Memoranda

31

IT WAS I WHO BROUGHT THE SERPENT TO PARADISE. THERE were no needles in the crates of beauty, so I guessed at a dose and administered, orally, two drops of the concentrated formula to adults and one to children. The results, as in Below's case, were remarkable. Within hours, the victims of the disease were up and walking around. By the time the sun went down, I had brought so many back from death's door that I was actually beginning to feel I deserved all of the praise that was bestowed upon me. A great euphoria swept through Wenau, partially the thrill of resurrection, partially the hallucinatory effects of the drug.

I had to warn each of the victim's families that the beauty was a serious narcotic and that their loved ones would experience visions and all manner of paranoid delusions. They accepted this as a small price to pay for a cure. I should have told them all about the brutally addictive effects also, but I couldn't. It wasn't that I forgot. I just couldn't bring myself to take responsibility for the tragedy I knew would follow.

I used less than a quarter of one of the thirty cases on the wagon and ended my rounds late in the evening by the river, drinking field beer with Jensen and Roan, their wives, and some of my other neighbors. The night was cool, and the smell of the open air, the rushing water was so fresh after the stale atmosphere of the ruins. Someone lit a fire, and we gathered around it. One of the children carried over to me a letter of thanks from the entire settlement on blue paper that had been hastily scrawled for the event.

Then Jensen quieted everyone down, and said, "Cley, we are waiting to hear of your journey"

I waved him off, and said, "Talk will only cut into my drinking."

"Now, now," said another. "We want to know."

"Is Below still alive?" asked Semla Hood.

"Below is dead," I said.

A round of applause went up, and for some reason this saddened me. They pressed me for more details, and I began to cry uncontrollably. The group went silent around me and each of them looked away in order to spare me embarrassment. I was greatly relieved when conversations broke out around the circle, and I was no longer the focus of attention.

Miley Mac's wife, Dorothea, told the woman next to her, "I never felt better then when I awoke from the sleep. The strangest thing happened. I saw a face on the wall of my bedroom. It was my brother, who had died in the destruction of the Well-Built City. Stranger yet, I had a conversation with him."

More testimonies followed hers concerning the hallucinatory effects of the drug. Most of them were positive. But that is the way the beauty works. I remember it well. The first time it shows you what you most desire, but once it has you in its grasp, your will is no longer your own.

As these tales of visions were being related, I excused myself, climbed into the wagon, and headed away from the center of the village toward my home in the woods. I can't describe to you the sense of relief I felt when I stepped across the threshold. The place was utterly quiet, and only then did it strike me how much I had been through in the past few days.

I had thought that it would be the finest feeling to again lie in my bed, but when I did, I could not fall asleep. Thoughts of Anotine rushed into my mind, and I tossed and turned with loneliness and desire. The loss of her was something I could not put behind me. Even when I finally dozed off from complete exhaustion, I had nightmares in which she came back to ask me why I had abandoned her.

The next day, I woke late, but did not get out of bed for hours. Instead of going into the forest to gather wild herbs and roots as was my routine, I lay there listlessly, staring at the ceiling, trying to remember the faces of Nunnly, Brisden, and the Doctor. Though I remembered their names and their specialties, some of the things each of them had said to me, I couldn't conjure a clear image of any one of them. This frightened me, and I crawled out of bed finally, telling myself, "Come on, Cley. You've got to get going."

I dressed and went outside into the bright light of afternoon. The very first thing I noticed was that two of the crates of beauty were gone from the wagon. I counted them again and again, but there was no mistake. This was the first theft I had ever heard of in Wenau. The drug had already begun to work its will. Right then, I should have destroyed the stockpile and gone to the market to warn my neighbors, but I didn't. The village I had worked so hard to help found had begun on a course of self-destruction. I knew I didn't have it in me to stand in the path of that boulder rolling down hill. Instead, I hefted three crates inside my home.

Whereas I had administered two drops for the other adults of the village, I prescribed four for myself. Sitting at my table, facing the window that showed a lovely scene of silver-backed leaves shifting in the wind, I tasted sheer beauty, perhaps the most bitter substance known to man. I audibly groaned as it worked its way through my system, growing like a vine around my heart and mind. Then, everything became soft and slow.

I looked up and there was Anotine, sitting across from me. She was laughing as if I had just told her a joke. Her hair was down and she wore her yellow dress.

"I missed you," I said to her.

"Don't worry, Cley, I'll be here for you now," she said. She got up and stepped around the table in order to lean down and kiss me.

Two days passed, and every time she began to dissipate, I took more drops of the bitter liquid. I ate little and only went outside to relieve myself. By the end of the second day, I noticed that there was only one crate of the beauty left on the wagon.

Occasionally the drug did not bring me Anotine, but instead Below or the Doctor or Misrix materialized to torture me with recriminations of one sort or another. One night, after having just made love to Anotine in my bed, I heard something creeping around the door of my house. The moment I leaped up, she vanished. I was suddenly frightened, thinking that someone had come to take the last of my store of the beauty. I knew that by this time, the entire village must be out of its mind, swinging between elation and craving. It was more than conceivable that someone would be willing to kill for a drop or two of the drug.

I fetched my stone knife, and creeping over to the door, swung it open quickly. There, sitting before me, was the black dog, Wood. When he saw me, he barked once, then trotted past me into the room. His ear had been torn off and there were nasty-looking wounds that had healed on his right shoulder. At first, the sight of him frightened me, as if he was a ghost. Then, he walked over to where I stood trembling, reared up on his hind legs, and threw himself against my chest. I put my arms around him and petted his fur. I had dried, salted meat in my pantry, and I gave him a huge plate of it. He sat at my feet as I opened another vial of the beauty and took five drops. Anotine returned, and I told her all about the courage of the dog. When the sunrise turned the sky red out on the horizon, she vanished, but Wood remained. As the days passed, it became evident that he had really survived our ordeal on the fields of Harakun.

Semla Hood came to visit me one afternoon just after I had taken the drops. I saw her approaching out the window, but when she knocked, I tried to pretend I wasn't in. To my horror, she was not put off by my silence, but opened the door and stepped into the house. The minute she saw me, she shook her head.

"I came to you for help, Cley, but I can see you are no better off than the others."

"I'm sorry," was the best I could do.

"That cure you brought has turned Wenau into a living hell," she said. "There is thieving and there have been two murders over that witches' brew. Men and women are acting like children, and there are children who sit all day drooling, staring at the sun."

I shook my head.

"There are a few of us who are trying to restore things to normal, but it seems impossible. You brought my husband back to me, but now I have lost him again."

"What can I do?" I said. "I'm tired."

"Well, I just wanted to tell you that Jensen Watt drowned yesterday, chasing a beautiful angel into the river."

"You will have to leave," I said to her, because I could see Anotine materializing in the kitchen. I turned away and heard the door slam behind me.

That night Wood woke me with his barking. I rolled out of bed and grabbed the stone knife. Crouching behind my chair, I waited to see if I was being robbed. There came a knocking at the door.

"Who is it?" I called.

The dog growled.

"It's me," said a deep voice.

"Go away," I said. "I have a knife."

The door suddenly burst open with so much force, I fell back onto my rear end. The demon stepped through the entrance. His eyes burned with a yellow fire, and his tail was snapping the air. I put my hands up to protect myself as he came forward. He reached down with a massive hand, and his claws passed right through the material of my shirt without cutting my chest. Lifting me off the ground, he said, "I've been watching you, Cley," and with this, backhanded me into unconsciousness for the third time.

I woke the next morning tied to the posts of my bed and saw Misrix standing by the table across the room. He was lifting the remaining vials one by one out of the crate before him and crushing them in his hands.

"It's time to wake up," he said.

The withdrawal nearly killed me. It took a solid week before I could get out of bed and move around on my own. I can't bring myself to tell you the depths to which I sank in the midst of my craving. The pain was so intense I thought my head would split open. There were entire days of shivering and sweating and endless tears. I derided the demon with the worst curses and disparagements my insane mind could conjure. I told him he was responsible for his father's death, and that he was nothing but an animal who had been tricked into thinking he was human. Through it all, Misrix's only reaction was to laugh. He made me soups out of plants he gathered in the forest while I was sleeping. Wood and he became fast friends as they watched over my return to life.

Finally the day came when he untied my hands and feet, and told me, "You are finished with it now, Cley. Don't worry about trying to find more; I have destroyed the last of it."

He led me out into the forest to a pool and made me wash. When we returned to my home, and I had dressed in fresh clothes, he said, "I have something for you."

Holding out his hand, he opened it slowly to reveal the green veil. "Don't worry," he said, laughing, "I washed it."

With the veil returned to me, I felt whole again. My body began to rejuvenate from the ravages of the beauty. My mind began to clear, and I knew I had to leave Wenau.

"Where will you go?" asked Misrix when I told him of my plan.

"I don't know. Somewhere far away from here."

"Travel with me to the Beyond," he said. "I am going back. This humanity does not suit me well. I want to lose myself in the forest again. I want to fly above the Palishize and hunt like the creature I truly am. I have thought far too much for a demon."

I pictured the Beyond, its boundless tracts of undiscovered territory. "Paradise is there," I said. "I tried to reach it once, but I failed."

"You've got to keep trying," he said.

We made our plans. Misrix flew back to the ruins of the City to gather the supplies we would need for our journey. During the days of our preparation, I wrote this testament for you, good people of Wenau. It is an explanation, a warning. It is a love story. I hope it can somehow cure the evil I had no choice but to loose upon you. Embrace your memories, but be wary. The truth lies in them.

In the small hours of the morning, I will lay these pages on the doorstep of Semla Hood's home, and then Misrix and I and the black dog will strike out for the Beyond, where the demon hopes to forget his humanity and I hope to remember mine.

Acknowledgments

I could not have written this novel without having read two books about mnemonics by Frances A. Yates—The Art of Memory and Giordano Bruno and the Hermetic Tradition. These are truly incredible works of scholarship, and I recommend them to anyone with an imagination.

I also must thank the following individuals for their help and encouragement:

Bill Watkins, Kevin Quigley, Mike Gallagher, and Frank Keenan for reading and commenting on this manuscript in its various stages of creation.

Walter, Jean, Dylan, and Chelsea for their generous technical support.

Jennifer Brehl, editor of this book, who, amidst the baffling maze of memory, would not allow me to forget to remember.