'Yes,' Richie said.
'Yes,' Mike said. 'Oh my God, yes.'
'Yes,' Bev said.
'Yes,' Eddie managed, gasping it out of his rapidly closing throat.
Bill looked at Stan, demanding with his eyes that Stan look back at him. 'Duh-don't let it g-g-get y-you, man,' Bill said. 'Yuh-you suh-saw it, t-t-too.'
'I didn't want to!' Stan wailed. Sweat stood out on his brow in an oily sheen.
'But y-y-you duh-duh-did.'
Stan looked at the others, one by one. He ran his hands through his short hair and fetched up a great, shuddering sigh. His eyes seemed to clear of that lowering madness that had so disturbed Bill.
'Yes,' he said. 'Yes. Okay. Yes. That what you want? Yes.'
Bill thought: We're still all together. It didn't stop us. We can still kill It. We can still kill It . . . if we're brave.
Bill looked around at the others and saw in each pair of eyes some measure of Stan's hysteria. Not quite as bad, but there.
'Y-Y-Yeah,' he said, and smiled at Stan. After a moment Stan smiled back and some of that horrible shocked look left his face. 'That's what I wuh-wuh-wanted, you weh-weh-wet end.'
'Beep-beep, Dumbo,' Stan said, and they all laughed. It was hysterical screaming laughter, but better than no laughter at all, Bill reckoned.
'C-C-Come on,' he said, because someone had to say something. 'Let's f-f-finish the clubhouse. What do you s-s-say?'
He saw the gratitude in their eyes and felt a measure of gladness for them . . . but their gratitude did little to heal his own horror. In fact, there was something in their gratitude which made him want to hate them. Would he never be able to express his own terror, lest the fragile welds that made them into one thing should let go? And even to think such a thing wasn't really fair, was it? Because in some measure at least he was using them - using his friends, risking their lives - to settle the score for his dead brother. And was even that the bottom? No, because George was dead, and if revenge could be exacted at all, Bill suspected it could only be exacted on behalf of the living. And what did that make him? A selfish little shit waving a tin sword and trying to make himself look like King Arthur?
Oh Christ, he groaned to himself, if this is the stuff adults have to think about I never want to grow up.
His resolve was still strong, but it was a bitter resolve.
Bitter.
C H A P T E R 1 5
The Smoke-Hole
1
Richie Tozier pushes his glasses up on his nose (already the gesture feels perfectly familiar, although he has worn contact lenses for twenty years) and thinks with some amazement that the atmosphere has changed in the room while Mike recalled the incident with the bird out at the Ironworks and reminded them about his father's photograph album and the picture that had moved.
Richie had felt a mad, exhilarating kind of energy growing in the room. He had done cocaine nine or ten times over the last couple of years - at parties, mostly; coke wasn't something you wanted just lying around your house if you were a bigga-time disc jockey - and the feel was something like that, but not exactly. This feeling was purer, more of a mainline high. He thought he recognized the feeling from his childhood, when he had felt it every day and had come to take it merely as a matter of course. He supposed that, if he had ever thought about that deep-running aquifer of energy as a kid (he could not recall that he ever had), he would have simply dismissed it as a fact of life, something that would always be there, like the color of his eyes or his disgusting hammertoes.
Well, that hadn't turned out to be true. The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you don't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons with the Burma-Shave slogans on the sides. The kid in you just leaked out, like the air out of a tire. And one day you looked in the mirror and there was a grownup looking back at you. You could go on wearing blue-jeans, you could keep going to Springsteen and Seger concerts, you could dye your hair, but that was a grownup's face in the mirror just the same. It all happened while you were asleep, maybe, like a visit from the Tooth Fairy.
No, he thinks. Not the Tooth Fairy. The Age Fairy.
He laughs aloud at the stupid extravagance of this-image, and when Beverly looks at him questioningly, he waves a hand at her. 'Nothing, babe, he says. 'Just thinkin me thinks.'
But now that energy is back. No, not all the way back - not yet, anyway - but coming back. And it's not just him; he can feel it filling the room. Mike looks okay to Richie for the first time since they all got together for that hideous lunch out by the mall. When Richie walked into the lobby and saw Mike sitting there with Ben and Eddie, he thought, shocked: There's a man who's going crazy, getting ready to commit suicide, maybe. But that look is gone now. Not just sublimated; gone. Richie has sat right here and watched the last of it slip out of Mike's face while he relived the experience of the bird and the album. He's been energised. And it is the same with all of them. Its in their faces, their voices, their gestures.
Eddie pours himself 'another gin-and-prune juice. Bill knocks back some bourbon, and Mike cracks another beer. Beverly glances up at the balloons Bill has tethered to the microfilm recorder at the main desk and finishes her third screwdriver in a hurry. They have all been drinking pretty enthusiastically, but none of them are drunk. Richie doesn't know where that energy he feels is coming from, but its not out of a liquor bottle.
DERRY NIGGERS GET THE BIRD: Blue
THE LOSERS ARE STILL LOSING, BUT STANLEY URIS IS FINALLY AHEAD: Orange
Richie thinks, opening a fresh beer for himself, it isn't bad enough It can be any damn monster It wants to be, and it isn't bad enough that It can feed off our fears. It also turns out to be Rodney Dangerfield in drag.
It's Eddie who breaks the silence. 'How much do you think It knows about what we're doing now?' he asks.
'It was here, wasn't It?' Ben says.
'I'm not sure that means much,' Eddie replies.
Bill nods. 'Those are just images,' he says. 'I'm not sure that means It can see us, or know what we're up to. You can see a news commentator on TV, but he can't see you.'
'Those balloons aren't just images,' Beverly says, and jerks a thumb over her shoulder at them. 'They're real.'
'That's not true, though,' Richie says, and they all look at him. 'Images are real. Sure they are. They -
And suddenly something else clicks into place, something new: it clicks into place with such firm force that he actually puts his hands to his ears. His eyes widen behind his glasses.
'Oh my God!' he cries suddenly. He gropes for the table, half-stands, then falls back into his chair with a boneless thud. He knocks his can of beer over reaching for it, picks it up, and drinks what's left. He looks at Mike while the others look at him, startled and concerned.
'The burning!' he almost shouts. 'The burning in my eyes! Mike! The burning in my eyes - '
Mike is nodding, smiling a little -
'R-Richie?' Bill asks. 'What i-is it?'
But Richie barely hears him. The force of the memory sweeps through him like a tide, turning him alternately hot and cold, and he suddenly understands why these memories have come back one at a time. If he had remembered everything at once, the force would have been like a psychological shotgun blast let off an inch from his temple. It would have torn off the whole top of his head.
'We saw It come!' he says to Mike. 'We saw It come, didn't we? You and me . . . or was it just me?' He grabs Mike's hand, which lies on the table. 'Did you see it too, Mikey, or was it just me? Did you see it? The forest fire? The crater?'
'I saw it,' Mike says quietly, and squeezes Richie's hand. Richie closes his eyes for a moment, thinking he has never felt such a warm and powerful wave of relief in his life, not even when the PSA jet he had taken from LA to San Francisco skidded off the runway and just stopped there - nobody killed, nobody even hurt. Some luggage had fallen out of the overhead bins and that was all. He had jumped onto the yellow emergency slide and helped a woman away from the plane. The woman had turned her ankle on a hummock concealed in the high grass. She was laughing and saying, 'I can't believe I'm not dead, I can't believe it, I just can't believe it.' So Richie, who was half-carrying the woman with one arm and waving with the other to the firemen who were making frantic come-on gestures to the deplaning passengers, said: 'Okay, you're dead, you're dead, you feel better now?' and they both laughed crazily. That had been relief-laughter . . . but this relief is greater.
'What are you guys talking about?' Eddie asks, looking from one to the other.
Richie looks at Mike, but Mike shakes his head. 'You go ahead, Richie. I've had my say for the evening.'
'The rest of you don't know or maybe don't remember, because you left,' Richie tells them. 'Me and Mikey, we were the last two Injuns in the smoke-hole.'
'The smoke-hole,' Bill muses. His eyes are far and blue.
'The burning sensation in my eyes,' Richie says, 'under my contact lenses. I felt it for the first time right after Mike called me in California. I didn't know what it was then, but I do now. It was smoke. Smoke that was twenty-seven years old.' He looks at Mike. 'Psychological, would you say? Psychosomatic? Something from the subconscious?'
'I would say not,' Mike answers quietly. 'I would say that what you felt was as real as those balloons, or the head I saw in the icebox, or the corpse of Tony Tracker that Eddie saw. Tell them, Richie.'
Richie says: 'It was four or five days after Mike brought his dad's album down to the Barrens. Sometime just after the middle of July, I guess. The clubhouse was done. But . . . the smoke-hole thing, that was your idea, Haystack. You got it out of one of your books.'
Smiling a little, Ben nods.
Richie thinks: It was overcast that day. No breeze. Thunder in the air. Like the day a month or so later when we stood in the stream and made a circle and Stan cut our hands with that chunk of Coke bottle. The air was just sitting there, waiting for something to happen, and later Bill said that was why it got so bad in there so quick, because there was no draft.
July 17th. Yes, that was it, that had been the day of the smoke-hole. July 17th, 1958, almost a month after summer vacation began and the nucleus of the Losers - Bill, Eddie, and Ben - had formed down in the Barrens. Let me look up the weather forecast for that day almost twenty-seven years ago, Richie thinks, and I'll tell you what it said before I even read it: Richard Tozier, aka the Great Mentalizer. 'Hot, humid, chance of thundershowers. And watch out for the visions that may come while you're down in the smoke-hole . . . '
It had been two days after the body of Jimmy Cullum was discovered, the day after Mr Nell had come down to the Barrens again and sat right on the clubhouse without knowing it was there, because by then they had capped it off and Ben himself had carefully overseen the replacement of the sods. Unless you got right down on your hands and knees and crawled around, you'd have no idea anything was there. Like the dam, Ben's clubhouse had been a roaring success, but this time Mr Nell didn't know anything about it.
He had questioned them carefully, officially, taking down their answers in his black notebook, but there had been little they could tell him - at least about Jimmy Cullum - and Mr Nell had gone away again, after reminding them once more that they were not to play in the Barrens alone . . . ever. Richie guessed that Mr Nell would have told them simply to get out if anyone in the Derry Police Department had really believed that the Cullum boy (or any of the others) had actually been killed in the Barrens. But they knew better; because of the sewer and stormdrain system, that was simply where the remains tended to finish up.
Mr Nell had come on the 16th, yes, a hot and humid day also, but sunny. The 17th had been overcast.
'Are you going to talk to us or not, Richie?' Bev asks. She is smiling a little, her lips full and a pale rose-red, her eyes alight.
'I'm just thinking about where to start,' Richie says. He takes his glasses off, wipes them on his skirt, and suddenly he knows where: with the ground opening up at his and Bill's feet. Of course he knew about the clubhouse - so did Bill and the rest of them, but it still freaked him out, seeing the ground suddenly open on a slit of darkness like that.
He remembers Bill riding him double on the back of Silver to the usual place on Kansas Street and then stowing his bike under the little bridge. He remembers the two of them walking along the path toward the clearing, sometimes having to turn sideways because the brush was so thick - it was midsummer now, and the Barrens was at that year's apogee oflushness. He remembers swatting at the mosquitoes that hummed maddeningly close to their ears; he even remembers Bill saying (oh how clearly it all comes back, not as if it happened yesterday, but as if it is happening now), 'H-H-Hold it a s-s-s
2
- econd, Ruh-Richie. There's a damn guh-guh-hood one on the b-back of your neh-neck.'
'Oh Christ,' Richie said. He hated mosquitoes. Little flying vampires, that's all they were when you got right down to the facts. 'Kill it, Big Bill.'
Bill swatted the back of Richie's neck.
'Ouch!'
'Suh-suh-see?'
Bill held his hand in front of Richie's face. There was a broken mosquito body in the center of an irregular patch of blood. My blood, Richie thought, which was shed for you and for many. 'Yeeick,' he said.
'D-Don't w-worry,' Bill said. 'Li'l fucker'll neh-never dance the tuh-tuh-tango again.'
They walked on, slapping at mosquitoes, waving at the clouds of noseeums attracted by something in the smell of their sweat - something which would years later be identified as 'pheromones.' Whatever they were.
'Bill, when you gonna tell the rest of em about the silver bullets?' Richie asked as they approached the clearing. In this case 'the rest of them' meant Bev, Eddie, Mike, and Stan - although Richie guessed Stan already had a good idea of what they were studying up on down at the Public Library. Stan was sharp - too sharp for his own good, Richie sometimes thought. The day Mike brought his father's album down to the Barrens Stan had almost flipped out. Richie had, in fact, been nearly convinced that they wouldn't see Stan again and the Losers' Club would become a sextet (a word Richie liked a lot, always with the emphasis on the first syllable). But Stan had been back the next day, and Richie had - respected him all the more for that. 'You going to tell them today?'
'Nuh-not t-today,' Bill said.
'You don't think they'll work, do you?'
Bill shrugged, and Richie, who maybe understood Bill Denbrough better than anyone ever would until Audra Phillips, suspected all the things Bill might have said if not for the roadblock of his speech impediment: that kids making silver bullets was boys' book stuff, comic-book stuff . . . In a word, it was crap. Dangerous crap. They could try it, yeah. Ben Hanscom might even be able to bring it off, yeah. In a movie it would work, yeah. But . . .
'So?'
'I got an i-i-i-idea,' Bill said. 'Simpler. But only if Beh-Beh-Beverly - '
'If Beverly what?'
'Neh-hever mind.'
And Bill would say no more on the subject.
They came into the clearing. If you looked closely, you might have thought that the grass there had a slightly matted look - a slightly used look. You might even have thought that there was something a bit artificial - almost arranged - about the scatter of leaves and pine needles on top of the sods. Bill picked up a Ring-Ding wrapper - Ben's, almost certainly - and put it absently in his pocket.
The boys crossed to the center of the clearing . . . and a piece of ground about ten inches long by three inches wide swung up with a dirty squall of hinges, revealing a black eyelid. Eyes looked out of that blackness, giving Richie a momentary chill. But they were only Eddie Kaspbrak's eyes, and it was Eddie, whom he would visit in the hospital a week later, who intoned hollowly: 'Who's that trip-trapping on my bridge?'
Giggles from below, and a flashlight flicker.
'Thees ees the rurales, senhorr,' Richie said, squatting down, twirling an invisible mustache, and speaking in his Pancho Vanilla Voice.
'Yeah?' Beverly asked from below. 'Let's see your badges.'
'Batches'?' Richie cried, delighted. 'We dean need no stinkin batches!'
'Go to hell, Pancho,' Eddie replied, and slammed the big eyelid closed. There were more muffled giggles from below.
'Come out with your hands up!' Bill cried in a low, commanding adult voice. He began to tramp back and forth across the sod-covered cap of the clubhouse. He could see the ground springing up and down with his back-and-forth passage, but just barely; they had built well. 'You haven't got a chance!' he bellowed, seeing himself as fearless Joe Friday of the LAPD in his mind's eye. 'Come on out of there, punks! Or we'll come in SHOOTIN!'
He jumped up and down once to emphasize his point. Screams and giggles from below. Bill was smiling, unaware that Richie was looking at him wisely - looking at him not as one child looks at another but, in that brief moment, as an adult looks at a child.
He doesn't know that he doesn't always, Richie thought.
'Let them in, Ben, before they crash the roof in,' Bev said. A moment later a trapdoor flopped open like the hatch of a submarine. Ben looked out. He was flushed. Richie knew at once that Ben had been sitting next to Beverly.
Bill and Richie dropped down through the hatch and Ben closed it again. Then there they all were, sitting snug against board walls with their legs drawn up, their faces dimly revealed in the beam of Ben's flashlight.
'S-S-So wh-what's g-g-going o-on?' Bill asked.
'Not too much,' Ben said. He was indeed sitting next to Beverly, and his face looked happy as well as flushed. 'We were just - '
'Tell em, Ben,' Eddie interrupted. Tell em the story! See what they think.'
'Wouldn't do much for your asthma,' Stan told Eddie in his best someone-has-to-be-practical-here tone of voice.
Richie sat between Mike and Ben, holding his knees in his linked hands. It was delightfully cool down here, delightfully secret. Following the gleam of the flashlight as it moved from face to face, he temporarily forgot what had so astounded him outside only a minute ago. 'What are you talkin about?'
'Oh, Ben was telling us a story about this Indian ceremony,' Bev said. 'But Stan's right, it wouldn't be very good for your asthma, Eddie.' 'It might not bother it,' Eddie said, sounding - to his credit, Richie thought - only a little uneasy. 'Usually it's only when I get upset. Anyway, I'd like to try it.'
Try w-w-what?' Bill asked him.
'The Smoke-Hole Ceremony,' Eddie said.
'W-W-What's th-that?'
The beam of Ben's flashlight drifted upward and Richie followed it with his eyes. It tracked aimlessly across the wooden roof of their clubhouse as Ben explained. It crossed the gouged and splintered panels of the mahogany door the seven of them had carried back here from the dump three days ago - the day before the body of Jimmy Cullum was discovered. The thing Richie remembered about Jimmy Cullum, a quiet little boy who also wore spectacles, was that he liked to play Scrabble on rainy days. Not going to be playing Scrabble anymore, Richie thought, and shivered a little. In the dimness no one saw the shiver, but Mike Hanlon, sitting shoulder to shoulder with him, glanced at him curiously.
'Well, I got this book out of the library last week,' Ben was saying. 'Ghosts of the Great Plains, it's called, and it's all about the Indian tribes that lived out west a hundred and fifty years ago. The Paiutes and the Pawnees and the Kiowas and the Otoes and the Comanches. It was really a good book. I'd love to go out there sometime to where they lived. Iowa, Nebraska, Colorado, Utah . . . '
'Shut up and tell about the Smoke-Hole Ceremony,' Beverly said, elbowing him.
'Sure,' he said. 'Right.' And Richie believed his response would have been the same if Beverly had given him the elbow and said, 'Drink the poison now, Ben, okay?'
'See, almost all those Indians had a special ceremony, and our clubhouse made me think of it. Whenever they had to make a big decision - whether to move on after the buffalo herds, or to find fresh water, or whether or not to fight their enemies - they'd dig a big hole in the ground and cover it up with branches, except for a little vent in the top.'
'The smuh-smuh-smoke-hole,' Bill said.
'Your quick mind never ceases to amaze me, Big Bill,' Richie said gravely. 'You ought to go on Twenty-One. I'll bet you could even beat ole Charlie Van Doren.'
Bill made as if to hit him and Richie recoiled, bumping his head a pretty good one on a piece of shoring.
'Ouch!'
'You d-deserved it,' Bill said.
'I keel you, rotten gringo sumbeesh,' Richie said. 'We doan need no stinkin - '
'Will you guys stop it?' Beverly asked. 'This is interesting.' And she favored Ben with such a warm look that Richie believed steam would start curling out of Haystack's ears in a couple of minutes.
'Okay, B-B-Ben,' Bill said. 'Go o-o-on.'
'Sure,' Ben said. The word came out in a croak. He had to clear his throat and start again. 'When the smoke-hole was finished, they'd start a fire down there. They'd use green wood so it would be a really smoky fire. Then all the braves would go down there and sit around the fire. The place would fill up with smoke. The book said this was a religious ceremony, but it was also kind of a contest, you know? After half a day or so most of the braves would bug out because they couldn't stand the smoke anymore, and only two or three would be left. And they were supposed to have visions.'
'Yeah, if I breathed smoke for five or six hours, I'd probably have some visions, all right,' Mike said, and they all laughed.
'The visions were supposed to tell the tribe what to do,' Ben said. 'And I don't know if this part is true or not, but the book said that most times the visions were right.'
A silence fell and Richie looked at Bill. He was aware that they were all looking at Bill, and he had the feeling - again - that Ben's story of the smoke-hole was more than a thing you read about in a book and then had to try for yourself, like a chemistry experiment or a magic trick. He knew it, they all knew it. Perhaps Ben knew it most of all. This was something they were supposed to do.
They were supposed to have visions . . . Most times the visions were right.
Richie thought: I'll bet if we asked him, Haystack would tell us that book practically jumped into his hand. Like something wanted him to read that one particular book and then tell us about the smoke-hole ceremony. Because there's a tribe right here, isn't there? Yeah. Us. And, yeah, I guess we do need to know what happens next.
This thought led to another: Was this supposed to happen? From the time Ben got the idea for an underground clubhouse instead of a treehouse, was this supposed to happen? How much of this are we thinking up ourselves, and how much is being thought up for us?
In a way, he supposed such an idea should have been almost comforting. It was nice to imagine that something bigger than you, smarter than you, was doing your thinking for you, like the adults that planned your meals, bought your clothes, and managed your time - and Richie was convinced that the force that had brought them together, the force that had used Ben as its messenger to bring them the idea of the smoke-hole - that force wasn't the same as the one killing the children. This was some kind of counterforce to that other . . . to
(oh well you might as well say it)
It. But all the same, he didn't like this feeling of not being in control of his own actions, of being managed, of being run.
They all looked at Bill; they all waited to see what Bill would say.
'Y-You nuh-nuh-know,' he said, 'that sounds rih-really n-neat.'
Beverly sighed and Stan stirred uncomfortably . . . that was all.
'Rih-rih-really nuh-neat,' Bill repeated, looking down at his hands, and perhaps it was only the uneasy flashlight beam in Ben's hands or his own imagination, but Richie thought Bill looked a little pale and a lot scared, although he was smiling. 'Maybe we could u-use a vih-hision to tell us what to d-d-do about o-our pruh-pruh-hob-lem.'
And if anyone has a vision, Richie thought, it will be Bill. But about that he was wrong.
'Well,' Ben said, 'it probably only works for Indians, but it might be flippy to try it.'
'Yeah, we'll probably all pass out from the smoke and die in here,' Stan said gloomily. That'd be really flippy, all right.'
'You don't want to, Stan?' Eddie asked.
'Well, I sort of do,' Stan said. He sighed. 'I think you guys are making me crazy, you know it?' He looked at Bill. 'When?'
Bill said, 'W-Well, nun-no t-time like the puh-puh-puh-hresent, i-is there?'
There was a startled, thoughtful silence. Then Richie got to his feet, straight-arming the trapdoor open and letting in the muted light of that still summer day.
'I got my hatchet,' Ben said, following him out. 'Who wants to help me cut some green wood?'
In the end they all helped.
3
It took them about an hour to get ready. They cut four or five armloads of small green branches, from which Ben had stripped the twigs and leaves. 'They'll smoke, all right,' he said. 'I don't even know if we'll be able to get them going.'
Beverly and Richie went down to the bank of the Kenduskeag and brought back a collection of good-sized stones, using Eddie's jacket (his mother always made him take a jacket, even if it was eighty degrees - it might rain, Mrs Kaspbrak said, and if you have a jacket to put on, your skin won't get soaked if it does) as a makeshift sling. Carrying the rocks back to the clubhouse, Richie said: 'You can't do this, Bev. You're a girl. Ben said it was just the braves that went down in the smoke-hole, not the squaws.'
Beverly paused, looking at Richie with mixed amusement and irritation. A lock of hair had escaped from her pony-tail; she pushed out her lower lip and blew it off her forehead.
'I could wrestle you to a fall any day, Richie. And you know it.'
'Dat doan mattuh, Miss Scawlett!' Richie said, popping his eyes at her. 'You is still a girl and you is always goan be a girl! You sho ain't no Injun brave!'
'I'll be a bravette, then,' Beverly said. 'Now are we going to take these rocks back to the clubhouse or am I going to bounce a few of them off your asshole skull?'
'Lawks-a-mussy, Miss Scawlett, I ain't got no asshole in man skull!' Richie screeched, and Beverly laughed so hard she dropped her end of Eddie's jacket and all the stones fell out. She scolded Richie all the time they were picking them up again, and Richie joked and screeched in many Voices, and thought to himself how beautiful she was.
Although Richie had not been serious when he spoke of excluding her from the smoke-hole on the basis of her sex, Bill Denbrough apparently was.
She stood facing him, her hands on her hips, her cheeks flushed with anger. 'You can just take that and stuff it with a long pole, Stuttering Bill! I'm in on this too, or aren't I a member of your lousy club anymore?'
Patiently, Bill said: 'I-It's not l-like that, B-B-Bev, and y-you nun-know i-it. Somebody has to stay u-uh-up here.'
'Why?
Bill tried, but the roadblock was in again. He looked at Eddie for help.
'It's what Stan said,' Eddie told her quietly. 'About the smoke. Bill says that might really happen - we could pass out down there. Then we'd die. Bill says that's what happens to most people in housefires. They don't burn up. They choke to death on the smoke. They - '
Now she turned to Eddie. 'Well, okay. He wants somebody to stay up on top in case there's trouble?'
Miserably, Eddie nodded.
'Well, what about you? You're the one with the asthma.'
Eddie said nothing. She turned back to Bill. The others stood around, hands in their pockets, looking at their sneakers.
'It's because I'm a girl, isn't it? That's really it, isn't it?'
'Beh-Beh-Beh-Beh - '
'You don't have to talk,' she snapped. 'Just nod your head or shake it. Your head doesn't stutter, does it? Is it because I'm a girl?'
Reluctantly, Bill nodded his head.
She looked at him for a moment, her lips trembling, and Richie thought she would cry. Instead, she exploded.
'Well, fuck you!' She whirled around to look at the others, and they flinched from her gaze, so hot it was nearly radioactive. 'Fuck all of you if you think the same thing!' She turned back to Bill and began to talk fast, rapping him with words. 'This is something more than some diddlyshit kid's game like tag or guns or hide-and-go-seek, and you know it, Bill. We're supposed to do this. That's part of it. And you're not going to cut me out just because I'm a girl. Do you understand? You better, or I'm leaving right now. And if I go, I'm gone. For good. You understand?'
She stopped. Bill looked at her. He seemed to have regained his calm, but Richie felt afraid. He felt that any chance they had of winning, of finding a way to get to the thing that had killed Georgie Denbrough and the other kids, getting to It and killing It, was now in jeopardy. Seven, Richie thought. That's the magic number. There has to be seven of us. That's the way it's supposed to be.
A bird sang somewhere; stopped; sang again.
'A-A11 r-right,' Bill said, and Richie let his breath out. 'But suh-suh-somebody has to s-stay tuh-hopside. Who w-w-wants to d-do it?'
Richie thought Eddie or Stan would surely volunteer for this duty, but Eddie said nothing. Stan stood pale and thoughtful and silent. Mike had his thumbs hooked into his belt like Steve McQueen in Wanted: Dead or Alive, nothing moving but his eyes.
'Cuh-cuh-come o-on,' Bill said, and Richie realized that all pretense had gone out of the thing now; Bev's impassioned speech and Bill's grave, too-old face had seen to that. This was a part of it, perhaps as dangerous as the expedition he and Bill had made to the house at 29 Neibolt Street. They knew it . . . and no one was backing down. Suddenly he was very proud of them, very proud to be with them. After all the years of being counted out, he was counted in. Finally counted in. He didn't know if they were still losers or not, but he knew they were together. They were friends. Damn good friends. Richie took his glasses off and rubbed them vigorously with the tail of his shirt.
'I know how to do it,' Bev said, and took a book of matches from her pocket. On the front, so tiny you'd need a magnifying glass to get a really good look at them, were pictures of that year's candidates for the title of Miss Rheingold. Beverly lit a match and then blew it out. She tore out six more and added the burned match. She turned away from them, and when she turned back the white ends of the seven matches poked out of her closed fist. 'Pick,' she said, holding the matches out to Bill. 'The one who picks the match with the burned head stays up here and pulls the rest out if they go flippy.'
Bill looked at her levelly. 'Th-This is h-h-how you w-want i-it?'
She smiled at him then, and her smile made her face radiant. 'Yeah, you big dummy, this is how I want it. What about you?'
'I luh-luh-love you, B-B-Bev,' he said, and color rose in her cheeks like hasty flames.
Bill did not appear to notice. He studied the match-tails sucking out of her fist, and at length he picked one. Its head was blue and unburned. She turned to Ben and offered the remaining six.
'I love you too,' Ben said hoarsely. His face was plum-colored; he looked like he was on the verge of a stroke. But no one laughed. Somewhere deeper in the Barrens, the bird sang again. Stan would know what it was, Richie thought randomly.
'Thank you,' she said, smiling, and Ben picked a match. Its head was unburned.
She offered them to Eddie next. Eddie smiled, a shy smile that was incredibly sweet and almost heartbreakingly vulnerable. 'I guess I love you, too, Bev,' he said, and then picked a match blindly. Its head was blue.
Beverly now offered the four match-tails in her hand to Richie.
'Ah loves yuh, Miss Scawlett!' Richie screamed at the top of his voice, and made exaggerated kissing gestures with his lips. Beverly only looked at him, smiling a little, and Richie suddenly felt ashamed. 'I do love you, Bev,' he said, and touched her hair. 'You're cool.'
'Thank you,' she said.
He picked a match and looked at it, positive he'd picked the burned one. But he hadn't.
She offered them to Stan.
'I love you,' Stan said, and plucked one of the matches from her fist. Unburned.
'You and me, Mike,' she said, and offered him his pick of the two left.
He stepped forward. 'I don't know you well enough to love you,' he said, 'but I love you anyway. You could give my mother shoutin lessons, I guess.'
They all laughed, and Mike took a match. Its head was also unburned.
'I guess it's y-y-you a-after all, Bev,' Bill said.
Looking disgusted - all that flash and fire for nothing - Beverly opened her hand.
The head of the remaining match was also blue and unburned.
'Y-Y-You jih-jig-jiggered them,' Bill accused.
'No. I didn't.' Her tone was not one of angry protest - which would have been suspect - but flabbergasted surprise. 'Honest to God I didn't.'
Then she showed them her palm. They all saw the faint mark of soot from the burned match-head there.
'Bill, I swear on my mother's name!'
Bill looked at her for a moment and then nodded. By common unspoken consent, they all handed the matches back to Bill. Seven of them, their heads intact. Stan and Eddie began to crawl around on the ground, but there was no burned match there.
'I didn't,' Beverly said again, to no one in particular.
'So what do we do now?' Richie asked.
'We a-a-all go down,' Bill said. 'Because that's w-what w-w-we're suh-supposed to do.'
'And if we all pass out?' Eddie asked.
Bill looked at Beverly again. 'I-If B-Bev's t-telling the truh-truth, and s-she i-i-is, w-we won't.'
'How do you know? Stan asked.
'I-I j-just d-d-do.'
The bird sang again.
4
Ben and Richie went down first and the others handed the rocks down one by one. Richie passed them on to Ben, who made a small stone circle in the middle of the dirt clubhouse floor. 'Okay,' he said. That's enough.'
The others came down, each with a handful of the green twigs they'd cut with Ben's hatchet. Bill came last. He closed the trapdoor and opened the narrow hinged window. Th-Th-There,' he said. 'Th-there's our smuh-smoke-hole. Do we h-have any kih-kih-kin-dling?'
'You can use this, if you want,' Mike said, and took a battered Archie funnybook out of his hip pocket. 'I read it already.'
Bill tore the pages out of the funnybook one by one, working slowly and gravely. The others sat around the walls, knee to knee and shoulder to shoulder, watching, not speaking. The tension was thick and still.
Bill laid small twigs and branches over the paper and then looked at Beverly. 'Y-Y-You g-got the muh-matches,' he said.
She lit one, a tiny yellow flare in the gloom. 'Darn thing probably won't catch anyway,' she said in a slightly uneven voice, and touched a light to the paper in several places. When the matchflame got close to her fingers, she tossed it into the center.
The flames blazed up yellow, crackling, throwing their faces into sharp relief, and in that moment Richie had no trouble believing Ben's Indian story, and he thought it must have been like this back in those old days when the idea of white men was still no more than a rumor or a tall tale to those Indians who followed buffalo herds so big they could cover the earth from horizon to horizon, herds so big that their passing shook the ground like an earthquake. In that moment Richie could picture those Indians, Kiowas or Pawnees or whatever they were, down in their smoke-hole, knee to knee and shoulder to shoulder, watching as the flames guttered and sank into the green wood like hot sores, listening to the faint and steady ssssss of sap oozing out of the damp wood, waiting for the vision to descend.
Yeah. Sitting here now he could believe it all . . . and looking at their somber faces as they studied the flames and the charring pages of Mike's Archie funny book, he could see that they believed it, too.
The branches were catching. The clubhouse began to fill up with smoke. Some of it, white as cotton smoke-signals in a Saturday-matinee movie starring Randolph Scott or Audie Murphy, escaped from the smoke-hole. But with no moving air outside to create a draft, most of it stayed below. It had an acrid bite that made eyes sting and throats throb. Richie heard Eddie cough twice - a flat sound like dry boards being whacked together - and then fall silent again. He shouldn't be down here, he thought . . . but something else apparently felt otherwise.
Bill tossed another handful of green twigs on the smoldering fire and asked in a thin voice that was not much like his usual speaking voice: 'Anyone having a-any vih-vih-visions?'
'Visions of getting out of here,' Stan Uris said. Beverly laughed at this, but her laughter turned into a fit of coughing and choking.
Richie leaned his head back against the wall and looked up at the smoke-hole - a thin rectangle of mellow white light. He thought about the Paul Bunyan statue that day in March . . . but that had only been a mirage, a hallucination, a
(vision)
'Smoke's killin me,' Ben said. 'Whoo!'
'So leave,' Richie murmured, not taking his eyes off the smoke-hole. He felt as if he was getting a handle on this. He felt as if he had lost ten pounds. And he sure as shit felt as if the clubhouse had gotten bigger. Damn straight on that last. He had been sitting with Ben Hanscom's fat right leg squashed against his left one and Bill Denbrough's bony left shoulder socked into his right arm. Now he was touching neither of them. He glanced lazily to his right and left to verify that his perception was true, and it was. Ben was a foot or so to his left. On his right, Bill was even farther away.
'Place is bigger, friends and neighbors,' he said. He took a deeper breath and coughed hard. It hurt, hurt deep in his chest, the way a cough hurt when you had the flu or the grippe or something. For awhile he thought it would never pass; that he would just go on coughing until they had to pull him out. If they still can, he thought, but the thought was really too dim to be frightening.
Then Bill was pounding him on the back, and the coughing fit passed.
'You don't know you don't always,' Richie said. He was looking at the smoke-hole again instead of at Bill. How bright it seemed! When he closed his eyes he could still see the rectangle, floating there in the dark, but bright green instead of bright white.
'Whuh-whuh-what do you m-mean?' Bill asked.
'Stutter.' He paused, aware that someone else was coughing but not sure who it was. 'You ought to do the Voices, not me, Big Bill. You - '
The coughing got louder. Suddenly the clubhouse was flooded with daylight, so sudden and so bright Richie had to squint against it. He could just make out Stan Uris, climbing and clawing his way out.
'Sorry,' Stan managed, through his spasmodic coughing. 'Sorry, can't - '
'It's all right,' Richie heard himself say. 'You doan need no stinkin' batches.' His voice sounded as if it were coming from a different body.
The trapdoor slammed shut a moment later, but enough fresh air had come in to clear his head a little. Before Ben moved over a little to fill the space Stan had vacated, Richie became aware of Ben's leg again, pressing his. How had he gotten the idea that the clubhouse had gotten bigger?
Mike Hanlon threw more sticks on the smoky fire. Richie resumed taking shallow breaths and looking up at the smoke-hole. He had no sense of real time passing, but he was vaguely aware that, in addition to the smoke, the clubhouse was getting good and hot.
He looked around, looked at his friends. They were hard to see, half-swallowed in shadowsmoke and still white summerlight. Bev's head was tilted back against a piece of shoring, her hands on her knees, her eyes closed, tears trickling down her cheeks toward her earlobes. Bill was sitting cross-legged, his chin on his chest. Ben was -
But suddenly Ben was getting to his feet, pushing the trapdoor open again.
'There goes Ben,' Mike said. He was sitting Indian-fashion directly across from Richie, his eyes as red as a weasel's.
Comparative coolness struck them again. The air freshened as smoke swirled up through the trap. Ben was coughing and dry-retching. He pulled himself out with Stan's help, and before either of them could close the trapdoor, Eddie was staggering to his feet, his face a deadly pale except for the bruised-looking patches under his eyes and traced just below his cheekbones. His thin chest was hitching up and down in quick, shallow spasms. He groped weakly for the edge of the escape hatch and would have fallen if Ben had not grabbed
hand and Stan the other.
'Sorry,' Eddie managed in a squeaky little whisper, and then they hauled him up. The trapdoor banged down again.
There was a long, quiet period. The smoke built up until it was a thick still fog in the clubhouse. Looks like a pea-souper to me, Watson, Richie thought, and for a moment he imagined himself as Sherlock Holmes (a Holmes who looked a great deal like Basil Rathbone and who was totally black and white), moving purposefully along Baker Street; Moriarty was somewhere near, a hansom cab awaited, and the game was afoot.
The thought was amazingly clear, amazingly solid. It seemed almost to have weight, as if it were not a little pocket-daydream of the sort he had all the time (batting cleanup for the Bosox, bottom of the ninth, bases loaded, and there it goes, it's up . . . ITS GONE! Home run, Tozier . . . and that breaks the Babe's record!), but something that was almost real.
There was still enough of the wiseacre in him to think that if all he was getting out of this was a vision of Basil Rathbone as Sherlock Holmes, then the whole idea of visions was pretty overrated.
Except of course it isn't Moriarty that's out there. It's out there - some It - and It's real. It -
Then the trapdoor opened again and Beverly was struggling her way out, coughing dryly, one hand cupped over her mouth. Ben got one hand and Stan grabbed her under the other arm. Half-pulled, half-scrambling under her own power, she was up and gone.
'Ih-Ih-It i-is bi-higger,' Bill said.
Richie looked around. He saw the circle of stones with the fire smoldering within, fuming out clouds of smoke. Across the way he saw Mike sitting cross-legged like a totem carved from mahogany, staring at him through the fire with his smoke-reddened eyes. Except Mike was better than twenty yards away, and Bill was even farther away, on Richie's right. The underground clubhouse was now at least the size of a ballroom.
'Doesn't matter,' Mike said. 'It's gonna come pretty quick. Somethin is.'
'Y-Y-Yeah,' Bill said. 'But I . . . I . . . I - '
He began to cough. He tried to control it, but the cough worsened, a dry rattling. Dimly Richie saw Bill stumble to his feet, lunge for the trapdoor, and shove it open.
'Guh-Guh-Good luh-luh-luh - '
And then he was gone, dragged up by the others.
'Looks like it's you and me, ole Mikey,' Richie said, and then he began to cough himself. 'I thought for sure that it would be Bill - '
The cough worsened. He doubled over, hacking dryly, unable to get his breath. His head was thudding - whacking - like a turnip filled with blood. His eyes teared behind his glasses.
From far away, he heard Mike saying: 'Go on up if you have to, Richie. Don't go flippy. Don't kill yourself.'
He raised a hand toward Mike and flapped it at him
(no stinkin batches)
in a negative gesture. Little by little he began to get the coughing under control again. Mike was right; something was going to happen, and soon. He wanted to still be here when it did.
He tilted his head back and looked up at the smoke-hole again. The coughing fit had left him feeling light-headed, and now he seemed to be floating on a cushion of air. It was a pleasant feeling. He took shallow breaths and thought: Someday I'm going to be a rock-and-roll star. That's it, yes. I'll be famous. I'll make records and albums and movies. I'll have a black sportcoat and white shoes and a yellow Cadillac. And when I come back to Derry, they'll all eat their hearts out, even Bowers. I wear glasses, but what the fuck? Buddy Holly wears glasses. I'll bop till I'm blue and dance till Fm black. I'll be the first rock-and-roll star to ever come from Maine. I'll -
The thought drifted away. It didn't matter. He found that now he didn't need to take shallow breaths. His lungs had adapted. He could breathe as much smoke as he wanted. Maybe he was from Venus.
Mike threw more sticks on the fire. Not to be outdone, Richie tossed on another handful himself.
'How you feeling, Rich?' Mike asked.
Richie smiled. 'Better. Good, almost. You?'
Mike nodded and smiled back. 'I feel okay. Have you been having some funny thoughts?'
'Yeah. Thought I was Sherlock Holmes for a minute there. Then I thought I could dance like the Dovells. Your eyes are so red you wouldn't believe it, you know it?'
'Yours too. Just a coupla weasels in the pen, that's what we are.'
'Yeah?'
'Yeah.'
'You wanna say all right?'
'All right. You wanna say you got the word?'
'I got it, Mikey.'
'Yeah, okay.'
They grinned at each other and then Richie let his head tilt back against the wall again and looked up at the smoke-hole. Shortly he began to drift away. No . . . not away. Up. He was drifting up. Like
(float down here we all)
a balloon.
'Yuh-yuh-you g-g-guys all ri-right?'
Bill's voice, coming down through the smoke-hole. Coming from Venus. Worried. Richie felt himself thud back down inside himself.
'All right,' he heard his voice, distant, irritated. 'All right, we said all right, be quiet, Bill, let us get the word, we wanna say we got the
(world)
word.'
The clubhouse was bigger than ever, floored now in some polished wood. The smoke was fog-thick and it was hard to see the fire. That floor! Jesus-come-please-us! It was as big as a ballroom floor in an MGM musical extravaganza. Mike looked at him from the other side, a shape almost lost in the fog.
You coming, ale Mikey?
Right here with you, Richie.
You still want to say all right?
Yeah . . . but hold my hand . . . can you catch hold?
I think so.
Richie held his hand out, and although Mike was on the far side of this enormous room he felt those strong brown fingers close over his wrist. Oh and that was good, that was a good touch - good to find desire in comfort, to find comfort in desire, to find substance in smoke and smoke in substance -
He tilted his head back and looked at the smoke-hole, so white and wee. It was farther up now. Miles up. Venusian skylight.
It was happening. He began to float. Come on then, he thought, and began to rise faster through the smoke, the fog, the mist, whatever it was.
5
They weren't inside anymore.
The two of them were standing together in the middle of the Barrens, and it was nearly dusk.
It was the Barrens, he knew that, but everything was different. The foliage was lusher, deeper, savagely fragrant. There were plants he had never seen before, and Richie realized some of the things he had first taken for trees were really giant ferns. There was the sound of running water, but it was much louder than it should have been - this water sounded not like the leisurely flow of the Kenduskeag Stream but more the way he imagined the Colorado River would sound as it cut its way through the Grand Canyon.
It was hot, too. Not that it didn't get hot in Maine during the summer, and humid enough so that sometimes you felt sticky just lying in your bed at night, but this was more heat and more humidity than he had ever felt in his whole life. A low mist, smoky and thick, lay in the hollows of the land and crept around the boys' legs. It had a thin acrid smell like burning green wood.
He and Mike began to move toward the sound of the running water without speaking, pushing their way through the strange foliage. Thick ropy lianas lay between some of the trees like spidery hammocks, and once Richie heard something go crashing off through the underbrush. It sounded bigger than a deer.
He stopped long enough to look around, turning in a circle, studying the horizon. He knew where the Standpipe's thick white cylinder should have been, but it wasn't there. Neither was the railroad trestle going over to the trainyards at the end of Neibolt Street or the Old Cape housing development - low bluffs and red sandstone outcroppings of rock bulged out of thick stands of giant fern and pine trees where the Old Cape should have been.
There was a flapping noise overhead. The boys ducked as a squadron of bats flapped by. They were the biggest bats Richie had ever seen, and for a moment he was more terrified than he had been even when Bill was trying to get Silver rolling and he had heard the werewolf closing in on them from behind. The stillness and the alienness of this land were both terrible, but its awful familiarity was somehow worse.
No need to be scared, he told himself. Remember that this is just a dream, or a vision, or whatever you want to call it. Me and ole Mikey are really back in the clubhouse, goofed up on smoke. Pretty soon Big Bill is gonna get noivous from the soivice because we're not answering anymore, and he and Ben will come down and haul us out. It's just like Conway Twitty says - only make-believe.
But he could see how one of the bats' wings was so ragged the hazy sun shone through it, and when they passed beneath one of the giant ferns he could see a fat yellow caterpillar trundling across a wide green frond, leaving its shadow behind it. There were tiny black mites jumping and sizzling on the caterpillar's body. If this was a dream, it was the clearest one he had ever had.
They went on toward the sound of the water, and in the thick knee-high groundmist, Richie was unable to tell if his feet were touching the ground or not. They came to a place where both the mist and the ground stopped. Richie looked, unbelieving. This was not the Kenduskeag - and yet it was. The stream boiled and roiled through a narrow watercourse cut through that same crumbly rock - looking across to the far side, he could see ages cut into those stacked layers of stone, red and then orange and then red again. You couldn't walk across this stream on stepping-stones; you'd need a rope bridge, and if you fell in you would be swept away at once. The sound of the water was the sound of bitter foolish anger, and as Richie watched, slack-jawed, he saw a pinkish-silver fish jump in an impossibly high arc, snapping at the bugs that made shifting clouds just above the surface of the water. It splashed down again, giving Richie just time enough to register its presence, and to realize he had never seen a fish exactly like that in his whole life, not even in a book.
Birds flocked across the sky, squalling harshly. Not a dozen or two dozen; for a moment the sky was so dark with birds that they blotted out the sun. Something else crashed through the bushes, and then more things. Richie wheeled, his heart thudding painfully in his chest, and saw something that looked like an antelope flash by, heading southeast.
Something's going to happen. And they know it.
The birds passed, presumably alighting somewhere en masse farther south. Another animal crashed by them . . . and another. Then there was silence except for the steady rumble of the Kenduskeag. The silence had a waiting quality about it, a pregnant quality Richie didn't like. He felt the hairs shifting and trying to stand up on the back of his neck and he groped for Mike's hand again.
Do you know where we are? he shouted at Mike. You got the word? Jesus, yes! Mike shouted back. I got it! This is ago, Richie! Ago!
Richie nodded. Ago, as in once upon a time, long long ago, when we all lived in the forest and nobody lived anywhere else. They were in the Barrens as they had been God knew how many thousands of years ago. They were in some unimaginable past before the ice age, when New England had been as tropical as South America was today . . . if there still was a today. He looked around again, nervously, almost expecting to see a brontosaurus raise its cranelike neck against the sky and stare down at them, its mouth full of mud and dripping uprooted plants, or a saber-toothed tiger come stalking out of the undergrowth.
But there was only that silence, as in the five or ten minutes before a vicious thundersquall strikes, when the purple heads stack up and up in the sky overhead and the light turns a queer, bruised purple-yellow and the wind dies completely and you can smell a thick aroma like overcharged car batteries in the air.
We're in the ago, a million years back, maybe, or ten million, or eighty million, but here we are and something's going to happen, I don't know what but something and I'm scared I want it to end I want to be back and Bill please Bill please pull us out it's like we fell into the picture some picture please please help -
Mike's hand tightened on his and he realized that now the silence had been broken. There was a steady low vibration - he could feel it more than hear it, working against the tight flesh of his eardrums, buzzing the tiny bones that conducted the sound. It grew steadily. It had no tone; it simply was:
(the word in the beginning was the word the world the)
a tuneless, soulless sound. He groped for the tree they stood near and as his hand touched it, cupped the curve of the bole, he could feel the vibration caught inside. At the same moment he realized he could feel it in his feet, a steady tingling that went up his ankles and calves to his knees, turning his tendons into tuning forks.
It grew. And grew.
It was coming out of the sky. Not wanting to but unable to help himself, Richie turned his face up. The sun was a molten coin burning a circle in the low-hanging overcast, surrounded by a fairy-ring of moisture. Below it, the verdant green slash that was the Barrens lay utterly still. Richie thought he understood what this vision was: they were about to see the coming of It.
The vibration took on a voice - a rumbling roar that built to a shattering crescendo of sound. He clapped his hands to his ears and screamed and could not hear himself scream. Beside him, Mike Hanlon was doing the same, and Richie saw that Mike's nose was bleeding a little.
The clouds in the west lit with a bloom of red fire. It traced its way toward them, widening from an artery to a stream to a river of ominous color; and then, as a burning, falling object broke through the cloud cover, the wind came. It was hot and searing, smoky and suffocating. The thing in the sky was gigantic, a flaming match-head that was nearly too bright to look at. Arcs of electricity bolted from it, blue bullwhips that flashed out from it and left thunder in their wake.
A spaceship! Richie screamed, falling to his knees and covering his eyes. Oh my God it's a spaceship! But he believed - and would tell the others later, as best he could - that it was not a spaceship, although it might have come through space to get here. Whatever came down on that long-ago day had come from a place much farther away than another star or another galaxy, and if spaceship was the first word to come into his mind, perhaps that was only because his mind had no other way of grasping what his eyes were seeing.
There was an explosion then - a roar of sound followed by a rolling concussion that knocked them both down. This time it was Mike who groped for Richie's hand. There was another explosion. Richie opened his eyes and saw a glare of fire and a pillar of smoke rising into the sky.
It! he screamed at Mike, in an ecstasy of terror now - never in his life, before or after, would he feel any emotion so deeply, be so overwhelmed by feeling. It! It! It!
Mike dragged him to his feet and they ran along the high bank of the young Kenduskeag, never noticing how close they were to the drop. Once Mike stumbled and went skidding to his knees. Then it was Richie's turn to go down, barking his shin and tearing his pants. The wind had come up and it was pushing the smell of the burning forest toward them. The smoke grew thicker, and Richie became dimly aware that he and Mike were not running alone. The animals were on the move again, fleeing from the smoke, the fire, the death in the fire. Running from It, perhaps. The new arrival in their world.
Richie began to cough. He could hear Mike beside him, also coughing. The smoke was thicker, washing out the greens and grays and reds of the day. Mike fell again and Richie lost his hand. He groped for it and could not find it.
Mike! He screamed, panicked, coughing. Mike, where are you? Mike! MIKE!
But Mike was gone; Mike was nowhere.
richie! richie! richie!
(!!WHACKO!!)
'richie! richie! richie, are you
6
all right?'
His eyes fluttered open and he saw Beverly kneeling beside him, wiping his mouth with a handkerchief. The others - Bill, Eddie, Stan, and Ben - stood behind her, their faces solemn and scared. The side of Richie's face hurt like hell. He tried to speak to Beverly and could only croak. He tried to clear his throat and almost vomited. His throat and lungs felt as if they had somehow been lined with smoke.
At last he managed, 'Did you slap me, Beverly?'
|It was all I could think of to do,' she said.
'Whacko,' Richie muttered.
'I didn't think you were going to be all right, is all,' Bev said, and suddenly burst into tears.
Richie patted her clumsily on the shoulder and Bill put a hand on the back of her neck. She reached around at once, took it, squeezed it.
Richie managed to sit up. The world began to swim in waves. When it steadied down he saw Mike leaning against a tree nearby, his face dazed and ashy-pale.
'Did I puke?' Richie asked Bev.
She nodded, still crying.
In a croaking, stumbling Irish Cop's Voice, he asked, 'Get any on ye, darlin?'
Bev laughed through her tears and shook her head. 'I turned you on your side. I was afraid . . . a-a-afraid you'd ch-ch-choke on it.' She began to cry hard again.
'Nuh-Nuh-No f-fair,' Bill said, still holding her hand. 'I-I-I'm the one who stuh-huh-hutters a-around h-here.'
'Not bad, Big Bill,' Richie said. He tried to get to his feet and sat down again heavily. The world was still swimming. He began to cough and turned his head away, aware that he was going to retch again only a moment before it happened. He threw up a mess of green foam and thick saliva that mostly came out in ropes. He closed his eyes tight and croaked, 'Anyone want a snack?'
'Oh shit!' Ben cried, disgusted and laughing at the same time.
'Looks more like puke to me,' Richie said, although, in truth, his eyes were still tightly shut. 'The shit usually comes out the other end, at least for me. I dunno about you, Haystack.' When he opened his eyes at last, he saw the clubhouse about twenty yards away. Both the window and the big trapdoor were thrown open. Smoke, thinning now, puffed from both.
This time Richie was able to get to his feet. For a moment he was quite sure he was going to retch again, or faint, or both. 'Whacko,' he murmured, watching the world waver and warp in front of his eyes. When the feeling passed, he made his way over to where Mike was. Mike's eyes were still weasel-red, and from the dampness on his pants cuffs, Richie thought that maybe ole Mikey had taken a ride on the stomach-elevator, too.
'For a white boy you did pretty good,' Mike croaked, and punched Richie weakly on the shoulder.
Richie was at a loss for words - a condition of exquisite rarity.
Bill came over. The others came with him.
'You pulled us out?' Richie asked.
'M-Me and Buh-Ben. Y-You were scuh-scuh-rheaming. B-Both of y-y-you. B-B-But - ' He looked over at Ben.
Ben said, 'It must have been the smoke, Bill.' But there was no conviction in the big boy's voice at all.
Flatly, Richie said: 'You mean what I think you mean?'
Bill shrugged. 'W-W-What's th-that, Rih-Richie?'
Mike answered. 'We weren't there at first, were we? You went down because you heard us screaming, but at first we weren't there.'
'It was really smoky,' Ben said. 'Hearing you both screaming that way, that was scary enough. But the screaming . . . it sounded . . . well . . . '
'It s-s-sounded very f-f-f-far a-away,' Bill said. Stuttering badly, he told them that when he and Ben had gone down, they hadn't been able to see either Richie or Mike. They had gone plunging around in the smoky clubhouse, panicked, scared that if they didn't act quickly the two boys might die of smoke poisoning. At last Bill had gripped a hand - Richie's. He had given 'a huh-huh-hell of a yuh-yank' and Richie had come flying out of the gloom, only about one-quarter conscious. When Bill turned around he had seen Ben with Mike in a bear-hug, both of them coughing. Ben had thrown Mike up and out through the trapdoor.
Ben listened to all this, nodding.
'I kept grabbing, you know? Really not doing anything except jabbing my hand out like I wanted to shake hands. You grabbed it, Mike. Damn good thing you grabbed it when you did. I think you were just about gone.'
'You guys make the clubhouse sound a lot bigger than it is,' Richie said. 'Talking about stumbling around in it and all. It's only five feet on every side.'
There was a moment's silence while they all looked at Bill, who stood in frowning concentration.
'It w-w-was b-bigger,' he said at last. 'W-W-Wasn't it, Ben?'
Ben shrugged. 'It sure seemed like it. Unless it was the smoke.'
'It wasn't the smoke,' Richie said. 'Just before it happened - before we went out - I remember thinking it was at least as big as a ballroom in a movie. Like one of those musicals. Seven Brides for Seven Brothers, something like that. I could barely see Mike against the other wall.'. .
'Before you went out?' Beverly asked.
'Well . . . what I mean . . . like . . . '
She grabbed Richie's arm. 'It happened, didn't it? It really happened! You had a vision, just like in Ben's book!' Her face was glowing. 'It really happened?
Richie looked down at himself, and then at Mike. One of the knees of Mike's corduroy pants was out, and both the knees of his own jeans were torn. He could look through the holes and see bleeding scrapes on both his knees.
'If it was a vision, I never want to have another one,' he said. 'I don't know about de Kingfish over there, but when I went down there, I didn't have any holes in my pants. They're practically new, for gosh sakes. My mom's gonna give me hell.'
'What happened?' Ben and Eddie asked together.
Richie and Mike exchanged a glance and then Richie said, 'Bevvie, you got a smoke?'
She had two, wrapped in a piece of tissue. Richie put one of them in his mouth and when she lit it the first drag made him cough so badly that he handed it back to her. 'Can't,' he said. 'Sorry.'
'It was the past,' Mike said.
'Shit on that,' Richie said. 'It wasn't just the past. It was ago.'
'Yeah, right. We were in the Barrens, but the Kenduskeag was going a mile a minute. It was deep. It was fuckin wild. Sorry, Bevvie, but it was. And there were fish in it. Salmon, I think.'
'M-My d-d-dad s-says th-there haven't been a-a-any fuh-fish in the K-Kendusk-k-keag for a l-l-long tuh-hime. B-Because of the suh-sewage.'
'This was a long time, all right,' Richie said. He looked around at them uncertainly. 'I think it was a million years ago, at least.'
A thunderstruck silence greeted this. Beverly broke it at last. 'But what happened?'
Richie felt the words in his throat, but he had to struggle to bring them out. It felt almost like vomiting again. 'We saw It come,' he said at last. 'I think that was it.'
'Christ,' Stan muttered. 'Oh Christ.'
There was a sharp hiss-gasp as Eddie used his aspirator.
'It came out of the sky,' Mike said. 'I never want to see anything like that again in my whole life. It was burning so hot you couldn't really look at it. And it was thowin off electricity and makin thunder. The noise . . . ' He shook his head and looked at Richie. 'It sounded like the end of the world. And when it hit, it started a forest fire. That was at the end of it.'
'Was it a spaceship?' Ben asked.
'Yes,' Richie said. 'No,' Mike said.
They looked at each other.
'Well, I guess it was,' Mike said, and at the same time Richie said: 'No, it really wasn't a spaceship, you know, but - '
They paused again while the others looked at them, perplexed.
'You tell,' Richie said to Mike. 'We mean the same thing, I think, but they're not getting it.'
Mike coughed into his fist and then looked up at the others, almost apologetically. 'I don't know just how to tell you,' he said.
'T-T-Try,' Bill said urgently.
'It came out of the sky,' Mike repeated, 'but it wasn't a spaceship, exactly. It wasn't a meteor, either. It was more like . . . well . . . like the Ark of the Covenant, in the Bible, that was supposed to have the Spirit of God inside of it . . . except this wasn't God. Just feeling It, watching It come, you knew It meant bad, that It was bad.'
He looked at them.
Richie nodded. 'It came from . . . outside. I got that feeling. From outside.'
'Outside where, Richie?' Eddie asked.
'Outside everything,' Richie said. 'And when It came down . . . It made the biggest damn hole you ever saw in your life. It turned this big hill into a doughnut, just about. It landed right where the downtown part of Derry is now.'
He looked at them. 'Do you get it?'
Beverly dropped the cigarette half-smoked and crushed it out under one shoe.
Mike said. 'It's always been here, since the beginning of time . . . since before there were men anywhere, unless maybe there were just a few of them in Africa somewhere, swinging through the trees or living in caves. The crater's gone now, and the ice age probably scraped the valley deeper and changed some stuff around and filled the crater in . . . but It was here then, sleeping, maybe, waiting for the ice to melt, waiting for the people to come.'
That's why It uses the sewers and the drains,' Richie put in. They must be regular freeways for It.'
'You didn't see what It looked like?' Stan Uris asked abruptly and a little hoarsely.
They shook their heads.
'Can we beat It?' Eddie said in the silence. 'A thing like that?' No one answered.
C H A P T E R 1 6
Eddie's Bad Break
1
By the time Richie finishes, they're all nodding. Eddie is nodding along with them, remembering along with them, when the pain suddenly races up his left arm. Races up? No. Rips through: it feels as if someone is trying to sharpen a rusty saw on the bone in there. He grimaces and reaches into the pocket of his sport jacket, sorts through a number of bottles by feel, and takes out the Excedrin. He swallows two with a gulp of gin-and-prune juice. The arm has been paining him off and on all day. At first he dismissed it as the twinges of bursitis he sometimes gets when the weather is damp. But halfway through Richie's story, a new memory clicks into place for him and he understands the pain. This isn't Memory Lane we're wandering down anymore, he thinks; it's getting more and more like the Long Island Expressway.
Five years ago, during a routine check-up (Eddie has a routine check-up every six weeks), the doctor said matter-of-factly: 'There's an old break here, Ed . . . Did you fall out of a tree when you were a kid?'
'Something like that,' Eddie agreed, not bothering to tell Dr Robbins that his mother undoubtedly would have fallen down dead of a brain hemorrhage if she had seen or heard of her Eddie climbing trees. The truth was, he hadn't been able to remember exactly how he broke the arm. It didn't seem important (although, Eddie thinks now, that lack of interest was in itself very odd - he is, after all, a man who attaches importance to a sneeze or a slight change in the color of his stools). But it was an old break, a minor irritation, something that happened a long time ago in a boyhood he could barely remember and didn't care to recall. It pained him a little when he had to drive long hours on rainy days. A couple of aspirin took care of it nicely. No big deal.
But now it is not just a minor irritation; it is some madman sharpening that rusty saw, playing bone-tunes, and he remembers that was how it felt in the hospital, especially late at night, in the first three or four days after it happened. Lying there in bed, sweating in the summer heat, waiting for the nurse to bring him a pill, tears running silently down his cheeks into the bowls of his ears, thinking It's like some kook's sharpening a saw in there.
If this is Memory Lane, Eddie thinks, I'd trade it for one great big brain enema: a mental high colonic.
Unaware he is going to speak, he says: 'It was Henry Bowers who broke my arm. Do you remember that?'
Mike nods. 'That was just before Patrick Hockstetter disappeared. I don't remember the date.'
'I do,' Eddie says flatly. 'It was the 20th of July. The Hockstetter kid was reported missing on . . . what? . . . the 23rd?'
'Twenty-second,' Beverly Rogan says, although she doesn't tell them why she is so sure of the date: it is because she saw It take Hockstetter. Nor does she tell them that she believed then and believes now that Patrick Hockstetter was crazy, perhaps even crazier than Henry Bowers. She will tell them, but this is Eddie's turn. She will speak next, and then she supposes that Ben will narrate the climax of that July's events . . . the silver bullet they had never quite dared to make. A nightmare agenda if ever there was one, she thinks - but that crazy exhilaration persists. When did she last feel this young? She can hardly sit still.
'The 20th of July,' Eddie muses, rolling his aspirator along the table from one hand to the other. 'Three or four days after the smoke-hole thing. I spent the rest of the summer in a cast, remember?'
Richie slaps his forehead in a gesture they all remember from the old days and Bill thinks, with a mixture of amusement and unease, that for a moment there Richie looked just like Beaver Cleaver. 'Sure, of course! You were in a cast when we went to the house on Neibolt Street, weren't you? And later . . . in the dark . . . ' But now Richie shakes his head a little, puzzled.
'What, R-Richie?' Bill asks.
'Can't remember that part yet,' Richie admits. 'Can you?' Bill shakes his head slowly.
'Hockstetter was with them that day,' Eddie says. 'It was the last time I ever saw him alive. Maybe he was a replacement for Peter Gordon. I guess Bowers didn't want Peter around anymore after he ran the day of the rockfight.'
'They all died, didn't they?' Beverly asks quietly. 'After Jimmy Cullum, the only ones who died were Henry Bowers's friends . . . or his ex-friends.'
'All but Bowers,' Mike agrees, glancing toward the balloons tethered to the microfilm recorder. 'And he's in Juniper Hill. A private insane asylum in Augusta.'
Bill says, 'W-W-What about when they broke your arm, E-E-Eddie?'
'Your stutter's getting worse, Big Bill,' Eddie says solemnly, and finishes his drink in one gulp.
'Never mind that,' Bill says. 'T-Tell us.'
'Tell us,' Beverly repeats, and puts her hand lightly on his arm. The pain flares there again.
'All right,' Eddie says. He pours himself a fresh drink, studies it, and says, 'It was a couple of days after I came home from the hospital that you guys came over to the house and showed me those silver ball-bearings. You remember, Bill?'
Bill nods.
Eddie looks at Beverly. 'Bill asked you if you'd shoot them, if it came to that . . . because you had the best eye. I think you said you wouldn't . . . that you'd be too afraid. And you told us something else, but I just can't remember what it was. It's like - ' Eddie sticks his tongue out and plucks the end of it, as if something were stuck there. Richie and Ben both grin. 'Was it something about Hockstetter?'
'Yes,' Beverly says. 'I'll tell when you're done. Go ahead.'
'It was after that, after all you guys left, that my mother came in and we had a big fight. She didn't want me to hang around with any of you guys again. And she might have gotten me to agree - she had a way, a way of working on a guy, you know . . . '
Bill nods again. He remembers Mrs Kaspbrak, a huge woman with a strange schizophrenic face, a face capable of looking stony and furious and miserable and frightened all at the same time.
'Yeah, she might have gotten me to agree,' Eddie says. 'But something else happened the same day Bowers broke my arm. Something that really shook me up.'
He utters a little laugh, thinking: It shook me up, all right . . . Is that all you can say? What good's talking when you can never tell people how you really feel? In a book or a movie what I found out that day before Bowers broke my arm would have changed my life forever and nothing would have happened the way it did . . . in a book or a movie it would have set me free. In a book or a movie I wouldn't have a whole suitcase full of pills back in my room at the Town House, I wouldn't be married to Myra, I wouldn't have this stupid fucking aspirator here right now. In a book or a movie. Because -
Suddenly, as they all watch, Eddie's aspirator rolls across the table by itself. As it rolls it makes a dry rattling sound, a little like maracas, a little like bones . . . a little like laughter. As it reaches the far side, between Richie and Ben, it flips itself up into the air and falls on the floor. Richie makes a startled half-grab and Bill cries sharply, 'Don't t-t-touch it!'
'The balloons!' Ben yells, and they all turn.
Both balloons tethered to the microfilm recorder now read ASTHMA MEDICINE GIVES YOU CANCER! Below the slogan are grinning skulls.
They explode with twin bangs.
Eddie looks at this, mouth dry, the familiar sensation of suffocation starting to tighten down in his chest like locking bolts.
Bill looks back at him. 'Who t-told you and w-w-what did they tell you?'
Eddie licks his lips, wanting to go after his aspirator, not quite daring to. Who knew what might be in it now?
He thinks about that day, the 20th, about how it was hot, about how his mother gave him a check, all filled out except for the amount, and a dollar in cash for himself - his allowance.
'Mr Keene,' he says, and his voice sounds distant to his own ears, without power. 'It was Mr Keene.'
'Not exactly the nicest man in Derry,' Mike says, but Eddie, lost in his thoughts, barely hears him.
Yes, it was hot that day but cool inside the Center Street Drug, the wooden fans turning leisurely below the pressed-tin ceiling, and there was that comforting smell of mixed powders and nostrums. This was the place where they sold health - that was his mother's unstated but clearly communicated conviction, and with his body-clock set at half-past eleven, Eddie had no suspicion that his mother might be wrong about that, or anything else.
Well, Mr Keene sure put an end to that, he thinks now with a kind of sweet anger.
He remembers standing at the comic rack for awhile, spinning it idly to see if there were any new Batmans or Superboys, or his own favorite, Plastic Man. He had given his mother's list (she sent him to the drugstore as other boys' mothers might send them to the comer grocery) and his mother's check to Mr Keene; he would fill the order and then write in the amount on the check, giving Eddie the receipt so she could deduct the amount from her checking balance. This was all SOP for Eddie. Three different kinds of prescription for his mother, plus a bottle of Geritol because, she told him mysteriously, 'It's full of iron, Eddie, and women need more iron than men.' Also, there would be his vitamins, a bottle of Dr Swett's Elixir for Children . . . and, of course, his asthma medicine.
It was always the same. Later he would stop in the Costello Avenue Market with his dollar and get two candy-bars and a Pepsi. He would eat the candy, drink the soda, and jingle his pocket-change all the way home. But this day was different; it would end with him in the hospital and that was certainly different, but it started being different when Mr Keene called him. Because instead of handing him the big white bag full of cures and the receipt, admonishing him to put the receipt in his pocket so he wouldn't lose it, Mr Keene looked at him thoughtfully and said 'Come
2
back into the office for a minute, Eddie. I want to talk to you.' Eddie only looked at him for a moment, bunking, a little scared. The idea that maybe Mr Keene thought he had been shoplifting flashed briefly through his mind. There was that sign by the door that he always read when he came into the Center Street Drug. It was written in accusing black letters so large that he bet even Richie Tozier could read it without his glasses: SHOPLIFTING is NOT A 'KICK' OR A 'GROOVE' OR A 'GASSER'! SHOPLIFTING is A CRIME, AND WE WILL PROSECUTE!
Eddie had never shoplifted anything in his life, but that sign always made him feel guilty - made him feel as if Mr Keene knew something about him that he didn't know about himself.
Then Mr Keene confused him even further by saying, 'How about an ice-cream soda?'
'Well - '
'Oh, it's on the house. I always have one in the office around this time of day. Good energy, unless you need to watch your weight, and I'd say neither of us do. My wife says I look like stuffed string. Your friend there, the Hanscom boy, he's the one who needs to have a care about his weight. What flavor, Eddie?'
'Well, my mother said to get home as soon as I - '
'You look like a chocolate man to me. Chocolate okay for you?' Mr Keene's eyes twinkled, but it was a dry twinkle, like the sun shining on mica in the desert. Or so Eddie, a fan of such Western writers as Max Brand and Archie Joceylen, thought.
'Sure,' Eddie gave in. Something about the way Mr Keene pushed his gold-rimmed glasses up on his blade of a nose made him edgy. Something about the way Mr Keene seemed both nervous and secretly pleased. He didn't want to go into the office with Mr Keene. This wasn't about a soda. Nope. And whatever it was about, Eddie had an idea it wasn't such great news.
Maybe he's going to tell me I got cancer or something, Eddie thought wildly. That kid-cancer. Leukemia. Jesus!
Oh, don't be so stupid, he answered himself back, trying to sound, in his own mind, like Stuttering Bill. Stuttering Bill had replaced Jock Mahoney, who played the Range Rider on TV Saturday mornings, as the great hero of Eddie's life. In spite of the fact that he couldn't talk right, Big Bill always seemed to be on top of things. This guy's a pharmacist, not a doctor, for cripe's sake. But Eddie was still nervous.
Mr Keene had raised the counter-gate and was beckoning to Eddie with one bony finger. Eddie went, but reluctantly.
Ruby, the counter-girl, was sitting by the cash register and reading a Silver Screen. 'Would you make two ice-cream sodas, Ruby?' Mr Keene called to her. 'One chocolate, one coffee?'
'Sure,' Ruby said, marking her place in the magazine with a tinfoil gum wrapper and getting up.
'Bring them into the office.'
'Sure.'
'Come on, son. I'm not going to bite you.' And Mr Keene actually winked, astounding Eddie completely.
He had never been in back of the counter before, and he gazed at all the bottles and pills and jars with interest. He would have lingered if he had been on his own, examining Mr Keene's mortar and pestle, his scales and weights, the fishbowls full of capsules. But Mr Keene propelled him forward into the office and closed the door firmly behind him. When it clicked shut Eddie felt a warning tightness in his chest and fought it. There would be a fresh aspirator in with his mother's things, and he could have a long satisfying honk on it as soon as he was out of here.
A bottle of licorice whips stood on the corner of Mr Keene's desk. He offered it to Eddie.
'No thank you,' Eddie said politely.
Mr Keene sat down in the swivel chair behind his desk and took one. Then he opened his drawer and took something out. He put it down next to the tall bottle of licorice whips and Eddie felt real alarm course through him. It was an aspirator. Mr Keene tilted back in his swivel chair until his head was almost touching the calendar on the wall behind him. The picture on the calendar showed more pills. It said SQUIBB. And -
- and for one nightmare moment, when Mr Keene opened his mouth to speak, Eddie remembered what had happened in the shoe store when he was just a little kid, when his mother had screamed at him for putting his foot in the X-ray machine. For that one nightmare moment Eddie thought Mr Keene would say: 'Eddie, nine out of ten doctors agree that asthma medicine gives you cancer, just like the X-ray machines they used to have in the shoe stores. You've probably got it already. Just thought you ought to know.'
But what Mr Keene did say was so peculiar that Eddie could think of no response at all; he could only sit in the straight wooden chair on the other side of Mr Keene's desk like a nit.
'This has gone on long enough.'
Eddie opened his mouth and then closed it again.
'How old are you, Eddie? Eleven, isn't it?'
'Yes, sir,' Eddie said faintly. His breathing was indeed shallowing up. He wasn't yet whistling like a tea-kettle (which was how Richie put it: Somebody turn Eddie off! He's reached the boil!'), but that might happen at any time. He looked longingly at the aspirator on Mr Keene's desk, and because something else seemed required, he said: 'I'll be twelve in November.'
Mr Keene nodded, then leaned forward like a TV pharmacist in a commercial and clasped his hands together. His eyeglasses gleamed in the strong light thrown by the overhead fluorescent bars. 'Do you know what a placebo is, Eddie?'
Nervously, taking his best guess, Eddie said: 'Those are the things on cows that the milk comes out of, aren't they?'
Mr Keene laughed and rocked back in his chair. 'No,' he said, and Eddie blushed to the roots of his flattop haircut. Now he could hear the whistle creeping into his breathing. 'A placebo - '
He was interrupted by a brisk double tap at the door. Without waiting for a come-in call, Ruby entered with an oldfashioned ice-cream-soda glass in each hand. 'Yours must be the chocolate,' she said to Eddie, and gave him a grin. He returned it as best he could, but his interest in ice-cream sodas was at its lowest ebb in his entire personal history. He felt scared in a way that was both vague and specific; it was the way he felt scared when he was sitting on Dr Handor's examination table in his underpants, waiting for the doctor to come in and knowing his mother was out in the waiting room, taking up most of one sofa, a book (most likely Norman Vincent Peak's The Power of Positive Thinking or Dr Jarvis's Vermont Folk Medicine) held firmly up to her eyes like a hymnal. Stripped of his clothes and defenseless, he felt caught between the two of them.
He sipped some of his soda as Ruby went out, hardly tasting it.
Mr Keene waited until the door was shut and then smiled his dry sun-on-mica smile again. 'Loosen up, Eddie. I'm not going to bite you, or hurt you.'
Eddie nodded, because Mr Keene was a grownup and you were supposed to agree with grownups at all costs (his mother had taught him that), but inside he was thinking: Oh, I've heard that bullshit before. It was about what the doctor said when he opened his sterilizer and the sharp frightening smell of alcohol drifted out, stinging his nostrils. That was the smell of shots and this was the smell of bullshit and both came down to the same thing: when they said it was just going to be a little prick, something you hardly felt at all, that meant it was going to hurt plenty.
He tried another half-hearted suck on his soda straw, but it was no good; he needed all the space in his narrowing throat just to suck in air. He looked at the aspirator sitting in the middle of Mr Keene's blotter, wanted to ask for it, didn't quite dare. A weird thought occurred to him: maybe Mr Keene knew he wanted it but didn't dare ask for it, that maybe Mr Keene was
(torturing)
teasing him. Except that was a really stupid idea, wasn't it? A grownup - particularly a health-dispensing grownup - wouldn't tease a little kid that way, would he? Surely not. It wasn't even to be considered, because consideration of such an idea might necessitate a terrifying reappraisal of the world as Eddie understood it.
But there it was, there it was, so near and yet so far, like water just beyond the reach of a man who was dying of thirst in the desert. There it was, standing on the desk below Mr Keene's smiling mica eyes.
Eddie wished, more than anything else, that he was down in the Barrens with his friends around him. The thought of a monster, some great monster, lurking under the city where he had been born and where he had grown up, using the sewers and drains to creep from place to place - that was a frightening thought, and the thought of actually fighting that creature, of taking it on, was even more frightening . . . but somehow this was worse. How could you fight a grownup who said it wasn't going to hurt when you knew it was? How could you fight a grownup who asked you funny questions and said obscurely ominous things like This has gone on long enough? And almost idly, in a kind of side-thought, Eddie discovered one of his childhood's great truths. Grownups are the real monsters, he thought. It was no big deal, not a thought that came in a revelatory flash or announced itself with trumpets and bells. It just came and was gone, almost buried under the stronger, overriding thought: I want my aspirator and I want to be out of here.
'Loosen up,' Mr Keene said again. 'Most of your trouble, Eddie, comes from being so tight and stiff all the time. Take your asthma, for instance. Look here.'
Mr Keene opened his desk drawer, fumbled around inside, and then brought out a balloon. Expanding his narrow chest as much as possible (his tie bobbed like a narrow boat riding a mild wave), he huffed into it and blew it up. CENTER STREET DRUG, the balloon said. PRESCRIPTIONS, SUNDRIES, OSTOMY SUPPLIES. Mr Keene pinched the balloon's rubber neck and held the balloon out in front of him. 'Now pretend for just a moment that this is a lung,' he said. 'Your lung. I should really blow up two, of course, but since I only had one left from the sale we had just after Christmas - '
'Mr Keene, could I have my aspirator now?' Eddie's head was starting to pound. He could feel his windpipe sealing itself up. His heartrate was up, and sweat stood out on his forehead. His chocolate ice-cream soda stood on the corner of Mr Keene's desk, the cherry on top sinking slowly into a goo of whipped cream.
'In a minute,' Mr Keene said. 'Pay attention, Eddie. I want to help you. It's time somebody did. If Russ Handor isn't man enough to do it, I'll have to. Your lung is like this balloon, except it's surrounded by a blanket of muscle; these muscles are like the arms of a man operating a bellows, you understand? In a healthy person, those muscles help the lungs to expand and contract easily. But if the owner of those healthy lungs is always getting stiff and tight, the muscles begin to work against the lungs rather than with them. Look!'
Mr Keene wrapped a bunched, bony, liverspotted hand around the balloon and squeezed. The balloon bulged over and under his fist and Eddie winced, trying to get ready for the pop. Simultaneously he felt his breathing stop altogether. He leaned over the desk and grabbed for the aspirator on the blotter. His shoulder struck the heavy ice-cream-soda glass. It toppled off the desk and shattered on the floor like a bomb.
Eddie heard that only dimly. He was clawing the top off the aspirator, slamming the nozzle into his mouth, triggering it off. He took a tearing heaving breath, his thoughts a ratrun of panic as they always were at moments like this: Please Mommy I'm suffocating I can't BREATHE oh my dear God oh dear Jesus meekandmild I can't BREATHE phase I don't want to die don't want to die oh please -
Then the fog from the aspirator condensed on the swollen walls of his throat and he could breathe again.
'I'm sorry,' he said, nearly crying. 'I'm sorry about the glass . . . I'll clean it up and pay for it . . . just please don't tell my mother, okay? I'm sorry, Mr Keene, but I couldn't breathe -
There was that double tap at the door again and Ruby poked her head in. 'Is everything - '
'Everything's fine,' Mr Keene said sharply. 'Leave us.'
'Well I'm saw-ry!' Ruby said. She rolled her eyes and closed the door.
Eddie's breath was starting to whistle in his throat again. He took another pull at the aspirator and then began his fumbling apology once more. He ceased only when he saw that Mr Keene was smiling at him - that peculiar dry smile. Mr Keene's hands were laced over his middle. The balloon lay on his desk. A thought came to Eddie; he tried to hold it back and couldn't. Mr Keene looked as if Eddie's asthma attack had tasted better to him than his half-finished coffee soda.
'Don't be concerned,' he said. 'Ruby will clean up the mess later, and if you want to know the truth, I'm rather glad you broke the glass. Because I promise not to tell your mother that you broke it if you promise not to tell her we had this little talk.'
'Oh, I promise that,' Eddie said eagerly.
'Good,' Mr Keene said. 'We have an understanding. And you feel much better now, don't you?'
Eddie nodded.
'Why?'
'Why? Well . . . because I had my medicine.' He looked at Mr Keene the way he looked at Mrs Casey in school when he had given an answer he wasn't quite sure of.
'But you didn't have any medicine,' Mr Keene said. 'You had a placebo. A placebo, Eddie, is something that looks like medicine and tastes like medicine but isn't medicine. A placebo isn't medicine because it has no active ingredients. Or, if it is medicine, it's medicine of a very special sort. Head-medicine.' Mr Keene smiled. 'Do you understand that, Eddie? Head-medicine.'
Eddie understood, all right; Mr Keene was telling him he was crazy. But through numb lips he said, 'No, I don't get you.'
'Let me tell you a little story,' Mr Keene said. 'In 1954, a series of medical tests on ulcer patients was run at DePaul University. One hundred ulcer patients were given pills. They were all told the pills would help their ulcers, but fifty of the patients really got placebos . . . They were, in fact, M&M's given a uniform pink coating.' Mr Keene uttered a strange shrill giggle - that of a man describing a prank rather than an experiment. 'Of those one hundred patients, ninety-three said they felt a definite improvement, and eighty-one showed an improvement. So what do you think? What conclusion do you draw from such an experiment, Eddie?'
'I don't know,' Eddie said faintly.
Mr Keene tapped his head solemnly. 'Most sickness starts in here, that's what I think. I've been in this business a long, long time, and I knew about placebos a mighty stretch of years before those doctors at DePaul University did their study. Usually it's old folks who end up getting the placebos. The old fellow or the old girl will go to the doctor, convinced that they've got heart disease or cancer or diabetes or some damn thing. But in a good many cases it's nothing like that at all. They don't feel good because they're old, that's all. But what's a doctor to do? Tell them they're like watches with wornout mainsprings? Huh! Not likely. Doctors like their fees too much.' And now Mr Keene's face wore an expression somewhere between a smile and a sneer.
Eddie just sat there waiting for it to be over, to be over, to be over. You didn't have any medicine: those words clanged in his mind.
The doctors don't tell them that, and I don't tell them that, either. Why bother? Sometimes an old party will come in with a prescription blank that will say it right out: Placebo, or 25 grains Blue Skies, which was how old Doc Pearson used to put it.'
Mr Keene cackled briefly and then sucked on his coffee soda.
'Well, what's wrong with it?' he asked Eddie, and when Eddie only sat there, Mr Keene answered his own question. 'Why, nothing! Nothing at all!
'At least . . . usually.
'Placebos are a blessing for old people. And then there are other cases - folks with cancer, folks with degenerative heart disease, folks with terrible things that we don't understand yet, some of them children just like you, Eddie! In cases like that, if a placebo makes the patient feel better, where is the harm? Do you see the harm, Eddie?'
'No sir,' Eddie said, and looked down at the splatter of chocolate ice cream, soda-water, whipped cream, and broken glass on the floor. In the middle of all this was the maraschino cherry, as accusing as a blood-clot at a crime scene. Looking at this mess made his chest feel tight again.
'Then we're like Ike and Mike! We think alike! Five years ago, when Vernon Maitland had cancer of the esophagus - a painful, painful sort of cancer - and the doctors had run out of anything effective they could give him for his pain, I came by his hospital room with a bottle of sugar-pills. He was a special friend, you see. And I said, "Vern, these are special experimental pain-pills. The doctor doesn't know I'm giving them to you, so for God's sake be careful and don't tattle on me. They might not work, but I think they will. Take no more than one a day, and only if the pain is especially bad." He thanked me with tears in his eyes. Tears, Eddie! And they worked for him! Yes! They were only sugar-pills, but they killed most of his pain . . . because pain is here.'
Solemnly, Mr Keene tapped his head again.
Eddie said: 'My medicine does so work.'
'I know it does,' Mr Keene replied, and smiled a maddening complacent grownup's smile. 'It works on your chest because it works on your head. HydrOx, Eddie, is water with a dash of camphor thrown in to give it a medicine taste.'
'No,' Eddie said. His breath had begun to whistle again.
Mr Keene drank some of his soda, spooned some of the melting ice cream, and fastidiously wiped his chin with his handkerchief while Eddie used his aspirator again.
'I want to go now,' Eddie said.
'Let me finish, please.'
'No! I want to go, you've got your money and I want to go!'
'Let me finish,' Mr Keene said, so forbiddingly that Eddie sat back in his chair. Grownups could be so hateful in their power sometimes. So hateful.
'Part of the problem here is that your doctor, Russ Handor, is weak. And pan of the problem is that your mother is determined you are ill. You, Eddie, have been caught in the middle.'
'I'm not crazy,' Eddie whispered, the words coming out in a bare husk.
Mr Keene's chair creaked like a monstrous cricket. 'What?'
'I said I'm not crazy!' Eddie shouted. Then, immediately, a miserable blush rose into his face.
Mr Keene smiled. Think what you like, that smile said. Think what you like, and I'll think what I like.
'All I'm telling you, Eddie, is that you're not physically ill. Your lungs don't have asthma; your mind does.'
'You mean I'm crazy.'
Mr Keene leaned forward, looking at him intently over his folded hands.
'I don't know,' he said softly. 'Are you?'
'It's all a lie!' Eddie cried, surprised the words came out so strongly from his tight chest. He was thinking of Bill, how Bill would react to such amazing charges. Bill would know what to say, stutter or not. Bill would know how to be brave. 'All a great big lie! I do have asthma, I do!'
'Yes,' Mr Keene said, and now the dry smile had become a weird skeletal grin. 'But who gave it to you, Eddie?'
Eddie's brain thudded and whirled. Oh, he felt sick, he felt very sick.
'Four years ago, in 1954 - the same year as the DePaul tests, oddly enough - Dr Handor began prescribing this HydrOx for you. That stands for hydrogen and oxygen, the two components of water. I have condoned this deception since then, but I will not condone it anymore. Your asthma medicine works on your mind rather than your body. Your asthma is the result of a nervous tightening of the diaphragm that is ordered by your mind . . . or your mother.
'You are not sick.'
A terrible silence descended.
Eddie sat in his chair, his mind whirling. For a moment he considered the possibility that Mr Keene might be telling the truth, but there were ramifications in such an idea that he could not face. Yet why would Mr Keene lie, especially about something so serious? ! Mr Keene sat and smiled his bright dry heartless desert smile.
I do have asthma, I do. The day that Henry Bowers punched me in the nose, the day Bill and I were trying to make a dam in the Barrens, I almost died. Am I supposed to think that my mind was just . . . just making all of that up?
But why would he lie? (It was only years later, in the library, that Eddie asked himself the more terrible question: Why would he tell me the truth?)
Dimly he heard Mr Keene saying: 'I've kept my eye on you, Eddie. I told you all this because you're old enough to understand, but also because I've noticed you've finally made some friends. They are good friends, aren't they?'
'Yes,' Eddie said.
Mr Keene tilted his chair back (it made that cricketlike noise again), and closed one eye in what might or might not have been a wink. 'And I'll bet your mother doesn't like them much, does she?'
'She likes them fine,' Eddie said, thinking of the cutting things his mother had said about Richie Tozier (He has a foul mouth . . . and I've smelled his breath, Eddie . . . I think he smokes}, her sniffing remark not to loan any money to Stan Uris because he was a Jew, her outright dislike of Bill Denbrough and 'that fatboy.'
He repeated to Mr Keene: 'She likes them a lot.'
'Does she?' Mr Keene said, still smiling. 'Well, maybe she's right and maybe she's wrong, but at least you have friends. Maybe you ought to talk to them about this problem of yours. This . . . this mental weakness. See what they have to say.'
Eddie didn't reply. He was through talking to Mr Keene; that seemed safer. And he was afraid that if he didn't get out of here soon, he really would cry.
'Well!' Mr Keene said, standing up. 'I think that just about finishes us up, Eddie. If I've upset you, I'm sorry. I was only doing my duty as I saw it. I - '
But before he could say any more, Eddie had snatched up his aspirator and the white bag of pills and nostrums and had fled. One of his feet skidded in the ice-creamy mess on the floor and he almost fell. Then he was running, bolting from the Center Street Drug Store in spite of his whistling breath. Ruby stared after him over her movie magazine, her mouth open.
Behind him he seemed to sense Mr Keene standing in the doorway of his office and watching his graceless retreat over the prescription counter, gaunt and neat and thoughtful and smiling. Smiling that dry desert smile.
He paused outside on the three-way corner of Kansas, Main, and Center. He took another deep pull from his aspirator while sitting on the low stone wall by the bus-stop - his throat was now positively slimy with that medicinal taste
(nothing but water with some camphor thrown in)
and he thought that if he had to use the aspirator again today he would probably puke his guts.
He slipped it into his pocket and watched the traffic pass back and forth, headed up Main Street and down Up-Mile Hill. He tried not to think. The sun beat down on his head, blaringly hot. Each passing car threw bright darts of reflection into his eyes, and a headache was starting in his temples. He couldn't find a way to stay angry at Mr Keene, but he had no trouble at all feeling bad for Eddie Kaspbrak. He felt real bad for Eddie Kaspbrak. He supposed that Bill Denbrough never wasted time feeling sorry for himself, but Eddie just couldn't seem to help it.
More than anything else he wanted to do exactly what Mr Keene had suggested: go down to the Barrens and tell his friends everything, see what they would say, find out what answers they had. But he couldn't do that now. His mother would expect him home with her medicines soon
(your mind . . . or your mother)
and if he wasn't there
(your mother is determined you are ill)
trouble would follow. She would assume he had been with Bill or Richie or 'the Jewboy,' as she called Stan (insisting that she meant no prejudice by so calling him, but was simply 'slapping down the cards' - her phrase for truth-telling in difficult situations). And standing here on this corner, trying hopelessly to sort out his flying thoughts, Eddie knew what she would say if she knew one of his other friends was a Negro and another was a girl - a girl old enough to be getting bosoms.
He started slowly toward Up-Mile Hill, dreading the stiff climb in this heat. It felt almost hot enough to fry an egg on the sidewalk. For the first time he found himself wishing for school to be in again, for a new grade and a new teacher's peculiarities to contend with. For this dreadful summer to be over.
He stopped halfway up the hill, not far from where Bill Denbrough would rediscover his bike Silver twenty-seven years later, and pulled his aspirator from his pocket. HydrOx Mist, the label said. Administer as needed.
Something else clicked home. Administer as needed. He was only a kid, still wet behind the ears (as his mother sometimes told him when she was 'slapping down the cards'), but even a kid of eleven knew that you didn't give someone real medicine and then write on the label Administer as needed. If it was real medicine, it would be too easy to kill yourself as you went happy-assholing around and administering as needed. He supposed you could kill yourself with plain old aspirin doing that.
He looked fixedly at the aspirator, unaware of the old lady who glanced curiously at him as she passed on down the hill toward Main Street with her shopping basket over her arm. He felt betrayed. And for one moment he almost cast the plastic squeezebottle into the gutter - better yet, he thought, throw it down that sewer-grating. Sure! Why not? Let It have it down there in Its tunnels and dripping sewer-pipes. Have a pla-cee-bo, you hundred-faced creep! He uttered a wild laugh and came within an ace of doing it. But in the end, habit was simply too strong. He replaced the aspirator in his right front pants pocket and walked on, hardly hearing the occasional blare of a horn or the diesel drone of the Bassey Park bus as it passed him. He was likewise unaware of how close he was to discovering what being hurt - really hurt - was all about.
3
When he came out of the Costello Avenue Market twenty-five minutes later with a Pepsi in' one hand and two Payday candybars in the other, Eddie was unpleasantly surprised to see Henry Bowers, Victor Criss, Moose Sadler, and Patrick Hockstetter kneeling on the crushed gravel to the left of the little store. For a moment Eddie thought they were shooting craps; then he saw they were pooling their money on Victor's baseball shirt. Their summer-school text-books lay off to one side in an untidy heap.
On an ordinary day Eddie might have simply faded quietly back into the store and asked Mr Gedreau if he could leave by the back door but this had been no ordinary day. Eddie froze right where he was instead, one hand still holding the screen door with its tin cigarette signs (WINSTON TASTES GOOD, LIKE A CIGARETTE SHOULD, TWENTY-ONE GREAT TOBACCOS MAKE TWENTY WONDERFUL SMOKES, the bellboy who was shouting CALL FOR PHILIP MORRIS), the other clutching the brown grocery bag and the white drugstore bag.
Victor Criss saw him and elbowed Henry. Henry looked up; so did Patrick Hockstetter. Moose, whose relays worked more slowly, went on counting out pennies for five seconds or so before the sudden silence sank into him and he also looked up.
Henry stood, brushing loose pieces of gravel from the knees of the biballs he was wearing. There were splints on the sides of his bandaged nose, and his voice had a nasal foghorning quality. 'Well I be go to hell,' he said. 'One of the rock-throwers. Where's your friends, asshole? They inside?'
Eddie was shaking his head numbly before he realized this was another mistake.
Henry's smile broadened. 'Well, that's okay,' he said. 'I don't mind taking you one by one. Come on down here, asshole.'
Victor stood beside Henry; Patrick Hockstetter trailed behind them, smiling in a porky vacant way Eddie was familiar with from school. Moose was still getting up.
'Come on, asshole,' Henry said. 'Let's talk about throwing rocks. Let's talk about that, you wanna?'
Now that it was too late Eddie decided it would be wise to go back into the store. Back in the store where there was a grownup. But as he retreated Henry darted forward and grabbed him. He pulled Eddie's arm, pulled hard, his smile turning into a snarl. Eddie's hand was ripped free of the screen door. He was pulled off the steps and would have crashed headlong into the gravel if Victor hadn't caught him roughly under the arms. Victor threw him. Eddie managed to keep on his feet, but only by whirling around twice. The four boys faced him now over a distance of about ten feet, Henry slightly ahead of the others, smiling. His hair stood up at the back in a cowlick.
Behind Henry and on his left was Patrick Hockstetter, a genuinely spooky kid. Eddie hadn't ever seen him with anyone else until today. He was just enough overweight so that his belly always hung slightly over his belt, which had a Red Ryder buckle. His face was perfectly round, and usually as pale as cream. Now he had a slight sunburn. It was heaviest on his nose, which was peeling, but it spread out toward either cheek like wings. In school, Patrick liked to kill flies with his green plastic SkoolTime ruler and put them in his pencil-box. Sometimes he would show his fly collection to some new kid in the playyard at recess, his heavy lips smiling, his gray-green eyes sober and thoughtful. He never spoke when he exhibited his dead flies, no matter what the new kid might say to him. That expression was on his face now.
'How ya doin, Rock Man?' Henry asked, advancing across the distance between them. 'Got any rocks on you?'
'Leave me alone,' Eddie said in a trembling voice.
"'Leave me alone,'" Henry mimicked, waving his hands in mock terror. Victor laughed. 'What are you going to do if I don't, Rock Man? Huh?' His hand flashed out, incredibly fast, and exploded against Eddie's cheek with a gunshot sound. Eddie's head rocked back. Tears began to pour from his left eye.
'My friends are inside,' Eddie said.
'"My friends are inside,"' Patrick Hockstetter squealed. 'Ooooh! Ooooh! Ooooh!' He began to circle to Eddie's right.
Eddie started to turn in that direction, Henry's hand flashed out again, and this time his other cheek flamed.
Don't cry, he thought, that's what they want, but don't you do it Eddie, Bill wouldn't do it, Bill wouldn't cry, and don't you cry, eith -
Victor stepped forward and gave Eddie a hard open-handed push in the middle of his chest. Eddie stumbled half a step backward and then fell sprawling over Patrick, who had crouched directly behind his feet. He thudded to the gravel, scraping his arms. There was a whoof! as the wind rushed out of him.
A moment later Henry Bowers was on top of him, his knees pinning Eddie's arms, his butt on Eddie's stomach.
'Got any rocks, Rock Man?' Henry raved down at him, and Eddie was more frightened by the mad light in Henry's eyes than he was by the pain in his arms or by his inability to get his breath back. Henry was nuts. Somewhere close by, Patrick Uttered.
'You wanna throw rocks? Huh? I'll give you rocks! Here! Here's some rocks!'
Henry swept up a handful of gravel and slammed it down into Eddie's face. He rubbed the gravel into Eddie's skin, cutting his cheeks, his eyelids, his lips. Eddie opened his mouth and screamed.
'Want rocks? I'll give you rocks! Here's some rocks, Rock Man! You want rocks? Okay! Okay! Okay!'
Gravel slammed into his open mouth, lacerating his gums, grinding against his teeth. He felt sparks fly against his fillings. He screamed again and spat gravel out.
'Want some more rocks? Okay? How about a few more? How about - '
'Stop that! Here, here! Stop that! You, boy! Quit on him! Right now! You hear me? Quit on him!'
Through half-lidded, tear-blurred eyes, Eddie saw a big hand come down and grab Henry by the collar of his shirt and the right strap of his biballs. The hand gave a yank and Henry was pulled off. He landed in the gravel and got up. Eddie rose more slowly. He was trying to scramble to his feet, but his scrambler seemed temporarily broken. He gasped and spat chunks of bloody gravel out of his mouth.
It was Mr Gedreau, dressed in his long white apron, and he looked furious. There was no fear in his face, although Henry stood about three inches taller and probably outweighed him by fifty pounds. There was no fear in his face because he was the grownup and Henry was the kid. Except this time, Eddie thought, that might not mean anything. Mr Gedreau didn't understand. He didn't understand that Henry was nuts.
'You get out of here,' Mr Gedreau said, advancing on Henry until he stood toe to toe with the hulking sullen-faced boy. 'You get out and you don't want to come back, either. I don't hold with bullying. I don't hold with four against one. What would your mothers think?'
He swept the others with his hot, angry eyes. Moose and Victor dropped their gazes and examined their sneakers. Patrick only stared at and through Mr Gedreau with that vacant gray-green look. Mr Gedreau looked back at Henry and got just as far as 'You get on your bikes and - ' when Henry gave him a good hard push.
An expression of surprise that would have been comical in other circumstances spread across Mr Gedreau's face as he flew backward, loose gravel spurting out from under his heels. He struck the steps leading up to the screen door and sat down hard.
'Why you - ' he began.
Henry's shadow fell on him. 'Get inside,' he said.
'You - ' Mr Gedreau said, and this time he stopped on his own. Mr Gedreau had finally seen it, Eddie realized - the light in Henry's eyes. He got up quickly, apron flapping. He went up the stairs as fast as he could, stumbling on the second one from the top and going briefly to one knee. He was up again at once, but that stumble, as brief as it had been, seemed to rob him of the rest of his grownup authority.
He spun around at the top and yelled: 'I'm calling the cops!'
Henry made as if to lunge for him, and Mr Gedreau flinched back. That was the end, Eddie realized. As incredible, as unthinkable as it seemed, there was no protection for him here. It was time to go.
While Henry was standing at the bottom of the steps and glaring up at Mr Gedreau and while the others were staring, transfixed (and, except for Patrick Hockstetter, not a little horrified) by this sudden successful defiance of adult authority, Eddie saw his chance. He whirled, took to his heels, and ran.
He was halfway up the block before Henry turned, his eyes blazing. 'Get him!' he bellowed.
Asthma or no asthma, Eddie ran them a good race that day. There were spaces, some of them as long as fifty feet, when he couldn't remember if the soles of his P.P. Flyers had touched the sidewalk or not. For a few moments he even entertained the giddy notion that he might be able to outrun them.
Then, just before he reached Kansas Street and what might have been safety, a little kid on a trike suddenly pedaled out of a driveway and right into Eddie's path. Eddie tried to swerve, but running full-out as he had been, he might have done better to jump over the kid (the kid's name, in fact, was Richard Cowan, and he would grow up, marry, and father a son named Frederick Cowan, who would be drowned in a toilet and then be partially eaten by a thing that rose up from the toilet like black smoke and then took an unthinkable shape), or at least to try.
One of Eddie's feet caught on the trike's back deck, where an adventurous little shit might stand and push the trike along like a scooter. Richard Cowan, whose unborn son would be murdered by It twenty-seven years later, barely rocked on his trike. Eddie, however, went flying. He struck the sidewalk on his shoulder, rebounded, came down again, and skidded ten feet, erasing the skin from his elbows and knees. He was trying to get up when Henry Bowers hit him like a shell from a bazooka and knocked him flat. Eddie's nose connected briskly with the concrete. Blood flew.
Henry did a quick side-roll like a paratrooper and was up again. He grabbed Eddie by the nape of the neck and by his right wrist. His breath, snorting through his swelled and splinted nose, was warm and moist.
'Want rocks, Rock Man? Sure! Shit!' He jerked Eddie's wrist halfway up his back. Eddie yelled. 'Rocks for the Rock Man, right, Rock Man?' He jerked Eddie's wrist up even higher. Eddie screamed. Behind him, dimly, he could hear the others approaching, and the little kid on the trike starting to bawl. Join the club, kid, he thought, and in spite of the pain, in spite of the tears and the fear, he brayed a huge donkeylike hee-haw of laughter.
'You think this is funny?' Henry asked, sounding suddenly astounded rather than furious. 'You think this is funny?' And did Henry also sound scared? Years later Eddie would think Yes, scared, he sounded scared.
Eddie twisted his wrist in Henry's grip. He was slick with sweat and he almost got away. Perhaps that was why Henry shoved Eddie's wrist up harder this time than before. Eddie heard a crack in his arm like the sound of winterwood giving under an accumulated plate of ice. The pain that rolled out of his fractured arm was gray and huge. He shrieked, but the sound seemed distant. The color was washing out of the world, and when Henry let go of him and pushed, he seemed to float toward the sidewalk. It took a long time to get down to that old sidewalk. He had a good look at every single crack in it as he glided down. He had a chance to admire the way the July sun glinted off the flecks of mica in that old sidewalk. He had a chance to note the remains of a very old hopscotch grid that had been done in pink chalk on that old sidewalk. Then, for just a moment, it swam and looked like something else. It looked like a turtle.
He might have fainted then, but he struck on his newly broken arm, and this fresh pain was sharp, bright, hot, terrible. He felt the splintered ends of the greenstick fracture grind together. He bit his tongue, bringing fresh blood. He rolled over on his back and saw Henry, Victor, Moose, and Patrick standing over him. They looked impossibly tall, impossibly high up, like pallbearers peering into a grave.
'You like that, Rock Man?' Henry asked, his voice drifting down over a distance, floating through clouds of pain. 'You like that action, Rock Man? You like that jobba-nobba?'
Patrick Hockstetter giggled.
'Your father's crazy,' Eddie heard himself say, 'and so are you.'
Henry's grin faded so fast it might have been slapped off his face. He drew his foot back to kick . . . and then a siren rose in the still hot afternoon. Henry paused. Victor and Moose looked around uneasily.
'Henry, I think we better get out of here,' Moose said.
'I know damn well I'm getting out of here,' Victor said. How far away their voices seemed! Like the clown's balloons, they seemed to float. Victor took off toward the library, cutting into McCarron Park to get off the street.
Henry hesitated a moment longer, perhaps hoping the cop-car was on some other business and he could continue with his own. But the siren rose again, closer. 'You got lucky, fuckface,' he said. He and Moose took off after Victor.
Patrick Hockstetter waited for a moment. 'Here's a little something extra for you,' he whispered in his low, husky voice. He inhaled and spat a large green lunger into Eddie's upturned, sweating, bloody face. Splat. 'Don't eat it all at once if you don't want,' Patrick said, smiling his liverish unsettling smile. 'Save some for later, if you want.'
Then he turned slowly and was also gone.
Eddie tried to wipe the lunger off with his good arm, but even that little movement made the pain flare again.
Now when you started off for the drugstore, you never thought you'd end up on the Costello Avenue sidewalk with a busted arm and Patrick Hockstetter's snot running down your face, did you? You never even got to drink your Pepsi. Life's full of surprises, isn't it?
Incredibly, he laughed again. It was a weak sound, and it hurt his broken arm to laugh, but it felt good. And there was something else: no asthma. His breathing was okay, at least for now. A good thing, too. He never would have been able to get to his aspirator. Never in a thousand years.
The siren was very close now, whooping and whooping. Eddie closed his eyes and saw red under his eyelids. Then the red turned black as a shadow fell over him. It was the little kid with the trike.
'You okay?' the little kid asked.
'Do I look okay?' Eddie asked.
'No, you look terrible,' the little kid said, and pedaled off, singing 'The Farmer in the Dell.'
Eddie began to giggle. Here was the cop-car; he could hear the squeal of its brakes. He found himself hoping vaguely that Mr Nell would be in it, even though he knew Mr Nell was a foot patrolman.
Why in the name of God are you giggling?
He didn't know, any more than he knew why he should feel, in spite of the pain, such intense relief. Was it maybe just because he was still alive, that the worst he had suffered was a broken arm, and there were still some pieces to pick up? He settled for that, but years later, sitting in the Derry Library with a glass of gin and prune juice in front of him and his aspirator near at hand, he told the others he thought it was something more than that; he had been old enough to feel that something more, but not to understand or define it.
I think it was the first real pain I ever felt in my life, he would tell the others. It wasn't what I thought it would be at all. It didn't put an end to me as a person. I think . . . it gave me a basis for comparison, finding out you could still exist inside the pain, in spite of the pain.
Eddie turned his head weakly to the right and saw large black Firestone tires, blinding chrome hubcaps, and pulsing blue lights. He heard Mr Nell's voice then, thickly Irish, impossibly Irish, more like Richie's Irish Cop Voice than Mr Nell's real voice . . . but perhaps that was the distance:
'Holy Jaysus, it's the Kaspbrak bye!'
At this point Eddie floated away.
4
And, with one exception, stayed away for quite awhile.
There was a brief period of consciousness in the ambulance. He saw Mr Nell sitting across from him, tipping a drink from his little brown bottle and reading a paperback called The Jury. The girl on the cover had the biggest bosoms Eddie had ever seen. His eyes shifted past Mr Nell to the driver up front. The driver peered around at Eddie with a big leering grin, his skin livid with greasepaint and talcum powder, his eyes shiny as new quarters. It was Pennywise.
'Mr Nell,' Eddie husked.
Mr Nell looked up and smiled. 'How are you feelin, me bye?'
' . . . driver . . . the driver . . . '
'Yes, we'll be there in a jig,' Mr Nell said, and handed him the little brown bottle. 'Suck some of this. It'll make ye feel better.'
Eddie drank what tasted like liquid fire. He coughed, hurting his arm. He looked toward the front and saw the driver again. Just some guy with a crewcut. No clown.
He drifted off again.
Much later there was the Emergency Room and a nurse wiping blood and dirt and snot and gravel off his face with a cold cloth. It stung, but it felt wonderful at the same time. He heard his mother bugling and clarioning outside, and he tried to tell the nurse not to let her in, but no words would come out, no matter how hard he tried.
' . . . if he's dying, I want to know!' his mother was bellowing. 'You hear me? It's my right to know, and it's my right to see him! I can sue you, you know! I know lawyers, plenty of lawyers! Some of my best friends are lawyers!'
'Don't try to talk,' the nurse said to Eddie. She was young, and he could feel her bosoms pressing against his arm. For a moment he had this crazy idea that the nurse was Beverly Marsh, and then he drifted away again.
When he came back his mother was in the room, talking to Dr Handor at a mile-a-minute clip. Sonia Kaspbrak was a huge woman. Her legs, encased in support hose, were trunklike but weirdly smooth. Her face was pale now except for hectic flaring blots of rouge.
'Ma,' Eddie managed,' . . . all right . . . I'm all right . . . '
'You're not, you're not,' Mrs Kaspbrak moaned. She wrung her hands. Eddie heard her knuckles crack and grind. He began to feel his breath shorten up as he looked at her, seeing what a state she was in, how this latest escapade of his had hurt her. He wanted to tell her to take it easy or she'd have a heart attack, but he couldn't. His throat was too dry. 'You're not all right, you've had a serious accident, a very serious accident, but you will be all right, I promise you that, Eddie, you will be all right, even if we need to bring in every specialist in the book, oh Eddie . . . Eddie . . . your poor arm . . . '
She burst into honking sobs. Eddie saw that the nurse who had washed his face was looking at her without much sympathy.
All through this aria, Dr Handor had been stuttering, 'Sonia . . . please, Sonia . . . Sonia . . . ?' He was a skinny, limp-looking man with a little mustache that hadn't grown very well and which, in addition, had been clipped unevenly, so it was longer on the left side than on the right. He looked nervous. Eddie remembered what Mr Keene had told him that morning and felt a certain sorrow for Dr Handor.
At last, gathering himself, Russ Handor managed to say: 'If you can't control yourself, you'll have to leave, Sonia.'
She whirled on him and he drew back. 'I'll do no such thing! Don't you even suggest it! This is my son lying here in agony! My son lying here on his bed of pain!'
Eddie astounded them all by finding his voice. 'I want you to leave, Ma. If they're going to do something that'll make me yell, and I think they are, you'll feel better if you go.'
She turned to him, astonished . . . and hurt. At the sight of the hurt on her face, he felt his chest begin to tighten down inexorably. 'I certainly will not!' she cried. 'What an awful thing to say, Eddie! You're delirious! You don't understand what you're saying, that's the only explanation!'
'I don't know what the explanation is, and I don't care,' the nurse said. 'All I know is that we're standing here doing nothing while we should be setting your son's arm.'
'Are you suggesting - ' Sonia began, her voice rising toward the high, bugling note it took on when she was most upset.
'Please, Sonia,' Dr Handor said. 'Let's not have an argument here. Let's help Eddie.'
Sonia stood back, but her glowering eyes - the eyes of a mother bear whose cub has been threatened - promised the nurse that there would be trouble later. Possibly even a suit. Then her eyes misted, extinguishing the glower or at least hiding it. She took Eddie's good hand and squeezed it so painfully that he winced.
'It's bad, but you'll be well again soon,' she said. 'Well again soon, I promise you that.'
'Sure, Ma,' Eddie wheezed. 'Could I have my aspirator?'
'Of course,' she said. Sonia Kaspbrak looked at the nurse triumphantly, as if vindicated of some ridiculous criminal charge. 'My son has asthma,' she said. 'It's quite serious, but he copes with it beautifully.'
'Good,' the nurse said flatly.
His ma held the aspirator for him so he could inhale. A moment later Dr Handor was feeling Eddie's broken arm. He was as gentle as possible but the pain was still enormous. Eddie felt like screaming and gritted his teeth against it. He was afraid if he screamed his mother would scream, too. Sweat stood out on his forehead in large clear drops.
'You're hurting him,' Mrs Kaspbrak said. 'I know you are! There's no need of that! Stop it! There's no need for you to hurt him! He's very delicate, he can't stand that sort of pain!'
Eddie saw the nurse lock her furious eyes with Dr Handor's tired, worried ones. He saw the wordless conversation that passed between them: Send that woman out of here, doctor. And in the drop of his eyes: I can't. I don't dare.
There was great clarity inside the pain (although, in truth, this was not a clarity that Eddie would want to experience often: the price was too high), and in that unspoken conversation, Eddie accepted everything Mr Keene had told him. His HydrOx aspirator was filled with nothing more than flavored water. The asthma wasn't in his throat or his chest or his lungs but in his head. Somehow or other he was going to have to deal with that truth.
He looked at his mother, seeing her clear in his pain: each flower on her Lane Bryant dress, the sweat-stains under her arms where the pads she wore had soaked through, the scuff-marks on her shoes. He saw how small her eyes were in their pockets of flesh, and now a terrible thought came to him: those eyes were almost predatory, like the eyes of the leper that had crawled out of the basement at 29 Neibolt Street. Here I come, that's all right . . . it won't do you any good to run, Eddie . . .
Dr Handor put his hands gently around Eddie's broken arm and squeezed. The pain exploded.
Eddie drifted away.
5
They gave him some liquid to drink and Dr Handor set the fracture. He heard Dr Handor telling his ma that it was a greenstick fracture, no more serious than any childhood break: 'It's the sort of break kids get falling out of trees,' he said, and Eddie heard his ma respond furiously: 'Eddie doesn't climb trees! Now I want the truth! How bad is he?'
Then the nurse was giving him a pill. He felt her bosoms against his shoulder again and was grateful for their comforting pressure. Even through the haze he could see that the nurse was angry and he thought he said, She's not the leper, please don't think that, she's only eating me because she loves me, but perhaps nothing came out because the nurse's angry face didn't change.
He had a faint recollection of being pushed up a corridor in a wheelchair and his mother's voice somewhere behind, fading: 'What do you mean, visiting hours) Don't talk to me about visiting hours, that's my son!'
Fading. He was glad she was fading, glad he was fading. The pain was gone and the clarity was gone with it. He didn't want to think. He wanted to drift. He was aware that his right arm felt very heavy. He wondered if they had put it in a cast yet. He couldn't seem to see if they had or not. He was vaguely aware of radios playing from rooms, of patients who looked like ghosts in their hospital johnnies walking up and down the wide halls, and that it was hot . . . so very hot. When he was wheeled into his room, he could see the sun going down in an angry orange boil of blood and thought incoherently: Like a great big clown-button.
'Come on, Eddie, you can walk,' a voice was saying, and he found that he could. He was slid between crisp cool sheets. The voice told him that he would have some pain in the night, but not to ring for a pain-killer unless it got very bad. Eddie asked if he could have a drink of water. The water came with a straw that had an accordion middle so you could bend it. It was cool and good. He drank it all.
There was pain in the night, a good deal of it. He lay awake in bed, holding the call-button in his left hand but not pressing it. A thunderstorm was going on outside, and when the lightning flashed blue-white, he turned his head away from the windows, afraid he might see a monstrous, grinning face etched across the sky in that electric fire.
At last he slept again, and in his sleep he had a dream. In it he saw Bill, Ben, Richie, Stan, Mike, and Bev - his friends - arriving at the hospital on their bikes (Bill was riding Richie double on Silver). He was surprised to see that Beverly was wearing a dress - it was a lovely green, the color of the Caribbean in a National Geographic plate. He couldn't remember if he had ever seen her in a dress before; all he remembered were jeans and pedal-pushers and what the girls called 'school-sets': skirts and blouses, the blouses usually white with round collars, the skirts usually brown and pleated and hemmed at mid-shin, so that the scabs on their knees didn't show.
In the dream he saw them coming in for the 2:00 P.M. visiting hours and his mother, who had been waiting patiently since eleven, shouting so loudly at them that everyone turned to look at her.
If you think you're going to go in there, you've got another think coming! Eddie's mother shouted, and now the clown, who had been sitting here in the waiting room all along (but way back in one corner, with a copy of Look magazine held up in front of his face until now), jumped up and mimed applause, patting his white-gloved hands together rapidly. He capered and danced, now turning a cartwheel, now executing a neat back-over flip, as Mrs Kaspbrak ranted at Eddie's fellow Losers and as they shrank, one by one, behind Bill, who only stood there, pale but outwardly calm, his hands stuffed deep into the pockets of his jeans (maybe so no one, including Bill himself, would be able to see if they were shaking or not). No one saw the clown except Eddie . . . although a baby who had been sleeping peacefully in his mother's arms awoke and began to cry lustily.
You've done enough damage! Eddie's ma shouted. I know who those boys were! They've been in trouble at school, they've even been in trouble with the police! And just because those boys have something against you is no reason for them to have something against him. I told him so, and he agrees with me. He wants me to tell you to go away, he's done with you, he never wants to see any of you again. He doesn't want your so-called friendship anymore! Any of you! I knew it would lead to trouble, and look at this! My Eddie in the hospital! A boy as delicate as he is . . .
The clown capered and jumped and did splits and stood on one hand. Its smile was real enough now, and in his dream Eddie realized that this was of course what the clown wanted, a nice big wedge to drive among them, splitting them apart and destroying any chance of concerted action. In a kind of filthy ecstasy, the clown did a double barrel-roll and burlesqued kissing his mother's cheek.
Th-Th-Those b-b-b-hoys who dih-did it - Bill began.
Don't you speak back to me! Mrs Kaspbrak shrieked. Don't you dare speak back to me! He's done with you, I say! Done!
Then an intern came running into the waiting room and told Eddie's ma she would have to be quiet or leave the hospital. The clown started to fade, started to wash out, and as it did it began to change. Eddie saw the leper, the mummy, the bird; he saw the werewolf, and a vampire whose teeth were Gillette Blue-Blades set at crazy angles like mirrors in a carnival mirror-maze; he saw Frankenstein, the creature, and something fleshy and shell-like that opened and closed like a mouth; he saw a dozen other terrible things, a hundred. But just before the clown washed out completely, he saw the most terrible thing of all: his ma's face.
Nol he tried to scream. No! No! Not her! Not my ma!
But no one looked around; no one heard. And in the dream's fading moments, he realized with a cold and wormy horror that they couldn't hear nun. He was dead. It had killed him and he was dead. He was a ghost.
6
Sonia Kaspbrak's sour-sweet triumph at sending Eddie's so-called friends away evaporated almost as soon as she stepped into Eddie's private room the next afternoon, on the 21st of July. She could not tell exactly why the feeling of triumph should fade like that, or why it should be displaced by an unfocused fear; it was something in her son's pale face, which was not blurred with pain or anxiety but instead bore an expression she could not remember ever having seen there before. It was sharp, somehow. Sharp and alert and set.
The confrontation between Eddie's friends and Eddie's ma had not occurred in the waiting room, as in Eddie's dream; she had known they would be coming - Eddie's 'friends,' who were probably teaching him to smoke cigarettes in spite of his asthma, his 'friends' who had such an unhealthy hold over him that they were all he talked about when he came home for the evening, his 'friends' who got his arm broken. She had told all of this to Mrs Van Prett next door. 'The time has come,' Mrs Kaspbrak had said grimly, 'to slap a few cards down on the table.' Mrs Van Prett, who had horrible skin-problems and who could almost always be counted upon to agree eagerly, almost pathetically, with everything Sonia Kaspbrak said, in this case had the temerity to disagree.
I should think you'd be glad he's made some friends, Mrs Van Prett said as they hung out their washes in the early-morning cool before work - this had been during the first week of July. And he's safer if he's with other children, Mrs Kaspbrak, don't you think so? With all that's going on in this town, and all the poor children that have been murdered?
Mrs Kaspbrak's only reply had been an angry sniff (in fact, she couldn't just then think of an adequate verbal response, although she thought of dozens - some of them extremely cutting - later on), and when Mrs Van Prett called her that evening, sounding rather anxious, to ask if Mrs Kaspbrak would be going to the Beano down at Saint Mary's with her like usual, Mrs Kaspbrak had replied coldly that she believed she would just stay home that evening and put her feet up instead.
Well, she hoped Mrs Van Prett was satisfied now. She hoped Mrs Van Prett saw now that the only danger abroad in Derry this summer wasn't the sex-maniac killing children and babies. Here was her son, lying on his bed of pain in Derry Home Hospital, he might never be able to use his good right arm again, she had heard of such things, or, God forbid, loose splinters from the break might work through his bloodstream to his heart and puncture it and kill him, oh of course God would never allow that to happen, but she had heard of it happening, so that meant God could allow such a thing to happen. In certain cases.
So she lingered on the Home Hospital's long and shady front porch, knowing they would show up, coldly determined to put paid to this so-called 'friendship,' this camaraderie that ended in broken arms and beds of pain, once and for all.
Eventually they came, as she had known they would, and to her horror she saw that one of them was a nigger. Not that she had anything against niggers; she thought they had every right to ride where they wanted to on the buses down south, and eat at white lunch-counters, and should not be made to sit in nigger heaven at the movies unless they bothered white
(women)
people, but she also believed firmly in what she called the Bird Theory: Blackbirds flew with other blackbirds, not with the robins. Crackles roosted with grackles; they did not mix in with the bluebirds or the nightingales. To each his own was her motto, and seeing Mike Hanlon pedal up with the others just as if he belonged there caused her resolution, like her anger and her dismay, to grow apace. She thought reproachfully, as if Eddie were here and could listen to her: You never told me that one of your 'friends' was a nigger.
Well, she thought, twenty minutes later, stepping into the hospital room where her son lay with his arm in a huge cast that was strapped to his chest (it hurt her heart just to look at it), she had sent them packing in jig time . . . no pun intended. None of them except for the Denbrough boy, the one who had such a horrible stutter, had had the nerve to so much as speak back to her. The girl, whoever she was, had flashed a pair of decidedly slutty jade's eyes at Sonia - from Lower Main Street or someplace even worse, had been Sonia Kaspbrak's opinion - but she had wisely kept her mouth shut. If she had dared so much as to let out a peep, Sonia would have given her a piece of her mind; would have told her what sort of girls ran with the boys. There were names for girls like that, and she would not have her son associated, now or ever, with the girls who bore them.
The others had done no more than look down at their shuffling feet. That was about what she had expected. When she was done saying what she had to say, they had gotten on their bikes and ridden away. The Denbrough boy had the Tozier boy riding double behind him on a huge, unsafe-looking bike, and with an interior shudder Mrs Kaspbrak had wondered how many times her Eddie had ridden on that dangerous bike, risking his arms and his legs and his neck and his life.
I did this for you, Eddie, she thought as she walked into the hospital with her head firmly up. I know you may feel a bit disappointed at first; that's natural enough. But parents know better than their children; the reason God made parents in the first place was to guide, instruct . . . and protect. After his initial disappointment, he would understand. And if she felt a certain relief now, it was of course on Eddie's behalf and not on her own. Relief was only to be expected when you had saved your son from bad companions.
Except that her sense of relief was marred by fresh unease now, looking into Eddie's face. He was not asleep, as she had thought he would be. Instead of a drugged doze from which he would wake disoriented, dimwitted, and psychologically vulnerable, there was this sharp, watchful look, so different from Eddie's usual soft tentative glance. Like Ben Hanscom (although Sonia did not know this), Eddie was the sort of boy who would look quickly into a face, as if to test the emotional weather brewing there, and glance just as quickly away. But he was looking at her steadily now (perhaps it's the medication, she thought, of course that's it; I'll have to consult with Dr Handor about his medication), and she was the one who felt a need to glance aside. He looks like he's been waiting for me, she thought, and it was a thought that should have made her happy - a boy waiting for his mother must surely be one of God's most favored creations -
'You sent my friends away.' The words came out flatly, with no doubt or question in them.
She flinched almost guiltily, and certainly the first thought to flash through her mind was a guilty one - How does he know that? He can't know that! - and she was immediately furious with herself (and him) for feeling that way. So she smiled at him.
'How are we feeling today, Eddie?'
That was the right response. Someone - some foolish candy-striper, or perhaps even that incompetent and antagonistic nurse from the day before - had been carrying tales. Someone.
'How are we feeling?' she asked again when he didn't respond. She thought he hadn't heard her. She'd never read in any of her medical literature of a broken bone affecting the sense of hearing, but she supposed it was possible, anything was possible.
Eddie still didn't respond.
She came farther into the room, hating the tentative, almost timid feeling inside her, distrusting it because she had never felt tentative or timid around Eddie before. She felt anger as well, although that was still nascent. What right did he have to make her feel that way, after all she had done for him, after all she had sacrificed for him?
'I've talked to Dr Handor, and he assures me that you're going to be perfectly all right,' Sonia said briskly, sitting down in the straight-backed wooden chair by the bed. 'Of course if there's the slightest problem, we'll go to see a specialist in Portland. In Boston, if that's what it takes.' She smiled, as if conferring a great favor. Eddie did not smile back. And still he did not reply.
'Eddie, are you hearing me?'
'You sent my friends away,' he repeated.
'Yes,' she said, dropping the pretense, and said no more. Two could play at that game. She simply looked back at him.
But a strange thing happened; a terrible thing, really. Eddie's eyes seemed to . . . to grow, somehow. The flecks of gray in them seemed actually to be moving, like racing stormclouds. She became aware suddenly that he was not 'in a snit,' or 'having a poopie,' or any of those things. He was furious with her . . . and Sonia was suddenly scared, because something more than her son seemed to be in this room. She dropped her eyes and fumbled her purse open. She began searching for a Kleenex.
'Yes, I sent them away,' she said, and found that her voice was strong enough and steady enough . . . as long as she wasn't looking at him. 'You've been seriously injured, Eddie. You don't need any visitors right now except for your own ma, and you don't need visitors like that, ever. If it hadn't been for them, you'd be home watching the TV right now, or building your soapbox racer in the garage.'
It was Eddie's dream to build a soapbox racer and take it to Bangor. If he won there, he would be awarded an all-expenses-paid trip to Akron, Ohio, for the National Soapbox Derby. Sonia was perfectly willing to allow him this dream as long as it seemed to her that completion of the racer, which was made out of orange crates and the wheels from a Choo-Choo Flyer wagon, was just that - a dream. She certainly had no intention of letting Eddie risk his life in such a dangerous contraption, not in Derry, not in Bangor, and certainly not in Akron, which (Eddie had informed her) would mean riding in an airplane as well as making a suicidal run down a steep hill in a wheeled orange crate with no brakes. But, as her own mother had often said, what a person didn't know couldn't hurt him (her mother had also been fond of saying 'Tell the truth and shame the devil,' but when it came to the recollection of aphorisms Sonia, like most people, could be remarkably selective).
'My friends didn't break my arm,' Eddie said in that same flat voice. 'I told Dr Handor last night and I told Mr Nell when he came in this morning. Henry Bowers broke my arm. Some other kids were with him, but Henry did it. If I'd been with my friends, it never would have happened. It happened because I was alone.'
This made Sonia think of Mrs Van Prett's comment about how it was safer to have friends, and that brought the rage back like a tiger. She snapped her head up. 'That doesn't matter and you know it! What do you think, Eddie? That your ma fell off a haytruck yesterday? Is that what you think? I know well enough why the Bowers boy broke your arm. That Paddy cop was at our house, too. That big boy broke your arm because you and your "friends" crossed him somehow. Now do you think that would have happened if you'd listened to me and stayed away from them in the first place?'
'No - I think that something even worse might have happened,' Eddie said.
'Eddie, you don't mean that.'
'I mean it,' he said, and she felt that power coming off him, coming out of him, in waves. 'Bill and the rest of my friends will be back, Ma. That's something I know. And when they come, you're not going to stop them. You're not going to say a word to them. They're my friends, and you're not going to steal my friends just because you're scared of being alone.'
She stared at him, flabbergasted and terrified. Tears filled her eyes and spilled down her cheeks, wetting the powder there. 'This is how you talk to your mother now, I guess,' she said through her sobs. 'Maybe this is the way your "friends" talk to their folks. I guess you learned it from them.'
She felt safer in her tears. Usually when she cried Eddie cried, too. A low weapon, some might say, but were there really any low weapons when it came to protecting her son? She thought not.
She looked up, the tears streaming from her eyes, feeling both unutterably sad, bereft, betrayed . . . and sure. Eddie would not be able to stand against such a flood of tears and sorrow. That cold sharp look would leave his face. Perhaps he would begin to gasp and wheeze a little bit, and that would be a sign, as it was always a sign, that the fight was over and that she had won another victory . . . for him, of course. Always for him.
She was so shocked to see that same expression on his face - it had, if anything, deepened - that her voice caught in mid-sob. There was sorrow under his expression, but even that was frightening: it struck her in some way as an adult sorrow, and thinking of Eddie as adult in any way always caused a panicky little bird to flutter inside her mind. This was how she felt on the infrequent occasions when she wondered what would happen to her if Eddie didn't want to go to Derry Business College or the University of Maine in Orono or Husson in Bangor so he could come home every day after his classes were done, what would happen if he met a girl, fell in love, wanted to get married. Where's the place for me in any of that? the panicky bird-voice would cry when these strange, almost nightmarish thoughts came. Where would my place be in a life like that? I love you, Eddie! I love you! I take care of you and I love you! You don't know how to cook, or change your sheets, or wash your underwear! Why should you? I know those things for you! I know because I love you!
He said it himself now: 'I love you, Ma. But I love my friends, too. I think . . . I think you're making yourself cry.'
'Eddie, you hurt me so much,' she whispered, and fresh tears doubled his pale face, trebled it. If her tears a few moments ago had been calculated, these were not. In her own peculiar way she was tough - she had seen her husband into his grave without cracking up, she had gotten a job in a depressed job-market where it wasn't easy to get a job, she had raised her son, and when it had been necessary, she had fought for him. These were the first totally unaffected and uncalculated tears she had wept in years, perhaps since Eddie had gotten the bronchitis when he was five and she had been so sure he would die as he lay there in his bed of pain, glowing bright with fever, whooping and coughing and gasping for breath. She wept now because of that terribly adult, somehow alien expression on his face. She was afraid for him, but she was also, in some way, afraid of him, afraid of that aura that seemed to surround him . . . which seemed to demand something of her.
'Don't make me have to choose between you and my friends, Ma,' Eddie said. His voice was uneven, strained, but still under control. 'Because that's not fair.'
'They're bad friends, Eddie!' she cried in a near-frenzy. 'I know that, I feel that with all my heart, they'll bring you nothing but pain and grief!' And the most horrible thing of all was that she did sense that; some part of her had intuited it in the eyes of the Denbrough boy, who had stood before her with his hands in his pockets, his red hair flaming in the summer sun. His eyes had been so grave, so strange and distant . . . like Eddie's eyes now.
And hadn't that same aura been around him as was around Eddie now? The same, but even stronger? She thought yes.
'Ma - '
She stood up so suddenly she almost knocked the straight-backed chair over. 'I'll come back this evening,' she said. 'It's the shock, the accident, the pain, those things, that make you talk this way. I know it. You . . . you . . . ' She groped, and found her original text in the flying confusion of her mind. 'You've had a bad accident, but you're going to be just fine. And you'll see I'm right, Eddie. They're bad friends. Not our sort. Not for you. You think it over and ask yourself if your ma ever told you wrong before. You think about it and . . . and . . . '
I'm running! she thought with a sick and hurtful dismay. I'm running away from my own son! Oh God, please don't let this be!
'Ma.'
For a moment she almost fled anyway, scared of him now, oh yes, he was more than Eddie; she sensed the others in him, his 'friends' and something else, something that was beyond even them, and she was afraid it might flash out at her. It was as if he were in the grip of something, some dreadful fever, as he had been in the grip of the bronchitis that time when he was five, when he had almost died.
She paused, her hand on the doorknob, not wanting to hear what he might say . . . and when he said it, it was so unexpected that for a moment she didn't really understand it. When comprehension crashed down, it came like a loose load of cement, and for a moment she thought she would faint.
Eddie said: 'Mr Keene said my asthma medicine is just water.'
'What? What?' She turned blazing eyes on him.
'Just water. With some stuff added to make it taste like medicine. He said it was a pla-cee-bo.'
'That's a lie! That is nothing but a solid lie! Why would Mr Keene want to tell you a lie like that? Well, there are other drug-stores in Derry, I guess. I guess - '
'I've had time to think about it,' Eddie said, softly and implacably, his eyes never leaving hers, 'and I think he's telling the truth.'
'Eddie, I tell you he's not!' The panic was back, fluttering.
'What I think,' Eddie said, 'is that it must be the truth or there would be some kind of warning on the bottle, like if you take too much it will kill you or at least make you sick. Even - '
'Eddie, I don't want to hear this!' she cried, and clapped her hands to her ears. 'You're . . . you're . . . you're just not yourself and that's all that it is!'
'Even if it's something you can just go in and buy without a prescription, they put special instructions on it,' he went on, not raising his voice. His gray eyes lay on hers, and she couldn't seem to drop her gaze, or even move it. 'Even if it's just Vicks cough syrup . . . or your Geritol.'
He paused for a moment. Her hands dropped from her ears; it seemed too much work to hold them up. They seemed very heavy.
'And it's like . . . you must have known that, too, Ma.'
'Eddie!' She nearly wailed it.
'Because,' he went on, as if she had not spoken at all - he was frowning now, concentrating on the problem, 'because your folks are supposed to know about medicines. Why, I use that aspirator five, sometimes six times a day. And you wouldn't let me do that if you thought it could, like, hurt me. Because it's your job to protect me. I know it is, because that's what you always say. So . . . did you know, Ma? Did you know it was just water?'
She said nothing. Her lips were trembling. It felt as if her whole face was trembling. She was no longer crying. She felt too scared to cry.
'Because if you did,' Eddie said, still frowning, 'if you did know, I'd want to know why. I can figure some things out, but not why my ma would want me to think water was medicine . . . or that I had asthma here' - he pointed to his chest - 'when Mr Keene says I only have it up here' - and he pointed to his head.
She thought she would explain everything then. She would explain it quietly and logically. How she had thought he was going to die when he was five, and how that would have driven her crazy after losing Frank only two years before. How she came to understand that you could only protect your child through watchfulness and love, that you must tend a child as you tended a garden, fertilizing, weeding, and yes, occasionally pruning and thinning, as much as that hurt. She would tell him that sometimes it was better for a child - particularly a delicate child like Eddie - to think he was sick than to really get sick. And she would finish by talking to him about the deadly foolishness of doctors and the wonderful power of love; she would tell him that she knew he had asthma, and it didn't matter what the doctors thought or what they gave him for it. She would tell him you could make medicine with more than a malicious meddling druggist's mortar and pestle. Eddie, she would say, it's medicine because your mother's love makes it medicine, and in just that way, for as long as you want me and let me, I can do that. This is a power that God gives to loving caring mothers. Please, Eddie, please, my heart's own love, you must believe me.