They found the old man in his study, slumped over the desk in what appeared to be sleep. But the quiet which had come upon him was deeper and gentler than sleep. Beside his opened hand stood an uncapped container of lethal tablets. Beneath his fine white hair, a pillow for his head, was a journal begun thirty years before. His name was on the first page: Dr. Alfred Keeley. And the date: February 6, 1997.
Feb. 6,1997. This is a day twice-blessed for me. Today, at St. Luke's Hospital, our first child was born to my wife, Ila. The baby is a boy, seven pounds, two ounces, and according to Ila's sentimental appraisal, the image of his father. When I saw her this morning, I could not bring myself to mention the second birth which has taken place in my laboratory. The birth of Machine, my robot child.
Machine was conceived long before the infant Ila will bring home soon (we will call him Peter Fitzpatrick, after Ila's grandfather). Machine was conceived long before my marriage, when I first received my professorship in robotics. It is exhilarating to see my dream transformed into reality: a robot child that would be reared within the bosom to a human family, raised like a human child, a brother to a human child-growing, learning, becoming an adult. 1 can hardly contain my excitement at the possibilities I foresee.
It has taken me seven years to perfect the robot brain which will be the soul of my robot son, a brain whose learning capacities will equal (and in some regard, exceed) the capabilities of Peter Fitzpatrick himself. But I must keep the experiment perfectly controlled. My duties will consist primarily of careful observation, and of providing for the physical maturation of Machine. My robot child will not have the natural advantages of growth that Peter Fitzpatrick will possess; I must provide them for him. I will reconstruct his metal body periodically, so that he keeps pace with the growth of his human brother. Eventually, I hope that Machine will learn enough about the construction of his own form that he may make these changes for himself.
At the moment, Machine already has physical advantages over his brother. I did not wish to handicap my metal child; he will have serious shortcomings in a human world; the least I could do was to provide him with the advantages only a machine could boast. He will never know hunger or thirst, or the unpleasant necessities of human waste disposal. He will never know bitter cold or sweltering heat. The ills to which mankind are subject will never trouble his artificial body. The vulnerability of human flesh will never be his problem. He will live on, inviolate, as long as his robot brain pulses within the impenetrable housing of his beautiful head.
Have I said that Machine is beautiful? Yes, I have made him so. The world of humans will be critical enough of my experiment and my robot child; but they will not call him monster. I have made him beautiful with the beauty of perfect function. I have constructed him along human lines (nature was an excellent designer). I have given him a gleaming skin of silver, and flawless modeling. He shall inspire no loathing, my robot creation. Not even in Ila.
Ila! My heart constricts at the thought of my wife, who lies in happy slumber at St. Luke's this moment, unaware of the brother who awaits her infant son. How will she react? She has always been so helpful, so understanding. But an experiment like this, within her own domain, involving her own newborn son…
I must not worry myself needlessly. I must get ready. I must prepare for the arrival of Peter Fitzpatrick, brother of Machine.
June 11, 1997. I am outraged, outraged and deceived. Today I learned that the man who called upon me last month was not the scientific reporter he claimed to be. Now I know that he was a representative of a local newspaper, looking for a sensational Sunday feature with which to tickle the vulgar curiosity of its readers.
What a fool I was to grant him the interview! This morning, I found the article, illustrated by a terrible and inaccurate portrait of Mac and my son. "ROBOTIC PROFESSOR RAISES ROBOT AND SON AS BROTHERS…"
I have hidden the scandalous article from Ila's eyes. She is still bedridden, and I am worried about her failure to gain strength. Can it be that my experiment is the real cause of her illness? I believed, after her first hysterical outburst of protest, that she had become accustomed to the idea. She seemed so willing to cooperate, so completely aware of what I was trying to do. And yet, the way she looks at Mac, the evident horror in her eyes when she sees him touch our son…
No, I am sure she understands. Ila was never strong; she had rheumatic fever as a child, perhaps this is the belated result. I am sure she will be better when warmer weather comes. Perhaps if we went away…
But I cannot go away, of course, not at this early stage of my experiment. So far, all has gone well. At four months, Fitz is developing along normal lines. His little body has gone from asymmetric postures to symmetric postures, his eyes now converge and fasten upon any dangling object held at midpoint. As for Mac, he is advancing even more rapidly. He is beginning to learn control of his limbs; it is apparent that he will walk before his human brother. Before long, he will learn to speak; already I hear rumbles within the cavity of the sound-box in his chest. Fitz can only gurgle and coo his delight at being alive.
I believe Ila was right; Fitz does look like me. I would have preferred him to have Ila's green eyes and fair skin, but he is dark like myself. I feel an unscientific pride in my boy.
Sept. 10, 1997. Must happiness and despair always live side by side? It would seem that is my fate. Today, I thought I would surprise Ila with the extraordinary progress of our robot child. I knew that Mac has been developing the power of coherent speech, and has already said some simple words. For the past week, I have been teaching him phrases, beginning with the one I thought would please Ila most. But I have been foolish. I believe Ila must resent Mac's rapid development. Fitz, at the age of seven months, is just now displaying coordination. He can transfer objects from hand to hand, and he makes sounds that might be taken, or mistaken, for words.
But Mac is far ahead of him. And this morning, at ten o'clock, I brought him into Ila's bedroom. She was still fast asleep; her illness seems to produce the need for sleep. She stirred when she heard our footsteps (Mac's metal feet are too noisy; I must muffle his lumbering stride). I said:
"Ila, I have a little surprise…"
She raised her head from the pillow and looked at me, avoiding contact with Mac's silvery face.
"What is it?" she said.
"It's Mac. He wants to say something to you."
"What are you talking about?"
I smiled.
"All right, Mac."
His metal face lifted towards her. From the featureless surface, a small, uncertain voice emerged.
"He… llo… mo… ther…"
I almost laughed aloud in satisfaction and delight, and turned to Ila in search of her approval and pleasure. But her face bore an expression that amazed and frightened me, an expression of utter horror I had never seen before. Her lips moved soundlessly, and her eyes, always feverish, burned brighter than ever. And then she screamed. God help me, she screamed as if the devil were in the room, bringing up her hands to clutch at her hair. In the nursery next door, little Fitz set up a sympathetic wail, and I saw Mac's metal body shiver as if in reaction to the sound.
I tried to calm her, but she was lost in hysteria. Eventually her sobs stopped, but then she fell back upon the pillow with such exhaustion that I became concerned and telephoned for medical help. Dr. Foster arrived half an hour later and shut me out of the bedroom. When he finally emerged, he mumbled something about shock, and prescribed rest and tranquilizing drugs.
I went into Ila's room a few minutes ago. Her eyes were closed and her breathing was shallow. I spoke to her, but she merely lifted her hand and said nothing. My poor Ila! Why must she face so much misery, while I experience such joy and satisfaction in my work?
Jan. 1, 1998. It has been almost two months since I last touched this journal, but I must take strength in this New Year and continue. It has been hard for me to work at all; there has been too much bitterness in my mind and unhappiness in my heart since Ila's death.
As I write these words, little Fitz is sleeping peacefully in his crib, watched over by his new nursemaid, Annette. But Mac, who needs no sleep, is sitting in the study chair beside my desk, watching me through the expressionless eyes I have placed in his silver skull. Yet, blank as they are, somehow I sense emotion in those eyes as he watches me. Somehow, I feel my robot creation knows the torment I suffer, and knows the void in our home since Ila's death. Does he miss her, too? It is so difficult to tell. Even with Fitz, my human child, it is hard to recognize the signs of sorrow he must be feeling.
During these past weeks, I began to believe that my experiment was all a conceit. But now I realize it was only grief that brought such thoughts; I must continue. Already, I believe Mac thinks of Fitz as his brother, and I know that someday Fitz will reciprocate. There will be much to learn from both of them. I cannot fail my mission now. I will go on.
July 25, 2002. Today, my family and I began life in new surroundings, and as difficult as the transplantation has been, I am glad now that we made the move. It had become too much of a burden to face the curiosity and gibes of the neighborhood; we have attracted too much attention. For this reason, I have purchased this small home in the exurbs of the city, just outside the town of Fremont.
Both my children seem happy in their new country residence. They are playing together now on the green grass that grows untamed behind the house; I will have to trim and weed it, like a truly domesticated homeowner. I think I shall enjoy the sensation.
Despite our problems, my joy is great as I watch the human and mechanical beings outside my window, laughing and romping together as if the differences between them had no existence. In one respect, my experiment is already successful. In the eyes of Fitz, my human boy, and Mac, my inhuman invention, they are truly brothers. Fitz, at the age of five, is a sturdy, red-cheeked boy with dark eyes and a smile that easily becomes a laugh. There is a great deal of warmth in him; he is open and frank with people; and with his metallic brother.
As for Mac, of course, he is the same as ever; the same polished silvery body, encased in the simple tunic I have made to cover his metallic nakedness. They are almost the same height, but Fitz is a bit taller, and growing each day. Before long, it will be time to reconstruct my robot child's body again.
I have presented my first full-length paper on the experiment to the National Robotics Society. I must admit that I eagerly await their acceptance and publication.
Sept. 3, 2003. This morning, I opened my door upon a matronly woman whose pleasantries concealed an icy attitude towards myself and my family. She introduced herself as Mrs. Margotson, chairwoman of the local school board.
It was some time before Mrs. Margotson revealed the true purpose of her visit, which was to expose the board's reluctance to accept the enrollment of Mac, my robot child.
"You understand, of course," she told me, "that there is no question concerning your son. But the idea of this machine entering our school is perfectly absurd."
I had written a lengthy letter which explained my experiment in detail, but it had made little impression upon the authorities. She kept referring to "that metal thing" and "that machine" and her lip curled in disgust. I wasn't too upset by her attitude; I rather expected it.
"I understand," I told her. "To be honest, I did not expect approval, but I felt it my duty to make the application. However, since the board refuses, I shall not enter either child. I will tutor them both at home."
Mrs. Margotson looked shocked. "Are you serious about this experiment, Dr. Keeley?"
"Certainly. They are brothers, you know."
"Really!"
Both Fitz and Mac were delighted with my plans for their education; it seemed that neither one was keen on the idea of entering the local school. I didn't find out exactly why until late that afternoon.
The reason became apparent when Mac and Fitz returned from some mysterious outing. There was a vacancy in Fitz's mouth where a tooth had been recently and forcibly removed. There was a faint bruise on his cheek, and a hole in the knee of his trousers. I was disturbed by this evidence of a brawl, but was even more shocked and surprised to see a large dent in Mac's silvery forehead. I knew he felt no physical pain, but it was startling.
"What happened?" I said.
Fitz, always the spokesman, shrugged his shoulders.
"Just a fight," he said glumly.
"What do you mean, just a fight? Who with? What about?"
"Some-kids. Kids from the school."
"How many kids?"
"Five or six," Fitz said. "They threw things. Rocks."
I was appalled, and now I knew what had caused the dent. I don't know why I should have been surprised at the tale of violence. I had learned before, in our old city neighborhood, that my robot child was a natural target for the cruel taunts and unthinking violence of children.
I treated Fitz's wounds, and then drew Mac aside. "What happened?" I asked gently. "Fitz told you. We had a fight."
"I want to hear your version. Were they making fun of you, Mac? Is that it?"
"Yes."
"How did you feel about it?" I asked the question eagerly; it was important to me to learn the emotional responses of my creation.
Mac didn't answer for a while, his face a silver mask.
"Did you feel hurt, angry? Did you want to strike back?
I've told you this often, Mac-you must never strike a human. They're soft, you know, not hard like you. Did you want to hurt them, Mac?" Instinctively, I reached for pencil and paper to record his reactions.
"Yes," he said.
My heart leaped. My robot child had felt anger!
"But you didn't?"
"No."
"Why, Mac? Because you realized you were strong and they were weak? Because they felt pain and you didn't?"
"No!" He was almost defiant.
"What, then?"
"Because I am little," he whispered.
The reply disturbed me. I hadn't yet gotten around to performing the mechanical surgery that would give Machine his new body. He was several inches shorter than his brother, shorter than most boys his age.
Patiently, I explained to him again the rules of conduct I expected of him, rules that could never be broken. There must be no harm to humans; it was the cardinal rule of our code.
"Do you understand that, Mac? Truly understand it?"
"Yes," he answered, his blank eyes on the floor. I sighed.
"All right, then. I will make you bigger, Mac. I will build a new body."
April 23, 2008. It feels good to be recognized, I must admit it. The award conferred upon me by the National Robotics Society yesterday has meant a great deal to me. It has made a difference in the attitude of my neighbors; they no longer think of me as a half-mad creator of monsters, a new Frankenstein. And the monetary grant, while not enormous, will permit me to expand my laboratory facilities. It has come at an opportune time; I have been blueprinting a greatly improved physical housing for Mac, one which will permit his metal body greater flexibility and digital dexterity. I think, too, that I can create a superior sound system for him now, which will overcome the flat, metallic voice of my robot child.
Both Mac and Fitz are not overly impressed by my sudden fame. But I believe Mac is secretly excited by my promise to build him a better body. He has become acutely aware of his appearance; I have caught him gazing (with what emotion, I cannot say) into the mirrors of the house, standing before them with a stillness that only a robot can maintain. I have questioned him at length about his feelings, but have learned little. I must be sure to keep close to his emotional growth.
But if I have a real source of happiness now, it is my son Fitz. He has become a fine handsome boy, of such good humor and intelligence that he is extremely popular with all the residents of the town-and the power of his engaging personality has created an acceptance for Mac, his robot brother, that all my elaborate scientific titles couldn't have attained. He is still fiercely loyal to Mac, but I already detect signs of independence. These do not worry me; they would be natural even among human brothers. Fitz is discovering that he is an individual; it's a process of life.
But I wonder-will Mac feel the same way?
Jan. 4, 2012. There has been a quarrel, and it has taken me several days to learn the true details. I have never been disturbed about quarrels between Fitz and Mac; they have had surprisingly few for brothers. But for the first time, I sensed that the quarrel concerned the differences between them.
It began last week, when a boy of their age, Philip, a hostile surly youth, involved Fitz in a fight.
Philip is the son of a divorced woman in the town, named Mrs. Stanton. She is a strange, brooding woman, with a terrible resentment against her ex-husband. I am afraid some of the resentment has been passed on to her son, Philip, and that he is an unhappy youngster. For the last two months, Fitz has been a frequent visitor to their home, and Mrs. Stanton has displayed great fondness for him. Philip, of course, doesn't like this affection, this stolen love, and has developed a strong animosity towards Fitz. One day, it turned into violence.
Philip is big for his fifteen years, a tall boy, well over six feet, and well muscled. When he stopped Fitz and Mac on the street that morning, it was immediately apparent that he was seeking trouble. Fitz is not afraid of him, I know that; but Fitz tries to laugh trouble away. But the boy was in no mood to be put off with a smile. He lashed out and knocked Fitz down. When he got to his feet, Philip knocked him down again, and then leaped atop him.
I don't know what outcome the fight would have had if Fitz had been allowed to finish it. But he didn't have the chance. Mac, who was standing by, watching the altercation in his blank manner, suddenly threw himself upon his brother's assailant and pulled him away as easily as if Philip had been an infant. He lifted him into the air with his superhuman strength and merely held him there. He didn't hurt Philip, he traded no blows; he simply held him, helpless, in the air, while the boy kicked and screamed his frustration and anger. Fitz shouted at his brother to release him, and eventually Mac did. Philip didn't resume the attack; he was frightened by the easy, unconquerable strength in Mac's metal arms. He turned and ran, shouting threats and ugly names over his shoulder.
Of course, I know Mac's intent was good. He was protecting his brother, and wasn't violating the code of conduct. But I can also understand Fitz's emotion. He didn't feel grateful for Mac's help, only resentful. He turned upon the robot and reviled him, called him terrible names I never knew were in his vocabulary. He told Mac that he didn't want protection, that he could fight his own battles, that he didn't require Mac's metal strength to keep him from harm. He said a great deal more, and it is well that Mac is not more sensitive than he is.
There is a strain between them now. For the last few days, Fitz has been leaving the house without Mac's company. Mac, fortunately, doesn't seem injured by his behavior. He sits, blank-faced as ever, in his room. He reads or listens to his phonograph. Sometimes, he gets up and stares into the mirror, for interminable periods.
Oct. 15, 2016. It is extraordinary, the speed with which Mac has learned his lessons. For the past year, I have been teaching him the secrets of his own construction, and how he himself could repair or improve all or part of his artificial body. He has been spending five or six hours each day in my laboratory workshop, and now I believe he is as skilled as-or perhaps more skilled than-I am myself. It will not be long before he blueprints and builds his own new body. No, not blueprint. I cannot allow him to design the plans, not yet. The Face episode proved that.
It began last Friday evening, when Fitz left the house to take Karen to the movies. As usual, Mac seemed lost without his brother, and sat quietly in his room. About midnight, he must have heard the sound of my typewriter in the study, because he came to the doorway. I invited him in and we chatted. He was curious about certain things, and asking a great number of questions about Karen. Not sex questions, particularly; Mac is as well read as any adult, and knows a good deal about human biology and human passions (I wonder sometimes what his opinion is of it all!) But he was interested in learning more about Fitz and Karen, about the nature of their relationship, the special kind of fondness Fitz seemed to display towards the girl.
I don't believe I was helpful in my answers. Half an hour later, the front door opened and Fitz entered, bearing Karen on his arm.
Karen is a lovely young girl, with an enchanting smile and delightful face. And, if I am not mistaken, very fond of Fitz. She greeted me warmly, but I think she was surprised to see Mac; ordinarily, he kept to his room on Fitz's date nights. Mac responded to her greeting with a muffled noise in his sound system, and retreated upstairs.
I didn't see Mac the next morning, or even the next afternoon. He seemed to have spent the entire day in the workshop. We were at dinner when Fitz and I saw him first, and when we did, we gasped in surprise.
Something had happened to Mac's face, and I knew it was the result of his efforts in the workshop. Instead of the smooth, sculptured mask I had created for him, there was a crudely shaped human face looking at us, a mockery of a human face, with a badly carved nose and cheeks and lips, tinged grotesquely with the colors of the human complexion.
Our first reaction was shock, and then, explosively, laughter. When we were calm again, Mac asked us for an explanation of our outburst, and I told him, as gently as possible, that his attempts to humanize himself were far from successful. He went to a mirror and stared for a long while; then he turned without a word and went back to the laboratory. When we saw him again the next morning, he was the old Mac again. I admit I was relieved.
Oct. 9, 2020. How lost Mac seems without Fitz! Since his brother's marriage last month, he stalks about the house, lumbering like the robot child of old, clanking as if he still possessed the clumsy metal body of his infancy and adolescence. I have been trying to keep him busy in the laboratory, but I think he knows that I am indulging him rather than truly using his abilities. Not that I don't value his skill. At his young age, my robot son is as skilled a robotics engineer as any man in the country. If only the nation's robotics companies would recognize that, and overlook the fact that his ability stems from a nonhuman brain!
I have now written or personally contacted some seventeen major engineering concerns, and each of them, while polite, has turned down my suggestion. This morning, a letter arrived from the Alpha Robotics Corporation that typifies their answers. We are certain that your description of the applicant's engineering abilities is accurate. However, our company has certain personnel standards which must be met. We will keep the application on file…
There is mockery in their answer, of course. The very idea of a robot employed in the science of robotics is laughable to them. They cannot really believe that I have raised Mac as a human child would be raised, and that he is anything more than an insensitive piece of mechanism. But if any proof were needed, Mac's present state would serve-the way he is pining for his absent brother, forlorn and lonely and unhappy. I wish I could help him, but I cannot find the key to his emotions.
But there is some joy in my life today. Fitz writes me from New York that he has been accepted into a large manufacturing concern that produces small and large electrical appliances. He will become, according to his letter, a "junior executive," and he is already certain that his rise to the presidency is merely a matter of time. I chuckled as I read his letter, but if I know Fitz, there is earnestness behind his humor. My son knows what he wants from this world, and the world is duty-bound to deliver it.
November 19, 2024. I am frantic with worry, even now that I know Mac is safe. His disappearance from the house three days ago caused me endless consternation, and I was afraid that his lonely life had led him into some tragedy. But yesterday, I received this letter from Fitz: Dear Dad,
Don't worry about Mac, he's with me. He showed up at the apartment last night, in pretty bad shape. He must have been knocking around a bit; I'd guess he practically walked all the way into New York. He looked battered and bruised and rather frightening when I answered the door; Karen screamed and almost fainted at the sight of him. I guess she had almost forgotten about my robot brother in the past few years. I hope he wasn't too upset at her reaction; but you know how hard it is to know what Mac is thinking.
Anyway, I took him in and got him to tell me the story. It seems he was just plain lonely and wanted to see me; that was his reason for running off that way. I calmed him down as best I could and suggested he stay a day or two. I think he wanted more than that, but, Dad, you know how impossible that is. There isn't a soul here who even knows about Mac's existence, and he can be awfully hard to explain. This is a bad time for me to get mixed up in anything peculiar; as I've written you, the firm is considering me for branch manager of the Cleveland office, and any publicity that doesn't cast a rosy glow on dear old GC company can do me a lot of harm. It's not that I don't want to help Mac, the old rustpot. I still think of him as a brother. But I have to be sensible…
I have just finished packing, and will take the copter into New York in the morning. I don't look forward to the trip; I have felt very fatigued lately. There is so much work to be done in my laboratory, and these personal crises are depriving me of time and energy. But I must bring Mac home, before he does any harm to my son's career.
March 10, 2026. Now at last it's been explained, the real reason for Mac's endless nights and days in the workshop. It was the Face episode all over again, but much, much worse. In the last year, Mac seems gripped by a strange passion (can there be something organically wrong with his robot's brain?), and the passion is the idea of creating a truly humanoid body for himself. But hard as he has worked, the effect he has gotten is so grotesque that it must be called horrible. Now he truly appears to be a monster, and when I expressed my distaste of what he had done, he fled from the house as if I had struck him.
This morning, I learned of his whereabouts, and learned the dreadful story of what had occurred after he left me. The local police discovered him in hiding in the deserted warehouse on Orangetree Road, and, luckily, they called headquarters before taking any drastic action. Captain Ormandy was able to prevent any harm from coming to Mac; the captain has become a friend of mine in the last two years. It was he who told me the story of Mac's escapades after he fled the house.
It will take me years to undo the harm. He has terrorized the local residents, and actually struck one man who tried to attack him with a coal shovel. This worries me; Mac had never broken this rule before. He went among the people of the town as if berserk, spreading fear and violence. I thank providence no great harm was done, and that he is safe with me again.
But now I must face the future, and it appears bleak. Captain Ormandy has just left me, and his words still buzz in my head. I cannot do what he asks; I cannot do away with this child of my own creation. But I am getting older, and very tired. My robot child has become a burden upon me, a burden I can barely sustain. What shall I do? What shall I do?
Dec. 8, 2027. It is good to have Fitz home, even if for so short a time, and even if it is my illness which brings him to my side. He looks so well! My heart swells with pride when I look at him. He is doing admirably, he has already earned a vice-presidency in the company that employs him, and he talks as if the future belongs to him. But more than anything, it is wonderful to be able to talk over my problem with him, to have him here to help me make the decision that must be made.
Last night, we sat in the study and discussed it for hours. I told him everything, about Mac's ever-increasing melancholy, about his untrustworthy behavior. I have told him about the proposition presented to me by the National Robotics Society, their offer to provide care for Mac. It is not the first time they have made this offer; but now the idea is far more appealing.
It was a strain for us both to discuss the matter. Fitz still feels brotherly towards Mac. But he is sensible about it, too; he recognizes the facts. He knows my health problem, he knows what a responsibility Mac is for me. And he, too, knows that Mac would be better off as a charge of the society. They would understand him. They would take good care of him.
My head is whirling. Fitz did not summarize his recommendation in so many words, and yet I know what he thinks I must do.
Feb. 5, 2027. I am locked out of my own laboratory. My robot child has taken possession, and works without ceasing. Around the clock he works; I hear the machinery grinding and roaring every minute of the day and night. He knows what will happen tomorrow, of course, that they will be coming for him from the society. What is he doing? What madness possesses him now?
Feb. 6, 2027. It is allover now, and the quiet, which fills the house lies heavily, as if entombed. In twenty-four hours, I have become the focal point of the world's horrified attention. For I am the father of the Thing which destroyed our town, the terrible metal monster that rampaged and pillaged and killed, in an orgy of insane destruction…
But I must be factual, for this, the last page of my journal. Today, the thirtieth anniversary of his creation, Mac, my robot child, awaited the coming of his new captors with a body build for destruction. A monstrous, grotesque, sixty-foot body, engineered for violence and death. This had been his labor for the last two months. If the world would not accept him as human, then he would be truly a robot, the ancient robot of human nightmares, the destroying metal god who shows no mercy to human flesh.
I try to strike the pictures from my mind, but they are engraved there. I can see the terror on the faces of the scientists who came from the Robotics Society to claim their prize-I can hear their shrieks as he crushed the life from their bodies. I can see him stalking towards the town with his grim intent clear in every movement-to destroy all, everything, heedlessly. I can see him attacking, smashing, killing-
And then, I see the horror end. I see Captain Ormandy, moving swiftly with all the cunning of his strong young body, to fasten the cable about Mac's towering legs. I see him running headlong to the cave where the deadly black box had been planted. I see his hands on the plunger, and the mighty fire that springs from earth to sky, carrying Mac's destruction in its flames…
Fitz was the last to leave me here tonight. We have talked a long time about Mac, and now that we have talked, I know the truth.
It was I who destroyed my robot child, and I who am responsible for the chaos his anger caused. I destroyed him; not today, but long ago, when he first came into being in my laboratory, For out of my science I created this life, his brother, this son, and I gave him everything. But how could I have forgotten the most important thing? I forgot to love him…