BUG HOUSE Lisa Tattle

The house was a wreck, resting like some storm-shattered ship on a weedy headland overlooking the ocean. Ellen felt her heart sink at the sight of it.

"This it?" asked the taxi driver dubiously, squinting through his windshield and slowing the car.

"It must be," Ellen said without conviction. She couldn't believe her aunt — or anyone else — lived in this house.

The house had been built, after the local custom, out of wood, and then set upon cement blocks that raised it three or four feet off the ground. But floods seemed far less dangerous to the house now than the winds, or simply time. The house was crumbling on its blocks. The boards were weatherbeaten and scabbed with flecks of ancient grey paint. Uncurtained windows glared blankly, and one shutter hung at a crazy angle. Between the boards of the sagging, second-story balcony, Ellen could see daylight.

"I'll wait for you," the driver said, pulling up at the end of an overgrown driveway. "In case there's nobody here."

"Thanks," Ellen said, getting out of the back seat and tugging her suitcase after her. She counted the fare out into his hand and glanced up at the house. No sign of life. Her shoulders slumped. "Just wait to be sure someone answers the door," she told the driver.

Trudging up the broken cement path to the front door, Ellen was startled by a glimpse of something moving beneath the house. She stopped short and peered ahead at the dark space. Had it been a dog? A child playing? Something large and dark, moving quickly — but it was gone now or in hiding. Behind her, Ellen could hear the taxi idling. For a brief moment she considered going back. Back to Danny. Back to all their problems. Back to his lies and promises.

She walked forward again, and when she reached the porch she set her knuckles against the warped, grey door and rapped sharply, twice.

An old, old woman, stick-thin and obviously ailing, opened the door. Ellen and the woman gazed at each other in silence.

"Aunt May?"

The old woman's eyes cleared with recognition, and she nodded slightly. "Ellen, of course!"

But when had her aunt grown so old?

"Come in, dear." The old woman stretched out a parchment claw. At her back, Ellen felt the wind. The house creaked, and for a moment Ellen thought she felt the porch floor give beneath her feet. She stumbled forward, into the house. The old woman — her aunt, she reminded herself — closed the door behind her.

"Surely you don't live here all alone," Ellen began. "If I'd known — if Dad had known — we would have…"

"If I'd needed help I would've asked for it," Aunt May said with a sharpness that reminded Ellen of her father.

"But this house," Ellen said. "It's too much for one person. It looks like it might fall down at any minute, and if something should happen to you here, all alone…"

The old woman laughed, a dry, papery rustle. "Nonsense. This house will outlast me. And appearances can be deceiving. Look around you — I'm quite cozy here."

Ellen saw the hall for the first time. A wide, high-ceilinged room with a brass chandelier and a rich oriental carpet. The walls were painted cream, and the grand staircase looked in no danger of collapse.

"It does look a lot better inside," Ellen said. "It looked deserted from the road. The taxi driver couldn't believe anyone lived here."

"The inside is all that matters to me," said the old woman. "I have let it all go rather badly. The house is honeycombed with dry rot and eaten by insects, but even so it's in nowhere near as bad shape as I am. It will still be standing when I'm underground, and that's enough for me."

"But, Aunt May…" Ellen took hold of her aunt's bony shoulders. "Don't talk like that. You're not dying."

That laugh again. "My dear, look at me. I am. I'm long past saving. I'm all eaten up inside. There's barely enough of me left to welcome you here."

Ellen looked into her aunt's eyes, and what she saw there made her vision blur with tears.

"But doctors…"

"Doctors don't know everything. There comes a time, my dear, for everyone. A time to leave this life for another one. Let's go in and sit down. Would you like some lunch? You must be hungry after that long trip."

Feeling dazed, Ellen followed her aunt into the kitchen, a narrow room decorated in greens and gold. She sat at the table and stared at the wallpaper, a pattern offish and frying pans.

Her aunt was dying. It was totally unexpected. Her father's older sister — but only eight years older, Ellen remembered. And her father was a vigorously healthy man, a man still in the prime of life. She looked at her aunt, saw her moving with painful slowness from cupboard to counter to shelf, preparing a lunch.

Ellen rose. "Let me do it, Aunt May."

"No, no, dear. I know where everything is, you see. You don't. I can still get around all right."

"Does Dad know about you? When was the last time you saw him?"

"Oh, dear me, I didn't want to burden him with my problems. We haven't been close for years, you know. I suppose I last saw him — why, it was at your wedding, dear."

Ellen remembered. That had been the last time she had seen Aunt May. She could hardly believe that woman and the one speaking to her now were the same. What had happened to age her so in only three years?

May set a plate on the table before Ellen. A pile of tuna and mayonnaise was surrounded by sesame crackers.

"I don't keep much fresh food on hand," she said. "Mostly canned goods. I find it difficult to get out shopping much anymore, but then I haven't much appetite lately, either. So it doesn't much matter what I eat. Would you like some coffee? Or tea?"

"Tea, please. Aunt May, shouldn't you be in a hospital? Where someone would care for you?"

"I can care for myself right here."

"I'm sure Dad and Mom would love to have you visit…"

May shook her head firmly.

"In a hospital they might be able to find a cure."

"There's no cure for dying except death, Ellen."

The kettle began to whistle, and May poured boiling water over a teabag in a cup.

Ellen leaned back in her chair, resting the right side of her head against the wall. She could hear a tiny, persistent crunching sound from within the wall — termites?

"Sugar in your tea?"

"Please," Ellen responded automatically. She had not touched her food, and felt no desire for anything to eat or drink.

"Oh, dear," sighed Aunt May. "I'm afraid you'll just have to drink it plain. It must have been a very long time since I used this — there are more ants here than sugar grains."

Ellen watched her aunt drop the whole canister into the garbage can.

"Aunt May, is money a problem? I mean, if you're staying here because you can't afford —»

"Bless you, no." May sat down at the table beside her niece. "I have some investments and enough money in the bank for my own needs. And this house is my own, too. I bought it when Victor retired, but he didn't stay long enough to help me enjoy it."

In a sudden rush of sympathy, Ellen leaned over and would have taken her frail aunt in her arms, but May fluttered her hand in a go-away motion, and Ellen drew back.

"With Victor dead, some of the joy went out of fixing it up. Which is why it still looks much the same old wreck it was when I bought it. This property was a real steal, because nobody wanted the house. Nobody but me and Victor." May cocked her head suddenly and smiled. "And maybe you? What would you say if I left this house to you when I die?"

"Aunt May, please don't —»

"Nonsense. Who better? Unless you can't stand the sight of it, but I'm telling you the property is worth something at least. If the house is too far gone with bugs and rot you can pull it down and put up something you and Danny like better."

"It's very generous of you, Aunt May. I just don't like to hear you talk about dying."

"No? It doesn't bother me. But if it disturbs you, then we'll say no more about it. Shall I show you your room?"

Leading the way slowly up the stairs, leaning heavily on the banister and pausing often in her climb, May explained, "I don't go upstairs anymore. I moved my bedroom downstairs because the climb was too much trouble."

The second floor smelled strongly of sea-damp and mold.

"This room has a nice view of the sea," May said. "I thought you might like it." She paused in the doorway, gesturing to Ellen to follow. "There are clean linens in the hall closet."

Ellen looked into the room. It was sparely furnished with bed, dressing table and straight-backed chair. The walls were an institutional green and without decoration. The mattress was bare, and there were no curtains at the french doors.

"Don't go out on the balcony — I'm afraid parts of it have quite rotted away," May cautioned.

"I noticed," Ellen said.

"Well, some parts go first, you know. I'll leave you alone now, dear. I'm feeling a bit tired myself. Why don't we both just nap until dinner time?"

Ellen looked at her aunt and felt her heart twist with sorrow at the weariness on that pale, wrinkled face. The small exertion of climbing upstairs had told on her. Her arms trembled slightly, and she looked grey with weariness.

Ellen hugged her. "Oh, Aunt May," she said softly. "I'm going to be a help to you, I promise. You just take it easy. I'll look after you."

May pulled away from her niece's arms, nodding. "Yes, dear, it's very nice to have you here. We welcome you." She turned and walked away down the hall.

Alone, Ellen suddenly realized her own exhaustion. She sank down on the bare mattress and surveyed her bleak little room, her mind a jumble of problems old and new.

She had never known her Aunt May well enough to become close to her — this sudden visit was a move born of desperation. Wanting to get away from her husband for a while, wanting to punish him for a recently discovered infidelity, she had cast about for a place she could escape to — a place she could afford, and a place where Danny would not be able to find her. Aunt May's lonely house on the coast had seemed the best possibility for a week's hiding. She had expected peace, boredom, regret — but she had never expected to find a dying woman. It was a whole new problem that almost cast her problems with Danny into insignificance.

Suddenly she felt very lonely. She wished Danny were with her, to comfort her. She wished she had not sworn to herself not to call him for at least a week.

But she would call her father, she decided. Should she warn him against telling Danny? She wasn't sure — she hated letting her parents know her marriage was in trouble. Still, if Danny tried to find her by calling them, they would know something was wrong.

She'd call her father tonight. Definitely. He'd come out here to see his sister — he'd take charge, get her to a hospital, find a doctor with a miracle cure. She was certain of it.

But right now she was suddenly, paralyzingly tired. She stretched out on the bare mattress. She would get the sheets and make it up properly later, but right now she would just close her eyes, just close her eyes and rest for a moment…

It was dark when Ellen woke, and she was hungry.

She sat on the edge of the bed, feeling stiff and disoriented. The room was chilly and smelled of mildew. She wondered how long she had slept.

Nothing happened when she hit the light switch on the wall. So she groped her way out of the room and along the dark hall towards the dimly perceived stairs. The steps creaked loudly beneath her feet. She could see a light at the bottom of the stairs, from the kitchen.

"Aunt May?"

The kitchen was empty, except for the light of a fluorescent tube above the stove. Ellen had the feeling that she was not alone. Someone was watching. Yet when she turned, there was nothing behind her but the undisturbed darkness of the hall.

She listened for a moment to the creakings and moanings of the old house, and to the muffled sounds of sea and wind from outside. No human sound in all of that, yet the feeling persisted that if she listened hard enough, she would catch a voice…

She could make out another dim light from the other end of the hall, behind the stairs, and she walked toward it. Her shoes clacked loudly on the bare wooden floor of the back hall.

It was a night-light that had attracted her attention, and near it she saw that a door stood ajar. She reached out and pushed it further open. She heard May's voice, and she stepped into the room.

"I can't feel my legs at all," May said. "No pain in them, no feeling at all. But they still work for me, somehow. I was afraid that once the feeling went they'd be useless to me. But it's not like that at all. But you knew that; you told me it would be like this." She coughed, and there was the sound in the dark room of a bed creaking. "Come here, there's room."

"Aunt May?"

Silence — Ellen could not even hear her aunt breathing. Finally May said, "Ellen? Is that you?"

"Yes, of course. Who did you think it was?"

"What? Oh, I expect I was dreaming." The bed creaked again.

"What was that you were saying about your legs?"

More creaking sounds. "Hmmm? What's that, dear?" The voice of a sleeper struggling to stay awake.

"Never mind," Ellen said. "I didn't realize you'd gone to bed. I'll talk to you in the morning. Good night."

"Good night, dear."

Ellen backed out of the dark, stifling bedroom, feeling confused.

Aunt May must have been talking in her sleep. Or perhaps, sick and confused, she was hallucinating. But it made no sense to think — as Ellen, despite herself, was thinking — that Aunt May had been awake and had mistaken Ellen for someone else, someone she expected a visit from, someone else in the house.

The sound of footsteps on the stairs, not far above her head, sent Ellen running forward. But the stairs were dark and empty, and straining her eyes towards the top, Ellen could see nothing. The sound must have been just another product of this dying house, she thought.

Frowning, unsatisfied with her own explanation, Ellen went back into the kitchen. She found the pantry well stocked with canned goods and made herself some soup. It was while she was eating it that she heard the footsteps again — this time seemingly from the room above her head.

Ellen stared up at the ceiling. If someone was really walking around up there, he was making no attempt to be cautious. But she couldn't believe that the sound was anything but footsteps: someone was upstairs.

Ellen set her spoon down, feeling cold. The weighty creaking continued.

Suddenly the sounds overhead stopped. The silence was unnerving, giving Ellen a vision of a man crouched down, his head pressed against the floor as he listened for some response from her.

Ellen stood up, rewarding her listener with the sound of a chair scraping across the floor. She went to the cabinet on the wall beside the telephone — and there, on a shelf with the phone book, Band-Aids and lightbulbs was a flashlight, just as in her father's house.

The flashlight worked, and the steady beam of light cheered her. Remembering the darkness of her room, Ellen also took a lightbulb before closing the cabinet and starting upstairs.

Opening each door as she came to it, Ellen found a series of unfurnished rooms, bathrooms and closets. She heard no more footsteps and found no sign of anyone or anything that could have made them. Gradually the tension drained out of her, and she returned to her own room after taking some sheets from the linen closet.

After installing the lightbulb and finding that it worked, Ellen closed the door and turned to make up the bed. Something on the pillow drew her attention: examining it more closely, she saw that it seemed to be a small pile of sawdust. Looking up the wall, she saw that a strip of wooden molding was riddled with tiny holes, leaking the dust. She wrinkled her nose in distaste: termites. She shook the pillow vigorously and stuffed it into a case, resolving to call her father first thing in the morning. May could not go on living in a place like this.

Sun streaming through the uncurtained window woke her early. She drifted towards consciousness to the cries of seagulls and the all-pervasive smell of the sea.

She got up, shivering from the dampness which seemed to have crept into her bones, and dressed quickly. She found her aunt in the kitchen, sitting at the table and sipping a cup of tea.

"There's hot water on the stove," May said by way of greeting.

Ellen poured herself a cup of tea and joined her aunt at the table.

"I've ordered some groceries," May said. "They should be here soon, and we can have toast and eggs for breakfast."

Ellen looked at her aunt and saw that a dying woman shared the room with her. In the face of that solemn, inarguable fact, she could think of nothing to say. So they sat in a silence broken only by the sipping of tea, until the doorbell rang.

"Would you let him in, dear?" May asked.

"Shall I pay him?"

"Oh, no, he doesn't ask for that. Just let him in."

Wondering, Ellen opened the door on a strongly built young man holding a brown paper grocery bag in his arms. She put out her arms rather hesitantly to receive it, but he ignored her and walked into the house. He set the bag down in the kitchen and began to unload it. Ellen stood in the doorway watching, noticing that he knew where everything went.

He said nothing to May, who seemed scarcely aware of his presence, but when everything had been put away, he sat down at the table in Ellen's place. He tilted his head on one side and eyed her. "You must be the niece," he said.

Ellen said nothing. She didn't like the way he looked at her. His dark, nearly black eyes seemed to be without pupils — hard eyes, without depths. And he ran those eyes up and down her body, judging her. He smiled now at her silence and turned to May. "A quiet one," he said.

May stood up, holding her empty cup.

"Let me," Ellen said quickly, stepping forward. May handed her the cup and sat down again, still without acknowledging the young man's presence. "Would you like some breakfast?" Ellen asked.

May shook her head. "You eat what you like, dear. I don't feel much like eating… there doesn't seem to be much point."

"Oh, Aunt May, you really should have something."

"A piece of toast, then."

"I'd like some eggs," said the stranger. He stretched lazily in his chair. "I haven't had my breakfast yet."

Ellen looked at May, wanting some clue. Was this presumptuous stranger her friend? A hired man? She didn't want to be rude to him if May didn't wish it. But May was looking into the middle distance, indifferent.

Ellen looked at the man. "Are you waiting to be paid for the groceries?"

The stranger smiled, a hard smile that revealed a set of even teeth. "I bring food to your aunt as a favor. So she won't have to go to the trouble of getting it for herself, in her condition."

Ellen stared at him a moment longer, waiting in vain for a sign from her aunt, and then turned her back on them and went to the stove. She wondered why this man was helping her aunt — was she really not paying him? He didn't strike her as the sort for disinterested favors.

"Now that I'm here," Ellen said, getting eggs and butter out of the refrigerator, "you don't have to worry about my aunt. I can run errands for her."

"I'll have two fried eggs," he said. "I like the yolks runny."

Ellen glared at him, but realized he wasn't likely to leave just because she refused to cook his eggs — he'd probably cook them himself. And he had bought the food.

But — her small revenge — she overcooked the eggs and gave him the slightly scorched piece of toast.

When she sat down she looked at him challengingly. "I'm Ellen Morrow," she said.

He hesitated, then drawled, "You can call me Peter."

"Thanks a lot," she said sarcastically. He smiled his unpleasant smile again, and Ellen felt him watching her as she ate. As soon as she could she excused herself, telling her aunt she was going to call her father.

That drew the first response of the morning from May. She put out a hand, drawing it back just shy of touching Ellen. "Please don't. There's nothing he can do for me, and I don't want him charging down here for no good reason."

"But, Aunt May, you're his only sister — I have to tell him, and of course he'll want to do something for you."

"The only thing he can do for me now is to leave me alone."

Unhappily, Ellen thought that her aunt was right — still, her father must be told. In order to be able to speak freely, she left the kitchen and went back to her aunt's bedroom where she felt certain there would be an extension.

There was, and she dialed her parents' number. The ringing went on and on. She gave up, finally, and phoned her father's office. The secretary told her he'd gone fishing, and would be unreachable for at least two days. She promised to give him a message if he called, or when he returned.

So it had to wait. Ellen walked back towards the kitchen, her crepe-soled shoes making almost no sound on the floor.

She heard her aunt's voice: "You didn't come to me last night. I waited and waited. Why didn't you come?"

Ellen froze.

"You said you would stay with me," May continued. Her voice had a whining note that made Ellen uncomfortable. "You promised you would stay and look after me."

"The girl was in the house," Peter said. "I didn't know if I should."

"What does she matter? She doesn't matter. Not while I'm here, she doesn't. This is still my house and I… I belong to you, don't I? Don't I, dearest?"

Then there was a silence. As quietly as she could, Ellen hurried away and left the house.

The sea air, damp and warm though it was, was a relief after the moldering closeness of the house. But Ellen, taking in deep breaths, still felt sick.

They were lovers, her dying aunt and that awful young man.

That muscular, hard-eyed, insolent stranger was sleeping with her frail, elderly aunt. The idea shocked and revolted her, but she had no doubt of it — the brief conversation, her aunt's voice, could not have been more plain.

Ellen ran down the sandy, weedy incline towards the narrow beach, wanting to lose her knowledge. She didn't know how she could face her aunt now, how she could stay in a house where —

She heard Danny's voice, tired, contemptuous, yet still caring: "You're so naive about sex, Ellen. You think everything's black and white. You're such a child."

Ellen started to cry, thinking of Danny, wishing she had not run away from him. What would he say to her about this? That her aunt had a right to pleasure, too, and age was just another prejudice.

But what about him? Ellen wondered. What about Peter — what did he get out of it? He was using her aunt in some way, she was certain of it Perhaps he was stealing from her — she thought of all the empty rooms upstairs and wondered.

She found a piece of Kleenex in a pocket of her jeans and wiped away the tears. So much was explained by this, she thought. Now she knew why her aunt was so desperate not to leave this rotting hulk of a house, why she didn't want her brother to come.

"Hello, Ellen Morrow."

She raised her head, startled, and found him standing directly in her path, smiling his hard smile. She briefly met, then glanced away from, his dark, ungiving eyes.

"You're not very friendly," he said. "You left us so quickly. I didn't get a chance to talk to you."

She glared at him and tried to walk away, but he fell into step with her. "You shouldn't be so unfriendly," he said. "You should try to get to know me."

She stopped walking and faced him. "Why? I don't know who you are or what you're doing in my aunt's house."

"I think you have some idea. I look after your aunt. She was all alone out here before I came, with no family or friends. She was completely unprotected. You may find it shocking, but she's grateful to me now. She wouldn't approve of you trying to send me away."

"I'm here now," Ellen said. "I'm a part of her family. And her brother will come… she won't be left alone, at the mercy of strangers."

"But I'm not a stranger any more. And she doesn't want me to leave."

Ellen was silent for a moment. Then she said, "She's a sick, lonely old woman — she needs someone. But what do you get out of it? Do you think she's going to leave you her money when she dies?"

He smiled contemptuously. "Your aunt doesn't have any money. All she has is that wreck of a house — which she plans to leave to you. I give her what she needs, and she gives me what I need — which is something a lot more basic and important than money."

Afraid that she was blushing, Ellen turned and began striding across the sand, back towards the house. She could feel him keeping pace with her, but she did not acknowledge his presence.

Until he grabbed her arm — and she let out a gasp that embarrassed her as soon as she heard it. But Peter gave no sign that he had noticed. Having halted her, he directed her attention to something on the ground.

Feeling foolish but still a little frightened she let him draw her down to a crouching position. A battle had drawn his attention, a fight for survival in a small, sandy arena. A spider, pale as the sand, danced warily on pipe-cleaner legs. Circling it, chitinous body gleaming darkly in the sunlight, was a deadly black dart of a wasp.

There was something eerily fascinating in the way the tiny antagonists circled each other, feinting, freezing, drawing back and darting forward. The spider on its delicate legs seemed nervous to Ellen, while the wasp was steady and single-minded. Although she liked neither spiders nor wasps, Ellen hoped that the spider would win.

Suddenly the wasp shot forward; the spider rolled over, legs clenching and kicking like fingers from a fist, and the two seemed to wrestle for a moment.

"Ah, now she's got him," murmured Ellen's companion. Ellen saw that his face was intent, and he was absorbed by the deadly battle.

Glancing down again, she saw that the spider was lying perfectly still, while the wasp circled it warily.

"He killed him," Ellen said.

"Not he, she," Peter corrected. "And the spider isn't dead. Just paralyzed. The wasp is making sure that her sting has him completely under control before going on. She'll dig a hole and pull the spider into it, then lay her egg on his body. The spider won't be able to do a thing but lie in the home of his enemy and wait for the egg to hatch and start eating him." He smiled his unpleasant smile.

Ellen stood up.

"Of course, he can't feel a thing," Peter continued. "He's alive, but only in the most superficial sense. That paralyzing poison the wasp filled him with has effectively deadened him. A more advanced creature might torment himself with fears about the future, the inevitability of his approaching death — but this is just a spider. And what does a spider know?"

Ellen walked away, saying nothing. She expected him to follow her, but when she looked back she saw that he was still on his hands and knees, watching the wasp at her deadly work.

Once inside the house, Ellen locked the front door behind her, then went around locking the other doors and checking the windows. Although she knew it was likely that her aunt had given Peter a key to the house, she didn't want to be surprised by him again. She was locking the side door, close by her aunt's room, when the feeble voice called, "Is that you, dear?"

"It's me, Aunt May," Ellen said, wondering who that «dear» was meant for. Pity warred briefly with disgust, and then she entered the bedroom.

From the bed, her aunt gave a weak smile. "I tire so easily now," she said. "I think I may just spend the rest of the day in bed. What else is there for me to do, except wait?"

"Aunt May, I could rent a car and take you to a doctor — or maybe we could find a doctor willing to come out here."

May turned her grey head back and forth on the pillow. "No. No. There's nothing a doctor can do, no medicine in the world that can help me now."

"Something to make you feel better…"

"My dear, I feel very little. No pain at all. Don't worry about me. Please."

She looked so exhausted, Ellen thought. Almost all used up. And looking down at the small figure surrounded by bedclothes, Ellen felt her eyes fill with tears. Suddenly, she flung herself down beside the bed. "Aunt May, I don't want you to die!"

"Now, now," the old woman said softly, making no other movement. "Now, don't you fret. I felt the same way myself, once, but I've gotten over that. I've accepted what has happened, and so must you. So must you."

"No," Ellen whispered, her face pressed against the bed. She wanted to hold her aunt, but she didn't dare — the old woman's stillness seemed to forbid it. Ellen wished her aunt would put out her hand or turn her face to be kissed: she could not make the first move herself.

At last Ellen stopped crying and raised her head. She saw that her aunt had closed her eyes and was breathing slowly and peacefully, obviously asleep. Ellen stood up and backed out of the room. She longed for her father, for someone to share this sorrow with her.

She spent the rest of the day reading and wandering aimlessly through the house, thinking now of Danny and then of her aunt and the unpleasant stranger called Peter, feeling frustrated because she could do nothing. The wind began to blow again, and the old house creaked, setting her nerves on edge. Feeling trapped in the moldering carcass of the house, Ellen walked out onto the front porch. There she leaned against the railing and stared out at the grey and white ocean. Out here she enjoyed the bite of the wind, and the creaking of the balcony above her head did not bother her.

Idly, her attention turned to the wooden railing beneath her hands, and she picked at a projecting splinter with one of her fingernails. To her surprise, more than just a splinter came away beneath her fingers: some square inches of the badly painted wood fell away, revealing an interior as soft and full of holes as a sponge. The wood seemed to be trembling, and after a moment of blankness, Ellen suddenly realized that the wood was infested with termites. With a small cry of disgust, Ellen backed away, staring at the interior world she had uncovered. Then she went back into the house, locking the door behind her.

It grew dark, and Ellen began to think longingly of food and companionship. She realized she had heard nothing from her aunt's room since she had left her sleeping there that morning. After checking the kitchen to see what sort of dinner could be made, Ellen went to wake up her aunt.

The room was dark and much too quiet. An apprehension stopped Ellen in the doorway where, listening, straining her ears for some sound, she suddenly realized the meaning of the silence: May was not breathing.

Ellen turned on the light and hurried to the bed. "Aunt May, Aunt May," she said, already hopeless. She grabbed hold of one cool hand, hoping for a pulse, and laid her head against her aunt's chest, holding her own breath to listen for the heart.

There was nothing. May was dead. Ellen drew back, crouching on her knees beside the bed, her aunt's hand still held within her own. She stared at the empty face — the eyes were closed, but the mouth hung slightly open — and felt the sorrow building slowly inside her.

At first she took it for a drop of blood. Dark and shining, it appeared on May's lower lip and slipped slowly out of the corner of her mouth. Ellen stared, stupefied, as the droplet detached itself from May's lip and moved, without leaving a trace behind, down her chin.

Then Ellen saw what it was.

It was a small, shiny black bug, no larger than the nail on her little finger. And, as Ellen watched, a second tiny insect crawled slowly out onto the shelf of May's dead lip.

Ellen scrambled away from the bed, backwards, on her hands and knees. Her skin was crawling, her stomach churning, and there seemed to be a horrible smell in her nostrils. Somehow, she managed to get to her feet and out of the room without either vomiting or fainting.

In the hallway she leaned against the wall and tried to gather her thoughts.

May was dead.

Into her mind came the vision of a stream of black insects bubbling out of the dead woman's mouth.

Ellen moaned, and clamped her teeth together, and tried to think of something else. It hadn't happened. She wouldn't think about it.

But May was dead, and that had to be dealt with. Ellen's eyes filled with tears — then, suddenly impatient, she blinked them away. No time for that. Tears wouldn't do any good. She had to think. Should she call a funeral home? No, a doctor first, surely, even if she was truly past saving. A doctor would tell her what had to be done, who had to be notified.

She went into the kitchen and turned on the light, noticing as she did so how the darkness outside seemed to drop like a curtain against the window. In the cabinet near the phone she found the thin local phone book and looked up the listing for physicians. There were only a few of them. Ellen chose the first number and — hoping that a town this size had an answering service for its doctors — lifted the receiver.

There was no dial tone. Puzzled, she pressed the button and released it. Still nothing. Yet she didn't think the line was dead, because it wasn't completely silent. She could hear what might have been a gentle breathing on the other end of the line, as if someone somewhere else in the house had picked up the phone and was listening to her.

Jarred by the thought, Ellen slammed the receiver back into the cradle. There could be no one else in the house. But one of the other phones might be off the hook. She tried to remember if there were another phone upstairs, because she shrank at the thought of returning to her aunt's room without a doctor, someone in authority, to go with her.

But even if there were another phone upstairs, Ellen realized, she had not seen it or used it, and it was not likely to be causing the trouble. But the phone in her aunt's room could have been left off the hook by either her aunt or herself. She would have to go and check.

He was waiting for her in the hall.

The breath backed up in her throat to choke her, and she couldn't make a sound. She stepped back.

He stepped forward, closing the space between them.

Ellen managed to find her voice and, conquering for the moment her nearly instinctive fear of this man, said, "Peter, you must go get a doctor for my aunt."

"Your aunt has said she doesn't want a doctor," he said. His voice came almost as a relief after the ominous silence.

"It's not a matter of what my aunt wants anymore," Ellen said. "She's dead."

The silence buzzed around them. In the darkness of the hall Ellen could not be sure, but she thought that he smiled.

"Will you go and get a doctor?"

"No," he said.

Ellen backed away, and again he followed her.

"Go and see her for yourself," Ellen said.

"If she's dead," he said, "she doesn't need a doctor. And the morning will be soon enough to have her body disposed of."

Ellen kept backing away, afraid to turn her back on him. Once in the kitchen, she could try the phone again.

But he didn't let her. Before she could reach for the receiver, his hand shot out, and he wrenched the cord out of the wall. He had a peculiar smile on his face. Then he lifted the telephone, long cord dangling, into the air above his head, and as Ellen pulled nervously away, he threw the whole thing, with great force, at the floor. It crashed jarringly against the linoleum, inches from Ellen's feet.

Ellen stared at him in horror, unable to move or speak, trying frantically to think how to escape him. She thought of the darkness outside, and of the long, unpaved road with no one near, and the deserted beach. Then she thought of her aunt's room, which had a heavy wooden door and a telephone which might still work.

He watched her all this time, making no move. Ellen had the odd idea that he was trying to hypnotize her, to keep her from running, or perhaps he was simply waiting for her to make the first move, watching for the telltale tension in her muscles that would signal her intentions.

Finally, Ellen knew she had to do something — she could not keep waiting for him to act forever. Because he was so close to her, she didn't dare try to run past him. Instead, she feinted to the left, as if she would run around him and towards the front door, but instead she ran to the right.

He caught her in his powerful arms before she had taken three steps. She screamed, and his mouth came down on hers, swallowing the scream.

The feel of his mouth on hers terrified her more than anything else. Somehow, she had not thought of that — for all her fear of him, it had not occurred to her until now that he meant to rape her.

She struggled frantically, feeling his arms crush her more tightly, pinning her arms to her sides and pressing the breath out of her. She tried to kick him or to bring a knee up into his crotch, but she could not raise her leg far enough, and her kicks were feeble little blows against his legs.

He pulled his mouth away from hers and dragged her back into the darkness of the hall and pressed her to the floor, immobilizing her with the weight of his body. Ellen was grateful for her jeans, which were tight-fitting. To get them off — but she wouldn't let him take them off. As soon as he released her, even for a moment, she would go for his eyes, she decided.

This thought was firmly in her mind as he rose off her, but he held her wrists in a crushing grip. She began to kick as soon as her legs were free of his weight, but her legs thrashed about his legs, her kicks doing no harm.

Abruptly, he dropped her hands. She had scarcely become aware of it and hadn't had time to do more than think of going for his eyes, when he, in one smooth, deceptively casual motion, punched her hard in the stomach.

She couldn't breathe. Quite involuntarily, she half doubled over, knowing nothing but the agonizing pain. He, meanwhile, skinned her jeans and underpants down to her knees, flipped her unresisting body over as if it were some piece of furniture, and set her down on her knees.

While she trembled, dry-retched, and tried to draw a full breath of air, she was aware of his fumbling at her genitals as scarcely more than a minor distraction. Shortly thereafter she felt a new pain, dry and tearing, as he penetrated her.

It was the last thing she felt. One moment of pain and helplessness, and then the numbness began. She felt — or rather, she ceased to feel — a numbing tide, like intense cold, flowing from her groin into her stomach and hips and down into her legs. Her ribs were numbed, and the blow he had given her no longer pained her. There was nothing — no pain, no messages of any kind from her abused body. She could still feel her lips, and she could open and close her eyes, but from below the chin she might as well have been dead.

And besides the loss of feeling, there was loss of control. All at once she fell like a rag doll to the floor, cracking her chin painfully.

She suspected she was still being raped, but she could not even raise her head and turn to see.

Above her own labored breathing, Ellen became aware of another sound, a low, buzzing hum. From time to time her body rocked and flopped gently, presumably in response to whatever he was still doing to it.

Ellen closed her eyes and prayed to wake. Behind her shut lids, vivid images appeared. Again she saw the insect on her aunt's dead lip, a bug as black, hard and shiny as Peter's eyes. The wasp in the sand dune, circling the paralyzed spider. Aunt May's corpse covered with a glistening tide of insects, crawling over her, feasting on her.

And when they had finished with her aunt, would they come and find her here on the floor, paralyzed and ready for them?

She cried out at the thought and her eyes flew open. She saw Peter's feet in front of her. So he had finished. She began to cry.

"Don't leave me like this," she mumbled, her mind still swarming with fears.

She heard his dry chuckle. "Leave? But this is my home." And then she understood. Of course he would not leave. He would stay here with her as he had stayed with her aunt, looking after her as she grew weaker, until finally she died and spilled out the living cargo he had planted in her. "You won't feel a thing," he said.

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