Nightfall And Other Stories

Unto the Fourth Generation

At ten of noon, Sam Marten hitched his way out of the taxicab, trying as usual to open the door with one hand, hold his briefcase in another and reach for his wallet with a third. Having only two hands, he found it a difficult job and, again as usual, he thudded his knee against the cab-door and found himself still groping uselessly for his wallet when his feet touched pavement.

The traffic of Madison Avenue inched past. A red truck slowed its crawl reluctantly, then moved on with a rasp as the light changed. White script on its side informed an unresponsive world that its ownership was that of F. Lewkowitz and Sons, Wholesale Clothiers.

Levkowich, thought Marten with brief inconsequence, and finally fished out his wallet. He cast an eye on the meter as he clamped his briefcase under his arm. Dollar sixty-five, make that twenty cents more as a tip, two singles gone would leave him only one for emergencies, better break a fiver.

"Okay," he said, "take out one-eighty-five, bud."

"Thanks," said the cabbie with mechanical insincerity and made the change.

Marten crammed three singles into his wallet, put it away, lifted his briefcase and breasted the human currents on the sidewalk to reach the glass doors of the building.

Levkovich? he thought sharply, and stopped. A passerby glanced off his elbow.

"Sorry," muttered Marten, and made for the door again.

Levkovich? That wasn't what the sign on the truck had said. The name had read Lewkowitz, Loo-koh-itz. Why did he think Levkovich? Even with his college German in the near past changing the w's to v's, where did he get the "-ich" from?

Levkovich? He shrugged the whole matter away roughly. Give it a chance and it would haunt him like a Hit Parade tinkle.

Concentrate on business. He was here for a luncheon appointment with this man, Naylor. He was here to turn a contract into an account and begin, at twenty-three, the smooth business rise which, as he planned it, would marry him to Elizabeth in two years and make him a paterfamilias in the suburbs in ten.

He entered the lobby with grim firmness and headed for the banks of elevators, his eye catching at the white-lettered directory as he passed.

It was a silly habit of his to want to catch suite numbers as he passed, without slowing, or (heaven forbid) coming to a full halt. With no break in his progress, he told himself, he could maintain the impression of belonging, of knowing his way around, and that was important to a man whose job involved dealing with other human beings.

Kulin-etts was what he wanted, and the word amused him. A firm specializing in the production of minor kitchen gadgets, striving manfully for a name that was significant, feminine, and coy, all at once- His eyes snagged at the M's and moved upward as he walked. Mandel, Lusk, Lippert Publishing Company (two full floors), Lafkowitz, Kulin-etts. There it was-1024. Tenth floor. OK.

And then, after all, he came to a dead halt, turned in reluctant fascination, returned to the directory, and stared at it as though he were an out-of-towner.

Lafkowitz?

What kind of spelling was that?

It was clear enough. Lafkowitz, Henry J., 701. With an A. That was no good. That was useless.

Useless? Why useless? He gave his head one violent shake as though to clear it of mist. Damn it, what did he care how it was spelled? He turned away, frowning and angry, and hastened to an elevator door, which closed just before he reached it, leaving him flustered.

Another door opened and he stepped in briskly. He tucked his briefcase under his arm and tried to look bright alive-junior executive in its finest sense. He had to make an impression on Alex Naylor, with whom so far he had communicated only by telephone. If he was going to brood about Lewkowitzes and Lafkowitzes- The elevator slid noiselessly to a halt at seven. A youth in shirt-sleeves stepped off, balancing what looked like a desk-drawer in which were three J containers of coffee and three sandwiches.

Then, just as the doors began closing, frosted glass with black lettering S loomed before Marten's eyes. It read: 701-henry j. lefkowitz-importer and was pinched off by the inexorable coming together of the elevator doors.

Marten leaned forward in excitement. It was his impulse to say: Take me back down to 7.

But there were others in the car. And after all, he had no reason.

Yet there was a tingle of excitement within him. The Directory had been wrong. It wasn't A, it was E. Some fool of a non-spelling menial with a packet of small letters to go on the board and only one hind foot to do it with.

Lefkowitz. Still not right, though.

Again, he shook his head. Twice. Not right for what?

The elevator stopped at ten and Marten got off.

Alex Naylor of Kulin-etts turned out to be a bluff, middle-aged man with a shock of white hair, a ruddy complexion, and a broad smile. His palms were dry and rough, and he shook hands with a considerable pressure, putting his left hand on Marten's shoulder in an earnest display of friendliness.

He said, "Be with you in two minutes. How about eating right here in the building? Excellent restaurant, and they've got a boy who makes a good martini. That sound all right?"

"Fine. Fine." Marten pumped up enthusiasm from a somehow-clogged reservoir.

It was nearer ten minutes than two, and Marten waited with the usual uneasiness of a man in a strange office. He stared at the upholstery on the chairs and at the little cubby-hole within which a young and bored switchboard operator sat. He gazed at the pictures on the wall and even made a half-hearted attempt to glance through a trade journal on the table next to him.

What he did not do was think of Lev- He did not think of it.

The restaurant was good, or it would have been good if Marten had been perfectly at ease. Fortunately, he was freed of the necessity of carrying the burden of the conversation. Naylor talked rapidly and loudly, glanced over the menu with a practiced eye, recommended the Eggs Benedict, and commented on the weather and the miserable traffic situation.

On occasion, Marten tried to snap out of it, to lose that edge of fuzzed absence of mind. But each time the restlessness would return. Something was wrong. The name was wrong. It stood in the way of what he had to do.

With main force, he tried to break through the madness. In sudden verbal clatter, he led the conversation into the subject of wiring. It was reckless of him. There was no proper foundation; the transition was too abrupt.

But the lunch had been a good one; the dessert was on its way; and Naylor responded nicely.

He admitted dissatisfaction with existing arrangements. Yes, he had been looking into Marten's firm and, actually, it seemed to him that, yes, there was a chance, a good chance, he thought, that- A hand came down on Naylor's shoulder as a man passed behind his chair. "How's the boy, Alex?"

Naylor looked up, grin ready-made and flashing. "Hey, Lefk, how's business?"

"Can't complain. See you at the-" He faded into the distance.

Marten wasn't listening. He felt his knees trembling, as he half-rose. "Who was that man?" he asked, intensely. It sounded more peremptory than he intended.

"Who? Lefk? Jerry Lefkovitz. You know him?" Naylor stared with cool surprise at his lunch companion.

"No. How do you spell his name?"

"L-E-F-K-O-V-I-T-Z, I think. Why?"

"With a V?"

"An F… Oh, there's a V in it, too." Most of the good nature had left Naylor's face.

Marten drove on. "There's a Lefkowitz in the building. With a W. You know, Lef-COW-itz."

"Oh?"

"Room 701. This is not the same one?"

"Jerry doesn't work in this building. He's got a place across the street. I don't know this other one. This is a big building, you know. I don't keep tabs on everyone in it. What is all this, anyway?"

Marten shook his head and sat back. He didn't know what all this was, anyway. Or at least, if he did, it was nothing he dared explain. Could he say: I'm being haunted by all manner of Lefkowitzes today.

He said, "We were talking about wiring."

Naylor said, "Yes. Well, as I said, I've been considering your company. I've got to talk it over with the production boys, you understand. I'll let you know."

"Sure," said Marten, infinitely depressed. Naylor wouldn't let him know. The whole thing was shot.

And yet, through and beyond his depression, there was still that restlessness.

The hell with Naylor. All Marten wanted was to break this up and get on with it. (Get on with what? But the question was only a whisper. Whatever did the questioning inside him was ebbing away, dying down…)

The lunch frayed to an ending. If they had greeted each other like long-separated friends at last reunited, they parted like strangers.

Marten felt only relief.

He left with pulses thudding, threading through the tables, out of the haunted building, onto the haunted street.

Haunted? Madison Avenue at 1:20 p.m. in an early fall afternoon with the sun shining brightly and ten thousand men and women be-hiving its long straight stretch.

But Marten felt the haunting. He tucked his briefcase under his arm and headed desperately northward. A last sigh of the normal within him warned him he had a three o'clock appointment on 36th Street. Never mind. He headed uptown. Northward.

At 54th Street, he crossed Madison and walked west, came abruptly to a halt and looked upward.

There was a sign on the window, three stories up. He could make it out clearly: a. s. lefkowich, certified accountant.

It had an F and an OW, but it was the first "-ich" ending he had seen. The first one. He was getting closer. He turned north again on Fifth Avenue, hurrying through the unreal streets of an unreal city, panting with the chase of something, while the crowds about him began to fade.

A sign in a ground floor window, m. r. lefkowicz, m.d.

A small gold-leaf semi-circle of letters in a candy-store window: jacob levkow.

(Half a name, he thought savagely. Why is he disturbing me with half a name?)

The streets were empty now except for the varying clan of Lefkowitz, Levkowitz, Lefkowicz to stand out in the vacuum.

He was dimly aware of the park ahead, standing out in painted motionless green. He turned west. A piece of newspaper fluttered at the corner of his eyes, the only movement in a dead world. He veered, stooped, and picked it up, without slackening his pace.

It was in Yiddish, a torn half-page.

He couldn't read it. He couldn't make out the blurred Hebrew letters, and could not have read it if they were clear. But one word was clear. It stood out in dark letters in the center of the page, each letter clear in its every serif. And it said Lefkovitsch, he knew, and as he said it to himself, he placed its accent on the second syllable: Lef-KUH-vich.

He let the paper flutter away and entered the empty park.

The trees were still and the leaves hung in odd, suspended attitudes. The sunlight was a dead weight upon him and gave no warmth.

He was running, but his feet kicked up no dust and a tuft of grass on which he placed his weight did not bend.

And there on a bench was an old man; the only man in the desolate park. He wore a dark felt cap, with a visor shading his eyes. From underneath it, tufts of gray hair protruded His grizzled beard reached the uppermost button of his rough jacket. His old trousers were patched, and a strip of burlap was wrapped about each worn and shapeless shoe.

Marten stopped. It was difficult to breathe. He could only say one word and he used it to ask his question: "Levkovich?"

He stood there, while the old man rose slowly to his feet; brown old eyes peering close.

"Marten," he sighed. "Samuel Marten. You have come." The words sounded with an effect of double exposure, for under the English, Marten heard the faint sigh of a foreign tongue. Under the "Samuel" was the unheard shadow of a "Schmu-el."

The old man's rough, veined hands reached out, then withdrew as though he were afraid to touch. "I have been looking but there are so many people in this wilderness of a city-that-is-to-come. So many Martins and Martines and Mortons and Mertons. I stopped at last when I found greenery, but for a moment only-I would not commit the sin of losing faith. And then you came."

"It is I," said Marten, and knew it was. "And you are Phinehas Levkovich. Why are we here?"

"I am Phinehas ben Jehudah, assigned the name Levkovich by the ukase of the Tsar that ordered family names for all. And we are here," the old man said, softly, "because I prayed. When I was already old, Leah, my only daughter, the child of my old age, left for America with her husband, left the knouts of the old for the hope of the new. And my sons died, and Sarah, the wife of my bosom, was long dead and I was alone. And the time came when I, too, must die. But I had not seen Leah since her leaving for the far country and word had come but rarely. My soul yearned that I might see sons born unto her; sons of my seed; sons in whom my soul might yet live and not die."

His voice was steady and the soundless shadow of sound beneath his words was the stately roll of an ancient language.

"And I was answered and two hours were given me that I might see the first son of my line to be born in a new land and in a new time. My daughter's daughter's daughter's son, have I found you, then, amidst the splendor of this city?"

"But why the search? Why not have brought us together at once?"

"Because there is pleasure in the hope of the seeking, my son," said the old man, radiantly, "and in the delight of the finding. I was given two hours in which I might seek, two hours in which I might find… and behold, thou art here, and I have found that which I had not looked to see in life." His voice was old, caressing. "Is it well with thee, my son?"

"It is well, my father, now that I have found thee," said Marten, and dropped to his knees. "Give me thy blessing, my father, that it may be well with me all the days of my life, and with the maid whom I am to take to wife and the little ones yet to be born of my seed and thine."

He felt the old hand resting lightly on his head and there was only the soundless whisper.

Marten rose. The old man's eyes gazed into his yearningly. Were they losing focus?

"I go to my fathers now in peace, my son," said the old man, and Marten was alone in the empty park.

There was an instant of renewing motion, of the Sun taking up its interrupted task, of the wind reviving, and even with that first instant of sensation, all slipped back- At ten of noon, Sam Marten hitched his way out of the taxicab, and found himself groping uselessly for his wallet while traffic inched on.

A red truck slowed, then moved on. A white script on its side announced: F. Lewkowitz and Sons, Wholesale Clothiers.

Marten didn't see it. Yet somehow he knew that all would be well with him. Somehow, as never before, he knew…

This one is complicated. It goes back to 1938-39 when, for some half a dozen issues or so, a magazine I won't name tried to make a go of what I can only call "spicy science fiction stories." Considering the sexual freedom allowed the writers of today, those old spicy s.f. stories read like "The Bobbsey Twins in Outer Space" now, but they were sizzlers to the magazine's few readers then.

The stories dealt very heavily with the hot passion of alien monsters for Earthwomen. Clothes were always getting ripped off and breasts were described in a variety of elliptical phrases. (Yes, I know that's a pun.) The magazine died a deserved death, not so much for its sex and sadism, as for the deadly sameness of its stories and the abysmal quality of its "writing."

The curtain falls, and rises again in 1960. The magazine Playboy decided to have a little fun with science fiction. They published an article entitled "Girls for the Slime God" in which they pretended (good-naturedly) that all science fiction was sex and sadism. They could find very little real stuff to satirize, however, for until 1960 there was no branch of literature anywhere (except perhaps for the children's stories in Sunday school bulletins) as puritanical as science fiction. Since 1960, to be sure, sexual libertarianism has penetrated even science fiction.

Playboy therefore had to illustrate its article with the funny-sexy covers of fictitious magazines and had to draw all its quotations from only one source-that 1938-39 magazine I mentioned above.

Cele Goldsmith, the editor of Amazing Stories, read the article and called me at once. She suggested I write a story entitled "Playboy and the Slime God" satirizing the satire. I was strongly tempted to do so for several reasons:

1) Miss Goldsmith had to be seen to be believed. She was the only science fiction editor I've ever seen who looked like a show girl, and I happen to be aesthetically affected (or something) by show-girl types.

2) I take science fiction seriously and I was annoyed that that 1938-39 magazine should have given Playboy a handle for satire. I wanted to satire back at them.

3) I quickly thought up exactly what I wanted to say. So I wrote "Playboy and the Slime God" using some of the same quotes that Playboy had used and trying to show what an encounter between sex-interested aliens and an Earth-woman might really be like. (1 might say that Miss Goldsmith wrote the final three paragraphs of the story. I had a quite pretentious ending and Miss Goldsmith's was much better. So I let it stand, not only in the magazine, but here.)

The title was a problem, though. It's disgusting. When the late (alas!) Groff Conklin, who was one of the most indefatigable anthologizers in the business, was considering the story for one of his collections, he asked rather piteously if I had an alternate title. "You bet!" I said, "How about 'What Is This Thing Called Love?"

Mr. Conklin was delighted and so was I, and that is the title that he used, and the one that I am now using.

First appearance-Amazing Stories, March 1961, under the title "Playboy and the Slime God." Copyright ©, 1961, by Ziff-Davis Publishing Company.