Kitty and the Midnight Hour

Chapter 5

"Next caller, hello. You're on the air."

"It—it's my girlfriend. She won't bite me."

Bobby from St. Louis sounded about twenty, boyish and nervous, a gawky postadolescent with bigger fantasies than he knew what to do with. He probably wore a black leather jacket and had at least one tattoo in a place he could cover with a shirt.

"Okay, Bobby, let's back up a little. Your girlfriend."

"Yeah?"

"Your girlfriend is a werewolf."

"Yeah," he said in a voice gone slightly dreamy.

"And you want her to bite you and infect you with lycanthropy."

"Uh, yeah. She says I don't know what I'd be getting into."

"Do you think that she may be right?"

"Well, it's my decision—"

"Would you force her to have sex with you, Bobby?"

"No! That'd be rape."

"Then don't force her to do this. Just imagine how guilty she'd feel if she did it and you changed your mind afterward. This isn't a tattoo you can have lasered off. We're talking about an entire lifestyle change here. Turning into a bloodthirsty animal once a month, hiding that fact from everyone around you, trying to lead a normal life when you're not fully human. Have you met her pack?"

"Uh, no."

"Then you really don't know what you're talking about when you say you want to be a werewolf."

"Uh, no."

"Bobby, I usually make suggestions rather than tell people flat out what to do, but I'm making an exception in your case. Listen to your girlfriend. She knows a heck of a lot more about it than you do, okay?"

"Uh, okay. Thanks, Kitty."

"Good luck to you, Bobby," I said and clicked Bobby off. "And good luck to Bobby's girlfriend. My advice to her is dump the guy; she doesn't need that kind of stress in her life. You're listening to The Midnight Hour with me, Kitty Norville. The last hour we've been discussing relationships with lycanthropes, bones to pick and beef to grind. Let's break now for station ID and when we come back, more calls."

I waved to Matt through the booth window. He hit the switch. The On-Air sign dimmed and the show's theme song, CCR's "Bad Moon Rising," played. Not the usual synthesized goth fare one might expect with a show like this. I picked the song for its grittiness, and the joy with which it seemed to face impending doom.

I pulled off my headphones and pushed the microphone away. If I'd gotten tired of this, as I expected I would during the first six months, quitting would be easy. But I liked it. I still liked it. I hated making T.J. angry, though. Not in the same way I hated making Carl angry. But still. If they were both pissed off at me, what could I do? I didn't want to give up something that I was proud of, like I was proud of the show. I hated them for making me this stressed out about it.

A werewolf pack was the most codependent group of beings in existence.

"You okay in there?" Matt said. His dark hair was just long enough to tie in a ponytail, and he was a few days late shaving. Anywhere but here he'd have looked disreputable. Behind the control board, he looked right at home.

I had my elbows propped on the desk and was rubbing my temples. I'd been losing sleep. My head hurt. Whine.

"Yeah," I said, straightening and taking a big swallow of coffee. I'd have time enough to stress myself into an ulcer later.

Could werewolves get ulcers?

The two-minute break ended. Matt counted fingers down through the window. The On-Air sign lit, the lights on my caller board lit. Headphones on, phone line punched.

"Welcome back to The Midnight Hour. We have Sarah from Sioux City on the line."

The woman was in tears. She fought not to cry, a losing battle. "Kitty?"

"Hi, Sarah," I said soothingly, bracing myself for the onslaught. "What do you need to talk about?"

"My husband," she said after a shuddering breath. "I caught him last week. I mean, I spied on him." She paused, and I let her collect herself before prompting her.

"What happened, Sarah?"

"He—he turned… into… into a wolf. In the woods… behind our house. After he thought I'd gone to bed."

"And you had no idea he's a lycanthrope."

"No! I mean, I suspected. The business trips once a month during the full moon, eating his steaks rare. How could he keep something like this from me? I'm his wife! How could he do it?" The woman's voice quavered until she was nearly screeching.

"Did you confront him? Talk to him about it?"

"Yes, yes. I mean, I asked him about it. He just said he was sorry. He won't look me in the eye anymore!"

"Sarah, take a breath. That's a girl. I know this is a blow, but let's look at it together. How long have you been married?"

"Six—six years."

"And did your husband tell you how long he's been a werewolf?"

"Two years."

"Now, Sarah, I'm going to ask you to look at the situation from his point of view. It was probably pretty traumatic for him becoming a lycanthrope, right?"

"Yes. He was working the night shift alone, locking up the store, when it happened. He—he said he was lucky he got away. Why didn't he ever tell me?"

"Do you think maybe he was trying to protect you? You had a good marriage and he didn't want to mess things up, right? Now I'm not saying what he did was right. In a great marriage he would have told you from the start. But he's having to keep this secret from a lot of people. Maybe he didn't know how to tell you. Maybe he was afraid you'd leave him if he told you."

"I wouldn't leave him! I love him!"

"But people do leave their partners when something like this happens. He's probably scared, Sarah. Listen, does he still love you?"

"He says he does."

"You know what I'd do? Sit down with him. Tell him that you're hurt, but you want to support him if he'll be honest with you from here on out. Before you do that, though, you have to decide whether or not you can stay married to a werewolf. You have to be just as honest with yourself as you want him to be with you."

Sarah was calm now. She hiccuped a little from the crying, but her voice was steady. "Okay, Kitty. I understand. Thank you."

"Good luck, Sarah. Let me know how it turns out. All right, I've got lots of calls waiting, so let's move right along. Cormac from Longmont, hello."

"I know what you are."

"Excuse me?"

"I know what you are, and I'm coming to kill you."

According to Matt's screening, this guy had said he had a question about lycanthropy and STDs.

I should have cut off the call right there. But the strange ones always interested me.

"Cormac? You want to tell me what you're talking about?"

"I'm an assassin. I specialize in lycanthropes." His voice hissed and faded for a moment.

"Are you on a cell phone?"

"Yeah. I'm in the lobby of the building, and I'm coming to kill you."

Good Matt, he was already on the phone with security. I watched him on the phone, just standing there. Not talking. What was wrong?

Matt slammed the phone into the cradle. "No one's answering," he said loud enough to sound through the glass of the booth.

"I rigged a little distraction outside," Cormac said. "Building security is out of the building." At that, Matt picked up the phone and dialed, just three numbers after punching the outside line. Calling the cavalry.

Then he dialed again. And again. His face went pale. "Line's busy," he mouthed.

"Did you manage to tie up 911?" I said to the caller.

"I'm a professional," Cormac replied.

Damn, this was for real. I could see Carl standing there saying, I told you so. I hoped he wasn't listening. Then again, if he was, maybe he could come rescue me.

Over the line I heard the ping of the elevator on the ground floor, the slide of the doors. It was a scare tactic, calling me on the phone and walking me through my own assassination. It was a good scare tactic.

"Okay, you're coming to kill me while you warn me on the phone."

"It's part of the contract," he said in a strained way that made me think he was grimacing as he spoke.

"What is?"

"I have to do it on the air."

Matt made a slicing motion across his neck with a questioning look. Cut the show? I shook my head. Maybe I could talk my way out of this.

"What makes you think I'm a lycanthrope, Cormac the Assassin Who Specializes in Lycanthropes?"

"My client has proof."

"What proof?"

"Pictures. Video."

"Yes, I'm sure, video taken in the dark with lots of blurry movement. I've seen those kinds of TV shows. Would it hold up in court?"

"It convinced me."

"And you're obviously deranged," I said, flustered. "Have you considered, Cormac, that you're the patsy in a publicity stunt to get me off the air? Certain factions have been trying to push me off for months."

This time of night, Matt and I had the studio to ourselves. Even if some sharp listener called the police, Cormac would be at the booth before they arrived. He'd counted on it, I was sure.

Matt came into the booth and hissed at me in a stage whisper. "We can leave by the emergency stairs before he gets here."

I covered the mike with my hands. "I can't leave the show."

"Kitty, he's going to kill you!"

"It's a stunt. Some righteous zealot trying to scare me off the air."

"Kitty—"

"I'm not leaving. You get out if you want."

He scowled, but returned to his board.

"And grab one of the remote headsets out of the cupboard for me."

Matt brought me the headset and transferred the broadcast to it. I left the booth, removing myself from direct line of sight of the door. The next room, Matt's control room, had a window looking into the hallway. I moved to the floor, under the window, near the door. If anyone came in, I'd see him first.

Cormac would need maybe five minutes to ride the elevator and get from there to here. So—I had to talk fast.

"Okay, Cormac, let me ask you this. Who hired you?"

"I can't say."

"Is that in the contract?"

He hesitated. I wondered if he wasn't used to talking and resented that part of the job he'd taken on. I didn't doubt he really was what he said he was. He sounded too controlled, too steady.

"Professional policy," he said finally.

"Is this one of those deals where I can offer you more money to not finish me off?"

"Nope. Ruins the reputation."

Not that I had that kind of money anyway. "Just how much is my life worth?"

A pause. "That's confidential."

"No, really, I'm curious. I think I have a right to know. I mean, if it's a really exorbitant amount, can I judge my life a success that I pissed someone off that much? That means I made an impact, right, and that's all any of us can really hope to accomplish—"

"Jesus, you talk too much."

I couldn't help it; I grinned. Matt sat against the wall, shaking his head in a gesture of long-suffering forbearance. Getting pinned down by an assassin definitely wasn't in the job description. I was glad he hadn't left.

Thinking of everyone who had it in for me was an exercise in futility—so many did, after all: the Witchhunters League, the Right Reverend Deke Torquemada of the New Inquisition, the Christian Coalition…

The elevator pinged, one, two… two more to go. "So let's back up a bit, Cormac. Most of your jobs aren't like this, are they? You go after rogue wolves. The ones who've attacked people, the ones whose packs can't control them. Law-abiding werewolves are pretty tough to identify and aren't worth going after. Am I right?"

"That's right."

"You have any idea of how few wolves actually cause trouble?"

"Not too many."

Cormac's assertion about my identity, on the air, demanded some response. Denial. Claims of innocence, wrongful accusations—until he shot and killed me. Or until he tried to shoot me and I defended myself. I hoped it wouldn't come to that.

He probably expected me to make denials—you can't shoot me, I'm not a werewolf. But it was a little late for that. Denials now would sound a bit lame. And if he really did have photographs—where could he have picked up photos? Only thing left was to brazen it out. So this was it. The big revelation show. My ratings had better pay off for this.

"So here I am, a perfectly respectable law-abiding werewolf—must be kind of strange for you, tracking down a monster who isn't going to lift a claw against you."

"Come on, Norville. Go ahead and lift a claw. I'd like the challenge."

There it was. I'd said it on national radio. I'm a werewolf. Didn't feel any different—Cormac was still riding the elevator to my floor. But my mother didn't even know. I heard a series of metallic clicks over the headphones. Guns, big guns, being drawn and readied.

"Is this really sporting, Cormac? You know I'm unarmed. I'm a sitting duck in the booth here, and I have half a million witnesses on the air."

"You think I haven't had to deal with that kind of shit before?"

Okay, wrong tack. I tried again. "If I shut down the broadcast, would that void the clause in your contract saying this has to be on the air?"

"My client believes you'll stay on the air as long as possible. That you'll take advantage of the ratings this would garner."

Damn, who was this client? Whoever it was knew me too well. Maybe it wasn't the usual list of fanatics. Somebody local who had a grudge.

Arturo.

Carl hadn't made me quit the show. Maybe Arturo decided to take care of me himself. He couldn't do it directly. A vampire attacking a werewolf like that would be an act of war between the two groups. Carl and the pack would take it as a breach of territory at the very least. Then Arturo would have to deal with them.

But Arturo could hire someone. He wouldn't even have to do it himself. He'd work through an intermediary and Cormac would never know he was working for the vampire. Arturo had the means to get photos of me during full moon nights. He knew where the pack ran.

I heard elevator doors hiss open. Boot steps on linoleum.

"I can see the window of your booth, Norville."

"Hey, Cormac, do you know Arturo?"

"Yeah. He's in charge of the local vampires."

"Did he hire you?"

"Hell no. What do you think I hunt when I'm not after werewolves?"

So he hunted lycanthropes and vampires. I really wanted to get on this guy's good side, as impossible as that seemed at the moment.

I had to figure out how I could prove that Arturo had hired Cormac through an intermediary. Maybe that would get the bounty hunter to back off.

Then I heard the sirens. A window looked from my studio to the street outside. I didn't have to move to see the red and blue lights flashing. The police. The last few minutes had dragged, but even if an intrepid listener had called the cops as soon as Cormac announced his intentions, they couldn't have gotten here this quickly.

"You hear that, Cormac?"

"Shit," he muttered. "That's too quick."

Hey, we agreed on something. "It's almost like someone called ahead of time, that they knew you were going to be here. Are you sure you don't want to rethink my patsy theory?"

Arturo could get me via Cormac, and with the cops downstairs he could get Cormac, too, if he had it in for the bounty hunter. The cops wouldn't buy the werewolf story. They'd get him for murder.

"You can't be serious."

"Arturo, the local vampire Master, wants me off the air. Can I assume you've pissed him off recently?"

"Um, yeah, you could say that."

There was a story behind that. I'd have to wait until later to pry it out of him. "Let's pretend he hires you through a third party, calls the cops as you're doing the job, so there's no way you have time for an escape. You may have it in for werewolves on principle, but you can't justify killing me. The minute you pull that trigger, the cops bring you down. How does that sound for a theory?"

A pause, long enough for my palpitating heart to beat a half-dozen times. "You're insane."

I couldn't hear footsteps, couldn't hear weapons. He'd stopped moving. Was I nervous? I hadn't seen those guns yet. I didn't have to; I could smell Cormac's body odor, taut nerves with a spicy underlay of aftershave. I could smell the gun oil. I could smell—silver. He had silver bullets. Any doubts about the truth of his claims and intentions vanished. He hunted lycanthropes and vampires, and if he was alive enough to use the plural on that, he knew what he was doing.

I was still on the air. I was getting the show to end all shows, interviewing my own potential killer live on nationally syndicated radio. So was I nervous? I talked faster. Words were my weapons, like Cormac's guns were for him. I could only hope my aim was as deadly.

"Hey, Cormac. You ever have to deal with a PMSing werewolf?"

"No."

"Well, it's a real bitch."

He was right outside the door. All he had to do was lean in and shoot. My fingers itched; my bones itched. I wanted to Change; I wanted to run. I could feel the Wolf clawing at my rigidly held control, in self-defense, self-preservation. I could fight—but I wouldn't. Squeezing my trembling hands into fists, I held my breath. Matt crouched in a corner, his eyes wide. He was staring at me. Not at the door or at Cormac, but at me. The werewolf.

Cormac chuckled. The sound was soft, almost indiscernible even to my sensitive hearing. The next sound I heard was a click—the safety of a handgun snapping back into place.

"Can I ask you a question?"

Was I going to live? Die? What? "Sure."

"What the hell kind of name is Kitty for a werewolf?"

My breath hissed. "Gimme a break; the name came first."

"I have a deal for you, Norville. I call off the contract, and you don't press charges."

"All right," I said quickly. I was more interested in keeping my skin intact than pressing charges.

Cormac continued. "I'm going to do some checking. If you're wrong, I'll come back for you."

I swallowed. "That seems fair."

"If you're right, we can both rub Arturo's face in it. Now, I suggest we wait here for the cops to find us, then we can all explain things like reasonable people."

"Um, can I finish the show?"

"I suppose."

Matt scrambled to the board. "Forty seconds left," he said, a little breathlessly.

Perfect timing. "Hey, listeners, I haven't forgotten about you. Seems this was all a misunderstanding. I think Cormac the Assassin and I have worked things out. The police are coming up the stairs as I speak. If this were a movie, the credits would be rolling. So that's it for The Midnight Hour. Next week I have as my guest Senator Joseph Duke, sponsor of a bill in Congress that would grant federal marshal status to licensed exorcists. Is he a crackpot, or is the country really under threat from hordes of communist demons? I can't promise that it'll be nearly as exciting as it was tonight, but you never know. I'll do my best. Until then, this is Kitty Norville, Voice of the Night."

Matt started the closing credits, featuring a long, clear wolf howl rich with the full moon. It was my own howl, recorded for the show at the start.

I pulled off the headset and rubbed my eyes. Maybe Carl was right and I should quit doing this. So much trouble. Was it worth my life? I should just quit. Nah…

The hair on my neck tingled; I turned to see a man standing in the doorway, leaning on the frame. Even without the revolver in the holster strapped to his thigh, gunslinger style, he was scary: tall, six feet, and slim, dressed in a black leather jacket, black T-shirt, worn jeans, and thick, steel-toed biker boots. His mouth smirked under a trimmed mustache. He held a rifle tucked under his arm.

"That you?" he asked, indicating the last fading note of the wolf howl. He looked to be in his early thirties. His eyes glinted, matching the humor of his suppressed grin.

I nodded, climbing to my feet, propping myself against the wall. Big, dangerous werewolf—yeah, that was me. I wanted a hot shower and a nap.

Cops were pounding down the hallway now, shouting something about weapons down and hands up. Cormac followed instructions, gun down and hands up, as if he'd done this before.

I had a thousand questions for him. How did someone get into the business of hunting werewolves and vampires? What kind of adventures had he had? Could I get him on the show as a guest? What did I do now? Introduce myself? Shake his hand?

"Norville, don't ever give me a reason to come after you," he said, before the police flooded the floor.

My smile was frozen and my knees were weak as the uniformed men arrived, surrounded him, and led him away.

The cop in charge, Detective Jessi Hardin, escorted me down the emergency stairway herself. She explained how I'd have to go to the police station, make a statement, sign the report, and so on. The long night was going to get even longer.

I wanted to say something. Like, I'm a werewolf. I wondered if it would change anything. No, not if. How it would change everything. I'd told the world. I felt like I had to keep saying it, to believe it had happened.

For once I kept my mouth shut.

"By the way, there's a guy downstairs looking for you. Name of Carl? I told him he can talk to you after you go to the station. This might take awhile, though."

Carl. Carl, that bastard. Took him long enough to figure out I was in trouble. And he called himself an alpha.

"That's fine. Take as long as you like. Carl can wait."