The “Discreet Blackout”

It was interesting to read Jody's introduction. (Writer's tip: If you're doing one section of a two-part introduction, always let your partner go first. Then, all you have to do is rebut or go, “Yea. What she said.”) The only trouble was, it was hard to recognize myself in it Okay. I know these intros are supposed to be “love and kisses and how much fun it is to write together,” but there should be a limit I'd say my application for sainthood was rejected, but I never bothered to send it in. For one thing, I assume the powers that be have better things to do with their time than read crank mail. For another, I'm used to getting paid for writing fantasy.

Just because I have good manners and write humor, people tend to assume that I'm a “nice guy.” Well, okay, I am … but only up to a point. That point usually involves protecting me and mine. Unfortunately, “mine” includes my writing.

One thing I've discovered over the years is that the longer you write humor, the more finely tuned you become in your opinions of what is funny and what isn't. Also, the more firmly entrenched the idea becomes that you have a particular recognizable style that the readers expect from anything with your name on it.

What this all boils down to is that when it comes to collaborating, particularly on humor, I can be a real pain in the ass to work with. I like to think that I stop short of bullying my writing partners, but (even by the most generous interpretation of events) I can be “extremely stubborn” when “discussing” a particular joke or scene. When it involves two of my most popular characters, specifically Aahz and Skeeve, it borders on being nightmarish. I mention this not so much to belittle myself as to raise the awareness and appreciation of the readers to what my writing partners actually have to go through.

All that having been said, it really is a joy and a pleasure to work with Jody … even if our memories of certain events and conversations differ.

As an example, while I recall her visiting with Lynn and me in Ann Arbor, my memory of our first meeting was at a gaming convention. That was back in the days when I was doing two or three dozen cons a year to get my name in front of the readers, and was attending comic cons, Star Trek cons, and gaming cons as well as the science fiction-fantasy cons that were my mainstay. She was sitting behind a demonstration table in the dealers room painting lead miniatures, and I recollect getting some excellent tips on dry-brushing techniques. It was a brief meeting, so I'm not surprised that she doesn't remember it I might have paid more attention to her, but I had learned she had a thing going with Bill Fawcett, who at that point was a friend of mine and eventually became her husband and one of my packager/publishers. (Writer's tip: If you're going to flirt with someone at a convention, try to do it with someone who isn't a girlfriend/fiancée/wife of one of your editors. It could affect your long-term book sales much more than a similar encounter with a reader.)

Another interesting overlap was when I discovered that we both had a background in theater. As an aside, I have often compared writing, particularly writing humor, with doing radio theater where you don't have the audience's feedback reactions to work off. I maintain that the most successful humor writers first honed their skills wot king in front of a live audience to build their sense of comic liming before attempting to create humor on paper. While my supporting role as Marcellus Washburn in a production of The Musk: Man lags far behind her leading role as Winifred the Woebegone in Once Upon a Mattress, I think the mutual experience contributes greatly to our ability to work together.

Anyhoo, Butch and Fluffykins are now playing together happily, and the occasional territorial growls and swats only occur when there are no witnesses to box both our ears. Jody is not only an extremely talented writer whose company is always a pleasure, she's also spirited enough to hold her own in a brawl. While, perhaps, not absolutely necessary, all three are definitely desirable in a writing partner.

— Robert Lynn Asprin

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