AND SO, AT THE LAST, what can one say of them? What is to be said of Marjorie Menninger and Danny Dalehouse and Ana Dimitrova — and of Charlie and Ahmed Dulla, or of Sharn-igon and Mother dr’Shee? They did what they could. More often than not, they did what they thought they should. And what can be said of them is what can be said of all persons, human and otherwise, at the end: they died. Some survived the fighting. Some survived the flare. But in the long run there are no survivors.
There are only replacements. And time passes, and generations come and go.
And then, what can one say of that beautiful and powerful woman named Muskrat Greencloud An-Guyen?
One can say that she bears the traces of Margie and Nan and some of the others. Some through the passage of chains of DNA, some only because of what they did or who they were.
She never knew any of them, of course, because they are all six generations dead; she is a replacement.
Like all of us, she is not a single person. She wears three personas, or six, or a hundred if you count the subjective memories and stereotypes other persons carry around that bear the label “Muskie An-Guyen.” To a former lover, she is the sweetly sweaty companion of a weekend at Lake Hell. To her grandchildren, she is the docent who leads them through the museums and the zoo. To your average registered Republicate lot-caster of the Boyne-Feng Metropolitan Area, she is the selection judge who supervises the machineries of government. Or, actually, of nongovernment. Muskie is one hundred percent solidly behind the Six Precepts of the Jemman Republics, and No strong central government is the last and maybe most important of them. “Government” is a dead wickedness to Muskie, burned out in the Blast and starved in the Desperation. It has been gone from Jem this century and a half. No one wants to see that pawkish horror back, least of all Muskie. It is as obsolete as armies and indolence and waste. Muskie will keep it so, if it demands her last drop of blood as well as the utmost sacrifices by her militia volunteers and gift acceptors.
But to see who Muskie is, let us look at the three principal faces she wears to show the sultry and satisfied world of Jem.
The first of these is Muskie the nurturer. She provides more than a tenth of the food for Boyne-Feng, and nearly all of it that comes from underground. She does not do it by herself, of course. See her as she stands in the gallery gate. The morning shift is coming on duty. The bad old days of “owners” died when government did. Muskie is not an owner. She is only one among equals. But she is a special one.
You might think she looks like a Virginia planter overseeing slaves, or perhaps like a Shensi landlord accepting squeeze from the tenant farmers in her paddies. This would be deceiving. There is no ownership. There is not even any compulsion. The tokens the Krinpit laborers give her one by one as they scuttle past to the underground farms are not extorted. They are gifts. They are freely given. If Muskie is not pleased with the gift of one of them, she does not reproach him or order him to give more. She simply refuses it. Then the Krinpit chooses to go back to his village, where he may freely starve. A meter or two past Muskie’s station the Creepie overseers spray the Krinpit with anti-allergen lacquer. No force is employed here, either. If the Krinpit do not choose to make gifts to the overseers, they need not turn back. The overseers will then choose not to spray them. The Krinpit will then itch or molt or die as a consequence of exposure to the terraborn crops they handle. It is the Krinpits’ right to choose this if they wish. There is absolutely no compulsion, by anyone, of anyone, at any time. That is part of the Six Precepts.
The Krinpit know this and rejoice in their freedom — not to mention rejoicing in the radios, the gaily raucous drums and zithers, the chemical intoxicants, beads and metal tools that they prize. These are freely given to them when they freely give up the tokens that Muskie has freely given to them at the end of each voluntary work shift. The Creepies also know that this is true. They are also grateful, especially for the Two-Legs’ improvements on their savage old burrows, and they freely assist the stronger, bigger Krinpit laborers by instructing them in where to plant the floor crops of mushrooms and the roof crops of potato and yam. They too now rejoice in the possession of beads, devices, and intoxicants their rude progenitors never knew. The balloonists know it — what fun they have with their taped music and their repeated orgasms! And, of course, Muskrat Greencloud An-Guyen knows it really well. She has everything she wants. Perhaps the best part of what she has is the certain knowledge that the Six Precepts are always followed, and so justice is always served, and everybody else on Jem — and that means everybody, Krip or balloonist, stranger or son — has everything, too. Though not usually as much of everything as she.
Then there is Muskie the civil volunteer. Not merely a discussant or a participator, like everyone else. She is a selection judge who gives freely of her time to serve the whole community, even at holidays.
She leaves the agricultural galleries and goes aboveground into the warm, bright dome of Fat City. Muskie is still a sturdily beautiful woman. She is tanned by the ultraviolet lights of the pool-grotto, tall, solid rather than plump; she weighs sixty standard kilos, but she has a fifty-centimeter waist, and her lovers prefer her to partners half her age. Eyes follow her as she comes smiling into Remembrance Hall, removes her slacks and slicks for comfort, gives Ring-Greeting to all, and reclines on a foam couch. “I would like to begin,” she says sunnily. The other six volunteer selection judges agree that they, too, would like to discuss the issues of the day.
Most of the issues are routine, and consensus appears at once. (They are all saving themselves for the big one.) From his place under the bust of Mother Kristianides, wide-browed and serene as she looks down on them, Roanoke t’Schreiber describes the progress in cleaning up Lake Hell. All the city’s sewage is being pumped there. The native aquatic life is being satisfactorily killed off, since Escherichia coli is antibiotic against most forms of Jemman life. “Another two million bowel movements and we’ll have it sparkly clean,” he comments. Sod House Flareborn looks up from inspecting her ten-centimeter fingernails to wonder if the militia should be freely given extra tokens, since so many of them have unfortunately (though voluntarily) given up their lives in the exploration of additional Creepy burrows and the liberation of distant camps of Krinpit. All agree that this seems desirable. The woman in militia fatigues who has been hovering by the door leaves with a smile of satisfaction.
Then Muskie’s face clouds and she observes, “I have heard that there has been another tactran from Alphabase.”
There is silence in the chamber. This is the issue that holds the seeds of dissent, and even change. No one really wants to get into it. All the judges stir uncomfortably on the couches under the busts of the ancestors, each waiting for the others to speak.
At last t’Schreiber offers an opinion. “I, for one, think it was unwise of our predecessors to attempt to resume space exploration. They freely gave much value to put new tactran satellites in orbit. What have we gained? Sorrow and confusion.” He lists the contacts made: a garble that might have been from the Martian colony; pitiful pleas for help from old Earth itself; a dozen cocky messages from the base at Alpha Centauri suggesting an attempt at an actual flight to and from Jem. From the rest of the universe, nothing.
Muskie waits uncomfortably, shifting position and scratching just above the plaque of her string bikini. Then she says, “I wonder if we should answer messages from Alphabase anymore.”
No one responds.
Therefore it is agreed; and the judges turn to speaking of the gratifying growth in human population — from one hundred eighty survivors to eighteen hundred in the third generation, and now nearly a quarter of a million in the sixth. There is no longer a fear that humanity might not survive. On Jem Man flourishes.
This reminds Muskie that her newest baby is about ready to be born. She speaks softly into her telephone to the hospital. The mare is in the delivery room even at that moment, but the news is bad. The baby was born dead.
“I blame myself,” says Muskie to the doctor remorsefully. “Sarah Glowbag — was that her name?”
“Mary Glowbag,” the doctor corrects her.
“Yes, Mary. She was nearly sixty years old I should have invited a younger mare to brood my baby.”
“Don’t let it spoil your day.” consoles the doctor. “One must expect a failure now and then. Nearly all of your children have lived, and remember, you have three others in the oven right now.”
“You’re very kind.” Muskie hangs up with a smile. But the news has upset her — and just at Christmas, too. “I would like to leave now,” she tells the other judges, and of course they also wish to close the discussion and return to their homes.
And then there is Muskrat the mother, the honored one at the head of her family.
This is no small part of her. Her family is huge. Forty-four living children, the dozen oldest long since having made her a multiple grandmother, the three youngest still unborn in the borrowed wombs of other women. (She reminds herself to make a voluntary gift to Sarah, or Mary, Glowbag for her kindness in carrying her most recent implanted ovum to term. Not as large as usual, of course; after all, the child had been born dead.) At Christmas all of them will come to give her Ring-Greeting, and she looks forward to the day with pleasure.
But not all of a family’s concerns are pleasurable. As she walks across the pleasant gardens toward the place where she sleeps and keeps her belongings, a short, pale youth pushes toward her through the shrubs. He is d’Dalehouse Dolphin An-Guyen, and he is one of her sons. He has been running. He is breathing hard. Muskie sighs and says, “How nice of you to hurry to give me Ring-Greeting, Dolph.”
He stops and blinks at the pretty Christmas many-tree in the center of the garden, with its ring-shaped lights and yellow Star of Earth at the top. Obviously he has forgotten about the holiday. Muskie sighs again. “Merry Christmas anyway, Dolph. I know you’re going to reproach me some more. Sit down and catch your breath first.”
They sit on a pressed creepystone bench under a grape arbor. (A few raisins had survived the flare-storm under a bunk in that Outpost of the People. From the six germinable seeds that were found in them had come all the wine on Jem, and this arbor.)
Muskie does not look at her son. She knows that in spite of his faults, he is too well brought up to begin before she has given him encouragement, and she wants him to feel the peace of this place. All around the garden are the statues of the First Generation, the eighteen Mothers in gold, the fifty-two Mares in crystal, the eighty-nine Fathers in granite quarried from the cliffs under the Heat Pole. (The twenty-one survivors who contributed no genes to the pool, even by cloning, have statues too, but they are ranged outside the park. None of them were even mares.) There are further distinctions in the statues. The eighty-one survivors who returned from Farside have their names picked out in frost-etched silver. The thirty-two who survived in the burrows under the Outpost of Food when the flare caught them before the ferrying to Farside was complete are marked in ruby. And the sixty-seven others — few of them viable — who survived the flare in caves, under machines, inside space capsules, or wherever they could hide from the rage of the star are marked in orange chrysolite, the color of flame. That was six generations back. Muskie could have been descended from 26 of them, more than a third, but actually only eleven are truly her ancestors, with considerable overlap. (For instance, she is quintuply each descended from Marjorie Menninger, Ana Dimitrova, Nguyen Tree, and Firstborn McKenzie, the tiny phocomelic child born to the one woman who survived both the nuclear bombing of the Outpost of Fuel and the flare. She lived only long enough to bear her damaged child, but the child was marvelously fertile.)
When Muskie feels that this holy place has done all it can for her son, she scratches below the waistband of her slacks and says, “All right, Dolph, you may as well say it.”
He cannot wait to get the words out, he is so impatient. “All right, I’ll say it! You’ve made a mistake, Mother Muskie. We can’t say no to Alphabase!”
“ ‘Can’t’?”
He is doggedly stubborn. Even ferocious. “Yes, that’s what I said, can’t. It’s a crime against the human race! Jem’s rotting away before your eyes, Mother Muskie. This is the best chance we’ve ever had to get things going again. They’ve got high-energy technology on Alphabase! Do you know what it means, what they’re suggesting? They’re able to put ten tons standard into the tachyon charge state — we couldn’t do that to save our lives.”
“Dear Dolph,” she begins, sweetly reasonable, “we have more pressing problems right here on Jem. Do you know how many wild flocks of Loons there are? Krips who still wallow in savagery? Creepies unreached and unbenefited. We have a duty—”
“We have a duty to humanity!” he cries.
“Yes. Certainly! And we are carrying it out. Our ancestors gave their lives to save us, and we are true to the Six Precepts. There is no tyrannical government, no coercion, no contending nationalities here. We haven’t raped Jem, we’ve wooed it. We live off renewable resources, while the Alphs are back to industry and all the evils of technology.”
“Dear God,” he shouts, “resources? The quarter-million of us don’t begin to scratch the surface of them! Do you know that fossil fuel is forming faster than we use it?”
“Good! Proper! That makes it renewable. But be reasonable, Dolph dear. Why spoil everyone’s happiness by striving for something foolish? Suppose everyone wanted to do what you say. Who would mine these fossil fuels?”
“Krips. Creeps. People. Machines! I don’t care. If they don’t want to, they should be ordered to!”
Muskrat is shaken. “You have spoiled my Christmas,” she says sorrowfully, and walks away. What a shame! A foolishly stubborn boy and an incompetent mare, and her whole holiday was ruined before it had rightly begun. Dolph is her favorite son, or often is. She admires his tiny, quick body and his bright mind. But what rot, really! What a bore! Why can’t he accept paradise like everyone else and be happy in it?
Dolph’s holiday is spoiled, too, and he sits on the creepy-stone bench so angry and frustrated that he does not even hear the carols beginning.
A’es’e fi’eles, lae’i’riumphan’es.
If only she could be made to understand! The winning of Jem had cost so much in blood and pain. Not just in that first terrible year. Over and over again, every time Kung had flared in those first decades. There had been eight flares since the days of the ancestors, and only the last two or three had been fairly painless. Plenty of warning. A frenzied rush to ionproof the domes and hustle essential perishables inside. A week of confinement while the star raged, a year or so of one or another kind of scarcity until the planet replenished itself. But that left half a dozen sieges of misery, the first worst, but all of them catastrophic. Was all that to go for nothing?
Veni’e a’oremus, ’Ominum.
A Creepie overseer darts whickering past him toward the many-tree, followed by four noisy Krinpit gardeners in their bright red and green Ring-Greeting coats of lacquer. He becomes aware of the choir belatedly.
— save us all from Sa’an’s power
When we were gone as’ray -
Hell of a season of joy this is, he thinks to himself. Season of suicide! Time of deciding to die on the vine while all the rest of the galaxy goes on to who knows what triumphs of technology and adventure! Glumness battles Christmas inside him. Gradually glumness loses. He remembers what the Creepie had been carrying — palely glowing ultraviolet strobes — and decides to stroll over to the Christmas many-tree.
The Krinpit are pushing away benches and picnic tables to make room, moaning and clattering to themselves; they finish and scuttle away. The Creepie positions his strobes and waits for orders. On the tree itself, the tethered ballonists are singing their little hearts out.
Schlaf in heilige ruhe,
Schlaf im heilige ruh’.
All around the tree young people like him are removing their clothes and slipping in between the gaily decorated trunks. “Time to start!” they cry; and the Loons begin the jolly, lively “Good King Wenceslas.”
Obediently the Creepie touches off the strobes. The Loons gasp and continue to sing and begin to emit their milt, and all under the lovely tree the couples link in the traditional Rings.
And Dolph can stand it no longer. Gloom loses. Christmas wins. He flings off his clothing and plunges into the trunks of the many-tree. Why fight Utopia? he thinks to himself. And so in that moment he completes the process of growing up. And begins the process of dying. Which is much the same thing.