Nova Swing

1 The Bar on Straint Street

Vic Serotonin sat in a bar on Straint Street, just outside the aureole of the Saudade event, in conversation with a fat man from another planet who called himself Antoyne. They had been playing dice all night. It was just before dawn, and a brown light, polished but dim at the same time, crept out the street lamps to fill the place.

"I was never in there," the fat man admitted, meaning the event site, "but what I think-"

"If this is going to be bullshit, Antoyne," Serotonin advised him, "don't even start."

The fat man looked hurt.

"Have another drink," Vic said.

The bar was about halfway down Straint, a cluttered, narrow-ish street of two-storey buildings, along which two out of three had their windows boarded up. Like all the streets in that part of Saudade, Straint was full of cats, especially at dawn and dusk, when they went in and out of the event site. As if in acknowledgement, the bar was called Black Cat White Cat. It featured a zinc counter slightly too high for comfort. A row of bottles which contained liquids of unlikely colours. A few tables. The long window steamed up easily, no one but Antoyne cared. In the morning the bar smelled of last night's garlic. Some mornings it smelled of mould too, as if something had crept out of the event aureole in the dark and, after a few attempts to breathe the air in the bar, died underneath a corner table. Shadow operators hung high up in the join between the walls and the ceiling, like cobwebs. There wasn't much for them to do.

Vic-short for Vico, a name popular on Scienza Nuova where he was born-was in the bar most days. He ate there. He ran his business out of it. He used it as a mail drop, and as a place to check out his clients: but really it was what they called a jump-off joint, positioned well, not too far back from the event site, not so close as to suffer effects. Another advantage it had: Vic was on good terms with the owner, a woman called Liv Hula who never put in a manager but ran it herself day and night. People thought she was the barkeep, that suited her. She wasn't known to complain. She was one of those women who draw in on themselves after their fortieth year, short, thin, with brush-cut grey hair, a couple of smart tattoos on her muscular forearms, an expression as if she was always thinking of something else. She had music in the bar. Her taste ran to the outcaste beats and saltwater dub you heard a few years back. That aged her as far as Vic Serotonin was concerned.

"Hey," she told Vic now, "leave the fat man alone. Everyone's entitled to an opinion."

Serotonin stared at her. "I won't even answer that."

"Bad night, Vic?"

"You should know. You were there."

She poured him a shot of Black Heart rum, along with whatever the fat man was having. "I would say you were out there on your own, Vic," she said. "Much of the time." They both laughed.

Then she looked over his shoulder at the open door of the bar and said:

"Maybe you got a customer here."

The woman who stood there was a little too tall to wear the high heels in fashion then. She had long thin hands, and that way of looking both anxious and tranquil a lot of those tourist women have. There was a tentativeness about her. She was elegant and awkward at the same time. If she knew how to wear clothes, perhaps that was a learned thing, or perhaps it was a talent she had never fully brought out in herself. You thought instantly she had lost her way. When she came into the bar that morning, she was wearing a black two-piece with a little fitted jacket and calf-length kick-pleat skirt, under a long, honey-coloured fur coat. She stood there uncertainly in the doorway, with the cold light from Straint Street behind her, and the unflattering light from the window falling across one side of her face, and the first words anyone heard her say were, "Excuse me, I-"

At the sound of her voice, the shadow operators unfolded themselves and streamed towards her from every corner of the room, to whirl about her head like ghosts, bats, scrap paper, smoke or old women clasping antique lockets of hair. They recognised privilege when they saw it.

"My dear," they whispered. "What beautiful hands."

"Is there anything we can do-"

"-Can we do anything, dear?"

"What lovely, lovely hands!"

Liv Hula looked amused. "They never talk like that for me," she admitted to the woman in the fur coat. Then she had a sudden vision of her own life as hard-won, dug out raw from nothing much even the few times it seemed to swoop or soar.

"You came for Vic, he's over there," she said.

She always pointed him out. After that she washed her hands of whatever happened. This time Vic was waiting. He was low on work, it was a slow year though you wouldn't guess that from the number of ships clustered in the tourist port. Vic accounted himself intelligent and determined; women, on the other hand, saw him as weak, conflicted and, reading this as a failed attempt to feminise himself, attractive. He had been caning it for weeks with Fat Antoyne and Liv Hula, but he still looked younger than his age. He stood there with his hands in his pockets, and the woman leaned towards him as if he was the only way she could get her bearings in the room. The closer she approached him the more uncertain she seemed. Like most of them, she wasn't sure how to broach things.

"I want you to take me in there," she said eventually.

Vic laid his finger on his lips. He could have wished for some statement less bald. "Not so loud," he suggested.

"I'm sorry."

He shrugged and said, "No problem."

"We're all friends here," Liv Hula said.

Vic gave Liv a look, which he then turned into a smile.

The woman smiled too. "Into the event site," she said, as if there might be any doubt about it. Her face was smooth and tight across longings Vic didn't quite understand. She looked away from him as she spoke. He should have thought more about that. Instead, he ushered her to a table, where they talked for five minutes in low voices. Nothing was easier, he told her, than what she wanted. Though the risk had to be understood, and you underrated at your peril the seriousness of things in there. He would be a fool not to make that clear. He would be irresponsible, he said. Money changed hands. After a time they got up and left the bar.

"Just another sucker on the teat," Liv Hula said, loud enough to pause him in the doorway.

Antoyne claimed to have flown navigator with Chinese Ed. He passed the days with his elbows on the bar staring out through the window at the contrails of descending K-ships in the sky above the houses on the other side of Straint Street. To most people it seemed unlikely he flew with anyone, but he could take a message and keep his mouth shut. The only other thing he ever said about himself was:

"No one gives shit about a fat man called Antoyne."

"You got that right," Liv Hula often told him.

When Vic had gone, there was a silence in the bar. The shadow operators calmed down and packed themselves back into the ceiling corners so the corners looked familiar again. Antoyne stared at the table in front of him then across at Liv Hula. It seemed as if they'd speak about Vic or the woman but in the end neither of them could think of anything to say. The fat man was angry that Liv Hula had defended him to Vic Serotonin. He drove his chair back suddenly, it made a kind of complaining sound against the wooden floor. He got up and went over to the window, where he wiped the condensation off with the palm of his hand.

"Still dark," he said.

Liv Hula had to admit that was true.

"Hey," he said. "Here's Joe Leone."

Over the street from Black Cat White Cat it was the usual frontages, busted and askew, buildings which had lost confidence in their structural integrity and which now housed shoestring tailor operations specialising in cosmetics or one-shot cultivars. You couldn't call them "parlours." The work they did was too cheap for that. They got a trickle of stuff from the Uncle Zip and Nueva Cut franchises downtown; also they took work from the Shadow Boys, work like Joe Leone. Just now Joe was pulling himself down Straint using the fences and walls to hold himself up. His energy ebbed and flowed. He would fall down, wait for a minute, then struggle up again. It looked like hard work. You could see he was holding something in down there with one hand while he leaned on the fence with the other. The closer he got the more puzzled he looked.

Antoyne made a tube out of his two damp fists and said through it in the voice of a sports commentator at Radio Retro:

"… and will he make it this time?"

"Be sure to let us know when you join the human race, Antoyne," Liv Hula said. The fat man shrugged and turned away from the window. "It's no bet," he said in his normal voice. "He never failed yet."

Joe kept dragging himself down Straint. As he approached, you could see the tailors had done something to his face so it had a crude lion-like cast. It was white and sweated up, but it didn't move properly. They had given it a one-piece look as if it were sculpture, even the long hair swept back and out from his big forehead and cheekbones. Eventually he fell down outside one of the chopshops and stopped moving, and after a couple of minutes two men almost as big as him came out to drag him inside.

Joe started to fight when he was seven.

"Never strike out at the other, son," his father would explain in a patient way, "because the other is your self."

Joe Leone didn't follow that, even at seven years old which everyone agreed was his most intelligent time. He liked to fight. By twelve it was his trade, nothing more or less. He signed with the Shadow Boys. From that time on he lived in one-shot cultivars. He liked the tusks, the sentient tattoos and the side-lace trousers. Joe had no body of his own. It cost him so much to run those cultivars he would never save up enough to buy himself back. Every day he was in the ring, doing that same old thing. He was getting pretty well messed up. "I lost count the times I seen my own insides. Hey, what's that? Lose your insides ain't so hard. Losing a fight, that's hard." And he would laugh and buy you another drink.

Every day they dragged the fucked-up cultivar out the ring, and the next day Joe Leone had been to the tailor on Straint and come out fresh and new and ready to do it all again. It was a tiring life but it was the life he loved. Liv Hula never charged him for a drink. She had a soft spot for him, it was widely acknowledged.

"Those fights, they're cruel and stupid," she told the fat man now.

He was too smart to contradict that. After a moment, looking for something else to quarrel over, he said, "You ever do anything before you kept bar?"

She brought out a lifeless smile for him to consider.

"One or two things," she said.

"Then how come I never heard about them?"

"Got me there, Antoyne."

She waited for him to respond, but now something new on Straint had caught his attention. He wiped the window glass again. He pressed his face up against it. "Irene's a little late today," he said.

Liv Hula busied herself suddenly behind the bar.

"Oh yes?"

"A minute or two," he said.

"What's a minute or two to Irene?"

The fights were a dumb career, that was Liv Hula's opinion. They were a dumb life. Joe Leone's whole ambition was as dumb as his self-presentation until he met Irene: then it got worse. Irene was a Mona who had a good track record working the noncorporate spaceport. She was what you call petite, five three in transparent urethane heels and full of appeal with her flossy blonde hair. Like all those Uncle Zip products she had something organic about her, something real. She watched Joe Leone at the fights and after she smelled his blood she couldn't leave him alone. Every morning when he came home to the tailor's, Irene was there too. Between them they summed up the sex industry and the fight industry. When Joe and Irene were together you couldn't be sure which industry was which. They were a new form of entertainment in themselves.

Irene commenced to hammer at the chopshop door.

"How long you think they'll let her shout before they open up?" Fat Antoyne asked. Liv Hula had found a map-shaped stain on the zinc bartop, which she stared at with interest.

"I don't know why you're asking me," she said.

"She's got feelings for him," said Antoyne, to press his advantage. "That's undeniable. No one questions that. Jesus," he added to himself, "look at those tits."

He tried to imagine Joe Leone, dead and liquefied while his bones and organs reassembled themselves and Irene gave him the Mona side of her mouth. The joke was, Irene's opinion was no different than Liv Hula's. Every morning she made them fetch her an old wooden chair and put it at the head of Joe's tank, with his faded publicity slogan on it, Hold the painkillers. There she sat, ignoring the pink flashing LEDs, which were for show anyway, while the tank proteome slushed around like warm spit, cascades of autocatalysis through a substrate of forty thousand molecular species, flushing every twenty minutes to take off what unwanted product the chemistry couldn't eliminate. She hated the sucking noises it made.

One day you won't get back, she would tell the Lion. One more fight and you're fucked with me. But Joe was an algorithm by now, somewhere off in operator space. He was choosing new tusks from the catalogue, he was getting tuning to his glycolytic systems. He couldn't hear a word.

Oh Joe, I really mean it, she'd say. One more fight.

Liv Hula sometimes watched the rockets too.

Near dawn, you got her and the fat man standing by the window together as two tubby brass-looking freighters lifted from the corporate yard. Then a K-ship exited the military pits on the hard white line from its fRAM engine. In the backwash of light a warmer expression came on her face than you would expect. By then the Kefahuchi Tract had begun to fade from the sky, which was tilted like a lid to show one thin eastern arc of pale green, false dawn. Offshore winds would come up soon and, forced along the narrow pipe of Straint Street, churn the low-lying fogs of the event site. That would be the signal for all sorts of people to start the day. Liv Hula and Antoyne the fat man watched the K-ship cut the sky like scissors.

"You ever fly one of those, Antoyne?" she remarked.

He blinked and turned his head away. "There's no need for that," he said. "There's no need for sarcasm like that."

Just then, Vic Serotonin came back in the bar, walking quickly and looking behind him. He had the air of someone whose morning was already off its proper track. His face was white, with a graze on one cheek leaking beads of blood. He had waded through oily water not long ago it seemed; and his zip-up gabardine jacket had one sleeve half off at the shoulder-as if someone had held on to it while they fell, Liv Hula thought immediately, although she did not know why.

"Jesus, Vic," she said.

"Get me a drink," Vic Serotonin said.

He walked halfway across the room as if he was going to drink it at the counter, then changed his mind and sat down suddenly at the nearest table. Once there he didn't seem to know what to do. A few shadow operators detached themselves from the ceiling to examine him; he stared through them. "Shit," he kept saying in a quiet, surprised way. After a while his breathing calmed down.

The fat man forgot his hurt feelings as soon as Vic came in. He pulled up a chair and began to tell Vic some story, leaning into it in his enthusiasm so his soft body enveloped the table-edge. His voice was quiet and urgent, but you could hear the odd word,

"entradista," "hard X-rays," "Chinese Ed." Vic stared through him too, then said, "Shut up or I'll shoot you where you sit." The fat man looked hopelessly away. He said all he wanted in this bar was a chance, Vic should give him a chance. He was trying not to cry. "I'm sorry," Vic said, but he was already thinking about something else, and when Liv Hula brought him his drink, and sat down and said, "Black Heart, Vic, just the way you like it," he barely seemed to recognise her.

"Shit," he said again.

"Where's the woman, Vic?"

"I don't know," he said.

"Only I don't want to hear you left her there."

"She cracked and ran. She's in the aureole somewhere. Antoyne, go to the door, tell me if anyone's in the street."

"All I want is a chance to fit in," the fat man said.

"For fuck's sake, Antoyne."

Antoyne said, "No one understands that."

Serotonin opened his mouth to say more, then he seemed to forget Antoyne altogether. "I never saw panic like it," he said. He shook his head. "You couldn't even say we'd got inside. It's bad this morning, but it's not that bad." He finished his drink and held out the glass. Instead of taking it, Liv Hula caught his wrist.

"So how bad is it?" she said. She wouldn't let go until he told her.

"Things are moving about," he admitted. "I've seen worse, but usually further in."

"Where is she, Vic?"

He laughed. It was a laugh he had practised too often. "I told you," he said tiredly, "she's somewhere in the aureole. We never got any further. She runs off between the buildings, I see silk stockings and that fucking fur coat, then I see nothing. She was still calling from somewhere when I gave up," he said. "Get me another drink, Liv, or I don't know what I'll do."

Liv Hula said, "You didn't go after her, Vic."

He stared.

"You stayed where it was safe, and shouted a couple times, and then you came home."

"Vic would never do that," the fat man said in a blustering way. No one was going to say Vic would do that. "Hey, Vic. Tell her. You would never do that!" He got up out of his chair. "I'm going in the street and keep an eye open now, just the way you wanted. You got a wrong idea about Vic Serotonin," he said to Liv Hula, "if you think he'd do that." As soon as he had gone, she went to the bar and poured Vic another Black Heart rum, while Vic rubbed his face with his hands like someone who was very tired and couldn't see his way through life anymore. His face had an older look than it had when he left. It was sullen and heavy, and his blue eyes took on a temporary pleading quality which one day would be permanent.

"You don't know what it's like in there," he told her.

"Of course I don't," she said. "Only Vic Serotonin knows that."

"Streets transposed on one another, everything laid down out of sync one minute to the next. Geography that doesn't work. There isn't a single piece of dependable architecture in the shit of it. You leave the route you know, you're done. Lost dogs barking day and night. Everything struggling to keep afloat."

She wasn't disposed to let him get away with that.

"You're the professional, Vic," she reminded him. "They're the customers. Here's your other drink if you want it." She leaned her elbows on the bar. "You're the one has to hold himself together."

This seemed to amuse him. He took the rum down in one swallow, the colour came back into his face and they looked at one another in a more friendly way. He wasn't finished with her, though. "Hey, Liv," he said softly after a moment or two, "what's the difference between what you've seen and what you are? You want to know what it's like in there? The fact is, you spend all those years trying to make something of it. Then guess what, it starts making something of you."

He got up and went to the door.

"What are you fucking about at, Antoyne?" he called. "I said 'look.' I said 'take a look.' "

The fat man, who had trotted up Straint a little into the predawn wind to clear his head, also to see if he could get a glimpse of Irene the Mona through a chink in the boarded windows of the chopshop, came in grinning and shivering with the cold. "Antoyne here can tell us all about it," Vic Serotonin said. "Everything he knows."

"Leave Antoyne alone."

"You ever been in there when everything fell apart, Antoyne?"

"I was never in there, Vic," Antoyne said hastily. "I never claimed I was."

"Everything was just taken away, and you had no idea what established itself in exchange? The air's like uncooked pastry. It's not a smell in there, it's a substrate. In every corner there's a broken telephone nailed to the wall. They're all labelled Speak but there's no line out. They ring but no one's ever there."

Liv Hula gave him a look, then shrugged. To the fat man she explained, "Vic just so hates to lose a client."

"Fuck you," Vic Serotonin said. "Fuck the two of you."

He pushed his glass across the counter and walked out.

After Vic Serotonin left, silence returned to the bar. It crowded in on itself, so that Liv Hula and the fat man, though they wanted to speak, were hemmed in with their own thoughts. The onshore wind decreased; while the light increased until they could no longer deny it was dawn. The woman washed and dried the glass Vic Serotonin had used, then put it carefully in its place behind the bar. Then she went upstairs to the room above, where she thought about changing her clothes but in the end only stared in a kind of mounting panic at the disordered bed, the blanket chest and the bare white walls.

I ought to move on, she thought. I ought to leave here now.

When she came down again, Antoyne had resumed his place by the window and with his hands on the sill stood watching the pay-loads lift one after another from the corporate port. He half-turned as if to speak but, receiving no encouragement, turned back again.

Across the street someone opened the chopshop door.

After a brief quiet struggle, Irene the Mona stumbled out. She took an uncertain step or two forward, peering blindly up and down Straint like a drunk assessing heavy traffic, then sat down suddenly on the edge of the sidewalk. The door slammed shut behind her. Her skirt rode up. Antoyne pressed his face closer to the glass. "Hey," he whispered to himself. Irene, meanwhile, set her little shiny red urethane vanity case down beside her and began to claw through its contents with one hand. She was still sitting there two or three minutes later, showing all she had, sniffing and wiping her eyes, when the cats came out of the Saudade event site in an alert silent rush.

Who knew how many of those cats there were? Another thing, you never found so much as a tabby among them, every one was either black or white. When they poured out the zone it was like a model of some chaotic mixing flow in which, though every condition is determined, you can never predict the outcome. Soon they filled Straint in both directions, bringing with them the warmth of their bodies, also a close, dusty but not unpleasant smell. Irene struggled upright, but the cats took no more notice than if she had been one of the street lamps.

Irene was born on a planet called Perkins' Rent. She left there tall and bony, with an awkward walk and big feet. When she smiled her gums showed, and she did her hair in lacquered copper waves so tight and complex they could receive the mains hum, the basic radio transmissions of the universe. She had a sweet way of laughing. When she boarded the rocket to leave, she was seventeen. Her suitcase contained a yellow cotton dress with a kind of faux-Deco feel, tampons and four pairs of high heel shoes. "I love shoes," she would explain to you when she was drunk. "I love shoes." You got the best of her in those days. She would follow you anywhere for two weeks then follow someone else. She loved a rocket jockey.

Now she stood with tears streaming down her face, watching the Saudade cats flow around her, until Liv Hula waded fastidiously into the stream and fetched her back to the bar, where she sat her down and said:

"What can I get you, honey?"

"He's dead this time," Irene said in a rush.

"I can't believe that," Liv Hula said. Immediately she was tidying up inside, planning to stay back inside herself away from the fact of it. But Irene kept repeating in her disorganised way, "He's dead this time, that's all," which made it hard to dissociate. Irene took Liv Hula's hand and pressed it to her cheek. It was her opinion, she said, that something makes men unfit for most of life; to which Liv Hula replied, "I always thought so too." Then Irene broke into snuffling again and had to fetch out her vanity mirror. "Especially the best parts," she said indistinctly.

Later, when Antoyne came and tried to make conversation with her, she gave him the full benefit of her looks. He bought her a drink which settled out the same colours as her skirt, pink and yellow, and which he said they drank on some dumb planet he knew fifty lights down the line.

"I been there, Fat Antoyne," she told him with a sad smile.

That original Irene, she thought, wasn't good at being on her own. She would sit on the bed one place or another, listening to the rain and trying to hold herself together. On the other hand, she never lacked ambition. The stars of the Halo were like one big neon sign to her. The sign said: All the shoes you can eat. When she bought the Mona package, the tailor promised her hair would always smell of peppermint shampoo. She had gone through the catalogues, and that was what she wanted, and the tailor designed it in. On the Saudade streets it was her big selling point.

"I been there," she told Antoyne, letting him get the peppermint smell, "and just now I'm glad to meet someone else who's been there too."

Antoyne was as encouraged by this as any man. He sat on after she finished the drink, trying to engage her with stories of the places he had seen back when he rode the rockets. But Irene had been to all those places too-and more, Liv Hula thought-and Fat Antoyne had all he was going to get for one cheap cocktail drink. Liv watched them from a distance, her own thoughts so churned she didn't care how it ended. Eventually even Antoyne could see the way things were. He scraped his chair back and retreated to his place by the window. What time was it? How had the things happened that ended him up here? He looked out on to Straint. "It's day," he said. "Hey," he grumbled, "I actually respected the guy. You know?" Meanwhile the stream of cats flowed on like a problem in statistical mechanics, without any apparent slackening or falling away of numbers, until suddenly it turned itself off and Straint was empty again. Across the road at the tailor's they were flushing Joe Leone's proteins down the drain.

At the civilian port, the cruise ships, half-hidden in the mist, towered above the buildings; while along the tall narrow streets a traffic of rickshaw girls and tattoo boys had begun, ferrying the tourists from the New Cafe Al Aktar to Moneytown, from the Church on the Rock to the Rock Church, while around them their shreds and veils of shadow operators whispered, "A sight everyone will be sure to see, a discourse of oppositions." Fur coats were all over Saudade by eight, the colour of honey or horse-chestnut, cut to flow like some much lighter fabric. What sort of money was this? Where did it come from? It was off-planet money. It was corporate money. However cruel the trade that produced them, you could hardly deny the beauty of those coats and their luxurious surfaces.

Shortly after the last cat had vanished into the city, Vic's client returned to the bar.

Where Vic had come back filthy, she came back clean. You wouldn't notice anything new about her, except her shoulders were a little hunched and her face was still. Her hands she thrust into the pockets of her coat. Nothing had been taken away from her: but she held her head more carefully than before, always looking forward as if her neck hurt, or as if she was trying not to notice something happening in the side of her eye. It was hard to read body language like that. She placed herself with care at a table near the window, crossed one leg over the other and asked in a low voice for a drink. After a little while she said, "I wonder if someone could give that other man the rest of his fee."

Antoyne sat forward eagerly.

"I can do that," he offered.

"No you can't," Liv Hula warned him. To the woman in the fur coat she said, "Vic's cheap, he left you for dead. You owe him nothing."

"Still," the woman said, "I feel he should have the rest of his money. It's here. And I was fine, really." She stared ahead of herself. "A little puzzled, I suppose, at how unpleasant it is."

Liv Hula threw up her hands.

"Why do they come here?" she asked Fat Antoyne in a loud voice. Before he could say anything, she added, "They leave the nice safe corporate tour and they end up in this bar here. They always find our Vic."

"Hey, Vic's OK," the fat man said.

"Vic's a joke, Antoyne, and so are you."

Antoyne struggled to his feet and looked as if he was going to challenge that, but in the end he only shrugged. Vic's client gave him a faint, encouraging smile, but then seemed to look past him. Silence drew out a moment or two; then a chair scraped back and Irene the Mona came over to the table where these events were happening. Her little urethane shoes clattered on the wooden floor. She had wiped her tears and done her lipstick. She was over Joe the Lion now. What had she been on, to invest her considerable life-energy that way? Irene had a future in front of her, everyone agreed, and it was a good, light-hearted one. She had her plans, and they were good ones too. Though it was true she would keep Joe in her heart-pocket many years because that was the kind of girl she knew herself to be.

"That sure is a beautiful coat," she said. She held out her hand.

For a moment, the woman looked nonplussed. Then she shook Irene's hand and said, "Thank you. It is, isn't it?"

"Very beautiful, and I admire it so," Irene agreed. She gave a little bob, seemed about to add something, then suddenly went and sat down again and toyed with her glass. "Don't be hard on him, honey," she called across to Liv Hula. "He's nothing but a man after all." It was hard to tell which man she meant.

"I feel he should have his money," appealed the woman in the fur coat. When no one answered she set the cash on the table in front of her, in high-denomination notes. "Anyway, it's here for him," she said. She got to her feet in that careful way she had developed. "If he comes back…" she began. She made her way to the door and stood there for a moment peering up Straint Street towards the event zone, wreathed-silent, heaving and questionable-in its daytime chemical fogs, as if trying to decide what to do. Eventually, she smiled at the other two women; said, "Thank you anyway" and walked off back towards the city. They heard her heels go away for what seemed a long time.

"Jesus," was Liv Hula's comment. "Hey, Antoyne," she said, "you want another drink?"

But the fat man had gone too. He had lost patience with the way they treated him in there. He was just a man trying to fit in, someone who had seen as much as anyone else, more than some. It made him angry they didn't listen.

What the hell, he thought. Nothing keeps.

At least he was out of that bar now, into the morning somewhere he could breathe, heading for Moneytown and the strip mall wonderland running south of Straint, down past the spaceports to the sea. He was narrowing his eyes in the strong light glittering up off the distant water, as if he could discern something which didn't belong there, something he hadn't lost after all. Something, perhaps, you couldn't lose. He was going to look for work. There was always work in the ports.