I was once asked what one-word description of a book would most likely cause me to read it. Without a blink, I answered, “Haunting.” Why? Because I have found to my surprise that although people will often describe a book as “great,” they will, upon further questioning, be wholly unable to recall a single line or scene or even the basic plot of a book that, though evidently “great,” proved to be not in the least memorable. It is just the opposite with Poe, whose greatness, it seems to me, resides in the fact that his readers actually remember him. In poem after poem and story after story, we remember Poe. We remember that “when I was a child and she was a child,” these two children lived “in a kingdom by the sea.” We remember the Raven’s bleak warning that in the end everything dissolves into the oblivion of “Nevermore.” We remember the beating of a tell-tale heart and “the moaning and the groaning” of the bells. To remember a writer in this way is to be haunted by him, to have his words and scenes and characters forever alive in your mind. That is what true literary greatness is, and it is a greatness that was Poe’s.
Thomas H. Cook is arguably America ’s shortest male crime writer. Utterly lacking in tough-guy characteristics, he remains the mystery world’s most consistent no-show at sporting events, car races, horse races, and urban marathons. He has never painted his face in anticipation of the Super Bowl and is allergic to beer. His only experience with law enforcement was being pulled over for speeding, at which time he was given only a warning. As a boy, he wanted to be a great writer; then he read some great writers and decided he was nowhere near that good. Since then, he has churned out more than twenty novels and a smattering of nonfiction. He likes writing short stories because they’re short, and he does not like writing long books because they’re long. He has never read Remembrance of Things Past, though on the street he is often mistaken for Marcel Proust.
Hear the sledges with the bells-
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.
Hear the mellow wedding bells-
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!-
From the molten-golden notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells
What a gush of euphony voluminously wells! How it swells!
How it dwells
On the Future!-how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells-
Of the bells, bells, bells, bells,
Bells, bells, bells-
To the rhyming and the chiming of the bells!
Hear the loud alarum bells-
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now-now to sit, or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells-
Of the bells,-
Of the bells, bells, bells, bells,
Bells, bells, bells-
In the clamor and the clangor of the bells!
Hear the tolling of the bells-
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people-ah, the people-
They that dwell up in the steeple,
All alone,
And who tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone-
They are neither man nor woman-
They are neither brute nor human-
They are Ghouls:-
And their king it is who tolls:-
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells-
Of the bells:-
Keeping time, time, time,
In a sort of Runic rhyme,
To the throbbing of the bells-
Of the bells, bells, bells-
To the sobbing of the bells;
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells,
Of the bells, bells, bells:-
To the tolling of the bells-
Of the bells, bells, bells, bells,
Bells, bells, bells-
To the moaning and the groaning of the bells .