FOREWORD

As a movie producer I see a lot of material. I’m sent novels, screenplays, short stories, comic books, graphic novels, fiction, and nonfiction; I speak at writers’ conferences all over the country and feel blessed that I’m able to call many bestselling authors my friends.

I love writers and truly admire the courage and discipline it takes to face the blank page day after day and pour one’s soul into the abyss, never knowing if those words will see the light of day, let alone find their way to a bookshelf at Barnes & Noble. It’s a step-by-step process with its own structural rules. Not unlike the movie business.

Every stage of making a movie is like successfully doing a Rubik’s Cube. The development, production, and marketing depend on lining up all the sides in the right colors. It took me eight years to get The Equalizer movie made. There were many false starts, big-name actors came and went, as did the directors, screenwriters, studios, and financiers. So close, so many times, but five sides just won’t do, because you need all six to make it work. It may look simple, but it takes a special mix of elements to make a movie work.

With The Equalizer, it all started with a great character. At one time or another, everybody has wished they had a Robert McCall to help them when no one else would. “Got a problem? Odds against you? Call the Equalizer.” The television show ran for five years and resonated with the audience to the extent that many times Edward Woodward the actor was approached by strangers on the street begging for his help. That’s why I knew the movie would work. I knew that character would appeal to an actor, but it took years to find the right mix of story and director to fall into place.

I met Jonathan Maberry at a writers’ conference in New Orleans. He gave me several of his books and went over the characters and plot points of each. When he told me about the Joe Ledger series I got really excited and could see many of the elements were already there. He gave me a few books and I promised I’d get to them as soon as I was back in L.A. I lied, I actually started reading one on the plane, and by the time I landed at LAX, I was hooked.

I am gleefully grateful to have the chance to bring Joe Ledger to the screen.

He’s no martini-sippin’ James Bond looking for the baccarat table, and he’s no rooftop-jumping Jason Bourne looking to find himself. And if you live your entire life never having run into him, consider yourself very lucky, because if you’re in Joe Ledger’s path, chances are you’re already in deep mind-bending shit of epic proportion.

Drop John McClane from Die Hard into an episode of Fringe and you’ve entered the world of Joe Ledger. Ex — Baltimore cop, the enforcer, investigator, facilitator, agitator, expediter, fix-it man, and cleanup guy for the shadowy Department of Military Sciences (DMS) as they defend America from all enemies — foreign, domestic, otherworldly, and unimaginable. Bring on the zombies, aliens, UFOs, cyborgs, robots, replicants, mutants, megalomaniacs wielding weapons of mass destruction, and all manner of evildoers hell-bent on attacking not just America but sometimes the whole human race — Joe Ledger’s ready. He’s the tip of the spear — Thor’s hammer. DMS may be the brains, but Joe is the muscle. Unlike Bourne, Joe knows exactly who he is.

Well, that’s not quite true, he knows he’s really three people in one body.

Three personalities in constant warfare for control of his mind, heart, and body: the tough ex-Cop, the Civilized Man, and the Warrior. Effective? Oh yeah. Loyal? To a fault. Dangerous? Like cooking nitroglycerin in your kitchen. In other words, the perfect man for the job. Fox Mulder tells us the truth is out there. Joe Ledger knows the truth and it’s not out there, it’s right here, right now. And it’s scary as hell.

I think we all get the feeling there is way more going on in the world than the things we read about in the news. When Edward Snowden lifted the corner of the rug and government secrets skittered out like cockroaches, I doubt many of us were all that surprised. Lift that rug a little more and the world of Joe Ledger is suddenly not only plausible but inevitable. Fiction rooted in reality.

I eagerly await these new Joe Ledger tales as they transport me deeper and deeper into that amazing world of “what if” and…

— TONY ELDRIDGE

Producer of The Equalizer

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