Chapter Nine

Arthur stepped through the doorway, but not onto solid ground. Not onto any ground. He screamed as he realized he was falling through space, and Monday's Postern was not behind him but above him, a doorway of bright light where all else around was darkness. A doorway that was receding every second as he fell away from it.

Arthur's scream faded as he noticed that he wasn't falling all that fast. It was more like sinking in water, though he didn't feel wet and he had no trouble breathing. He tried kicking to see if it slowed his fall. It was hard to tell, since the distant doorway was his only point of reference, but it did seem as if it wasn't receding quite as fast.

Arthur kicked again and tried a couple of strokes with his free hand. That also appeared to work. He was contemplating putting the Key in his belt and trying some full-on swimming when the Key suddenly jerked in his hand. It jerked again a second later, much harder, like a fisherman's strike setting a hook in a fish. Then the Key absolutely rocketed forward, almost ripping itself out of Arthur's grasp. If he hadn't tightened his grip he would have lost it, to fall once more.

He held the Key as tightly as he could and got his other hand onto it as well, the muscles in his forearms taut from the effort. The Key kept accelerating like a tiny rocket, fortunately without the flaming exhaust, dragging Arthur through the inky blackness.

He still couldn't see anything. Without the sensation of air rushing past, or anything to look at, it was very hard to tell how fast he was traveling. But Arthur somehow felt that the Key was still accelerating, going faster and faster and dragging him along with it. After a while ... Arthur could not guess how long ... the end of the Key began to glow with a red heat and sparks began to shower from it. Arthur flinched and tried to turn his face away, but the sparks flew out at an oblique angle, as if there was some sort of shield around him, and the end of the Key he held remained cool.

A long time passed. Arthur tried to look at his watch, but it had slipped around his wrist and he didn't dare let go of the Key to move it back. He tried counting seconds and then minutes, but kept forgetting what number he was up to.

Eventually he gave up. At least an hour had passed, he was sure of that. His ringers were very cramped and sore, and his shoulders hurt. But not as much as they should have. Once again he could feel the power of the Key lessening pain and stiffness, in the same way that it helped him to breathe. Eventually he even became bored and started to look around, peering into the darkness in the hope of seeing something. Anything. But apart from the glow of the Key and the sparks, there was no light. Occasionally, as a spark faded in the distance, Arthur thought he saw just the hint of shapes moving parallel with him, but when he stared even harder he couldn't see a thing.

Then, just as he was starting to be afraid again, thinking that he might never get anywhere, the Key suddenly changed direction. Arthur yelped as his body swung around to follow his outstretched arms and his legs jackknifed wildly.

He could see something ahead now. A pinprick of light that became a dot and then a distinct rectangle. It got closer and closer and closer with alarming rapidity and Arthur saw it was another illuminated doorway ... one much, much bigger than Monday's Postern. They were going to smack into it at a very high speed, at least a hundred miles an hour and he would be smashed into a pulp .

Arthur closed his eyes as they hit... and fell over something, going no faster than if he'd tripped walking around his bedroom with his nose glued to a book.

Arthur opened his eyes, flailed his arms, and smacked into the ground. He lay there for a second, feeling a tremendous surge of relief as he felt honest-to-goodness solid matter under his hands. He still held the Key, no longer glowing, and the absence of significant pain suggested no bones were broken or other damage done. .

But where was he? He became aware that he was lying on grass ... he could see and feel that. Slowly Arthur got to his feet and looked around. The first thing he noticed was that the light was strange. Dim and cool and orange-pink, like sunset when the sun hung low and orange. But there was no sun in sight.

Arthur stood on a bare, high hill of close-mown grass that looked down upon a sea of white... no, not a sea. A fog bank had settled to the limits of the horizon. And there were buildings in the fog, dim shapes that he couldn't quite make out. Spires pierced the gray-white mist, and towers, but none was close enough for him to see any identifying features.

Arthur looked up next, expecting to see the sky. But he didn't and he instinctively crouched at what he saw instead.

There was no sky. There was a ceiling in its place, a vast domed ceiling of dull silver that stretched for miles in every direction. Its epicenter was about six hundred feet directly above the hill where he stood. Swirls of purple and orange moved across the silver surface of the dome, providing what little light there was.

"Pretty, ain't it?" said a voice behind Arthur. A man's voice, deep and slow. Not threatening, just the sort of remark anyone at a lookout might make to another visitor.

Arthur jumped and nearly fell over again as he twisted around to see who spoke. But all he could see was an enormous free-standing door of dark-oiled wood between tall gateposts of white stone, standing on the crest of the hill. Door was an inadequate word, Arthur thought. It was more of gate, as it was easily three or four times the size of his parents' garage door.

The door was decorated with wrought-iron climbing vines and clever curlicues that formed different patterns and designs depending on where you looked and the angle of view. Rather like a puzzle. In a few seconds Arthur made out a tree, which could also be a sea horse if he tilted his head, and that horse's tail could also be a comet surrounded by stars, with the stars joining together to make a ship...

Arthur blinked and saw completely different shapes and pictures. He blinked again and tore his gaze away. The door was dangerous. He felt that the patterns and shapes could trap him into staring at them forever.

And where was the person... or whatever it was... who had spoken to him? He looked around, but there was only the strange door and the bare hill. A vast door that appeared to go nowhere, standing stark and alone.

Arthur walked around it and was unsurprised to see that the other side was exactly the same. Perhaps the door was some sort of sculpture, he thought, only meant to make an artistic statement. But deep down, Arthur knew that if the door was to open, he would not see the hill on the other side.

"Shift change in a moment," said the voice. "Then you'll see something worth seeing."

"Where are you?" asked Arthur.

"Where?" asked the voice. It sounded surprised. "Ah. Not exactly... wait a moment... a step to the left..."

The ironwork on the door shimmered, and the patterns formed into the shape of a man. Then the shape stepped out of the door. The iron tracery became flesh and blood, and standing in front of Arthur was a tall, calm-looking man who looked about the same age as his father, Bob, though he had long white hair that flowed down and over his shoulders. Like Mister Monday, Sneezer, and Noon, he was wearing very old-fashioned clothes. In his case, a blue swallow-tailed coat with gold buttons and a single gold epaulette on his left shoulder, over a snowy white shirt, tan breeches, and shiny knee boots with turned-down tops. He held a scabbarded sword in his left hand, gripping it casually below the hilt. Two golden tassels fell over his wrist. It didn't look like he was about to draw the weapon.

"Pardon me," the figure said. "Sometimes I forget myself. I'm the Lieutenant Keeper of the Front Door. Allow me to salute the bearer of the Lesser Key of the Lower House."

He stood at attention and saluted, then offered his hand.

"Arthur Penhaligon," said Arthur. He automatically shook hands. The Lieutenant Keeper's flesh felt strangely smooth and cool, though it was not repellent. Arthur was careful to switch the Key to his left hand and keep a tight grip on it, as he wondered why this strange character had called it the Lesser Key.

"Where am I?"

"Why, the Lower Atrium of the House," said the Lieutenant Keeper. "On Doorstop Hill."

"Right," replied Arthur. He was about to ask another question but didn't, as his next thought was upstaged by a shaft of brilliant light that suddenly shot up from the foot of the hill, extending all the way to the ceiling of the dome. It was joined a moment later by a beam coming down, and then there was a multitude of beams going up and down, as if hundreds or even thousands of intense up-and-down lights were being switched on. All together they created an illumination that was similar to, but not quite the same as, daylight.

Now Arthur could see through the fog, which slowly began to break up and drift apart. There was a whole city below the hill, a city whose architecture was strikingly reminiscent of how the House looked in his own world, though here the buildings were separate, sitting on broad streets rather then being jumbled all together.

"What... what are those beams of light?"

"Elevators. It's shift change," explained the Lieutenant Keeper. "The end of night, and the coming of the light. Work must be done, and the elevators bring workers from above and below, taking the nightwatchers to their rest and conveying all the matters and moments that must be dealt with in this new day."

"What work? What... who?"

"I haven't time to answer questions," said the Lieutenant Keeper. "Though it is shift change, my relief has not marched up for ten thousand years, nor has the Captain Keeper made his rounds. I must return to my post. It is at shift change that danger often comes, and I should be on guard. Though I will offer this counsel: Hide the Key from prying eyes. And I will give you my spare shirt and watch cap, so you do not look too much the stranger. Good luck, Arthur Penhaligon."

He saluted again, stepped back into the door, and became ironwork once more. A second later, even that man-shape flowed into many different puzzle pictures and Arthur had to force himself to look away before his mind was trapped into following the ever-changing images. He missed the ironwork twisting into a shirt and a knitted cap, which then fell out at the boy's feet.

Arthur put the shirt on over his own clothes. It was white linen, had long tails, and was much too big. It also had a weird detachable collar and no buttons on the cuffs, but Arthur had to fold the sleeves back several times anyway. The watch cap was a dark blue circular cap made from some sort of felt material.

Hide the Key from prying eyes. Arthur thought about that. It sounded like good advice, and there was something about the Lieutenant Keeper of the Front Door that he instinctively liked and trusted. But how could he hide the Key if he needed to hold on to it to breathe normally?

Or did he? Perhaps things were different here. Wherever here was, it was certainly not his own world. Arthur hesitated, then experimentally opened his hand and balanced the Key on his palm. He felt no different, though of course the metal was still in contact with his skin.

Arthur went down on one knee, hesitated again, then gently tipped the Key onto the grass. He half-expected his lungs to seize up as the Key fell, but they didn't. His breath still came easily, and he wasn't struck by any sudden pains or tightness of the chest. He felt just the same. Which, he suddenly realized, was very well. Energetic and full of unusual vigor.

So he didn't need to touch the Key all the time here ... wherever here was. Arthur picked it up and, after a moment's thought, pushed it through his belt. With the Lieutenant Keeper's shirt coming down almost to his knees, the shining metal of the minute hand was completely hidden.

That done, he looked down at the town or city that was spread out below. He could see people all over the streets now and could hear the hustle and bustle, though there were no cars or any of the noises of a modern city.

The only vehicles he could see ... and there were few of them ... appeared to be drawn by horses. Or something like horses. Arthur couldn't be sure from this distance, but he didn't think they looked quite right.

"I suppose the first step is to go down and try to find someone who can tell me something about... about everything," he said to himself. It looked safe enough. The weird beams of light continued to shoot up and down all over the place, but he'd noticed they only emanated from the top of buildings, so even if they were actually huge laser beams or death rays he would be able to avoid them. And from up here, the city and the people looked ordinary, if extremely old-fashioned, without cars or traffic lights or power lines.

He would just have to keep a very wary eye out for Fetchers and Noon and Mister Monday and anyone who showed too much interest in him or looked dangerous. It was a pity he'd lost his backpack, he thought, and the salt in it. But perhaps that wouldn't work here anyway.

Arthur looked around the hill once more, but it was only a delaying tactic. He had to go down to the city because there was no choice. He couldn't go back. Even if he knew how, that wouldn't solve anything. The only way to find a cure for the Sleepy Plague was to forge ahead. Arthur thought of Leaf and Ed again for a moment. They were the best prospects for friends he'd met in the new school. If they survived the plague. Anything could be happening back home. Arthur thought of the incredibly swift spread of the virus that had killed his birth parents. It had exploded through the population, spreading from a single known carrier to infect more than five thousand people in the first twenty-four hours. By the second day, almost fifty thousand people were sick. When Emily's team found a vaccine only eighteen days after the initial report, and with extreme quarantine in place, almost a million people were dead.

I wish I hadn't remembered that statistic, thought Arthur. But there was no point standing around simply hoping. He had to do something.

"Rock and roll," muttered Arthur, thinking of his father. He punched his fist in the air and set off down the hill towards the closest row of buildings and the cobbled lane that ran behind them at the foot of the hill.

Half an hour later, Arthur was deep in the heart of the city, and extremely confused. There were people everywhere ... at least they looked like people. But they were all dressed in the fashions of more than a hundred and fifty years ago. Every man wore a hat of some kind, every woman too, though they mostly went for bonnets and caps. Even the children ... not that there were many of them ... wore flat caps or obvious hand-me-downs that were too big for them. There was also incredible variation in the quality of the clothes. Some of the people were dressed in little more than the ragged remnants of what appeared to be several very different and incompatible wardrobes. Others were immaculate, with spotless coats, stiff white shirt-points, flowing cravats, shining waistcoats, and gleaming boots. None of the children fell into this latter category. All the kids were dirty and dressed in incredible hodgepodges of secondhand clothing.

Even weirder than the people's clothes was what they were all doing. Arthur had expected that he would find all the usual city activities going on, with shops and restaurants and bars and businesses and people shopping and buying and selling, or just walking around and chatting to one another.

There was none of that. There was tremendous hustle and bustle with people going in and out of the buildings and talking in the streets and carrying boxes and pushing little carts around, swapping loads and ex-changing boxes and bags and chests and barrels. There were carts drawn by horse-like animals, but they weren't horses. They looked like horses from a distance, but they had three distinct toes instead of hooves, no manes, glittering ruby eyes, and their skin had the sheen of metal rather than horse-flesh. Definitely not horses.

But the horses weren't the weirdest thing about the city. Even stranger was the fact that everything being moved around or exchanged (or whatever the people were doing) was either paper, something like paper, or related to writing in some way.

There were men carrying piles of papers, their chins pressed down on the top sheets to make sure they didn't blow away. There were men whose coat pockets were stuffed with rolls of parchment, with wax seals hanging off the rolls. There were people pushing carts loaded with stone tablets that had lines of writing carved into them. There were women exchanging leather document cases. Girls running with string bags full of envelopes and loose papers. Boys struggling with small barrels marked second-best azure-blue ink.

Arthur wandered through a marketplace full of street stalls, but every stall was the same, selling quills and cutting feathers for use as quills, with partially plucked geese running around everyone's feet. A line of men in leather aprons passed carrying bundles that Arthur recognized as papyrus reeds, from his project on ancient Egypt last semester. Four women struggled by with a huge sheet of beaten gold that had strange symbols hammered into it.

With all the hustle and bustle and papers and stuff being transported everywhere, there was also an incredibly high level of disorganization wherever Arthur wandered. It seemed like a lot of the people didn't really know what they were doing and were doing something simply because they were afraid to not be doing something. Everyone was busy, always with paper, or stone tablets, or papyrus scrolls, or pens, or ink, or chisels. Arthur didn't see a single person just standing around, or sitting, or chatting without an armful of papers.

The disorganization was reflected in many of the discussions Arthur overheard, which were often arguments. He heard one woman refusing to sign for forty-six assorted descriptions on calfskin, and another hotly disputing that she was responsible for the Aaah! to Aaar volume of the Loose-leaf Registry of Lesser Creations.

A crowd of men and women at the door of one building were arguing with a very tall man in a blue uniform coat who stood in the doorway and wouldn't let them in as he read from a scroll in his hand about some sort of failure to renew a license.

Another crowd was picking up the pieces of a huge stone tablet that had apparently toppled out of an upper-story window, which was itself crumbling away. Two men walked around a pile of dropped papers, both loudly disclaiming any responsibility for them as they blew away down the street. Arthur noticed that these papers were rapidly picked up by some of the more ragged children, but when he tried to see where they went with them, he lost them in the crowd.

Every building appeared to be an office of some kind. At least, every one Arthur looked closely at, hoping to find something else, like a cafe, a restaurant, or a supermarket. Not that he was hungry. He just wanted to see something normal.

All the buildings had bronze plates or small signs on the doors or next to them, but almost all of these were so covered in verdigris that Arthur couldn't make out what they said. The few that were bright and polished made no sense to him. He saw signs that read sub-branch SECOND DIRECTORATE OF THIRD DEPARTMENT OF INTERIOR RATIOCINATION AND CROSS-CHECKING ... LOWER ATRIUM OFFICE and WHAT GOES UP NEED NOT COME DOWN INITIATIVE OFFICE ... LOWER ATRIUM ANNEX and inquisitor general's eleventh deputy associate ASSISTANT IN CHARGE OF WINGS ... LOWER ATRIUM INSPECTION OFFICE.

Another aspect of the disorganized bustle was that everyone ignored Arthur. In his too-large shirt and watch cap, he didn't look much different from the other children. But the kids kept their distance from him, and he knew it was on purpose.

He tried to talk to a woman who looked less busy than most, but as soon as he went up to her and said, "Excuse me," she jumped into the air, pulled a sheaf of papers from her sleeve, and held them up close against her face, reading aloud so rapidly that Arthur couldn't understand a word.

He made his second approach to a very old man who was slowly walking up the street, holding a basket full of tiny gold tablets. Arthur fell in step with him and said, "Excuse me" once more.

"It's not my fault!" exclaimed the old man. "The Lower Supernumary Third Archive deposit hatch is shut and no Archivist on duty these last thousand years. Tell that to your superior."

"I just wanted to ask ..." Arthur started to say. But before he could finish, the old man put on a startling turn of speed and pushed through the crowd. His passage provoked a storm of minor accidents and complaints, and soon the whole street was strewn with dropped papers, people banging their heads together as they tried to pick them up, and others falling over at least a thousand lead pencils that had rolled out of an overturned tub.

Arthur stared at the chaos and decided he needed to think about his next approach. He climbed up the steps of the closest office and leaned back on yet another verdigris-obscured brass plate. As he had done every few minutes, he felt through his shirt to confirm that the Key was still at his side.

Just as he touched it, there was a sudden increase in noise from the street. The angry shouts and cries and arguments suddenly changed tone. There were cries of alarm and genuine fear. Instead of milling around, the crowd parted and fled in opposite directions. Many of them were shouting, "Help!" and "Nithlings!"

Arthur stopped leaning and stood up straight to' see what was happening. The street had completely cleared in a matter of seconds. A few sheets of paper drifted across the cobbles and fell into the cracks, and a large ox-hide parchment with red ocher pictograms flapped where it had been abandoned a moment ago.

Arthur could see no reason for the panic, but he could smell something.

A familiar odor. The rotten-meat smell of the Fetchers' breath.

Then he saw that the cracks in the street were slowly spreading and widening, and a thin mist of dark vapor was spraying up, as if oil had been struck under the cobbles.

A whistle sounded in the distance, sharp and shrill. It was answered by others, coming from every direction. As if in reaction to the whistles, the cracks in the street groaned open even wider, and more streams of dark vapor fountained up.

The vapor plumes grew till they were six or seven feet high, then the black mists began to solidify into semi-human shapes. Misshapen men and women formed out of the gas, creatures whose faces were on backwards, with double-jointed arms and patches of scales upon their skin. Imperfect copies of the clothing worn by the paper-shufflers of the city formed upon them too ... coats with sleeves missing, and hats with no crowns, and trousers where one leg was three feet longer than the other and trailed upon the ground.

The plume Arthur had spotted first was also the first to be fully formed. It became a sticklike sort of man-thing with rubbery arms that hung down past its knees. It had one red-rimmed eye in the center of its forehead and it wore a single garment rather like a blue strait-jacket that was tied at the back, a crushed top hat with a gaping hole in the crown, and spurred boots of different sizes.

Arthur stared at it in horror, and the thing stared back, one transparent eyelid slowly sliding up and down across his single red-rimmed eye. Then it opened its mouth to reveal yellowed canine fangs and a forked tongue that flickered in and out.

Arthur realized he should have run when everybody else did. He started down the steps, but the thing was already at the bottom, and its six brethren were assuming solid form behind it.

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