I landed badly, my right leg not up to supporting my full weight, and I tumbled across the rough ground. My palms were scraped raw, and a particularly sharp rock collided with my shoulder as I rolled. When I was done sliding across the ground, I lay still, staring up at the sky for a minute. Happy to be motionless.
Marielle's boot touched my shoulder, gently rocking me. "Get up, wolf," she said. "It isn't time to rest yet."
I squinted up at her, moving my head slightly so that I was in her shadow. The sun bled around her frame, lighting her up. Or maybe it was the glow of magick. I couldn't quite tell. Adrenaline and the flush of the Chorus were still ping-ponging through my bloodstream.
Wolf.
There was only one other person who referred to me by that term. Piotr Grieavik, a fortune teller based in Seattle, who had used it to remind me of the hunger that had driven me to his corner of the Pacific Northwest. Before that, it had been five years since the New Year's morning when Marielle and I had said goodbye. When she had last used that word to name me.
The morning of the duel beneath the bridge on the Seine. The morning I had supposedly died, falling into the Seine and vanishing from the Watcher fold, vanishing from her sight.
She retrieved her cell phone from a jacket pocket while I groaned and sat up. She speed-dialed a number, and didn't wait long for someone to pick up. "We need transport," she said. "No. . there were. . complications." She made a half-turn, her eyes partially closed, and the gravity well of her magick tugged at me. "Yes, I know. We were on that train, and now we need transportation. RATP cut the power to the rails." She glanced up, examining our surroundings. "West side of the tracks," she said. "Just outside of Villepinte. About a hundred meters from a crossing. I can see a billboard for Lagerfeld."
When I stood up, I could see the sign too. Rail-thin models draped in clothing that hung at weird angles. Everything was black and silver, monochromatic if there was any color at all. Must be the spring line. In the distance, I could also see the other part of the train, and the prismatic strands of Henri's magick.
"This way," Marielle said. "I have a car coming." She started walking toward the crossing.
I followed. The ground was rocky and unkempt, and my legs were still a bit rubbery. As I stumbled along, I did a quick visual check of my extremities. No unnoticed shrapnel, no smoldering edges, no numbed breaks in my skin. Other than some scrapes suffered in my headlong plummet from the train, I was doing pretty well.
My coat, on the other hand, was a lost cause. There was a large patch of charred fabric on the front, and a couple of the buttons had melted into soft watches. I checked the inner pockets. The key, the ring, and the cards were still there. All the important things.
A silver BMW sedan with smoked windows met us a half-block from the train tracks. Marielle opened the back door, and gestured for me to climb in. I paused, reading the energy signature in the car. My teeth involuntarily chattered.
The front passenger window slid down, and the blond-haired driver smiled at me. "Hello, my friend," Antoine said. "This is an unexpected surprise."
I started to shiver: partially from the adrenaline comedown of the last half-hour, partially from the presence of the man driving the car, and partially because of the tone of his voice. The Chorus thrashed along my spine, like a massive fish hooked on a line.
Marielle stepped back from the car, hearing the same thing. There was a quaver of excitement in Antoine's voice. He was usually able to hide his emotions extremely well. Part of his mystic armor was an unnerving inscrutability; this hint of delight was unlike him.
Was it the fact that I was still alive; that, like Henri, he had a chance to finish the business we started beneath the bridge five years ago? If so, he was acting out for her sake, as he had recently been in Portland. He already knew I was still alive, and we had put some of the past behind us. Because there was a bigger game afoot. One in which we had both been played like cheap pawns.
I waved a hand toward the track and the approaching storm of energy. Henri was walking along the track, drawing power from the ley beneath the rail, and with each step, his storm was growing wilder. "Can we do this later?" I asked. "I realize this isn't the reunion any of us expected, but can we-" I swallowed the acrid taste of the Chorus' concern. "-can we just get out of here?" I didn't want to get in the car either, but Henri's approach was reducing my options. Antoine was playing at something, and I needed a minute to figure it out, but right now, he wasn't the problem.
Where had he come from? Rapid-fire questions searing across my brain. How did Marielle get to the airport in the first place? Had someone driven her? Was this the car? The Chorus churned around these questions, seeking possible answers, seeking connections and patterns. You don't have to always read the future to understand the Weave. You can also examine where you've been, exploring the knots that lie in your past.
One scenario-a likely one: Antoine drove Marielle to the airport, ostensibly to meet her father, who was supposed to be returning from Seattle on an overnight flight. No one knew why he had gone, and he wasn't beholden to any of the others enough to tell them. But Antoine would have known because there was only one person in Seattle the Hierarch of La Societe Lumineuse would visit. A visit we had been waiting for.
The larger canvas. Think beyond your narrow thread. The back of my tongue tingled with the frustration rising from the Chorus. Why Antoine?
Antoine ducked his head slightly and peered out the front windshield. Moving with the grace of a man with all the time in the world. "Who is it?" he asked. "Did they know you were coming?"
Marielle was looking at me too, the same question in her eyes.
"No," I said. "They didn't know. They were just there." As well as the man in the sweatshirt and sunglasses. He had been Watching too. For the Hierarch, I realized.
"Why?" Antoine asked.
Before I could respond, Marielle's face crumpled. "No. . " she whispered.
I hadn't been ready with a good lie. Or even a bad one. I was still trying to figure out who all the players were, and as a result, I wasn't ready to distract her from the truth. The look on her face said she suspected, and in not leaping into the void following Antoine's question, I only fueled the fear starting in her heart. A spark of doubt became a conflagration of outright despair.
"No!" she howled, launching at me, her fists raised. I caught the first blow, but the second shot hit me square in the face. There wasn't much power in it-not yet, but she was pulling energy. My cheek stung, and the Chorus snarled at the psychic impact of the blow.
"I'm so-" I tried, and took a shot in the mouth for attempting to talk my way out of it. My head snapped back, and the Chorus coalesced between us. Their attempt to shield me wasn't enough, and she kept coming. Kept swinging. I had to retreat, or hurt her. I took one more step back and bumped against the car.
So much for the path of least resistance.
Catching her hand was like grabbing a red-hot poker, but I held on, and the Chorus slithered through my arm, redirecting the burning bleed of energy before my skin crisped and my blood vaporized. "Marielle. Stop. It's not like that."
"You son of a bitch," she spat. "You killed my father."
Okay, it was like that. Well, not entirely. Not that she was in the mood to listen to me split hairs.
Antoine grabbed her other hand and held her back. Neither of us had been aware of him getting out of the car, but there he was. He was radiant with magick, filled with all the power of the Protectorate, and his Will was stronger. She pulled at him once, and it was like trying to topple a mountain.
"Mari," he said, softly, his words cutting through the writhing haze of her anger. "It's done. You can't undo it."
She pulled out of my grip and clobbered Antoine, actually snapping his head around. "You knew," she snarled. "You knew what he was going to do."
Antoine shook his head, and though his expression was still serene and filled with empathy for her pain, there was a spark of anger in his eyes. "No," he said. "I wouldn't have let him go if I had known."
After the detonation of the Key in Portland, Antoine and I had talked. We had realized that the Hierarch was working on a design much larger than either of us had imagined. We had been twisted to be his agents, but to what end hadn't been clear. The only real way to find out was to ask the Old Man directly, and that task had fallen to me.
Our best guess was that he would, eventually, come to Seattle. All I had to do was stay put and wait him out. But, the Old Man had outfoxed us. He hadn't come to talk; he had come to die. At my hand, and in doing so, his problems became my problems. His wisdom became mine.
And what did that leave for the Protector to protect? came the whisper in my head.
Suddenly, I had a creeping suspicion who had tipped Henri off.
Antoine stared at me, trying to read what I was thinking. "Endgame," he Whispered via magi-speak so that Marielle couldn't hear. "The revolution is upon us."
I cleared my throat. Sooner than you think, I thought. "We need to go," I said aloud. "Henri and the others are coming. We can have this out, but let's not do it here." Marielle's face was taut with fury and sorrow, and I flinched at the sight of the hurt I had inflicted on her. Not my intention, I wanted to tell her. It's not what I wanted.
"I'm sorry," I said. The words couldn't heal the pain. Nor would they change what had been done, or absolve me of having done it. They were meaningless sounds, empty tokens that did nothing to wipe away my sin, but they were all I had to ease her despair.
She started to speak, and then shook her head. A tear tracked down her cheek and she slowly unclenched her fists. For a second, I thought my apology was actually going to be enough, but then her face hardened again. This time, I didn't even bother trying to block the punch.
I had earned it. What is done is done, what is gone is gone. I had earned her wrath. In so many ways. My knees buckled and I fell back against the car. Then everything went black.
In the weeks following the Ascension Event in Portland, I fell into a temporal loop when I closed my eyes. During the winter, a splinter group of magi had unleashed an experiment on the Rose City. Using a theurgic harvester, they had attempted to collect the living energy of every soul within reach. The device hadn't been properly prepared, and it didn't devour the entire city-just all of downtown. Everything between the bluffs and the river. More than fifty thousand souls.
When I tried to sleep, I snapped back to that night in a bad cosmological loop. Standing at the top of the tower built by Bernard du Guyon's hubris, and watching the dazzling un-light of the harvester. Even though the sphere of mirrors had been destroyed, I could still remember its hypnotic facets. I could still remember the device's hunger for all those souls. I could still remember the emptiness. The Qliphotic void.
The Chorus, as I had lived with them for a decade while I had chased my own ill-remembered history, had died that night. Detonated so I could escape the soul-dead of Portland, expelled from my broken shell to complete the purge of their poisonous taint. Spiritually naked, I had ascended to the top of the spire; there, given another chance to climb the mystic tree I had first seen at my initiation into magick, I had clawed my way to the top branches and touched the crown. Kether, the first Sphere of the Tree of the Sephiroth.
So far from mud-footed Malkuth. So far from that time of crawling on my belly among the roots of the trees. So far from who I was: a child, blind to the magick of the world; a pure soul, untouched by the corruption of the Weave.
Somewhere in the explosion of self and soul that followed, I found a new Chorus, a new collection of voices and personalities who were tasked with filling the cracks of my shell, who were meant to make me whole. A little bit of Bernard du Guyon was in there, a black coal sulking in the fiery pit of my heart. As were his Anointed, the psychoanimistic inner circle of the Hollow Men, the Seattle-based coven who had helped him build Thoth's Key. John Nicols, the Seattle detective who had fallen during the battle with Bernard's magus, was in my head too. Unlike the old collection of dead men, the new Chorus nearly had individual voices, soloists who occasionally rose out of the throng of voices.
You are different, they-he-had told me. We are different.
The experience at the peak of the tower had been one of the moments that Mircea Eliade, a twentieth-century Romanian mythology scholar, had quantified as a sacred epiphany, a cosmological instant of death and rebirth. At the axis mundi, the pillar of the world that reaches from our profane meat space into the sacred world of the spirit, a seeker is granted an audience with the Divine. Be it God, or Pure Ego, or Ptah, or Animal Spirits from Dogon: the name doesn't really matter, as they all fail to truly encompass the Infinite that breaches into the Finite. When the light goes out and the Ineffable retreats, the seeker is returned to his secular world, changed by his experience.
The Chorus wasn't the only thing I lost that night. I also lost that last part of my innocence. I had been clinging so tightly to it, to that tiny ego child of denial: I wasn't responsible for what had happened to me in the woods ten years ago when I had first seen magick; I wasn't responsible for the choices I made that night, or that I made over the successive years when I took lives. I did these things so that I might live, so that the hole in my soul might not devour me. All these lies over the years, wound around my frightened spirit like a security blanket. It's not my fault.
But it was. They were all my sins, and at the top of the tower, frozen in the eye of the Ineffable, I was judged and found wanting. I was thrown back, like a fish that was too small. Rede, mi fili. Go back, my son. Go back, and try again.
When I sleep, I dream of that night. I dream of throwing Julian, Bernard's insane right-hand man, out the window. I dream of the crown of stars I tore from his head; I dream of how it felt in my hand, the weight of those souls, and I imagine putting that crown on my head. Anointing myself, and fighting Bernard before he can trigger the device. I dream of rising and falling, over and over, as I try to understand the judgment delivered.
Go back.
But now-nunc-the dream changes. When I fail and fall, the tower exploding behind me, I fall through layers-concrete and timber and sheet rock-until I land in a library. In the dream, the fireplace is real, and the marble busts aren't medieval replicas but real heads, stuck on sharp sticks. And Philippe Emonet-the Old Man, the Hierarch of the Watchers, the Silent Guardian Who Waits, Marielle's father-is older and more decrepit, as if he had been wearing a glamour when I had last seen him-less than twenty-four hours ago-and now, in the True Seeing vision of my dream, the true extent of his illness was apparent.
His hair is gone, and black sores like weeping eyes cover his skull. His left leg is gone entirely, amputated just below his hip, and his left hand is reduced to a tiny claw like a dried chicken foot. He is blind in one eye, and he stutters fiercely when he speaks.
This is what would have happened if you had failed to stop him, he says. This is the map of Portland, carved into my flesh.
But, I remind him, some did die. I didn't save them all.
You can't, he says. Every day, innocents die. His voice beats against me. I am too soft in the dream, and his words are hard. Most of them from stupid mistakes and misguided ventures of other mad visionaries whom they had the accident to touch. Most die in darkness and in pain, their minds filled with idle garbage about their bank accounts and whether or not they were loved by their children and respected by their friends. What do we gain by saving them? Do they recognize us for our efforts? Do they reward us by continuing their menial, grubby lives?
We don't get to decide, I argue.
Of course we do. That is what we do; that is who we are. Every time you kill someone, Michael, you act like the Lord.
I contract at his words, at his blasphemous translation of my name. Like a slug pulling in on itself, I try to hide inside my soft shell, but he chases me, his claw digging into my flesh. Those people in Portland died in an attempt to bring us knowledge of the Infinite, of the Creative Spirit that made everything. Those people didn't die in vain. They died for a cause. They died so that we could understand why we live, Michael. They died for knowledge.
In ten years, there will be another million souls born on this planet. In ten years, Portland will be rebuilt and this will all be forgotten. We'll still be destroying the world as we refashion it with our limited bovine imaginations. Time slays us all, Michael, and the vast majority of people that it takes will never make any sort of positive impact on this planet. Why shouldn't they make an actual contribution in the search for knowledge? Why shouldn't they be allowed the opportunity to participate in a transmission to the other side? Bernard sought an audience with the Primal Agent of Reality. Those who sponsored him sought to Know the Divine. Can you damn them for the effort they made?
Yes, I shout at him. Over and over. Yes, I can. Yes, I did.
His claw stops digging. Milky tears drip from his good eye. Yes, he says, an echo taken up by the Chorus, who swoop around us in a rushing swirl of blank faces and hollow mouths. Yes, you did.
I weep in the dream, and maybe my body weeps outside the dream as well. I feel like I am starting to float. The library becomes transparent, and soon all that is left is the chair in which the Old Man has collapsed. He is getting smaller. My body is a disease, he whispers, it can no longer support life. It must be slain.
He is the organization, and the organization is the man. What I see, he says, is the end. The end of this age, of this body. It is time for us all to be set free.
Free. From ourselves. From our histories.
My legacy. He beckons to me with his claw hand, summoning me out of my soft shell. You are my ultimate resolution. My panacea for this decay. You are the hand that will break this corpus mundi. He bows his head, showing me the naked crown of his skull. All the black wounds on his skull stare at me.
In the dream, his request is not a request, but a command. And I balk, as I did in the flesh yesterday. I do not want to do this; I do not want to become what I was before-a devourer of souls, a breaker of the light.
I am dying anyway, a voice tells me, you're doing me a favor.
It is the voice of my shadow, the voice I thought I had destroyed. But, like Samael said, the shadow is never gone. Never completely forgotten. The stain will always remain.
For the last ten years, I'd been taking the souls of tainted men. To my own guilt, I had added the poison of psychopaths and deviants. At the unconscious bequest of the black seed I let root in my heart, I fed it all the rage and anger and bile the world could offer. That seed, that Qliphotic influence, had tried to make me over in its image.
In the end, I threw off that yoke, and found a path of forgiveness. Did it absolve my deeds? No. But it showed me the way out of the dark wood I had lost myself in. I saw the light, and earned. . no, I have not earned this. I have not earned anything. I have only learned.
The stain cannot be removed. It is the shadow that defines us, because without it, we do not know who we are.
The Hierarch asks me to kill him. He asks me to stain the Chorus with the Willful Act of devouring a soul. Into the holy and cleansed core of my refreshed spirit, he asks me to bring a little darkness. Just a little bit.
Nunc. This is how it begins.
And I did it. In my dream, I watch Portland burn again, and I watch Philippe smile as I spike his soul. Light pours out of him: first from his eyes, then from his mouth and nose, and finally all the black sores on his skull open up and release his light. His spirit erupts in a brilliant geyser, and with the net of my Chorus extended, I catch it. A fisherman of souls, bringing in his harvest.
I am overwhelmed by the rush of Philippe's life: all that he knew, all that he was, all that he dreamed, all that he feared. It roars into me, threatening to drown my own identity under the tsunami weight of his existence. But, like with the others, I know how not to be drowned by the flood of another life. I know how to swim through it. How to separate the knowledge from the fantasy, the history from the speculation, the desires from the dreams. I know how to make the sound and fury of another life part of mine.
When I wake from this dream, I am clutching a memory of a little girl, chasing geese in a field by the river. Marielle. So small, so young. Her face, alight with laughter, shining like a morning sun. I remember that day as if it were part of my past, as if that sense of contentment and security were mine.
But it isn't. It belongs to Philippe, from a time before he was Hierarch, before he slew his predecessor, and took the ring as his own. Before he, too, took a little bit of darkness into him.
He's in me still. This is how fathers pass on their legacies to their sons. This is how sins are perpetuated across the generations. This is how the myths take root, and how they grow.
Our hands betray what we have done.
I'm sorry, Father.
And Aristotle Emonet grabs his son's blood-slicked hands as Philippe takes the ring. He can't speak, not with his throat cut, but he can still do magick. One last time. He grips my wrists, a phantom memory handed down to me, and I hear his final thought before he dies. Te absolvo. I forgive you.
The word was on my lips when I opened my eyes. Absolvo. I sighed, and it slipped out of me, like the Word that started the World. Not a shout, but a tiny whisper of sound.