9.

Yoshio Takita heard the voices fade from the living room pickup, so he switched to the one in the second bedroom. If Kemel Muhallal and Khalid Nazer followed their usual routine, that was where they'd be headed. He put down the stick of Little Caesar's Crazy Bread, wiped his fingers on a kitchen towel, and raised his binoculars. He focused on the lighted window.

Sure enough, through the slightly open slits of the other apartment's Venetian blinds, he saw the two bearded Arabs enter the room and go directly to the lamp. And as usual, they stood over it, staring down at something.

But at what?

Yoshio had been recording every conversation and every phone call in and out of that apartment, and he still didn't have a clue as to what they found so fascinating in that room.

Whatever it was, it must need light, because Kemel Muhallal left it burning day and night. Yoshio figured they had to be growing something—a fungus, a plant, an algae—something that needed light.

Again—what?

Yoshio hadn't been aware of anything special going on in the second bedroom when he'd planted the bugs. They must have brought it in after.

He might have to return for a second look, but only if absolutely necessary. So far, the Arabs had no inkling they were being watched. Or listened to. Yoshio knew only a smattering of Arabic, so he sent the tapes downtown to an office in the financial district leased by Kaze Group. There they were translated and then transcribed; one set of the encrypted text files was immediately expressed to Tokyo; another was returned to him on disk the following day. Yoshio pored over each transcript but could not find a clue in anything that was said.

The two Arabs were saying nothing now.

Speak! he urged, wishing he were telepathic. Say something about what you are staring at!

But they did not heed him. Yoshio watched them hover around the lamp in silence, seemingly in awe.

And then the fat one left, leaving Muhallal alone. Muhallal retired soon after, turning off all the lights but one. He left the lamp in the second bedroom lit, just as he had every other night.

Why?

Yoshio doubted the Arab was afraid of the dark…

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