Gormenghast

But now it bounded beside him, or stood on two legs, its long thin arms hanging loosely, its wrinkled hands trailing among the scraps of plaster.

And so there was a double need for silence. What Steerpike might miss his monkey might easily hear.

But the discovery of what had startled Titus was of small importance compared with the fact that Flay was only just in time to see the man and his monkey pass through the hangings, and under the arch. A moment later and there would have been no knowing whether he had turned to the left or the right. As it was it was not easy to tell save by the indicative rippling of the ragged hangings.

What lay beyond? There was no reason to suppose that there would be any further repetition of this corner-to-corner trailing. Save for the fatigue of the journey and for their constant grip upon the silence, they had as yet encountered neither' problem nor peril. But now, as they stared at the hangings, that were yet moving a little in the still air, they knew that they were entering upon a new phase.

Titus gripped the short iron poker in his hand as though to squeeze the life out of it. The Doctor tossed his head, arched his nostrils, and tiptoed to the very point where Steerpike had disappeared. Flay, who insisted on leading, had already drawn back, by no more than half an inch, a fold of the drapery, and was peering to his left. What he saw brought the blood to his head and his hand trembled violently.

He found himself staring along a short passage to where the slanting section of yet another and broader corridor slanted darkly. This further corridor was faced with cold bricks; its floor also, and that was all, but it brought the sweat suddenly to his brow and to the palms of his hands. Yet why, for he was looking at no more than the sort of things he had seen a score of times already on this same morning? But there was this difference. He had seen those bricks before. He had come upon the outskirts of his own domain. Unwittingly as he had moved through the uncharted hinterlands, he had come upon the outskirts of the Hollow Halls - the world he had made his own. He was no longer lost. Steerpike had led them by a trail of his own to a domain which Mr Flay had thought to be impregnable.

What was he doing here? 'Here', where Mr Flay had stood, his blood running cold, and had heard the grizzly laughter long ago? 'Here', where night after night and day after day he had sought the screaming nest to no avail? Here, where ever since those days the silence had come down like a deadweight - so that he had not dared to return, for the stillness had become more terrible than the demoniac laughter.

He alone knew of this. He passed the back of his hand across his eyes. Without waiting to make so much as a sign to the two behind him he paced out grotesquely, on tiptoe to the juncture and, again to his left he saw the young man. Had Steerpike turned to the right he might well have proceeded towards those districts which Mr Flay knew so well. Turning to the left, however, took him into that labyrinth in which he had so often lost himself in his search for the haunted room.

Mr Flay knew only too well that to keep Steerpike in sight would be no easy task. There was the double difficulty of their following him closely enough to keep him in sight, and yet to remain inaudible and unseen themselves.

Nothing would be more embarrassing than for them to be discovered - for Steerpike was committing no crime in moving rapidly through this deserted place. If there were anything nefarious going on, it was upon their side, in shadowing the Master of Ritual.

But there was no need for Flay to warn the Doctor and the boy that the necessity for absolute silence was even more acute. As they slid along the brickwork corridor they felt a closing in of the world.

And now began the threading of a maze so labyrinthine as to suggest that the builders of these sunless walls had been ordered to construct a maze for no other purpose than to torture the mind and freeze the memory. It was no wonder that Flay had never done more in those past days, than stumble blindly through so tortuous a region. And yet, in spite of the confusion, and the necessity for his concentrating upon keeping Steerpike in view, his instincts were working upon their own and they told him that they were returning by devious and contradictory roads to the proximity of the cold brick corridor from which they had started. Steerpike had slowed his pace. His head hung forward on his chest, not dejectedly but with an air of abstraction. His feet moved even slower, until he was virtually loitering. When he came to flights of shallow stairs he descended with a kind of loose-jointed and collapsing motion of the legs - as though his body had forgotten its own existence. He wandered round corners with a dream-like motion, his body at so strange an angle of relaxation as to be almost dangerous.

When at last he came to a certain door he straightened himself with a jerk - stretched out his fingers and became on the instant all awareness. He made a sound between his teeth and the monkey scrambled from the folds of his cape and sat upon his shoulder, the feather in its hat nodding to and fro. For a moment as the monkey turned his head, and its black eyes peered from that small and wrinkled face, peered back along the way it had come, the Doctor thought he had been seen. But he did not draw back his head or make any movement and the creature with its naked face and its costume of coloured diamonds scratched itself and turned away at last. Only then did the Doctor and his companions withdraw themselves even more deeply into the shadows.

Meanwhile Steerpike sorted out a key from a bunch in his pocket and after pausing a moment or two turned it with difficulty in the lock. But he did not touch the handle of the door. He turned his back upon it and gazed along the way he had come, tapping his teeth with his thumb nail.

It was obvious that for some reason best known to himself he was chary of walking in. The monkey on his shoulder shifted its position and in doing so its long tail tapped lightly across Steerpike's face. But that was seemingly enough to irritate its master, for the little beast was flung to the floor where it crouched and whimpered.

As Steerpike turned his eyes from his bruised plaything his attention was caught by sprawling heaps of rubbish, stones and broken timbers that lay a little way along the side passage. As he stared at them his anger drained from his face, and his features became set again and the corner of his lips lifted into a dead line.

For a moment or two the three watchers feared that they had lost him for he moved suddenly out of their range of vision. It was fortunate for them that the monkey remained where it was, outside the door where it nursed its bruised forearm. Had they followed Steerpike they would at once have met him face to face, for he returned within a minute with a long broken pole.

And now began an operation that completely baffled the hidden spectators.

With extreme care Steerpike turned the handle and released the latch. The door was now free but was not yet opened by so much as a quarter of an inch. He stood back from it, and holding the broken pole like a battering ram, pushed gently at the black wooden panel of the mysterious door. It moved upon its hinges with no great difficulty and Steerpike was able to obtain a view of a section of the room beyond. For a little while he held the pole motionless as he stared along its length and through the narrow opening. It was obvious that what he saw concerned him deeply. He rose upon his toes. He cocked his head to one side. Then he withdrew the pole and laid it on the ground at his feet. It was now, at this same moment, as he took a scarf from his pocket and tied it about his face so that only his eyes were visible, that the Doctor, Flay and Titus became conscious of a sickly and musty odour. But the strange performance that was going on before their eyes, so riveted their attention that at first they hardly noticed it. Again Steerpike raised the pole and pushing at the panels with the utmost caution was able momentarily to see more and more of the room which he was evidently so anxious to inspect. When the door was sufficiently ajar to admit the entry of a man, he paused.

As he did so the monkey, whose feathered hat had fallen in the dust, began to make its inquisitive way to the open door. It was evident that its arm was hurting it. Once or twice, in spite of its eagerness to explore the room beyond the door, it glanced apprehensively over its shoulder at Steerpike, baring its teeth in a nervous grimace. But its resilient nature became dominant and springing off its back legs it clung to the door handle with its nervous little hands. Again Steerpike pressed upon the long pole, this time with more force, and as the door swung ajar the monkey, swinging with it, let go and dropped upon the great mouldering carpet that lay within. But it did not drop alone, for no sooner had its four feet touched the ground than with a sickening thud an axe-head fell from high above the door, severing the long tail of the monkey as it buried its murderous edge in the floor. The shrill and appallingly human scream of the little creature rang through the hollow district, echoing and reechoing the agony of that moment, while, beside itself with pain, surprise and rage, it tore about the huge room that lay spread before it, leaping from chair to chair, from window-sill to mantelpiece, from cupboard to cupboard, scattering vases, lamps and small objects of all kinds to left and right in its wild circuits.

Into this room, now spattered with the monkey's blood, Steerpike advanced at once. There was no longer any caution in his bearing. He gave the careering creature not so much as a single glance. Had he done so he might have noticed that on seeing him the monkey halted its flight and was crouched quivering upon the back of a chair. Its eyes were upon him and in them was a moist and lethal hatred, as though all the spleen and gall of the vile tropics was floating there beneath the small grey eyelids. Its pain and its humiliation were laid at the door of the man who had flung it from his shoulder. As it watched its master it bared its teeth and wrung its hands together. The blood dripped freely from the stump of its tail. What had happened to the monkey - what had caused its harrowing outcry was, of course, unknown to Titus, the Doctor and Mr Flay. But the urgency of that human cry lifted them out of their hiding places, and brought them to the door. They saw at once that Steerpike had left this first room and had presumably descended the three or four steps that led to a second apartment. But the monkey caught sight of them at once and ran towards them. When it reached Titus it rose to its back legs and began a series of grimaces, which in any other circumstances would have been amusing enough, but were at that moment almost heartbreaking. But they had no time for it. Too much was at stake. Their nerves were at full stretch. They were all but exhausted and above all they were still in the invidious position of following a man without any warrant or rational excuse. Nevertheless the last half-hour had intensified their suspicions to a high degree. They knew in their hearts that they had been right to follow him. They were now prepared for anything that might unfold.

Their apprehension had grown so dark, their speculation so fantastic that when they crept to the second door and peered into the apartment below, and when they saw in the centre of the great carpet that filled the room the two skeletons lying side by side in their fast decaying dresses of imperial purple, their pulses beat no faster. Their emotions had been over-strained and had gone limp. But their brains raced.

The Doctor, who had been holding his silk handkerchief across his face, had known for some while that there was death in the air. He was also the first to know that they were looking at all that was left of Cora and Clarice Groan. Titus had no idea that he was staring at his aunts. He was simply looking at skeletons. He had never seen skeletons before.

It was a moment or two before Mr Flay remembered the invariable purple of the Twins. That there had been foul play was immediately apparent to them all.

The remoteness of these rooms from the castle; the double-death; the windowless walls; the possession by Steerpike of a key and his familiarity with the corridors of approach - and more than all this, his present behaviour. For as they watched him the young man, never doubting the security of his solitude, began to behave in a way which could only be interpreted by those who watched him as a form of madness, or if not madness, something so eccentric as to tread its arbitrary borderland.

Steerpike was aware, directly he had entered the terrible room, that he was behaving strangely. He could have stopped himself at any moment. But to have stopped himself would have been to have stopped a valve - to have bottled up something which would have clamoured for release. For Steerpike was anything but inhibited. His control that had so seldom broken had never frustrated him. In one way that this new expression had need of an outlet he gave himself up to whatever his blood dictated. He was watching himself, but only so that he should miss nothing. He was the vehicle through which the gods were working. The dim primordial gods of power and blood.

There at his feet were the decomposing relics, the purple of their dresses hanging over the ribs in clotted folds, the skulls protruding horribly, their sockets staring at the ceiling. No less than had been their vanished faces, these skulls were identical save that across a single socket some spider, fastidious in his craftsmanship, had spun a delicate web. At its centre struggled a fly, so that in a way a kind of animation had come to either Cora or to Clarice.

In some kind of way the Doctor, though he could not understand, was able to gain an inkling as to what was happening in Steerpike's mind, as the skewbald homicide began to strut like a cockerel about the bodies of the women he had imprisoned, humiliated and starved to death. The Doctor could see that Steerpike was by no means mad in any accepted sense for every now and then he would repeat a number of high stepping paces as though to perfect them. It was as though he were identifying himself with some archetypal warrior, or fiend. A fiend, which although it had no sense of humour, had a ghastly gaiety - a kind of lethal lightness that struck at the very heart of the humanities; struck at it, darted at it, played about it jabbing here and there, as though with a blade of speargrass.

When Flay and the Doctor, in their different ways, saw what was happening in the room they were both aware that Titus should not be with them. He was no child, but this was no scene for a boy. But there was nothing they could do. For them to separate would be criminally unwise. He could never in any event have found his way back alone. That as yet there had been no movement on their part to disturb the criminal was fortunate, but this deathly silence, in which the only sound was that of Steerpike's footsteps, could not last for ever.

The Doctor was appalled, but at the same time, as a man of high intelligence and curiosity he was fascinated by what he saw. Not so Flay. An eccentric himself he despised and abhorred any form of eccentricity in others and what he was now witnessing had the effect of all but blinding him with a kind of bourgeois rage. Only in one thing was he happy - that the upstart had un-masked himself and that from now onwards the battle was joined in earnest.

His small eyes were fixed upon his enemy. His neck was thrust out like a turtle's. His long beard trembled as it hung forward on his chest. His forest knife shook in his hand.

It was not the only weapon that was shaking. The short heavy poker in Titus' clenched fist was far from steady. The young earl was quite frankly terrified by what he saw. An area of solid ground had given way beneath his feet and he had fallen into an underworld of which he had had no conception. A place where a man can pace like a cock about the ribs and skulls of his victims. A place where the air was rank with their corruption.

The Doctor was gripping his arm to steady him, and the grip tightened suddenly. Steerpike had stopped for a moment to re-tie his shoelace. When this was completed he rose from his knee and stood on tiptoe where he remained poised, his head thrown back. Then he dropped his heels and flexed his knees and at the same time turning his toes outwards, he raised his arms to his side, and with his elbows bent at right angles, he began to stamp, his fists clenched at the height of his shoulders. The sound of his feet was very loud and close.

He was in the posture of some earthish dancer, but he soon tired of this strange display - this throw-back to some savage rite of the world's infancy. He had given himself up to it for those few moments, in the way that an artist can be the ignorant agent of something far greater and deeper than his conscious mind could ever understand. But as he strutted, his knees bent, his feet turned outwards, his body and head erect, his elbows crooked, and his hands clenched, he had enjoyed the novelty of what he was doing. He was amused at this peculiar need of his body; that it wished to stamp, to strut, to rear on tiptoes, to sink upon the heels - and all because he was a murderer - all this intrigued him, titillating his brain, so that, now, as he ceased to stamp, and sank into a dusty chair, the muscles of his throat went through the contractions that form laughter - but no sound came.

He shut his eyes, and in the darkness, it seemed to him that he was in peril and he opened them again with a start and sat forward in his chair, glancing about the room. This time as his gaze returned to the skeletons he was revolted. Not with what he had done to bring them to this state - but that they should pollute this room; that they should show him their ugly skulls and hollow bones.

He rose from his chair in anger. But he knew in his heart that he was not angry with them. He was enraged with himself. For what had seemed amusing a few moments ago was now a source, almost of fear to him. In looking back and seeing himself strutting like a cock about their bodies, he realized that he had been close to lunacy. This was the first time that any such thought had entered his head, and to dismiss it he crowed like a cock. He was not afraid of strutting; he had known what he was doing; to prove it he would crow and crow again. Not that he wished to do so, but to prove that he could stop whenever he wanted, and start when he wished to, and be all the while in complete control of himself, for there was no madness in him.

What he did not realize was that the death of Barquentine, and the nightmare of the fire and the vile waters of the moat and the long fever that followed had made a difference to him. Whatever he now believed about himself was based on the assumption that he was the same Steerpike as his former self of a few years earlier. But he was no longer that youth. The fire had burned a part of him away. Something of him was drowned for ever in the waters of the moat. His daring was no longer a thing that fanned itself abroad; it had contracted into a fist of brimstone.

He was meaner, more irritable, more impatient for the ultimate power which could only be his through the elimination of all rivals; and if he had ever had any scruples, any love at all for even a monkey, a book, or a sword-hilt all this, and even this, had been cauterized and drowned away.

As he had entered this second apartment, he had propped the broken pole against the wall on his left. He now felt himself gravitating towards it. He no longer stamped or strutted. He was himself again, or perhaps he had ceased to be himself. At any rate, the three watchers recognized again that familiar walk, with the shoulders hunched and the cat-like footsteps. When he reached the pole he ran his hand along its side. The scarf was still about his face. His dark red eyes were like small circular pits.

As his hand strayed over the surface of the pole, rather as a pianist will fondle a keyboard, his fingers came across a fissure in the wood, and as they played about it they found how easy it would be to tear from the beam a long and narrow splinter. Abstractedly, hardly knowing that he was doing it, a score of disquieting impressions had taken the place of the surety within him, he prised the splinter away, using, at the last, the whole strength of his arm as it arched, in its tension, from the pole. He did not look at it, and he was about to throw it away, for the tearing of it from the pole had been his only interest, when, his gaze having returned to the skeletons, he wandered towards them, and running the long resilient splinter along their ribs, as a child might run a stick along a railing, he heard the bone-notes of an instrument.

For a few minutes he spent his time in this way, creating by a series of taps and runs, a kind of percussive rhythm in key with his mood.

But he was tiring of the place. He had returned in order to satisfy his eyes that the Twins were truly dead, and he had stayed longer than he had intended. Now he flung the splinter away and, kneeling, unclasped the strings of pearls that hung about the vertebrae. Rising, he dropped them into his pocket and made at once for the three steps that led to the upper room and as he did so Mr Flay stepped out from his hiding place.

The effect upon Steerpike was electric. He bounded backwards, with a leap like the leap of a dancer, his cloak swirling about him and his thin lips parted in a murderous snarl of amazement.

There was no longer any case of symbolism. The strutting and the stamping were nothing to the fierce reality of that leap which sent him, as though from a springboard, backwards through the air.

Quick as a reflex, even at the height of his elevation, he felt for his knife.

Before he landed he knew that he was unmasked. That from now onwards, unless he slew the bearded figure, on the instant, he would be on the run. In a flash he saw the life of a fugitive spread out before him.

It was only as he landed that he realized at whom he was looking. He had not seen Flay for many years and had supposed him dead. The beard had altered him. But now he knew him, and this knowledge did nothing to stay his hand. Of all men, Flay would have the least sympathy for a rebel.

He had found his knife, had balanced it upon the palm of his hand and had drawn back his right arm when he saw the Doctor and Titus.

The boy was white. The poker shook in his hand but his teeth were gritted. A terrible sickness had hold of him. He was in a nightmare. The last sixty minutes had added more than an hour to his age.

The Doctor was pale also. His face had lost all trace of its habitual drollery. It was a face cut out of marble, strangely proportioned but refined and determined.

The sight of the three of them, blocking the stairs, halted Steerpike's arm as he was about to launch the knife.

And then, in a peculiarly quiet voice clear and precise, a voice that told nothing of the hammering heart...

'You will drop your penknife to the ground. You will come forward with your arms raised. You are under arrest,' said the Doctor.

But Steerpike hardly heard him. His future was ruptured. His years of self-advancement and intricate planning were as though they had never been. A red cloud filled his head. His body shuddered with a kind of lust. It was the lust for an unbridled evil: It was the glory of knowing himself to be pitted, openly, against the big battalions. Alone, loveless, vital, diabolic - a creature for whom compromise was no longer necessary, and intrigue was a dead letter. If it was no longer possible for him to wear, one day, the legitimate crown of Gormenghast, there was still the dark and terrible domain - the subterranean labyrinth - the lairs and warrens where, monarch of darkness like Satan himself, he could wear undisputed a crown no less imperial. Poised like an acrobat and vividly aware of the slightest move that was made by the three figures before him, the Doctor's voice for all his sensory acuteness, seemed to come from far away.

'I give you one last chanc' said his ex-patron. 'If you have not dropped your knife within five seconds from now, we will advance upon you!'

But it was not the knife that dropped. It was Flay. The loyal seneschal fell backwards with a grinding cry and was half caught in the arms of Titus and the Doctor, and in that instant, while the blade of Steerpike's knife still quivered in his heart, and while the four hands of Flay's friends were engaged with the weight of the long ragged body, the young man, following the path of the flung knife, as though he were tied behind it, sped over their shoulders and was in the upper room before they could recover.

Now, with the fear of retributory death upon him, and the redoubled cunning that comes to the marked man, Steerpike lost not a second in speeding from the room. But he did not pass through the door alone, for as he slammed it and turned the key in the lock he was bitten savagely in the back of the neck. With a scream he swivelled on his feet and clutched at nothing.

A panic possessed him and he ran as he had never run before, turning left and right like a wild creature as he made his way ever deeper into a nether empire.

Outside the door of what had been the Twins' apartment, the monkey, squatting on a rafter, chattered and wrung its hands.

FIFTY-NINE

A few days after the murder of Mr Flay and the subsequent smashing of the door and escape of the Doctor and Titus from those dread apartments, the relics of the Twins were heaped into a single coffin and were buried, at the orders of the Countess, with all the rites and solemnities that were due to the sisters of an earl.

Mr Flay was buried on the same day in the graveyard of the Elect Retainers, a small space of nettle-covered ground. At evening the long shadow of the Tower of Flints lay across this simple boneyard with its conical heaps of stones to show where not more than a dozen servants of exceptional loyalty lay silently under the tall weeds.

Had Mr Flay been able to foresee his funeral he would have appreciated the honour of joining so small and loyal a company of the dead. And if he had known that the Countess herself, in draperies as black and as intense as the plumage of her own ravens, was to be there at the graveside, then his wounds would indeed have been healed.

The Poet had taken over as Master of Ritual. He had no easy task. Night after night, his long wedge-shaped head was bowed over the manuscripts.

When the Countess had been told by Prunesquallor of the finding of the Twins, the manner of Flay's death, and of Steerpike's escape, she had risen from the upright chair in which she had been sitting, and without any change of expression in her big face had lifted the chair from the floor and had methodically broken its curved legs off one by one, and had then, in what seemed to be a state of abstraction, tossed the chair-legs one after another through the glass-panes of the nearest window.

When she had done this she moved to the smashed window and stared through the jagged hole. There was a white mist in the air and the tops of the towers appeared to be floating.

From where the Doctor stood he saw, for the first time, a picture. He was not looking for one. What pictures he had ever painted had been very delicate and charming. But this was quite different. He saw something dynamic, something quite wonderful in the contrast of the sharp and angular edges of the broken glass, and the smooth and doming line of her ladyship's shoulders that, in the immediate foreground, curved heavily across the jaggedness. And at the same time he saw the deep, copper-beech colour of her hair against the Pearl-grey tower-tops that floated in the distance. And the blackness of her dress, and the marble of her neck and the sheen of the glass, and the pollen-like softness of the sky and towers so jaggedly circumscribed. She was a monument against a broken window and beyond the broken window her realm, tremulous and impalpable in the white mist.

But Dr Prunesquallor had only a few moments in which to regret that he had not learned to paint, for the monument turned about.

'Sit down,' she said.

Prunesquallor looked about him. The confusion in the room made it difficult for him to see anything that could possibly be sat on, but he found himself a perch at last in the corner of a window-sill that was scattered with bird seed.

She approached and stood above him. She did not look down, but gazed through a small casement above his head while she spoke. Finding that she never turned her eyes to him and that for him to look up when listening or speaking was neither noticed nor necessary, and what is more that it gave him a pain at the back of his neck, the doctor gazed at the scallops of sartorial immediately ahead of him and within a few inches of his nose, or simply shut his eyes as they conversed.

It was soon obvious to the Doctor that he was in conversation with someone whose thoughts were concentrated upon the capture of Steerpike not only to the exclusion of everything else but with a menacing power and a ruthless simplicity.

Her heavy voice was slower than ever.

'All normal work shall be suspended. Man, woman and child shall be given their orders-of-search. Every known spring and well head, every cistern, tank and catchment shall have its sentry. No doubt the beast must drink.'

The Doctor suggested a meeting of officers, the drawing up of a plan of campaign, the working out of a time table or rota of sentries and search parties, and the formation of redoubtable bands drawn from the young blood of the castle's lower life where there was no lack of spleen, and where the price which was to be set upon Steerpike's head would encourage their intrepidity.

They agreed that there was no time to waste for with every hour that passed the fugitive would be withdrawing ever more deeply into some forgotten quarter, or constructing some ambuscade or hiding place, even at the heart of the castle's activities. There was no place on earth so terrible and so suited to a game of hide and seek as this gaunt warren.

Leaders were to be chosen. Weapons were to be served out. The castle was to be placed upon a war footing. A curfew was to be imposed, and wherever he might be lurking, from vault to eyrie, the murderer was to have no respite from the sound of feet and the light of torches. Sooner or later he would make his first mistake. Sooner or later, in the corner of some eye, the tail of his shadow would be seen. Sooner or later if there was no relaxation in the search, he would be found at some well-head, drinking like an animal, or flying from some storehouse with his plunder.

The Countess was using her powerful brain as though for the first time. The Doctor had never known her like this. Had her cats entered the room or a bird descended flapping to her shoulder it is doubtful whether, at this moment, she would have noticed them. Her thoughts were so concentrated upon the seizure of Steerpike that she had not moved a muscle since she and the Doctor had started talking. Only her lips had moved. She had talked very slowly and quietly but there was a thickness in her voice.

'I shall outwit him,' she said. 'The ceremonies shall continue.'

'The Day of the Bright Carvings?' queried the Doctor. 'Shall it proceed as usual?'

'As usual.'

'And the Outer-dwellers be allowed within the gates?'

'Naturally,' she said. 'What could stop them?'

What could stop them? It was Gormenghast that spoke. A fiend might be wandering the castle with dripping hands, but the traditional ceremonies were at the back of it all, enormous, immemorial, sacrosanct. In a fortnight's time it was their day, the day of the Mud Dwellers, when all along the white stone shelf at the foot of the long courtyard wall the coloured carvings would be displayed; and at night, when the bonfires roared and all but the three chosen statues were turned to ash in their flames, Titus standing on the balcony with the Outer Dwellers below him in the fire-lit darkness, would hold aloft in turn, each masterpiece. And as each was raised above his head, a gong would clash. And after the echoes of the third reverberation had died away he would order them to be taken to the Hall of Bright Carvings where Rottcodd slept and the dust collected and the flies crawled over the tall slatted blinds.

Prunesquallor rose to his feet. 'You are right,' he said. 'There must be no difference, your ladyship, save for an eternal vigilance, and unflagging pursuit.'

'There is never any difference,' she replied. 'There is never any difference.' Then she turned her head for the first time and looked at the Doctor. 'We will have him,' she said. Her voice, as soft and heavy and thick as velvet, was in so grim and incongruous a contrast to the merciless pin-head of light that glittered in her narrowed eyes that the doctor made for the door. He was in need of an atmosphere less charged. As he turned the door-handle he caught sight of the smashed window, and saw through the jagged star-shaped opening the towers floating. The white mist seemed lovelier than ever, and the towers more fairy-like.

SIXTY

Bellgrove and his wife sat opposite one another in their living room, Irma, very upright, as was her habit, her back as straight as a yard of pump-water. There was something irritating in this unnecessary rigidity. It was, perhaps, ladylike, but it was certainly not feminine. It annoyed Bellgrove for it made him feel that there was something wrong in the way that he had always used a chair. To his mind an armchair was something to curl up in, or to drape oneself across. It was a thing for human delectation. It was not built to be perched on.

And so he curled his old spine and draped his old legs and lolled his old head, while his wife sat silently and stared at him.

'... And why on earth should you think that he would dream of risking his life in order to attack you?' the old man was saying. 'You deceive yourself, Irma. Peculiar as he is, there is no reason why he should flatter you to the extent of killing you. To climb in at your bedroom window would be highly hazardous. The entire castle is on the watch for him. Do you really imagine that it matters to him whether you are alive or dead, any more than whether I am alive or dead, or that fly up there on the ceiling is alive or dead? Good grief, Irma, be reasonable if you can, if only for the sake of the love that once I bore you.'

There is no need for you to speak like that: Irma replied, in a voice as clipped as the sound of castanets, 'Our love has nothing to do with what we are talking about. Nor is it anything to mock at. It has changed, that is all. It is no longer green.'

'And nor am I,' murmured Bellgrove.

'What an obvious thing to say!' said Irma, with forced brightness. 'And how very trite - I said how very trite!'

'I heard you, my dear.'

'And this is no time for shallow talk. I have come to you as a wife should come to her husband. For guidance. Yes, for guidance. You are old, I know, but...'

'What the hell has my age got to do with it?' snarled Bellgrove, lifting his magnificent head from a cushion. The milk-white locks were clustered on his shoulders. 'You were never one to ask for advice. You mean you're terrified.'

'That is so,' said Irma. She said it so simply and so quietly that she did not recognize her own voice. She had spoken involuntarily. Bellgrove turned his head sharply in her direction. He could hardly believe that it was she who had spoken. He rose from his chair and crossed the ugly carpet to where she sat bolt upright. He squatted on his heels before her. A sense of pity stirred in him. He took her long hands in his.

At first she tried to withdraw them but he held them tightly. She had tried to say 'don't be ridiculous' but no words came.

'Irma,' he said at last. 'Let us try again. We have both changed - but that is perhaps as it should be. You have shown me sides of your nature which I never knew existed. Never. How could I ever have guessed, my dear, that you should for instance have thought that half my staff were in love with you - or that you could become so irritated with my innocent habit of falling asleep? We have our different spirits, our different needs, our different lives. We are fused, Irma, it is true; we are integrated - but not all that much. Relax your back, my dear. Relax your backbone. It makes it easier for me to talk. I've asked you so often - and in all humility - knowing as I do that your spine is your own.'

'My dearest husband,' said Irma. 'You are talking overmuch. If you could leave a sentence alone, it would be so much stronger.' She bowed her head to him. 'But I will tell you something,' she continued, 'it makes me happy to see you there, crouched at my feet. It makes me feel young again - or it 'would' do, it would do, if they could only lay their hands on him and end the suspense. It is too much - 'too' much... night after night... night after night... Oh can't you see how it racks a woman? Can't you? Can't you?'

'My brave one,' said Bellgrove. 'My lady love; pull yourself together. Sinister as the business is, there is no need for you to take the whole thing personally. You are nothing to him, Irma, as I have said before. You are not his foe, my dear, 'are' you? Nor yet his accomplice? Or 'are' you?'

'Don't be ridiculous.'

'Quite so. I am being ridiculous. Your husband, the headmaster of Gormenghast, is being ridiculous. And why? Because I have caught the germ. I have caught it from my wife.'

'But in the darkness... in the darkness... I seem to 'see' him.'

'Quite so,' said Bellgrove. 'But if you did see him you would feel worse still. Except of course that we could claim a reward, you know!'

Bellgrove found that his legs were aching so he rose to his feet.

'My advice, Irma, is to put a little more trust in your husband. He may not be perfect. There may be husbands with finer qualities. With nobler profiles for instance, eh? Or with hair like almond blossom. It is not for me to say. And of course there may be husbands who have even become headmasters, or whose intellect is wider, or whose youth was more dazzling in its gallantry. It is not for me to say. But such as I am I have become yours. And such as you are you have become mine. And such as we both are we have become one another's.

And what does this lead to? It leads to this. That if all this is so, and yet you quake at every sound of the night, then I take it that your trust in me has waned since those early days when I had you at my feet. O you have schemed... schemed...!'

'How 'dare' you!' cried Irma. 'How dare you!'

Bellgrove had forgotten himself. He had forgotten what his argument was intended to prove. A little whiff of temper springing from some unformulated thought had caught him unaware. He tried to recover.

''Schemed',' he continued, 'for my happiness. And you have very largely succeeded. I like you sitting there, if you weren't so upright. Can't you melt, my dear one... just a little. One grows so very tired of straight lines. As for Steerpike, take my advice; make use of 'me' when you are frightened. Run to 'me'. Fly to 'me'. Press yourself against my chest; run your fingers through my locks. Be comforted. If he ever 'did' appear before me, you know very well how I would deal with him.'

Irma looked at her venerable husband. 'I certainly do 'not',' she said. 'How would you?'

Bellgrove, who had even less idea than Irma, stroked his long chin, and then a sickly smile appeared on his lips.

'What I would do,' he said, 'is something that no gentleman could possibly divulge. Faith: that is what you need. Faith in me, my dear.'

'There would be nothing you could do,' said Irma, ignoring her husband's suggestion that she should have faith in him. 'Nothing at all. You are too old.'

Bellgrove, who had been about to resume his seat, remained standing. His back was to his wife. A dull pain began to grow beneath his ribs. A sense of the black injustice of bodily decay came over him, but a rebellious voice crying in his heart ''I am young, I am young',' while the carnal witness of his three score years and ten sank suddenly at the knees.

In a moment Irma was at his side. 'Oh my dear one! What is it? What 'is' it?' She lifted his head and put a cushion beneath it. Bellgrove was fully conscious. The shock of finding himself suddenly on the floor had upset him for a moment or two and had taken his breath away, but that was all.

'My legs went,' he said, looking up at the earnest face above him with its wonderfully sharp nose. 'But I am all right again.'

Directly he had made this remark he was sorry for it, for he could have done with an hour of nursing.

'Perhaps you had better get up in that case, my dear,' said Irma. 'The floor is no place for a headmaster.'

'Ah, but I feel very...'

'Now, now!' interrupted Irma. 'Let me have no nonsense. I shall go and see whether the doors have been locked. When I return I expect to find you in your chair again.' She left the room.

After kicking his heels irritably on the carpet, the headmaster struggled to his feet, and when he was in his chair again he put out his tongue at the door through which Irma had passed, but immediately he had done so he blushed for shame and blew a kiss in the same direction from the wasted palm of his hand.

SIXTY-ONE

There was a part of the outer wall which was so deeply hidden with canopies of creeper that for over a hundred years no eyes had seen the stones of the wall itself but the eyes of insects, mice and birds. These undulating acres of hanging foliage over-looked a certain lane which lay so close to the outer wall of Gormenghast that had the mice or the hidden birds been capable of tossing a twig out of the leafy darkness it would have fallen into this lane that lay below.

It was a narrow way, in deep shadow for most of the day. Only in the late evening, as the sun sank over Gormenghast forest, a quiverful of honey-coloured beams would slant along the alley and there would be pools of amber where all day long the chill, inhospitable shadows had brooded.

And when these amber pools appeared the curs of the district would congregate out of nowhere and would squat in the golden beams and lick their sores.

But it was not in order to watch those half-wild dogs or to marvel at the sunbeams that the Thing had taken to working her way through the dense growth of the wall-draped creepers, threading the vertical foliage with the noiseless ease of a snake until twenty feet above the ground she moved outward from the wall to such a position that she could look down upon certain sections of the lane. It was for a reason more covetous. It was because the solitary carver who shared this evening hour with the dogs and the sunbeams never failed to be at his accustomed place at sundown. It was then that he worked upon the block of jarl-wood. It was then that the image grew under his chisel. It was then that the Thing watched, with her eyes wide as a child's, the evolution of the wooden raven. And it was for this carving that she pined angrily, impatiently. It was so that she might snatch it from its maker, and then away, in a breath, to the hills, that she crouched there evening after evening, watching greedily from the loose ivy, for the completion of so pretty a toy.

SIXTY-TWO

When Fuchsia heard the news of Steerpike's treachery and when she realized how her first and only affair of the heart had been with a murderer, an expression of such sickness and horror darkened her face that her aspect was, from that moment, never wholly free of that corrosive stain.

For a long while she spoke to no one, keeping herself to her room, where, unable to cry, she became exhausted with the emotions that fought in her to find some natural outlet. At first there was only the sense of having been physically struck, and the pain of the wound. Her arms gave little jerks and tingled. A depression of utter blackness drowned her. She had no wish to live at all. Her breast pained her. It was as though a great fear filled the cage of her ribs, a globe of pain that grew and grew. For the first week after the crushing news she could not sleep. And then a kind of hardness entered her. Something she had never housed before. It came as a protection. She needed it. It helped her to grow bitter. She began to kill at birth all thoughts of love that were natural to her. She changed and she aged as she wandered to and fro across her solitary room. She began to see no reason why others, as well as Steerpike, should not be double-faced and merciless. She hated the world.

When Titus called to see her he was amazed at the change in her voice, and the sunken look of her eyes. He saw for the first time that she was a woman as well as being his sister.

On her side, she saw a change in him. His restlessness was as real as her disillusion. His longing for freedom as pressing as her longing for love.

But what could he do, and what could she do? The castle was round and about them, widespread and as unchartable as a dark day.

'Thank you for coming,' she said, 'but there's nothing we can talk about!' Titus said nothing but leaned against a wall. She looked so much older. His heel began to work away at a piece of loose plaster above the skirting board until it came away.

'I can't believe he's dead,' said the boy at last.

'Who?'

'Flay, of course. And all the things he did. What about his cave? Empty for ever I suppose. Would you like to...'

'No,' said Fuchsia, anticipating his question. 'Not now. Not any more. I don't want to go anywhere, really. Have you seen Dr Prune?'

'Once or twice. He asked me to tell you that he'd like to see you, whenever you want. He's not very well.'

'None of us are,' said Fuchsia. 'What are you going to do? You look quite different. Was it awful, seeing what happened? But don't tell me. I don't want to dwell on it!'

'There are sentries everywhere: said Titus. 'I know.'

'And a curfew. I have to be in my room by eight o'clock. Who's the man outside the door here?'

'I don't know his name. He's there most of the day and all night. A man in the courtyard too, under the window.'

Titus wandered to the window and looked down. 'What good is he doing there?' And then, turning about, 'They'll never catch 'him',' he said. 'He's too cunning, the bloody beast. Why can't they burn the whole place down, and him with it, and us with it, and the world with it, and finish the whole dirty business, and the rotten ritual and everything and give the green grass a chance?'

'Titus,' she said. 'Come here.' He approached her, his hands shaking.

'I love you, Titus, but I can't feel anything. I've gone dead. Even you are dead in me. I know I love you. You're the only one I love, but I can't feel anything and I don't want to. I've felt too much, I'm sick of feelings... I'm frightened of them.'

Titus took another step towards her. She gazed at him. A year ago they would have kissed. They had needed each other's love. Now, they needed it even more but something had gone wrong. A space had formed between them, and they had no bridge.

But he gripped her arm for a moment before walking quickly to the door and disappearing from her sight.

SIXTY-THREE

The Day of the Bright Carvings was at hand. The Carvers had put the final touches to their creations. The expectancy in the castle was as acute as it was possible for it to be, when at the same time the larger and more horrible awareness that Steerpike might at any moment strike again, took up the larger part of their minds. For the skewbald man had struck four times within the last eight days with accuracy, a small pebble being found, in every case, near the fractured heads of the newly-slain, or lodged in the bone above the eyes. These killings, so wicked in their want of purpose, took place in such widely separated districts as to give no clue as to where the haunt of the homicide might be. His deadly catapult had spread a clammy terror through Gormenghast.

But in spite of this preponderant fear, the imminence of the traditional day of carvings had brought a certain excitement of a less terrible kind to the hearts of the denizens. They turned with relief to this age-old ceremony as though to something on which they could rely - something that had happened every year since they could remember anything at all. They turned to tradition as a child turns to its mother.

The long courtyard where the ceremony was to be held had been scrubbed and double scrubbed. The clanking of buckets, the swilling and hissing of water, the sound of scouring had echoed along the attenuate yard, sunrise after sunrise, for a week past. The high southern wall in particular was immaculate. The scaffolding to which the scrubbers had clung like monkeys while they ferreted among the rough stones, scraping at the interstices and sluicing every vestige of accumulated dust from niche and crack, had been removed. It sailed away, this wall, in a dwindling perspective of gleaming stone - and five feet from the ground along its entire length the Carvers' shelf protruded. The solid shelf or buttress was of so handsome a breadth that even the largest of the coloured carvings stood comfortably upon it. It had already been whitewashed in preparation for the great day, as had also the wall above it, to the height of a dozen feet. What plants and creepers had forced their way through the stones during the past year, were cut down, as usual, flush with the stones.

It was into this courtyard so unnaturally lustrated that the Carvers from the Outer Dwellings were to pour like a dark and ragged tide, bearing their heavy wooden carvings in their arms or upon their shoulders, or when the works were too weighty for a man to sustain he would be aided by his family - the children running alongside, barefooted, their black hair in their eyes their shrill excited voices jabbing the heavy air as though with stilettos.

For the air was full of an oppressive weight. What breath there was moved hotly on its way as though it were fanned by the mouldering wings of huge and sickly birds.

The Steerpike terror had been still further intensified by these stifling conditions, and the ceremony of the Bright Carvings was for this reason all the more eagerly anticipated, for it was a relief for the mind and spirit to be able to turn to something the only purpose of which was beauty.

But, for all the consummate craft and rhythmic loveliness of the carvings there was no love lost between their jealous authors. The inter-family rivalries, the ancient wrongs, a hundred bitter quarrels, were all remembered at this annual ceremony. Old wounds were reopened or kept green. Beauty and bitterness existed side by side. Old claw-like hands, cracked with long years of thankless toil, would hold aloft a delicate bird of wood, its wings, as thin as paper, spread for flight, its breast afire with a crimson stain.

On the penultimate evening all was ready. The Poet, now fully established as Master of Ritual, had made his final tour of inspection with the Countess. On the following morning the gates in the Outer Wall were opened and the Bright Carvers began the three miles trail to the Carver's Courtyard.

From then onwards the day blossomed like a rose, with its hundred blooms and its thousand thorns. Grey Gormenghast became blood-shot, became glutted with gold, became chill with blues as various as the blue of the flowers, and the waters became stained with evergreen from the softest olive to veridian, became rich with all the ochres; flamed and smouldered, shuddered with the hues of earth and air.

And holding these solid figures in their arms were the dark and irritable mendicants. By afternoon the long stone shelf had been loaded with its coloured forms, its birds, its beasts, its fantasies, its giant grasshoppers, its reptiles and its rhythms of leaf and flower; its hundred heads that turned upon their necks, that dropped or were raised more proudly from the shoulders than any living head of flesh and blood.

There they stood in a long burning line with their shadows behind them on the southern wall. From all these carvings three were to be chosen as the most original and perfect and these three would be added to those that were displayed in the unfrequented Hall of the Bright Carvings. The rest were to be burned that same evening.

The judging was a long and scrupulous affair. The carvers would eye the judges from a distance as they squatted about the courtyard in families, or leaned against the opposite wall. Hour after hour the fateful business proceeded - the only sound being the shouting and crying of the scores of urchins. At about six o'clock the long tables were carried out by the castle servants and placed end to end in three long lines. These tables were then loaded with loaves, and bowls of thick soup.

When dusk began to fall the judging was all but completed. The sky had become overcast and an unusual darkness brooded over the scene. The air had become intolerably close. The children had ceased to run about, although in other years they had sported tirelessly until midnight. But now they sat near their mothers in a formidable silence. To lift an arm was to become tired and to sweat profusely. Many faces were turned to the sky where a world of cloud was gathering together its gloomy continents, tier behind tier like the foliage of some fabulous cedar.

As a minor Titus was not directly involved in the actual choice of the 'Three', but his technical approval had to be obtained when the decisions were finally made. He had wandered restlessly up and down the line of the exhibits, threading his way through the crowds, which parted deferentially at his approach. The weight of the iron chain about his neck and the stone that was strapped to his forehead became almost too much to bear. He had seen Fuchsia but had lost her again in the crowds.

'There's going to be an almighty storm, my boy,' said a voice at his shoulder.

'By all that's torrential, there most certainly is!'

It was Prunesquallor.

'Feels like it, Doctor Prune,' said Titus.

'And looks like it, my young stalker of felons!'

Titus turned his gaze to the sky. It seemed to have gone mad. It bulged and shifted itself as though it were not moved by any breeze or current of the air, but only through its own foul impulses.

It was a foul sky, and it was growing. It was accumulating filth from the hot slums of hell. Titus turned his eyes from its indescribable menace and faced the doctor again. His face was gleaming with sweat. 'Have you seen Fuchsia?' he said.

'I saw her,' answered Titus. 'But I lost her again. She is somewhere here.'

The Doctor lifted his head high and stared about him, his Adam's apple very angular, his teeth flashing, but in a smile that Titus could see was empty. 'I wish you would see her, Doctor Prune... she looks awful, suddenly.'

'I will certainly see her, Titus, and as soon as I can.'

At that moment a messenger approached. Titus was wanted by the judges. 'Away with you,' cried the doctor in this new voice that had lost its ring. 'Away with you, young fellow!'

'Good-bye, doctor.'

SIXTY-FOUR

That night, upon the balcony, his mother sat upon his right hand like an enormous stranger, and the Poet upon his left, an alien figure. Below him was a vast field of upturned faces. Away ahead of him and far beyond the reach of the great bonfire's radiance the Mountain was just visible against the dark sky.

The moment was approaching when he must call for the three successful carvers to come forward and for him to draw up the carvings from below with a cord and to place them in full sight of the crowd.

The flames of the bonfire around which the multitude was congregated streamed up into the sky. Its insatiable heat had already reduced a hundred dreams to ashes.

As he watched, a glorious tiger, its snarling head bent back along its spine, and its four feet close together beneath its belly, was flung through the air, by one of the twelve hereditary 'vandals'. The flames appeared to flick out their arms to receive it, and then they curled about it and began to eat.

His longing to escape came upon him with a sudden and elemental force. He hated this gross wastage that was going on below him. The heat of the evening made him sick. The nearness of his mother and of the abstracted Poet disquieted him. His eyes moved to Gormenghast Mountain. What lay beyond? Was there another land...? Another world? Another kind of life?

If he should leave the castle! The very notion of it made him shake with a mixture of fear and excitement. His thought was so revolutionary that he glanced at his mother's back to see whether she had heard his mind at work.

If he should leave Gormenghast? He was unable to hazard a guess as to what such a thought implied. He knew of no other place. He had thought before, of Escape. Escape as an abstract idea. But he had never thought seriously of where he would escape to, or of how he would live in some place where he would be unknown.

And a seditious fear that he was in reality of no consequence came over him.

That Gormenghast was of no consequence and that to be an earl and the son of Sepulchrave, a direct descendant of the blood line - was something of only local interest. The idea was appalling.

He raised his head and gazed across the thousands of faces below him. He nodded his head in a kind of pompous approval as yet another carving was tossed into the great bonfire. He counted a score of towers to his left. 'All mine...' he said, but the words sounded emptily in his head when suddenly something happened which blew his terror and his hope sky-high, which filled him with a joy too huge for him to contain, which took him and shook him out of his indecisions, and swept him into a land of hectic and cruel brilliance, of black glades, and of a magic insupportable.

For, as he was watching, something happened with great rapidity. A coal black raven, its head cocked, its every feather exquisitely chiselled, its claws gripping a wrinkled branch was about to be thrown into the flames when, as Titus watched, in a half-dream, a ripple in the silent, heat-heavy crowd, showed where a single figure was threading its way with an unusual speed. The hereditary 'vandal' had hold of the wooden raven by its head and swung back his hand. The bonfire leapt and crackled and lit his face. The arm came forward; the fingers loosed their grip; that raven sailed up in the air, turning over and over and began to fall towards the fire when, as unforeseen and rapid as the course of a dream, there leapt from the body of the fire-lit crowds something that, with a mixture of grace and savagery quite indescribable, snatched at the height of its leap the raven from the air, and holding it above its head continued without a pause or break in the superb rhythm of its flight, and apparently floating over an ivy-covered wall disappeared into the night. For more than a minute there was no movement at all. A dreadful embarrassment held the witnesses immobile as though with a vice. The individual shock that each sustained was heightened by the stunned condition of the mass. Something unthinkable had been done, something so flagrant that the anger that was so soon to show itself was for the moment held back as though by a wall of embarrassment.

Such violation of a hallowed ceremony was unprecedented.

The Countess was one of the first to stir. For the first time since Steerpike's escape she was moved by a tremendous anger that had no connexion with the skewbald rebel. She rose to her feet and with her big hands gripping the balustrade stared into the night. The congested clouds hung with a terrible nearness and an increasing weight. The air sweated. The crowds began to mutter and to move like bees in a hive. Isolated cries of rage from below the balcony sounded close, raw and horrible.

What was the death of a few hierophants at Steerpike's hand compared with the stabbing of the castle's very heart. The heart of Gormenghast was not its garrison - its transient denizens, but that invisible thing that had been wounded in their sight. As the cries rose and the swollen clouds pressed down, Titus, the last to move, turned his eyes to his mother's with a sidelong sweep. Sick with excitement he rose gradually to his feet.

He alone, of all who had been so fundamentally affected by the profane insult to tradition, was affected for a reason of his own. The shock he had suffered was unique. He had not been drawn into the maelstrom of the general shock. He was alone in his unique excitement. At the first sight of that mercurial creature he was transported in a flash to an earlier day, a day which he had no longer believed in, and had relegated to the world of dreams: to a day when among the spectral oakwoods he had seen, or had thought he had seen, an air-borne figure with its small head turned away. It was so long ago. It had become no more than a fume of his mind - a vapour.

But it was she. There was no doubting that it had all been true. He had seen her before, when lost among the oakwood she had floated past like a leaf. And now again! Taller, of course, as he was taller. But no less fleet, no less uncanny.

He remembered how the momentary sight of her had awakened in him an awareness of liberty. But now! How much more so! The heat was terrible in the air, but his spine was icy with excitement.

He looked about him again, with an air of cunning quite out of character.

Everything was as it was. His mother was still beside him, her big hands on the balustrade. The bonfire roared and spat red embers into the dark and stifling air. Someone in the crowd was shouting, ''The Thing! The Thing!'' and another voice with dreadful regularity cried 'Stone her! stone her!' But Titus heard nothing of this. Moving gradually backwards step by step, he turned at last and in a few quick paces was in the room behind the balcony.

Then he began to run, his every step a crime. Through midnight corridors in anyone of which the skewbald Steerpike might well have been lurking, he sped. His jaw ached with fear and excitement. His clothes stuck to his back and thighs. Turning and turning, sometimes losing himself, and sometimes colliding with the rough walls, he came at last to a flight of broad shallow steps that ran out into the open. A mile away to his right the light of the bonfire was reflected on the bulging clouds that hung above it like the ghostly bolsters of some beldam's bed.

Ahead of him, Gormenghast Mountain and the widespread slopes of Gormenghast forest were hidden from his vision in the night, but he ran to them as a migratory bird flies blindly through the darkness to the country that it needs.

SIXTY-FIVE

His sense of supreme disobedience, rather than retarding his progress through the night, gave it impetus. He could feel the angry breath of retribution on the nape of his neck as he stumbled on. There was yet time for him to return but in spite of his hammering heart it never occurred to him to do so. He was propelled forward by his imagination having been stirred to its depths by the sight of her. He had not seen her face. He had not heard her speak. But that which over the years had become a fantasy, a fantasy of dreaming trees and moss, of golden acorns and a sprig in flight, was fantasy no longer. It was here. It was now. He was running through heat and darkness towards it; to the verity of it all.

But his body was profoundly tired. The sickening heat was something to be fought against and at last when within a mile of the foothills he fell to his knees and then onto his side, where he lay soaked in perspiration, his flushed face in his arms.

But his mind did not rest. His mind was still running and stumbling along. A thousand times as he lay with his eyes closed, he saw her take the ivy-covered wall with that maddening beauty of flight; effortless, and overweeningly arrogant, her small bragging head, turned away from him, and perched so exquisitely upon the neck - the whole thing floating in his mind with a kind of aerial ease.

A hundred times he saw her as he lay and a hundred times he turned restlessly from side to side, while the sprite flew on and on and its legs like water-reeds appeared to trail in the body's wake rather than cause the earthless speed of it.

And then he heard the hoarse voice of a cannon and before the heavy, tumbling echoes that followed it had ended he was on his feet again and running dangerously through the darkness, to where the high masses of Gormenghast Mountain arose in the sightless night. It was the single explosion that was the traditional warning of danger. He knew it meant that his disappearance had not only been discovered, but that his defiance of Gormenghast had been suspected by his mother.

When the time came for the three chosen carvings to be drawn up to the balcony and to be flourished before the crowd, he was no longer there. On top of the sickening heat and the terror of the swollen sky; on top of the fear of the beast of Gormenghast and of his roving catapult - on top of the unprecedented snatching of a carving from the flames, and the sight of the 'Thing' in their midst, there was now this unimaginable offence to the castle's honour, to gall not only the hierophants but the carvers.

At first they had imagined that the young earl had fainted in the heat. This had occurred to the Poet, who with the permission of the Countess disappeared into the room at the rear of the balcony. But he found no sign of the boy. As the minutes passed the anger grew, and only the heaviness of the stifling night and the resulting weariness of the crowds prevented the indiscriminate violence that might easily have developed.

The acid of this dreadful night bit deep. Something fundamental to the life of Gormenghast had been affected and weakened.

At a time when a devil was loose and the whole energy of the place was concentrated upon his capture it was stupefying to find that the castle had been stabbed to the heart by the perfidy of its brightest symbol, the heir himself to the sacred masonry, the seventy-seventh earl.

This child of fate was climbing through the gloom; stumbling among the roots of trees, forcing his way through undergrowth, pressing fanatically onwards.

How he would find her when the sun rose over the mazes of the forest and played across the trackless expanses of Gormenghast Mountain, he had no idea. He simply believed that the power that drew him could not fail to show itself.

But a time came when he was so benighted that further progress was impossible. He was sufficiently far from the castle, sufficiently lost, to evade immediate capture. He knew that search parties were even now being organized and that the vanguard of those levies was probably already on its way. He knew also that the sending forth of a single searcher redounded in Steerpike's favour. This would not be forgiven him.

Whether his absence would be associated with the sudden appearance of the 'Thing,' he could not tell. Perhaps the coincidence was all too apparent. What he did know was that the sin to cap all sins would be for any member of the castle, let alone its rightful sovereign, to have the remotest association with an Outer Dweller - for the earl of Gormenghast to go in search of a daughter of that squalid cantonment and a bastard child at that. He knew from his mother downwards to the most obscure of her menials the conception of any such happening would be equally revolting. It would be worse than shameless treachery. It would be at the same time a 'defilement' of the blood line.

He knew all this. But he could do nothing. He could only pretend, if ever he were caught, that the impending storm had affected his brain. But he could not alter anything. Something more fundamental than tradition had him in its grip. If he was caught he was caught. If they imprisoned him, or held him up for public contumely then that was what he deserved. If he was disinherited he had only himself to blame. He had slapped a god across its age-old face. It was so... it was so... but as the night-heat swaddled him in a near-sleep his thoughts were not of his mother's mortification, of the castle's peril, of his treachery or of his sister's anxiety, but of a thing of fierce and shameless insolence - of a rebel like himself who gloried in it: of a rebel like a lyric in green flight.

SIXTY-SIX

He awoke to the first crash of thunder. There was a shadowy light in the dark air that could only have come from some remote and cloud-choked sunrise. And as the thunder spoke the first of the great rain came.

The danger of it was at once apparent. This was no ordinary downpour.

Even the first streaks from the sky were things that lashed and kicked the dust out of the ground with a vicious deliberation.

The air was like the air in an oven. Titus had leapt to his feet as though he had been prodded with a stick. The sky seethed and rumbled. The clouds yawned like hippopotami; deep holes or funnels, opening and closing, mouthlike, now here, now there.

He began to run again, climbing all the while through a kind of half-light.

The forms of trees and rocks suddenly looming over him, forced him to turn to left and right in a sudden and jerky way, for it was not until he was upon them that they made themselves known.

His immediate object was to strike the fringe of the close-set trees of Gormenghast forest, for only beneath their boughs could he hope to shield himself from the rain. It hissed in the loose foliage about him which was no kind of shelter, even for this first flurry of the storm.

For all its initial violence there was yet no sense of hurry about the rain. It gave the impression of an endless reserve of sky-wide energy.

And as he stumbled on through the rain that spilled itself from the canopies of leaf above, a streak of lightning, like an outrider, lit up the terrain so that for a moment the world was made of nothing but wet steel.

And in that moment his eyes fled over the glittering landscape; and before the enormous gloom had settled again he had seen a pair of solitary pines on a hill of boulders, and he at once recognized the place, for one of the pines had been broken by the wind and was caught in the upper arms of its brother.

He had never climbed these pines nor stood in their shade nor heard the rustle of their needles; but they were more than familiar to him, for years ago he had stared at them every time he had emerged from the long tunnel- the tunnel that led from the Hollow Halls to within a mile of Mr Flay's cave.

When he saw the pines in the lightning-flash his heart leapt. But the darkness came down again and it was at once apparent how difficult it would be not only to arrive at the pines but to strike off from them, with confidence, towards the tunnel mouth. To arrive at the pines would yet not be to come to any place where he had stood before. In the moment that he had recognized those trees he had also realized that the rest of the dazzling panorama was unknown to him. He had taken some strange path in the darkness.

But though it might well be difficult, even with the increasing light, to know exactly in which direction to move, when at last he should come to the pines (for it would of course be impossible to see the caveward mouth of the tunnel) yet it was useless to dwell upon the difficulties, and Titus, altering his direction, struck out across the wilderness of coarse grasses that were already under water. The churned 'lake' reached upwards to his ankles. It spouted all about him. What had been fierce streaks of rain were now no longer streaks. Nor even ropes. Each one was like pump-water or a tap turned to its full. And yet there was still the dreadful closeness in the air; although the tepid water, hammering him and streaming over his body mitigated the heat.

Beyond the soaking grasslands, and the alder copses, beyond the stony and grassless foothills where the big ponds were forming; beyond the old silver-mines and the gravel quarries; beyond all these in a district of harsher country than he had so far encountered, he came at last to a group of giant rocks.

By now the light had to some extent percolated through the clouds of black water and when he climbed upon the back of the largest of the rocks he was able to see the two pines, not away to his right, as he suspected they would be, but immediately ahead of him.

But there was no need for him to approach them further. He could not have found a better look-out station than the rock on which he stood. Nor was there any need for him to strain his eyes to find features in the landscape by which he could determine the position of the tunnel's mouth. For there to the east, not a mile away, was that high line of trees that overhung the shelving masses of green-gravel, which, overgrown with every kind of vegetable life, descended step-like, to where among the valley rocks the small stream chattered, the stream which Flay had dammed, and which ran within a stone's throw of what had been the exile's cave.

With the dusky light of morning strengthening, the rain, through which it had been difficult to recognize any object, so solidly had it descended, began to lessen. There was no question of the rain wishing to rest itself; far less that the sky were running out of water. No, it was only that the clouds withdrew their claws into the black pads of the storm as a wild beast might draw in its talons for no other reason than to savour the contraction.

But still the rain came down. A body of water had been held in check, but there was no stopping the overflow. Titus no longer felt the rain. It was as though he had always lived in water.

He sat down on the rock, and like a fly in amber, was a prisoner of the morning. All about him on the flat head of the rock the rebounding rain threw up its short fierce fountains, and the hard slopes seethed with it. What was he doing here, soaked to the skin, far from his home? Why was he not frightened? Why was he not repentant and ashamed?

He sat there alone, his knees drawn up to his chin, his arms clasping his legs, how small a thing beneath those continents of gushing cloud.

He knew that it was no dream, but he had no power to override the dream-like nature of it all. The reality was in himself - in his longing to experience the terror of what he already thought of as love.

He had heard of love: he had guessed at love: he had no knowledge of love but he knew all about it. What, if not love, was the cause of all this?

The head had been turned away. The limbs had floated. But it was not the beauty. It was the sin against the world of his fathers. It was the arrogance! It was the wicked swagger of it all! It was the effrontery! It was that Gormenghast meant nothing to this elastic switch of a girl!

But it was not only that she was so much the outward expression of all he meant by the word 'Freedom', or that the physical 'she' and what she symbolized had become fused into one thing - it was not only this that intoxicated Titus - it was more than an abstract excitement that set his limbs trembling when he thought of her. He lusted to touch those floating limbs. She was romance to him. She was freedom. But she was more than these. She was a thing that breathed the same air and trod the same ground, though she might have been a faun or a tigress or a moth or a fish or a hawk or a martin. Had she been any of these she would have been no more dissimilar from him than she was now. He trembled at the thought of this disparity. It was not closeness or a sameness, or any affinity or hope of it, that thrilled him. It was the difference, the 'difference' that mattered; the 'difference' that cried aloud.

And still the rain came down, rapid and warm from the hot air it passed through. Titus' eyes were on those trees that crowned the long hill in whose shadow was the cave. A few miles to the west, a huge blur showed where Gormenghast Mountain brooded. It was streaked with the vertical bars of the rain as though it were a beast in prison.

Titus got to his feet and made his way down the rock and all at once he felt frightened. Too much had happened to him in too short a time. It was the thought of the cave, and thence the thought of Flay and from the thought of Flay as he had first seen him in his cave then sprang the image of that faithful servant with a knife in his heart and the vile room where his Aunts lay side by side. And so the face of Steerpike swam across the lines of the rain, the terrible pattern of red and white, like the mask of some horror-dance, expanding and contracting, the shoulders very spare, very high, and for a hundred paces Titus was all but sick as he ran, and more than once he turned his head over his shoulder, and peered into the rain on either hand.

It was a long journey to the cave. Even had there been no deluge he would have made for it. He thought of it as a centre from which he could move in the wilderness and to which he could return.

But when he reached it he was hesitant to enter. The old stone mouth gaped emptily. It was no longer as he remembered it. It was a deserted place.

Above the cave the hill arose tier upon streaming tier of shelving rock, the broken ledges thick with ferns and shrubs, and even trees that leaned out fantastically into space.

Titus stared up to where the upper heights were lost in the clouds but his eyes were almost at once drawn back to the cave mouth.

His head was a little lowered and thrust forward from his shoulders in a characteristic position that suggested that he was ready to butt whatever enemy might appear. His nondescript hair was black with the rain and clung across his face in streaks and rats' -tails.

The melancholy look of the entrance had for a moment dulled his excitement at seeing the place again. He stood about a dozen feet away from the mouth, and could see through the streaks of the rain the dark, dry tunnel that led to the spacious interior.

As he stood there, hesitant, his head forwards, his rain-heavy clothes clinging to his body like seaweed, it could be seen how much the last few months had changed him. His eyes were still as clear as spring water, with that glitter of wilfulness, but a frown had made a permanent groove above them. A nest of faint and shallow lines had formed between his eyes. The boyish proportions of his face were clear evidence that he was no more than his seventeen years, but the sombre expression which had become ever more typical of him was more to be expected in a person twice his age.

This 'darkness' in his face was by no means the outcome of sad or tragic experience. He had had his times of loneliness, of fear, of frustration, and of late, of horror, but equally like any other child, he had had his carefree golden days, his laughter and his excitements. He was no cowed and mournful child of misfortune. He was, if anything, too much alive. Too much aware. It was that that had forced him, in the end, to wear a mask. To scowl at his school-friends, while at the same moment his heart would be beating wildly, and his imagination racing. To scowl because, by scowling he was left alone. And when he was alone he was able to brood by the hour upon his lot, to whip himself into unhealthy and self-indulgent fits of rebellion against his heritage and against the ritual that so hampered him, and conversely he was able to sit undisturbed at his desk while his thoughts flickered to and fro across the realm of Gormenghast, marvelling, as he did so, at all that it was, and how it was his mammoth legacy.

His physical vitality had begun to find its outlet through solitary exploration of the castle and the surrounding country but it was the expeditions of his imagination, of his day dreams, that drew him further and further away from companionship.

He had been, virtually, an orphan. That his mother, deep in her heart, too deep for her own recognition, had a strange need for him, as a son of the Line, was of no value to him, for he knew nothing of it.

To be alone was nothing new to him. But to have defied his mother and his subjects as he had done this day was new, and this knowledge of his treachery made him feel, for the first time since he had escaped from the carver's balcony, lonely in the extreme. Lonely, not for his home, but lonely in the knowledge of his inward isolation.

He took a step nearer the cave. The rain, surging over his head, had so glued-down his hair that his skull showed its shape like a boulder. His slightly heavy cheek-bones, his blunt nose, his wide mouth were by no means handsome in themselves, but. held in by the oval outline of the face, they formed a kind of simple harmony that was original and pleasant to the eye.

But his habit of drawing down his eyebrows and scowling to hide his feelings was making him look more than his seventeen years, and it appeared that a young man rather than a boy was approaching the cave. Directly he had decided to wait no longer, and had passed under the rough natural archway he was startled at the freedom of his head and body from the battering of the rain. He had become so used to it that standing there in the dry dust beneath the vaulting roof of the tunnel, he felt a sudden buoyancy as though a burden had been lifted.

And now another wave of fatigue heaved up in him, and he longed for nothing so much as sleep in a dry place. The air was warm in the cave, for the rain, heavy as it was, had done nothing to relieve the heat. He longed to lie down, in his new-found lightness of body, and with nothing pouring down upon him from above, to sleep for ever.

Now that he was inside the cave, the melancholy atmosphere of desertion had lost its potency. Perhaps he was too tired and his emotions too blunted to be conscious any more of such subtleties.

When he came to the main, inner chamber with its ample space, its natural shelves, its luxuriating ferns he could hardly keep his eyes open. He hardly noticed that a number of small woodland animals had taken shelter and were lying upon the stone shelves, or squatting on the ferny floor, watching him with bright eyes.

Automatically he tore off his clinging clothes and stumbling to a dark corner of a cave lay down beneath the arched arms of a great fern and fell, incontinently, fast asleep.

SIXTY-SEVEN

As Titus slept the small animals were joined by a drenched fox and a few birds which perched on outcrops of rock near the doming roof. The boy was all but invisible where he lay beneath the overhang of the ferns. So deep was his sleep that the lightning that had begun to play across the sky and illumine the mouth of the cave had no effect upon him. The thunder, when it came, for all that it was louder than before was equally powerless to wake him. But it was drawing closer all the while, and the last of the bull-throated peals caused him to turn over in his sleep. By now it was afternoon but the air had darkened so that there was now less light than there was when Titus sat upon the 'look-out' rock.

The roaring and hissing of the rain was mounting steadily in volume and the noise of it upon the stones and the earth outside the mouth of the cave made all but the most violent of the thunder-peals inaudible. A hare with its ears laid along its back sat motionless with its eyes fixed upon the fox. The cave was filled with the noise of the elements, and yet there was a kind of silence there, a silence 'within' the noise; the silence of stillness, for nothing moved.

When the next flash of lightning skinned the landscape, ripping its black hide off it so that there was no part of its anatomy that was not exposed to the floodlight, the reflections of that blinding illumination were fanned to and fro across the cavern walls so that the birds and beasts shone out like radiant carvings among the radiant ferns, and their shadows flew away across the walls and contracted again as though they were made of elastic: and Titus stirred beneath the archery of the giant hearts-tongue which shielded him from the momentary glare, so that he did not waken, and he could not see that at the mouth of the cave stood the 'Thing'.

SIXTY-EIGHT

I

It was hunger that finally woke him. For a while as he lay with his eyes still closed he imagined himself to be in his room at the castle. Even when he opened his eyes and found on his right-hand side the rough wall of a rock and on his left a curtain of thick ferns he could not remember where he was. And then he became aware of a roaring sound and all at once he remembered how he had escaped from the castle and had made his way through an eternity of rain until he had come to a cave... to Flay's cave... to this cave in which he was now lying.

It was then that he heard something move. It was not a loud sound and it was only audible above the thrumming of the storm because of its nearness.

His first thought was that it was one of the animals, perhaps a hare, and his hunger made him cautious as he rose upon his elbow and parted the long tongue of the ferns.

But what he saw was something that made him forget his hunger as though it had never been: that made him start backwards against the rock and sent the blood rushing to his head. For it was she! But not as he remembered her. It was she! But how different!

What had his memory done to her that he should now be seeing a creature so radically at variance with the image that had filled his mind?

There she sat, the Thing, balanced upon her heels, unbelievably small, the light of a fresh fire flickering over her as she swivelled a plucked bird on a spit above the flames. All about her were scattered the feathers of a magpie. Was this the lyric swallow? The fleet limbed hurdler?

Was this small creature who was now squatting there like a frog in the dust, and scratching her thigh with a dirty hand the size of a beech leaf, was this what had floated through his imagination in arrogant rhythms that spanned the universe?

Yes, it was she. The vision had contracted to the small and tangible proportions of the uncompromising urchin - the rare-faction had become clay.

And then she turned her head and Titus saw a face that shocked and thrilled him. All that was Gormenghast within him shuddered: shuddered and bridled up in a kind of anger. All that was rebellious in him cried with joy: with the joy of witnessing the heart of defiance. The confusion in his breast was absolute. His memory of her, of a proud and gracile creature, was now destroyed. It was no longer true. It had become trite, shallow and saccharine. Proud, she was and vibrant in all conscience. And graceful, perhaps in flight - but not now. There was nothing graceful in the way her body, uninhibited as an animal's, crouched over the flames. This was something new and earthy.

Titus who had been in love with an arrogance and a swallow-like beauty of limb, so that he longed savagely and fearfully to clasp it was now aware of how there were these new dimensions, this dark reality of slaughtered birds, of scattered feathers, of an animal's posture and above all of an ignorant originality that was redolent in her every gesture.

Her head had turned. He had seen her face. He was staring at an original. It was not that the face had any unique peculiarity of proportion or feature but that it was so blatant an index of all she was.

And yet it was not through any particular mobility of the features that it conveyed the independence of her life. The line of the mouth seldom altered, save when, in devouring the roasted bird, she bit with an undue ferocity. No: the face was more mask-like than expressive. It symbolized her way of life, not her immediate thoughts. It was the colour of a robin's egg, and as closely freckled. Her hair was black and thick but she had hacked it away, a little above her shoulders. Her rounded neck was set upright upon her shoulders, and was so flexible that the liquid ease with which she turned it was reminiscent of a serpent.

It was through such motions as this, and the movements of her small shoulders and in the quickness of her fingers that she conveyed to Titus, more vividly than any expression of the features could ever do, the quality of her fanatical independence.

As he watched she tossed the bones of the magpie over her shoulder, and dipping her hand into the shadows at her side drew up, out of the darkness that she cast, the little carving of the raven. Turning it round and round in her hand she stared at it intently, but no vestige of an expression crossed her face. She placed it on the ground at her side, but the earth was uneven and it fell forwards upon its face. Without a moment's hesitation she struck it with her clenched fist as a child might strike a toy in anger, and then, rising in a smooth and single action to her feet, she flicked it out of her way with her foot so that it lay upon its side against the wall.

Upon her feet she had become another thing. It was difficult to reconcile her with the creature who had squatted by the fire. She had become a sapling. Her face was turned to where the water streamed across the cave-mouth. For a few moments she stared expressionlessly at the rain-filled opening and then she moved towards it, but at her third step she stopped and as her body tautened her head gyrated on her neck. Her shoulders had not moved, but as her head swivelled, her eyes sped around the walls of the cave. Something had disturbed her.

Her slender body was poised for instantaneous action. Again her eyes flew across the walls piercing every shadow, and then for a moment they stayed their flight and Titus could see from his dark recess that she had seen his shirt where it lay, torn and sodden, on the floor of the cave.

She turned and with a tread both light and apprehensive approached the garment that lay in a pool of its own making. She sat down on her heels at its side, and again she was a frog, an almost repellent thing. Her eyes still moved about the cave, suspiciously. For a little while they lingered upon the giant ferns that, arching over Titus, hid him in their shadows.

Swivelling her head she stared backwards to the mouth of the cave, but only for a second; for the next moment she had taken the shirt, and held it up before her. A stream of rain water slid from its folds to the floor; she crushed the cloth together and then began to wring it out with a surprising strength and then spreading it out upon the ground she gazed at it, her expressionless head upon one side like a bird's.

Titus, half numbed by his cramped position, was forced to lie back and rest his arms and straighten his leg. When he rose again upon his elbow she was no longer by the shirt but was standing at the cave-mouth. He knew that he could not stay where he was for ever. Sooner or later he must make his presence known - and he was about to get to his feet whatever the consequences when a glare of lightning showed him the Thing silhouetted against the brilliance, her backbone arched a little, her head thrown back to catch the stream of translucent rain that golden as the lightning itself was falling directly into her upturned mouth. For that split second of time she was something cut out of black paper, her head meticulous in its contour, the mouth wide open as though to drink the sky.

And then the dark came down, and he saw her appear out of the gloom and grow more visible as she approached the embers of the fire. It was evident that the shirt fascinated her, for she paused when she reached it, and stared at it now from one angle, now from another. Finally she took it up and pulling it over her head and thrusting her arms through the sleeves she stood as though in a nightgown.

Titus, whose conception of the Thing had been flung from one side of his mind to the other, so that he hardly knew whether she was a frog, a snake, or a gazelle, was now powerless to assimilate the bizarre transfiguration that now stood within a few feet of him.

All he knew was that what he had so avidly sought was with him in the cave, had sheltered, like himself, from the storm and was now standing like a child, staring down at his shirt that fell in wet folds almost to the ankles.

And he forgot the wilderness within her. He forgot her ignorance. He forgot the raw blood and the speed. He only saw the stillness. He only saw the deceptive grace of her head as it hung forward. And seeing only this he pushed aside the ferns and rose to his feet.

II

The effect of his sudden appearance upon the Thing was so violent that Titus took a step backwards. Encumbered as she was with her new garment she leapt to the side of the cave where the floor was littered with loose stones, and all in a breath she had snatched at one and flung it with a vicious speed at Titus. He jerked his head to one side but the rough stone scraped his cheek-bone and stung him badly, the blood running down his neck.

The pain and surprise which lit his face were in contrast to her inscrutable features. But it was his body that was still, and hers that moved.

She had swarmed up the rockface on her side of the cave and was leaping from ledge to ledge in an attempt to circumscribe the rough circle of wall beneath the dome. Titus had been between her and the entrance tunnel, and she was even now springing to a position from which she could swing herself over his head and drop on the stormward side - and so away.

But Titus, just in time to realize what she was doing, retreated further down the tunnel, so that he blocked the way for her escape. But he was still in a position to observe her. Thwarted in her plan, she sprang backwards to one of the higher ledges that she had already used, and there, twelve feet above him, her head among the ferns that hung downwards from the roof, she directed her gaze upon him, her freckled face expressionless, but her head moving continuously from side to side like an adder's.

The effect of the blow on his cheek was to waken Titus out of his adulation.

His temper flared out, and his fear of her lessened, not because she was not dangerous, but because she had resorted to so ordinary a means of warfare as the flinging of a stone. That was something he could understand.

Had she been able to pluck out rocks from the fern-cloaked roof she would even now be doing so, and hurling them down upon him. But even as he stared up at her with angry amazement, he felt an irrational longing for her, for what was she doing but defying, through him, the very core of Gormenghast? And it was this solitary insurrection that had first affected him with wonder and excitement. And while the stinging of his cheek-bone angered him so that he wished to shake her, strike her and subdue her, at the same time the ease with which she had flitted from ledge to perilous ledge, the long wet garment slapping on the rocks as she sped, had made him lust for her small breasts and her slender limbs. He yearned to crush and master them. And yet he was angry.

How it was that she had been able to move at all across the rockface with his shirt impeding the freedom of her legs, let alone travel so speedily, he could not tell. The long sleeves flapped about her hands, but somehow or other she had been able to flick out her fingers from the folds, time after time, to grasp the cavern outcrops.

Now, as she crouched in the upper shadows, the damp cloth clinging to her and taking the form of her narrow limbs as though it had been sculptured, Titus, watching from below, cried out suddenly in a voice that seemed not his own.

'I am your friend! Your friend! Can't you understand? I am Lord Titus! Can't you hear me?'

The face like a robin's egg stared down at him from among the ferns, but there was no reply, save what sounded like a distant hissing.

'Listen to me,' he shouted again, more loudly than before, although his heart beat wildly and the words were difficult to form.

'I have followed you. Don't you see?... followed you... O, can't you understand! I've run away...'

He took a step nearer the wall so that she was almost directly overhead... 'And I've found you! So speak to me, for God's sake, can't you? Can't you?' He saw her mouth open above him, and at that moment she might have been a giant phantom, something too earthless to be held in by the worldly dimensions of this cave, something beyond measurement. And her open mouth gave him the answer to his question.

'So 'speak',' he shouted, 'can't you?' And this is what she could not do, for the first sound which Titus heard her utter bore no relation to human speech. Nor did the tone of it convey that he was being answered even in a language of her own. It was a sound, quite solitary and detached. It had no concern with communication. It was inward and curiously pitched.

So divorced was it, this nameless utterance from the recognized sounds of the human throat, that it left Titus in no doubt that she was incapable of civilized speech and not only this but that she had not understood a word he had said.

What could he do to show her he was not her enemy, that he had no wish to avenge himself for the blood on his cheek? The thought of his wound gave him an idea, and he immediately lowered himself to his knees, never taking his eyes off her, and felt about him for a stone, her eyes following his every movement with the concentration of a cat. He could see the tenseness of her body vibrating through the shirt. When his fingers closed upon a stone he rose to his feet, stretched out his hand with the missile displayed upon his open palm. Surely she must realize that it was now in his power to fling the thing at her. For a moment or two he showed her the stone, and then tossed it backwards over his shoulder where it clanged on the solid rock of the wall behind him.

But no expression crossed the freckled face. She had seen everything but as far as Titus could tell it had meant nothing to her. But as he stared up he became conscious that she was preparing to change her position, or to make some kind of attempt at escape. For the hundredth part of a second her eyes had flicked away as though to remind herself of the surrounding footholds and the dangerous ledges, and then again her eyes switched from his face, but this time it was to something that lay behind Titus on the other side of the cave. Quick as thought he turned his head and saw what he had forgotten all about, the two wide natural chimneys through the rock, that, twelve feet above the entrance of the cave, led to the outer air.

So that was what she would try and do. He knew that she could not reach these rounded vents from where she was, but that if she could circle the cave, she might spring from the opposite side into the upper chimney, and so, out into the open, where, no doubt, she would be able to swarm across the moss-grey walls of streaming rain.

For the rain was still pounding. It was an inevitable background to all they did. They were no longer conscious of the steady roaring, of the shouts of the thunder or of the intermittent lightning. It had become normality.

And then, from where she crouched, the Thing rose in the air, and was all at once upon a broader ledge six feet to her right. There seemed to have been no muscular effort. It was flight. But once there, she tore at Titus' shirt, hauling it over her head as though she were freeing herself of a sail, but somehow it had become entangled about her, during her leap, and, blinded for a moment by its folds across her face, she had, in a momentary panic, shifted her foothold and, misjudging the area of the ledge, she had overbalanced in the darkness and, with a muffled cry, had toppled from the height.

Involuntarily, as she had leapt to the broader shelf of rock, Titus had moved after her, as though drawn by the magic of her mobility, so that as she overbalanced he was within a few feet of where she would have struck the floor. But before she had fallen more than her own length he was stationed beneath her, his knees flexed, his hands raised, his fingers spread, his head thrown back.

But what he caught was so unsubstantial that he fell with it to the floor from the very shock of its lightness. His legs weakened beneath him with surprise, as though they had been cheated of the weight, however slight, that they were prepared to sustain. He had caught at a feather and it had struck him down. But his arms closed about the sprite that struggled in the cold wet linen, and Titus gripped her with an angry strength, the full weight of his body lying across hers, for they had rolled over one another and he had forced her under.

He could not see her face; it was closely shrouded in the wet linen, but the shape of it was there as her head tossed to and fro; it was like the head of sea-blurred marble long drowned beneath innumerable tides, save where a ridge of cloth was stretched across the forehead and took the shape of the temples. Titus, his body and his imagination fused in a throbbing lust, gripping her even more savagely than before with his right arm, tore at the shirt with his left until her face was free.

And it was so small that he began to cry. It was a robin's egg, and his whole body weakened as the first wild virgin kiss that trembled on his lips for release died out. He laid his cheek along hers. She had ceased to move. His tears ran. He could feel her cheek grow wet with them. He raised his head. He had become far away and he knew that there would be no climax. He was sick with a kind of glory.

Her head was turned to one side upon the ground and her eyes were fixed upon something. Her body had become rigid. For a moment it had melted and was like a stream in his arms, but now it was frozen once more, like ice.

Slowly he turned his head, and there was Fuchsia, the rain water streaming from her to the ground, her drenched hair hanging snake-like over her face, and her face in her hand.

III

All of a sudden Titus knew that he was lying alone. The sleeve of the shirt was clenched in his hands but the Thing had gone.

He had forgotten there was any other world. A world in which he had a sister and a mother, in which he was an earl. He had forgotten Gormenghast.

And then he heard the shrill scream of derision which he was never to forget. He leapt to his feet and ran dizzily to the door of the cave. There he saw her standing in the downpour, knee deep in water, naked as the rain itself. The lightning was playing continuously now, lighting her as though she were a thing of fire herself, now flickering across her in a yellow half light.

As he stared a kind of ecstasy filled him. He had no sense of losing her - but only the blind and vaunting pride that he had held her in his arms; that naked creature that was now crying again, derisively in a language of her own.

It was finality. Titus knew in his bones that he could expect no more than this. His teeth had met in the dark core of life. He watched her almost with indifference - for it was all in the past - and even the present was nothing to the pride of his memory.

But when, out of the heart of the storm that searing flash of flame broke loose, and ripping a path across the dazzled floods, burned up the 'Thing' as though she had been a dry leaf in its path, and when Titus knew that the world was without her for ever, then something fled in him - something fled away or was burned away even as she had been burned away. Something had died as though it had never been.

At seventeen he stepped into another country. It was his youth that had died away. His boyhood was something for remembrance only. He had become a man.

He turned and retraced his steps to where Fuchsia leaned against the wall. They could not speak.

How pitifully human she was. When he parted the long locks that straggled over her face and saw how defenceless she was, and when she pushed his hand away with the tired disillusion of a woman twice her age, then he realized his own strength.

At a time when he should have been broken by the scene he had just witnessed - by the death of his imagination - he found himself to be emptied of distress. He was himself. He was free for the first time. He had learned that there were other ways of life from the ways of his great home. He had completed an experience. He had emptied the bright goblet of romance; at a single gulp he had emptied it. The glass of it lay scattered on the floor. But with the beauty and the ugliness, the ice and the fire of it on his tongue and in his blood he could begin again.

The Thing was dead... dead... lightning had killed her, but had Fuchsia not been there he would have shouted with happiness for he had grown up.

IV

It was a long time before a word was exchanged. They sat exhausted side by side. Fuchsia had been persuaded to take off her long red dress, and Titus had wrung it out and it was now spread before the fire he had re-kindled. He longed to leave the cave. It was now so much dead rock. It was over and done with. But Fuchsia, sick with exhaustion, was in no state to start the return journey for an hour or more.

While he moved about the cave, Titus caught sight of some dead birds on a ledge of rock but his hunger had never returned.

Then he heard Fuchsia's voice, very low and heavy.

'I thought perhaps you'd be here. I am better now. We must go back. The flood is rising.'

Titus walked quickly to the door of the cave. It was true. They were in danger. Far from lessening the rain was heavier than ever with formidable massings of cloud.

He returned quickly to her side.

'I told them you had lost your memory,' she said. 'I told them you had been like this before. You must say the same. We'll part near the Castle. Come on.'

She got to her feet and pulled her damp red dress over her head. Her heart was raw with disappointment. Her fear had been for Titus' safety and she had risked her neck for him, but her hopes had been that he would be proud of her. To struggle all that way, and to find him with... the 'Thing'!

Clinging fiercely and painfully to her pride, she swore to herself that she would never ask him - would never speak of her. She had thought that there was no one so close to him as herself - or that if there was, he would tell her. She knew that she was only his sister but she had had a blind faith that even though she had defied him over Steerpike, yet she was more necessary to him than Steerpike had ever been to her.

Titus was gazing at her as he tucked the torn and fateful shirt into his trousers.

'She is dead, Fuchsia.'

She lifted her head.

'Who?' she murmured.

'The wild girl.'

'The... wild... girl...? So soon?'

'The lightning.'

Fuchsia turned to the cave-mouth and began to move towards the storm. 'Oh God,' she whispered as though to herself. 'Is there nothing but death and beastliness?' and then, not turning as she spoke, but raising her voice. 'Don't tell me, Titus. Don't tell me anything. I would rather know nothing. You live your life and I'll live mine.'

Titus joined her at the mouth of the cave. It was a frightening sight that lay before them. The landscape was filling up with water. There was not a moment to lose.

There's only one hope,' said Titus.

'I know, said Fuchsia. The tunnel.'

They stepped forward together and received the weight of the cascading sky.

Thereafter their journey was a nightmare of water. Time after time they saved one another in the treacherous flood as they waded towards the entrance of the long underground passage. A hundred incidents befell them. Their feet were caught in underwater creepers; they stumbled over submerged bushes; the limbs of trees fell headlong into the water at their sides, and all but struck or drowned them. At times they were forced to return and make long detours where the water was too deep, or too marshy. When they came to the high bank on the hill they were all but drowned. But the tunnel was there and although the water had begun to pour down its black throat yet their relief at seeing it was such that they involuntarily clasped each other. For a fleeting moment the years rolled back and they were brother and sister again in a world of no heartburn.

They had forgotten that the tunnel was so long; so inky dark, so full of vegetable beastliness, of hampering roots, and foul decay. As they neared the castle the water became deeper; for on every side of Gormenghast the landscape shelved gradually downward, the widespread mazes of rambling masonry lying at the centre in a measureless basin.

When eventually they were able to stand upright and emerged from the tunnel, and began to wade along the corridors that led to the Hollow Halls, the water was up to their waists.

Their progress was maddeningly slow. Step by step they forced their way through the heavy element, the inky water curling at their waist. Sometimes they would climb steps and would be able to rest for a while, at the top of a flight, but they could not stay for long, for all the while the water was rising. It was a mercy that Titus had become familiar with the one route that took them by degrees to that point behind the giant carving where, so long ago, he had escaped from Barquentine to lose himself in those watery lanes that they were now so slowly wading through.

It came at last: the halt behind the statue. Titus was in front and he worked his way around the base of the carving and cautiously leaning forward, peered to left and right along the dusky corridor. It was deserted and no wonder. Here as elsewhere the water lay like a dark and slowly moving carpet. It was obvious that the flood had poured in on every side and that the ground level of Gormenghast had been evacuated. His dormitory was upon the floor above, and Fuchsia's room was likewise above flood level. Fuchsia was by now beside him, and they were about to step forward through the water and proceed along their separate paths to their rooms when they heard the sound of a splash, and Titus dragged his sister back. The sound was repeated and repeated again in a regular beat. and then as it grew louder, they saw a glimmer on the water as a soft red light began to approach from the west.

Holding their breath they waited and a moment later they saw the flat nose of a punt or narrow raft slide into their line of vision. An oldish man sat upon a low seat at its centre. He held in either hand a short pole and these were dipped simultaneously on either side of his craft. They had not far to submerge before they struck the stone beneath and the punt was propelled forward in a smooth and unhurried manner. At the bows was a red lantern. Across the stern lay a firearm, its hammer cocked.

Both Fuchsia and Titus had seen the man before. He was one of the many watchmen or sentries who had been detailed to patrol these lower corridors. Evidently neither the storm nor Titus' disappearance had caused any relaxation in the daylong, nightlong search for the skewbald beast.

Directly the light of his lantern and its red reflection had grown small in the distance the brother and sister waded to the nearest of the great stairways.

As they climbed they became aware, even before they had reached the stairhead of the first of the spreading storeys, that a great change had come about. For looking up they saw, out-topping the stone banisters, high piles of books and furniture, of hangings and crockery, of crate on crate of smaller objects, of carpets and swords, so that the landing was like a great warehouse or emporium.

And lying across tables, or slouched over chairs, in every kind of attitude of fatigue were numbers of exhausted men. There were few lanterns still alight, but no one seemed awake, and nothing moved.

Tip-toeing past the sleepers, and leaving trails of water behind them as they went, Titus and Fuchsia came at last to a junction of two corridors. There was no time for them to linger or to talk but they stood still for a moment and looked at one another.

'This is where we part,' said Fuchsia. 'Don't forget what I told you. You lost your memory and found yourself in the woods. I never found you. We never saw each other.'

'I won't forget,' said Titus.

They turned from each other and, following their diverging paths, disappeared into the darkness.

SIXTY-NINE

There was no one alive in Gormenghast who could remember a storm in any way comparable to this black and endless deluge that, flooding the surrounding country, and mounting with every passing minute, was already lapping at the landings of the first storey.

The thunder was continuous. The lightning went on and off as though a child were playing with a switch. On the vast expanse of water, the heavy branches of riven trees floated and tossed like monsters. The fish of Gormenghast river swam out in every direction, and could be seen steering through the castle's lowest windows.

Where high ground or an isolated rock or a watch tower broke the surface, these features were crowded with small animals of all kinds, that huddled together in heterogeneous masses, and took no notice of one another. By far the vastest of these natural sanctuaries was, of course, Gormenghast Mountain which had become an island of dramatic beauty, the thick forest trees hanging out of the water at its base, its streaming skull flickering balefully with the reflection of the vibratory lightning.

By far the greatest proportion of the animals still alive were congregated upon its slopes, and the sky above it, violent and inhospitable as it was, was never free of birds that wheeled and cried.

The other great sanctuary was the castle itself towards whose walls the tired foxes swam, the hares beside them, the rats in their wake, the badgers, martins, otters and other woodland and river creatures.

From all the quarters of the compass they converged, their heads alone visible above the surface, their breath coming quick and fast, their shining eyes fixed on the castle walls.

This gaunt asylum, like the Mountain (that faced it across the rain-lashed lakes, that were so soon to form an inland sea), had become an island. Gormenghast was marooned.

As soon as it became evident to the inhabitants that it was no ordinary storm that had broken upon them and that the outer ramifications of the castle were already threatened and were liable to be isolated from the main mass, and that the outbuildings, in particular the stables and all structures of wood, were in peril of being washed away, instructions were given for the evacuation of the remote districts, for the immediate recall of the Bright Carvers, and for the driving of all livestock from the stables to within the walls. Bands of men and boys were dispatched for the bringing in and the salvaging of carts, ploughs and all kinds of farm equipment. All this, along with the carriages and harnessings of the horses, was temporarily housed in the armoury on the east side of one of the inner quadrangles. The cattle and the horses were herded into the great stone refectory, the beasts being segregated by means of improvised barriers made largely from the storm-snapped boughs of trees that were piling up continuously beneath the southern windows.

The Outer Dwellers, already smarting with the insult of the broken Ceremony, were in no mood to return to the castle, but when the rain began to loosen the very foundation of the encampments, they were forced to take advantage of the order they had received, and to make a sullen exodus from their ancient home.

The magnanimity that was shown them in their time of peril, far from being appreciated, still further embittered them. At a time when they had no other work than to withdraw themselves and to brood over the vile insult they had sustained at the hands of the House of Groan, they were forced to accept the hospitality of its figurehead. Carrying their infants and their few belongings over their shoulders, a horde of sodden malcontents drew in upon the castle, the dark water gurgling about their knees.

An extensive peninsula of the castle, a thing of rough unpointed masonry, a mile or more in length and several storeys high, had been given over to the Carvers. There they staked their claims, upon the mouldering floorboards, each family circumscribing their 'sites' in thick lines drawn with lumps of chalky plaster.

In this congested atmosphere their bitterness flourished, and unable to vent their spleen on Gormenghast, the great abstract, they turned upon one another. Old scores were remembered and a kind of 'badness' filled the long sullen promontory. Floor above floor was rancour. Their homes of clay were gone. They had become something which they would never have admitted in the days when they lived in open squalor 'beyond' the castle walls - they had become a dependency.

From their windows they could see the dark rain pouring. With every day that passed the sky seemed thicker, and fouler in the sagging horror of its black and glutted belly. From the upper halls at the far and straggling limit of the promontory, the prisoners, for so they were in everything but name, were able to obtain a view of Gormenghast Mountain. With the first light of dawn, or by lightning flashes during the night, they noted how the flood had climbed its flanks. The horizontal branch of a far tree, or a peculiarity of some rock-face near the water's edge would be taken as a reference point, and it became their morbid interest to gauge how high and at what speed the flood was rising.

And then a kind of relief came to them - not from any outside source but through the foresight of an old carver, and this relief to their frustration took the form of boatbuilding. It was not carving in the creative sense in which they excelled, but it was carving. Directly the idea was launched, it sent forth its ripples that spread from one end of the peninsula to the other.

That they had been unable to carve had been as galling as the insult they had swallowed. Their rasps and chisels, saws and mallets had been the first things that they had gathered together when all hope of remaining in their hovels had disappeared. But they had been unable to carry with them the heavy timber or the jarl roots which they had always used. Now, however, their former media would be useless. Something of a very different nature was needed for the construction of boats or rafts or dug-outs, and it was not long before the redundant beams that spanned the ceilings, the panels from the inner walls, the doors themselves and where possible the joists and floorboards began to disappear. The competition among the families to build up within their chalk-marked sites a pile of board and timber, was deadly and humourless, and was only to be compared with the subsequent rivalry to build not only the most navigable and watertight craft but the most original and beautiful.

They asked for no permission; they acted spontaneously, ripping away. or prising apart floor-board and panel; they climbed for hours among filthy rafters and sawed through solid pine and timbers of black oak; they stole by night and they denied their thefts by day; they kept watch and set forth on expeditions; they argued over the safety of the floors; over which timbers were dangerous to move and which were ornamental. Great gaps appeared in the floors through which the ragged children flung filth and dust upon the heads of the carvers on the floor below. The lives of the Outer Dwellers had become almost normal again. Bitterness was their bread and rivalry their wine.

And the boats began to take shape, and hammering filled the air, as in the semi-darkness, with the rain lashing through the windows and the thunder rolling, a thousand forms of craft grew into beauty.

Meanwhile in the main body of the castle there was little time for any other activity than that of moving upwards, eternally upwards, the multitudinous effects of Gormenghast.

The second floor was by now untenable. The flood, finding its own level within the honeycombed interiors, had become more than a threat to property. A growing number of the less agile or intelligent had already been trapped and drowned; doors being unopenable by reason of the weight of pressing water or directions being lost among the unfamiliar waterways.

There were few who were not engaged upon the back-breaking business of forcing a world of belongings up the scores of stairways.

The cattle so necessary to the survival of the marooned had changed their quarters time after time. Driving them up the broadest flights it had been difficult to control their panic. The stout banisters had given way like matchsticks - iron railings had been bent by the pressing weight of the climbing herds; masonry had been loosened, a huge stone lion at the head of a stairway falling down the well of the stairs, four cows and a heifer following it to their deaths in the cold water below.

The horses were led up one by one, their hooves pawing at the treads of the stairs, their nostrils distended, the whites of their eyes shining in the gloom.

A dozen men were kept busy all day shifting the loads of hay up to the upper halls. The carts and ploughs had had to be abandoned as had a heavy and irreplaceable inventory of machines and bulk of every description.

On every floor an abandoned conglomeration was left behind, for the climbing water to despoil. The armoury was a red pond of rust. A score of libraries were swamps of pulp. There were pictures floating down long corridors, or being lifted gradually from their hooks. The crevices in wood or brick and tiny caves between the stones of the innumerable walls had been swilled free of the complexity of insect life. Where generations of lizards had lived in secrecy there was only water now. Water that rose like terror, inch by clammy inch.

The kitchens had been moved to the highest of the suitable areas. The gathering together and transporting of the thousand and one things necessary to the feeding of the castle had been itself an epic undertaking, as also, in another way, had been the frantic packing and dragging from the Central library of the traditional manuscripts, the sacred laws of Ritual and the thousands of ancient volumes of reference but for which the complex machinery of the castle's life could never be revived. These heavy crates of sacrosanct and yellowing papers were dragged at once to the high attics and a couple of sentries were posted before them.

As every landing filled with salvage, the exhausted men, their shirts stuck to their backs, their brows shining like candlewax, from the sweat that poured into their eyes, cursed the storm, cursed the water, cursed the day they were born. It seemed to have gone on for ever, this shouldering of giant cases up tortuous stairs; of straining upon ropes, only to hear them snap and the burden crash headlong down the flights they had won so dearly; the aching of their bodies and thighs; this ghastly fatigue. There was no end to it; to the mechanics of gear and rigging; to a hundred extempore inventions; to the levering and the cranking; to the winding of home-made pulleys; to the gradual raising of stock and metal; of fuel, grist and treasure; of vintage and hoards of miscellaneous lumber. From storehouse, depository, vault and warehouse, from magazine, dump and coffer, from granary and arsenal; from the splendid rooms of bygone days where the great 'pieces' mouldered; from the private rooms of countless officers; from the communal halls and the dormitories of the hierophants - from all these places everything went up, the furniture, the chattels, the works of vanity and the works of art; from the enormous tables of carved oak, to the least of silver bracelets.

But all this was not without organization. Behind it all there was a brain at work. A brain that had been drowsing since girlhood - that had been for so long a time unfocused that it had taken no less a thing than Steerpike's rebellion to make it yawn and stretch itself. It was now fully awake. It belonged to the Countess.

It was she who had given the first orders; who had called in the Bright Carvers; who had, with a great map of the central district of Gormenghast spread before her, remained seated at a table at one of the central landings, and, co-ordinating the multifarious activities of salvage and resettlement, had given her subjects no time to think of the peril they were in but only of their immediate duties.

From where she sat she could see the last of the removals from the landing below. The water had reached to about the fifth tread of this upper staircase. She stared down at the four men who were struggling with a long blackish chest. As it moved water poured out of it. Step by step it was hoisted up the wide flight. The lapping water was choked with floating objects. Every floor had delivered to the flood its quota of things lost, forgotten or worthless, the lower regions lifting their buoyant chattels inch by inch to loftier waterways where, joined by fresh flotillas, newly launched, the heterogeneous flotsam grew and grew.

For a few moments the Countess eyed the dark water in the well of the stairs before turning to a group of runners, who were stationed before her.

As she turned to face them a fresh messenger arrived panting. He had been to check the rumours that had reached the central castle of how the Bright Carvers were engaged upon boat-building and had all but gutted the promontory.

'Well?' she said, staring at the runner.

'It is true, your ladyship. They are building boats.'

'Ah,' said the Countess. 'What else?'

'They ask for awnings, your ladyship.'

'Awnings. Why?'

'The lower storeys have been flooded out, as here. They have been forced to launch their boats, unfinished, through the windows. They have no protection from the rain. The upper storeys refused them entry. They are already overcrowded.'

'What kind of boats?'

'All shapes, your ladyship. Excellently made.'

She propped her chin on her big hand. 'Report to the Master of the Rough Hangings. Have him send all the canvas that has been salvaged. Inform the Carvers their craft may be requisitioned in emergency. They must make all the vessels they can. Send me the Custodian of the River Boats. We have some craft of our own, have we not?'

'I believe so, your ladyship. But not many.'

'Next messenger!' said the Countess.

An old man came forward. 'Well?' she said.

'I see no break in the storm,' he said. 'On the contrary...'

'Good,' said the Countess.

At this remark every eye was turned to her. At first they did not trust their hearing. Turning to each other the score or so of officials and messengers who surrounded her could see, however, that none of them had misheard. They were all equally perplexed. She had spoken softly, heavily, hardly above a whisper. 'Good', she had said. It was as though they had overheard some private thought.

'Is the leader of the Heavy Rescue here?'

'Yes, your ladyship.' A tired and bearded figure came forward.

'Rest your men.'

'Yes, your ladyship. They need it.'

'We all need it. What of it? The waters are rising. You have your list of priorities?'

'Yes.'

'Have the leaders of every section made their working copies?'

'They have.'

'In six hours' time the flood will be at our feet. In two hours' time all hands are to be woken. There is no possibility of the night being spent on this level. The Chequered Stairway is the widest. You have my order of priority; livestock, carcasses, corn; and so on, have you not?'

'Certainly, your ladyship.'

'Are the cats comfortable?'

'They have the run of the twelve blue attics.'

'Ah... and then...' her voice tailed away.

'Your ladyship?'

'... And then, gentlemen, we shall begin. The mounting water draws us all together. Is that so, gentlemen?'

They bowed their perplexed assent.

'With every hour less rooms are tenable. We are driven up, are we not, into a confine. Tell me, gentlemen, can traitors live in air and feed on it? Can they chew the cloud? Or swallow the thunder or fill their bellies with lightning?' The gentlemen shook their heads and eyed one another.

'Or can they live beneath the surface of the water like the pike I see below me in the darkness? No. He is like us, gentlemen. Are the sentries posted as usual? Is the kitchen guarded?'

'It is, your ladyship.'

'Enough! We are squandering the time. Give orders that there are two hours' sleep. You will leave me.'

She got to her feet as her audience retired to propagate her instructions and leaned over the heavy balustrade that surrounded the stairhead. The water had risen half the height of a tread since she had heard of the Carvers' boats. She leaned there, like something over life size, her heavy arms folded on the balustrade, a lock of her dark red hair hanging over her wide, pale brow as she stared over and down to where the black water brooded in the well of the stairs.

SEVENTY

When the Countess had heard of Titus' return to the castle, she had summoned him at once and had heard from him of how the heat had overpowered him, and of how he had lost his memory and, after he knew not how long a time, had found himself alone on the outskirts of Gormenghast forest.

As Titus had recounted these falsehoods she had stared at him but made no comment, save, after a long pause, to ask him, whether on his return he had seen Fuchsia.

'I say on your 'return'' (she had added), 'as on your outward journey you were in no state to recognize anyone. Is that so?'

'Yes, mother.'

'And did you see her, when you were returning, or after you returned?'

'No.'

'I will have your story circulated throughout the castle. Within an hour the Carvers will be informed of your loss of memory. Your oblivion was ill-timed. You may go now.'

SEVENTY-ONE

For little short of a fortnight the rain continued unabated; so great a proportion of the castle was now under water that in spite of the rain it was necessary for encampments to be formed upon the suitable roofs which were approached through attic hatchways. The congestion in the upper zones was appalling.

The first of the commandeered flotillas had been paddled across the deep water from the carvers' promontory. On their return journey across the roofs and upper floors the carvers were permitted to take with them what loose timber they could carry.

The Countess had a broad and handsome craft. It was designed for oarsmen and had an ample space for her at the stern to sit and steer with comfort.

The carvers had been supplied with tar and great drums of paint, and this solid boat was decorated with devices of red, black and gold. Its bows rose out of the water with a slow and massive grace and terminated in a carved head that resembled a bird of prey, its throat of sculptured feathers and its bald forehead a dusky scarlet, its eyes yellow and petalled like the heads of sunflowers, its curved beak black and sinister. This idea of a figurehead had been almost universally adopted by the carvers. As much care had been lavished in this way as upon the structure and the safety of the boats.

One day Titus was informed that a special craft had been created for him, and that it awaited him in a southern corridor. He went at once and alone to where it lay floating. At any other time Titus would have cried with joy to receive the slim and silver creature of the waterways, so exquisitely balanced on the flood; to have been allowed to step from the water-logged and immovable table that was half afloat on the castle's seventh floor - to step into this canoe, which, unlike any he had ever seen in his picture books when a child, seemed eager to be away, at the dip of a paddle.

As it was he loved it; but with heartburn. It seemed to remind him of all he vaguely longed for. It reminded him of the days when he hardly knew himself to be an earl; when to have no father and no affection from his mother seemed normal enough; when he had seen no violence; no death; no decay. Of days when there was no Steerpike at large like a foul shadow that darkened everything and kept the nerves on edge; and more than this; the slight canoe beneath him reminded him of the days when he knew nothing of the terrible antithesis within him - the tearing in two directions of his heart and head - the divided loyalties - the growing and feverish longing to escape from all that was meant by Gormenghast, and the ineradicable, irrational pride in his lineage, and the love, as deep as the hate, which he felt, unwittingly, for the least of the cold stones of his loveless home.

What else was it that brought the tears to his eyes as he took the paddle that was handed down to him, and dipped its blue blade in the sullen water? It was his memory of something that had fled as surely as his boyhood had fled; something that was as swift and slight and tameless as he knew this craft would be. It was his memory of the Thing.

He dipped his blade. A craftsman's masterpiece cock'd, as it were, her sweet and tapering head, whispered a curve of silver to the north, and slipping through a dusky gallery, leapt at the quickening of his paddle-stroke. Ahead of him, at the hinge of perspective, far away, a point of light, the water half way up its distant frames, sped towards him, as, skimming the flood of a black corridor, he drew, with every stroke, the nearer to the cold and rain-churned sea.

And all the time his heart was crying, and the exhilaration and the beauty of it all were the agents of his pain. Swiftly as he sped he could not outstrip his body or his mind. The paddles dipped and the craft flew but could not leave his haunted heart behind. It flew with him on the sepulchral water.

And then, as he neared the all-but flood-filled window he realized for the first time how dangerously close was its upper lintel to the surface. The light from without had strengthened considerably during the last hour and the reflection of the square of light had been so strong as to have given Titus the impression that the entire area of light, the reflections included, was an opening through which he could pass. But now he saw that he had only the top half of the bright square through which to skim. Flying towards it he fell back suddenly, and lying with his head below the level of the sides and with his eyes shut he heard the faintest of gritty whispers as, shooting the window, the delicate prow of the vessel grated the lintel.

Suddenly the sky was wide above him. An inland sea was ahead of him. A steady rain was pouring down, but compared with the long deluge they had grown to accept as normal, it seemed that he was afloat in good weather. He allowed the canoe to slacken speed of its own and when it had come to a bobbing standstill he turned her about with a stroke and there ahead of him the upper massives of his kingdom broke the surface. Great islands of sheer rock weather-pock'd with countless windows, like caves or the eyries of sea-eagles. Archipelagos of towers, gaunt-fisted things, with knuckled summits - and other towers so broken at their heads as to resemble pulpits, high and sinister; black rostrums for the tutelage of evil.

And then a qualm, empty cold and ringing, as though he was himself a hollow bell stirred in his bowels like a dapper. An exquisite sense of loneliness grew beneath his ribs, like a bubble of expanding glass.

The rain had ceased to fall. The agitated water had become silent, motionless. It had taken on a dark translucence. Afloat upon a yawning element he gazed down to where, far below him, trees grew, to where familiar roads wound in and out, to where the fish swam over walnut trees and strangest of all to the winding bed of Gormenghast river, so full of water that it had none of its own.

What had all this that filled his eyes with amazement and pleasure, what had it all to do with the despoiling flood, the wreck of treasures, the death of many, the haunt of Steerpike who, driven slowly upwards, was hiding even now? Was this where Fuchsia lived? And the Doctor and the Countess, his own mother, who, it seemed, after trying to approach him had drawn away again?

In a state of overwrought melancholy he began to slide forward over the still waters, dipping his paddle every now and again. A dull light from the sky played over the water that streamed in sheets from gutterless roofs.

As he neared the isles of Gormenghast, he saw away to the north, the carvers' navy like scattered jewels on the slate-grey flood. Immediately ahead of him, as he proceeded, was the wall through one of the windows of which he had so dangerously skimmed. What was left of the window and of those on either side was now submerged and Titus knew that yet another floor of the central castle had by now been abandoned.

This wall, which formed the blunt nose of a long stone headland, had a counterpart a mile to the east. Between these two a vast and sombre bay lay stretched, with not a break in its surface. As with its twin, this second headland had no windows open at flood level. The water had a good twelve feet to climb before the next tier of casements could be entered or affected. But turning his eyes to the base, or curve of the great bay - to where (had it been in reality a bay) the sands might well have stretched, Titus could see that the far windows in that line of cliffs, no larger in his sight than grains of rice, were, unlike those of the headlands, far from regular.

Those walls, covered with ivy, were in many ways peculiar. Stone stairs climbed up and down their outer sides and led to openings. The windows, as he had already observed, appeared to be sprinkled over the green façades of the cliff with an indiscriminate and wayward profluence that gave no clue as to how the inner structures held together.

It was towards this base of the 'bay' that Titus now began to paddle, the limpid flood as chill as death beneath him, with all its rain-drowned marvels.

SEVENTY-TWO

It seemed to Titus a deserted place, a fastness of no life - rank with ivy, dumb with its toothless mouths, blind with its lidless eyes.

He drew in to the base of the abandoned walls where a flight of steps rose slanting out of the depths of the water, and, climbing alongside the wet green wall of ivy, rose to a balcony forty feet above his head - a stone affair surrounded by an iron railing decoratively wrought but so corroded with rust, that it only waited the tap of a stick to send it crumbling to the water.

As Titus stepped from his craft on to the stone steps at water level, and kneeling, lifted it dripping from the water and laid it carefully along the length of a stone tread, for he had no painter, he became conscious of a distinct malevolence. It was as though the great walls were watching his every move.

He pushed his brown hair back from his forehead and lifted his head so that he faced the towering masonry. His eyebrows were drawn together, his eyes were narrowed, his trembling chin was thrust aggressively forward. There was no sound but the dripping of the rain from the acres of ivy.

Unpleasant as was this sense of being under observation, he fought back the panic that might so easily have developed and, more to prove to himself that he was not afraid of mere stone and ivy rather than because he really wished to mount the stairway and discover what lay within the melancholy walls, he began to climb the slippery steps that led to the balcony. And as he began his ascent, the face that had been watching him disappeared from a small window close to the summit of the lowering wall. But only for a moment, for it reappeared so suddenly again at another opening that it was difficult to believe that it could be the same face that now stared down to where the steps slid under the water and where Titus' canoe lay 'beached'. But there could be no doubt of it. No two faces could either be so identical of blemish, nor so cruelly similar. The dark red eyes were fixed upon the little craft. They had watched its approach across the 'bay'. They noted how light, rapid and manoeuvrable it was, how it had answered to the merest whim of its rider.

He turned his eyes from the craft to Titus, who by now, having climbed a dozen steps was within a couple more of being immediately below the heavy block of stone which Steerpike had loosened, and which he had half a mind to send hurtling down upon the youth below.

But he knew that the death of the Earl, much as it would have gratified him, would not in fact materially advance his chance of escape. Had it been certain that the stone would strike his lordship dead, he would have had no hesitation in satisfying what had now become a lust for killing. But were the stone to miss its prey and splinter on the steps far below, then not only would Titus have every right to imagine that he had been ambushed - and who would ambush the Earl save he himself? - but also a more immediate dislocation of his plans would result. For there was little doubt that Titus on recovering from his shock would not dare to continue with his upward climb, but would return immediately to his craft. And it was this boat that Steerpike was after. To be able to move at speed through the tortuous waterways of the castle would double his mobility.

Driven from haunt to haunt, from hiding place to hiding place by the rising water, his operations conditioned always by the necessity of his being within striking range of the stores and larders, it had in the narrowing zone of manoeuvre become imperative for him to be able to travel with equal speed and silence over both land and water. For days he had starved when the mobile kitchens were so positioned in a curve of the spacious west wing that it was impossible for him, guarded as they were, to plunder.

But they had moved, since then, at least three times, and now, with the possibility of the rain having stopped for good, it was his savage hope that they had found a fixity in that high sub-attic room above which in a barricaded and all but lightless loft he had established his headquarters. In the ceiling of this murky refuge a trap door opened upon a sloping roof of slates, where swathes of creeper bandaged it from sight. But it was the hatch in the floor below him which, when lifted with a tender and secret care more usually associated with the handling of sucklings, that gave him access to the most pressing of his needs: for below him lay the stores. In the small hours, when it became necessary he would lower himself inch by noiseless inch on a long rope. The sack he brought down with him he would fill with the least perishable provisions. A dozen or more of the staff would be asleep on the floor, but the sentries were naturally posted on the outer side of the three doors and were no bother to him.

But this was not his only hide-out. He knew that sooner or later the floods would fall. The kitchens would again become nomadic. It was impossible to tell in which direction the life of the castle would sway as on its slowly downward journey it trod upon the wet heels of the subsiding water.

The spreading roofs themselves furnished him with seven secret strongholds. The attics and the three dry floors below provided for at least four as safe, in their varying ways, as his garret above the kitchen. And now that the flood had stayed at the same level for three days, a few feet above the majority of the landings of the ninth floor, it had become possible for him to prepare in advance a number of aqueous asylums.

But how much simpler and safer it would be for him were he able to reconnoitre the high canals in such a craft as he now saw below him.

No. He could not afford to send the rough stone hurtling down. There was more than a chance of his failure to slay. The acute temptation to crush at a single blow that life out of the heir to Gormenghast - and leave nothing more than brick and stone behind - the intoxicating temptation to take the risk and to do this, was hard to resist.

But before all else came his own survival, and if by so much as an iota he deviated in any way from what he considered to be his final advantage then the end would surely come if not now, then very soon. For he knew he was walking on a razor's edge. He gloried in it. He had slid into the skin of a solitary Satan as though he had never enjoyed the flourish of language, the delights of civil power. It was war, now. Naked and bloody. The simplicity of the situation appealed to him. The world closed in upon him, its weapons drawn, eager for his death. And it was for him to outwit the world. It was the simplest and most fundamental of all games.

But his face was not the face of a thing at play. Or even of the Steerpike of a few years back - at play; or even of sin at play, for something new had happened to it. The terrible pattern that made of it a map, the white of the sea, the red, the continents and spattered islands, was hardly noticeable now. For it was the eyes that drew away the attention from all else.

For all the characteristic cunning and agility of his brain, he was no longer living in the same world that he lived in before he murdered Flay. Something had altered. It was his mind. His brain was the same but his mind was different. He was no longer a criminal because he chose to be. He had no longer the choice. He lived now among the abstractions. His brain dealt with where he would hide and what he would do if certain contingencies arose, but his mind floated above all this in a red ether. And the reflection of his mind burned through his eyes, filling the pupils with a grizzly bloodlight.

As he stared down like a bird of prey from its window'd crag, his brain saw, far below him a canoe. It saw Titus standing on the stone balcony. It saw him turn and after a moment's hesitation enter the rotting halls and disappear from view.

But his mind saw nothing of all this. His mind was engaged in a warfare of the gods. His mind paced outwards over no-man's-land, over the fields of the slain, paced to the rhythm of the blood's red bugles. To be alone and evil! To be a god at bay. What was more absolute.

Three minutes had passed since the Earl had disappeared into the maw of the building below him. Steerpike had given him time to move well into the fastness before he took action. There had been the chance of the sudden reappearance of the youth, for the lower halls were dark and sinister. But he had not reappeared, and the time was now ripe for Steerpike to make his leap. The descent was of a sickening duration. The blood hammered in the murderer's head. His stomach turned over and for a while he lost consciousness. When his reflection, flying upwards from the depths to meet him was shattered at the surface, and as the spume of water rose like a fountain, Steerpike's body, far below the surface, continued its descent until, at last, as his feet touched lightly upon the submerged head of a weather-cock, he began to rise again to the surface.

The disturbed water had become quite smooth again.

Dazed with the effort of the long fall, sick with swallowed water and with painful lungs, yet it was only a moment or two before he had struck out for the stone stairway.

When he reached it and climbed the few steps to where the canoe lay quietly upon her side, he wasted not a moment in setting her upon the water. Boarding her nimbly he grasped the paddle that lay within and with the first half-dozen strokes was speeding beneath the ivy-covered walls towards one of the few windows which coincided with the water level.

It was of course necessary for Steerpike to make immediately for cover. The great bay ahead was a death trap, where, were a fish to raise its head above the surface it would be seen at once!

At any moment the young Earl might return. It was for him to skid unseen through the first of the flood windows leaving no trace. As Steerpike sped rapidly over the water he had, as far as possible kept his head turned back over his shoulders for the possible reappearance of the earl. Were he to be seen it would be necessary for him to make his way at once to one of his hiding places. There would be no possibility of his being overtaken, but to be sighted would, for many reasons, be unfortunate. He had no wish for the castle to know he could travel by water - nor that he roamed so far afield as to these frowning headlands; the sentries might well be reinforced, the vigilance sharpened.

So far he had been fortunate. He had survived his fall. His enemy had been out of earshot when he had splashed into the water; he had sighted a window through which he would pass with ease and behind the dark jaw of which he could remain until darkness descended.

For a few minutes at a time, as he slipped along the base of the dark walls he was forced to turn his head, to correct the course of the canoe, but for the most part his eyes were fixed upon the empty balcony to which at any moment his enemy might return.

It was when he had but three or four lengths of his canoe to go, before he turned her into the castle that, concentrating upon a faultless entry, he was unable to see that Titus had stepped out upon the open balcony.

He could not see that on immediately discovering the disappearance of his boat, Titus had started forward and had then swept his eyes across the bay until they had come to rest upon the only moving object - the far canoe as it began its curve into the cliff. Without a thought Titus drew backwards into the doorway around which he now peered, his body shaking with excitement. Even at that distance there was no mistaking the hunched shoulders of the marauder. It was well that he had stepped backwards so quickly, for as the canoe took its curve and straightening out, slid rapidly at the castle, as though to crash its delicate prow against its flank, Steerpike, certain of a perfect entry, returned his attention to the distant balcony, and as he noted its emptiness he disappeared into the wall like a snake into a rock.

SEVENTY-THREE

The Doctor was exhausted: his eyes red with lack of sleep, his features wasted and drawn. His skill was in unending demand. The flood had gathered in its wake a hundred subsidiary disasters.

In a long attic room which became known as the hospital, the improvised beds were not only filled with cases of fracture and accident of every description, but with the victims of exhaustion, and of various sicknesses resulting from the dank and unhealthy conditions.

He was now upon his way to a typical accident. The news had been brought to him of yet another case of broken bones. A man had fallen apparently while trying to carry a heavy crate up a slippery stairway, its treads swimming in rain water. On reaching the place the Doctor found that it was a clean break of the femur. The man was lifted onto the professional raft at the spacious centre of which the Doctor could apply his splints or perform whatever temporary operation was necessary, while at the same time his orderly at the rear propelled them back in the direction of the hospital.

Dipping his long pole with excellent regularity the orderly would send the raft sliding steadily along the corridors. On this particular occasion as the raft, when about half way to its goal, crept gingerly through a wooden arch somewhat narrow and difficult of manoeuvre, and came out into what must have once been a ballroom, for in one of its hexagonal corners the upper levels of an ornate platform emerged above the surface, suggesting that an orchestra once filled the place with music - as the raft edged itself out of the restricted passageway and floated forward into all this wealth of space, Doctor Prunesquallor sank back against the rolled up mattress he kept towards the stem of the raft. At his feet lay the man he had been attending, his trouser torn open from heel to hip; his thigh in a splint. The white bandages, bound with a beautiful and firm deliberation, were reflected in the ballroom water.

The Doctor shut his eyes. He hardly knew what was happening about him. His head swam; but when he heard his raft being hailed by some kind of dugout that was being paddled in his direction from the far end of the ballroom he raised an eyelid.

It was indeed a dugout that was drawing closer, a long, absurd affair, obviously made by the men who were now manning it, for the Carvers would never have allowed such an object to leave their workshops. At its stern, with his hand on the tiller was Perch-Prism, who was obviously in command. His black-gowned crew, using their mortar-boards as paddles, sat in varying degrees of dejection, one behind the other. They disliked not being able to face the way they were going, and resented Perch-Prism's captaincy and consequent control over their watery progress. However, Bellgrove had appointed Perch-Prism to his post and given orders (which he had never dreamed would be carried out) that his staff should help patrol the waterways. Schooling, of course, had become impossible, and the pupils, now that the rain had stopped, spent most of their time leaping and diving from the battlements, the turrets, the flying buttresses, the tops of towers, from any and every vantage point, into the deep dear water where they swam like a plague of frogs in and out of windows and over the wide breast of the flood, their shrill screams sounding from near and far.

And so the staff were free of scholastic duties. They had little to do but yearn for the old days, and to chaff one another until the chaff became acrimonious and a morose and tacit silence had fallen upon them and none of them had anything original left to say about the flood.

Opus Fluke, the stern oar, brooded darkly over the armchair that the flood had swallowed - the armchair which he had inhabited for over forty years the filthy, mouldering, hideous and most necessary support of his existence, the famous 'Fluke's cradle' of the Common Room - it had gone for ever.

Behind him in the dugout sat Flannelcat, a poor oarsman if ever there was one. For Flannelcat to be glum and speechless was nothing new. If Fluke brooded on the death of an armchair, Flannelcat brooded on the death of all things and had done so for as long as anyone could remember. He had always been ineffectual and a misery to himself and others, and so, having plumbed the depths for so long, this flood was a mere nothing to him.

Mulefire, the most difficult of the crew for Perch-Prism to control, sat like a hulk of stupid, bull-necked irritability, immediately behind the miserable Flannelcat, who looked to be in perpetual danger of being bitten in the back of the neck by Mulefire's tomb-stone teeth, and of being lifted out of his seat and slung away across the ballroom water. Behind Mulefire sat Cutflower; he was the last of them all to admit that silence was the best thing that could happen to them. Chatter was lifeblood - and it was a mere shadow of the one time vapid but ebullient wag who sat now staring at Mulefire's heavily muscled back.

There were only two other members to this crew: Shred and Swivell. No doubt the rest of the staff had got hold of boats from somewhere, or, like these gentlemen, had constructed something themselves, or even ignored Bellgrove's ruling, and kept to the upper floors.

Shred and Swivell dipping their mortarboards in the glassy surface were of course the nearest to the approaching raft. Swivell, the bow 'oar', turning his ageing face to see who it was that Perch-Prism was hailing, upset for a few moments the balance of the dugout which listed dangerously to the port side.

'Now then! Now then!' shouted Perch-Prism from the stern. 'Are you trying to capsize us, sir?'

'Nonsense,' shouted Swivell, colouring, for he hated being reprimanded over the seven heads of his colleagues. He knew that he had behaved in an utterly unworthy way, for a bow oar, but 'Nonsense' he shouted again.

'We will not discuss the matter now sir, if you please!' said Perch-Prism, dropping the lids over his small black and eloquent eyes, and half turning away his head so that the underside of his porcine nose caught what light there was reflected from the water.

'I would have thought it were enough that you had endangered your colleagues. But no. You wish to justify yourself, like all men of science. Tomorrow you and Cutflower will change places.'

'Oh Lord! La!' said Cutflower, testily. 'I'm comfy where I am, la!' Perch-Prism was about to let the ungracious Cutflower into a secret or two on the nature of mutiny when the Doctor came alongside.

'Good morning, Doctor,' said Perch-Prism.

The Doctor, starting out of an uneasy sleep, for even after he had heard Perch-Prism's shout across the water he had been unable to keep his eyes open, forced himself upright on the raft and turned his tired eyes upon the dugout.

'Did somebody say something?' cried he, with a valiant effort at jocularity, though his limbs felt like lead and there was a fire in the top of his head.

'Did I hear a voice across the brine? Well, well, it's you, Perch-Prism, by all that's irregular! How are you, admiral?'

But even as the Doctor was flashing one of his Smiles along the length of the dugout, like a dental broadside, he fell back upon the mattress, and the orderly with the long pole, taking no notice of Perch-Prism and the rest, gave a great shove against the ballroom floor and the raft swam forward and away from the Professors in the direction of the hospital, where, he hoped, he could persuade the Doctor to lie down for an hour or two irrespective of the maimed and distressed, the dead and the dying.

SEVENTY-FOUR

Irma had not spared herself over the furnishing of her home. A great deal of work, a great deal of thought - and, in her opinion, a great deal of taste - had been lavished upon it. The colour scheme had been carefully considered. There was not a discordant note in the whole place. It was so tasteful, in fact, that Bellgrove never felt at home. It gave him a sense of inferiority and he hated the powder-blue curtains and the dove-grey carpets, as though it were 'their' fault that Irma had chosen them. But this meant little to her. She knew that he as a mere man would know nothing of 'artistic' matters. She had expressed herself, as women will, in a smug broadside of pastel shades. Nothing clashed because nothing had the strength to clash; everything murmured of safety among the hues; all was refinement.

But the vandal water came and the work and the thought and the taste and the refinement, O where was it now? It was too much! It was too much! That all the love she had lavished was drowned beneath the mean, beastly, stupid, unnecessary rain, that this thing, this 'thing', this useless, brainless element called rain, should turn her artistry to filth and pulp!

'I hate nature,' she cried. 'I hate it, the rotten beast...'

'Tut, tut,' muttered Bellgrove as he lolled in a hammock and stared up at one of the beams in the roof. (They had been assigned a small loft where they were able to be miserable in comparative comfort.) 'You can't talk about nature like that, my ignorant child. Good gracious, no! Dammit, I should think not.'

'Nature,' cried Irma scornfully. 'Do you think 'I'm' frightened of it! Let it do what it likes!'

'You're a piece of nature yourself,' said Bellgrove after a pause. 'O don't be stupid, you... you...' Irma could not continue.

'All right, what 'am' I then?' murmured Bellgrove. 'Why don't you say what's in your empty little woman's mind? Why don't you call me an old man like you do when you're angry with something else? If you're not nature, or a bit of it, what the hell are you?'

'I'm a 'woman',' screamed his wife, her eyes filling with tears. 'And my home is under... under... the 'vile'... rainwater...'

With a great effort Mr Bellgrove worked his emaciated legs over the side of the hammock and when they touched the floor, rose shakily to his feet and shambled uncertainly in his wife's direction. He was very conscious of doing a noble action. He had been very comfortable in the hammock; he knew that there was a very slender chance of his chivalry being appreciated, but that was life. One had to do certain things to keep up one's spiritual status, but apart from that, her terrible outburst had unnerved him. He had to do 'something'. Why did she have to make such an unpleasant noise about it all? Her voice went through his head like a knife.

But oh it had been pathetic too: railing against Nature. How maddeningly ignorant she was. As though nature should have turned back when it reached as far as her boudoir. As though a flood would whisper to itself, 'Sh... sh... sh... less noise less... noise... this is Irma's room... lavender and ivory you know lavender and ivory' - Tut-tut-tut, what a wife to be saddled with in all conscience... and yet... and yet... was it only pity that drew him to her? He did not know.

He sat down by her side beneath a small top window, and he put his long, loose arm about her. She shuddered a moment and then stiffened again. But she did not ask him to remove his arm.

In the small loft with the great castle beneath them like a gigantic body with its arteries filled with water, they sat there side by side, and stared at where a piece of plaster had fallen from the opposite wall, and had left a small grey pattern the shape of a heart.

SEVENTY-FIVE

It was not that Fuchsia did not struggle against her mounting melancholia. But the black moods closing in on her ever more frequently were becoming too much for her.

The emotional, loving, moody child had had small chance of developing into a happy woman. Had she as a girl been naturally joyous yet all that had befallen her must surely have driven away the bright birds, one by one, from her breast. As it was, made of a more sombre clay, capable of deep happiness, but more easily drawn to the dark than the light, Fuchsia was even more open to the cruel winds of circumstances which appeared to have singled her out for particular punishment.

Her need for love had never been fulfilled; her love for others had never been suspected, or wanted. Rich as a dusky orchard, she had never been discovered. Her green boughs had been spread, but no travellers came and rested in their shade nor tasted the sweet fruit.

With her mind for ever turning to the past, Fuchsia could see nothing but the ill-starred progress of a girl who was, in spite of her title and all it implied, of little consequence in the eyes of the castle, a purposeless misfit of a child, hapless and solitary. Her deepest loves had been for her old nurse Nannie Slagg, for her brother, for the Doctor, and in a strange way for Flay. Nannie Slagg and Flay were both dead; Titus had changed. They loved one another still but a wall of cloud lay between them, something that neither had the power to dispel.

There was still Dr Prune. But he had been so heavily overworked since the flood that she had not seen him. The desire to see the last of her true friends had weakened with every black depression. When she most needed the counsel and love of the Doctor, who would have left the world bleeding to help her, it was then that she froze within herself and locking herself away, became ill with the failure of her life, the frustration of her womanhood, and tossing and turning in her improvised bedroom twelve feet above the flood, conceived, for the first time, the idea of suicide.

What was the darkest of the causes for so terrible a thought it is hard to know. Her lack of love; her lack of a father or a real mother? Her loneliness. The ghastly disillusion when Steerpike was unmasked, and the horror of her having been fondled by a homicide. The growing sense of her own inferiority in everything but rank. There were many causes, anyone of which might have been alone sufficient to undermine the will of tougher natures than Fuchsia's.

When the first concept of oblivion flickered through her mind, she raised her head from her arms. She was shocked and she was frightened. But she was excited also.

She walked unsteadily to the window. Her thought had taken her into a realm of possibility so vast, awe-inspiring, final and noiseless that her knees felt weak and she glanced over her shoulder although she knew herself to be alone in her room with the door locked against the world.

When she reached the window she stared out across the water, but nothing that she saw affected her thought or made any kind of visual impression on her.

All she knew was that she felt weak, that she was not reading about all this in a tragic book but that it was true. It was true that she was standing at a window and that she had thought of killing herself. She clutched her hands together over her heart and a fleeting memory of how a young man had suddenly appeared at another window many years ago and had left a rose behind him on her table, passed through her mind and was gone.

It was all true. It wasn't any story. But she could still pretend. She would pretend that she was the sort of person who would not only think of killing herself so that the pain in her heart should be gone for ever, but be the kind of person who would know how to do it, and be brave enough.

And as she pondered, she slid moment by moment even deeper into a world of make-believe, as though she were once more the imaginative girl of many years ago, aloft in her secret life. She had become somebody else. She was someone who was young and beautiful and brave as a lioness. What would such a person do? Why, such a person would stand upon the window sill above this water. And... she... would... and as the child in her was playing the oldest game in the world, her body, following the course of her imagination, had climbed to the sill of the window where it stood with its back to the room.

For how long she would have stood there had she not been jerked back into a sudden consciousness of the world - by the sound of someone knocking upon the door of her room, it is impossible to know, but starting at the sound and finding herself dangerously balanced upon a narrow sill above the deep water, she trembled uncontrollably, and in trying to turn without sufficient thought or care, she slipped and clutching at the face of the wall at her side found nothing to grasp, so that she fell, striking her dark head on the sill as she passed, and was already unconscious before the water received her, and drowned her at its ease.

SEVENTY-SIX

Now that the flood had reached its height it was vital that not a moment should be lost in combing the regions in which Steerpike might be lurking - in surrounding them with cordons of picked men who, converging inwards to the centre of each chosen district, by land and water, should, theoretically, sooner or later, close upon the beast. And now above all was the time to throw in every man. The Countess had circled areas of the Gormenghast map with a thick blue pencil. Captains of Search had been given their instructions. Not a cranny was to be left un-scoured - not a drain unprobed. It would be difficult enough, with the flood at its present level to run to earth so sly a quarry, yet with every day that passed the chances of Steerpike's capture would recede even further - would recede as the flood receded, for as one floor after another began to open up its labyrinthian ways, so the fugitive in the multiplying warrens, would burrow ever deeper into darkness.

It would of course be slow and gradual this going-down of the flood, but the Countess was fiercely conscious of how time was the salient factor: how never again would she have Steerpike within so close a net. Even for the flood to leave a single floor would be for a hundred vistas to spread out on every side with all their countless alleys of wet stone. There was no time to be lost.

As it was the theatre of manoeuvre - the three dry topmost floors and the wet 'floor of boats' (where the coloured craft of the carvers sped to and fro, or lay careening beneath great mantelpieces, or tied up to the banisters of forgotten stairways, cast their rich reflections in the dark water) - these theatres of manoeuvre - the three dry levels and the one wet, were not the only areas which had to be considered in the drawing up of the Master Plan. The Countess also had to remember the isolated outcrops of the castle. Luckily most of the widely scattered and virtually endless ramifications of the main structure of Gormenghast were under water, and consequently of no use to the fugitive. But there were a number of towers to which the young man might well have swum. And there was also Gormenghast Mountain.

As far as this latter was concerned, the Countess was not apprehensive of his having escaped there, not merely because she had checked the boats each evening, and was satisfied that there had been no thefts but because a string of boats, like coloured beads, was at her orders in perpetual rotation around the castle summits, and would have cut him off by day or night.

The core of her strategy hinged upon the fact that the young man must eat. As for drink, he had a wet world brimming at his mouth.

That he might already be dead from accident or from starvation was ruled out by the body that on this very day had been discovered floating face downwards alongside an upturned coracle. The man had been no more than a few hours dead. A pebble was lodged in his forehead.

The headquarters of the Countess was now in a long, narrow room that lay immediately and somewhat centrally above the 'floor of boats'.

There she received all messages: gave all orders: prepared her plans: studied the various maps and gave instructions for new ones to be rapidly prepared of the unplotted districts so that she should have as powerful a grasp upon the smallest details as she had upon the comprehensive sweep of her master-plan.

Her preparations completed she rose from the table at which she had been sitting, and pursing her lips at the goldfinch on her shoulder she was about to move with that characteristically heavy and ruthless deliberation towards the door when a panting messenger ran up to her.

'Well?' she said. 'What is it?'

'Lord Titus, my lady... he's...'

'He's what?' she turned her head sharply.

'He's here.'

'Where?'

'Outside the door, your ladyship. He says he has important news for you.'

The Countess moved at once to the door and opening it, found Titus sitting upon the floor, his head between his knees, his sodden clothes in rags, his legs and arms bruised and scratched, and his hair grey with grime.

He did not look up. He had not the strength. He had collapsed. In a confused way he knew where he was, for he had been straining his muscles with long and hazardous climbs, struggling shoulder deep through flooded passageways, crawling giddily over slanting roofs, intent upon one thing - to reach this door under which he had slumped. The door of his mother's room.

After a little time he opened his eyes. His mother was kneeling heavily at his side. What was she doing there? He shut his eyes again. Perhaps he was dreaming. Someone was saying in a far away voice 'Where is that brandy?' and then, a little later, he felt himself being raised, the cold rim of a glass at his lips.

When he next opened his eyes he knew exactly where he was and why he was there.

'Mother!' he said.

'What is it?' Her voice was quite colourless. 'I've seen him.'

'Who?'

'Steerpike.'

The Countess stiffened at his side. It was as though something more of ice than of flesh was kneeling beside him.

'No!' she said at last. 'Why should I believe you?'

'It is true,' said Titus.

She bent over him and taking his shoulders in her powerful hands, forced them with a deceptive tenderness to and fro, as though to ease some turmoil in her heart. He could feel through the gentle grasp of her fingers the murderous strength of her arms.

At last she said, 'Where? Where did you see him?'

'I could take you there... northwards.'

'How long ago?'

'Hours... hours... he went through a window... in my boat... he stole it.'

'Did he see you?'

'No.'

'Are you sure of that?'

'Yes.'

'Northwards you say. Beyond the Blackstone Quarter?'

'Far beyond. Nearer the Stone Dogshead and the Angel's Buttress.'

'No!' cried the Countess in so loud and husky a voice that Titus drew back on his elbow. She turned to him.

'Then we have him.' Her eyes were narrowed. 'Did you not have to crawl across the Coupée - the high knifeedge? How else could you have returned?'

'I did,' said Titus. 'That is how I came.'

'From the North Headstones?'

'Is that what it is called, mother?'

'It is. You have been in the North Headstones beyond Gory and the Silver Mines. I know where you've been. You've been to the Twin Fingers where Little Sark begins and the Bluff narrows. Between the Twins would be water now. Am I right?'

'There's what looks like a bay,' said Titus. 'If that's what you mean.'

'The district will be ringed at once! And on every level!'

She rose ponderously to her feet, and turning to one of the men - 'Have the Search Captains called immediately. Take up the boy. Couch him. Feed him. Give him dry clothes. Give him sleep. He will not have long to rest. All craft will patrol the Headstones night and day. All search parties will be mustered and concentrated to the south side of the Coupée neck. Send out all messengers. We start in one hour from now.'

She turned to look down at Titus who had risen to one knee. When he was on his feet he faced his mother.

She said to him: 'Get some sleep. You have done well. Gormenghast will be avenged. The castle's heart is sound. You have surprised me.'

'I did not do it for Gormenghast,' said Titus.

'No?'

'No, mother.'

'Then for whom or for what?'

'It was an accident,' said Titus, his heart hammering. 'I happened to be there.' He knew he should hold his tongue. He knew that he was talking a forbidden language. He trembled with excitement of telling the dangerous truth. He could not stop. 'I am glad it's through me he's been sighted,' he said, 'but it wasn't for the safety or the honour of Gormenghast that I've come to you. No, though because of me he'll be surrounded. I cannot think of my duty any more. Not in that way. I hate him for other reasons.'

The silence was thick and terrible - and then at last her millstone words. ''What... reasons'?' There was something so cold and merciless in her voice that Titus blanched. He had spoken as he had never dared to speak before. He had stepped beyond the recognized border. He had breathed the air of an unmentionable world.

Again the cold, inhuman voice: ''What reasons'?'

He was altogether exhausted but suddenly out of his physical weakness another wave of nervous moral strength floated up in him. He had not planned to come out into the open, or to give any hint to his mother of his secret rebellion and he knew that he could never have voiced his thoughts had he planned to do so but finding now that he had shown himself in the colours of a traitor, he flushed, and lifting his head he shouted: 'I will tell you!'

His filthy hair fell over his eyes. His eyes blazed with an upsurge of defiance, as though a dozen pent up years had at last found outlet. He had gone so far that there was no return. His mother stood before him like a monument. He saw her great outline through the blur of his weakness and his passion. She made no movement at all.

'I will tell you! My reasons were for this. Laugh if you like! He stole my boat! He hurt Fuchsia. He killed Flay. He frightened me. I do not care if it was rebellion against the Stones - most of all it was theft, cruelty and murder. What do I care for the symbolism of it all? What do I care if the castle's heart is sound or not? I don't want to be sound anyway! Anybody can be sound if they're always doing what they're told. I want to live! Can't you see? Oh, can't you see? I want to be myself, and become what I make myself, a person, a real live person and not a symbol any more. That is my reason! He must be caught and slain. He killed Flay. He hurt my sister. He stole my boat. Isn't that enough? To hell with Gormenghast.'

In the unbearable silence the Countess and those present could hear the sound of someone approaching rapidly.

But it was an eternity before the footsteps came to rest and a distraught figure stood before the Countess and waited with head bowed and trembling hands for permission to give his message. Dragging her gaze from the face of her son she turned at last to the messenger.

'Well,' she whispered, 'what is it, man?'

He raised his head. For a few seconds he could not speak. His lips were apart but no sound came, and his jaws shook. In his eyes was such a light that caused Titus to move towards him with sudden fear.

'Not Fuchsia! Not Fuchsia!' he cried with a ghastly knowledge, even as he framed the words, that something had happened to her.

The man, still facing the Countess, said, 'The Lady Fuchsia is drowned.'

At these words something happened to Titus. Something quite unpredictable. He now knew what he must do. He knew what he was. He had no fear left. The death of his sister like the last nail to be driven into his make-up had completed him, as a structure is completed, and becomes ready for use while the sound of the last hammer blow still echoes in the ears.

The death of the Thing had seen the last of his boyhood.

When the lightning killed her he had become a man. The elasticity of childhood had gone. His brain and body had become wound up, like a spring. But the death of Fuchsia had touched the spring. He was now no longer just a man. He was that rarer thing, a man in motion. The wound-up spring of his being recoiled. He was on his way.

And the agent of his purpose was his anger. A blind white rage had transformed him. His egotistic outburst, dramatic enough, and dangerous enough on its own account, was nothing to the fierce loosening of his tongue, that like a vent for the uprush of his rage and grief, amazed his mother, the messenger and the officers who had only known him as a reserved and moody figurehead.

Fuchsia dead! Fuchsia, his dark sister - his dear sister.

'Oh God in Heaven, 'where'?' he cried. 'Where was she found. Where is she now. Where? Where? I must go to her.'

He-turned to his mother. 'It is the skewbald beast,' he said. 'He has killed her. He has killed your daughter. Who else would kill her? Or touch a hair of her head, O braver than you ever knew, who never loved her. Oh, God, mother, get your captains posted. Every weapon'd man. My tiredness has gone. I will come at once. I know the window. It is not yet dark. We can surround him. But by boat, mother. That is the quickest way. There is no need for the North Headstones. Send out the boats. Every one. I saw him, mother, the killer of my sister.'

He turned again to the bearer of the shattering news. 'Where is she now?'

'A special room has been prepared by the Doctor near the hospital. He is with her.'

And then the voice of the Countess, low and deep. She was speaking to the Head Officer present.

'The Carvers must be informed that they are needed, and every watertight boat finished or unfinished. All boats already in the castle to be drawn up alongside the west wall. All weapons to be distributed at once,' and then, to the messenger who had spoken of where Fuchsia lay, 'Lead the way.'

The Countess and Titus followed the man. No word was spoken until they were within a stone's throw of the hospital, when the Countess without turning to Titus said: 'If it were not that you were ill...'

'I am not ill,' said Titus, interrupting.

'Very well, then,' said the Countess. 'It is upon your head.'

'I welcome it,' said Titus.

While he could feel no fear, he was at the same time surprised at his own audacity. But it was so small an emotion compared with the hollow ache with which the knowledge of Fuchsia's death had filled him. To be brave among the living - what was that compared with the bonfire of his rage against Steerpike at whose door he laid the responsibility for Fuchsia's death? And the tides of the loneliness that had surged over him, drowned him in seas that knew no fear of the living, even of a mother such as his own.

When the door was opened they saw the tall thin figure of Dr Prunesquallor standing at an open window, his hands behind his back, very still and unnaturally upright. It was a small room with low rafters and bare boards on the floor, but it was meticulously clean. It was obvious that it had been freshly scrubbed and washed, boards, walls and ceiling.

Against the wall to the left was a stretcher supported at either end upon wooden boxes. On the stretcher lay Fuchsia, a sheet drawn up to her shoulders, her eyes closed. It seemed hardly her.

The Doctor turned. He did not seem to recognize either Titus or the Countess. He stared through them, only touching Titus' arm in a gentle way as he passed, for he had no sooner seen the mother and the brother of his favourite child than he had begun to move to the door.

His cheeks were wet, and his glasses had become so blurred that he stumbled when he reached the door, and could not find the handle. Titus opened the door for him and for a moment caught a glimpse of his friend in the corridor outside as he removed his glasses and began to wipe them with his silk handkerchief, his head bowed, his weak eyes peering at the spectacles in his hand with that kind of concentration that is grief.

Left together in the room the mother and son stood side by side in worlds of their own. Had they not both been moved it might well have been embarrassing. Neither knew nor cared what was going on in the breast of the other.

The face of the Countess showed nothing, but once she drew the corner of the sheet up a little further over Fuchsia's shoulder, with an infinite gentleness, as though she feared her child might feel the cold and so must take the risk of waking her.

SEVENTY-SEVEN

Knowing that he had several hours to wait before it would be dark enough for him to venture forth, Steerpike had dropped off to sleep in the canoe. As he slept the canoe began to bob gently on the inky water a few feet from where the flood swam through the window entrance. This entrance, seen from the inside of the 'cavern', was like a square of light. But the breast of the great bay, which, from the dark interior of Steerpike's refuge, appeared luminous was, in reality, as the moments passed, drawing across its nakedness shawl after shawl of shadow.

When Steerpike had slid from the outer world, and through the brimming window, seven hours earlier, he had of course been able to see exactly what kind of a room he had entered. The light striking through the window had glanced upwards off the water and lit the interior.

His first reaction had been one of intense irritation for there were no corridors leading from the room and no stairways to the floor above. The doors had been closed when the flood had filled the room so that they were immovable with the weight of water. Had the inner doors been open he might have slid through their upper airways into ampler quarters. But no. The place was virtually a cave - a cave with a few mouldering pictures hanging precariously a few inches above high-water mark.

As such he suspected it from the first. It was no more than a trap. But to paddle out of its mouth and across the open water seemed to him more dangerous than to remain where he was for the few hours that remained before darkness fell.

A breeze was stirring the surface of the wide freshwater bay, blowing from the direction of the mountain and a kind of gooseflesh covered the surface of the water. These ripples began to move into the cave, one after another and the canoe rocked with a gentle side-to-side motion.

On either side of the 'bay' the two identical headlands, with their long lines of windows, had become silhouetted against the dusk.

Between them the ruffled waters faced the sky with an unusual agitation - a shuffling backwards and forwards of its surface which, though by no means dangerous in itself either to the smallest craft or even to a swimmer, was nevertheless peculiar and menacing.

Within a minute the breathless quiet of the evening had become something very different. The hush of dusk, the trance of stone-grey light was broken. There was no break in the silence but the air, the water, the castle and the darkness were in conclave.

A chill breath from the lungs of this conspiracy, stealing across the goose-flesh water must have moved into the cave-like chamber where Steerpike slept, for he sat up suddenly in his canoe and turning his face at once to the window, the small hairs rose along his spine and his mouth became the mouth of a wolf, for as the blood shone behind the lenses of his eyes, his thin and colourless lips parted in a snarl that extended like an open gash a mask of wax.

As his brain raced, he plucked at the paddle and whisked the boat to within a few feet of the window, where, in absolute darkness himself he could command a view of the bay.

What he had seen had been the reflections only of what he now stared at in their entirety - for from where the canoe had been stationed the upper section of the window had been hidden by a hanging sail of wallpaper. What he had seen had been the reflections of a string of lights. What he now saw were the lanterns, where they burned at the bows of a hundred boats. They were strung out in a half-circle that even as he watched was drawing in his direction thick as fireflies.

But worse than all this was a kind of light upon the water immediately outside the window. Not a strong light, but more than he could account for by the last of the day. Nor was it natural in colour. There was something of green in the faint haze from which he now turned his eyes again. For with every moment the boats were narrowing the distance between themselves and the castle walls.

Whether or not there were other interpretations of the spectacle before him it was not for him at this critical moment to give them the shadow of a thought. It was for him to assume the bloodiest and the worst.

It was for him to suppose that they were not only ranged across the bay in search of 'him' - that they knew he was in hiding somewhere close at hand between the twin headlands - but more than this, that they knew the very window through which he had passed. He must assume that he had been seen as he entered this trap and that not only were his pursuers fanned out across the water and eager for his blood, but the cold sheen upon the water immediately ahead of him was cast from lanterns or torches that were even now burning from the window above his head.

Whether or not his only hope was to slip out of the cave and, risking a fusillade from the window above, make all speed across the waters of the bay before the approaching boats not only closed their ranks as they converged, but made the cave-mouth livid with the concentration of their lights - whether he should do this, and by so doing and gaining speed in the dusk, fly like a swallow across the face of the bay and swerving to and fro as only this canoe had power to do - hope to pierce the lanterned ring, and so, running his boat alongside one or other of the creepered headlands, climb the coarse foliage of the walls - whether he should do this or not, it was now, in any event, too late for a brilliant yellow light was shining outside the window and danced on the choppy water.

A pair of heavy castle-craft, somewhat the shape of barges, creeping in along the lapping walls, from either side of Steerpike's window, were the cause of the yellow light which the murderer had observed to his horror as it danced upon the water, for these heavy boats bristled with torches; sparks flew over the flood and died hissing upon its surface. The scene about the opening of the cave had been transformed from one of dark and anonymous withdrawal to a firelit stage of water, upon which every eye was turned. The stone supports of the window, weather-scarred and ancient as they were had become things of purest gold, and their reflections plunged into the black water as though to ignite it. The stones that surrounded the windows were lit with equal brilliance. Only the mouth of the room, with the firelit water running through and into the swallowing blackness of the throat beyond, broke the glow. For there was something more than black about the intensity of that rough square of darkness.

It was not for these barges to do more than to remain with their square noses in line with the stone edges of the window. It was for them to make the place as bright as day. It was for the arc of lanterned boats to close in and to form the thickset audience, armed and impenetrable.

But those that manned the barges and held the torches aloft, and those that rowed or paddled the hundreds of boats that were now within a stone's throw of the 'cave' were not the only witnesses.

High above the entrances to Steerpike's retreat the scores of irregularly positioned windows were no longer gaping emptily as when Titus stared up at them from the canoe and felt the chill of that forsaken place. They were no longer empty. At every window there was a face: and every face directed downwards to where the illuminated waves rose and fell to such an extent that the shadows of the men upon the barges leapt up and down the firelit walls, and the sound of splashing could be heard below them as combers of rainwater ran and broke upon the castle walls.

The wind was making, and certain of the boats that formed the chain found it difficult to keep in position. Only the watchers from above were unaffected by the worsening weather. A formidable contingent had travelled by land. There were few who had been that way before and none who had travelled so far afield as the Coupée and the Headstones of Litle Sark, within the last five years.

The Countess had journeyed by water but it had been necessary for Titus to travel overland at the head of the leading phalanx, for it was no easy itinerary with the dusk falling and the innumerable choices to be made at the junctures of passages and roof tops. With his return journey fresh in his mind he had no choice but to put his knowledge at the disposal of the many hundreds whose duty it would be to scour the Headstones. But he was in no condition to make that long journey again on the same day, without assistance. While the officials were casting about for some appropriate conveyance Titus remembered the chair on poles in which he was carried, blindfolded, on his tenth birthday. A runner was despatched for this, and some time later the 'land army' moved to the north with Titus leaning back in his 'mountain chair', a jug of water in the wooden well at his feet, a flask of brandy in his hand and a loaf of bread and a bag of raisins on the seat beside him. At different times during the journey, when crossing from one roof to another or when climbing difficult stairways, he would descend from the chair and continue on foot - but for most of the way it was possible for him to lean back in the chair, his muscles relaxed, merely giving fierce instructions to the Captain of the land searchers when occasion arose. A dark anger was gaining strength in him.