer, chanting, “Snowman, Snowman!” So he hasn’t yet lost his allure. Now all the people are gazing at him curiously, wondering what he’s doing here. He never arrives without a reason. On his first visits they’d thought—judging from his appearance—that he must be hungry, and they’d offered him food—a couple of handfuls of choice leaves and roots and grass, and several caecotrophs they’d kept especially for him—and he’d had to explain carefully that their food was not his food.

He finds the caecotrophs revolting, consisting as they do of semi-digested herbage, discharged through the anus and reswallowed two or three times a week. This had been another boy-genius concept on the part of Crake. He’d used the vermiform appendix as the base on which to construct the necessary organ, reasoning that at an earlier evolutionary stage, when the ancestral diet had been higher in roughage, the appendix must have fulfilled some such function. But he’d stolen the specific idea from the Leporidae, the hares and rabbits, which depend on caecotrophs rather than on several stomachs like the ruminants. Maybe this is why bobkittens have started hunting the young Crakers, Snowman thinks: beneath the citrus overlay, they can smell the rabbity aroma of the caecotrophs.

Jimmy had argued with Crake over this feature. However you look at it, he’d said, what it boiled down to was eating your own shit. But Crake had merely smiled. For animals with a diet consisting largely of unrefined plant materials, he’d pointed out, such a mechanism was necessary to break down the cellulose, and without it the people would die. Also, as in the Leporidae, the caecotrophs were enriched with Vitamin B1, and with other vitamins and minerals as well, at four or five times the level of ordinary waste material. Caecotrophs were simply a part of alimentation and digestion, a way of making maximum use of the nutrients at hand. Any objections to the process were purely aesthetic.

That was the point, Jimmy had said.

Crake had said that if so it was a bad one.

Snowman is now surrounded by an attentive circle. “Greetings, Children of Crake,” he says. “I have come to tell you that I’m going on a journey.” The adults must have deduced this already, from his long stick and the way he’s tied his sheet: he’s gone on journeys before, or that’s what he’s called his looting forays into the trailer parks and adjacent pleeblands.

“Are you going to see Crake?” asks one of the children.

“Yes,” says Snowman. “I’ll try to see him. I’ll see him if he’s there.”

“Why?” says one of the older children.

“There are some things I need to ask him,” says Snowman cautiously.

“You must tell him about the bobkitten,” says Empress Josephine. “The one that bit.”

“That is a matter for Oryx,” says Madame Curie. “Not for Crake.” The other women nod.

“We want to see Crake too,” the children begin. “We too, we too! We want to see Crake too!” It’s one of their favourite ideas, going to see Crake. Snowman blames himself: he shouldn’t have told them such exciting lies at the beginning. He’d made Crake sound like Santa Claus.

“Don’t bother Snowman,” says Eleanor Roosevelt gently. “Surely he is making this journey to help us. We must thank him.”

“Crake is not for children,” says Snowman, looking as stern as he can manage.

“Let us come too! We want to see Crake!”

“Only Snowman can ever see Crake,” Abraham Lincoln says mildly. That seems to settle it.

“This will be a longer journey,” Snowman says. “Longer than the other journeys. Maybe I won’t come back for two days.” He holds up two fingers. “Or three,” he adds. “So you shouldn’t worry. But while I’m away, be sure to stay here in your home, and do everything the way Crake and Oryx have taught you.”

A chorus of yesses, much nodding of heads. Snowman doesn’t mention the possibility of danger to himself. Perhaps it isn’t a thing they ever consider, nor is it a subject he brings up—the more invulnerable they think he is, the better.

“We will come with you,” says Abraham Lincoln. Several of the other men look at him, then nod.

“No!” says Snowman, taken aback. “I mean, you can’t see Crake, it isn’t allowed.” He doesn’t want them tagging along, absolutely not! He doesn’t want them witnessing any weaknesses or failures on his part. Also, some of the sights along the way might be bad for their state of mind. Inevitably they would shower him with questions. In addition to all of which, a day in their company would bore the pants off him.

But you don’t have any pants, says a voice in his head—a small voice this time, a sad little child’s voice. Joke! Joke! Don’t kill me!

Please, not now, thinks Snowman. Not in company. In company, he can’t answer back.

“We would come with you to protect you,” says Benjamin Franklin, looking at Snowman’s long stick. “From the bobkittens that bite, from the wolvogs.”

“Your smell is not very strong,” adds Napoleon.

Snowman finds this offensively smug. Also it’s too euphemistic by half: as they all know, his smell is strong enough, it just isn’t the right kind. “I’ll be fine,” he says. “You stay here.”

The men look dubious, but he thinks they’ll do as he says. To reinforce his authority he holds his watch up to his ear. “Crake says he’ll be watching over you,” he says. “To keep you safe.” Watch, watching over, says the small child’s voice. It’s a pun, you cork-nut.

“Crake watches over us in the daytime, and Oryx watches over us at night,” Abraham Lincoln says dutifully. He doesn’t sound too convinced.

“Crake always watches over us,” says Simone de Beauvoir serenely. She’s a yellow-brown woman who reminds Snowman of Dolores, his long-lost Philippina nanny; he sometimes has to resist the urge to drop to his knees and throw his arms around her waist.

“He takes good care of us,” says Madame Curie. “You must tell him that we are grateful.”

Snowman goes back along the Snowman Fish Path. He feels mushy: nothing breaks him up like the generosity of these people, their willingness to be of help. Also their gratitude towards Crake. It’s so touching, and so misplaced.

“Crake, you dickhead,” he says. He feels like weeping. Then he hears a voice—his own!—saying boohoo; he sees it, as if it’s a printed word in a comic-strip balloon. Water leaks down his face.

“Not this again,” he says. What’s the sensation? It isn’t anger exactly; it’s vexation. An old word but serviceable. Vexation takes in more than Crake, and indeed why blame Crake alone?

Maybe he’s merely envious. Envious yet again. He too would like to be invisible and adored. He too would like to be elsewhere. No hope for that: he’s up to his neck in the here and now.

He slows to a shamble, then to a halt. Oh, boohoo! Why can’t he control himself? On the other hand, why bother, since nobody’s watching? Still, the noise he’s making seems to him like the exaggerated howling of a clown—like misery performed for applause.

Stop snivelling, son, says his father’s voice. Pull yourself together. You’re the man around here.

“Right!” Snowman yells. “What exactly would you suggest? You were such a great example!”

But irony is lost on the trees. He wipes his nose with his stick-free hand and keeps walking.

Blue

It’s nine in the morning, sun clock, by the time Snowman leaves the Fish Path to turn inland. As soon as he’s out of the sea breeze the humidity shoots up, and he attracts a coterie of small green biting flies. He’s barefoot—his shoes disintegrated some time ago, and in any case they were too hot and damp—but he doesn’t need them now because the soles of his feet are hard as old rubber. Nevertheless he walks cautiously: there might be broken glass, torn metal. Or there might be snakes, or other things that could give him a nasty bite, and he has no weapon apart from the stick.

At first he’s walking under trees, formerly parkland. Some distance away he hears the barking cough of a bobkitten. That’s the sound they make as a warning: perhaps it’s a male, and it’s met another male bobkitten. There’ll be a fight, with the winner taking all—all the females in the territory—and dispatching their kittens, if he can get away with it, to make room for his own genetic package.

Those things were introduced as a control, once the big green rabbits had become such a prolific and resistant pest. Smaller than bobcats, less aggressive—that was the official story about the bobkittens. They were supposed to eliminate feral cats, thus improving the almost non-existent songbird population. The bobkittens wouldn’t bother much about birds, as they would lack the lightness and agility necessary to catch them. Thus went the theory.

All of which came true, except that the bobkittens soon got out of control in their turn. Small dogs went missing from backyards, babies from prams; short joggers were mauled. Not in the Compounds, of course, and rarely in the Modules, but there’d been a lot of grousing from the pleeblanders. He should keep a lookout for tracks, and be careful of overhanging branches: he doesn’t like the thought of one of those things landing on his head.

There are always the wolvogs to worry about. But wolvogs are nocturnal hunters: in the heat of the day they tend to sleep, like most things with fur.

Every so often there’s a more open space—the remains of a drive-in campsite, with a picnic table and one of those outdoor-barbecue fireplaces, though nobody used them very much once it got so warm and began to rain every afternoon. He comes upon one now, fungi sprouting from the decaying table, the barbecue covered in bindweed.

Off to the side, from what is probably a glade where the tents and trailers used to be set up, he can hear laughter and singing, and shouts of admiration and encouragement. There must be a mating going on, a rare-enough occasion among the people: Crake had worked out the numbers, and had decreed that once every three years per female was more than enough.

There’ll be the standard quintuplet, four men and the woman in heat. Her condition will be obvious to all from the bright-blue colour of her buttocks and abdomen—a trick of variable pigmentation filched from the baboons, with a contribution from the expandable chromosphores of the octopus. As Crake used to say, Think of an adaptation, any adaptation, and some animal somewhere will have thought of it first.

Since it’s only the blue tissue and the pheromones released by it that stimulate the males, there’s no more unrequited love these days, no more thwarted lust; no more shadow between the desire and the act. Courtship begins at the first whiff, the first faint blush of azure, with the males presenting flowers to the females—just as male penguins present round stones, said Crake, or as the male silverfish presents a sperm packet. At the same time they indulge in musical outbursts, like songbirds. Their penises turn bright blue to match the blue abdomens of the females, and they do a sort of blue-dick dance number, erect members waving to and fro in unison, in time to the foot movements and the singing: a feature suggested to Crake by the sexual semaphoring of crabs. From amongst the floral tributes the female chooses four flowers, and the sexual ardour of the unsuccessful candidates dissipates immediately, with no hard feelings left. Then, when the blue of her abdomen has reached its deepest shade, the female and her quartet find a secluded spot and go at it until the woman becomes pregnant and her blue colouring fades. And that is that.

No more No means yes, anyway, thinks Snowman. No more prostitution, no sexual abuse of children, no haggling over the price, no pimps, no sex slaves. No more rape. The five of them will roister for hours, three of the men standing guard and doing the singing and shouting while the fourth one copulates, turn and turn about. Crake has equipped these women with ultra-strong vulvas—extra skin layers, extra muscles—so they can sustain these marathons. It no longer matters who the father of the inevitable child may be, since there’s no more property to inherit, no father-son loyalty required for war. Sex is no longer a mysterious rite, viewed with ambivalence or downright loathing, conducted in the dark and inspiring suicides and murders. Now it’s more like an athletic demonstration, a free-spirited romp.

Maybe Crake was right, thinks Snowman. Under the old dispensation, sexual competition had been relentless and cruel: for every pair of happy lovers there was a dejected onlooker, the one excluded. Love was its own transparent bubble-dome: you could see the two inside it, but you couldn’t get in there yourself.

That had been the milder form: the single man at the window, drinking himself into oblivion to the mournful strains of the tango. But such things could escalate into violence. Extreme emotions could be lethal. If I can’t have you nobody will, and so forth. Death could set in.

“How much misery,” Crake said one lunchtime—this must have been when they were in their early twenties and Crake was already at the Watson-Crick Institute—“how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately won’t or can’t love you. As a species we’re pathetic in that way: imperfectly monogamous. If we could only pair-bond for life, like gibbons, or else opt for total guilt-free promiscuity, there’d be no more sexual torment. Better plan—make it cyclical and also inevitable, as in the other mammals. You’d never want someone you couldn’t have.”

“True enough,” Jimmy replied. Or Jim, as he was now insisting, without results: everyone still called him Jimmy. “But think what we’d be giving up.”

“Such as?”

“Courtship behaviour. In your plan we’d just be a bunch of hormone robots.” Jimmy thought he should put things in Crake’s terms, which was why he said courtship behaviour. What he meant was the challenge, the excitement, the chase. “There’d be no free choice.”

“There’s courtship behaviour in my plan,” said Crake, “except that it would always succeed. And we’re hormone robots anyway, only we’re faulty ones.”

“Well, what about art?” said Jimmy, a little desperately. He was, after all, a student at the Martha Graham Academy, so he felt some need to defend the art-and-creativity turf.

“What about it?” said Crake, smiling his calm smile.

“All that mismatching you talk about. It’s been an inspiration, or that’s what they say. Think of all the poetry—think Petrarch, think John Donne, think the Vita Nuova, think…”

“Art,” said Crake. “I guess they still do a lot of jabbering about that, over where you are. What is it Byron said? Who’d write if they could do otherwise? Something like that.”

“That’s what I mean,” said Jimmy. He was alarmed by the reference to Byron. What right had Crake to poach on his own shoddy, threadbare territory? Crake should stick to science and leave poor Byron to Jimmy.

“What do you mean?” said Crake, as if coaching a stutterer.

“I mean, when you can’t get the otherwise, then…”

“Wouldn’t you rather be fucking?” said Crake. He wasn’t including himself in this question: his tone was one of detached but not very strong interest, as if he were conducting a survey of people’s less attractive personal habits, such as nose-picking.

Jimmy found that his face got redder and his voice got squeakier the more outrageous Crake became. He hated that. “When any civilization is dust and ashes,” he said, “art is all that’s left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.”

“That’s not quite all that’s left over,” said Crake. “The archeologists are just as interested in gnawed bones and old bricks and ossified shit these days. Sometimes more interested. They think human meaning is defined by those things too.”

Jimmy would like to have said Why are you always putting me down? but he was afraid of the possible answers, because it’s so easy being one of them. So instead he said, “What have you got against it?”

“Against what? Ossified shit?”

“Art.”

“Nothing,” said Crake lazily. “People can amuse themselves any way they like. If they want to play with themselves in public, whack off over doodling, scribbling, and fiddling, it’s fine with me. Anyway it serves a biological purpose.”

“Such as?” Jimmy knew that everything depended on keeping his cool. These arguments had to be played through like a game: if he lost his temper, Crake won.

“The male frog, in mating season,” said Crake, “makes as much noise as it can. The females are attracted to the male frog with the biggest, deepest voice because it suggests a more powerful frog, one with superior genes. Small male frogs—it’s been documented—discover that if they position themselves in empty drainpipes, the pipe acts as a voice amplifier, and the small frog appears much larger than it really is.”

“So?”

“So that’s what art is, for the artist,” said Crake. “An empty drainpipe. An amplifier. A stab at getting laid.”

“Your analogy falls down when it comes to female artists,” said Jimmy. “They’re not in it to get laid. They’d gain no biological advantage from amplifying themselves, since potential mates would be deterred rather than attracted by that sort of amplification. Men aren’t frogs, they don’t want women who are ten times bigger than them.”

“Female artists are biologically confused,” said Crake. “You must have discovered that by now.” This was a snide dig at Jimmy’s current snarled romance, with a brunette poet who’d renamed herself Morgana and refused to tell him what her given name had been, and who was currently on a twenty-eight-day sex fast in honour of the Great Moon-Goddess Oestre, patroness of soybeans and bunnies. Martha Graham attracted those kinds of girls. An error, though, to have confided this affair to Crake.

Poor Morgana, thinks Snowman. I wonder what happened to her. She’ll never know how useful she’s been to me, her and her claptrap. He feels a little paltry for having pawned Morgana’s drivel off on the Crakers as cosmogony. But it seems to make them happy enough.

Snowman leans against a tree, listening to the noises off. My love is like a blue, blue rose. Moon on, harvest shine. So now Crake’s had his way, he thinks. Hooray for him. There’s no more jealousy, no more wife-butcherers, no more husband-poisoners. It’s all admirably good-natured: no pushing and shoving, more like the gods cavorting with willing nymphs on some golden-age Grecian frieze.

Why then does he feel so dejected, so bereft? Because he doesn’t understand this kind of behaviour? Because it’s beyond him? Because he can’t jump in?

And what would happen if he tried? If he burst out of the bushes in his filthy tattered sheet, reeking, hairy, tumescent, leering like a goat-balled, cloven-hoofed satyr or a patch-eyed buccaneer from some ancient pirate film—Aarr, me hearties!—and attempted to join the amorous, blue-bottomed tussle? He can imagine the dismay—as if an orang-utang had crashed a formal waltzfest and started groping some sparkly pastel princess. He can imagine his own dismay too. What right does he have to foist his pustulant, cankered self and soul upon these innocent creatures?

“Crake!” he whimpers. “Why am I on this earth? How come I’m alone? Where’s my Bride of Frankenstein?”

He needs to ditch this morbid tape-loop, flee the discouraging scene. Oh honey, a woman’s voice whispers, Cheer up! Look on the bright side! You’ve got to think positive!

He hikes doggedly onward, muttering to himself. The forest blots up his voice, the words coming out of him in a string of colourless and soundless bubbles, like air from the mouths of the drowning. The laughter and singing dwindle behind him. Soon he can’t hear them at all.