Later

40

I kept an eye out for Therriault on my way home—that was second nature to me by then—but didn’t see him. Which was great, but I’d given up hoping that he was gone for good. He was a bad penny, and he’d turn up. I only hoped I would be ready for him when he did.

That night I got an email from Professor Burkett. I did a little research with interesting results, it said. I thought you also might be interested. There were three attachments, all three reviews of Regis Thomas’s last book. The professor had highlighted the lines he had found interesting, leaving me to draw my own conclusions. Which I did.

From the Sunday Times Book Review: “Regis Thomas’s swan song is the usual farrago of sex and swamp-tromping adventure, but the prose is sharper than usual; here and there one finds glimmers of actual writing.”

From the Guardian: “Although the long-bruited Mystery of Roanoke won’t be much of a surprise to readers of the series (who surely saw it coming), Thomas’s narrative voice is livelier than one might expect from the previous volumes, where turgid exposition alternated with fervid and sometimes comical sexual encounters.”

From the Miami Herald: “The dialogue snaps, the pacing is crisp, and for once the lesbian liaison between Laura Goodhugh and Purity Betancourt feels real and touching, rather than like a prurient joke or a stroke fantasy. It’s a great wind-up.”

I couldn’t show those reviews to my mother—they would have raised too many questions—but I was pretty sure she must have seen them herself, and I guessed they had made her as happy as they made me. Not only had she gotten away with it, she had put a shine on Regis Thomas’s sadly tarnished reputation.

There were many nights in the weeks and months following my first encounter with Kenneth Therriault when I went to bed feeling unhappy and afraid. That night wasn’t one of them.