acknowledgments

Liz Bourke, who named Fortune for me, as well as the ideological heresies of the modern world. Chance Morrison and Celia Marsh, who convinced me that “Bad Landing” was a better name than “Crash.” Anne Groell Keck, the editor who helped it all make sense. Bad Poets galore, who listened to me thrash and moan through the draft. Andrew Phillips, copy editor extraordinaire. Jennifer Jackson, world’s best agent. Emma and Sarah and Delia, who held my hand through the worst of the birth pangs. And numerous more—too many to be mentioned.


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