Innkeeper's Song

LAL

For one moment—no longer than the instant it takes for me to yank Nyateneri’s head back by the hair, hard, and stare through the shivering dark into that strange, familiar face above me—for that moment I am Lal-Alone again, cold and empty and ready to kill. Not because the woman in bed with me has turned out to be a man, but because the man has deceived me, and I cannot, cannot, allow myself to be deceived—day or night, bed or back alley; it is the only sin I recognize. My sword-cane is propped in a corner—oh, naked, foolish Lal!—but my fingers have crooked and bunched themselves for a slash that will crumple Nyateneri’s windpipe, when the soft cry comes: “He taught me, the Man Who Laughs!” And I let both hands drop, and Nyateneri laughs himself, herself, and kisses me like a blow and moves slowly in me. And I scream.

Something is happening in the dovecote overhead: vaguely protesting burbles, fretful noises as though the birds were jumping on and off their perches. What can the drovers, the sailor, the holy couple imagine must be going on in here? What would that sly fat man think if he crept up the stairs, flung open the door and saw us now, this minute, tumbling over each other like a moonlight circus, all naked rope-dancers and slippery beasts? What would I think, if Lukassa’s mouth and throat were not a sweet curtain across my mind, if I were not suddenly, suddenly about to do my own dance, Lal’s dance, up there, high up there in the night-blooming night, up there above the pigeons, Lal’s dance on no rope at all, nothing under me but the love of three strangers, who will not let me fall?