It takes a lot of people to write a novel. This one would not have existed without the assistance of my very good friends and first readers (on and off the Online Writing Workshop for Science Fiction, Fantasy, and Horror) — especially but not exclusively Kathryn Allen, Rhonda Garcia, Jaime Voss, Chris Coen, Ilona Gordon, Jean Seok, Derek R. Molata, Tara Devine, Chelsea Polk, Caliann Graves, James Stevens-Arce, Michael Curry, and Larry West. I am even more deeply indebted to Stella Evans, M.D., to whom I owe whatever bits of the medical science and neurology are accurate; to M.Cpl. S. K. S. Perry (Canadian Forces) and Capt. Beth Coughlin (U.S. Army), without whom my portrayal of military life would have been even more wildly fantastical; to Leah Bobet, my native guide to Toronto; to Thomas Ladegard, whose firsthand experience in the sewers of Hartford proved invaluable; to Stephen Shipman for handgun tips; to Asha C. Shipman for listening to me curse (and type) late into the night; to my copyeditor, Faren Bachelis; to the North Las Vegas Police Department’s Lt. Ed Finizie and Officer Marion Brady for giving me some idea what it means to be a big-city cop; to Dena Landon, Sarah Monette, and Kelly Morisseau, francophones extraordinaire, upon whom may be blamed any correctness in the Québecois — especially the naughty bits; to Jennifer Jackson and Anne Groell for too many reasons to enumerate; and most especially to my husband, Chris, for staying married to me not only through the third novel (blamed for many a divorce), but through the fourth, fifth, and sixth ones, too.
The failures, of course, are my own, with one exception: Jenny’s completely wrong about the squirrels.