Geek Love

12. NOTES FOR NOW: Miss Lick’s Home Flicks

The library microfilm spews a stream of nuggets. An announcement of the birth of Mary Malley Lick, eight pounds, nine ounces, at Good Samaritan Hospital. The obituary of Eleanor Malley Lick, dead of cancer when her daughter was eight years old. Mary Lick, an uncomfortable fifteen-year-old in a baggy sweater, pictured as “A sophomore at Catlin Gabel School, who holds the Oregon State Women’s Handgun Marksmanship championship for the second year in a row.” Thomas R. Lick cutting the ribbon for the new trophy and smoking room at the Sauvie Island Gun Club.

Then there are articles about all the Lick enterprises. There are fifty-one plants nationwide and a flagship factory tucked into a bend in the Willamette just north of the Fremont Bridge. The product is Lickety Split dinners — portable food for airlines and for institutions, from rest homes to schools, jails to asylums. Nineteen full menus with special Kiddie, Diabetic, Kosher, and NMR (No Mastication Required) lines. Everything from three to six courses in plastic trays with an indentation for each item. A subsidiary arm leases microwave ovens to clients for “on-the-spot warming.”

An item about the failure of a labor strike at the Portland plant mentions that Lick Enterprises employed close to eight thousand workers coast to coast and not one of them belonged to a union. Thomas R. fired all the strikers in Portland and hired fresh help unpolluted by notions of collective bargaining.

A mug shot pictures prim young Mary, with her spanking new degree in Business from the state university, recently named Portland plant manager at the age of twenty-four. The caption explains that despite her age she was “by no means a novice, having worked in the plant for seven years in various departments ranging from bookkeeping to sanitation.”

In the old man’s obituary — cancer — seven years later, Mary is listed as Executive Vice President and sole heir to Lick Enterprises.

The last item is a tentative mention in the also-ran list trailing the four hundred richest individuals in the nation. The dry line beside her name explains that, since all Lick assets are privately held, only estimates of her net worth are available.

I take the copies back to my room and read everything again. There is no mention of relatives, friends, or lovers, no names or faces recur near Mary Lick. Every photo shows her isolated even in a group. Her expression is never quite in sync with the cheer or solemnity of those around her. She is alone.

Just before midnight I go downstairs and listen to Lil breathing. Then I go upstairs and knock on Miranda’s door. There is no answer.

After the morning shift at KBNK I hole up in an empty office at the station and spend the afternoon on the phone. I enjoy it. I can never be inconspicuous in person. A hunchback is not agile enough for efficient skulking. But my voice can take me anywhere. I can be a manicured silk receptionist, a bureaucrat of impenetrable authority, or an old college chum named Beth. I can be a pollster doing a survey of management techniques or a reporter for the daily paper doing a feature on how employees view their bosses. Anonymous, of course — no real names used and all businesses disguised.

A dozen phone calls into the day I am thinking grimly about my luck. Mary Lick could have played chess or poker or pool. She might have been intrigued by dim, cozy porno shops with black booths for a spy to hide in. It would have been a snap to get close to her if she were a horticulture type or a dog breeder. But no. Miss Lick is physical. Her secretary exclaims, “She just couldn’t get from one day to the next without her two-mile swim in the evening.”

In my family Arty swam and nobody else did. I never learned. Trudging home it occurs to me that things could be worse. Lick could just as easily have gone in for jet boat races, jumping horses, or sky diving. I can learn to swim.

Miranda’s windows are glowing yellow as I come up the street. I go straight upstairs to her door and knock. She laughs and takes me in and shoos out a handsome man named Kevin so she can draw me. I sit naked for hours watching her. She draws and makes tea and draws and talks. We don’t mention her tail.

• • •

The Athletic Club is only a few blocks from the apartment building where Miss Lick owns and occupies the top floor. The club is in the same style as the apartment building, a massive brick-and-glass temple to the joys of insulation. The word is that Miss Lick’s father was instrumental in having the club opened to female membership.

“Of course we have been integrated for more than thirty years,” the information girl told me over the phone. I asked to have the club brochures mailed to me. The pamphlets were glossy productions with color photos of the Oak Trophy Lounge (full-service bar), the saunas, dining room, weight rooms, handball and tennis courts, and the Thomas R. Lick memorial swimming pool. I invested in the six-week introductory membership and spent four afternoons loitering in the five-story parking lot across the street to watch Miss Lick’s black sedan enter the brick gateway at 5:30 every evening.

I stand in the middle of the deserted locker room, a ditty bag in one hand and a combination lock in the other, staring at myself in the mirror that covers the door. I look old. I have always looked old. The hump is not a youthful thing and the nakedness of my scalp and my hairless eyelids and brow ridges creak of something ancient. I have stuffed my wig into the ditty bag already, waiting for her. “Always remember,” my father used to say, “how much leverage you’ve got on the norms just in your physical presence.” I examine my wide mouth and pink eyes, and the slope of cheekbones into the tiny leg that serves me for a jaw and wonder if it will work this time when I need it to. After all, Miss Lick is not a norm and for all I know she is immune to the usual tricks.

She comes through the door and it starts — her double-take stare reassures me instantly. She is not immune. There is the standard civilized greeting, ignoring the obvious.

“Perhaps you can tell me which lockers are …”

I hesitate and she drops her purse on a bench and nods at a row of cabinets against the wall, “All those without locks.”

I shuffle, apologetic, catching a sidelong glimpse of my awkward figure moving toward the lockers, my heart bulging wild in my mouth with fear that I’ve overplayed it.

Her seriousness surprises me — the slow weight of her — the lack of cruelty imprinted on her big wary face. Bubbling won’t work on her. I set myself to go straight-faced and slow-voiced — to gauge words carefully and understate everything.

She skins out of her tweeds and into the big blue tank suit. Her thick arms and shoulders roll with padded power. Her hands are short and thick, the nails clipped straight across at the tips of the fingers.

“New member,” she says.

“Yes, I joined for the sake of the pool,” I say, looking at the hooks in the locker as I sling my clothes onto them. “My doctor wants me to learn to swim.” I can feel her eyes on my hump — on the rolls of my neck climbing up to my bald pate.

“Arthritis?” comes her voice.

“It goes with the turf,” I say lightly.

“So I hear,” she says, and I keep my back turned long enough for her to get a good look at me.

Fourth day at the pool.

“Clever contraption,” says Miss Lick, as she snaps the elastic band of my swimsuit that crosses above my hump. Her voice is soft and low, at odds with her bigness and her brusque movement. The showerhead suddenly decides on cold and the water hits my hump and my neck and my whole naked head with a bright chill.

“Special tailoring?” asks Miss Lick. “Expensive?” I smile up at her. She is vigorously massaging her own arms in the spray from the next nozzle.

“Well, it’s orthopedic,” I say, bobbing out of the cold water to stand dripping on the tiles.

“Ah!” says Miss Lick. “Right.” She pounds her big solid belly with both fists. She flicks her short hair briskly, and her massive jaw wobbles a run of water down onto her chest. I am pulling the rubber cap down over my scalp, feeling it crumple my forehead into rolls over my nose. It pinches.

Miss Lick slides an identical swim cap onto her head, puffing, going red at the edges where her face bulges out of the cap like a ruptured condom.

“Check your feet!” whispers Miss Lick cheerily, and I crouch against the tile bench and dutifully spread my toes and run my fingers between them. Miss Lick is slamming the fire door open and propping it with a rubber wedge. Out she bounces into the shallow footbath that fills the passage between the shower-room door and the pool door. Miss Lick spends several minutes in this high-chlorine footbath before and after her swim. She is concerned about athlete’s foot and other fungoid growths.

Miss Lick has kindly offered to give me swimming lessons to counteract the arthritis that is sinking into all my joints. Miss Lick says that all hunchbacks and dwarfs should swim.

I stand knee-deep in the footbath with my nose on a level with Miss Lick’s bouncing buttocks, as she jogs vigorously in place in the warm nose-searing chlorine solution. She is looking through the small screened window in the door to the pool.

“Christ! She’s there already!” I splash back a step, startled because Miss Lick’s side of our conversation has been pretty spartan up to now. This burst of emotion throws me. Then I recognize it. Success. Miss Lick’s jaw shoves forward belligerently and her big hands reach back and grasp her buttocks and begin to knead them nervously through the blue tank suit.

“That old nanny goat haunts me.” She looks back with a wry grin at my inquiring face. “She swims so bloody-arsed slow! And she never stops. She’s always in my lane and I’m forever running over her! I tried coming in on my lunch hour. There she was. I tried running in before I got to work in the morning and she was here. She’s here every goddamned hour of the day. And look at her! She swims like the dead!” Miss Lick stares out the diamond-shaped window and grabs hard at her butt. I pull my tinted goggles down over my pink eyes and close out some of the sting of the chlorine. Her profile blurs in the green lenses and her muttering goes on.

“This may seem horrible but I’ve actually considered trapping her in the deep end and holding her under. There have been days when I wouldn’t have hesitated if I thought I could get away with it.”

She looks anxiously back at me, her eyes bulging through the fat pads of her cheeks. I nod my head at her pale green face. The light moves on the surface of the footbath and streaks jump in shades of green across her face. “Oh, I can understand that,” I say, and I grin, nodding.

Miss Lick is doing her third lap of what she refers to as “butterfly” stroke. She will do seven more “butterfly” laps before she reverts to “breast” stroke. She does each lap in one minute, which means that the pool will be swamped with three-foot waves and a pounding roar for seven more minutes. Breast stroke is quiet even for Miss Lick. The very old woman who does her mile-and-a-half each day in this pool is clinging to the tile gutter at the side. She will hang there, waiting, until the butterfly is finished. The other swimmers, the young ones, who can evidently breathe under water, continue with their laps. Miss Lick’s enormous shoulders have her whole torso free of the water before she splashes back. Her buttocks show briefly like a barrel going over Niagara. I can loll here on the steps at the shallow end, only my legs in the bath-warm water, and watch.

I’ve taken her on her own hook and I have to be careful. She thinks she’s adopted me, that she’s doing me a kindness, that she’s displaying the magisterial stature of her goodness by spending time with me. I have to watch my ass. She is hideously lonely.

The whiskey looks like transparent wood in my glass. I hold it carefully between my eyes and the firelight so the movement of the red flame casts a grain into the brown liquid. The whiskey that I have already drunk sits warmly in my gut and mouth and penetrates the fog in my skull. The corner of my eye registers Miss Lick’s heavy wool socks pointing at the fire over her footstool. I am waiting for my palms to dry, breathing slowly until the clammy seep of my nerves sinks back from the surface of my skin. The whiskey is amazing to me. I wonder why I never realized that I would like it. I wonder why I never tried it before. Liking it so much is dangerous now, and so I hold it and look through it, drinking very slowly.

Miss Lick has the bottle on a tray beside her chair and is being generous with herself here in the fire dark. She cuts the wood herself, takes an ax up to the family parkland in spring and drags a chainsaw into the woods on weekends to clean up the deadfalls from the winter. One whole storage cubicle in the basement of the tasteful brick apartment building is devoted to split cords seasoning in the dry dark with a deep resin odor. She goes down in the elevator with a canvas sling over her shoulder and brings up one night’s worth at a time. She kneels on the flat granite paving stone in the hearth and nicks off tidy triangular kindling with a hatchet that looks at home in her hand, ticking the slim sticks off a sixteen-inch chunk that rotates quietly under her other hand.

The chairs are dark, supple leather, as big as rhinos. The drapes are a dark plaid in heavy wool. A plaster bust of Minerva, painted glossy black, sits on the mantel beneath a rack of shotguns.

“I used to go for birds with my old man,” she says.

She talks slowly. Dry barks of laughter punctuate the sad parts to show that she is not sentimental and is not looking for sympathy. She has just described her father, her house in the woods outside of town, her employees, the old but reliable machinery that poops out 3 ounces of gravy, 1.8 ounces of niblet corn, 3 ounces of turkey breast, 3.2 ounces of apple cobbler, each in its proper compartment of the plastic trays. She is considering a massive retooling.

“I’ll get more ice,” I say, with the bucket in my hand, shuffling to the kitchen as she pads heavily toward the brown-tiled bathroom. The kitchen is blank. Clean and empty. A torn bag containing two dark chocolate cookies lies abandoned on one white counter. The refrigerator door yaws outward from its emptiness. Nothing but a half bottle of ketchup in the door shelves. The mouth of the bottle is caked with scab, and in the freezer section are solid stacks of frozen dinners in plastic trays — unlabeled.

I reach for the lever on the ice-cube dispenser and she is behind me, her big hand swooping past my head to hoist the bucket from me, tuck it up under the spout. Ice rattles out.

“Are these dinners from your plant?”

“Turkey, dressing, pumpkin custard, whipped spuds, gravy. I don’t like cranberries.”

“Thanksgiving dinner.”

“Twenty-six Thanksgivings in here. That’s all I eat. Nine hundred calories each. So why am I so big?”

The freezer is sighing out vapor. She slips the door closed and stands staring at the gleaming cold cooking range with its dark oven glass.

“Lately I’ve been eating popcorn instead. Want some?”

She sits on the footstool in front of the fire, long-handled wire screen basket in her hand. The hard yellow kernels in the basket are sliding and bouncing as she quivers her wrist deliberately. The coals below the big chunks of wood flicker black and red and a soft glare reaches up to the basket. The first kernel of corn hisses and jumps, flowering suddenly into a speck of white, then the birdshot peppering as the rest of the kernels go. She watches carefully.

She has a two-quart steel bowl full of popcorn in her lap — a shaker of brewer’s yeast on the tray next to the Irish whiskey. She is slowly scooping up popcorn in a big soup spoon and sliding it into her mouth.

“I use a spoon because the yeast sticks to my fingers,” she says. “It’s gritty.”

I lift my glass, full again, and stare through liquid at the fire.

She talks. People talk easily to me. They think a bald albino hunchback dwarf can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their own less-apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no virtues or morals. If I am “good” (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.

The popcorn is long gone, the fire is dying, and she has decided to show me her life’s work—“My real work,” she says — and I feel quite calm, carrying my glass and following her. We have brought the bottle with us but decided we could dispense with the ice. The room has no windows. We have come in through the only door, which is disguised as a locked closet in the bathroom. Only her key will open it.

She gives me the only chair, solid wood, no cushion. A working chair. The whole room is set up for only one person to move in. It is small and lined with racks holding film disks and video cassettes. The screen fills one whole wall. The rest is a battered desk and a bank of filing cabinets. She plods from rack to control panel, talking calmly. She has dropped the rough cheer of her poolside manner. Her tongue is slightly thick in her mouth but she is, I can tell, herself. Her big somber face is intent. She talks as she works.

“People always assume I’m a lesbian. I’m not. I have no sex at all that I know of. No interest, no inclination. Never have. But it’s understandable that I give that impression. It doesn’t bother me.”

The screen fills with the image of a woman bent over a computer panel. She seems unaware of the camera. Her hands move rapidly over the control board. She picks up a pedestal microphone and speaks into it. Her face turns toward the camera eye for the first time. She stares past me. Her face is puckered with scar tissue, one eye nearly obliterated by the alien smoothness. Her mouth is distorted into a pulsing gash on one side of her face. As she turns back to the keyboard I notice that she has no eyebrows or lashes and she is wearing a short, curly brown wig.

“This is Linda,” said Miss Lick. “I went to school with her. She was pretty. Her family comfortable but not rich. A nice girl. Miss Popularity. She put everything into baton twirling, and dates. She was a cheerleader every year from the seventh grade on. Average student. The boys were all over her. She was the oldest of five. Her brothers and sisters were quite a bit younger. She adored them. When we were sophomores she was a princess for every dance and festival. I wasn’t one of her good buddies. Never spoke to her. Then one night in the winter of our sophomore year she was babysitting for the little ones while her parents went out. They were all sitting in front of the fireplace in the family room in their nightgowns. They were roasting marshmallows and telling ghost stories.

“I’ve thought of this so often, visualized this scene. Linda had long hair all the way to her ass. They had all bathed and she was brushing her hair dry and entertaining the little ones.”

On the screen the woman at the computer reaches for the spewing readout. The machine is vomiting fold after fold of perforated paper, thickly printed. She scans it quickly, folding it in front of her in a mounting pile as it rolls out.

“Linda’s hobby was sewing. She’d made all the children’s nightgowns and her own as well. She didn’t use flame-retardant material. She was young, you know. Not thinking. Her mother didn’t ask about it. Never occurred to her.”

The scarred woman on the screen rips the end of the printout from the computer, picks up the stack, and gets up from her chair. She turns her back and limps out of the camera’s range.

“Well, to shorten the tale, there was a fire — spark caught in one of the little ones’ robes. Up it went. Linda saved the child, caught fire herself in the process — ran outside to keep from lighting up any of the others. Went up like a torch, I understand. Long nightgown, long robe, her hair. She was in the hospital for a long time. Lots of grafts. Amazing how much damage was done.

“She refused a lot of the plastic surgery. Expensive. She felt guilty. Her parents had all those little ones to bring up. She said she’d get it done later when she could earn it herself. Parents tried to persuade her but she was fierce about it. When she came back to school she was as she is now, scarred from stem to stern. Different girl entirely from what she had been. Old pursuits, interests, wiped out entirely. Friends tried to be polite but she made them nervous. Boys all gone west as far as she was concerned. Interesting to see the change. She seemed to have taken in the situation completely while she was still in the hospital. Turned her head around. She studied. All that old energy of hers turned to books. Realized, you see, that she couldn’t rely on being cute and catching a man — that the life she’d expected was out of reach. But she didn’t give up. She made another life — all brain stuff. I admired her. We got to be friends. Still see her. She’s a chemical engineer. Done some innovative research. Won prizes. She’s told me time and again that the fire was the best thing that could have happened to her.”

The camera sweeps over the lifeless computer room. Another camera takes over. An office. The woman in the wig faces the camera. She is sitting at a desk comparing the printout with another sheet of paper. Her forehead only wrinkles on one side. Then we are in a kitchen. Same woman without her white lab coat. She is wearing a bulky sweater, reaching into an open microwave oven and pulling out a plastic-covered tray like the ones in Miss Lick’s freezer.

The tape ends and the screen goes to grey static.

“It’s not that surprising when you think about the precedents.” Miss Lick is philosophical. “Crippled painters and whatnot. Remember the Arturans roaming the country years ago?”

My frozen face doesn’t alarm her. She rolls on expansively. “Same thing. People put it down because the whole thing had that weird end, but it wasn’t too long after Linda’s fork in the road and I saw the connection, all right. I’d have run off and joined up with that particular carnival myself if my old man hadn’t needed me in the business. Do you remember Arturo?”

I can feel my head bobbing slowly up and down. I have no sense of what my face is doing. Could I be smiling? Does she know? She flicks a hand at me, inviting a response.

“So what did you think of all that? Arturo.”

My throat and mouth are crackling dry and painful. My voice comes out like a rusty chain. “I loved him.”

She is delighted. “Ha! I thought so. Probably had a little itch yourself. Wouldn’t have minded tagging along on that comet tail, yourself?”

I feel myself nodding, helplessly.

“You’re not in a hurry, are you? I’ll drive you home. I want to show you another one.”

My eyes pull away from the blank screen. Miss Lick is at the disk rack. I reach for the bottle on the desk. She is going to show me the whole thing. The brown liquid runs right up to the rim of my glass before I can stop it. I set the bottle back carefully. Two deep breaths. I’m having a little difficulty telling the difference between the whiskey and my fear. Miss Lick’s glass is empty. I lift my glass and pour three-quarters of the Irish into her glass.

“Oh, thanks. Now this one …” She is hiking a big hip onto the desk behind me — reaching for the glass. I turn to watch the new scene.

Cars blur the screen — windows, door handles streak past. Then the focus sets. We are across the street from a standard type-C tenement. Garbage leaning against a rusted scrap of wrought-iron fence, a bunch of kids loitering on the steps of a shoddy building. A man wobbles past on the sidewalk, waving his hands and talking to himself. The lens tightens and closes in on a girl and boy on the bottom step. The girl is leaning back against the railing, arching her breasts up at a pimpled boy with a cigarette in his lips. He is trying to look cool and aloof. The girl has black hair, rooched cunningly into coils by her ears. Her face is a Byzantine dream. She purses her lips and blows a smoke ring into the boy’s face. Her eyes slant narrowly in a hot half smile.

“This is Carina. Half black, half Italian. Poor as shit. A dropout but she tested high in aptitudes. Her father disappeared when she was five. Mother a welfare lush picking up a little extra by peddling ass in the dark to johns too old to care or too drunk to notice what she looks like. Specializes in head since she lost her last teeth. She used to refuse dirt trackers but she had to give in on that a few years before this film was taken. Looks like Carina’s headed the same way, doesn’t it?”

The back of the chair catches my hump wrong and my legs are going to sleep from dangling over the hard edge of the seat. I swig at my glass and move my feet tentatively to keep the blood flowing. The glass is empty. Miss Lick’s huge warmth moves close to me with the bottle, filling it. I drink again. Miss Lick is sitting on the desk, tapping her heels against the side. Her big feet in the thick work socks slide in and out of the corners of my vision. I’m afraid to look at her face.

The camera is in an operating theater. A lone masked figure all in white leans over a sheeted body on the table. The camera zooms toward the face of the figure and then the image skids.

“We’ll skip to the pertinent stuff.” Miss Lick is pushing levers on the control box. The image staggers and then blurs past in a fizz of color. I run a hand over my face and wipe the sweat on my skirt. My wig is slipping toward my left eye and I can’t seem to straighten it one-handed.

The screen settles heavily in a small bright room. Yellow walls. Lace curtains. A shelf of books. A desk. The lens slides down to reveal a bed below the camera. Tidy with cushions, the spread matches the curtains and a dark-haired girl is sitting on it with a portable console beside her. She is dictating into a hand mike, using long fingers to spread the pages of the book on her knees. The girl drops the mike suddenly and flops back against the cushions. She raises the book and reads. Her face is corrugated with deep purple gutters of scar. Her lips are twisted, nostrils distorted. Only her eyes and something in the barely discernible bone beneath the raddled flesh seem familiar. The film scutters berserkly. Miss Lick sighs as she pumps the control lever.

“It was acid. But she was completely anesthetized.” I am looking at the dark wood doors of a large chapel. The doors burst open and girls in graduation gowns rush out, their mortars precarious on soft hair.

“The day she graduated from college. Me still worried. She had my heart wrapped in barbed wire.”

A purple face appears in the excited crowd. The gowned figure comes straight down the steps and reaches up to snatch off the mortarboard. She marches straight toward the camera. The focus wobbles as she nears us.

The next view is a drab office with venetian blinds on the windows. The scar-faced girl is at one of the three desks. She is holding a sheaf of paper in one hand and a microphone in the other.

“She’s a translator. An enormous gift for languages. But she worked here for a year before I was able to get the camera in. Intelligence Bureau. Tight security. A slip would have cost her the job.”

“It’s Carina,” I said. The glass was against my lower lip and the name dropped into it and broke.

“Yes. She’s twenty-six now. Second in command in her office. Fluent in five languages.”

The screen is placid and grey. Miss Lick is sliding the disk back into its file slot. I hold the glass away from me and watch the level of the liquid. It is quivering but not a lot.

“You got the idea from Linda?” I ask it calmly, curiously.

“From what happened to her. Not her idea. My idea. But it only clicked because of the Arturans. Not that I’m a disciple. More of an apostle.”

Miss Lick is firm on this point, shoving all the disks straight with the side of her hand, tapping them into symmetry.

“Carina was my first.” She stops and stares at the wall. I can see her remembering. Doubt and worry form in faint nostalgia between the bulges of her face. “She was bitter. Stubborn for a long time. Despite the money. Despite clothes and school and private tutors. I did everything I could. I was worried for years.”

“What about the mother? Did she …?” I raise my eyebrows at Miss Lick over the glass.

She snorts and nods. “An annuity. She was delighted. I took the precaution of collecting a little evidence on her in case she ever thought she could use more money. I was lucky. Got an infrared disk of her rolling some poor bastard one night. He died of exposure. It was January!”

“I’m impressed with the camera business. Do you handle all that yourself? Do they really not know they’re being taped?”

She nods, a faint flush rising up her heavy jaws.

“Old hobby. There’s a lot involved if you want to be unobtrusive. Interesting techniques for surveillance and plants.”

I want to go home and think. She doesn’t trust me completely yet. She skipped the operation scene. Didn’t want me to see the close-ups of the acid working on Carina’s face — the fuming mist of chemical burn rising from the bubbling flesh. She isn’t sure I’d understand that, or tolerate her pleasure in the sight.

But I can’t leave yet. I have to reassure her that she hasn’t made a mistake by revealing herself to me.

“You know that all my life I have been in a position to understand what you are doing.” I look straight at her — pour deep honesty out through my pink eyes. Pitch my voice into the nether regions for her. She is staring at me anxiously. I smile the smile at her, the warm one. She is lumbering toward me, her hands stretched out to me like two naked babies, her great face cracking and melting in relief. She is pumping my hand up and down in the hot smother of her big paws. I feel as though my hand is wrist-deep in a fresh-killed chicken.

“Thanks,” she is muttering. “Jesus.” She is beaming at me. “You’re the first …” She is wagging her head in wonder. “First time I ever dared show anybody.” I try to balance the glass in my free hand but the whiskey sloshes out over the rim and chills my knees where it falls.

I like Miss Lick. Arty always said that was important.

“Find a way to like them,” he said. “Like them every minute that you’re with them. If you can like them they’ll be helpless against you.”

It’s easy. She is so big and homely and scared. She blushes. When she dresses after her swim, her hair is too soft to control and sticks up all over her head in rooster tails until she greases it and slicks it down. Her eyes are puffy every morning and she is fragile before she has her coffee at the office. She is honest. She wants to do good. All her efforts are toward good.

Miss Lick’s purpose is to liberate women who are liable to be exploited by male hungers. These exploitable women are, in Miss Lick’s view, the pretty ones. She feels great pity for them. Linda’s transformation gave her the idea. If all these pretty women could shed the traits that made men want them (their prettiness) then they would no longer depend on their own exploitability but would use their talents and intelligence to become powerful. Miss Lick has great faith in the truth of this theory. She herself is an example of what can be accomplished by one unencumbered by natural beauty. So am I.

“You are so lucky,” she said that night. “What fools might consider a handicap is actually an enormous gift. What you’ve accomplished with your voice might never have been possible if you’d been normal.”

Miss Lick, like many otherwise sophisticated people, is unduly impressed by anything connected with mass media. She believes my radio programs are major artistic achievements. She is sure I am a great success.

Miss Lick has already liberated a number of young women. She never uses force or coercion. She uses money. Carina was the first and gave her the most trouble. She waited until Carina had her degree and was settled in her job before she tried again.

“I had to be sure I was right. It’s not something you can do carelessly.”

Carina has never yet told Miss Lick that it was “the best thing that ever happened” to her.

“I admit that still bothers me,” says Miss Lick, her forehead rumpled with worry. “But others have said it. Lots of times. Carina’s stubborn. Damned stubborn.”

After Carina, Miss Lick was tentative, cautious for a while.

“I stuck with thyroid treatments for the next three. I was nervous about a more drastic approach.”

The disks flickered over a secretary, a high-school hurdles runner, a young prostitute — and then their incredible incarnations. All three so fat they could barely move.

“Lulu, the ex-hooker, is my accountant. The secretary is my office manager.” Miss Lick shoved her hands deep in her pockets and stared at the last image on the screen. A mound of dark flesh lies on a pillow. Thin hair straggling in greasy tangles suggests that it is a human head. Finally I see the tiny eyes gleaming out of dents in what must be a drooping heap of cheeks.

“This was Vita. She was seventeen when we started. I felt terrible.… It was a failure.… I misjudged. She couldn’t take it. Tried to kill herself. Pills. She’d been an athlete and this was the wrong route for her. Absolutely the wrong technique. Acid would have been O.K., but not this. Made me realize I had to tailor the treatments. I’ve been working on bringing her back. Her body is close, now. But her head is … And she was sharp.” Miss Lick’s clenched fists were still against her belly but all the rest of her shuddered.

“So she says, ‘Just give me the money and watch my smoke. I don’t need the operation.’ And I told her, hey honey, that’s what they all say and maybe you’d get the degree and the job but the first prick who rubbed your nipples the right way you’d go down the chute with all the rest. Those forty-fours of yours are a matched pair of concrete boots and you either ditch them or stay on here loading bread trucks and wait for the janitor to get so anxious to bury his face in your fat sacks that he offers to marry you.”

Miss Lick is flushed with the rectitude of her argument. The blonde on the screen is a cantilevered mammary miracle in a red T-shirt and tight pants. She bounces majestically as she reaches for big metal trays of plastic-wrapped wheat bread. The disk skids.

“She’s not as smart as I figured. All she’s good for is a technician.”

A thin-shouldered lab coat with a greasy ponytail turns toward us holding a pair of test tubes up to the light. A squinting examination of cloudy fluids.

“She spends all day analyzing horse piss from the tracks. Big day if she finds a jump drug in a sample. But hell. She’s happy. Makes a good living.”

The lab coat is flat. No chest at all.

“Damned good surgeon. Made a mistake and landed in my pocket. He’s lucky to be practicing and he knows it lasts just so long as I say so. I pay him well for my little jobs and I cover his ass. He used to balk and squirm about it but he’s been sewn up for years. He’s got kids, a big house, a country club. Reliable character. Truth is, I think he gets a kick out of it. I watch everything. Used to make me sick but I enjoy it now. An acquired taste but there’s a lot of finesse involved.”

She will not show me the sections of the disks that record the actual operations.

“I’ve got several projects going all the time. Prospects that I’m doing research on. Sometimes after I’ve decided a girl is right and make the approach, it takes a while for her to come around. I’ve had a few rejections. A few. I’m careful. Never a whisper about it though. Never any trouble. I just offer. No force at all. Nothing to complain about. Nothing illegal. Right now I’m interested in a kind of progressive procedure. Start out with a superficial thing — long hair, maybe — and use it as a kickoff. Bigger rewards dangled in front to keep them going.… Interesting. Still experimental, of course, not sure how it will work out in the long run.”

Miss Lick does not mention the Glass House and neither do I.

My new room is unfamiliar and chilly. I lie on the bed and try to learn the way to the bathroom door. A private bathroom here. It’s a much lusher joint than my room in Lil’s house. No hazy perambulations down the hall to the shared can in the middle of the night. But the other is home and I miss it. This more respectable front is what Miss Lick expects of Hopalong McGurk, and I hope it will keep her from connecting me with Miranda. I arrive early at the radio station every day to get my mail and prevent any accidents from the staff’s trying to reach me at my old address.

For a while I told myself that all I needed to do was interfere with Miss Lick’s finances. If she were poor, I thought, she wouldn’t be able to go on with her projects. I looked around her corporate structure for ways to sabotage her pocketbook. Nothing. I’m not clever with business. Couldn’t understand half of it. All I came up with was an idea about incendiary bombs in each of the factories. But they all work on twenty-four-hour shifts and they’re too scattered across the country for me to do it all myself. She’s got her capital snugged away in safe paper unconnected with the travel-grub business anyway.

Then, in the pool one day, I saw her watching the children. Pretty schoolkids training for the club team. They were like otters, playing around the stodgy lap swimmers. I was leaning on the steps at the shallow end, resting. Miss Lick came to the wall and stood up instead of doing her usual flip and push-off. She glared at the girls, her eyes burned red with chlorine and hatred. Long legs flashed, smooth, angular faces laughed at each other. Miss Lick’s head jutted forward from her big shoulders. Her jaw gripped at an odd angle and began to twitch.

My stomach tried to crawl into my mouth. If she couldn’t buy them into disfigurement she’d find another way, and in that minute I realized it was lucky she did have money. I’m resigned since then. I like her. She doesn’t usually scare me. But I know what I have to do.

I am driving the golf cart and Miss Lick walks alongside. We are somewhere past the fourth green.

“It’s a tax write-off. My girls go down as handicapped. No trouble establishing fake accident reports. Private nursing. I’m a bona fide charitable organization with rehabilitation as my main goal. It’s the truth too.”

I am glad that Miss Lick has made a big campaign out of her hobby. It gives me more substantial justification.

If Miranda were the only one she’d ever approached I’d do it anyway — but I would have doubted the propriety of dousing anyone’s lights permanently for the sake of Miranda’s ridiculous little tail. I’m the only one who sets any real store by that tail. Anybody else would call it great luck to get paid for having the nuisance removed.

Sometimes when we’ve been drinking I can’t help smiling at Miss Lick while I picture myself drilling her through the eye with her pop’s target pistol. The irony of my killing her righteously for doing what she considers righteous — and she, remember, never killed anyone — is hilarious to me. I must watch my drinking. I like it too much.

I read nothing but murders lately. Six solid weeks of mystery stories on my program. The puzzles intrigue me — and the methods. Surely the simplest way is the best.

I am terrified of trying and failing. The idea of her looking at me, that great hopelessly rumpled mass of flesh seeing me as a betrayer — knowing that I am responsible — that I deliberately led her on and am now hurting her. That image comes to me horribly in my sleep. I can’t bear for her to live on knowing that I would try to do that to her. She’d become a real monster — and my creation. No, it has to be absolutely sure, and quick. Very quick.

Meanwhile the cheap editions of murder pile higher and higher in this temporary room. I must be leaving a mile-wide trail. Hiding my intentions from her will be enough — but it will be obvious to anyone nosing around after the fact. Still, I am not as afraid of being caught as I imagined I would be. I’m only afraid of Miss Lick’s knowing. And I’m afraid of failing.

Knowing Miss Lick has made me think about Arty again. Wanting to do it didn’t make him evil. Getting away with it is what turned him into a monster.

Of course I will have to apply this rule to myself eventually. And I’m glad I’ve discovered whiskey.

I can’t spend much time at Lil’s house for now. I go in every Thursday night to deal with the garbage and to arrange my notes with the other papers in the trunk for Miranda. I tell myself that it matters, and that the relics of my life will miss me. Sometimes I believe it.

13. Flesh — Electric on Wheels

The guy was obviously sixty but he looked like he’d never stopped training for some tight and lonesome sport, rock climbing maybe, or breaking his own long-distance record for walking on his hands. He sat on the step of Arty’s van with his sleeves rolled nearly above his elbows and a pair of suspenders holding up his shin-length work pants. His shoes were high button-and-lace combos that must have been forty years old and made from hand-lasted baby rhino. They had an odd grey luster about half a century deep in elbow oil. Nice shoes, and he had them planted firmly under him and his elbows dug into his knees and his forearms angled up to a peak where his hands clasped. The muscles cut so solidly away from each other that my first thought was of old wood and roof beams.

He had the good sense not to get up when I walked over to him. He nodded and took off his cap as though he meant to air his brown scalp rather than honor me. “My name is McGurk … Zephir McGurk, and I’d like to visit with Arturo … your brother, I think.”

I started my standard routine. “Arturo undergoes great strain during his demonstrations and requires rest.…”

McGurk flicked his window-cool eyes at me, quirked one corner of his mouth and reached down beside him for an elaborate leather-bound case with brass clamps. “I think I’ve got something the Aqua Kid would very much like to see. I’m an electrician and an inventor, miss … And I’ve been thinking about your brother for a solid year — ever since the show came through here last March. You let me see him. You won’t regret it. And neither will he.”

The case wasn’t hiding a bomb or a gun. I was sure of that just looking at the guy. I unlocked the door and took him in. McGurk stood beside the table and examined the fingernails of both his hands in a discreet way. I went to Arty’s door and knocked.

Though he insisted on the charade of attempted privacy, Arty liked having people clamoring to see him. He swung up onto his red velvet throne and held his face up for me to wipe his nose.

“Stay in the security room,” he said.

I opened the door for McGurk and introduced him as I slid out. In the security room I checked the gun and took off the safety while I slowly opened the ventilator beneath the one-way glass. McGurk was sitting in the armchair. He was looking coolly at Arty’s lower body. After a few seconds McGurk’s eyes jumped up to Arty’s.

“Have your testicles descended?”

Arty was used to impertinent questions. “Why do you ask?”

“How can you sit upright without hurting yourself?”

“I have well-developed buttocks and I wear a rigid cup.”

McGurk nodded and put the case on his lap. He used a small key to unlock it.

“I’ve been thinking about your life and I’ve designed something that may do you some good.”

“That’s kind of you.”

“Not exactly. I just couldn’t sleep until I came up with a solution.” The case spread open on his knees and revealed an old-fashioned record player with a chrome bar elbowing out from a spot near the center of the turntable. A soft thick tube drooped from the end of the chrome. McGurk looked at the bed and got up. He set the thing on the bed near the wall and stretched the shining bar toward the center of the bed. The tube drooped toward the maroon satin spread.

“The switch cable is pressure operated.” He pulled a rubber ball away from the side and a chrome-wrapped coil followed it, whirring against the case.

“You can hold it in your teeth and have complete control, one click turns it on.” He pressed and a faint hum pulsed into the room. “You insert your penis in the tube here …,” his fingers lifted the flaccid bag until a deep pink mouth showed, “and a second click adjusts the clamps to a firm grip.” The tube jumped and the mouth took on an form.

Arty began to chuckle. “Clever. But are you sure you didn’t design this for yourself?”

McGurk’s head swung around to look at Arty. A crease of irritation flickered between his eyes. “You’re what? eighteen or nineteen years old?” he said. “I kept thinking what things would be like for you.” He thumbed a pressure switch in the rubber ball. The turntable began to spin and the chrome arm pulled and thrust, pushed and retreated smoothly, with the bag at the end inflated and Arty stared at the pumping chrome arm and its full tip. McGurk leaned forward and pushed his thumb deep into the mouth. The bag sucked and jumped around the thumb as he watched it. “You get thirty-three, forty-five, or seventy-eight RPMs on this suction tube.”

Arty licked his lips, sniffed carefully to make sure his nose wasn’t running. “Have you tried it out?” he asked.

McGurk pulled his reddened thumb out of the bag and pressed the control switch. The chrome arm stopped moving.

My tall stool was cutting off blood to my legs and I squirmed and craned my neck. Arty was turned away from me, watching McGurk, who slumped down and sat on the bed. “I’ll show you the lubrication and drainage system, but …” He hiked at his trousers until both knees were bare, white and hairless. The shoes came up his shins and turned into grey socks. “But I guess you want my credentials,” McGurk said. He reached up his right pant leg. There was a snap and the shoe toppled over with the plastic shin and knee sticking out of it. A dim gleam came from the dark fold of the empty trouser leg. He slid his hand up the other trouser leg and both legs lay on the floor with steel shining out of the hollow tops of the knees. He pulled his pant legs up his thighs and showed the steel caps on the stumps. There were a groove, a few grip protrusions, and a number of electrical contact points protruding from each unit. He looked up, calmly waiting.

Arty pursed his wide lips and rolled them speculatively. “Shit,” he said. Then he sent a long arc of saliva at the nearest shoe. It hit the laces and trickled down across the holes. McGurk went on looking at him but there was a deep crease between his eyes.

“You figured it wrong. The whole thing,” said Arty. He rocked slightly, chuckling. “You’ve got yourself a little old disability there, so you took pleasure in feeling sorry for me. Well. You figured wrong.”

McGurk was twisting on the bed, reaching his powerful forearms down for the artificial legs. He straightened and jammed the steel ends onto his stumps with a clang. The gun was sweating in my hands.

“You figured …” Arty was watching carefully now; his eyes swung once to the mirror above his bureau that hid me and the gun on the other side, “… figured we had a common set of interests. Guess you have a hard time with the ladies. Well, I don’t. I’ve got women mooning around begging to take up my slack.”

McGurk was folding the chrome arm back over the turntable, feeding the control cable back into its hole, carefully closing the case, not paying any attention to Arty. Arty sucked his lower lip in between his teeth and popped it out again. He waved his right flipper vaguely. “You know you’re taking the wrong road on those stumps. You’re like a man with a beautiful voice taking a vow of silence. You’re working hard to pretend they aren’t there and you meet a girl in a bar and don’t tell her about those knees until you get to take your pants off. You ought to tan your thighs and walk on them. Wear silver sequin pads and dance on a lit stage where they can see you. All those soft girlies come knocking on your door borrowing sugar in the dead of night and sliming for you. You could have that. Not as much as I get but plenty … You’re just going along with what they want you to do. They want those things hidden away, disguised, forgotten, because they know how much power those stumps could have.”

McGurk was looking now, listening. I could see his eyes sliding on the console, the velvets, the soft, deep carpet. I put the gun on safety and stuck it back on its shelf. I flicked the switch as I went out so the lamp on the bureau in Arty’s room would go out and he would know I wasn’t covering him. I got a contract and took it to Arty. McGurk was smoking quietly and staring at the walls. Arty was saying, “… a sensible man doesn’t have to have the top of his head blown off to know the truth when he sees it.”

McGurk signed on as an electrician. He shook hands with me because he couldn’t with Arty. Then he went out to sell everything he owned, say goodbye to the two teenage sons who lived with his ex-wife, and furnish his station wagon for temporary living so he could follow the show.

When the blighted stump horse died, our Chick “took on something terrible,” as Mama said. I came out of the Chute that morning with my nose burnt from the smell of glass cleaner, and heard “woo-wooing” of a wet, breathy variety that seemed familiar. They were up on the generator hood by Grandpa’s urn. Chick was sprawled out flat with his face buried in his hands and Elly and Iphy patted him gently while they looked off in opposite directions at the sky.

I crawled up to help pat Chick. The twins said he’d found Frosty stiff and flat in his trailer. Talking to the fuzzy blond back of Chick’s head and the wet pink fist hiding his face, I said, “Shooty-pooty, Chick, it isn’t your fault. He was old and it was his time and you took such good care of him these past few months. He was probably happier than he’d ever been in his whole life.” But the Chick choked and Elly sniffed and said they’d already told him that but he loved the horse and had to cry. I took offense at her snotty ways and told her Chick loved everything and he was going to be a mess if he cried like that every time a geranium conked out in the redheads’ flowerpots or something. But Iphy was dreaming sorrowfully at the low grey sky and Elly was not to be baited. She just sighed, “Probably,” and went on patting Chick.

I slid down and went off to practice a funeral oration for Frosty. It wasn’t too bad, though it was never delivered. Doc P. dissected the horse for educational reasons and then had the roustabouts haul the remains to an incinerator.

Late. The camp dark. Two hours after closing. The family was sleeping and I sat in the kitchen sink looking out through the moon mist at the dark without my glasses. A scraping sound from outside. A step. It was behind me on the other side of the van. I slid to the floor, tiptoed to the door in bare feet, peeped silently through. My breath froze — a movement near Arty’s door. A tall figure moving there.

Assassin! I thought. In the instant it took me to get through the door I dreamed a long dream of Arty’s gratitude at my courageous self-sacrifice in saving him. I saw myself wrapped in white, propped on pillows. Arty enters, white-faced and shaken.… That was about as far as I’d got by the time I locked my arms around the thighs of the dark shape in Arty’s doorway and clamped my teeth into a bulge of buttock. The thigh flailed wildly and started to scream as I growled. Fingernails whacked and clawed at my head and scraped at my arms. Breathless shrieks pumped out of the murderer’s throat and vibrated through my teeth in adrenal heroics that lit my skull’s interior with an epileptic torch.

The light over the door flashed on and shouts closed over me. In relief at being rescued before I broke, though wondering if I would make such a sympathetic figure to Arty if I wasn’t in traction, I released my aching grip. Cloth pulled out of my teeth as big arms lifted and held me against a warm chest and a deep voice cracked, “Jeez, Miss Oly!”

A piccolo hysteria behind me in the doorway. Then Arty’s sympathetic voice, “Are you O.K.? Come in here and let me look.” My heart turned to steaming oatmeal as I wriggled around to see his dear worried face and the corpse of the terrorist I had foiled.

Arty wasn’t talking to me. He was in his chair just inside the door, leaning anxiously to examine a jagged rip in the black satin rump of a tall young norm woman whose sobbing face was hidden by a straight fall of blond hair.

“Killer!” I bellowed, struggling to break out of the blue-sleeved arms of the guard who held me. “She was breaking into your place, Arty!”

The big chest against my fists rumbled, “Jeez, Miss Oly!” and Arty’s chilly white face snapped an impatient look toward me. His wide lips stretched back over his angry teeth as he whipped out, “A guest. An invited guest simply ringing my doorbell!” Then, gesturing the tall, slim girl inside, he backed his chair away from the door.

The guard, in embarrassment at my rigid body in his arms, was jabbering, “Sorry, Arty, I brought the lady to your ramp, like always, and I’d just got to the other end of the van when the ruckus started.”

“Take Oly back to her door, Joe. Goodnight.” The door slammed shut.

“Jeez, Miss Oly,” said my guard. He turned, opened the door to the family van, put me down just inside, and closed the door on my ice-struck face. I crawled into my cupboard and tried to swallow my tongue or hold my breath long enough to die. I hoped they might give me a half-pint urn and bolt me onto the hood of the generator truck behind Grandpa.

Chick would come to rest his cheek on my cool metal when he was sad. Mama would polish me every morning before she went to the Chute and blink away tears remembering my sweet smile. Then it occurred to me that they might put me in the Chute in the biggest jar of all and I’d float naked in formaldehyde and the twins would bicker over who had to shine my jar. I gave up on dying and went over to blubbering into my blanket instead — imagining razor-slash scenarios of what Arty was doing with the norm girl and what an asshole I was. I went on blubbering until I slept.

I kept the norm girl at Arty’s door to myself. Arty wouldn’t talk about it. He liked secrets. Without a good reason, Arty wouldn’t admit that he ate or slept. Information was a marketable commodity to Arty. The guard may have gossiped but he would try to keep Papa from hearing about it. Private arrangements with Mr. Arty didn’t get to Al if a man wanted to keep his job.

I hung on to it — my embarrassment at being an idiot and my shame at being a patsy. Idiot for jumping a guest while in the throes of melodramatic fancy, patsy for being pulped by pain at Arty’s involvement with a girl, and a norm at that.

I crept out of my cupboard and peeped through the slats of the louvered window in our door. I couldn’t see much, but several nights of quivering in my flannel nightie in the dark proved it wasn’t an isolated incident.

The girl I’d tackled was a stranger, not part of the show. I heard and saw Arty’s door open and blurred figures moving into the light several times before I recognized that it was always a different girl.

I crawled into my blankets smiling, slept well for the first time in days, woke as cheery as a pinhead, went joking and grinning around all day. Arty wasn’t having a love affair. He was just “fucking around,” as the redheads called it. What had been a blowtorch blackening my brain with sick, helpless jealousy was now just useful information. A love affair would have shut me out. This gave me an opening. I could tease Arty in private. Keeping mum to everybody else would be evidence of my discretion and encourage him to have confidence in me. If a trickle of puke still riled my throat at the thought of Arty with the long-limbed norms, it was at least tolerable. I needed all the ammo I could get.

Zephir McGurk was a do-it-yourself electrician from the same independent school of thought that spawned Papa’s medical hobby. McGurk made do. He read journals and magazines and catalogues from supply houses to feed his ingenuity, but he was an innovator. Even if a thing had been invented and perfected thirty years before, McGurk was inclined to build his own rather than buy the gimmick from somebody else. McGurk was valuable. His pay was minimal cash and what Arty called the “overflow” of curious females.

He slept in the back of the old but well-kept safari car. He did his work in the utility trailer that housed the power tools and spare parts. He set up a compact and efficient workshop. If he wasn’t in the workshop he was asleep or in Arty’s show tent. He never socialized in the midway or dropped in on any other act. Zephir was a focused man. Arty was his apple. Arty was the work he’d been given to do.

“It would be good to have some way to spell out my messages in lights,” Arty might say.

“Maybe,” McGurk would say slowly, his head already tumbling possibilities.

Arty went to visit him in the workshop. This flattered McGurk deeply. If Arty was in an energetic mood he’d have me strap him into one of his treads and would lead the way to the workshop with me trailing. He’d go up the step and climb up on the workbench and talk companionably with McGurk.

Other times he’d stay in his chair and sit outside the door with McGurk perched on the step to talk. McGurk had stowed his prosthetic legs in a trunk. He’d gone over to fancy strap-on pads on his thigh stumps. He wore blue or brown leather for his workaday stumps, but he got a pair made of iridescent green satin, embroidered with silver vines, for wearing in the control booth at the top of the bleachers where he worked the sound-and-light board for Arty’s show.

It was McGurk who invented Arty’s speaking tube — a plastic form that fitted over Arty’s nose and mouth. When Arty tongued the button inside, a rush of air expelled the water from the face mask so Arty could breathe and talk into the mask at the same time. The thing stuck up against the front plate of the tank on a long gooseneck that linked it to a gaudy (but phony) console in the bottom of the tank. It actually hooked into the sound system. Arty talking under water was an astonishing improvement over propping his chin on the top of the tank to rap into the microphone. The crowd loved it.

When McGurk built the button receiver that hid in Arty’s ear and let him hear the sound system, the crowd, and messages from McGurk in the control booth, Arty offered the electrician his own van and a good raise. McGurk shook his tidy head and politely turned it all down. “I’ve got my routine set,” he said. He went on sleeping in his station wagon.

McGurk cooked for himself. He was a fussy vegetarian. He was roasting carrots in an oven in the workshop the day he came up with what we later called “The Singing Buttock.” He was peering through the oven window at the sliced carrots in a dish. “What if,” he asked, “every board in the bleachers was wired for sound?”

Arty was lolling on top of the workbench looking at a sheet of McGurk’s doodles for a new colored-light plan. He rolled back his head and squinted at McGurk’s broad shoulders. McGurk with his back to you was an imposing specimen even with his shirt on. The oven pinged and he took the dish out with a mitt.

“Why?” Arty wanted to know. McGurk dropped the mitt beside the carrots and leaned his big brown elbows on the workbench. He had his private knife and fork wheeling through the carrots and whipping quick chunks of steaming root into his mouth. He always ate standing up. Three bites went through methodical milling and swallowing before he finally let his eyes drift up to Arty.

“Sound is physical. I’ve been watching Miss Oly …” He nodded to where I perched on his work stool. “Her ticket talking got me thinking. Sound is a vibration. It carries through matter. When you hear, it’s not just with your ears. A sound actually affects every cell of your body, making it vibrate and pass that vibration to all your other cells. That’s why they say a sound is ‘piercing’ or a scream ‘goes right through you.’ It does. It actually does.” He stopped with his fork in midair and looked at Arty. Arty was watching him, waiting. Arty didn’t say anything. McGurk sighed and took a piece of carrot from the fork and chewed it. I watched it go down his thick-muscled gullet.

“I was thinking,” McGurk said, finally, “that you use your voice real well. I was thinking, what if your voice wasn’t just coming at ’em from the air but was vibrating up from the soles of their feet and through their asses up their spines. I was thinking what it would be like if they felt what you had to say because the boards they were standing and sitting on were wired to carry that vibration of your voice.”

Arty’s eyes were almost bulging, looking at McGurk. His face was frozen for a long instant and then it folded into a smile and then broke at the mouth and Arty’s whole body shook toward his mouth, laughing.

“I love it!” he howled. “I love it!”

The bleachers are empty and singing around me. Arty is chanting in the boards. I sit on the fifth tier and stare straight at the tank, at Arty, his mouth and nose in the black cup of the speaking tube. Wires are taped to my wrists and to the insides of my knees and to my hump, next to the spine. They lead up to the control booth, where Zephir McGurk is measuring my physical responses to the sound that he has wired to feed through every board in the bleachers.

Arty’s body floats straight out from the speaking tube, glinting mysteriously in the bright green water.

“Peace,” says Arty, and the speakers above the tank lift his voice to the canvas peak of the tent roof. The bottoms of my feet say “Peace,” and the padded bones of my pelvis whisper “Peace” to my bowels. A shiver passes upward into my stomach, and my spine feels “Peace” like fear curling upward to my skull with my shoulder blades flinching around it.

“As I am!” shouts Arty, and my heart nearly stops with the shock of the sound in my body.

Arty pulls away from the face cup and wriggles toward the surface. McGurk is hopping down the steps from the control booth. He is beside me now. Only slightly taller than me on his stumps, he is watching the wires as he rips the tape off my skin.

Arty’s head appears on the rim of the tank, grinning at us. His face is pale and doesn’t look as though it’s connected to his body, which is golden, with slowly flexing flippers gleaming through the glass.

“That seemed a lot better!” chirps Arty. “That flat zone makes it even more effective!”

“Yes.” McGurk holds the ends of all the wires together in one hand like the leashes to a pack of dogs. He examines the sheet of readout graph in his hand. “Yes. With just the upper and lower registers you can make them dance to whatever tune you like.”

14. The Pen Pal

It was Earlville, on the Gulf of Mexico. One hundred windless, muggy degrees. Mosquitoes drowned in your neck creases. The only industry in town was the federal penitentiary. The midway was jammed and the show tents bulged with sweating, stinking, bad-tempered drawls. It got dark but it didn’t cool off.

The fat woman surfaced at Arty’s last, hottest show for the day. She was young but her colorless hair was scraggled up into tight separate curls with so much scalp between them that she looked old and balding. She was crying as she stood up on the fifth tier of the bleachers and pushed her clasped hands out toward the tank where Arty was deep in his pitch.

“You, darling,” said Arty, and the feel of “darling” rose up through her puffy ankles and through every buttock in the bleachers. The crowd sighed. The fat woman sobbed.

“You feel ugly, don’t you, sweetheart?” and “ugly” and “sweetheart” thrummed the crowd, and they all gasped and she wasn’t the only one nodding.

“You’ve tried everything, haven’t you?” said the bright floating spirit in the tank. “Everything,” murmured the bones of the people.

“Pills, shots, hypnosis, diets, exercise. Everything. Because you want to be beautiful?”

Arty was building it up now, winding them tight.

“Because you think if you were beautiful, you would be happy?” He had the timing pat. Arty was a master of tone and timing. I leaned on the last steel strut of the bleachers in the aisle and smiled, though I’d seen him do it all my life.

“Because people would love you if you were beautiful? And if people loved you, you would be happy? Is it people loving you that makes you happy?”

Now the pitch drops a full octave into the groin groan. I can feel it even in the support poles. The asses on the seat boards must be halfway to orgasm.

“Or is it people not loving you that makes you unhappy? If they don’t love you it’s because there’s something wrong with you. If they love you then it must mean you’re all right. You poor baby. Poor, poor baby.”

The place was full of poor babies. They all sighed with tender sympathy for themselves. The fat woman’s nose ran. She opened her mouth and cried, “Hoooh! Hoooh! Hoooh!”

Now Arty was gentle and low as a train a mile off in the night.

“You just want to know that you’re all right. You just want to feel all right.”

And now he dives into the sneer. Arty’s sneer could flay a rhino.

“That’s all you need other people’s love for!”

The crowd is shocked into stillness. Arty grabs their throats while they’re down and starts pumping the tempo.

“So, let’s get the truth here! You don’t want to stop eating! You love to eat! You don’t want to be thin! You don’t want to be beautiful! You don’t want people to love you! All you really want is to know that you’re all right! That’s what can give you peace!

“If I had arms and legs and hair like everybody else, do you think I’d be happy? NO! I would not! Because then I’d worry did somebody love me! I’d have to look outside myself to find out what to think of myself!

“And you! You aren’t ever going to look like a fashion queen! Does that mean you have to be miserable all your life? Does it?

“Can you be happy with the movies and the ads and the clothes in the stores and the doctors and the eyes as you walk down the street all telling you there is something wrong with you? No. You can’t. You cannot be happy. Because, you poor darling baby, you believe them.… Now, girl, I want you to look at me and tell me, what do you want?”

Arty expected her to stay tongue-tied and blubbering so he could say the next line. That’s the way it always worked. But this fat woman was so used to blubbering that it didn’t slow her down. She opened her mouth wide and, though I’ve never really stopped hating her for it, I have to admit she was just saying what all the rest of the damp, wheezing crowd was thinking. She screamed, “I want to be like you are!”

Arty stopped dead still. His flippers froze and he began to sink slowly with his face pressed into the speaking mask and his eyes close to the glass staring out. There was sobbing in the crowd. Soft voices murmured, “Yes, yes.” Arty was silent for far too long. Had he had a stroke? Was it a cramp? I started forward, ready to run around behind the tank and up the ladder. Then his voice came.

“Yes,” he said. “Yes, that’s what you want.” And I could hear his breath go in, Arty’s breath. Arty could control a mike and he never breathed so you could hear it.

“And that’s what I want for you.”

He didn’t go on with his usual talk. He said that he’d have to think how to give this gift to her. He said they should all come back the next day — though he knew few of them would — because he would have something to say to them.

McGurk didn’t know what to do with the lights. He was flickering a rainbow that made Arty almost invisible in the water. Finally Arty himself hit the switch that blacked out the tank.

The crowd started to trickle away as I ran to the back of the tank. Arty was already out on his platform and rolling in his towel.

“Arty, what’s wrong?” I whispered as I scrambled up the ladder.

“Not a thing,” he said. His face popped out of the towel and he grinned hugely, excited.

“Let’s get over to the shower quick. I want to see Doc P. right away.”

The woman who wanted to be like Arty came back the next day. The crew had just finished sweeping down the bleachers in Arty’s tent and were raking the sawdust. The first show had gone as usual and it was an hour until the last show began.

I was next door in the ticket booth of the twins’ tent snagging the take out of the till drawer into a bag, and punching in totals. A finger tapped the SOLD OUT sign in the barrel window in front of me.

“All sold out!” I hollered, and locked the cash bag.

“There’s a dame in Arty’s tent!” It was the crew foreman, shrugging at me. I took the cash bag and went with him.

She was sitting up on the fifth tier, where she’d sat before, but now she was the only one. The heat in the tent was heavy and dead. She had a shopping bag beside her and she looked ready to collapse. Her face was dark red. Her eyes were blood-spatter over yellow. She had a little face set into a big pillow of a head, and her arms and legs stuck out of a dress that would have been loose on a linebacker but looked like cheap upholstery on her. She was just sitting, staring at the unlit tank, listening to the gurgle of the pump that aerated and filtered the water.

I climbed up toward her. She looked at me, got a ripple of fear on her face, and grabbed at her shopping bag.

“Hi,” I said. She clutched her bag and nodded, warily. She expected to be chased. I expected to chase her. “I work with this show, can I help you?” I stood still at the end of the tier and didn’t go any closer. She flapped her jaws and then came out with a tiny shrill voice.

“I’m just waiting for the Aqua Man. I’m going to pay but there wasn’t anybody to sell tickets. I’ll pay when the ticket booth opens.”

Her eyes ran over me cautiously. I was wearing one of the blue sailor dresses that Lil made for me. The blue matched the lenses of my sunglasses. I wasn’t wearing a cap so the woman’s eyes spent a lot of time on my bare skull.

“I’ll sell you a ticket right now so you won’t have to worry about it,” I offered, helpfully. I had a roll of tickets in my pocket, and I needed to make sure she wasn’t going to pull an automatic out of her shopping bag and perforate Arty. She fumbled out money.

“You were here yesterday, weren’t you?” I asked.

“He spoke to me,” she said, counting out coins. “He said to come back. He would help me.”

I sat down next to her and watched the heat rash on the insides of her elbows and the backs of her knees and in the folds of her chins as she talked. She had got herself into a terrible jam, she said, and it had made her realize … She was from Warren, Ohio, and her mother was a schoolteacher but had died last year. She took a photo album out of the shopping bag and showed me a picture of a fat old woman.

“What kind of a jam are you in?” I pushed. If she had strangled her old mother I was going to have her escorted to the gate, heat rash and all.

“It’s a man,” she said coyly. I couldn’t help looking at her with suspicion. She bubbled into tears right away. I looked at the photo album in her lap. She had drawn pink daisies on the cover. I figured she was the type who would doodle LOVE in big, loopy letters and dot her i’s with hearts. Her name was Alma Witherspoon. She was twenty-two riding hard on fifty-five. It seems she was a pen pal. She’d always been a pen pal. Seems she’d got the address of a twenty-to-life bank blaster a year or so before. He was up the road in the Earlville Federal Pen. She’d sent him a photo of one of the cheerleaders in her high school. After her mother died she moved down here so she could send him fresh cakes and cookies.

“We’re in love,” she said. It sounded like LVE. “He wants to marry me!” she moaned. “And the warden has agreed! But I thought we’d do it by telephone and now the warden says I have to go out there and do it in his office and Gregory will see how I really look!” So she needed to see the Aqua Man. She didn’t know anybody in this town. She had no relatives left to turn to. Her heat rash looked contagious. I gave her a show ticket and got away from her. “You just wait here for the show. Nobody will bother you.”

I took the cash bag to the safe and went over to help Arty get ready. I told him about Alma Witherspoon while I greased him. He lay on the massage bench and nodded. His eyes were eager. He had a funny half smile the whole time.

“She’s probably been spinning whoppers to her pen pals for years about being beautiful and popular.”

“No relatives? No friends?” he asked.

“So she says.”

“Good,” grinned Arty. He stretched and rolled his back under my kneading fingers.

I was doing my talk in front of the twins’ tent, “Siamese beauties linked in harmonious perpetuity …” I always had a great time with “perpetuity”—it was a word you could play like a flute, rolling it up a full octave and whistling “Dixie” on that last syllable. The crowd was pretty good and most of them were already inside; the last twenty were shuffling in line for tickets.

That’s when I saw Alma Witherspoon go by with two of the redheads who helped out in Arty’s tent. The tall women beside her made Alma look even wider. She rolled along with her shopping bags and her purse and her photo album all folded sweatily into different rash-angry creases of her dreary body.

Alma couldn’t have made a penny as a pro. She didn’t weigh as much as a single leg of “Eleven Hundred Pound Jocko!” or “Pedrita the Plump!” but she wasn’t healthy. Jocko and Pedrita were the proudest people who’d ever worked for the show, according to Papa. Alma Witherspoon had the pride of a squashed possum.

“… Twin musicians! Twin miracles!” I rolled on, watching the redheads gently guide the wobbly Alma up the ramp to the shower van parked behind the Games of Chance. She put her foot on the top and heaved lopsidedly upward as the door opened. I could see the startled jerk of Alma’s wispy head as she saw the staunch white-clad figure in the doorway. Dr. Phyllis nodded, her white mask flashing glare into her thick glasses. Her white glove lifted, beckoning. Alma Witherspoon stepped into the shower.

“There is no shock. There is no danger of infection. Young Fortunato’s techniques eliminate that entirely.”

Dr. Phyllis watched Arty as she talked; her eyes swiveled behind her pool-deep lenses, probing for an argument that would change his mind.

Arty was looking through the glass window at the sterile infirmary where Alma Witherspoon lay sleeping, with Chick perched beside her on a three-legged stool. Chick was wrapped in one of Dr. P.’s white coats with the sleeves rolled up. His glowing face was bent toward the pillow. His eyes grazed lovingly over the sodden grey folds of Alma’s cheeks and chins.

“Did you look at that chart I gave you? The healing rate on that spiral fracture was triple the normal expectancy for a patient that age.… Arturo? Are you able to comprehend what I am conveying?” Dr. P.’s thin, perfect diction entered the ear in a surgical manner. Arty, who had been absorbed in his view of the lumpy sheets and the doughy mound on the pillow, turned to her calmly.

“Doc, I know you can cut her down all at once. I know it would be more efficient. But I want her to have a lot of chances to change her mind.” He turned back to look through the window again. He relaxed against the back of the wheelchair. His face was easy as he looked at the creature asleep in the next room. His mouth looked soft. There was a sleepy pleasure about him, almost peaceful, almost warm. There was, oddly, a look of Chick on Arty’s face. Arty was happy. He was deeply happy and it was, in some way I didn’t grasp, all because of moldy Alma Witherspoon having had all her toes cut off and then, when she’d recovered from that, having begged for the privilege of having her feet and legs nipped away as well.

Dr. P. and Chick kept Alma in the infirmary. Arty went frequently to park his chair in the observation room at one end and sit staring through the glass at her bandaged body lying on the second bed from the end.

Once a week, on Sunday mornings, Arty would flick on the intercom and watch Alma’s face through the glass as his voice pumped at her from the speakers. She was always overjoyed to hear him. She called him “Aqua Man” and said she was fine and when could she have more of herself taken away? “I can’t tell you what it means to me each time they clean a little more away, even a little toe. Once it’s gone I feel what a weight of rot it was for me. Oh, Aqua Man, you are so kind to me. I thank the stars in heaven for leading me to you …” and so on like that. She’d blubber away, a pen pal to the core. Her message was always How soon would they take her feet off? When would they take her hands? Could she, by a special dispensation from His Wateriness, skip the feet and have Doc P. just take off her whole legs one at a time? They were such a burden to her and she was in such a hurry to be like HIM.

Arty didn’t talk about it but I could see it meant a lot to him. The whole thing had me fuddled. Why should this Alma make him happy? He’d never been that way about any of his visiting night girls — at least not by the time I brought in his breakfast the next morning. He was working harder than ever, reading more, vomiting nervously before each show—“To clear my head,” he claimed. He schemed and planned with McGurk for hours every morning, playing with lights and sound. But I’d never seen him smile the smiles he smiled in those days, great soft openings of his face with no biting edges at the eyes.

We were up in Michigan when Alma started testifying. She was down to her nubs by then. Her legs were gone from the hip and her arms ended at the elbow. She looked better. Her front still flopped but she’d been eating Dr. P’s Vegetarian Nutri-Prescription for months. Her skin had some tone and she’d dropped a few chins along with her limbs. More of her face was visible and her wispy hair seemed to have less expanse to drift away from. She was chipper, and she proved that “feeling good” about herself, as she called it, didn’t make her any less irritating than being pathetic. There was a difference, though. Where she had been wetly repellent she was now obnoxious.

“I should say she might feel good about herself, the great lazy lump,” said Lil. “Lying up there being fed and waited on. When does my Chick get to play? A child his age needs frolic and silliness, not mooning about spooning green gruel into that blob and worrying over her every minute for fear she might feel a twinge of pain! All my other children had time to play even though they worked every day.”

• • •

I had nothing to do with Alma. To my recollection I never spoke to her directly after the first time in Arty’s tent. But I watched her. To give them both credit, Alma was terrified of Doc P. and said nothing but yes’m and no’m whenever the good doc was around. And Alma worshiped Chick. But Chick was her painkiller so I figured her love for him had the same virtuous weight as an addict’s for his drug.

Alma’s testimony started in the Michigan factory towns. The redheads would wheel her out onto the stage beside the tank before Arty made his appearance. Alma’s twittering bat voice fed down through a button mike on her white robe and McGurk bled a little timbre in before he shot it out through the speakers.

“My name is Alma Witherspoon,” she’d begin, “and I just want to take one minute to tell you all about a wonderful thing that happened to me.…”

The rodent squeak chittered in her chest and her stump arms waved in the white spotlight and the bright green tank gurgled, huge, beside her on the dark stage. The funny thing was that it worked. By the time Arty exploded in a rush of bubbles from the floor of the tank, the folks in the stands were ready for him, dry-mouthed and open. And those certain few in the bleachers, those stone-eyed kettles boiling with secret pain, received her message. Those who had been waiting finally found a place to go.

That’s the way it began. It was Alma “Pen Pal” Witherspoon who actually founded what came to be known as “Arturism” or the “Arturan Cult.”

There were just a few converts at first, but Alma took over the process of organizing with a smug zest that made me want to kick her.

She was all humility and worship to Arty — a kind of “Kiss the Ground on Which Your Blessed Brown Balls Drag” smarminess. But with the converts she reigned as a high priestess, prophet, and mega-bitch. She originated the concept of “Artier than Thou.” She ordered, organized, and patronized. The redheads, who had to wait on her and wheel her around in a replica of Arty’s chair, hated her. Soon there were enough of the “Admitted” to give Alma a full-time staff. The redheads went thankfully back to balloon games, popcorn, and ticket sales.

Not that Arty was ever less than In Charge. Though he appeared only in his tank and did no trivial fraternizing, he knew everything. Most likely the whole thing in all its details was Arty’s invention. He gave orders to Alma by intercom.

She sat in her commandeered trailer office chirping earnestly into the box on her desk and listening reverently to replies. Her method of passing orders on to the lesser members was as snooty as that of any conveyor from on high.

She set Arturism up like a traveling fat farm for nuns. Though she herself had lucked onto Arty while flat broke, all who came after paid what she called a “dowry.” Arty said, in private, that the scumbags were required to fork over everything they had in the world, and, if it wasn’t enough, they could go home and get their ears pierced or their peckers circumcised and see what that did for them.

The thing grew. Arty’s fans — or the “Admitted,” as Alma insisted on calling them — began to trail after the show in cars and vans and trailers of their own. From a half-dozen simple characters wandering the midway with white bandages where fingers or toes had been, there grew a ragtag horde camped next to the show everyplace we stopped. Within three years the caravan would string out for a hundred miles behind us when we moved.

Papa hired more guards and had the Binewski vans wired for security. After a month of phoning and looking and asking, Papa bought the biggest tent any of us had ever seen and set it up around Arty’s stage-truck.

Dr. P. got a big new surgery truck with a self-contained generator. Two of the big trailers were converted to post-operative recovery wards. Chick was with Dr. Phyllis from early morning until supper every day. He was getting thinner and he fell asleep at the table leaning on Mama night after night.

“When does he play?” she would ask, her eyes blinking at the air directly in front of her.

Papa talked to Arty and Arty passed the word to Doc P. Dr. Phyllis didn’t like it, but two hours each day, one after breakfast and another before supper, Chick was ordered to play where Mama could see him. She started reading fairy tales to him during the morning hour. In the afternoon he dutifully pushed toy cars around the floor of the family van, making motor noises, so Mama could hear him as she made supper.

Having established the chain of command, having petrified two dozen finger-and-toe novices into doing all the paperwork, Alma shed her left arm to the shoulder. She spent hours crooning to herself on her infirmary bed with the screen drawn around her for privacy. Her voice grew frail and she stopped testifying.

She was replaced immediately. Dozens clamored for a chance to testify at Arty’s shows. There were thousands waiting, willing to pay, for the right to see and listen.

I was walking by when Dr. P. walked out of her big new surgery truck and heaved the plastic bag containing Alma’s last flabby upper arm into an ice chest for Horst to dispose of. She dusted her white gloves against each other and nodded to me. “Well, that’s finished,” she announced through her mask. “It took a year and a half. I could have done the whole job in three hours.”

After a while, Alma wasn’t around anymore. Arty laughed when I asked about her. “She’s retired,” he said. “She’s gone to the old Arturans’ home to rest in peace.” I thought he meant she was dead.

15. Press

As their seventeenth birthday rolled past, the twins were fogged in by some musty hormonal mist. They were goofy, aloof, and up to something. Their bickering graduated from intermittent to constant, but the dignity that they felt appropriate to full-fledged bleeders dictated that the running argument be carried on in whispers.

The twins’ piano teacher, whom Lil had hired by mail, was the greasy Jonathan Tomaini, with his one shiny-assed suit and two pairs of slightly mismatched socks. He took frequent opportunities to explain how temporary this “post” was for him and how thrillingly adventurous it was for a concert performer and graduate of fine New York music academies, such as himself, to doss down on a cot in a trailer shared with twelve sweaty, spitting, cursing, chortling roustabouts who viewed him as one rung lower than last night’s beer farts. He gushed at how brilliantly gifted the twins were—“a privilege to spend this brief hiatus in my career molding and influencing such talent.”

The twins claimed — Elly loudly and Iphy with demure embarrassment — that Tomaini never bathed, only washing his hands up to the wrist and his face and neck as far down as his collar. He was, they said, no fun to share a piano stool with. He had things to teach them, though, and they endured the piano stool for hours every day.

Mama was slipping away from us. Her pill intake was up and her body was changing. Large bones came close to the surface as her woman-softness withered. Her eyes were giving her trouble, the focus softening and shortening. Her walk had changed from a melodic flirt to a gaunt, uncertain lurching with her hands extended in front of her, touching. She rattled in endless detail about our various infancies. She forgot things. She left jobs half done and didn’t notice when someone else finished them for her. She cried easily and occasionally without knowing she was doing it. She slept.

Papa had taken to antacid tablets for his stomach. He carried half-consumed rolls in every pocket and chewed them constantly. He dithered for eighteen hours out of every twenty-four trying to lash his small winter crew into dealing with the flush of business brought on by Arty’s increasingly specialized popularity. The veins in his forehead threatened a stroke while he supervised the production of the expensive and classy “Ask Arturo” poster series. He was happy, though. The work rush let him forget that he wasn’t the boss anymore.

New people kept cropping up and latching on. We were a road show and we lived with the ebb and trickle of faces who appeared, hired on, stayed for a few thousand miles and then, one day, were gone. We Binewskis kept to ourselves. Only the family stayed the same. Hanging out with the swallower’s kids or making friends with the palm reader’s daughter always ended in separation and forgetfulness. We were easy with strangers but never close.

Arty’s growing flock, however, was different. I dreamed one night that Arty cried them into the world. They came out of his eyes as a green liquid that dripped to the ground making puddles. The puddles thickened and jelled into bodies that got up and hung around Arty.

But Dr. P. and the advance man and McGurk, and later Sanderson and the Bag Man and the nebbishes and simps who mooned and crooned around him, were all there because of Arty, no matter what other pretext they might claim. They all belonged to him.

The occasional television crews, doing thirty-second “Day at the Carnival” bits for the evening news, took a while to tumble to what was going on in the center tent. An hour after the first broadcast of a breathless on-the-spot reporter describing bandaged stumps in a wheelchair, the newspaper people started popping up.

After a few months reporters drove out to meet us on the road. Squads with cameras and notebooks and tape recorders waited for us on every new site as we tooled in and parked. A few towns canceled our licenses before we even arrived. The indignant slams just made Arty smile. “Those who want to know,” he shrugged, “will still get the message.”

It wasn’t until one of the redheads brought a copy of Now to Arty’s door one morning that we realized one of the loiterers in the journalistic pack was from that national news magazine. The guy in the lean tweeds had been puttering around the midway for weeks. The ticket peddlers all knew him because he’d flash his photo ID card and mutter, “Press,” trying to slip into the shows without paying. “Press your pants,” the redheads would say — a stock Binewski reply — and he’d laugh and pay up.

The Now story demonstrated his intentions clearly. The fur-chested Norval Sanderson, with his cynic’s eye, bourbon voice, and discreet tailoring, was with us so he could expose the “ruthless egotism that was exploiting the nation’s psychic undertow.”

“Arturism was founded,” wrote Sanderson, “on the greed and spite of a transcendental maggot named Arturo Binewski, who used his own genetic defects and the weakness of the unemployed and illiterate to create an insanely self-destructive following that fed his maniacal ego.…”

Within days, Arty, the clever boy, had turned the attack to his own purposes by distributing ninety-second tapes to every network proclaiming that he was, indeed, the Transcendental Maggot, and that his power to thrive in the decaying frenzy of the planet was available to all those who were willing to accept it.

Norval Sanderson had covered wars, treaties, executions, and inaugurations for two decades. He was sharp and he lacked awe for anything, from earthquakes to heads of state. He was clever. He spent days lounging coolly in the corners of Arty’s life, and he published three explosively controversial interviews with Arty in as many weeks. Arty liked him.

What now remains of Sanderson’s old spiral-bound notebooks, his collection of news clippings, and the transcripts of his interviews with the people of Binewski’s Fabulon is wrapped in black plastic and locked in the trunk in my closet. I take it all out when I want to think back. His fast, meticulous script is fading from black to grey, and the paper is brittle in my hands, but I can still hear his lazy drawl with its built-in needle.

From the notes of Norval Sanderson:

… Suspected earlier that Arturo was being manipulated by someone, probably the father, Al Binewski. I saw Arty as a tool for some functional “norm” who was raking in the cash from the dowries. Spent three hours with Arty today and completely revised my opinion. Arty is in complete control of the cult, of the carnival, of his parents, and apparently of his sisters and brother — though there may be some small spirit of resistance in the twins

.

Arty is sporadically self-educated with wide lacunae in his information. National and international politics are outside his experience and reading. Municipal power relationships, however, are familiar tools to him. He has no real grasp of history — seems to have picked up drifts from his reading — but he is a gifted analyst of personality and motivation, and a complete manipulator. His knowledge of science is primitive. He relies on specialists in his staff to provide him with effective lighting, sound technology, etc. He is a skilled speaker on a one-to-one level as well as in the mass-rhetoric situation of his performances. He has a sharp awareness of personal problems in others … professes no ethic or morality except avoidance of pain. Says his awareness is such that he feels the pain of others and is therefore required to alleviate it by offering the sanctuary of Arturism. Obvious horseshit

.

His power seems to come from a combination of techniques and personality traits. He seems to have no sympathy for anyone, but total empathy. He is enormously self-centered, proud, vain, disdainful of all who lack the good fortune to be him. This is so evident and so oddly convincing (one finds oneself thinking/agreeing that, yes, Arty is a special person and can’t be judged by normal criteria) that when he turns his interest on an individual (on me) the object (me) suddenly feels elevated to his level (as in — yeah, me and Arty are too special and unique to be judged, etc.)

.

Just when you feel despicable, and that Arty’s disdain is too great a burden to endure, he offers you the option of becoming his peer

…

June 14:

Ticket count 11,724 for this show. Bleachers packed to the top of the tent. Arty in tremendous form — his voice booming through your very bones:

“

I want you to be like I am! I want you to become what I am! I want you to enjoy the fearlessness that I have! The courage that I have! And the compassion that I have! The love that I have! The all-encompassing mercy that I am!”

The “yes” sighs up from the crowd like a night wind and I myself nearly weep at being surrounded by pain. I become convinced, for an hour, that Arty is not injuring them but is allowing them to acknowledge the pain in their lives in order to escape from it. A man who had to be a Certified Public Accountant on my left — a big self-contained man in a decent suit and well-groomed beard. The wedding ring glinted on his fingers as his hands gripped his knees. He didn’t shout when the others did. He was silent, focused on the tank and the venomous worm in it. During the “As I am” chorus he was frozen so rigidly that I glanced at his face. He was biting his lip and staring, unblinking, at the pale squirming thing down there in the green-lit water. He didn’t move. But when I looked again, a trickle of blood was slipping down his chin into his beard and his lower lip was still caught in his teeth. There was a rollicking grandmother on my right, wailing and whomping throughout. Her easy tears didn’t touch me at all. It was this thick-wallet with his gleaming, well-kept air who shook me up

.

For hours afterward, wandering through the crowds in the midway, walking in the Admitted encampment, I am swept by the idea, almost believe that having all my limbs amputated will actually free me from the furious scourge of my days. The midway finally shut down at midnight and I recovered a little more sobriety as the lights clicked off. In the dark, at last, I went down the road a half mile to the Roamers Rest Tavern and contemplated my momentary conversion ruefully through the amber lens of Resa Innes’s (proprietress) corrupt bourbon. I kept feeling a tremor in my shins and thighs and spine, from the voice of that ruinous tadpole. I kept feeling the heat of solid thighs packed against me in that sweltering hour on the bleachers

.

I had another pull at Mother Resa’s treacle comfort and remembered the Vesuvius coverage ten years ago. We’d goaded the pilot of the big press chopper into getting us the goods. As we bucketed crazily in the hot drafts around the crater and cleared the lip with a gut-chewing swoop, old Sid Lyman dropped his beloved camera and fell to his knees on the steel deck. Praying. “Good Old” Sid, who cracked abysmal puns while shooting mass graves in Texas, while clicking away at the mutilated children on Cyprus, and while filming six years’ worth of intimate war footage — jungle and desert. There was Sid, helpless as his precious equipment skittered out through the open door of the chopper. All Sid could do, aside from what obviously happened in his trousers, was gibber infant prayers as he stared out into that roaring pit of boiling stone

.

What bothers me is my inability to recall whether I laughed at Sid. If I snickered then, over the crater, I’ve a hunch I’ll pay for it. I asked the flatulent Resa for another tug at Aphrodite’s bourbon teat and hoped, with absurd urgency, that I’d had the sense to bite my lip over Vesuvius

.

This sheaf of news clippings was stapled into Norval’s notebook:

NIGHT OF CRIME

AP: Santa Rosa, California

A sudden crime wave broke out in this coastal city last night, with looting of one large supermarket and three smaller grocery stores. All the thefts took place in the three hours between 1

A.M

and 4

A.M

., and Police Chief Warren Cosenti reports that foodstuffs were the only items taken.

Spokane, Washington

Eight suspects were arrested inside McAffrey’s Stop and Shop at 114 West Main by officers answering a burglar alarm from the convenience store at 2:30

A.M

The suspects, five males and three females, were apprehended while loading cardboard boxes with foodstuffs from the shelves. All eight were unarmed, dressed completely in white, and refused to make any statement to police. One man, evidently a spokesman for the group, handed police officers a note reading, “We have all taken vows of silence. Do what you will.”

Reports that several, or perhaps all, of the suspects are missing one or more fingers or toes have not yet been confirmed.

Spokane, Washington

County Coroner Jeff Johnson affirmed, in a press conference this morning, that all eight of the burglary suspects who committed suicide last Wednesday night in the city detention cells took cyanide.

None of the suicide victims has yet been identified, and neither police nor Johnson will comment on the rumors that all of the victims were missing digits from their hands or feet.

Velva, North Dakota:

Police responding to a burglar alarm at 3

A.M

Monday found the big plate-glass window of the Velva Coop Supermarket shattered and whole shelves emptied of goods in what appears to be …

This headline was cut from the Hopkins, Minnesota, Clarion:

GROCERY WAREHOUSE RANSACKED

Police Suspect Carnival Link

On a handbill circulated among Arturans and carnival staff, Norval Sanderson had underlined this passage:

… To eliminate food shortages arising from the increased number of the Blessed, our Beloved Arturo has established a special kitchen truck and mess tent to serve three wholesome meals per day to each and every one of his followers. Novices who have not yet begun Shedding must obtain meal cards from their group leaders. Guests and visitors will be charged a nominal fee for meals

…

I laughed when I found this among Norval’s notes. I remember the tizzy we were in when this handbill was written. I suppose we weren’t far from Hopkins, Minnesota, because it was the Hopkins cops who were snooping around.

I was helping Lily pin up the hem on a new satin coat for Arty. We were in the kitchen of the van. Lily had her sewing machine on the table in the dining booth and Arty was sitting beside it on the table. I was chalking the hem and Lily had her mouth full of pins when the door jerked open and the twins stormed in with Chick.

“Cops,” they said. The twin’s faces had matching looks of thrilled horror. Chick nodded gravely. “Papa’s angry. The cops want to talk to Arty.”

Arty had been stretching up tall for his fitting and he sank back on his hips and got a pin in his rump. “Rar!” He jerked forward. Elly giggled, Iphy reached for him, and I fell off the bench. The radiophone buzzed and it was Al from the office. Chick was right. Papa was very angry.

That was the first we heard of the marauding that Arty’s followers had been up to. It seems they were hungry. A lot of them didn’t have any money left after turning everything over to Arty. Trailing around after him they had no way to earn any. But none of us had given any thought to how they would all eat. Some of them had been sneaking meals with the show crew but that infuriated the cooks. The midway staff would beat them up or, at the least, throw them out if they suspected who they were. The cooks had stuck up signs on the mess tent saying, “Midway Staff ONLY!”

The cops arrested five novices that day and impounded the old school bus that they lived in. Behind its white curtains the bus was stacked with cases of canned goods intended for the good people of Hopkins. The police kept us there for a couple of days before they let us go.

Al hired two more cooks and some kitchen helpers, bought another kitchen truck, and relegated a couple of old tents to the followers for dining halls. He fumed, and Arty too was angry at having to spend the money to feed them all. Norval Sanderson took notes and collected clippings and asked questions.

16. The Fly Roper and the Transcendental Maggot

Norval Sanderson was a curious man. He wanted to know everything. When he had exhausted all the Binewskis for the day, or was bored with the antics of the Admitted, he would stroll into the midway and continue his casually relentless examination of every event, phenomenon, skill, artifact, and personality that caught his eye. He wasn’t pushy. He was as patient and flexible as water on rock.

He was fascinated by popcorn machines and by the way cotton candy was spun. He charmed the redheads with his attentive interest in their uncountable chores and their extravagantly fascinating life stories. He was intrigued by the engines of the simp twisters and he plagued the mechanics with his probing about the drive lines and exhaust systems of the machines.

Sanderson engaged the customers in conversation and could discover astounding details about the truckers, lawyers, pea pickers, sea cooks, insurance peddlers, students, and factory workers who happened to be pitching coins at the ring toss or standing in line for the Roll-a-plane as he ambled by.

He never got tired of the midway. He scrupulously rode each of the simp twisters once when he first started haunting the show. After that he only watched them. But the games and the acts, the booths and the vendors didn’t get old for him. He turned the game managers into exuberant braggarts by inquiring about the details of their work and expressing amazement at their skills.

Al’s old front men told him how to find the district attorney or sheriff or mayor or police captain in each town who could be paid off with the proceeds of one fixed game, as a prophylactic against investigations of the roulette wheel and the baseball toss. They told him how to place posters, how to pry a license out of a reluctant bureaucrat, how to rent a site for a song, and all the comes and tells and scams of their craft.

The novices who handed out Arturan literature in the P.I.P. (Peace, Isolation, Purity) booths could count on being quizzed periodically about the reactions of passersby to each brochure or pamphlet.

The snack-stand vendors reported the flavors of Sno-kone or soda pop in vogue in a given locale and how the fashions varied geographically.

Sanderson watched practice sessions and rehearsals and then went to the shows to see the results. He knew the face and name and temperament of every cat Horst owned. He knew the blade capacity of each sword swallower and the octane rating of every fire eater. He knew the geek boys’ favorite philosophers and the brand of lotion that the tumblers rubbed on their aching joints before bed.

Whenever he could, he’d snag Horst or a Binewski to keep him company, to turn on the lights in the Haunted Gold Mine tunnel so he could see the springs and trip wires that triggered the sound tapes and the swooping skeletons or gaping corpses, or to walk him through the Chute describing the nature and origin of each glass-encased specimen. I myself have perched, embarrassed and bored, beside him in the stands of the variety tent, answering his endless questions as he gawked delightedly at Papa’s miniature circus, with its single ring and its dog act, jugglers, acrobatic clowns, and aerialists.

In the swallowers’ tent he watched gravely from the back and asked questions afterward.

When the Death Tower motorcyclists joined the Fabulon, he stuffed his ears with plastic foam so he could lean over the lip of the huge metal cylinder for hours, watching the riders gun their roaring machines against gravity.

He knew the twins’ repertoire by heart and could sing their most difficult and popular tune, “She Was a Salt-Hearted Barmaid,” with all its grace notes.

Of course he studied every delicate nuance of Arty’s show. He scouted the big tent well before Arty made his appearance for each session. Sanderson watched as the ten thousand places filled with the Admitted of varying status. The limbless lay on their bellies in the sawdust in front of the Holy Tank. The legless were behind them on the first slope of the risers. The bandages got ostentatiously thick further up where the ankle and knee crowd jostled each other. Beyond were the novices, all dressed in white and crushed close on the benches, waving their bandages proudly. Behind and above them in the highest bleachers were the unscathed newcomers, the curious, the scoffers, the occasional reporter, all antsy and jiggling to see Arturo the Aqua Man’s life-defying invitation to ultimate sanctity. Sanderson sketched charts of the hierarchy and wrote endlessly in his pocket-shaped notebooks.

But, of all the skims and grifts and skills and wonders of the Fabulon, Norval Sanderson’s particular favorite was a fairly new act housed in the smallish tent right next to Arty’s huge one. It was the least-spectacular turn the Fabulon had ever offered. Yet, though Sanderson would pump me or any other insider for details about the act and the actor, he didn’t want to meet the man himself or question him personally. “Some mysteries,” he’d drawl, “I’d like to preserve.” And I never resisted when Sanderson hailed me away from pumping septic tanks or counting tickets to join him in a scholarly viewing of “Mr. Ford’s luscious lariat.” I liked the Fly Roper, too.

His friends called him C. B. Ford. He was pot-bellied and bald and he tucked his pants into bright red, rose-stitched, pointy-toed cowboy boots with three-inch heels. There was a calm twinkle to his humor. He had quick hands and no interest at all in becoming an Arturan and tithing up his body parts. What he wanted, and what Arty gave him, was a permanent lease on the number 2 tent in the fairway. “Your big show and my little show,” he told Arty, “belong on the same card.”

His gift was his ability to bulldog and hogtie houseflies. He claimed to have learned it in the Shetland Islands, where the girls came thirty lonesome miles over the moors to drink nickel beer and see the flicks at the Coast Guard station. “But,” he laughed, “those girls were all set on getting to the States so you had to be careful with ’em. Nothing they’d like better than get knocked up by a Yank and have Papa herd him to the altar like one of their shit-dragging sheep.”

There isn’t much life in those dim latitudes, he would claim, but there were plenty of flies. And he learned the nature of flies from an old bosun who’d run away to sea from a meat-packing plant in Nebraska.

“Now the fly,” and he planted his heels and hooked out the silver tabs on his suspenders, “is not unlike the helicopter.” At this point his lariat would lift, whirling lazily, and begin to spin above his head in a convincing imitation of a fly’s orbit. “Your mother no doubt told you that you’d catch more flies with honey than with vinegar.… But we all know what flies really like best!” With his free hand he would reach over to the velvet-draped table and lift the domed silver lid off the shallow chafing dish. The candle beneath the dish would flutter slightly and the crowd would titter at the steaming pile of dung on its silver plate.

C. B. Ford was particular about the brand of shit he used. “Cow flop,” he once told me in confidence, “does not work well. It draws the flies just fine, but the folks in the audience can’t see it. It’s too runny and you can’t pile it so they can see it from the ground. It’s no good to me at all if it’s dry enough to stack. Dry I could pile it up like flapjacks halfway to the moon, but the flies don’t take much interest in it. Horse shit, of course, draws well if it’s just fresh, but it doesn’t have enough impact on the crowd. Somehow people accept horse shit. Nearly anybody would tell you that the smell is homey rather than bad. We want that bit of shock that you get with real shit shit. I won’t work with pig shit. Depends on what they’re eating but they can be loose as a cow and even when they’re firm that pig smell is too much for me. I hate it. So it comes down to either dog or human.”

The rope’s loop would hover over the chafing dish excitedly while the crowd subsided and C. B. Ford took up his bumpkin professorship. His timing was good and his chatter didn’t go over anybody’s head. He’d play the rope and talk and it was never long before the flies came. “There’s one now.… That’s the advantage of fresh bait,” he’d say. He had a screen cage full of flies — big bluebottles that were slow and easy to work with and easy for the crowd to see and hear. He had one of the boys behind the stage just crack the gate on that cage so the flies would come out in a slow drip. Five or six was all he wanted. And as soon as there were a couple of real flies buzzing that chafing dish, his rope would disappear and he’d get a long-haired girl up from the audience to giggle and assist him.

The first fly was always a big to-do. He’d jump all over the stage swiping wildly at the air, come within a frog hair of splatting his fist into the chafing dish a dozen times, get the girl volunteer to flap her arms to flush the little buzzers his way, and all the while talking his talk about the similarities and differences between Herefords and bluebottles until the audience was half-convinced that he was never going to catch the fly but was laughing anyway and jumpy as a drunk with a glass of milk waiting for him to smack a bare hand into that pile of warm dung.

Then, suddenly, he’d catch the fly and hold it, closed in his fist, up to the microphone so they could hear it buzz. Then he’d blow on his thumb knuckle and shout and shake his fist hard, “to make the fly dizzy,” and then snap his wrist as he flung the fly down hard onto the table. “Now he’s out for a second, but he’s just stunned and we’ve got to act quickly before he regains consciousness.”

Whirling on the long-haired girl and drawing small stork-shaped scissors, he would lift a strand of her hair, separate a lone thread, and snip it close to her skull before she had time to do more than squeak.

“We’ll tie a slipknot here at one end and have this big fella hobbled in a jiffy.”

The slipknot in the hair would slide over one of the stiffly splayed legs of the fly and tighten. With a quick flourish a little fluorescent paper sign was taped to the loose end of the hair. While the first fly was recovering its wits C. B. Ford would catch five more as easily as picking grapes and serve them the same way, assuring his blushing assistant that her hair was so thick and lustrous that she could spare six single threads for the taming of half a dozen wild beasts.

Inside three minutes a flock of confused flies was bobbling drunkenly through the air above the audience, trailing the tiny winking streamers that read “EAT AT JOE’S” and “HOME COOKING.”

The crowd would flush out through the flaps in a good humor. Inevitably a group of young men would take it upon themselves to swat the burdened flies out of the air or smash them as they sagged down to rest. Also inevitable was the child who was indignant at having the flies killed and did his best to catch one alive to protect it, to take it home in a popcorn box and revere it for having experienced something altogether extraordinary in fly life.

After two months of following Arty around in a rented van, Norval Sanderson left us and took a leave of absence from his distinguished magazine. He went home to West Point, Georgia, as he explained, to see his aged mother and think. For weeks he combed her long, thin hair each night and sat drinking in the dark on the porch long after she went to bed. When Sanderson came back to the Fabulon, Arty claimed it was the cult that drew him. Lily was convinced that Sanderson was bent on writing Arty’s biography, but I had a hunch that the Fly Roper was, in some odd way, part of the pull.

Norval caught up with us again outside Ogallala, Nebraska, and knocked on the door of Arty’s van during breakfast. Arty left the straw bobbing in his orange juice to smile at Norval. I went on cutting up his ham.

Norval went to the stove and poured a cup of coffee, lifted it in salute to Arty, and then set it on the counter without sipping it. “I brought you something.” His ironic rasp was as slow and cool as ever. He reached into the unusual bulge in his tweed jacket and pulled out a green glass pint jar crammed with something. “A token,” he sneered, “of my profound respect.” He set the jar on the table beside Arty’s plate. The swollen thing inside pressed against the glass. It was thinly covered with short dark hairs. Norval grinned mischievously and loosened his slim lizard-skin belt. The flannel trousers slid down past loose silk shorts to his knees. “Excusing your presence, Miss Olympia,” he mocked, and his thumbs pushed the elastic waistband down and twitched his starched shirttail aside to show the limp circumcised penis dangling in front of a flat and ornately scarred crotch.

“The stitches are almost completely dissolved now, but I’m still bow-legged,” he complained.

Arty chuckled and nodded. “Don’t think that gives you a head start on any other novice. You still have to go through the finger and toe basics before you’ll get any credit for that grandstand play.”

Sanderson hiked his pants back up, shaking his head with mock woe. “I cut off my balls for the man and this is the thanks I get.”

“We all have to start somewhere,” Arty grinned, as I slipped a forkful of ham between his lips. Sanderson leaned on the stove drinking coffee and regaled us with an urbane description of his search for a surgeon willing to perform the task. “I ended up with an eighty-year-old veterinarian who was Grand Wheezar of his local KKK congregation. I told him that my mother had just confessed, on her deathbed, that she had gone down with a pecan picker and I was actually sired by an octoroon Catholic communist. The old gentleman agreed to do the job immediately. He pats me on the shoulder and says, ‘Yer right, son, you’d fry in the eternal oil for passing that much taint on to another generation.’ ”

Arty was still laughing when Sanderson went out to move his van into the Admitted camp. As the door closed Arty hooked a fin at the pint jar and slid it into staring range. He put his nose against the tinted glass, turned the jar for another view, and then sat back with a frown wrinkling his bare scalp.

“Goat? or calf?” He might have been asking the jar. “Maybe a colt or a big dog?”

I was scraping the plates and shaking my head, “You’re as goofy as he is.”

Arty gave me the look. “These are not Norval Sanderson’s balls.”

That stopped me. I leaned to look at the crammed jar.

Arty tapped at the lid with his fin. “That network reporter who was here after the first Now story told me about it. Sanderson lost his balls to a landmine in North Africa years ago. Fifteen years ago, maybe.”

“Why didn’t you call him on it?” My head was frozen.

“He figures I don’t know anything. Probably put iodine or something on old scars to make them look fresh. It’s kind of cute. Let’s give him some rope and see what he’s up to. And you keep your trap shut about it.”

“You like him.”

“He’s entertaining.”

Passing himself off as a convert didn’t seem to require that Norval develop anything you could rightly call reverence. He still sneered and took notes and interrogated anything with vocal cords. But he also came up with the idea for the Transcendental Maggot booth. Arty laughed and let him do it. The project earned Sanderson a modest income and kept him close to Arty. The booth was small but it had the place of pride at the pivot point between Arty’s tent and the Fly Roper. The notion was simple and surprisingly popular. Sanderson collected amputated parts from Dr. Phyllis and cut them into small chunks, one chunk in each half-pint jar. His maggot farm was reliable and easy. He’d hang fingerless or toeless hands or feet up on hooks behind his trailer for a few days and pick out the worms as they hatched. He sold a lone maggot with its own lifetime supply of guaranteed sanctified feed for five dollars. The ones that graduated to flyhood before he could sell them went to the Fly Roper’s wire cage on a dollar-a-dozen basis.

Whatever his intentions, Sanderson was with us to stay. He switched from tweed to twill. He talked casual business, regularly, with C. B. Ford. It took him two years just to shed four toes — two on each foot — but he conscientiously deposited each toe, as he dropped it, in its own jar with its own worm and sold it for the usual price.

17. Popcorn Pimp

The twins were counting the miniature tomatoes in each other’s salads at dinner one night when Papa announced that they were getting their own van, “like Arty’s.” Lily was horrified. They were too young at eighteen to live alone, she protested, even in a T-shape set-up with the family van and Arty’s. The swallowers would sneak in and rape them and whatnot. The sword swallowers and the fire eaters were Lil’s bogeymen at the time. She got hot thinking of the twins at the mercy of the swallowers.

“When they were tiny morsels, still trying to crawl away from each other and getting tangled up, I said, ‘Blast the heart that takes them from me!’ ”

Iphy looked scared but Elly, cool and slow, said, “We’ll take it. I know this is Arty’s idea. He’s got something in mind. But we’ll take it anyway.”

The twins ordered carpets and walls of sea green, and sky-blue drapes and furniture, and a scintillating emerald bathroom. Their bedroom and its huge bed were dusty rose.

In honor of my fifteenth birthday, Mama moved my clothes and treasures into the twins’ old compartment in the family van. I sat there sometimes, but I went on sleeping beneath the kitchen sink because the open expanse of unsheltered bed seemed as wide and flat as Kansas.

The twins showed up in the family van for every meal. “See, Lily,” Papa said one night as the twins sat on the floor winding Mama’s embroidery thread onto cards, “you’d hardly know they moved.”

“Who moved?” asked Mama.

• • •

Elly had hold of my sleeve and was giving me her “or else” look.

“O.K., Oly, I want you to do me a favor.”

Iphy’s gentle hand lay on my other sleeve and her voice was desperate, “I don’t want you to do it, Oly! Please!”

“What?” I was flustered. Elly held out a white envelope.

“Take this over to the judges’ stand at the other end of the park.”

Iphy tried to reach the envelope but it was in Elly’s far hand, out of Iphy’s reach. “I won’t like you, Elly! I won’t speak to you!”

“This is for one of the judges. A man named Deemer,” Elly continued, calmly fending Iphy off while tucking the envelope into my hand and folding my fingers over it. “He’s very tall and he’s bald except for a brown rim around the back. He’s wearing a suit and a name tag. Give him this and then run. Don’t say anything to him. Don’t wait for an answer.”

Iphy flattened her hands over her face. Her fingernails were nearly white. She wasn’t crying. She was hiding. I stood clutching the envelope and staring at Iphy’s long, thin fingers covering her whole face and tangling with her dark hair.

I took Elly’s envelope on the long walk down the screaming midway and through the barbecue smoke of the picnic grounds beyond, to where rows of folding chairs creaked in the grass under the fat behinds watching the crowning of Miss Dalrymple Dairy or the Catfish Queen or whatever it was.

I saw the guy on the judges’ stand next to the stage. He was young to be so bald. He had the quiet look of a storybook schoolteacher. He stood behind three fat ladies and a short man with a big belly who was blatting into a microphone hooked to a pathetic sound system. I circled behind and scraped my arm climbing up through the warped plywood at the back of the stand. The speaker’s podium and the wide folks were in front of me. I don’t think the crowd could see me. I just touched his damp, pale hand, saw the long face turn down toward me and the eyes widening. Then I jammed the envelope into his hand and scuttled back down to the ground and away as fast as I could.

I saw that thin man once more, for a single minute in the moonlight in the twins’ doorway at three the next morning. I was spying on Arty’s door when the crack of light appeared from the entry to the twins’ van five feet away. I slipped out onto the platform and saw him almost clearly as he stepped out. He was wearing the same suit. He looked tired. The door closed behind him.

I stared without moving, thinking to myself that the envelope had been an invitation and that, wow, when I got my own van there would be norm guys coming to visit me.

I’ve sometimes wondered if the Binewski view of the world stunted my sympathy muscles. We were a close family. Our contact with norms outside the show was in dashes and flashes — overheard phrases, unconnected to lives. Outsiders weren’t very real to me. When I spoke to them it was always with a show motive, like a seal trainer using varying tones to coax or command. I never thought of carrying on a conversation with one of the brutes. Looking back I think the thin man was upset and confused. At the time I wondered if Elly had got her way but had been murdered as a result.

He lowered his head to walk away and saw me. “You brought the note.” He said it flatly, his voice light and even but unfocused as though he’d just waked up. “That was strange.” He jerked his head back at the closed door leading to the twins. “I don’t think I was right. I think I did something … wrong. One of them didn’t want it. She cried and scratched at me. The other one … did.” He shook his head slowly, jabbed his hands into his suit-coat pockets, and lurched down the steps and away, leaving me with the sounds of his shoes fading in the gravel.

I figured he’d killed the twins but my previous experience in nabbing assassins to protect Arty made me cautious. I went looking for the corpse before I gave the alarm. The door was unlocked.

I could hear the shower water rushing but I thought he might have slit their throats in there so I leaned on the bathroom door and hollered their names. The water turned off and the door popped open. Elly was wrapping a towel around her hair as she snapped, “What do you want?” Iphy was red-eyed, toweling their crotch.

“That guy just left, I thought …”

Iphy lifted her eyes to me like the ghost of a murdered child. “She just sold our cherry!” she cried. “And I was saving mine!”

“Aah, crap!” growled Elly. I trailed them into the pink bedroom and climbed up on the bed to look at the red streak on the dusty rose sheets while they were rifling a closet for their robe.

“Anyway!” Elly piped between the hanging clothes. “You keep your toad yap shut about it, Oly!”

“I will! Jeez!”

“And Squeak-brain here is going to button up, too. Right?”

“Elly, stop. Oly can know.”

“You didn’t have to tell her.”

They were digging in their own sparsely furnished refrigerator with me peeping around the door before they got squared away about my not being able to tell because Elly would put red-hot needles in my eyes if I did and Iphy couldn’t stop her, and Iphy couldn’t tell because she was just as guilty as Elly. Their soft, bitter bickering was almost soothing if you didn’t listen to the words. They came up with a jug of pink lemonade and grabbed three paper cups and we all went in and sat on the sea-green carpet in the living area.

“So, was it fun?” I asked. “Or did it hurt?”

“Sure,” shrugged Elly.

“Awful,” winced Iphy.

“I thought there’d be more blood.”

“I thought he’d stay for a while afterward. You scared him off with your blubbering.”

“You don’t sound as if it was really fun.”

“The redheads say it gets better.”

“Do you think he enjoyed it? Wouldn’t it be awful if he didn’t? Maybe that’s why he ran off so soon. It’d be terrible if he gave us all that money and didn’t like it.”

“Money?” This last was me. Somehow it hadn’t sunk in when Iphy said Elly had “sold” their cherry.

“Sure, money.” Elly reached under the sofa and pulled out that same envelope I’d delivered to the judges’ stand. He’d come up to talk to them after their show the day before. He’d asked if he could visit them, said he’d drop by after he finished judging the beauty contest.

“Is he a schoolteacher?”

“We don’t know what he does. He was polite. Kind of gentle. I thought he’d be good to start with. He didn’t seem rich so I just said fifty dollars in the note and that he should come after closing.”

“I didn’t mean to hurt his feelings. It’s just that I was saving mine and he was so heavy on me and it hurt.”

“Iphy, listen. He wouldn’t have hugged us anyway. They are never going to want to hug us or cuddle up afterward. They are always going to get right out of bed and zip up still wet and go away.”

Iphy looked down at their knees, her slender hand folding a hunk of the bathrobe nervously in a movement so much like Mama’s that I stared.

Elly peeped seriously into the envelope. “Maybe I was dumb about this. A virginity like ours could be worth a lot. Maybe we should have taken bids. Kind of an auction. Maybe we could still do that. We’ll get better. We can send out flyers. Put it up in lights, ‘The Exquisite Convenience of Two Women with One Cunt!’ ”

“Arty will be mad. Arty will just die.” Iphy pleated at the robe. I saw how pretty she was and I hated her.

“He won’t care,” I tossed out. “He does it himself.”

“Arty?!!?” Their twin voices blended in a harmony of shock.

“For money?”

“Well,” now I was confused, off balance. “I don’t think he makes them pay, but … I’m not sure. Does he, maybe, pay them?”

“Who?”

“All the girls who come to his door at night in shiny clothes.”

Iphy’s face stiffened. Elly hooted, laughing. “Norm girls?” Iphy’s lips didn’t move over the words.

“Yeah. All sorts.”

“Arty, the preacher!” Elly looked up at the ceiling as she giggled. I decided she wasn’t a bad sort. But I knew about the pain in Iphy’s gut and was glad and ashamed of being glad. If I couldn’t have him, she wouldn’t either. That was enough to go on. At least I could work for him and be close to him. Elly wouldn’t let Iphy do that. I decided I really liked Elly. Her chin dropped down so she could look at me. “Do Mama and Papa know?”

“Don’t be silly.”

“How long have you known?”

“Months.”

Elly grinned at me. Iphy’s face suddenly relaxed into mild questioning. “Elly, we’re never going to do it with anybody old or fat, are we? Let’s not.”

Sometimes just looking at Al and Crystal Lil I wanted to bash their heads with a tire iron. Not to kill them, just to wake them up. Papa strutted and Mama doddered and neither of them had a glimmer of what seemed to me the real world. I suppose I wanted them to save me from my own hurts and from the moldering arsenic ache of jealousy. I wanted back into the child mind where Mama and Papa lived, the old fantasy where they could keep me safe even from my own nastiness.

Sometimes when Mama put her arm around me and kissed my smooth skull and called me her dear dove, I almost puked. If I had ever been a dear dove it was in some dream. I still wonder what she would have done if I had been able to tell her. Maybe she could have helped. Maybe she could have saved us.

I didn’t understand what Elly was up to with her whoring but I was glad because it made Iphy dirty. I didn’t know what Arty was building with his religious trappings but I was happy that he had lots of work for me to do.

Arty in his tank flashing wildly from glass wall to glass wall with the lights flaming on his gleaming body, light exploding out of the rushing froth of bubbles he beat into being until his whole tank roared with fire — then, suddenly, Arty motionless, floating four feet off the bottom, caught in the soft gold light. Arty talking to the people through the microphones set against the glass. Talking until the people talked back, talking until they cried for him, talking until they called out his name, talking until they roared, stamping in the bleachers.

Arty in his golf cart, waving a flipper at the crowd on the other side of the chain-link fence. Arty working in his van, receiving guests while I hid quietly in the stuffy security room behind one-way glass with a goofy little gun in my hand just in case. Arty surrounded by books, tapping notes with one educated flipper on a humming keyboard. Arty reading, muttering into his phone transmitter, Arty reading all the way from Mesa, Arizona, to Truth or Consequences, New Mexico, without looking up, without noticing that the guy driving his rig was battling a stripped gear box the last few hundred miles because the brakes were gone.

Arty in his shower after the show, grey with the drain of whatever was eating him. Arty lying back against the wall of the shower as I scrubbed him with a brush, his eyes closed, his face smooth and dissatisfied.

Iphy decided that if I delivered the messages to their prospects I’d eventually tell Arty everything. The twins got their own phone hookup. They also recruited their piano teacher, Jonathan Tomaini, who protested that he was a musician! An artist! Not a pimp! He announced solemnly that he would inform Al immediately.

And, surprisingly, it was Iphy who sweetly, soothingly explained that if he ever did such a thing they would be forced to scream rape and point all four of their delicately accusing index fingers at him as the culprit. He quieted immediately and Elly gave him her line. He lay back on the blue sofa in obvious defeat and took in every word.

“You know what the norms really want to ask?” said Elly. “What they want to know, all of them, but never do unless they’re drunk or simple, is How do we fuck? That and who, or maybe what. Most of the guys wonder what it would be like to fuck us. So, I figure, why not capitalize on that curiosity? They don’t care that I play bass and Iphy plays treble, or whether we both like the same flavor ice cream or any of the other stupid questions they ask. The thing that boggles them and keeps them staring all the way through a sonata in G is musing about our posture in bed.

“Believe me, some of them are willing to pay a nice price to find out. The clincher is that you get ten points of the profit for your efforts. That’s a little bonus for your salary, isn’t it? Won’t that sweeten the smell just a little?”

“Ten percent?” he frowned.

“Ten,” Elly nodded.

“Gross?”

“Profit. But we’re not a cheap item. We’re setting a minimum of a thousand dollars for two hours with additional fees for any variations on the traditional.”

He couldn’t help showing his puzzlement. “I wouldn’t have thought that you needed money. It would appear that you are very comfortably provided for, and your concerts are always well attended.”

Elly smiled. “At our prices we won’t be dealing with a waiting line.”

“They’ll be people,” Iphy explained, “who are truly interested in what we have to offer.”

18. Enter the Bag Man

Arty always had a great skin — smooth and tight — never a zit or a boil. Not so much as a wart. He claimed, and it was probably true, that it was all the hours he spent submerged in the heavily chlorinated water of the tank. “I don’t even have itch mites,” he’d say. The time when Chick and the twins and I all had ringworm from mucking with a leopard cub that Horst had picked up cheap Arty didn’t get it and he wouldn’t let us touch him until we were clean again.

But there were times over the years when Arty’s tank developed an odd, slimy moss that seemed immune to the chlorine. It would start in a tiny patch on the glass behind one of the pumps and spread. It also spread to Arty. I was the one who helped him with his shower after each show. I always soaped him and sponged him but he hated being tickled and he was particularly ticklish directly behind his balls, so that was a spot we often missed. When the galloping green caught on in the tank it caught Arty by the balls and in the shady space behind them. I had to use a scrub brush to get the stuff off him.

I hated to ask Chick for help. It infuriated Arty and made it seem that I wasn’t worth anything at all since Chick could do everything better than anybody. But on this night Arty was roaring in the tub-shower and thrashing around threatening to bite me as I tried to scrub his privates. I was about ready to drop the brush and holler when Chick opened the door and stuck his head in. “Oly …” he started, but I jumped up and grabbed his hand and pulled him into the bathroom.

“Take the mildew out of Arty’s crotch!” I snapped.

“There’s a man outside that I don’t like,” said Chick.

Arty wallowed irritably in the hot spray from the shower and rumbled at us. “Do this shit-squirting job and then worry about that!”

“It’s on the back side of the balls, in the wrinkles, and behind his balls almost all the way to his asshole,” I said.

Chick looked at Arty. A thin trail of green smoke — almost invisible — rose from the tub and hovered above the floor.

“What should I do with it?” asked Chick.

“The toilet,” I said.

“No,” growled Arty. “It might stay in the works and creep up my ass again.”

“Well …” said Chick. The smoke condensed into a distinct pea-sized puff and wobbled in the air.

I chuckled. “Put it in Dr. Phyllis’s underwear drawer.”

Chick looked at me. “Now, Oly …”

“Take it with you! Get rid of it! Throw it into the middle of the Pacific! I don’t care!” Arty flicked the shower tap off with his flipper and lurched up, catching the rim of the tub with his chin. I hoisted him out and started to towel him dry.

Chick leaned back against the door and crossed his arms to look at us seriously. “The man outside wants to see you, Arty, but I don’t think you should.”

Arty rotated his shoulders under the towel. He grunted.

“He writes notes,” said Chick. “He can’t talk and he’s lost his face.”

“Yah, yah,” sneered Arty.

“He stayed through both your shows and then went to talk to Horst. Horst says he asked about the twins and Oly and Mama and that he claims to have met you before.”

Arty looked to see that I had the bottle of oil and then punched the door open and rolled into his room with the towel wrapped around him. He was climbing onto his massage bench when he said, “Tell the guy to wait. Bring him in fifteen minutes and then get yourself into the security room and keep an eye on him. How big is he?”

“Big,” said Chick. “But slow.”

“Oly will stay with me,” said Arty, and he stretched and wriggled his flippers and waited for me to start oiling him.

Chick’s face crumpled in sour worry from the chin up but he turned and went out with the compressed pill of mold floating behind him like a pup.

• • •

Arty was sitting in his big chair, dressed in dark wine velvet and sipping at the straw in his tonic water when Chick brought the man in. He was as tall as Al and very lean. He stopped just inside the door, his one eye fixed on Arty, and dipped his knees in what must have been a bow. His face was covered by a grey cloth that fell from inside his baseball cap and drooped into his open shirt collar. Only his right eye peered out at us.

“Mr. Bogner,” said Arty.

I pushed up a chair for the big man and he moved toward it and folded into it slowly and with great care. I remembered a story about a miser who had a deep dent in the top of his head. The rain had filled it with water and there were goldfish in it. The miser moved very carefully and slept sitting up so as not to spill his private fish preserve.

The masked man balanced a pad of paper on his knee and looked at Arty. I stood close, fiddling with a spray can of Paralyzer. The lamp on the bureau went on and I took half a step back so Chick would have a clear view of the big guy through the mirror.

I flinched when he lurched forward and began scribbling on the pad. He ripped the sheet off and held it out to Arty. I took it and held it for Arty to read. The script was a fast block print, very legible. It said, “I’m glad to see you again. I shot at you in a parking lot ten years ago.” He was leaning forward, his one eye sweeping its gleam over us both eagerly. His baseball cap was dark blue and the bill was pulled down. The top of his veil was tucked under the left side of the cap so he looked like a game of peekaboo. The veil bulged at his neckline in a bag that seemed to swell and fall back with his noisy breathing. He was literally a Bag Man.

Arty was still and staring, no expression on his smooth, wide face, only his eyes weren’t blinking and were wider open than usual. He was holding his breath. I couldn’t read the Bag Man’s eye. It moved and light came off it, but there was no flesh to crinkle around it and tell me what the eye meant. I got a grip on the Paralyzer and dug my heels into the carpet.

Arty let his breath out. Then he took some in. In a half-joking and familiar tone he said, “Now, why ever did you do that?”

The Bag Man blinked and bent over his knee, writing fast with his pen scratching and jumping in his big weathered knuckles. He ripped the sheet off and handed it to me and then kept on writing. The paper said, “Things were slipping on me — oranges at first — then everything. My wife and kids had no respect for me. I started going up to the woods with my old man’s 30.06 on weekends but I never did any hunting. Just sat by the fire and cleaned the rifle and had a few beers.”

• • •

He didn’t remember much of the trial, though he was quite clear on being booked. The photographer and the fingerprinting struck him as dull. He felt that he should struggle or shout, cry, anything to make the proceedings important. But he was too tired, and looking into the faces of the uniformed men going about their work made him anxious not to disturb or trouble them. “Who knows what their wives are like?” he thought. Sitting in the cell alone, he decided that he had done something that couldn’t be put right. He lay quietly on his bunk and tried to think. On the second day a man came who claimed to be Emily’s lawyer. Emily was filing divorce papers.

The trial was vague and boring. He remembered an old woman, very neatly dressed and sharp-voiced. She was sitting on the chair next to the judge’s bench and she said, “… If you ask me I’d say it was a charitable instinct for mercy. I felt the same way. I’m not one who’d say it was a wrong thing to do.”

Vern was confused about the charges. They tried to convince him that what he had done was wrong and after a while he pretended to believe them. But he knew that he was being punished for his failure. After all, they had been lined up. Absolutely in line, and he — the story of his life — had missed.

He liked the State Hospital. He didn’t mind the steel mesh on the windows. He had a room of his own and three sets of green pajamas. He swept his floor every morning, ate the food on the tray, and had a nap on his neatly made bed. When he woke up the tray and the broom were gone and his room was bare and tidy again. He slept a lot and managed to forget nearly everything.

After a year or so he started thinking again, though he didn’t much want to. What he thought about was children. Teddy and Brenda had been six years old and five when he last saw them. First he remembered their voices saying “Dad.” He dreamed that his only real name was Dad and the other things that people called him were either aliases or insults. He remembered seeing a whistle on the shelf of a variety store and wondering if Teddy would like it, wondering if he should get one for Brenda too.

Then he dreamed that he was in the open door of a plane several thousand feet above the earth and he had to jump holding a baby in his arms. It was his baby. He jumped, pulled the rip cord on the parachute, and it didn’t open. The emergency release didn’t work. He was falling fast. The wind tore at him fiercely. He was gripping the baby as tightly as he could but the wind pried under his arms, strained at his muscles, and suddenly the baby was loose, falling beside him, just out of reach. He flailed and groped in the air, trying to reach it. The baby was falling just a little bit faster than he was. It was below him, falling away from him as he fell after it. The earth screamed up at him. He knew that the baby was going to hit first and he would see it, would know it for a whole fraction of a second before he was smashed into a pulp himself. The terrible millisecond of that grief burst in him and he woke shrieking. He couldn’t get the dream out of his head. He prayed that he would have the dream again but that this time he would fall faster and be allowed to die first.

The dream was not to be monkeyed with. It did not come again and it would not go away.

Emily did not answer his letters. He got a formal letter from a lawyer “reminding” him that the divorce had gone through and that he had been denied all communication with the children.

That was when he remembered the freaks in the parking lot. Their strange twisted forms danced viciously in his head. They were cruel and jeered at him.

He decided that Teddy and Brenda were going to become freaks like that if Emily was allowed to raise them.

About that time Vern’s mother visited him and he was required to spend every morning and afternoon in the day room with the other patients. His mother made him think of the old lady at the trial. She never talked about why he was there. She talked about her farm, the dairy that Vern’s dad had built up and left to her when he died. She said she could sure use a man around the place. The hired hands were shiftless sneaks. She said Emily never let her see the children.

Vern hated the day room. He wanted to be alone again. Then he decided that he wanted to leave the hospital altogether. He started paying attention to the doctors and nurses.

He was released from the hospital three years and six months after he had entered it. His mother met him in the lobby and walked out with him. She led him to a big car and they got in. She drove him home to the farm where he had grown up. Mrs. Bogner took Vern on a tour of the farm and introduced him to the hands. It was spring and the garden needed a lot of work. While his mother fried chicken, Vern sat at the kitchen table and sketched a plan for the vegetable plot on a scrap of notebook paper.

That was Thursday. The following day was a payday for the hands Mrs. Bogner stuck to the old ways and paid her men and her bills with cash. Just after midnight Vern got out of bed, put on the tan work clothes his mother had bought for him, packed a brown paper bag with more clothes and shaving gear, and eased out of his room. He slipped past the old lady’s door and down the stairs. Vern’s father had always kept the cash box in a drawer beneath the flour bin in the kitchen. The key had always hung on a small nail in the door of the hall closet. Vern’s mother hadn’t changed anything.

He was parked outside the grade school at 8:30 on Friday morning. His mother’s car was newish and respectable. Vern pretended to read a newspaper and smiled to himself as he watched the kids straggle into school. A little before nine he began to worry that they might have gone in another door. For a moment he wondered if they might have changed so much that he wouldn’t recognize them. Then he saw them. They were together but arguing about something. Teddy gave Brenda a push and she stamped her foot and yelled at him. Vern rolled down his window. His whole body was suddenly flooded with sweat. His voice shook and came out too soft. They didn’t hear him. Brenda tried to stomp on Teddy’s sneakered foot and grab a book from him. Teddy laughed and held the book up out of reach. Vern found his old voice. He disliked their bickering. He always had.

“Teddy! Brenda!” The pair, caught in their quarrel, looked guiltily toward him. He was calm again. He knew them well, after all.

“Dad?” said Teddy. And Brenda, confused and not remembering, looked at her brother and said, “Dad?”

Disneyland was fine. They drove straight through two days, put up in a motel across the street from the enormous amusement park, and then spent three days from breakfast until bedtime glutting themselves on the wonder of it.

Vern was calm and happy. The kids were in a daze of ecstasy. They collapsed at night too tired to watch the television in their motel room. After they were asleep Vern would turn the set on, keeping the volume very low. Crouched close to the set he would watch the late news, listening carefully for mention of himself or the children. There was nothing. He knew the police would be looking whether the news mentioned it or not. He sat up late watching the kids sleep.

When they climbed into the car on the day after they had finished with the amusement park they obviously expected to be taken home. Brenda was bouncing a toy crocodile on a stick. “Mama will like this. I’m going to give it to her.” Teddy announced that he would give Mom the photo of himself in the race car. Vern had sidestepped their questions like a bullfighter for days. Now he took a slow breath and said he thought they ought to take a look at the Grand Canyon before they headed back. Maybe ride some horses down the trails.

They kept talking about their mother. Brenda started to worry about school. Her class had planned a roller-skating trip and she suddenly realized that she had missed it. She came out of a gas station toilet crying pitifully. Vern was convinced that she’d been frightened by a molester and he roared through the door marked WOMEN to find nothing but a little room with cracked plaster, a damp, bitter smell, and a trail of sodden tissue paper on the floor. When he got back to the car Brenda was sobbing in the back seat with Teddy sneering at her and the station attendant, a plump teenager with a red oil rag hanging out of his hip pocket, was staring suspiciously at all of them. Vern handed him money and slammed his way into the driver’s seat. He flicked the engine on and whipped around in the seat to stare at Brenda. “Why are you crying? What happened?”

The child’s crumpled face opened. She wailed. She buried her head.

“She misses her friend Lucy,” chortled Teddy.

“Oh, for …” Vern put the car into gear, ripped out of the station and into the road, just missing a trash can and a flashy new motorcycle parked at the edge of the lot.

She cried for ten miles. When they stopped for lunch, Vern took his first bite of sandwich and chewed twice before he realized he was staring at a huge glossy poster of an armless, legless creature smiling out of a hairless head. Fish flickered beside the worm thing and the wavering blue background made it appear to be underwater. Silver letters marched across the bottom. “QUESTIONS?” they glittered. “ASK AQUA BOY!”

Of course he must have seen those posters before, as well as the red and silver ones of the twins that were scattered all down the coast and in every desert town, but he hadn’t recognized them.

Now he saw it, flush in the window of the drive-in burger joint — flaring out at the parking lot with fat girls and little kids trailing past on their way in and out.

• • •

He made up his mind right then, changing directions, and drove for two days without sleeping. The kids were silent now, wary. He wasn’t talking, couldn’t talk. He stopped in Redding and went into a sporting-goods store while they stayed in the car. He came out with a long box, put it into the trunk, and got back into the car and drove on. Teddy and Brenda were very good. They didn’t ask questions. They didn’t fight. They got out at gas stations to pee and didn’t ask for Cokes. They said, “Chocolate,” or “With cheese please,” when he looked at them in drive-in grub joints, but they said these things very quietly and humbly.

When they passed the “WELCOME TO SEAL BAY” sign on the coast road Teddy’s voice came drifting up over the back seat. “Dad …” softly. And then, “Dad.” Vern nodded at him in the rearview mirror. He could see the boy’s pale, grimy face in the early-morning light. They were both dirty. Brenda’s hair was tangled, hadn’t been combed in days. The T-shirts and jeans he had bought them in Anaheim were stained and wrinkled. A tang of puppy smell filled the air around them.

Vern had seen several posters now that he knew what he was looking at.

“Everything’s going to be all right, son,” Vern nodded cheerfully at the road. “I’m going to fix everything.”

“Dad … Are you taking us home to Mama?” Teddy’s voice was as shaky as a man with a snake on his chest. Brenda’s eyes were huge in the rearview mirror and she didn’t say anything.

Vern scowled at the road, “No. She’s not good for you.” And then they were on their own street and every house and bush was familiar to Vern except that the Bjorns had painted their house blue and put a greenhouse on their side porch. Vern was talking very fast.

“You’re going to stay in the car and I’m going in to fix your mother and then we’re going to see the Grand Canyon like I said and you’re never coming back here again and you’ll stay with me always. Now you stay right in the car.” He pulled into the driveway and Emily’s car was in the garage and the curtains weren’t opened yet and she had let the grass go and the milk and the paper were on the step and he didn’t even hear Teddy’s voice saying, “Dad, what are you going to do? Dad? Dad? Dad?” or Brenda beginning a strange little song of “No Dad, please Dad, no Dad, please Dad,” because he was slinking out of the car, leaving the door open so Emily wouldn’t hear it close and he crept back to the trunk and opened it and was taking the shotgun out of its box and breaking it and shoving in shells from the box of ammo and he didn’t even notice the two small bodies beside him, tugging at him, yelping, “No, Dad, don’t hurt her — no, Dad!” and “Please please no no please please.” He swung his arms once to get clear and then pushed through the door that led from the garage to the kitchen and he saw the plastic cabbage that Emily had stuck in a frame on the kitchen wall as a joke years ago and he was reaching for the knob on the bedroom door and when the door opened Emily was there. She was pulling a pair of pants up her thick legs and her blouse wasn’t buttoned yet and she looked up at him with her hair flying around her head and he saw her fear in her heavy face and he saw the fear spot just where her neck joined her body — the deep dent where the life eddied close to the surface and he brought the shotgun up and it reached all the way to her, which made him realize she had been right all those years when she complained that the room was too small, and the tips of the barrels almost rested in the hollow of her throat and he squeezed and one economical barrel went off and a lot of Emily went out through her back onto the unmade bed and all the way across to break the big mirror over the dresser and spray the pale lavender wall with dark splotches.

Vern offered Arty a tattered envelope crammed with news clippings to fill in the gaps. Teddy and Brenda had run screaming to the neighbors, a retired couple who had known the children since they were born. Mrs. Feddig called the police while Mr. Feddig held the hysterical kids in his arms. When Mrs. Feddig got off the phone, she took the kids and her husband slid into his gardening boots and was just opening the door to look out when they all heard another blast, louder this time, from the yard next door. Mrs. Feddig had a good grip on Brenda but Teddy got away and was right behind the old man when he poked his head through the shrubs and looked into the Bogners’ front yard.

Vern Bogner was wandering around the middle of the overgrown lawn. He was staggering — gently waving his arms. When he wheeled around Mr. Feddig saw no face at all, just a black and red fountain of jumping, bubbling meat with shreds of what might be bone, and the whole front of the man’s tan work clothes was covered with it. Teddy screamed until the police came.

Vern was always a lousy shot. His aim had been a disappointment to his dad in the woods and fields when he was a kid. He’d been just that hair off true when he had the Binewski bambini lined up in his sights. He managed to blow his wife out through her own back by dint of a 12-gauge within two inches of her breastbone, but when the final big shot came due he stuck the second barrel of that same 12-gauge under his chin and managed to blast off 75 percent of his face, including his mouth, nose, larynx, one ear, and one eye, and still miss — MISS, mind you — the vital areas that could have finished him.

Certainly he would have bled to death soon if left to his own devices, but the Seal Bay paramedics had been having a slack season. They were full of enthusiasm and delighted at the chance to use all their shiny equipment. Vern lived.

Vern never did have much sense of humor, and after he’d transformed himself, by this clumsy method, into what was known ever after as the “Bag Man,” he was downright maudlin. He spent a year in the hospital and had a lot of surgery. But there are limits to what even an imaginative plastic surgeon can do.

The “Bag” moniker originated in the plastic pouches that hung from the ends of various tubes running into and out of what was left of his head. Since he had no jaw left, neither upper nor lower, eating, when he finally got off IVs, was a delicate liquid process accomplished with various protein solutions and a squeeze bulb attached to the appropriate tube. Breathing was also tricky, and he dripped and gurgled into one of those plastic bags all the time.

Later, when he was required to keep company with people other than medical professionals, he wore a kind of heavy grey veil draped from his forehead with only his right eye peeking out. The bottom of the veil was always tucked into his collar and the whole thing was bulgy and lumpy from the tubes and bags inside. He had sight in that right eye and he could hear with his right ear. He couldn’t talk or taste or smell. He had a hard time if he caught a cold, and he needed more surgery and constant medical supervision.

The murder trial was brief. He lay on a rolling cot in the courtroom and pled guilty by writing the word on a pad of lined yellow paper. He was sentenced to life.

He spent a while in a screened-off corner of a ward in the State Prison Infirmary and made weekly trips by ambulance to a hospital. Then he got evicted from jail. There were budget cuts and congressmen complaining about how expensive it was to keep the Bag Man. After a lot of heeing and hawing they threw him out.

The Bag Man went back to his mother’s dairy farm. He hadn’t got over the idea of the children. Teddy and Brenda were living with Emily’s parents and he was not allowed to see them. He wrote them long letters full of advice and apple-pie wisdom and complicated descriptions of his garden and what to do for slugs and how marigolds related to bush beans and how that was a lesson in being a man.

Emily’s mother picked those letters out of the regular mail with her kitchen tongs and slid them into a big manila envelope. When the envelope was full she sent it to the kids’ welfare office and started on another one.

The Bag Man sat next to his mother on the sofa every night and watched the news.

It was 2 A.M. The last stragglers had been herded out of the gates an hour before and the show was bedding down. The midway was dark but all around us there were lights in the trailers and vans. Horst was hosting a card game. The candy girls’ barracks was full of redheads coming out of the showers with their hair in towels, ready to put their feet up and smoke a little weed and bitch about the townies and about their men, old, new, used, broken. Al and Lil were winding up the night’s count and having a drink together with their legs tangled under the dinette table in their trailer. The twins would be brushing each other’s hair and chattering on their bed.

It may seem odd that I have no idea what town we were in, but when the show was alive and functioning — especially at night — it felt like the whole world and it always looked the same no matter where we were. In the daylight we might notice that we were in Coeur d’Alene or Poughkeepsie, but at night all we knew was us.

The Bag Man had scribbled and handed us pages for an hour and a half or so. I stood beside Arty, taking each sheet and holding it up for him to read, reading over his shoulder, then adding the sheet to the pile that grew up on the console table. Arty was silent, waiting, reading patiently. Occasionally the Bag Man would pause while we read a certain page, watching anxiously to see if we understood. When Arty nodded at him he would go back to the furious scribbling. Sometimes the print was so hurried that it was hard to read. Once Arty read the page out loud and asked the Bag Man if that was what it said. The Bag Man gurgled and bobbed gingerly and went on writing. Twice Arty asked questions that the Bag Man answered on paper. I had never seen Arty so patient for so long with one norm. Finally the Bag Man stopped writing and sat back. He watched us read the final page. It said, “I keep my mother’s garden and watch TV.”

Arty edged around in his chair and took a sip from his straw.

“Well,” he said finally, “what can we do for you?”

The Bag Man hunched forward and wrote. The page said, “Let me stay with you. Work for you. Take care of you.”

Arty stared at the page for a long time. Then he looked at the Bag Man. “Take off your veil,” he said. The Bag Man hesitated. His hands jigged hysterically in his lap. Then they rose to his head. He lifted off the cap. The veil was tied on. He pulled at a cord and the veil fell down over the front of his shirt. Arty looked. I looked. It was pretty bad. There were a couple of patches of hair growing on one side of his head. The one live eye swiveled and jerked over us nervously. The rest was raw insides bubbling through plastic. Arty sighed.

“You’ll have to learn to type. This handwriting business doesn’t cut it. We’ll get you a machine.”

“We didn’t go to his trial?” I tried to remember but nothing came. The last hard picture I had was the lady at the reception desk staring at us as Al carried us out the door of the emergency ward. Arty slumped against his throne and stared moodily at Chick. Chick was lying flat on the floor watching an almost invisible green thread weave intricate patterns in the air three feet above his nose.

“No,” Arty finally grunted. He straightened and looked at me curiously. “You must have been asleep when the guy from the prosecutor’s office came.”

“I don’t remember.”

“We were hightailing it for Yakima. Al cancelled all the shows between Coos Bay — where it happened — and Yakima. He wanted to get far away from that parking lot and everything connected with it. We were still in the thirty-eight footer, remember. No add-on sections in those days. We pulled in at one of the big rest areas, still on the Oregon side, to wait for the caravan to catch up with us. They were strung out for fifty miles, Al was going so fast. Lil was nervous and jumping up to look at all of us every five minutes.”

“This was just before I was born, right?” Chick rolled his eyes toward Arty and the green thread straightened into an arrow.

“A matter of days,” said Arty. “There were only a half-dozen rigs with us and Al was working the radio on the others, giving out our location, when an official car pulled into the rest area and the guy got out. A tidy beard and a three-piece suit. He took a look at the line and tucked a clipboard under his arm and headed straight for us.

“Al was sitting in the pilot’s seat watching him. He just said the one word, ‘Police,’ and Lily and I clammed up. The twins were asleep and I guess you were too, Oly. Al got up and let the guy in when he knocked. He sat down but he couldn’t get comfortable with me there, across from him in the booth. Al offered him coffee and the guy refused. He stuck to his papers. He was in a hurry to leave. He wanted us to come back and testify at the trial. Al refused. The guy left. Al started talking guns and security systems. Not long after Chick was born, the guard routine started. The whole thing made Al paranoid as hell. And Lil was dipshit, naturally. I learned a lot from it myself.”

Arty watched the green thread tie itself in knots in the air and then slither out into a limp line. “I thought I told you to get rid of that bastardly mold,” he muttered.

“I will.” Chick lay quite still and the thread became a small transparent bubble. “It’s nice stuff, though. Comfortable, peaceful. I like it.”

19. Witness

From the notes of Norval Sanderson:

Arturo Establishes the Aristocracy of Conspicuous Absences and Superfluous Presences:

“Consider the bound feet of the Mandarin maiden … and the Manchu scholar who jams his hands into lacquered boxes so his fingernails grow like curling death. Even the Mexican welder sports one long polished nail on his smallest finger which declares to the world, ‘My life allows superfluity.’ I have this whole finger to spare, unnecessary to my labor and unscathed by it!”

—

Arturo Binewski to N.S

.

Impressions:

Fortunato — aka Chick (origin of nickname?), 10-year-old male child — blond, blue eyes. Totally normal physique of the tall, thin variety. Withdrawn, introverted. Very shy except with family. Occasionally referred to as “Normal Binewski” by Arturo

.

The youngest of the Binewski children, Fortunato evidently serves as chore boy and workhorse for the others. He is generally depreciated for his lack of abnormality and has been made to feel dramatically inferior to his “more gifted” siblings. A reversal of the position a deformed child occupies in a normal family. The boy spends most of his time tagging after Dr. Phyllis, the cult surgeon

.

The doctor, being a normally formed person, may provide nonjudgmental affection lacking in the boy’s family. The Binewskis and all the show folk in general seem to avoid the subject of Fortunato. He is, perhaps, an embarrassment

.

Why Only Red-Haired Women Work in the Midway of Binewski’s Fabulon

Note: Male crew members — members of acts, booth tenders, mechanics, etc., are not required to conform to any dress or appearance code. Non-show wives and other female relatives traveling with the show, but not appearing in any way, are not required to meet an appearance code

.—

ALL

female performers and workers directly involved in the Fabulon operation — whether snake dancing or selling popcorn — are required to have red hair of a particular bright, though apparently (or possibly) natural shade. Dyeing hair or wearing a wig of the appropriate shade satisfies the requirements as long as the individual agrees never to appear in public without the wig, etc. The only exceptions are the Binewski females themselves — Crystal Lil, platinum blonde; Siamese twins, Electra and Iphigenia, black hair; Olympia the dwarf, hairless, wears caps of various kinds

.

Reasons given by those questioned:

Al Binewski: “Just a visual consistency, like a uniform. Kind of cheerful look that holds the show together. Customers can tell a show employee by their hair color.”

Crystal Lil: “Al always had a kindness for that color hair. His mother had red hair. And in a crowd we can pick out our girls easily.”

Olympia: “They always had red hair. I don’t know why.”

Redhead: “Story I got is that Al, the boss, has a thing against red hair and Crystal Lil makes sure he doesn’t fool around on her by making every girl on the lot wear this damned torch color. I’m a honey blonde naturally. You can probably tell ’cause of my golden complexion. No blotchy redhead skin on me.”

“The truth is always an insult or a joke. Lies are generally tastier. We love them. The nature of lies is to please. Truth has no concern for anyone’s comfort.”

—

Arturo Binewski to N.S

.

“I get glimpses of the horror of normalcy. Each of these innocents on the street is engulfed by a terror of their own ordinariness. They would do anything to be unique.”

—

Arturo Binewski to N.S

.

Excerpts from transcript of conversation with Lillian Binewski — mother — taping unknown to the subject:

“Of course I remember, Mr. Sanderson. It started with a card from my mother. I forget what holiday it was. Easter, maybe. It was a sweet card with a little poem in it. Arty had been talking to his audience from the beginning but — oh, he must have been six or so — he saw that card and he read it over and looked at me in this wise little way he always had and he pipes up, ‘The norms will eat this up, Lil.’ He used to call me Lil like his Papa. And that night in his last show, when he was on the rim of the tank near the end, he smiled so sweetly and came out with this little poem. They loved it. They went wild. Then, of course, nothing would do but I must scour the card racks for him in every town we came to. And he was

PARTICULAR

! I’ll say this for him, he was nearly always right. Knew his crowd

.

“Why, there have been times, when I’d slip in at the back during his show and stand watching, that he’d even make

ME

cry, the clever way he had

.

“Wait! The change you’re talking about! How could I? It was this ghastly town on the coast. Oregon. Just before Chick was born. It was a terrible thing and I always felt that it must have scarred the children. A madman shot at us in the town. It was terrifying. You can’t imagine what it is to realize that there are people at large whose first reaction to the sight of your children is to reach for a gun. But offstage Arty was withdrawn after that. Quiet. Chick was an infant, too, and we were totally taken up with him. He caused a furor in our lives, that Chick

.

“My teeth had been giving me trouble. Chick was three or four months old and we were in Oklahoma. One week we were in the same town with a faith-healing dentist and he was getting our crowds. The midway was just dead until his services were over every evening. Then we’d get the runoff but there wasn’t much. The faith-healing dentist was pumping them dry. They just went home and stared at the wall when he was finished with them. Well, the third night in a row of standing around looking at each other over the sawdust had us all pretty peeved. And I’d been having these teeth pains again so I decided to sneak over to this auction barn where Dr.… I forget his name, was having his healing service

.

“Arty had finished for the night. It was only eight o’clock, but he had about seven people in his tent for the early show and we decided it wasn’t worth the gas to run the lights for another set like that. So I took Arty with me in his chair. Of course I took guards. We didn’t breathe without guards. They were brothers, big boys who had both dropped out of college. I forget their names. But these were nice boys. One of them wanted to geek for us. There was trouble with some women’s clubs at about that time over cruelty to chickens. But they were nasty white Leghorns anyway. Stupid things. Now, I’d never give a Plymouth Rock or a nice Rhodie to a geek. I love a nice Rhode Island Red. They are the finest breed of chicken. They have character. We used turkeys for a while, too, and they’re even stupider than a Leghorn. Albinos they were, blue and red wattles. Al tried out the turkeys because their size made them easier to see in the pit. And white, naturally. The albinos. They take a spotlight so well, and the blood shows so vividly. Now that I think of it, that boy had already been geeking. That’s why he wanted to come along. He’d broken a tooth on one of the turkey necks. The bones are so much bigger than a chicken’s, you know. He was the younger boy. He’d dropped out of Yale, I think, and got Al to take him on. Then his older brother came to get him to come back to college. They both stayed on as boys will at that age. Especially the clean, well-bred boys

.

“And they always want to strip down and crawl into the blood and mud in the geek pit and scream around, chasing the birds and tearing them to pieces. You could say, well, that’s the quickest route. Any other act would take so much time to learn, and that’s true. But those boys just get such a kick out of it, you have to laugh. This boy, what was his name …? He was good. He had long blond hair and a beard and he’d bury his face in the guts and then snatch his face up and snarl and chatter his teeth at the crowd with gore dripping from his beard. Oh, he had a style about him. But he’d broken a tooth. Got carried away, I dare say

.

“And poor little Arty had been so downcast since the shooting I thought it would be a treat for Arty and I’d be with him by himself. He always just flowered with individual attention, Arty did

.

“So we set out. One of the boys pushed Arty’s chair and I walked on one side and the brother walked on the other side of Arty. We weren’t far from the main street. It was a small town but a lot of farms in the area. Actually had sidewalks as I recall. We haven’t been back there. I can ask Al what town that was. He’ll remember. But you know those small prairie towns. Not much paint on the houses, not much grass in the yards. The wind just blisters it off. But the folks are nice, with soft drawls. It couldn’t have been more than a couple of blocks to the auction barn. Summer evening you know, and most folks were up at the dentist’s show. A few stayed out rocking on their porches. I remember the geek boy laughing — we none of us believed in this prayer dentistry — that he hoped it worked because his dad was so sore about him quitting school that he’d cancelled his medical and dental insurance

.

“I always liked the cattle smells, hay and milk and dung. We knew the place by the flies. And there was a crowd

.

“That dentist had ten little boys in a white-voice choir. Very sweet and eerie. Remind me to let you listen to the twins’ tapes when they were doing white voice. The transition was hard on them, getting the tremolo after their blood flowed. They’re still good but their mature voices just don’t have the purity and control that their white voices did. Arty can still white voice if he wants to, but Oly never did have a white time. I swear that child cried for titty in a full-throated contralto. Chick still has a pure little white voice. Sometimes I pass where he’s sitting or hear him in his shower and I think for a moment that he’s still a toddler and I should go make sure he isn’t drinking ammonia or something. Isn’t it odd that the girls should lose their white voice and both the boys can still use it? Sometimes I say to Al, ‘Why is that …?’

“Oh no, Arty didn’t sing at the dentist. It was the choir and a few witnesses. Older folks, big jolly men with guts over their belts standing up next to the dentist showing big gold smiles. It seems God doesn’t use porcelain or amalgam or fancy plastic. He fills strictly with gold. And some big old farm women who should have known better

.

“The dentist was down in the auction pit with his microphone. Nice-looking man. White hair and spectacles and a quiet suit. He had a wonderful voice. We stayed in the aisle in the back because of Arty’s chair, which was good because it gave us a better view than if we’d been up on the bleachers. The dentist was asking questions. ‘Do you believe God can heal?’ and the crowd was nice and they liked him and they said, ‘Yes,’ a big yes. ‘Do you believe God can heal

YOU

?’ and they said, ‘Yes.’ ‘Do you believe God can fill teeth?’ And when the dentist asked, ‘Do you believe God can fill

YOUR

teeth?’ we all said yes to be courteous. It was fun that it was somebody else’s show and we could just go along like paying customers for once

.

“Then everybody was praying wild with their mouths open and their hands waving. The dentist had a good backup line that it might not happen at that very moment. It might take a couple of days or even weeks. Still there were plenty of folks whooping right away that their big hole was filling up with gold. They were bouncing around looking in each other’s mouths and blessing Jesus. There was no folderol about getting new teeth. God was a decent dentist. He’d give you a well-fitted denture but he wouldn’t grow you a whole new set

.

“We laughed all the way back to our lot but, actually, I never did have any more tooth pain. Eventually all my teeth went and this set of plates does me well. But I never had any pain. Arty would ask me about it and we’d laugh but he seemed to think about it. He had Oly letter a little card that he taped on his wall. The thing read, ‘The only liars bigger than the quack are the quack’s patients.’ Arty used to just keep me in stitches. Eleven years old he was then.”

Arturo to N.S.:

“Why? You’re asking me why? You tell me, Mac! I’m not really in a position to know. You are. Me, I have suspicions. I suspect people are suckers for a prick. I suspect folks just naturally go belly-up for a snob. Folks figure if a guy acts like he’s King Tut and everybody else is donkey shit, he must be an aristocrat.”

Arturo to N.S.:

“Consider the whole thing as occupational therapy. Power as cottage industry for the mad. The shepherd is slave to the sheep. A gardener is in thrall to his carrots. Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You’ve seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn’t matter. We designate this victim as a ‘stand-up guy’ by the simple expedient of sitting down around him.”

ARTURISM:

A quasi-religious cult making no representations of a god or gods, and having nothing to say about life after death. The cult represents itself as offering earthly sanctuary from the aggravations of life. Small chalked graffiti, said to be the work of the Admitted, are found in many locations after the Binewski carnival has passed through. The phrase “Peace, Isolation, Purity” (or sometimes initials P.I.P.) seems to be the slogan. Many commercial posters distributed in advance of the show read, “Arturo knows, All Pain, All Shame, and the Remedy!”

A fee, called a

dowry,

is required for entering the novice stage. The sum varies depending on the novice’s resources but the minimum seems to be around $5,000. Novices are required to serve for at least three months and sometimes as long as a year as workers for the cult. Typists, bookkeepers, and organizers are given longer work periods than laborers. One of the most important tasks of the work period is serving and caring for cult members who have already had major portions of their limbs amputated

.

The Admitted must furnish their own travel and living arrangements. All that is offered in return for the dowry is free access to Arturo the Aqua Man’s shows, and the surgical amputations performed by the Arturan medical staff. Since the medical staff travels with the carnival, the Admitted must follow the carnival

.

The camp of the Admitted is separated from the carnival camp by a portable electric fence and a series of manned sentry posts

.

The administration is loosely conducted in a large camper perched on the back of a pickup truck

.

The medical facilities consist of a well-equipped surgery in a large truck trailer with its own power supply. Two large truck trailers are equipped with monitoring devices and furnished as post-op recovery rooms. Each trailer has ten beds. A smaller eight-bed infirmary trailer is always parked near the doctors mobile living van, which houses an examining room

.

Only one surgeon on the staff, reportedly aided by a skilled anesthesiologist. Am currently trying to locate credentials and licensing for the surgeon, a woman who goes by the name of Dr. Phyllis

.

Most nursing chores, feeding, bathing, linen changes, bedpan provision, etc., are performed by novices in the order

.

“The more people we exclude, the more people will want to join. That’s what

exclusive

means.”

—

Arturo to N.S

.

INELIGIBLE FOR ADMISSION

GROUNDS

Convicted Felons

Already freaks

Mentally Deranged or Retarded

Unable to make informed decision

Under Age 21 (later 25

)

Unable to make informed decision

Over Age 65

Already freaks

Chronically Ill

Already freaks

Congenitally Deformed

Already freaks

Accidentally Mutilated

Already freaks

Also excluded, unconditionally, are any who can’t provide minimum dowry

.

Judgments of degree of deformity that prevents admission are made by administrative staff. Borderline or ambiguous cases (correctable by cosmetic surgery, etc.) may be appealed by applicant for judgment by Arturo, whose decision is final

.

ADMITTED WHO BECOME INELIGIBLE FOR FURTHER PROGRESS

:

Mentally impaired

Unable to make informed decision

Chronically ill

Already freak — poor surgical risk

Physically weak, deteriorating

Already freak — poor surgical risk

REST HOMES:

Theoretically all the Admitted end up at the Arturan rest homes. Administration claims two in existence with plans for twenty more

.

Those who become ineligible for progress are sent there quicker but are pitied for having lost access to P.I.P. Those who complete progress (are reduced to head and torso) go to the rest homes with full honors — living, no doubt, the lives of gold-plated pumpkins: bathed, fed, and wheeled around by servants

.

Questions: Check death rate (seems unlikely they’d want a thirty-year-old to live out the allotted twoscore more while being supported by the organization)

.

Life expectancy?

Numbers of Admitted vs. applicants?

Recidivism rates?

Attended Policy Meeting: Arty in his office, listening on intercom to conference in the administrative camper. He interjects an occasional remark — hits a button that lights a red bulb in the conference camper. All talk stops in anticipation of

HIS

voice. Arty, meanwhile, laughing, mimicking the committee members cruelly, with me as his audience. He is constantly informing me that he takes none of it seriously

.

The debate is over glands. Should mammaries and testicles be included in progress? (Should they be amputated?) And if so, at what stage of progress, as a final liberating gesture or as preliminary preparation …?

Different committee members present arguments, pro and con, then Arty decides

.

Today’s conclusion — glands should be included in progress. Order to be taken under advisement by Arturo — decision to be handed down later

.

Case of Admitted #264: Logan M., thirty-four years old — has tithed smallest fingers on each hand. Personal history: Second son of moderately successful insurance salesman and a nurse, raised in Kansas town, pop. 850

.

Midwestern University and Chicago. Master’s degree in social work. Six years as welfare case worker, no advancement. Three years as juvenile counselor. Two children. Wife (now living in Grand Rapids with kids) has filed for divorce

.

Arturan Administrator Theta Moore says Logan M. was rational when admitted but has slipped during progress

.

Logan M. lives in a seven-year-old Chevrolet sedan, leases wheelchair. Appears daily at

9

A.M

. in show camp with big plastic bag full of day-old bread, used and discarded burger buns, pie crusts, etc. He goes to the cat wagon, parks in front of the screen, and spends an hour or more watching the tigers, leopards, and lions. He scatters the pastry leavings on the ground in front of the cat cage

.

Logan M. no longer communicates verbally except to sing — in a cracked falsetto—“Up to the Land of Kitties!” repeatedly

.

CASE DISPOSITION

: Arturo says Logan M. will go to the Missouri Arturan rest home (Camp #2 near Independence) and will be denied further progress because, Arty says, “He’s off his nut.”

Conscious decision making is a requisite for progress

.

Arturo Binewski, in conversation with N. Sanderson:

“… if they hang around in groups and avoid outsiders it’s not my doing. People generally stick with those who agree with them, anyway

.

“… Isolation is a standard cult technique but I don’t use it. It’s standard procedure to get the poor buggers in a low moment, hustle them off to the boonies, and surround them with a strong-arm/soft-spiel combo. How could I do that? I’m a traveling show! Do I seal them into trains and add cars as I make converts? Colonies or communes or reservations are expensive and hard to manage. I’ve got a weird civil service-style bureaucracy taking hold as it is, and it’s a pain in the ass. I don’t mind being lord of all I survey but I don’t want to have to work at it. It just wouldn’t be practical

.

“As it is, I don’t need all that crap. For what I’ve got to say, the more exposure the folks have to the outside world, the better

.

Feed ’em newspapers, TV, world reports. Tell ’em about terrorist attacks, mass murders, disease, divorce, crooked politicians, pollution, war and rumors of war! Then go ahead and tell ’em that only fools and half-wits join my outfit. The first half of the news cancels out that particular message. Let the relatives and lovers loose on ’em. All they can stand. Because it’s the world that drives them to me. You news guys are my allies. Those soggy wives and cheating husbands and nagging, nutso parents are my best friends

.

“Didn’t you, yourself, turn your back on the whole caboodle? Say the hell with it, and walk away? Truth is, I don’t need tricks and traps and brainwashing because I’m giving the poor sorry sons-abitches what they crave more than air

.

“See, there’s a difference between advertisin’ and proselytisin’, Norval honey. All I have to do is let ’em know I’m here and what I stock — corrective surgery! And cheap at the price!”

Arturo Binewski, in conversation with N. Sanderson:

“… No. No children. My minimum age limit is twenty-one and I’m thinking about raising it to twenty-five very soon. Once in a while we get some maniac who wants his nine-year-old son or his four-year-old daughter enrolled. No indeed. Not my meat

.

“Figure it this way. You will anyhow. You been hanging around politics long enough. I was brought up in a country that claims you’re innocent until you’re proven guilty. We protect children because they have not yet proven themselves to be hamstrung shit-holes. Granted, the odds are lousy that they’ll turn out any other way but it’s been known to happen. Isn’t that how you figure it? Seeing how you think I’m punishing all these folks anyway?

“But here, I’ll tell you another way to look at it too, just for fun. I figure a kid doesn’t choose. They don’t know enough to choose between chocolate and strawberry, much less between life and limblessness. Say, just for argument’s sake, that I’m really serious in my own mind about what I offer. Just say I really think this is a sanctuary. Well, the whole deal depends on choice. I want people who know what life has to offer and choose to turn their backs on it. I want no virgins unless they’re sixty years old. I want no peach-cheeked babes who may be down tonight but will have a whole new attitude after their morning bowel movement. I want the losers who know they’re losers. I want those who have a choice of tortures and pick me

.

“I counted up the converts two nights ago and we’ve got a Fully Blessed roll of 750 in three years and another 5,000 who have worked past their first ten digits. You got to figure there’s something going on here. We’ve got something the folks want.”

20. The Fix Unfixed

Dr. Phyllis had been working all morning. Arty had given out promotion certificates like cookies all week long. The novices were singing in the hospital trailers, where they watched over the ones who had been promoted that day. Arty was sunbathing on the roof of our van and I sat beside him watching the gentle stir of the midway waking. The awnings were pumped out. The lights all went on at once. The redheads were everywhere, starting the popcorn machines, blowing up balloons at the helium tank, leaning into the greasy vitals of the Mongoose & Cobra ride to make sure the music was synchronized with the lashing of the chairs that the norms would jounce in. The gates were open and the first townies were gawking in at the booths.

On the other side of us, the show camp spread. A line of delicate laundry tossed transparent frills from one of the trailers that housed the redheads.

Far down at the end, where the Arturan camp began, was Doc P.’s white van near the infirmary. All morning there had been a line at the infirmary door as the promoted waited, with their certificates of advancement rubber-stamped in blue ink, for their turn with the Doc. The line was finally gone.

Arty saw her before I did and made a flapping fart-sound out of his lips. He was on his belly with his head lifted. I swiveled to look along his line of sight. Dr. Phyllis was marching toward us. She had a straight alley ahead of her and her eyes were fixed on us. Arty ducked his head and lay flat. I watched the cloth of her mask suck in and out against her mouth as she strode along.

“She knows you’re up here,” I muttered spitefully. Arty rested one cheek on his blanket and glared at me. She was beside the van now.

Arty sighed. “Send the elevator for her.”

I scuttled for the small platform and stood on it. “Coming, doctor!” I called. I waved at Arty as I pushed the descent button.

I hopped off into the dust and Doc P. stepped onto the platform. I tried to look up her white uniform skirt as she went up. I couldn’t see past the murk at her knees. Her voice started before the platform stopped.

“Arturo, it’s crucial that you reconsider this totally inefficient method! Do you know how many individual digits I did today? Forty-seven!”

I went off for a stroll. There was a clear division between the Fabulon camp and the followers. The show rigs were all tight, tidy, and workable. The followers had strange outfits: pup tents, pickups with campers, tiny trailers that folded out into tents on wheels, several station wagons with bedding and bandages in back, decrepit cars, a converted ice-cream wagon, a bread truck, a pair of ancient Harley-Davidson motorcycles with sidecars. One of the sidecars was shaped like a wooden shoe and the other like a submarine. They belonged to a pair of hard-nosed old thugs, who slept in their sidecars and insisted on having the tattooed skin peeled off their arms and legs as they were removed. They tanned the tattoos and kept them in scrapbooks in their saddlebags. Arty said privately that they would never have joined if they hadn’t been old and afflicted with the chickenshits about riding hard in big groups. They stuck together and helped each other, scaring off the fawning novices who wanted to suck up to them. Arty was bitter because they were more loyal to each other than to him and because they’d spent a wad on having their cycles converted to tongue-and-jaw controls before they showed up asking for salvation. He was suspicious of them for thinking that far ahead.

I was leaning on a dusty car listening to the soft song from the hospital trailers when the door of the infirmary opened and Norval Sanderson stepped down with a bundle wrapped in a plastic garbage bag. He closed the door behind him and was sauntering coolly away when Horst appeared from behind another van. The big cat man’s eyes squinted as he saw Sanderson. “Well, I swan there, Norval,” hollered Horst. Sanderson eased to a halt and turned graciously. “Looks,” said Horst in a companionable tone, “like you’ve got yourself a tidy-sized chunk of something!”

“Horst, my fine fellow!” cried Sanderson, his fastidiously creased shirt and trousers emphasizing the delicate demonstration of pleased surprise. “I was just thinking of looking you up for a soothing session over the checkerboard!” Sanderson lifted a pint bottle of bourbon from a rear pocket and offered it. Horst walked all the way around Sanderson slowly, eyeing the plastic-wrapped bundle. Then he stopped beside the reporter and took the bottle. Sanderson was calm and genial.

“Checkers, hunh?” said Horst, unscrewing the cap.

“Outdoors, perhaps,” said Sanderson, “where I can sit upwind of you.”

Horst slanted a blue glance at Sanderson and tilted the bottle to his lips. “Aah,” he sighed, and handed the bottle back. “Now it seems to me that there’s some question as to who sits upwind.” Sanderson tipped the bottle, courteously neglecting to wipe the neck on his sleeve. “By my thinking,” mused Horst, “a poacher outstinks a cat man any day, and if you’ve got anything less than a whole thigh in that bundle, I’m a pig’s ass.”

Sanderson raised his eyebrows in mock surprise above the angled bottle. He swallowed and looked solemnly over Horst’s lanky frame.

“It is an offense, sir,” said Sanderson, “to justice, to reason, and to the tender female who brought you forth and nurtured you to your present stature, to even consider that you might bear any resemblance to a porcine posterior.” Sanderson nodded gravely at the bottle, shifted the bundle under his arm and took another swig.

“That’s my opinion,” said Horst. “But look here, I thought we had an understanding that you could make do with the bony bits. You get all the fingers and toes anyway.”

Sanderson’s shoulders lifted in helpless resignation. “You have me at a loss. What can I say? Laziness, my dear Horst, will be my downfall.”

They strolled out of earshot as Sanderson handed Horst the bottle and the bundle. Horst tucked one under his arm and the other against his teeth as they disappeared behind a van.

This was their standing argument. Horst wanted the big chunks for his cats. Sanderson had promised to leave the arms and legs and be content with hands and feet, which were more plentiful anyway. Sanderson hung the bits up on the outside of his van for his maggot crop. It was, he claimed, easier to whack a big chunk onto a single hook than to painstakingly string up a shish kebab of small pieces. Horst would carefully explain that hands and feet were useless to him. “Nothing’s surer than my cats would choke on all those little bones. But they’ll collect worms just fine.”

Sanderson countered with mild reminiscences of domestic cats stripping fish spines.

• • •

Sitting in the dark next to our van on a summer night with the midway roar muted a little way off, Mama was almost invisible in her folding chair. Her hair caught the glow and sometimes a scratch of light hit her long legs as she shifted, folding one leg over the other. It was the after-supper lull, with the chores done and the last shows of the night causing the big tents to glow and billow with the crowd’s breath.

I had ushered in Arty’s crowd, collected the tickets from the booth, and could sit, waiting for the tent walls to spangle in the rainbow finale of Arty’s act. That was my cue to run for the stage exit and help him out of the tank. Mama, after all her years as duenna to the twins’ act, had semi-retired. The redheads helped the twins with costumes. Jonathan Tomaini supervised the props. Mama sat outdoors in good weather, crossing and recrossing her legs.

Beside Mama, in my own folding chair, with my feet sticking straight out in front of me, I thought about my innards. Just a few months before I’d had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.

“No mosquitoes,” murmured Mama. “A blessing.”

“A creep!” The shout was from Elly somewhere in the dark.

“Creep! Creep! Creep!”

“Please, just leave us alone,” pleaded Iphy. “We’re quite all right alone.”

“Stay away from us! Don’t follow us! Don’t wait for us! We don’t need your help and we don’t want it!” The twins came fast around the end of the van and headed for the low deck that joined the three Binewski units. Behind them, shuffling steadily, wheezing and gurgling, came the stooped figure of the Bag Man.

“Mama, tell him to leave us alone!” The twins swooped past us to their door. The light spilled out of their trailer in a wedge and then disappeared as they slammed inside. The Bag Man’s big shadow stopped in front of Mama, hauling in noisy wet air and bobbing in place. The veiled head bent toward the twins’ van.

Mama tipped back to look up at the dim hulk. Her hand slipped out to touch my arm. “Does he understand English?” she whispered. I grunted and she leaned back. Her silver-cloud head nodding slowly in the murk. The Bag Man took in a bale of air and let it out in what might have been a sigh. He lurched over to the deck and sat down with a grunt. He looked ready for a long wait.

Beyond the dark backs of the booths the Ferris wheel started turning. Its flashing bulbs threw a pulse of light over Mama’s face. She stared at the wheel.

“That Bag Man,” she murmured. “He seems so familiar. I’ll remember soon.”

Arty had laid down the law on the Bag Man. No one but Arty himself and I were to know that the Bag Man was the shootist from that long-ago parking-lot incident. Chick knew the Bag Man was scary, but Chick was resigned to being scared as well as uninformed. As far as anyone else knew, the Bag Man was just another one of Arty’s followers.

I was not amazed. It seemed unremarkable that if you failed to murder someone you should become that person’s guardian slave. The Bag Man worshiped Arty. Arty did not worship the Bag Man but he made an effort to keep the big lump busy and feeling useful.

I wasn’t jealous of the Bag Man even though he took over some of my chores and magnified them. I had been the usual guard in the security room while Arty entertained. The Bag Man set up his residence there. Where I had fidgeted, cramped, sweating resentfully onto the idiot gun, the Bag Man sat on a flimsy cot staring raptly through the mirror glass hour after hour. As long as Arty was in the room. When Arty went out, the Bag Man trailed after him, looming and snorking like some asthmatic mastiff hypnotized by his master’s scent. He waited behind the tank during Arty’s show. He lumbered after Arty’s electric cart on the way to and from the stage. Where Arty went, there was the Bag Man. When he wasn’t looming he dusted and vacuumed, took out trash, emptied waste tanks, and left the more intimate service to me.

I still served Arty’s food, took care of his clothes, acted as masseuse and towel brigade for the shows. Arty could give orders to the Bag Man but he could talk to me.

One day in late spring Arty had tried interrogating me: “What are the twins up to? Why are they so stuck-up lately?”

Arty lay on the rubbing bench, eyes folded to slits watching my face as I pummeled lotion into his ribs and belly.

“I don’t know. Maybe they figure you’re busy.” I avoided his eyes, concentrating on the rope of muscle above his pelvis.

“I am busy. Are they taking advantage?”

“Don’t ask me. I’m busy, too. Roll over.”

He flopped onto his belly and I poured lotion down the deep ditch of spine between his banks of muscle.

“Their gates have been good this year.”

“Not like yours. You’re breaking three-ring records every week.”

“They’re getting the slops and doing good business. Have they changed their act?”

“Iphy says they’re dancing less, and they do play one of their own songs.”

“What are they up to?” His head is cranked up to glare at me.

“Don’t twist like that! You’ll tighten up on that side!” I could feel the Bag Man’s eyes on me from behind the mirror. I started work on Arty’s neck and he let the subject drop.

He could have made me tell if he’d pushed. Instead, he sicced the Bag Man on the twins.

“There are more weirdos around all the time,” Arty explained. “They need their own guard in addition to the general security. Beautiful girls like that. You don’t know what might happen.”

The following day the Bag Man had knocked at the door of the twins’ domain and handed Elly a small slip of paper torn from his notebook. Iphy leaned to read it:

Arturo the Aqua Man loves you and has sent me to protect you. I will be your guard

.

Elly’s mouth set thinly. Iphy tried to smile at the Bag Man.

“That’s very kind, but …”

“Arty means to kill me entirely,” snapped Elly. “Go away. Tell Arty we don’t want you or anyone else guarding us.” Elly closed the door as Iphy called out, “But it’s a kind thought!”

After that the Bag Man followed them everywhere. Elly glared at me accusingly when we met. As Arty’s ally I was suspect. One thing about Elly, you were for her or against her. She didn’t recognize neutral zones. I sat on the hood of the generator truck polishing Grandpa and wondering what would happen when Arty found out about their paying visitors.

• • •

Elly was crying. Iphy looked barely conscious, like a beaten fighter absorbed in the consolations of shock. They were sprawled on the rosy bed, drenched in pink light. Their intricate separateness and unity seemed luxurious in the satin sheets. The nightie was short and sheer and their big, four-armed robe hung in clownish embarrassment, covering the tall mirror on the wall.

Elly grimaced and shook Iphy. “We’ll run away. There are other shows. We’ll just go!”

Iphy’s eyes opened calmly and I had an uncomfortable feeling that we had been wrong, that Iphy was the strong one. Her placid face quirked at the mouth.

“Don’t be stupid. You’re panicked. We don’t know how to drive. We’re too noticeable to sneak.”

“We could go to Mama’s sisters in Boston! We could hide in a freight car!” Elly’s desperation pumped her from fear to anger.

Iphy backed off gingerly. “Take a breath, Elly.”

The Bag Man had been following the twins for weeks. This had disrupted their once- or twice-a-month visits from connoisseurs of sexual novelty. But Jonathan Tomaini, who had felt himself defiled by pimping, urged them to take on one special client despite the risk. He had become addicted to his percentage of the profits.

“This is not just the state governor, believe me. The man’s fortune is legendary. When I realized who he was — I mean, he came to three shows on three consecutive days. The man is utterly fascinated. In LOVE. I knew his face but couldn’t place him. He understood immediately when I approached him. A gentleman. A man of refined sensibility. He did everything to spare me the humiliation of specific explanations. He made the offer himself, without urging. Ten thousand! Don’t tell me it’s not worth a little effort on our part!”

It was sheer cantankerous defiance in Elly that made her accept. She wasn’t interested in the money or the millionaire. She just hated having Arty cramp her style.

It took me days to figure out what happened that night. The twins had planned carefully. They went to bed early for a solid week to lull the Bag Man into complacence. On the fateful night they turned out the lights at the usual time and waited.

Tomaini was supposed to distract the Bag Man by taking him to the bachelor quarters for a beer and a long talk.

“Get him to tell his story,” Elly ordered. “He writes so slowly it will take hours. Get him drunk.”

The distinguished visitor arrived at the appointed time, was welcomed, and was settling into some serious exploration.

“He’d had his shower and we’d got him onto the bed and were just getting really friendly when the door broke open,” explained Iphy. “I was facing the mirror. I saw the whole thing in the mirror. That’s why I threw our robe over it.”

“How was I to know he couldn’t hold his liquor?” asked Tomaini. The truth was that Tomaini couldn’t hold his beer. Instead of getting the Bag Man to tell his story, Tomaini dwelt on his own favorite subject, himself. The Bag Man recounted the whole episode to Arty. I found a few of the crumpled sheets from his note pad in the trash.

One read: “He said he could do very special hand jobs because of his piano training. I thought he was going to offer to give me one of these special hand jobs so I got up to leave. He started to cry. He said even if he was ugly he wasn’t a freak. Something made me suspicious.”

Another sheet of the notepaper had been torn in two. I pieced it together and read: “The key worked. I heard sounds behind the bedroom door. A man’s voice. I went in. They were on the bed. He was kneeling. Elly was sucking his cock while Iphy licked and kissed his ass. His hands were twisted in their hair.”

I must have known, even then, what my time would be like. I saved these scraps from the Bag Man’s hand. I have them still, brown and fragile on the table beside me. Their value to me doesn’t come from the blighted hole who scratched the words, it is that they describe mysterious acts by my people. I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I?

Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge.

But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.

The ten-thousand-dollar john was a prime norm with only a little sag as evidence of his age. His face was wind-dried and his chest had begun the droop that had not yet reached his belly.

He made a speech from the shower, a short, cheerful speech about himself. He’d been poor and he’d made money, he said, he’d changed laws in his time, and killed men and fathered children. He’d seen five million people lining up to punch his name onto a ballot, he’d seen regiments turn and halt and fire because he nodded. “And I figured I’d come to the end of being amazed. Run out of it, like you’d run out of sugar. But when I saw you lovely girls I thought to myself, maybe there’s more to life yet.”

“He said that,” explained Iphy in quiet pleasure, “as though he were really happy to be here with us. He’s the first we ever had who wasn’t ashamed and afraid of himself.”

When the Bag Man burst in, Iphy screamed at the mirror. Elly almost vomited on the ten-thou cock and the john leaped clear and snatched at his pants with his eyes alive. He had a gun in those pants, fortunately, and he held it on the wobbling, arm-waving, snorking Bag Man. The Bag Man was horrified. The john was fast with his trousers, and steady with his gun. He shook his head as he circled to the door. “You don’t need shakedowns or badger games, ladies. You could do very well on your own.”

Then he was gone and the Bag Man bent over the foot of the bed and raised his fists and pounded again and again in gurgling voicelessness on the pink and flopping sheets. Elly and Iphy cringed on the pillows at the other end. They heard the car start and the crackling gravel as it rolled away.

The car in the gravel woke me. It was too close to the vans. I peeked out as the Bag Man began his hammering on Arty’s door. The twins’ van gaped open with that bright spill into the blackness that always means disaster. I ran in and saw them. Elly was crying. Iphy looked numb. What scared them, what had unstrung Elly, was not knowing what Arty would do.

When Tomaini was doused awake with ice cubes down his shirt front, he talked. He stood, clinging to the back of the visitor’s chair in Arty’s big room. He gabbled at the floor, the ceiling, the walls, his eyes shifting mightily to avoid the stone-frog form of Arturo, and the menace of the Bag Man at the door.

“I’m a mess! A mess!” yelped Tomaini, his special hands twitching and jumping at his collar, at his buttons, at the stiff strands of his hair.

“How long? Why, months! For many months! Well, since they … well, I forget how long … I’m in such a state! They coerced me. They threatened to tell Mr. Binewski that I … forced myself on them! I was trapped! They were ruthless. Oh, they seem so sweet! Everyone thinks Iphigenia is … You all do! Miss River-of-Light Iphigenia!”

I watched from behind the mirror in the airless reek from the Bag Man’s medicated sheets and saw Arty’s face move at last, a small twitch to thaw his lips before trying to speak. He tipped his head at the Bag Man.

“Get his clothes. Some money.” Arty’s face closed back up as Tomaini babbled on and the Bag Man flipped open his notebook for a quick scribble. He passed the page to the console table and Arty glanced at it. No more expression on his face than on a grape. Arty nodded.

“The relentless pressure! Like living at the bottom of the sea,” Tomaini was saying as the Bag Man took his elbow and led him gently to the door. “It’s actually a relief that it’s over.”

When the twitter lost itself in the distance, Arty was still sitting motionless. I slid off the stool and hit the button that shut off the lamp on his bureau. By the time I got to him his tears were falling. He made no sound at all as I lifted him down from his throne and dragged him over to the bed. He lurched up and rolled onto his belly with his face away from me. I crawled up beside him and patted him but I felt miles away.

“Go.” His voice came, muffled by the coverlet. “If Chick and the folks are awake tell them everything’s O. K. and I’ll explain later.”

I went by the console on my way out. The Bag Man’s note read: “Let me break his hands. I’ll be careful.”

Mama and Papa were snoring. Chick was sitting up in his bed staring at me when I eased his door open. I put my fingers to my lips. He nodded and I leaned close to him. “Did you dream?”

He shook his head and touched my arm. “Want me to stop you hurting?”

“Nah!” I jerked away from him. “I mean,” I whispered, “I don’t hurt. I don’t feel anything.”

“That’s weird,” he muttered. He rolled over onto his pillow. His kid face, with a jelly stain on his ear, yawned. “Seems like there are a lot of people hurting. Seems like I should put them to sleep.” His hands scrabbled at the sheet. He slept.

“Is my face clean? No boogers?” Arty tipped his head back so I could look up his nose. “Okay. All right.” His eyes were swollen and as red as mine. “Arty, let me put some ice on your eyes.”

“I want to go now.” He was halfway across the room, humping fast to the door, waiting for me to open it. He brushed past my knee to the platform, turning to the twins’ entrance.

“Don’t knock. Go in.”

He led the way across the deserted living area, his reach-and-pull locomotion soundless on the carpet. He lunged upright and shouldered the bedroom door open.

Elly glared out of bruised eyes and sneered, “If it isn’t His Holy Armlessness! What an honor!” The twins were sitting up against their bed pillows with their hair wild. The breakfast tray I’d brought was untouched on the table. Iphy looked stern but Elly looked like a mad bat, teeth bared as she peered out from under her eyebrows. Iphy sounded tired and bored, “What do you want, Arty?”

He leaned there, propped against the door jamb, looking at them. I figured he’d have a set speech ready to flay them with. He’d stare for a while until they were off balance and then spray them with icy words. But when he finally opened his mouth it was the private, alone-in-the-dark Arty who spoke in a thin, scared voice. “How come?” he asked. “How come you did that?”

The twins, wide-eyed and wary, were startled too. They had expected “God” Arty. This feeble and betrayed mortal was a shock. Iphy frowned. Elly’s teeth parted but no sound came out.

“I mean,” Arty’s forehead folded in peaks of bewilderment, “you didn’t have to do that.” Seeing him like this I was scared. Had the blood exploded in his head? Had his temper triggered some spasm of the brain that changed him? Our fanged armadillo was suddenly peeled, shell-less.

Elly took a breath and got back on her high horse. “You don’t run us, Arty.”

“Oh, hey!” His voice high and ragged.

“We don’t worship your ass, Arty. Not at all.”

“Is that it? Iphy, tell me. Did she do it to keep you away from me?” He leaned forward, his flippers slipping on the door frame. A blue vein beat like an angry worm above his ear.

Iphy’s shoulders, held tight and high near her neck, relaxed.

“No,” she said. “I wanted to.”

Arty was back in his van by the time I caught up with him. He swung up into his throne and hit a button on the console with his flipper. He shooed me out. Said he wanted to talk to the Bag Man. I knew when he looked at me that this was our regular Arty, ready to kick ass by remote control.

“Arty!”

It was a duet shriek that made me drop Lily’s favorite cup onto the counter, cracking off the handle.

The twins were standing in their open doorway with mouths open and arms spread. “Arty!” they screamed.

The Bag Man’s face swam up from the room behind them. His hands closed on Elly’s shoulder and Iphy’s arm. Iphy looked straight at me with disgust smeared across her face, as the Bag Man pulled them inside.

I followed and saw the twins collapse onto the sofa and the Bag Man standing in front of them writing busily on his notepad. He must have already been there for a while. Slips of paper were strewn on the sofa and on the low table in front of it.

“Arty’s in the surgery watching Dr. Phyllis.” I bent to pick up some scraps of paper from the carpet. “I will be very good to you,” scrawled the Bag Man’s hand.

“Oly,” Iphy’s tired voice made me look up at her. “Oly, would you please go get Arty?” The Bag Man bent toward her, handing her his most recent note.

“What’s going on?”

“He gave us to the Bag Man,” tittered Elly. “We’re supposed to marry the Bag Man to keep us out of trouble.”

I looked at the wad of notes in my hand. I saw, “Arty loves you. He knows that I love you.”

“Creepy, hunh?” asked Elly. She grinned at me, and suddenly the twins were giggling hysterically, holding each other’s arms, rocking on the sofa. Their two long, lovely feet pointed straight out and tapped the floor in hilarity.

They didn’t care how the Bag Man felt, standing there with his bulging veil fluttering around his one blinking eye. They laughed at him, at the idea of him.

Looking at him, I was afraid. When he turned toward me I yelped. His big warm hand clenched softly on the back of my neck and he raised me until my toes barely touched the floor. A high whine pulled out of my throat as he carried me to the door, put me firmly outside, and shut it behind me.

I found Arty in the dark little five-seat theater above the surgery. His silhouette showed against the hot light pouring up out of the glass circle in the floor. I leaned beside him, feeling his coolness as I let my hand brush his bony flippers. He stared, with his chin propped on the rail, down into the surgery. Directly below, a long-haired woman with a white plastic tube mask over her mouth and nose stared up at us. What she saw was a mirror in the ceiling, intensifying the light from the lamps that surrounded it. The woman lay on a white table and was covered to the neck by a white sheet. Next to her head, the small figure of Chick sat, swathed in white, a mask over his nose and mouth, a cap pulled so far down over his hair that it bent his ears out. He wore surgical gloves and was slowly trickling his white plastic fingers through her long brown hair. At the other end of the table was Doc P. in white, hugely foreshortened, her arms heavy in white sleeves that moved in deliberate twitches as she worked. The woman on the table stared serenely at us without seeing. “She’s not asleep,” I muttered at Arty’s ear.

“She chose not to. He can stop the pain without putting them to sleep. He says most of them like to sleep because knowing and seeing are painful.” Arty stuck his lower lip out and slid it along the railing. “It kind of goes along with what I’m always spouting, doesn’t it?”

“The Bag Man says you gave him the twins.”

Arty’s eyes swiveled at me. “Just to fuck.”

“The Bag Man says ‘marry.’ ”

“He’d call it that.”

Below us the long-haired woman’s eyes turned away from us, her head tilting slightly to look into Chick’s masked face. Doc P. was bobbing vigorously at the other end, grabbing tools from the hands of the Admitted nurse, who stood just outside the charmed circle, invisible to us except for the delicate jugglery of glinting tools. Arty watched intently. The climax was evidently approaching.

“A toe?”

“Whole foot.”

With a sweep of her arm, Doc P. flung a messy something toward the bucket on the floor, and accelerated her twiddling of the winking tools.

Arty’s eyes focused on the woman’s face. Chick’s gloved hand rested on her cheek, a small hand. She smiled at Chick. The smile crept slowly from her eyes, its crease sliding under his stubby fingers.

“Does Chick know we’re up here? Can he tell?”

“Don’t know. Never asked. Probably.” Arty let go of the railing and flopped into the plush chair behind him. His eyes closed tiredly.

“Arty?”

“Hnnh?”

“It was dumb.”

“Mmm?”

“You shouldn’t have done that to the twins, Arty. I know you’re sore, but it was stupid. Throwing out the come with the scum, like Papa says.”

His eyes stayed closed and a seedling smile sprouted around his mouth. “Elly will shit bricks to Mars.”

“So will Iphy. Maybe worse.”

“Not Iphy. Iphy can like anybody. That’s why she’s so powerful. It’s easy to fuck up in reading Iphy. Most people don’t read her right at all.”

I leaned on the railing, watching him. His eyes were closed again. I tried to think about Iphy being strong.

“But you’re right.” He screwed his mouth into the shape of a belly button and then let it fall back. “It was stupid. Because you know who is going to puke strychnine over it? Me.”

“Yeah,” I said. The light pool was deserted now. Only the long, empty table lay below us. Arty was grinning at me. A floppy bean-shaped smile with eye crinkles to complete the effect. “How old are you, Toady? Sixteen?” I nodded. My heart was beating at my lungs.

“You bleeding yet? You need a boyfriend? I don’t want you running me through this same grinder, you know.”

I could feel the hot pleasure pumping into my face and couldn’t keep myself from grinning back at him.

“Nah. I’m your girl, Arty, even with the warts on your ass.”

We giggled and he leaned forward toward me. I caught him in my arms, his chest warm against me, his shoulder blades sliding in my hands. He rubbed his head against my cheek as I squeezed him. “You always did have shit for brains,” he chuckled. I felt the convulsion of his chest against me with his laugh. “Think you can still carry me, little sis? Those stairs bruise my ass going down.”

“Oho! That’s your trick, is it? Butter me up?”

I propped him and turned around so he could flop onto my hump, clinging to my shoulders with his flippers.

“Don’t dig your chin in; that hurts!”

“Your hump is bony! Take it easy!”

I carried him down the narrow stairs to the back of the surgery van, where he’d left his chair and his entourage.

Miz Zegg was waiting with her hands on the push bar of Arty’s empty chair. A couple of the administrative novices were hovering with her and they all started to twitter when they saw Arty. Miz Z. came scuttling at me, flapping her hands and nattering, “Let me help you, Role Model Arturo!” but I spun around and grabbed the chair arms so it wouldn’t jump away as I leaned back and spilled Arty into the seat. The novices squeaked and grabbed their long white nightshirts at seeing Arty treated so roughly.

“Don’t call me Role Model!” he snapped. “It’s disgusting!”

Miz Z., the latest of Alma Witherspoon’s successors to command the administrative office, took a step back and hid her hands in her big sleeves. Arty winked at me and said he’d see me after the show. I gaped in surprise.

“Aren’t you coming back to see the twins? They really want you!”

“No.” He shook his head, smiling at me. “I’m not going to lay eyes on them for as long as I can manage.”

“Arty! You rectum!”

Miz Z. hustled her novices off a few yards so they wouldn’t be subjected to the interfamilial indecencies that the Great One allowed to his siblings. Miz Z. didn’t know it, but she was going to wait a long time for her turn to get her toes nibbled off. She’d taught business-machine classes in high schools for years and Arty liked the way she ran the office. Arty reached for his chair controls to follow them but I grabbed his ear and glared at him.

“They sent me to get you. What am I gonna tell them?” He blinked and looked back up the narrow staircase leading to the small room on top of the surgery truck.

“Well, I figure the Bag Man is still sort of unpredictable. Why don’t you tell them not to struggle too much, not to fight him. I wouldn’t want them to get hurt.” He rolled away from me, and the three office ghosties scurried after him. He was off to another meeting, or a visit to the post-op wards, or an interview with some pipsqueak reporter.

I couldn’t stand to go back to the twins. The idea of looking at them and telling them “no hope” made me sweat. I trotted through the morning cool. The sun wasn’t high enough yet to fill the shadows between the lines of vans and trailers.

Mama was at the dinette table in our van, deep in one of her assembly-line projects. Twenty-six blue-spangled aprons and matching headbands for the redheads. Glittering cloth ran between her long white hands to its fate under the chattering needle of her sewing machine. I patted her elbow as I came in and she stretched her neck down, offering her cheek automatically for a kiss. A solitary blue sequin was imbedded in the makeup goo next to her nose. I kissed her and picked off the sequin.

“Those twins don’t eat breakfast anymore?” she asked. “They worried about fat? I hardly see them.” The needle gobbled at the cloth and Lil’s voice murmured on as I went back toward the big bedroom at the end. The sliding door was half open but the window shades were drawn and the room was heavy with half-filtered heat and the suffocating weight of sleep laden with Lil’s fleshy perfume and Papa’s sweat and leather and tobacco. I went for the shelf on Papa’s side of the bed. Two books slid aside and I latched onto Papa’s blunderbuss pistol. I looked at the safety catch and then stuck the thing into my skirt top, letting my blouse fall loosely over it. The barrel dug me in one spot and the butt gouged me in another. The metal was heavy yet surprisingly warm. I went out past Mama but she didn’t look up.

The twins were rehearsing. I could tell because the Bag Man was standing at the back steps of their stage truck. As I walked toward him I decided Arty had sicced the Bag Man on the twins just to get the big lump off his own back. The Bag Man started bending and bowing at me while I was still a ways off. I raised a hand and nodded and went up the steps and through the door.

The twins were alone. Another hour before the redheads showed up for fanny-kick practice. Dance, they called it. I saw the dark, gleaming heads bent over the matching sheen of the baby grand. At least they were staying calm enough to comb their hair and do their work.

“The whole cadenza should be written. I don’t want any two-bit piano player fucking with improvisation in the middle of my work.” That was Elly.

“All we have to do is place it at the beginning of the movement so that it’s clearly an integral part.” That was Iphy.

“I’d rather put rude remarks on the score. Here’s Oly!”

They both looked up from the music paper, which was spread out on the rack in front of them, and stared past me, eyes flickering anxiously.

“Where’s Arty?”

I went close to them, one hand reaching to touch Elly’s arm, my eyes glued to Iphy’s face. I couldn’t look away from her.

When she saw what was in my face her eyes began to die. Their violet deepened to night purple, dull black.

“He’s not coming.”

Elly’s hand clipped hard to my wrist. “Did you tell him? What’d he say?”

I wanted to be a street sweeper working nights in Rio, or maybe a florist in Quebec.

“He said the Bag Man is dangerous. Don’t struggle. Don’t fight him. Arty said he wouldn’t want you to get hurt.”

They didn’t need to look at each other. They looked at me. Their four hands wandered into a complicated knot in their lap.

“Shall I go to Papa? Maybe Horst? Let me get them.”

The twins were quiet for identical moments like one girl at a mirror. When they spoke it was with the echoing, simultaneous voice that came to them in their rare moments of unity: “Try, but it won’t help.” I nodded, digging under my blouse. “You remember how this works?”

I set the chunky gun on the shining wood of the piano. It lay there, quiet and nasty. They stared at it. I left before they moved again.

Papa was in the refrigerator truck counting cases of ice-cream sandwiches. I hollered at him that the twins wanted him and he handed his clipboard to one of the lunks who was loading the case. He came down off the truck with an arthritic creak that drowned out my fantasy of him rescuing anybody. I told him where the twins were and went off to visit Grandpa for a while.

Chick was asleep on the hood of the generator truck. His face was in the small green pool of shade cast by Grandpa’s urn. The rest of his knobby little body sprawled flat on his belly with his coveralls rucked up to his knees and his socks rumpled down over his sneakers. The skin on his smooth calves looked angry. He must have been asleep there for a while. I pulled his pant legs down to keep the sun off him. He twitched and his baby mouth smacked slightly at the air. The surgical sessions tired him out. The tinkle of music started on the midway. I could hear the whir of a simp twister starting up.

“Chick.”

His eyes opened and his lips closed but the rest of him didn’t move.

“Chick, you’ve got to help the twins.”

He blinked and sat up.

“Did you know Arty gave them to the Bag Man?”

He nodded, stretching and scratching.

I slid over to where I could lean on the urn. “Wow!” Grandpa was too hot to touch.

Chick licked his lips. “Arty says the twins are getting married.”

“They don’t want to, Chick. They hate the Bag Man. Arty’s just doing it to punish them for something. He’s got no right to give them to anybody.”

“He gave me to Doc P.” Chick was calm, stating a fact.

“Not the same. You’re just with her for a little while to learn stuff.” He didn’t answer. “I sent Papa over to see the twins but he won’t be able to do anything. Not when it’s Arty’s idea.”

“No.” Chick lay down with his sweating face in the tiny pool of shade next to me. The metal hood was burning me through my clothes. A little wind came by and touched my ears.

“Is it nice wearing sunglasses all the time? Is everything green?” He was blinking, getting ready to yawn.

“Chick! Chicky! You could sleep in the twins’ van on that pretty sofa. Listen! If anybody tried to hurt them you could stop him. Chick!” His eyes popped open, a puzzled crease came into his forehead.

“Oly, I can’t. Arty doesn’t want me to. Arty already said that I wasn’t to do anything. It’s like when Mensa Mindy, the Horse with the High I.Q., was scared of the fire hoop and Papa said I mustn’t help her. Whatever this is, it’s like that for the twins.”

The patient, solid explanation drove me, sliding on my belly, down the fender to the ground. He didn’t call after me. I looked back once but he was curled up there on the hot metal with his face in the shade of Grandpa’s urn, sleeping.

• • •

Papa shook hands with the Bag Man. “You’re going to be joining the family!”

The Bag Man grunted and gurgled and milked Papa’s hand with enthusiasm.

“Fine! Fine!” Papa chanted, trying to pull his hand away and looking around for help. “My little girls in there? I’ll just go speak to them! There! Excuse me! Thank you! Splendid to have you aboard! Talk soon!” and Papa escaped into the stage truck.

Iphy and Elly, listening frozen at the keyboard, shared a drooping weight of resignation in their common gut. “We knew it was no use,” Iphy explained later.

“Ah, there you are, doves! My sweet birds! I just met your betrothed outside! Unusual fella!”

He was too loud, too fast. He flung his arms around them and squeezed them together, planting kisses on their pale matching foreheads. Iphy clutched his hands and spoke softly.

“Papa, please! Don’t let Arty do this! Help us!”

“There, dreamlet! Of course I’ll help! Nothing but the finest! We’ll look at the calendar! Shut the whole shebang down for a day! Have a fabulous wedding!”

“Papa, listen! No. No. We don’t want to marry him! We hate him! We’re afraid of him! Arty is trying to force us — to punish us! Papa, don’t let him do it!”

Now Papa, imprisoned in the four white arms, was wriggling to escape.

“Oh, my sweetlings! You’re mistaken! Your brother talked the whole thing over with me early this morning. He means the best for you. Given it a lot of thought! This Bag Man — Vern, is it? Don’t know him, myself. Seen him tagging after your brother, of course. Arty swears by him! Solid as Gibraltar! Loves you dearly! Do right by you! Natural fears, girlish hesitation! Even your mother! Thought of doing a bunk on our wedding day! Where would I be? I ask you!”

He was a large, determined man with many years of experience in slippery maneuvers. They couldn’t hold him. He was still talking fast in the bombastic shorthand of the huckster as he sidled toward the exit.

“Papa,” they chorused, “help us!”

“Adore! Adore you, my butterflies! Your mother will be so proud!” and he was gone.

The twins sat back down on the piano bench. Iphy, who told me this later, says they were both thinking about the gun.

“We didn’t really expect any help from Papa. But we’d stuck that gun into the storage space in the piano bench. You know how the top lifts up? We were sitting on that gun and the idea of it seemed to crawl up inside us like a snake between our legs.”

I hid, sulking in my cupboard under the sink with Mama’s sewing machine gabbling a few feet away. Mama was not alarmed at my hiding in there with the door shut. She was glad of the company and talked fitfully to her hands, needing no answers. She was mainly preoccupied with lunch and the way the meal symbolized the breakdown of the family.

“Nobody shows up. They wander in three hours late, sniffling and expecting … But I am not running a short-order house.… That Chick is ill and I know it and Al and all his pills and potions can claim to heaven that there’s nothing wrong but you cannot fool a mother about her own … drifting … caught up in alien currents leading mercy knows where.… Next thing we’ll get a telephone call and never even notice they left.”

I was going over the list of possibilities. I wondered about Horst or a few of the old wheelmen, or even the redheads. Papa’s cronies, Horst included, would never interfere with Binewski business. If I went to the redheads they might do something. I fantasized marching legions of angry women in high heels and bulging blouses. Then I imagined Papa standing in the dust of the midway with his arms crossed on his chest watching them come toward him and waiting for the exact moment to bellow, “You’re all shit-canned! Pick up your checks!”

What made me really sick was that I didn’t want the twins to be rescued. I was glad Arty was mad at them, delighted that he didn’t want to see them, cock-a-hoop delirious at the thought of them utterly out of the running for Arty’s attention. Big, festering chunks of my heart glowed with a dank cave light of celebration at their lovely talented lives trapped by the Bag Man.

The Twin Club girls who collected the Elly and Iphy posters, autographs, and photos, the duos of vapor-skulled gigglers who showed up in souvenir twin shirts and homemade twin skirts, what would the twin fans think of their glamorous idols being humped by the tube-faced Bag Man? Gross! Gawwwd!

But I hated myself for that gloating. The pleasure terrified me. What if I were really a monster? What if they were really miserable and I didn’t do my best to help? What kind of thing would that make me?

“One-thirty, dove!” called Mama. I crawled out of the cupboard and went off to the dressing room to grease Arty for the two o’clock show.

“He must have shut down all the alarms and had Arty give the high sign to the guards. Elly grabbed the gun when we heard the outside door. We sat there in bed waiting for the bedroom door to open. She was ready to use it, but he knocked.

“It was a shy knock … three gentle taps … and then the door opened slowly and he peered around it. He waved hello. I felt sorry for him. He seemed so shy. Elly waved the pistol and hollered that she’d shoot. But he just came in slowly, kind of bobbing and bowing apologetically with every step. He sat down at the foot of the bed with his veil puffing in and out and his one sad eye peeping at us. He took out his note pad. There was a message ready on the first sheet. He tore it off and handed it to me. It said, ‘I love you. Please let me be tender to you.’

“While I was reading it he was writing another. The new note said, ‘If you would rather kill me, it will be O.K.’ Elly looked at that note and drew a bead on his head. His hands came up and opened his shirt at the throat. He pulled it open and patted his bare chest. The veil came untucked and I could see the plastic bag that hung there and a section of hose hanging down. Elly sat with her elbows propped on our knee, both hands aiming the pistol. She waited a long time. The Bag Man was very still, waiting. Finally she just dropped the gun and looked at me. She said, ‘I wish he hadn’t knocked. I could have done it if he’d just opened the door without knocking.’ It was a lot worse for Elly than it was for me. She isn’t used to doing things that aren’t her idea.”

Arty heard the shot and was clambering into his chair when I roared in.

“Mama’s in there! With the twins! She just went in!”

“Quick! Push me! It’s faster!”

Rushing, terrified, I jammed a wheel on the door and nearly pitched Arty out on his head. The cry came, high and thin. The twins were screaming as we leaped through their living room and rushed the bedroom door.

Mama stood calmly beside the big bed. The soft pink light from the gauze lamps made her look lovely. Her face was bright and tender. Her hair drooped charmingly. Her robe and fluffy high-heeled slippers were oddly tidy; the sash of the robe, for example, was tied in a neat bow.

The twins were hunched in one corner of the bed. Iphy was blinking dazedly at Mama and wincing as Elly heaved her private sector of their guts out onto the carpet.

The Bag Man lay dead and pantsless on the filth-smeared bed. His long naked legs looked bony and floppy at the same time.

“Mama,” Arty said. She turned and nodded at us.

“I finally remembered where I’d seen him before.” She looked down at the dark gun in her hands. “Oly, dear, this looks like your Papa’s gun. Would you be so kind as to check the shelf next to my bed? And would you ask … Oh, here’s Al now.”

I’d been asleep when I heard the creaking. Peeking out of my cupboard I saw Mama, white hair glowing in the moonlight, passing through the twins’ unguarded door. I was pulling on a robe to follow her when I heard the shot. I jumped to get Arty.

From the files of Norval Sanderson:

Crystal Lil’s story, as told to investigating officers (transcribed from tape):

“I couldn’t sleep. The moon affects me. I was sitting up in bed, looking out through the small window on my side. Al has always insisted that I sleep on the inside, and he sleeps nearest the door in every bed we’ve ever shared. It’s his protective instinct. He feels that if an intruder were to come through the door he, Al, you know, could defend me. But I had lifted a corner of the curtain so I could look out

.

“The moon throws a new and sometimes more attractive perspective on familiar objects, I’m sure you know. But that was how I happened to see this person approach the steps up to the platform. He strode past the window fairly close and the silver light of the moon on his shoulders let me really examine his gait. Gait and carriage, I always tell the children, are such powerful indicators of character. Suddenly I recalled where I had seen this man before, with his stooping head crouched down on his bent neck

.

“

I thank the merciful stars I was in time. My poor girls. But there, they’ll be all right. Quite a miracle that the gun had fallen to the floor where it caught my eye. The Bag Man must have stolen it. Imagine threatening those helpless girls. I meant to strike him in the heart, but it was an awkward angle with him on top of the girls, naked below and his shirt unbuttoned so it flopped and I couldn’t tell where to aim, exactly. I had to shoot from the side or risk the bullet piercing him and going on to injure the twins. Al always loaded a soft slug, though, for stopping power. Al was right as usual.”

Papa hunched over his hands as though his chest was ready to explode.

“Son, Arty, did you know that this was the guy who tried to kill you all? Did you know this was the guy from Coos Bay?”

Arty, grey-faced even under the warm gold light of his reading lamp, shook his head. “Of course not, Papa. We’re very lucky Mama remembered him.”

“Sweet, frosted globes of the virgin,” breathed Al. “Imagine him haunting us all these years. I’ll go batso thinking. All that time. All those chances. Me and my half-assed security.”

Arty leaned against his chair arm, head drooping in fatigue.

“Well, Mama was just in time.”

Elly’s face, twisted by revulsion: “But she wasn’t in time! He came when she pulled the trigger. He spurted like a cockroach oozing eggs as it dies!”

Iphy, calmly: “Normally we use a spermicide in our diaphragm, but we weren’t ready for him and he wouldn’t let us put it in.”

The police wore green wool uniforms. They came in large groups. The ones who were not actually taking notes, photographs, or fingerprints, or asking questions, took the opportunity to stroll the colorless midway at dawn. When two patrolmen discovered the redheads’ dorm trailers, three more cops sailed in to question these “important corroborative witnesses,” who happened to be making large pots of coffee while wearing various interpretations of the nightie, negligee, shortie pajamas, and so on.

The coroner drove away in the back of the ambulance with the medical examiner and the Bag Man’s body. The officer in charge of the investigation was a heavy, deliberate man with more cheek than neck, and small, steady eyes. He spent a long time with Crystal Lil in the sea-green/sky-blue living room of the twins’ van. Lil sat, ladylike and calm on the sofa, while the plainclothes officer leaned over his knees on the chair in front of her, listening, nodding, taking notes on a small spiral-bound pad. Speaking very little, checking his cassette recorder occasionally.

When a uniformed kid came in to hand him a typed sheet, the big man read it slowly, folded it carefully, and tucked the thin paper into his breast pocket.

“Mrs. Binewski …”

“Lily, please, Lieutenant.”

“Thank you, Lily. We’ve just received confirmation from Oregon. The fingerprints match those of Vern Bogner, who was convicted of attempting to murder you and your children almost ten years ago. My report will say that Bogner was killed while attempting felonious assault, specifically rape. No charges will be brought. Oregon’s been looking for this guy for eighteen months. He left his mother’s custody and didn’t report to his caseworker.”

“Is this Utah?” Lil asked. “Are we in Utah?”

“No, ma’am, Nebraska.”

“Why, I could have sworn Utah to look at your troops. So tidy. So disciplined. I would have thought Utah, with their boots polished just so. You must be very proud.”

21. On the Lam

Papa, old in his chair, and Mama, crocheting and dreaming with her eyes open, as we all pretended that this was a night of children and stories like the old days. Only Arty was missing, off alone in his van. The twins held Chick, who was reading aloud to them, and I sat on the floor with my hump warm against Papa’s bony leg.

“What makes you look so white, so white?’ said Files-on-Parade.

“ ‘I’m dreadin’ what I’ve got to watch,’ the Color-Sergeant said.”

Chick’s voice, sharp as glass in its chanting, stopped abruptly as he sprang off the twins’ lap and whirled around to look at them.

“Did a pin stick you?” The twins’ surprised faces opened. Chick shook his head, frowning.

“Ah, the boy’s tired of hanging Danny Deever. Too glum!” growled Papa. “Let him cremate Sam McGee instead. Come, boychik, begin, ‘There are strange things done!’ and give it a roll this time! Breathe from your crotch up!”

But Chick wouldn’t recite and he wouldn’t crawl up on the twins’ lap anymore but came and sat by me while Papa boomed through Sam McGee and we all did north-wind noises, dog-team yappings, and the ghostly voice saying, “Close that door!”

Papa tottered off to bed soon afterward and Mama went in for her shower. That’s when the twins pounced on Chick. He blushed and stammered. He hadn’t meant to hurt their feelings.

“But why did you look like that?”

“I just didn’t know you had that little guy in there with you. It surprised me. Then I didn’t want to lean on him. I thought it might hurt him.”

The matching faces were as grey as old meat. “What little guy?”

“That one, asleep there,” and Chick pointed. Which is how the twins discovered that they were pregnant for sure.

“We’re not going to sit waiting in that fucking infirmary tent with all those slimy norms drooling at us!” So Elly said. Iphy pointed out that Doc P. refused to see them otherwise, and they had no choice.

“Come with us, Oly. Stay with us when she examines us. We’re scared of her.”

So we sat on folding chairs against the sunlit canvas wall and listened to the flies buzzing high up around the center pole, and to the twittering of the dozen or so amputees who were waiting in wheelchairs (if they were past the foot stage) or on folding chairs if they were still working on fingers and toes. Chick came and sat beside me with an exotic-bird coloring book and a handful of colored pens, whiling away his free hour by filling in the eyes on the peacock’s tail with slow, painstaking blue. “Doc P. says this is good for my hands,” Chick explained. None of Arty’s followers spoke to us but they all looked at us out of the corners of their eyes. I sat counting the fading yellow grass blades dying beneath the chairs.

When Doc P.’s nurse finally led us up the steps to the examining room of the clinic, Doc P. was not pleased to see us.

“If Chick says you’re pregnant and you’ve missed your period, there’s no use wasting my time. You’re pregnant. Anyway, I’m a surgeon, not an obstetrician. Your father is the one you should talk to. He’s got experience in this field.”

The twins leaned on the examining table, looking humble. She didn’t ask them to sit down. She sat, thick and puffy white, masked and gloved, behind her white metal desk, doing spider-mirror pushups with her fingers touching. I was afraid and the twins were afraid. Doc P. was not our turf at all.

“What they wanted,” I croaked, “was to get rid of it.” The twins nodded on alternate beats. Doc P. rose up slowly, her white masked face pushed forward, her thick glass lenses winking intently.

“Presumably these talented singers can speak. You have tongues?”

I glanced at the twins, half-expecting them to shove their tongues out in dutiful demonstration.

“Rid of it? Rid of it?” Doc P. crooned.

The twins nodded in miserable syncopation.

“And Papa wouldn’t like? Papa wouldn’t do it? No. Papa would want you to hatch the monster, wouldn’t he? It’s been years since poor old Al had a baby to play with, hasn’t it?”

The seeping acid in Dr. Phyllis’s tone wore at my bones, peeling my teeth. I tugged at Elly’s hand, wanting to leave, but they were staring at her as she sat back down and clasped her hands on the desk in front of her.

“No. I could nip it out of you in five minutes and no harm done. Don’t think I couldn’t. But I’m not going to, and I’ll tell you why. I have a contract with your Arturo, and young Arturo does not wish it. He is looking forward to being an uncle. It’s not for me to deny Arturo this pleasure. And it’s not for you to defy him. Drink milk. Eat greens. Your abdominal muscles are strong. It will be months before you show. And one last bit of healthful advice. Whatever you’ve been doing to make Arturo angry, stop it.”

We slogged out past the blank-eyed patients waiting to have their stumps examined.

“It’s odd,” Iphy said as we went toward the Chute, “that’s the first time we’ve ever spoken to her.”

“You never said a word,” I pointed out.

“We’ve never had anything to do with her or Arty’s crowd. Don’t they make you feel strange? They’re always around, underfoot. That slum camp stretches for acres, but we don’t really know what they’re doing or why. Should we find out? Are you going to vomit? Elly?”

And Elly did, in the dust between the refrigerator truck and the cat wagon.

“I was going home for lunch,” said Chick, “when the twins went boo from behind the cat wagon. I didn’t know they were there. They got mixed up with the cats in my head. Elly said would I pick that little guy out of their belly. Iphy too. They wanted me to. I felt kind of surprised thinking maybe I could help them, do something for them, not just moving furniture. Then I felt around, reached in to see what it was like inside, see if I could do it. I try not to go inside people. Sometimes it happens by accident, like sitting on their lap that little guy came out at me! That’s what I do for Doc P. and I try not to do it the rest of the time. But the little guy is in there, all right. I told them that I couldn’t do anything to the little guy, that you’d told me specially not to, not to do anything to get the little guy out of them. Iphy went away into herself but Elly scared me.”

“How?” asked Arty. “Did she yell? Or think hate thoughts? She didn’t hit you, did she?”

“No. She pushed OUT, like a thing that won’t die.”

“Did you ever get any lunch? No? Those girls in the office made pie. Cut me a slice too. And let’s see if you can tell whether I want banana cream or chocolate.”

“Arty, I can’t do that.”

“Try.”

“You know I can’t.”

From the files of Norval Sanderson:

Chaos rules — midway shut down for the first time in years — Arturo in a genuine frenzy — sweating heavily at the radio transmitter in his van — speaking calmly while his whole body twitches, jerks and writhes in his chair. His shorts and a green velvet shirt, sodden black with sweat, the vinyl of his seat smeared with sweat, Arty’s bald pate dripping sweat into his eyes. Little Oly stands by with an endless supply of tissues to mop his face, wipe his eyes. She runs errands. His voice stays clear, unhurried, precise as it goes out over the transmitter

.

Big Binewski pops in and out with his mustache tangled — the mother’s collapsed in bed with a redhead in attendance — the youngest, Chick, is out with the posse

—

Arty, at the radio, is in direct contact with fifteen vehicles full of Binewski guards and other show employees — all looking for the twins, Electra and Iphigenia, who have run away from home

.

Oly, the faithful watchdog, insists that the twins have been abducted. Oly keeps trying to shoo me out of the van, away from Arty, but I see enough. For example

—

Arty is sending the posse to clinics and doctors — the addresses found for him by Oly, who leafs through a stack of local phone books that may cover three states. Oly is getting testy at not being able to get rid of me and Arty evidently doesn’t care. I decide to let her shoo me. This looks like an all-day session

.

Finally she nods me off to the door as though to give me a private word. Turns out she is changing tactics — wants me to go check on Crystal Lil, see if the old broad is still alive, and then — Oly the cool one — would I just drop in on the Admitted Office and see that the Arturans stay calm in the face of this unexpected interruption of routine? Arty is saying, “Chick, are you hearing me? What about the nurse practitioner service I gave you? … Should be within a mile of where you are now.…” with the voice of men discussing mild weather

.

Standing on the step, I look down at Oly — teasing her that I may change my mind and come back in after all. “Tell me, Oly, why is Arty so upset? I’ve never seen him like this!” She shrugs her hump and twists her frog mouth into a pained grin, “Family. The Binewskis are big on family.”

I stroll over to the redheads’ dormitory trailers. They are deserted except for buxom Bella, with a chaw in her jaw, perched in an open door so she can spit at the next trailer while painting her toenails

.

Bella snorts at the twins’ absence — explains that they’ve gone off with Rita (the redhead) and Rita’s sweetie, McFee, in McFee’s elderly pickup. The twins are knocked up, explains Bella, “probably by that pus sack, the Bag Man”—and the girls are looking to get “scraped out” (searching for an abortion) despite “His Armlessness, His Almighty Leglessness” having forbid it

.

**** Redheads reading magazines in the Binewski van say Crystal Lil is asleep on pills

.

**** The Arturan office queen, Miz Z., unperturbed, has her battalion of campers contemplating their stumps and meditating on P.I.P. (Peace, Isolation, Purity) — generally lollygagging in the sun and oblivious of the situation on the other side of the fence. As long as lunch and supper happen, they won’t notice

.

**** Randy J. — a Binewski guard and ex-Marine who was driving the van when the twins were located. Randy says it was an Ob-Gyn office — Chick spotted the pickup and the Rita redhead smoking a cigarette out front. The vigilantes busted in

…

“They were up on the table on their hands and knees, bare ass sticking up in the air kind of pitiful with the nurse getting ’em ready. See us, they about go to the moon, jump down screaming, try to break out the window. I scared they’d hurt themselves, catch hell from the boss. But, Jesus, that little bugger, Chick, steps through and looks at ’em, down they go to sleep in a pile on the floor. We just sort through for arms and legs, tote ’em out to the van and the nurse and the doc dithering behind us. Rita and McFee gone. Jumped in that beat-up old Dodge and gone. Know they’re in up to their ass, see?

“Them twins sleep sweet in the back all the way here. That boy Chick did something. Some hypnotism, maybe. Tell you, it scared the shit outa me. You shoulda seen it!”

Which, I assume, means that the twins fainted. They’re locked in their trailer under guard now as we move on

.

Arty is laid up. He’s staying in his trailer van. He’s got a bandage across one ear and on the cheek on the same side, and a thick dressing on his neck just below that ear. A thin scratch on his chest is visible — just the end of it — at the edge of his shirt collar. He is

NOT

explaining the damage. He’s moody — an anger that alternates with what I suspect is grief. All very controlled, of course. He discusses philosophy. Talks Arturism. Nothing personal allowed

.

Oly, his maid of all work, is running constantly between Arty’s van and the twins

.

The twins are jailed in their van, incommunicado

.

The redheads say (buxom Bella, jouncing Jennifer, and Vicki) that Arty went into the twins’ van just as they were coming around — waking up from their capture at the doctor’s office

.

“His Armlessness, the Mighty Fin, was gonna read ’em the riot act. He’s all high and mighty and they flipped out on him.”

“Just Elly. She went for him. Tried to bite out his jugular. Iphy couldn’t stop her. That Elly’s a rocket to Reno when she’s rolling.”

“He’s in there alone, see. Just the pinky, Oly, to wheel his chair. Oly screams for the guard and jumps on Elly, trying to pull her off. You catch her without her sunglasses you’ll see. Oly’s got a doozy of a shiner.”

“A week off is what they’re saying. First time this show’s been closed down that long in more than eighteen years. I can use it. Fine by me.”

Caught Chick crushing ants today in the dust. Shocked me. He’s very gentle, usually. I’ve seen him watch his feet not to step on a bug. Feels terrible if he kills one by accident. I went out to check on the fly farm and heard a muffled thumping around back. There was Chick, dancing and stamping on a small anthill. His face red

,

eyes glaring, respiration fast. When he saw me he stopped, stood still, looked down at the ground around his feet and burst out bawling. Scrawny ten-year-old kid, wailing like his heart was boiling out through his ears

.

I picked him up and took him over to the water tank. Dabbed my hanky under the tap and washed his face and waited for the storm to ease. He leaned on my knee and tried to get a grip on himself. Touched my own crusty heart, I admit. Brave little bastard. Finally started asking questions but got little out of him

.

Total gist: He tries “to be good and help but it seems like everything turns out wrong” and he’s “no good to anybody and ends up hurting instead of helping people.” Pretty heavy load for a tyke

.

I beat the bush, working around some of the wild stories they tell about him in the midway. He got embarrassed. Clammed up. At last he says, “They can’t figure out why all the other kids are special and I’m not. They make stuff up, crazy stuff, so I’ll seem special too.”

Maybe this crew is getting to me. Maybe I sat too close to too many big explosions and the miniature ruptures in my brain are spreading over to

dementia pugilistica.

Maybe it’s just me being contrary

.

The hell of it is, Chick’s explanation was a replica of what I’ve been telling myself all along. But, when he told me precisely that, I didn’t believe a word of it. What the hell does he do with that fat spider Doc P.? How come a ten-year-old kid runs the anesthetic for every operation? Some of the stump folks claim it’s just air coming through the mask and that the real painkiller is Chick himself. How many times have I heard people claim that their pain disappears the instant Chick comes near them? I’ve had no discomfort during my surgery but I never noticed anything about Chick. He’s just there. I’ll pay closer attention next time

.

Here I am trying to make a case for healing powers or mental fingers or some such hog wallop. The kid’s a colorless little drudge with an inferiority complex at not being a freak like his brother and sisters. He overcompensates with an idiot sensitivity halfway to martyrdom. The perfect patsy. Anything to please. Christ knows, anybody with Arty for a brother is in deep water trying to preserve his self-esteem

.

So — the kid says he thinks when he dies all the creatures he has ever hurt will be waiting for him, looking at him, still hurting from the hurt he laid on them.… Says he was walking along “just now” and stepped on a lone ant before he noticed it. “Failed again as usual” seems to be his feeling. So he flips off the rails and goes berserk on the anthill

.

Ike Thiebault, the guard, sits on a folding yellow plastic deck chair next to the door of the twins’ van. He nods peaceably at everyone entering or leaving the Binewski van or Arty’s van. The portable “porch” or platform on which Ike sits has steps at one end, a ramp for Arty’s chair on the side, and is supposed to have a reticulated flex tunnel over it to keep out the weather. The Binewskis never get around to setting up the tunnel

.

Today

— 10

A.M

. or so — Jouncing Jenny, the redhead who complains about having to color her “honey-blond” hair, comes up the step with an armload of magazines and catalogues

.

“Ike, honey, these are for the twins. I got to deliver ’em,” she says. Ike, who is halfway through a self-help book promising him a method for making money in his spare time, stands up, embarrassed

.

“Nobody goes in, Jenny. That’s my orders.”

“These are catalogues that just got here in the mail bag. It’s just clothes and knickknacks. No harm. The twins want ’em to shop from.” Jenny is rolling her bare golden shoulder at Ike and being gently provocative. Ike is far from immune but locked into his duty

.

“Only ones can go in or out is Miss Oly and Mr. Arty. That’s my orders.”

“Well, Ike, you take ’em in. It don’t matter. The girls want them catalogues. Ordered ’em six weeks ago. You take ’em in.”

“Jenny, you’ll think I’m a fool but I can’t. I can’t go in myself.”

“You can’t knock on the door and stand outside and hand in a few catalogues?” Jenny’s eyebrows, plucked to whispers, are expressing delicate but scornful disbelief Ike takes offense

.

“Listen, you knock on Arty’s door and ask him.”

Jenny backs down immediately. “I’ll just leave ’em here, Ike. If Miss Oly goes in you ask her kindly would she take these catalogues to her sisters.”

2

P.M

. Midway swinging noisily in background

.

Crystal Lil trips eagerly out the door of the Big B van with a hunk of sea-green cloth in her hands. Lil has recently gone over to “sensible walking shoes” as part of her “Grandma” image but she hasn’t adjusted to the low heels and still tends to tiptoe. This is the first time I’ve seen her wear her spectacles out of the van. She looks energetic and cheery and has, no doubt, just popped an upper or two. She reaches to knock on the twins’ door and poor Ike, the guard, hauls himself out of his deck chair stuttering

.

“Beg your pardon, ma’am …” and the rest I can’t hear. It’s obvious he won’t let her in to see the twins. She’s incredulous. He’s embarrassed. It’s one thing to turn away a redhead and another thing entirely to refuse the Boss Mom. Her body stiffens as his message becomes real to her. She is suddenly very old, three hundred years’ worth of iron-spined Bostonian motherhood. He withers, shuffling, unable to look at her, apparently referring her to Arty. She marches to Arty’s door with the blue-green cloth trailing, revealing its form as it flaps behind her — a two-necked, four-armed maternity dress, its hem pinned sketchily in place, its seams unfinished. Arty’s door stays closed. No answer. Lil bunches the dress in her fists and lurches back to her own van. Her hair strikes me as grey today, rather than white.

22. Nose Spites Face, Lip Disappears

Arty ordered the twins’ tent broken down. Zephir McGurk set to figuring how to use the materials to enlarge Arty’s tent. The twins’ stage truck remained, closed up for travel. The big piano gathered dust.

Crystal Lil was upset. Papa spent hours trying to calm her. She said the twins had been “closed down.” He used the word “sabbatical.”

“They’ll have their hands full with the baby.” He’d say, “Remember how tired you got? They’re strong enough, but, Lily, they’re beginning to show. They can’t be on stage with a bulging belly. We’d have riots in the tents. Investigations.”

“Al, they’re not yet nineteen years old. If they stop working now, they’ll drift. They shouldn’t be idle. And why can’t I see them? They need me.”

“It’s an adjustment period for them. Settling to the idea of motherhood.”

“Sounds like something Arty would say.”

The security booth looking into Arty’s big room was my responsibility again. The cot had been moved out and only the tall stool and the gun occupied the bare cubicle. I could still smell the medicine and sweat and the faint reek of decay that the Bag Man had left behind. I arranged myself on the stool and stared through the one-way glass into Arty’s big room. Gradually my legs, in fact my whole ass, went to sleep. Numb and useless. But I was lucky. It was spewing rain outside and Arty’s cuddler for the evening was sitting on the propane tank under his window holding a soggy hunk of newspaper over her hair. By the time he let her in she would look like a smeared possum rather than the tight-bunned little cunt notcher she was. I forget her name. They were all Didi or Lisa or Suki in those days. He’d pick them out of the norm screamers at the gate when he came through after his show. They’d be jumping and howling for a look at him as he came out the back of the stage truck in his golf cart. He’d lean back, grin lots of teeth around the control bulb in his mouth, and drive past the chain-link fence to let them see him. If he stopped the cart I, or one of the security guards, would get his instructions.

“The one in the pink halter top,” he’d say. Or, “They’re all cows in this town. Where are we again?”

“Great Falls,” I’d say.

“Well, get me that rhino in the sequined jump suit and the ostrich in the red skirt.”

I’d stump over to the fence as he drove off to his van.

“Me?” they’d squeal when I waved for them to come up to the fence.

“Me?”

I’d leave them to wait, either in the “green room,” as Arty called McGurk’s station wagon, or on the propane tank outside Arty’s window. It was the only chore for Arty that I preferred letting someone else do.

This particular Lulu was stuck in a filthy January rainstorm for three hours by my reckoning, because Arty was in conference with his chief technical advisor, Doc Phyllis.

“What I’d really like …” Arty was wallowing on his satin bedspread, wearing only cotton briefs. His fins plucked and smoothed the satin. He rolled the bare skin of his head against the slick, warm fabric and arched his back, digging his shoulder blades into the softness.

“Do tell,” murmured Doc Phyllis. She lounged in her chair, one white-stockinged leg and her squeegee shoe flopped over the arm. Her glasses glittered between her white cap and her surgical mask. She had a straight shot at Arty and was probably dissecting his hip and shoulder joints in her head.

“I’m curious about the possibility of separating the twins,” Arty said. Dr. Phyllis grunted.

“Can’t be done. I told you that years ago.”

Arty yawned, wiggling. “Well, I thought you’d be keeping up with new techniques and developments.”

Doc P. was not to be goaded. “Nothing to do with technique. It’s the way they’re built.”

Arty flipped over on his belly and looked straight at her. “What if I was willing to sacrifice one twin to keep the other?”

“Which one?” inquired Dr. Phyllis sweetly.

Arty smiled. “It doesn’t matter.”

Miz Z. was leaving as I came into Arty’s place a few days later. She waved a folder at me by way of hello and I caught the words “Dime Box” on the fly. Arty was in his crisp young executive mode but I asked him about it when she was gone.

“You remember Roxanne? The motorcycle mechanic in Dime Box?”

“Horst’s leather-tit girl with the laugh?”

“She’s managing the P.I.P. home in Texas. Nine acres outside of Old Dime Box. It’s only been open to guests for three months but it’s already getting popular.”

Doc P. and Chick were on their way over so I went into the security room. I arranged myself on the stool and tried breathing through my mouth to dilute the medicinal smell.

Doc P. was sitting so straight that her plump white spine never touched the back of the dark padded visitor’s chair. Chick was lolling on the carpet with one shoe untied and both socks crumpled down. A small pencil stood on its pointed tip on his bent knee. The pencil rocked steadily like a metronome, broke rhythm for a tiny jig, and then lapsed into a four-four waltz in the space of a thumbnail on his denim-covered knee.

Arty leaned forward against his desk and examined Chick thoughtfully. Arty in his grey vest, Arty in his white collared shirt and black silk tie. Arty with his slim fin bones touching the gleaming wood of the desk. Arty with his pure round skull clearly visible beneath the skin and a blue vein ticking above his ear. He spoke tenderly to Chick.

“Dr. Phyllis tells me that you aren’t happy about my plan for the twins.”

Chick’s eyes flicked briefly away from the dancing pencil to Arty’s face, then back to the pencil. Arty lowered his own eyes.

“Tell me about it, Chick.”

Doc P., with her white-gloved hands asleep in her big lap, blinked calmly at the wall behind Arty and sat very straight in her chair. The pencil fell off Chick’s knee to the carpet. Chick sat up and hugged his knees.

“Not good. Not good, Arty. You know.”

Arty’s face was hot and still with knowing.

“If you do that,” Chick stared, amazed, as though he had just discovered a wonder, “I’m not even going to like you, Arty!”

What amazed Chick was no surprise to Arty. Not being liked was familiar ground and all his usual contrivances went into gear. His face slid smoothly into a cartoon of sympathy.

“Why, Chicken Licken, my boy, that’s O.K. That’s quite all right. Of course your little sensitivities are offended. You can’t help being a norm, and I sympathize. But it doesn’t matter at all. No, it doesn’t matter whether you like me or not, my Chick. Because I like YOU!”

After Chick and Doc P. left I asked Arty what the hell he was letting Doc P. do to the twins anyway. He answered in an offhand, easy way that she was just going to “get rid of the parasite.” I assumed he meant an abortion and that it was killing the baby that bothered Chick.

I told him about Chick feeling the baby reach out. Arty leaned back in his chair and gave me a dose of silence. When I remember it now I think he was laughing inside as he watched me argue in a half-assed and maybe halfhearted way on the wrong track entirely.

“Go away, Oly,” he said. He turned to the pile of papers on his desk with an exhausted look designed to put me lower than slug slime. It made me mad.

“Are you swallowing your own line of shit, Arty Binewski? Aren’t you forgetting that you’re just a two-bit freak with a gimmick?”

“Get out,” he ripped back at me.

I went.

Chick explained sadly that he could not talk to me about the plan for the twins. Could not and would not. “You can make me cry,” he said, “but you can’t make me talk about that.” Ashamed, I left him alone.

Arty wouldn’t let me in for a solid week. Miz Z. or one of her apprentices would come to the door and tell me, “Arturo does not wish to see you.”

The guards wouldn’t let me see the twins during that time. When I brought their meals, Ike or Mike, or whoever was perched in front of the twins’ door, would take the tray from me and give me the dirty tray from the last meal. The notes that I slipped under the plates, and once actually into a turkey sandwich, were methodically searched for and found before my eyes — handed back to me without a word. One of the Arturan ladies was inside with the twins. The guard would knock and the ghostie would open the door and trade trays.

Finally I wrote “Uncle” on a piece of paper and gave it to the novice who answered Arty’s door. She came back and told me to go in and make sure the twins were eating and not flushing their food.

Arty let me do chores again. He didn’t talk to me, though. He was completely taken up with his ass-sucking followers. I didn’t try to push him. It had struck me hard that he didn’t need me, that he could shut me out permanently and completely and never miss me. He had all those others dancing for him. For me there was only Arty.

He didn’t need us.

I watched that message sink deeper and deeper into the twins. Elly had always known it but it was news to Iphy. Not that they talked to me. They didn’t.

I tried to warn them at first. “Listen,” I begged, “he’s planning an abortion.”

They looked at me. Elly barked. A harsh mock of a laugh. “Fat chance,” she said. That was the last she spoke to me.

I was the enemy, or as close to the enemy as they were able to get for the time. They were silent when I was there. Elly never spoke. Iphy said “please” and “thank you” when I brought food and did the cleaning for them. They never ate in front of me. They were getting very thin. Their eyes had a bludgeoned depth, burrowing into purple caverns in their faces. They didn’t dress. They wouldn’t bathe. I didn’t tell Arty. I didn’t want to bring more trouble on them. As far as I could tell, all they did was sit up against the pillows in their big bed all day. They didn’t read or practice or study. But I saw knowledge grow in Iphy’s face and harden in Elly’s. They knew more than I did.

I never thought about how wide the twins would be, lying side by side. A regular stretcher would leave their heads and shoulders dangling off the sides. Doc P. sent four novices to take a rear door off a van.

We were strapping them onto the door when Elly opened her eyes and looked at me. A fearful question pushed her dark eyebrows high. Her pupil contracted in the purple iris but her lids were heavy and sank, pulling her grooved forehead smooth as they closed. Doc P. bent over to touch Elly’s throat with a gloved hand.

“I wonder,” I piped nervously, “if this is the same door you did that horse on.”

Doc P.’s white-wrapped head swiveled toward me like a turret gun.

“You remember that horse with the rotten feet?”

She nodded at the novices. With one white-robed man at each corner of the door, they moved forward. They had to tip the door onto its side to get it out through the door. The twins hung slack, hair trailing, as they left the van.

Arty was outside, waiting in his chair with a guard beside him in the dark.

“Wait. Put the light on them.”

A flashlight clicked a cool white cone into the blackness. Arty leaned forward to look at the sleeping twins.

“What’s wrong?” His voice was harsh. “They look terrible! They’re sick!”

“What did you expect?” snapped Doc P. “They’ve been locked inside for months!”

“But their hair. They could bathe.” He sounded shrill and fragile. The novices looked at him anxiously.

“Arty.” I touched his shoulder and his face turned away from the sprawled sleepers. The light went out and then reappeared further on. Doc P. led the jostling novices down the ramp. Arty’s chair followed them and I went along.

We waited outside while they tipped the twins again to slide them through the surgery door. Doc P. stepped down for a last word.

“I’d like to state again that I consider this an improper hour for work of this type. I prefer to work at nine or ten A.M. These predawn hours find the vitality of most patients at its lowest.”

“Yeah, well, I wish you hadn’t cold-cocked them!” Arty’s voice was ragged.

“Sedatives.”

“Get on with it.”

The door closed behind her and Arty’s chair began to roll in the dark.

“They’ll take a while to scrub up and get ready,” he muttered, “but I want to get up in place so I can watch the preparations.”

“Ah, Arty!” I groaned, hobbling behind. “We can’t watch! Not this!” I was still thinking abortion. “I can’t watch it.”

But he’d rammed his chair wheel into the truck bumper and was clambering up onto the first step of the narrow stairs that led to the little theater above the surgery.

“You don’t have to. I do.” He hurried upward.

I went away and paced round and round the home vans, wishing for Mama and Papa, who were snoring in deep counterpoint. I could hear them through the closed windows. I’d slipped the same drops into their bedtime cocoa as I’d put into the twins’ milk glasses.

From the personal journal of Norval Sanderson:

Lovable Dr. Phyllis is quite undismayed at having bungled Electra’s lobotomy. Having reduced that bright creature to a permanent state resembling the liquid droop of a decayed zucchini, the good doctor is inspired rather than chagrined

.

Dr. Phyllis has a voice like the breeze of Antarctica but it is a young voice — younger than her body, perhaps from being used so little and so carefully. Now she is talking more often, to more people. She’s become a glacial evangelist in her new cause. I see her stalking the Arturan office staff, lecturing stiffly to the novices, delivering admonitions to the more elevated

.

Her message is succinct and pithy: Lobotomy is the ultimate shortcut to P.I.P. Arturo, she claims, is torturing his followers with prolonged, expensive, gradual amputations. He is denying, to those who have striven to emulate his ideal, the efficient, painless, virtually instantaneous access to Peace, Isolation, and Purity that it is in her power to bestow. Why wait? asks Doc P. Why itch in places you’ve no longer got? Cut once! Cut deep! Cut where it counts!

And I’m damned if she isn’t kicking up quite a ruckus. The novices are mumbling bewilderedly. The elevated are waving their stumps and asking belligerent questions. Doc P. is fomenting radical schism in the Arturan church

.

Arty has a revolution to contend with and where is he? Mooning over his lost love — not Elly, but Iphigenia. He’s subtle about it. He only inquires half a dozen times a day about her health and whereabouts. The binoculars set to swivel on the tripod in his window are, he claims, for keeping an eye on the flock. Never would he use them to watch the pale Iphy in her painful progress down the row toward the Chute with her swollen belly pulling her forward while she struggles to balance the flabby monster that sprouts from her waist. She sticks one arm straight out for balance and drags that unreliable leg on the other side

.

General opinion about Arty varies, from those who see him as a profound humanitarian to those who view him as a ruthless reptile. I myself have held most of the opinions in this spectrum at one time or another. Watching Arty pine for Iphy, however, I come to see him as just a regular Joe — jealous, bitter, possessive, competitive, in a constant frenzy to disguise his lack of self-esteem, drowning in deadly love, and utterly unable to prevent himself from gorging on the coals of hell in his search for revenge

.

The estimable Zephir McGurk informs me, in his laconic way over checkers (a game at which his plodding methodical integrity reveals itself unassailable), that Arty had him design a bugging system that tapped the twins’ van into a recording device in Arty’s console. He can hear every word, every move

.

I find this depressing. The idea of Arty sitting and listening to hour after hour of footsteps, pages turning, toilet flushing, comb running through hair. Elly’s conversation has been reduced to the syllable

mmmmmm

and Iphy is not in the mood for song. Her piano is covered with dust (according to McGurk) and Arty is listening to her file her nails

.

Doc P. is frustrated by the inefficiency of Arty’s method. I mentioned Arty’s theory of acclimatization and continually renewed commitment. “One respects,” I said, “Arturo’s desire for complete understanding on the part of the Admitted. Each elevation being a voluntary step, a considered step, allows those with hesitations to back out at any time.”

But she started up on how many hours she’d spent already just taking off my four toes, and she would be hours in surgery on those remaining, and that would bring me only to the first level of elevation, while, if she were allowed to be efficient, she could take me “all the way there inside a single hour on the table.”

Her face became quite damp with her effusions, and her final outburst fogged her glasses. “Now he wants to add on lobotomy at the end! He’s talking about sending for all the completions — bringing them back from the rest home a few at a time so I can do yet another job on them! I’m spending eight to ten hours every day in surgery. I’m getting an allergic reaction to my gloves — unless it’s the soap. My hands are scaling and my knuckles are swelling.”

I knew better than to suggest hiring another surgeon to help her

.

She says Iphy is enjoying a fairly normal pregnancy but may be carrying twins. I asked about Chick, who looks terrible lately. She says he’s depressed and she’s dosing him with B complex, zinc, and jumping jacks. “Exercise is the ultimate panacea.… Oxidation of impurity and so on,” says she

.

I talked to Chick in back of the cat wagon this morning. An old tire lay flat in the dust and he was bouncing on it, his bare feet planted on opposite sides, his hands on top of his head, his coveralls flying loose on his thin frame. The coverall straps lay on his bare shoulders, emphasizing the skinniness of a neck the size of my wrist. He was polite as always but thinking of something else. His face turned up to me had a starved, ancient look. He said he was “waiting for Iphy.” No, he didn’t have to work today because Doc was having meetings and giving speeches. (This is the first word I heard of Doc’s Surgical Strike.)

I wanted to question him about some of the “Chick stories” going around but Iphy sagged up, lugging the drooling Elly. Chick hopped off the tire, said “So long” and ran off to her. He threw an arm around her, tucked his shoulder under Elly’s armpit to help support her dead weight. They strolled off, the three. Two? Or do we count the ballooning belly and call it four?

I saw Arty’s squad marching down the camp so I went through the fence to catch up. The way he leans forward gives an illusion of speed as the chair hums and groans over the dry ruts and dead grass in the Arturan encampment. His solemn novices don’t dare touch the chair unless he asks them to

.

He stopped at the open door of a dusty sedan with white rags draped out of the windows to dry. Inside, on the back seat, lay an elevated male with his arms ending in white-wrapped bulges at the elbow and one leg ending at the knee. The plush upholstery of the car lifts a puff of dust every time the man shifts slightly in the seat

.

Arty nodded in at the shadowed face. “Do you have what you need?”

The stump man wriggled, surprised, craning his neck, “Arturo, sir?” His eyes showed their whites in the dimness

.

Arty’s scalp was bright in the sunlight. “Are you well treated? Do you need anything?”

“Well, that boy that’s s’posed to help me … not meaning to whine but he’s always gone. Yesterday, I couldn’t help it, I wet myself, and by the time he showed up, damned if I didn’t have diaper rash.”

Arty chuckled, nodding. “Sounds like you need a replacement. What’s that boy’s name?”

“Jason. But he’s a good boy. Just young.”

Arty swiveled in his chair and eyed his entourage. A dozen backs straightened and a dozen faces tried to look bright and eager

.

“Who’ll serve this elevated man?” Arty asked. The hands shot up — all five fingers spread to show their service status

.

“Miss Elizabeth,” Arty nodded. The woman stepped forward, her white dress bunching over her thickening body. Her hair bunned on top of her head. Thirty-five. Something burnt out of her soft face

.

“As you hope to be served?” Arty asked

.

“In my turn,” breathed the fingerful, toeful Miss E

.

“When that Jason boy shows, send him to me.”

Miss E. detached herself from the group, climbed into the front seat of the sedan, and started sorting through a paper bag full of clothes for clean and dirty

.

The elevated man, flat on the back seat, waved his stump arms and strained his neck in the shade of his washed bandages hanging on the windows. “As you are!” shouted the elevated man. Arty nodded and his chair turned and moved on

.

Doing his rounds, he calls this. It’s a recent development, probably triggered by the Doc and her agitating. I followed him from tent to van to pickup trucks with mosquito nets and sleeping bags in back

.

He scolded, sympathized, made peace, moved people from one job to another, from one campsite to a more peaceful spot. He talked to the cooks in the big mess tent to make sure a vegetarian menu was available for those who wanted it. He sent runners from his platoon of disciples to give orders or deliver messages. He spent a good three hours rolling around among the chinless ninnies, the whiners, the leeches, the simps, and the good people in his congregation. He ended up back at his own trailer looking very tired and young. I shoved his chair up the ramp to the deck and opened his door for him

.

“So you have a strike on your hands,” I said. He smiled going in and I followed him. He rolled straight to the desk and started pushing through papers. “I’ve got one rebel on my flippers,” he grinned, “but I always knew she’d turn one day. I’m not all that put out.”

“She’s got you over a barrel if she won’t cut anymore.”

Arty looked at me with a flat smile. “I’m not such a fool as that. I’ve had her training her own replacement for years.”

Iphy braided Elly’s hair so she wouldn’t drool on it. Iphy with hands like angel wings, combing and polishing the long gleaming strands while Elly lay against her. Elly’s head drooping forward on the too long, too thin neck, her face blinking emptily at the sofa cushions.

Iphy would wind the long braids into coiled black shells and pin them over Elly’s ears and then do her own. Then Iphy would turn the blank, soggy face toward her and sponge it carefully, brushing the eyebrows smooth and propping the lower jaw closed with one hand so that, for an instant, it looked like Elly. Until Iphy let go and the face fell down again.

Horst drove us to the meadow and parked the small van in the dust-white grass. Mama helped Iphy out and I handed around the plastic pails.

“You twins always have flying fingers,” Mama was chattering. “Flying fingers, but Oly and I will do our part as best we’re able.”

Horst leaned against the bumper with a stick in case we saw a snake, but he was soon asleep in the sun like one of his cats.

Mama stood against the dust-covered blackberry banks, reaching high into the rasping tangles of the thorns and humming. Iphy’s fingers were not flying. With the arm supporting Elly she held the bucket against their swollen belly and reached out with her other hand, dutifully nipping off the warm, dark berries and ignoring the ragged red lines scratched on her arms and their legs by the thorns. She was careful with Elly, holding her away from the bush, staggering awkwardly, catching their bare ankles in the vines, working slowly. I plodded along, picking and getting scraped.

The sun pounded down and the dust drifted up, and after a while Mama’s thin scat voice was far off. Iphy called to me: “I need to sit down.”

She was hanging on to a thick, drooping stalk of vine when I got to her. I took the bucket and tucked myself under Elly. The lolling blank face rocked against my head as Iphy slowly turned. We made our way out of the brambles.

“On the grass would be fine,” Iphy said. But I steered her around past Horst to the narrow shade beside the van. She sank down and pulled Elly’s head over to lie on her shoulder.

“I’ll just rest a little. Standing up in the sun …”

Horst was wide awake, blinking and tapping his stick in the dust, pretending he’d never been asleep. I went back to find Mama.

Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.

“Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars.”

The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and circled the wall of the pot slowly.

I leaned my hot arms on the table and said, “Iphy better not go tomorrow. She got tired today.” I was smelling the berries and Mama’s sweat, and watching the flex of the blue veins behind her knees.

“Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam.”

“Elly doesn’t like anything anymore.”

The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.

“Mama, Elly isn’t there anymore. Iphy’s changed. Everything’s changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It’s dumb, Mama. Stop pretending. There isn’t any family anymore, Mama.”

Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice sprayed across the table. She stared at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.

I went to the generator truck and climbed up to sit by Grandpa. That’s the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She’d swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.

A redhead went tripping by, red heels stabbing the dust. She looked at me. Her mouth opened to say something, but then she looked away and minced on.

I decided I would go down to where the swallowers were parked and talk to the Human Pin-Cushion. I’d been watching him for weeks. I was nursing this fantasy that maybe he would like to run away with me and join up with some other show, some simp-twister, spook-house show that wintered in Florida and took life easy. I could talk them in for the Pin Kid and do his cooking and his costumes, and run the light-and-sound board for his act. A young Pin-Cushion, just striking out on his own, could do worse than have me for a partner. And, if I worked hard, he’d let me sleep with my arms and legs wrapped around him all night. The Pin Kid seemed to like me too. He laughed at my jokes and actually came looking for me once when I was rubbing Arty down.

You’d think dwarfs and midgets would have drifted through the Fabulon all my life. It was actually, though accidentally, very rare for me to see anyone like me. We’d had the usual monkey girls and alligator guys and an endless migrating herd of fat folks and giants.

Mama often said that fat folks went out of style because every tenth ass on the street now was wider than the one in the tent. Folks could see it free on any block. Giants were also out of work owing, according to Mama, to basketball and the drugs they fed to babies to make them tall enough to play the game.

“It goes in streaks. But some things never go out of fashion.” Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.

It so happened that the Pin Kid who had joined up with our current pack of swallowers was a hunchback. He had regular arms and legs and a great torch of red hair. He was fragile as a glass swan, fine-skinned with freckles, brown eyes, and a clear, honest face. His name was Vinnie Sweeney. He was only twenty years old and he’d been working for years with other acts, trying to save enough money to get his own tent and trailer.

From the journal of Norval Sanderson:

Lily is winking conspiratorially at me. She proceeds to dust and polish the lids and jars on the counter. The maggots appreciate it, no doubt. An old line comes to me: “Lovely you are, and kind to the tender young of ravening lions.”

She took a walk with Iphy today, she says. She seems to be ignoring the existence of what remains of Elly — doesn’t mention her at all. Is completely taken up with “my grandchild,” and its current protuberant form

.

“I swan!” says Lily, making me think of times past when she must have, in fact, swanned. Crystal Lil “swans to goodness” that Iphy’s child is twins and wouldn’t it be a miracle and a blessing if it was Siamese twins? She (Lily) says Iphy is far too big for a six-month pregnancy. Iphy says the only thing she wants is to see Arty. Lil asks if I will speak to Arty about it. “The boy’s so busy I don’t see him myself except across the camp or if I should peep in at showtime and catch his act.”

23. The Generalissimo’s Big Gun

From the files of Norval Sanderson:

(Iphigenia, pregnant, hugging the lobotomized Elly on the sofa in the twins’ van — conversation with N.S.)

“Oly has a boyfriend? Oly and the Pin Kid? How could she have time for that? She’s always with Arty

.

“I almost had a boyfriend, once. Elly would have let me. She thought it was O.K. She shut down when I talked to him. Whenever he came around, she’d cut her voltage way back and stay quiet. She wanted me to go ahead and love him

.

“He was just a geek. He was clean between his shows. Laundry, hospital corners on the sheets when he made his bunk up. He was a poor boy, he said, so he knew how to take care of himself. I thought how good it would be … like you’d be proud to clean and cook for a man who knew how to clean and cook. It would feel right taking care of a man who could take care of himself

.

“But he was a norm. At first I thought he was pretty even

though

he was a norm. But it grows on you. After a while it was his being such a norm that got to me, touched me.… I don’t know. Like colors or a spring tree against that kind of blue sky that pulls your heart out through your eyes. Pretty things will swarm you like that, like your heart was a hive of electric bees. He was like that, the geek boy. He made normal seem beautiful to me. And Elly said it was O.K. She wanted me to. So I did. I saw him and was happy. Then I wanted to talk to him and she let me. Then I couldn’t be happy unless I was near him, unless he was talking to me

.

“He laughed a lot and told silly jokes and was going away to college in the fall. He had such a wonderful time being the geek. And he had long, perfect teeth. The redheads called him a darling

.

“He started paying attention to me. He would come and find us and talk to me. Not to Elly but to me. He’d bring his lunch in a bag and sit by us. He’d wait outside in the morning and walk us to practice. But he talked just to me. He told me things about himself. Sweet, sad things. And Elly damped herself way down

.

“And a terrible thing happened. He seemed to forget about her. He forgot she was part of me. That was what we’d meant to happen. Elly was glad. She’d crow in bed at night. He touched me. He’d put his hand on my hair, gently. He took my hand. I saw it in his eyes, so I stopped it. Elly was mad. She bit me on the inside of my arm until we both cried. But she wanted to get me away from Arty. She didn’t care about the boy at all. She wanted me to love somebody else than Arty. You know Elly. She figured I was going to love somebody whether she liked it or not and she decided she could handle anybody but Arty. Arty is too much for her

.

“She was mad when I stopped. I couldn’t help it. It was a thing that cracked and spilled in my head. Elly understood but she was mad. I know better now. I’ll never let it happen again

.

“He started to love me, you see? He was so pure, like that leaf against the sky. I don’t mean he was naïve or innocent or a virgin or even a virtuous boy, though he was nice, but that he was purely, from tip to toe, from nose to tail, absolutely what he was. That was normal with a big

N.

That was what I loved. But when the look in his eye changed, I realized, if there’s one thing a healthy, beautiful, utterly normal boy does

not

do, it’s fall in love with half of a pair of Siamese twins

.

“That’s how I learned. It’s O.K. for me to love a norm like that. But if he comes to loving me it’s because I’ve twisted him and changed him. If he loves me he’s corrupted. I can’t love him anymore. I won’t pretend it didn’t hurt.”

(Arty — conversation with N.S.)

“There are those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behavior and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity. These are frequently artists and performers, adventurers and wide-life devotees

.

“Then there are those who feel their own strangeness and are terrified by it. They struggle toward normalcy. They suffer to exactly that degree that they are unable to appear normal to others, or to convince themselves that their aberration does not exist. These are true freaks, who appear, almost always, conventional and dull.”

(Arturo in response to critics)

“It’s interesting that when these individuals choose — and it is their choice always — to endure voluntary amputations for their own personal benefit, society professes itself shocked and disapproving. Yet this same society respects the concept that any individual should risk total annihilation in war, subject to the judgment of any superior officer at all and for purposes ranging from a promotion for the lieutenant to higher profits for the bullet company. Hell, they don’t just respect that idea, they flat expect it. And they’ll shoot your ass if you don’t go along with it.”

N.S.: If you could make it happen by snapping your fingers, wouldn’t you want your whole family to be physically and mentally normal?

Oly: That’s ridiculous! Each of us is unique. We are masterpieces. Why would I want us to change into assembly-line items? The only way you people can tell each other apart is by your clothes. (Miss Olympia begins to giggle and refuses to answer seriously to further questions.)

Zephir McGurk’s love life took place in his safari car with the khaki canvas shades pulled down all around. If surplus females arrived on Arty’s doorstep, or if one didn’t appeal to Arty (whose taste, when you come right down to it, was for standard pneumatic types with commercial grooming products), he would send her on to McGurk. Arty’s line wasn’t particularly imaginative. He would give her the old “If you would do me a great service, console my trusted lieutenant in his spartan dedication” routine.

It evidently worked often enough to keep McGurk healthy and even-tempered. McGurk was such a gent that nobody who went tap-tapping at his windshield in the dark after the midway was closed ever went screeching in fear or pain or shame through the camp before dawn. There were occasional exits like that from Arty’s van, but the guards would catch them and calm them and give them hush money.

McGurk’s little trysts were always discreet. He was never seen with female company and he was never late to work. We figured he escorted them to the gates and kissed their hands adieu before first light. Arty claimed that McGurk actually fed them to Horst’s cats, but that was Arty. McGurk was silent on the subject and would not be baited.

Once, when I was in trouble and pacing the camp in the dark, I did hear something. But I had maggot brains that night and may have imagined half of it and misunderstood the rest.

I’d gone to cool my face on Grandpa’s urn. I was lying on the hood of the generator truck with my face against the silver loving cup that held the old Binewski ashes and served as a hood ornament. Whoever drove the generator truck would always complain that the wind whistled through the urn’s handles like a siren at any speed past thirty-five. Al just said, “Tough,” and that was that.

On the hottest night Grandpa seemed to cool off before anything else. Leaning a cheek or my forehead against the urn felt like packing ice in my burning brain. So there I was, finished blubbering but still half loony, leaning my face on the urn, when I heard something. It came from McGurk’s safari car, parked just ahead of me. I could have spit on his bumper. It was a rough, strangled sound and I figured it must be McGurk’s climax song. But it kept going on. It scared me. I thought someone was dying. I remembered what Arty said about McGurk’s feeding his women to the cats, and I thought he was strangling somebody. Then I heard a word in his own voice. “Please,” he said. Then the ropy, gurgling sound started again. He was crying. For a minute there was another voice, softer and smooth — quick. I couldn’t tell what she was saying. Then McGurk again, desperate, almost shouting, “Don’t you see? There’ll be nothing left of you that I can get a grip on!” Then the soft woman’s voice drifted monotonously among McGurk’s ugly sobs. I got down and went away from there.

There were promotions scheduled for the next morning. Four women were due to “complete their liberation.” All had abandoned their legs entirely and were left with arms only from the elbow up. They were ready to shed their arms at the shoulder. These liberations were supposed to take place between 8 and 11 A.M. Dr. Phyllis would spend the afternoon whittling on fingers and toes.

I figured McGurk’s lady had to be one of those who were doing arms. I thought about going to the line outside the infirmary early to try to figure out which one it might be. I decided against it. I didn’t want to know.

McGurk seemed the same as usual that day and every day afterward. That’s why I say I may have misunderstood or imagined the whole thing.

Up on the roof of the van, Arty flopped in exhaustion. “Hey, oil me, Oly. Will you?”

It was scary to have him ask. I crouched over him, rubbing my fingertips into the knotted tension of his neck and shoulders.

“You’re ugly, brother, and you’ve got rigor mortis from the nipples up.

His eyes closed and his face relaxed slightly.

“Silence, anus,” he responded ritually. He took a long, slow breath and held it before he spoke again. “I think Elly’s coming back some, don’t you?”

“She doesn’t flop as much. Maybe not as limp as she was?”

“Yeah. I think she’ll come back some. Not like before, though.”

“Maybe Iphy’s just learning to handle her better. Balance and support.”

He shook his head against the mat, eyes clenched shut.

“No. She’s coming back. Just takes time. She’ll be able to help take care of the baby.”

“Maybe. You know, Chick could help you sleep nights. You look about three hundred years old.”

“Chick doesn’t like me. I wouldn’t want to tempt him.”

“He’s still sore about Elly.”

“And other things. Another chore. He’ll do it, though. And Papa’s mad at me. He says we’ll kill the whole outfit by hanging it all on one novelty act. That’s what he’s calling my show lately. A novelty act. He says my ‘fans’ will pass away when some new fad hits the air. Mama is mad too but she pretends not to be.”

“You’re a creep, I guess.”

“Did you ever wish you were dead?”

“Not lately.”

“Guess it’s you and the Pin Kid, hunh?”

I stopped kneading his spine and looked at his shadowed profile. He looked like a sleeping hieroglyph against the blanket. I forced my thumbs to rotate so he wouldn’t notice.

Down the line I could see Mama outside the Chute. She was folding a dust cloth and talking to someone still inside the door of the Chute. It was Iphy, walking out huge and awkward. Elly’s head tucked into Iphy’s throat, the cloth billowing around the frail legs beneath them, the belly balanced in front of them.

“I can see Iphy. She looks like an old car.” Mama and Iphy tottered out of sight.

“The Pin Kid seems O.K. You could do worse. Do you reckon you’ll leave?” His eyes were open now, his neck twisting to let the eyes touch me. His eyes were grey, very pale. I pinched his round, hard buttock, slapped his back sharp and loud.

“Trash! Stuff it, Arty.”

He closed his eyes again. “I’m gonna cut down to three shows a week. Saturday, Sunday, Wednesday, eight P.M. Flat.”

“Papa will flip.”

“That’ll give him his carnival back the rest of the time.”

“Mama will think you’ve fallen to the vilest depths of leisure.”

“Oly … stick by me. How about it?”

His eyes were open again, looking straight at a fold of blanket in front of him. The big chain-link fence was below us on one side of the van. It stretched a long way and the Arturan camp sprawled out from it in a refugee confusion.

“I’m gonna stick a broom,” I muttered grimly, “up your ass, brother, and peddle you as an all-day sucker.”

Massaging the twins on the sea-green carpet of their front room, crawling around on my knees to reach the peculiar juncture of the split spine, the small of their backs that was actually much wider, nearly two backs wide.

“Sorry I can’t quite lie on my stomach.”

“It’s O.K., Iphy. Does that hurt?”

“Hurts good.”

Elly stretched limply away from Iphy, folded oddly across Iphy’s side.

“No wonder your back’s bitching, getting pulled in different directions by Elly and the belly.”

Iphy’s pale face softened in pleasure. “Elly belly, weak as jelly.”

“Arty thinks Elly’s coming back some,” I said.

“Does it make him feel better?”

“Do you think she is?”

“Sometimes. For a second. No more. That’s good. Now work on Elly.”

I inched slowly up Elly’s arms and shoulders, probing, stretching, lifting, rotating but feeling how much of her muscle was gone into soupy flab like the dismal mush in her skull.

“Iphy?”

She blinked awake.

“Having that baby inside …” I held Elly’s neck in my fingers and felt the strong hammer of her blood. “Is it bad or good?”

Iphy blinked again. “Good. Inside me is good. The bad is outside.”

“Arty’s not happy.”

“I know.” Her tone was peculiar. Something familiar made me look up. She was absolutely twinkling. She pulled her lips flat, widening her grin grotesquely. She tipped her head back, let her eyes droop to slits. The colored beads of her eyeballs slid from side to side and her voice rolled out in Arty’s pompous, patronizing bell of power: “Happiness! Happiness, I tell you! Are you listening? Happiness? You Poor Paralyzed and Constipated Dung Chutes! Happiness is Not the POINT!”

I fell down laughing and Iphy laughed and we rolled giggling and kicking on the thick softness of the carpet, tangling hilariously with the flopping, laughless Elly until I hurt all over from laughing and kind Iphy stretched away from her dragging belly trying to breathe but was caught by the laughter again and again.

“Whyever,” she gasped, hee-heeing. “However,” she ha-ha’d, “could we love??” which set her off again and me with her, chortling, “love him!!” and screaming with the sunburst air of laughter and pounding our heels on the carpet and kicking our heels toward the ceiling until we both collapsed, exhausted, into feeble titters. Only Iphy had the strength at last to shout, “He’s such a SIMP!” which set us off again.

I went to tell the Pin Kid that he and I were washed up. Kaput. Finito. He was lounging on his bed of nails while he worked some new spots around his belly button with the needles. I hunkered beside him, watching him lift a flap of skin and shove the big pin through, then hold the flap in one hand, twiddling the knob at the needle head idly as he waited for the thin trickle of blood to dry up.

“Ya know, Vinnie,” I said, “I decided to stay with my brother.” It was hard for me. A swallower girl was hanging freshly laundered curtains on the backdrop nearby. Some of the kids were throwing things into the air and not letting them hit the ground, juggling practice, with a scratchy tape blaring Mozart or something.

I watched the gem-sharp face of the Pin Kid absorbed in his own white skin. I looked hard to see if I’d hurt him. Maybe my whole life was set in that instant. I was a sixteen-year-old freak brat. If he’d said anything — a word might have been enough, “Don’t,” or a crease of the brow, a shadow of pain in his eyes could have seduced me. The pain I was looking for in him would have been my excuse, my motive, my escape tunnel to the world beyond the Binewskis.

But he half smiled in puzzlement. His eyes like the pebbled gut of a fast creek, bright and open and empty but willing to be full.

“Well … sure,” he said. As though he’d never imagined anything else for me.

“I mean,” I said, frowning until my glasses slipped and my bare pink eyes popped into the light at him, “I mean always.” I stopped because he was rolling off the nails and he’d forgotten to pull the big needle from his belly skin and the thin red blood was spattering his cut-off jeans. When he turned away from me, reaching for a shirt, I could see the rash of tiny pockmarks from the nail points reddening his lovely arched back, his curving graceful hump with the brightness of blood barely restrained at the surface of his white skin.

“Well, Oly … Well, sure … Hey, Arturo, he needs you.” This Vinnie, the Pin Kid, was a nice boy. Even half-choked with disgust he tried not to hurt me.

That’s when it clicked that the mechanics of my life were not going to run on the physics that ruled the twins or Mama in her day. If I bled it didn’t mean what Iphy’s blood meant. If I loved it wasn’t the same as Iphy’s love or the love of bouncy girls in the midway.

Arty had done his best to teach me this all along but I had seen him as a special case, not governed by the prosy gravity that held the rest of us. Vinnie, the Pin Kid, tried to keep me from knowing that he’d never thought of me the way I had thought of him. His kindness scalded me awake.

My new eyes saw the old things. He’d felt the needle in his belly as he’d pulled the shirt over his head. Now his big hands, cleverly knuckled, slid out the needle, dropped it into a tall jar of alcohol, dabbed antiseptic on the two small holes above his belly button. He pulled the shirt down and tucked it into his red-spattered jeans.

“You’re lucky, Oly,” looking gravely out from his deep eyeholes. “My ma cried a lot just looking at me. You’re right to stick by your family.”

He stacked his props in his trunk and slid the nail bed out of the way. His legs were longer than me. His narrow shoulders nipped up near his tiny ears with the swirl of hump arching behind him. He moved as though he were all legs, a smooth bobbing in his gait that poured in through my eyes and settled in my right lung like a pool of ice. I got up while his back was turned and crept away.

From the journal of Norval Sanderson:

Went with Arty this

P. M

. to watch the Pin Act. It’s one of his new days off and he showed up in disguise, dark green blanket up to his neck. Green stocking cap, dark glasses probably borrowed from Oly. The guard was in civvies and there wasn’t a novice to be seen. He rolled up to my booth and nodded and it was a full minute before I realized it was the Worm

.

It delighted him to fool me

.

I’d been raving about the Pin-Cushion but it was the first time Arty had seen him. We stood in the back of the swallowers’ tent and waited for the Pin

.

We were in time for the swallowers’ finale. A blustering logger in front of us explained to his wife how the whole thing was collapsible swords and tricks

.

“They always think the real thing is phony and that the tricks are the McCoy. Never stops amazing me,” whispered Arty

.

I told him the guy got his money’s worth feeling like he’d refused to be suckered. Feeling like he’d outwitted them. Showing off his worldly skepticism to his lady

.

The old swallower did his Ta-Da with five hilts coming out of his mouth in a glittering bouquet and the skinny son did his with the lit fluorescent tube going down his gullet as the lights dimmed and the whole tentful went

“aah”

seeing that pale blue glow shimmering through the jagged shadows of his ribs

.

“Clever bastards, ain’t they?” said the logger

.

When the Pin came on, nobody left. The logger looked a bit pale but stuck it out. Arty was fascinated. “Nice timing, nice,” he murmured once while the young Pin latched a big chrome hook into the permanent hole through his tongue and did a little ragtime step with a twenty-five-pound weight dangling on a chain from his tongue. The Pin walked up the blade ladder, danced on the bed of nails, then started with the pins and needles. Two of the kid swallowers were juggling fire steadily behind him and the Pin timed every move to build the heartbeat. He works with chrome knitting needles, ten and eighteen inches long. Impressive, through the thighs, through the skin of the chest. He’s working a new place on his belly, and the blood trickling out and running down his pale skin to the loincloth is effective. He was quite a sight by the time he started punching the needles through his cheeks and lips. We slipped out before the finale so Arty wouldn’t get caught with his chair in the crowd

.

“Not from a show family? Sure?” he asked as we picked our way back through the midway crowd

.

“Just the apple farmers.”

“He could use a good talker to lead them through. That pantomime stuff is O.K. but a good talker would add a lot.”

I didn’t answer. He was thinking about Oly, young Olympia. I was surprised at the note of pain in his voice. As though he were afraid to lose her

.

“I don’t care. It doesn’t do any good to care, so I won’t.” Chick was as dry and flat as a cow pie. Arty flicked his eyes at him suspiciously and then looked at me. We three were in the Chute for our secret meeting. The guards stood outside in the night mist while, in the deepest room, in the soft yellow glow of the lit jars that held our dead brothers and sisters, Arty told us what we had to do.

Chick slumped against a glass case. I leaned against him, watching Arty shift slightly in his chair, thinking. I tried to read the clenching of Arty’s jaws and the tilt of his gleaming head on his thick neck.

“I don’t usually mind what you think, Chick,” purred Arty. His chin jutted at us, intent, “As long as you do your job. But this time you’ve got to understand. It’s just us three in the pinch. Mama and Papa can’t deal with it. All the guards, all the simps, the Arturans, the show folks, even Horst — they could turn in a flash. They all have their own machines to ride.”

We listened. I could feel Chick’s child bones vibrating against me, shaking to the tune of Arty’s song. “It’s just us three now. The twins have other things to deal with.” Arty waited a beat to see if we’d react to that, complain or accuse. When we didn’t he went on.

“You’ll take three guards. I’ll use the rest. By the time you’re ready to start I’ll be up there watching. O.K.?”

We nodded. Arty hit the start switch on his chair motor with a flange of his right shoulder fin. “I need you bad, now. Don’t fuck me over.”

Chick held my hand as we walked through the dark camp. The big men moved silently behind us. Arty and his crew of fifteen guards had gone through the gate into the Arturan camp.

When we came to Doc P.’s van we stopped at the door. My mouth was dry and my hands were wet. Chick’s fingers gripped my palm hard. We stood staring at the white glow of the big van in the moonlight. I could just make out the twined snake emblem with the communication grid caught in the open mouths of the snakes.

Chick sighed. “She’s asleep,” he whispered. He moved to the door, tugging me along as he opened it and climbed into the dark stench of antiseptic. The light went on and I saw the inside of Doc P.’s van for the first time in the years she had traveled with us. White and stark. No cushions on the metal benches. Chrome on the outsize sink. A metal desk against the wall, the white doors of cabinets glaring in the hard white light.

Chick moved surely. He’d spent chunks of his life here. The bedroom took up the end and the sliding door opened as we soft-footed toward it.

“It’s O.K.,” Chick said. “Tell them to bring the stretcher.”

When I got back he was standing by her head, stroking her short grey-brown hair. I came close to look. Without her white wrappings and her glinting specs she looked soft and dissatisfied. Set grooves of disapproval curved down around her thin mouth. Her nose was shapeless, her skin thick.

“No wonder she wears a mask,” I whispered. Chick laid his hand on her cheek. I noticed that his hands were getting big and bony on his kid-spindly arms. He trailed a finger across her lips. “She’s always constipated,” he said. The guards set the stretcher down and I stepped back to make room. Her cot was narrow, not built in, and it had a thin pad instead of a mattress. I peeked into the white closet as they took her out. It was full of books. The shelves filled the closet from top to bottom and the books were each wrapped separately in a clear plastic bag. I used two fingers to flatten the plastic across a book spine so I could read the title. Some kind of surgical text. I checked a few more. All surgical texts. Chick looked in at me.

“That’s what she taught me from. That’s how she learned. The journals are in the cabinets up front.”

Chick showed me how to wash up while the guards moved her to the operating table.

“Are you gonna lose your dinner?” he was looking at me sharply.

I hung on to his eyes. They were as chilly and soothing as Grandpa’s urn. I giggled greenly, nodding. His mouth twisted in dry exasperation.

“Jeez. Arty just wants you here to make sure I do it. You can’t really help anyway. Go over there.”

He spun me with his mind and I knew it. I was moving into the latrine cubicle and falling to my knees. My stomach came all the way up and out, then snapped back like a frog’s tongue. Then I was back at the sink with liquid soap covering my arms to the elbow and a white mask tying itself over my face and an itchy cap sliding down over my eyes. I giggled, watching Chick’s hands under the rushing tap. “This is why you never have dirty elbows, hunh?”

His eyes grinned at me over his mask but he didn’t say anything.

“Mama thinks it’s weird that your fingernails stay so clean and you never get a crust behind your ears.”

He was busy with the gloves. “Just sit on that stool with the back. You won’t feel a thing.”

But I was terrified. I thought she would wake up. I thought she would rise off the table roaring and take us in her thick hands and break us, and I thought Arty was sitting up above, looking down through the mirror in the ceiling, and he would watch Doc P. eat us and he would chuckle and come down and make a deal with her because that was what he’d meant to have happen all along. I was hanging on to the seat of my stool with both gloved hands, being scared that way, when suddenly I started being scared that she wouldn’t wake up and that this other thing would actually happen. I opened my mouth to speak. “Arghi,” I said, and my little brother Chick looked up at me, frowning between his mask and his cap, and I went to sleep.

• • •

“Why did I have to be there? All I did was get in the way and have to be put to sleep and fall off onto the floor in the middle of everything. I didn’t help at all.”

“Sure you did. You kept Chick from thinking too much.”

“Why didn’t you just put a clothespin on his nose?”

“Trust me, Oly. You were useful.”

From the journal of Norval Sanderson:

“

In the night, while they slept, he went among them and took their swords and shields and stacked them in a ditch by the road. He bound their hands and feet as they lay dreaming. They woke lying in rows on the death cart and their first sight was the body of their leader spread and bound on the great wheel before their eyes, his many wounds dripping into the dust.…”

Which is the way all coups and counter-coups should be accomplished — fast and quiet with only the guilty suffering. I have to hand it to young Arty. He might have made a grand South American general. He went fast and hard through the Arturan camp last night, checking off the names on his “disaffected” list. Seventy people left the camp, escorted by the guards and handed a refund check for whatever they’d paid as an admission fee. Down the road they went, grumbling in their vans and station wagons. but, if they have any sense at all, they know they got off light and lucky

.

If I hadn’t been at the road myself to watch them go I might have speculated otherwise. There will certainly be rumors that Arty was less than fastidious in his techniques — that some were brutalized or even murdered. I might, I say, have considered the possibility myself. But the angry frustration on those faces wasn’t fear. Miz Z. handed out the refund envelopes at the gate, and Arty parked in his chair by the Arturan Administration Office (the camper on the green Dodge pickup) to supervise — a guard beside him and others trotting up and away again for instructions or to report. Altogether an orderly and discreet process. When I wandered up to him he greeted me calmly. “Just quelling this little revolt, Norval,” he said

.

“What about the high priestess? Won’t she fuss?” I asked. It seemed unlike the good doc to give up just because she’d lost her army. The primary weapon she held was her own surgical strike

.

“Dr. Phyllis is being taken care of,” he told me. A guard ran up to say, “That’s the lot,” and Arty headed for the operating theater. I tagged along but he made me wait outside by his chair with the guard while he went up. I stood around listening to the surgery generator hum. Eddie, the guard, sat down in Arty’s chair and dozed. I wandered home, composing imaginary coverage of Arty’s repression of the Great Lobotomy Schism. I didn’t discover Doc P.’s fate until this morning

.

I took a tour of the Arturan camp early and watched the holes in the line close up. All the gaps left by the deserting schismatics — tent spaces, parking spots — that called attention to their emptiness like missing teeth have been sponged away. Miz Z. simply walked the lines and told everyone to move over and fill them. One fight broke out when a novice backed his scrofulous Volkswagen into one of the Harley sidecars, leaving a discernible dent. The other Arturans quickly subdued the irritated Harley owners and the rest of the morning proceeded in untrammeled harmony with much delighted gossiping: “That Arturo! He’s a pisser!” “He showed ’em the road and told ’em they were welcome to it.” “A relief, really. They were disruptive, arrogant. Definitely interfered with my P.I.P.” “Them types wouldn’t be happy anywhere.” “They’ll be causing trouble in some hallelujah bin next.…”

Miz Z. came clapping her hands down the line around noon saying there would be a special Aqua Man service at 1

P.M

. They all scurried for clean bandages, barking at the novices to get ready

.

It was a short service with only the Admitted admitted. Arty came in to a tape of “The Ride of the Valkyries” and a roar of bubbles that subsided to reveal him floating in a hot-pink spotlight. He had a lot of gleam gunk on for the occasion and he made one of his more dynamic impressions. His talk was actually a chant — rhythmic: “She served us — she served us all — now we serve her,” while an honor guard of one-fingered novices rolled out a wheeled cot with what remained of Doc P. ensconced in white satin. Chick tagged along behind. When the cot stopped in front of Arty’s tank and the white spot hit it, Chick stepped up and peeled back the top sheet

.

The crowd of amputees took a minute to catch on to who it was lying trussed like a leg of lamb. No mask. No cap. Only the spectacles glinting over her closed eyes were familiar. A short mop of grey hair spread around her face. She was still completely out. Those glasses were as useful to her as shoes, right then, but Arty, the clever little snot, knew the folks would need something to pin her identity on. Arty waited while the murmurs started and spread. Finally somebody down front yelled, “Doc P.!” and the joint went up like an ammo dump

.

When the roar died down, the spectral voice of Arturo, from the glowing tank above the cot, introduced Doc P.’s replacement

.

“The Apprentice — the Student — the Assistant. Now come into his own with his first act, this, the ultimate service to his teacher!”

Chick was charming — flushed pink and gold — his child body bobbing in an embarrassed bow to the storm of applause. Funny how all the Arturans adore him. They’re delighted that he’s now the surgeon.

24. Catching His Shrieks in Cups of Gold

I’d expected Chick to fume endlessly about nipping Doc P. but he surprised me. In the act he was businesslike. Afterward he was gently nostalgic. He stood very close to her until the ambulance took her off. She was going to an Arturan rest home near Spokane. Chick also blossomed, as Mama would say, in his new fame as full-fledged surgeon. Arty claimed not to be surprised.

“That blush-and-shucks game of his was a dead giveaway. The kid always wanted an act of his own.”

An act he had. The Arturans treasured him. On his eleventh birthday he was in the surgery for fifteen hours straight. He had a talk with the nurse on the day he was named successor. That cool and efficient personage became his dog and priestess on the spot. She’d never cared for Doc P.’s bullying. The Arturans pestered him constantly. I’d laugh, seeing some patriarch in a wheelchair rolling madly to catch up with the barefoot towhead kid in the dusty coveralls, or the two hard-bitten motorcycle vets sitting on a trailer hitch so this scrawny runt of a kid could peer into their big spongy ears or lift up an eyelid to examine the exploded blood map underneath.

“Well,” Chick confessed, “I don’t need to touch them or even look at them to tell what’s wrong. But they like it, so I do it.”

They gave him no rest. Mama grumbled about his health and his lost childhood as she sewed baby clothes on her machine in the dining booth of the van.

“When does he climb trees? When does he sneak candy from the booths? Where are his friends to coax him into teasing the cats or giving Horst a hotfoot? They’ll drive him into the ground. They’ll suck him out of his natural growth. Look at his wrists and elbows! He’s knobby!”

Arty was pleased in a guarded way. He kept an eye on Chick in case delusions of grandeur should beset him, but privately Arty was convinced that with Chick as “The Knife” he was safe from revolutions. “He’s a loyal little insect,” Arty would grin. But Arty was intent on keeping the Arturan act solid. He toured the camp every day, supervised the office work, did his shows three times a week, conducted interviews, sent out advance men, advised Papa about the midway, and stayed away from Mama and Iphy.

Papa expected to assume Doc P.’s supervision of the twins’ pregnancy but Arty slid Chick into the job. Papa sulked and spent more time drinking and playing checkers with Horst.

Iphy didn’t bother to look up from her book when we came in. Chick sat on the floor and wiggled his toes in the carpet. I went my rounds with the dust cloth and made the bed and sorted the twins’ laundry. Iphy read all the time. She liked mysteries. Every week’s mailbag brought her a new lot of paperbacks. She took her daily walks and did her exercises grudgingly, wanting to get back to the book of the moment.

I came out of the bedroom with the laundry basket and looked at Chick. He hopped up and waved goodbye to Iphy as he opened the door for me.

“You’re getting so used to doing things with your hands!” I said as we went down the ramp. He chirped, “Elly is coming back some.” I felt myself swerving an inch above the ground, giddy and happy.

“Put me down!” My feet touched and my stomach dropped into place. “Are you sure?”

“Iphy knows but she’s scared Arty will find out. Don’t tell, Oly. Promise?”

“Are you doing it?”

We were near the laundry truck by then and Chick stopped and looked at me, startled. His hair was hanging down around his ears, I noticed. Mama would be wrapping him in a towel soon, making him sit on a stool in front of the van, and stepping around him with scissors as she prattled and he squirmed.

“Are you doing it?” I repeated. He blinked and shook his head.

“I never thought of it. Do you think I could?”

“How do I know? I thought you could do anything.” I was impatient with him. It was one thing to be eleven years old when you were memorizing geography, but this was supposed to be the region of his gift, the terrain of his purpose.

“Well, I mainly take things apart. I can take anything apart,” he said. An amazed wideness settled on his eyes as he stared blankly at the door of the laundry truck.

Watching his possibilities dawn on Chick, I decided to ask the question that I’d been carrying for weeks. Ever since I’d realized how limited my own possibilities were.

“Chicky, listen. Remember how you used to pick pockets? Well, you know the sperm in Arty’s balls?” I had his attention at least. “Could you move that sperm — the wiggly little things — could you move them into me and get ’em into the egg thing in me so I could have a baby like Iphy?”

That, Miranda, was how I came to ask. Chick was hesitant, scared at first. He was afraid of botching the job. He insisted on trying it out on the cats first.

The next week he managed to impregnate an elderly and irritable tigress whom Horst had never successfully mated. She had such a nasty attitude that she sliced up any male who propositioned her. Chick accomplished the miracle of Lilith, the tigress, early one morning while sitting on an overturned bucket in front of the cat wagon. I paced and fidgeted, ready to warn him if any of the Arturans should come along to distract him. He took what seemed like a long time. His hands clenched in a knot at his knees, his face flushed and beaded with sweat.

The male, at one end of the row of cages, slept through the process. Lilith, who had been named after Mama, paced and coughed and glared and switched her tail at the other end.

There was nothing to see. I was getting bored when he finally let out a long, cautious breath and looked at me. He rubbed his eyes with his fists. “Wow,” he said, “I think it worked.”

I went hopping and celebrating around, patting him on the shoulders and rumpling his hair. I was as happy as if it were my own stunt he’d just pulled.

Chick agreed to be ready to do it whenever my time came around if he could be sure of having both Arty and me still and in the same room, preferably for some time.

“Maybe I could do it without seeing you both, but something might go wrong. It’s tricky.”

• • •

It happened one night in Arty’s front room with Norval Sanderson there. Arty and Sanderson were talking their endless talk, Arty drawn up to his desk in the wheelchair and Sanderson stretched out in a soft chair with his legs ending in the loose sandals he wore to accommodate the bandages on his feet.

Chick was lolling on his belly on the carpet, pretending to read a big picture magazine about foreign lands. I was curled in the corner on a built-in bench, listening.

My pulse filled my head as though the heart had punched its way up my throat and was stuck beating between my ears. I couldn’t take my eyes off Arty. He was in his wrangling mood. He loved to talk to Sanderson. He seemed to relax and enjoy the winding stalk of argument. Sanderson, the camouflaged hunter, pretended a casual indifference but secretly struggled to catch Arty unawares, skewer him on his own words.

Arty chuckled delightedly, “Such a sadist! You go unarmed because you’re sure you can make me turn my own weapons on myself! You don’t want to dirty your delicate paws with my blood! You want me to rip out my own guts so you can tsk and sigh and write prize-winning features on the tragic flaw. The self-destructive vortex at the core of greatness! You do see greatness in me. Admit it!”

Sanderson, with his head tipped in cartoon contemplation, would tap his lip slowly with his thumb and question, always question: “Is elephant gas great? Is it great in the pain that it causes the elephant? Or in the relief it affords when expressed? Or perhaps it is only great if it is ignited on farting and the resulting explosion is used to power a turbine? Is an elephant fart great in and of itself? Or only in its effect?”

“Ah! So now we’re down to fart jokes! But you’ll notice that I am sitting here with all I was born with, Norval, my lad, while you are being whittled away. How do you account for this?”

On and on they went, having such a good time. I loved Arty when he really laughed, and Sanderson made him roar. I watched, knowing this was my moment as Arty tipped back his smooth skull and rippled his belly in waves of pleasure that bounced out through his wide mouth and creased his grey eyes shut in the wild dance of his whole twitching, rocking body to the tune of the glitter inside his skull.

I sat very still. Chick had assured me that the thing in me was ripe and waiting.

There was Chick, on his belly with his bare feet kicking slowly in the air. His water-white hair hung in his eyes as he turned the pages slowly, revealing the mysteries of Tibet and the banner wall of the palace in Lhasa. His head turned slightly, one eye peeking at me. I grinned near convulsions. Do it. Do it now, while he’s laughing, I thought. And Chick nodded slightly, turning back to his book as Arty said, “Consider how protected our lives are. Never seen a movie, never set foot in a school.”

“But there’s no reason for not seeing movies and whatnot,” protested Sanderson. “The redheads have a portable set. It’s sheer cantankerousness and barbarism,” he drawled.

“Early training!” barked Arty. “Hatching habits!”

“Poor feller, try this …” and Sanderson pulled a flat steel bottle out of his tweed pocket and poured a golden dollop into the drained lemonade glass on Arty’s desk. Sanderson pulled a long swig from the bottle, capped it, and sighed, “Am-fucking-brosia!” while Arty cautiously nipped at his straw and made wry mouths at the taste.

“If that’s your idea of pleasure, it’s no wonder you need religion.”

Chick was flapping his magazine closed, pulling in his knees, getting to his feet with a stretch and a yawn, twisting to look at me. I stared anxiously at him. He winked.

“G’night,” he said to the room.

“You’ll start on Miz Z. in the morning? I promised her,” said Arty.

Chick nodded and slid over next to the chair, looping an arm around Arty’s neck, pulling his face close. Chick planted a kiss on Arty’s bare, flat cheek and then went to the door and out. As he closed the door after him, my cap slid down toward my nose and then back up to its proper place again.

That was it. I didn’t feel anything. But I believed it. And I didn’t want to leave. I wanted to go on watching Arty at play, knowing he would talk for hours longer, until Sanderson’s flask was empty and the black sky turned green and fleshy in the first seep of dawn. But I also needed to crawl back into my cupboard and feel miraculous. So I went home.

This, Miranda, is how you were conceived. Don’t ever doubt that it was an act of love. Your father was as happy then as he was capable of being. Your uncle Chick, the dove, was delighted to do it, to be able to do it. And I was a seventeen-year-old dwarf, pink-cheeked, rosy-humped, scarlet-eyed. I was beside myself with glory. Understand, child, that my idea of you was as a gift to your father, a living love for Arturo. And that’s not bad, Miranda, considered as a motive for your existence.

• • •

Eleven days later the twins gave birth to Mumpo. It was a long labor, twenty-six hours, and a difficult delivery. Chick did a lot but Mama and Papa helped. I wasn’t allowed in the van. I sat with Arty all night and most of the day. He was sick with fear. I was sick myself. The Arturans were buzzing on the intercom constantly. I took messages and shunted them off. Miz Z. in her proud bandage (one little toe’s worth) appeared at the door twice with a sheaf of papers, but I shooed her away. Arty wouldn’t eat. He insisted on playing checkers, hour after hour, game after game. He beat me fifty times and he would have gone on forever except that I accidentally won a game and he threw the board off the desk in a fury. He rolled off to his bedroom and locked himself in.

When Papa finally came to the door with the news, Arty wheeled out of his room to hear. A boy. Twenty-six pounds, five ounces. The mothers were doing fine.

Papa looked young again, leaning in the doorway to shout the news; his mustache bristled with power and pride, which, he used to say, “are the same except that pride leaves the lights on and power can do it in the dark.”

“Twenty-six pounds?”

“Thought it was twins, did you?” He chortled. “Fat little! A natural! Twenty handsome inches long and twenty-six of the babiest pounds! What do you think, uncle? Cheeks like a politician! Ten chins right out of the oven! That Iphy! Took one look and says, ‘Mumpo.’ His name, see? Lily went to lay him on Iphy’s breast and she like to die! Couldn’t breathe, he’s so heavy. Got to tell Horst; he’s been sucking the bottle for two days worrying!” Then a sudden change, a confidentiality, a secret wondering, near whisper as he put one foot inside to keep it among us. “That Chick, Great Christo, he’s good. I would have popped it with a knife myself after so long. I was scared to death with the kid so big. Not Chick. He pumped in air somehow, don’t ask me. That baby breathing easy for hours and still inside. That Chick, sweet lollyballs of the prophet!” And he was gone, thumping down the ramp, hailing people in the line, hollering, “A boy … Fine … All fine … A boy! Yes! By the bouncing melons of Mary! I’m a grandpa!”

Arty sat petrified in his chair, staring through the open door. Miz Z. appeared, heading for us, a clipboard in hand.

“Scare her off,” said Arty. He looked deflated and a little damp. “Then go get the baby, will you?”

“What for?” I felt a fist of fear in my gut.

“I just want to see him!” He spun his chair away with a last look at my face. He disappeared into his room. I had hurt him. I tried to feel the little thing in my own belly. Nothing. But it was there. I’d make it up to him.

Mumpo changed people’s names. Suddenly Iphy was Little Mama to all the redheads and wheelmen, booth rats and artistes. Lily and Al were Gramma and Grampa. Even uncle and auntie jokes made the rounds along with Papa’s licorice-marinated stogies and the bottomless keg on tap in Horst’s van. But Mumpo himself lay like a big sagging pumpkin in the blankets. He was a bottomless craving and he was cunning. Arty saw it immediately. Iphy knew. I knew. Lily and Al refused to notice. Chick knew and didn’t care. Chick loved the big glob.

That first day I poked my head through the twins’ bedroom door and saw everything covered with white sheets and smelling of disinfectant. Lily hunched over the baby where he lay, naked and huge in soft, un-moving mounds on a wheeled metal table, as she sponged him, cooing. Chick was watching Iphy. He sat on the edge of the big bed and held her hand and Elly’s pale useless hand, the arms overlapping so he could hold them both.

“How are they?” I whispered. He grinned the kid grin at me as though he’d walked on his hands or found a frog.

“Bushed. Pooped out. Beat.” They were asleep. Iphy as bloodless as a rain-drained worm. Elly with her mouth ajar and a thin trickle of saliva shining on her jaw.

“I could have made it quicker but Mama said it was important to labor. It didn’t hurt them, though. I didn’t let it hurt them. Did you see him?” His eyes glanced toward the flesh mound. I shook my head and moved over to where Mama could smile at me. She reached out an arm and hugged me. “Isn’t he amazing?” His eyes were open, filled with black. The eyes blinked and squinted suspiciously.

“Could you take him over to Arty? Arty is anxious to see him.”

Chick said it was O.K. and Lily chirruped and twittered excitedly, wrapping the baby to travel fifty feet, and exclaiming over his weight when she hoisted him across her chest.

In Arty’s van she laid the big clump on Arty’s desk and Mumpo’s eyes went sharp and narrow, looking at Arty, and Arty glared at Mumpo and the two male things looked at each other with hate. Lily claimed that Mumpo couldn’t focus his eyes yet but it was wonderful how he seemed to look right at you, though he’s only an hour old and ought to be so tired he’d sleep, and she laughed at how excited Papa was thinking up “Mumpo the Mountain” and other fat-man tags for Mumpo’s show, though you couldn’t be sure with a baby and for all we knew he’d be skinny by the time he was two.

Arty stared at the flesh that oozed from the blankets and finally broke in. “O.K. Take him away. He needs to sleep.”

Lily took him out and that was the last time Arty ever looked at Mumpo.

The stick hit my ear and I yelled into the blanket as I woke up. My right arm jerked and the stick jabbed my elbow and the sting from my ear and my elbow pulled the plug on my nose and eyes so I looked wildly through the swimming murk of my watering sinuses as the white beam from a flashlight in the dark blinded my naked eyes and the stick whapped out of the blur again. “Waa!” I yelled.

Then I heard the unmistakable rasp of Arty, angry, sputtering behind the stick, “Cunt! … Slimy! Twisted bitch!” as the stick wavered toward me and I curled in my cupboard with my arms shielding my eyes, yelling, “Arty!” and the stick kept coming and I got a foot tangled in Mama’s old white satin robe, which I used as a top blanket, and Arty’s voice screeched in the light-smeared liquid blackness, “I’ll break you, you stinking …” and the stick was on its way again and I grabbed for it, snatched at the end as it passed my eyes and was amazed as the whole stick came loose in my hands with a slight tug and Arty wailed “Shiiit!” and I saw the rubber bulb at the other end of the stick and felt a laugh trying to choke its way past my thumping heart because Arty was hitting me with a toilet plunger.

Then the lights went on and Papa was there, hairy-bellied in his pajama pants and Mama blinking and fuzzy behind him. I scrambled for my glasses and jammed them on so I could see Arty crying naked in his wheelchair with the blue veins pumping through the fine skin on his head and the flashlight on the seat beside him with its lens glowing a feeble yellow against the ceiling light.

“What the fuck?” Papa was gasping, and Mama fluttered and I stared through my safe green lenses at Arty, gibbering with frustration in his chair because he couldn’t keep a grip on the stick with his flipper even though his belly rolled in crevices of muscle, though his chest was a plate of bronze, though his ribs jutted with wings of muscle, though he could lift a hundred and fifty pounds with his neck, he still couldn’t hold the stick to hurt me when he needed to.

“She’s knocked fucking up!” howled Arty. Papa had his gentle hands on the smooth gold skin of the Aqua Boy, holding him against the back of the chair, saying, “For Christ’s bloody sake, son,” and wouldn’t let go.

Mama brought a blanket to put around Arty. I crouched deep in my cupboard with the old white satin robe pulled up to my eyes because Arty knew. But he knew and was angry. The stomach thing happened, as though the baby, the tiny frog babe, Miranda, was trying to crawl out and escape by any route possible from his fury. I sat there holding in everything, clenching my ass and my cunt and my jaw and my eyes and praying the broadcast prayer of the godless, “Please, please, no, please.”

Arty got his jaw back in order and resigned himself to draining his anger in words. He told them. “Ask Chick. He told me. She’s stuffed. Knocked up. The stupid traitor.”

Then I saw that Chick hadn’t told him everything. Arty was leaning back in his chair and Papa sank down on the bench by the door trying to get it straight. “Oly, what’s he saying? Is this true?” I never opened my mouth but sat there, curled in amazement at Papa being Papa again for this one groggy moment. “But that’s no reason! There is no excuse,” rapped Papa, “for attacking your sister physically!”

Arty rambled bitterly, “That hunchback bastard redhead guy, the Pin Kid. Moving in on the shit-sucking show, knock up the boss’s daughter … work his way in … get his claws on the money.”

I saw Arty shaking in his blanket, so hard that the wheels of his chair squeaked in minuscule quivers on the floor as he talked.

“He’s drunk or stoned,” came Mama’s voice.

“Drunk? Have you been hitting that stuff?” Papa wheeled Arty away through the door to his own van and I lay down and watched the door close and pulled the white robe up to my chin as Mama folded up on the floor beside my cupboard and looked in at me. Her soft face was crumpling with weakness and the loosening of her fiber, but her hands reached in and touched my face, long, cool fingers stroking my cheeks as she whispered, “Did he hurt you, dove?”

When I shook my head she took a deep breath and went on, “Tell Mama now, are you pregnant?” and I nodded, staring at her through my green lenses, and she nodded seriously back at me. Her pale hair floated raggedly around her head. “Are you glad, dream? Or is it something you don’t want?” Her whole body smelled of cinnamon and vanilla as she leaned forward, asking.

“Glad,” I croaked, and she leaned in to lay her cheek on mine.

Papa came back and patted my head and took Mama back to bed. I lay in the dark listening but they kept their voices low and I couldn’t make out what they were saying. It was probably my roaring blood that drowned them out. I was happy.

Arty was hurt. I imagined him clambering through the door alone in his chair with the flashlight and plunger to punish me. To hurt me for hurting him. I swelled with enormous love for him. See, I thought, how he has scared us all these years, and he can’t even grip the plunger in that strong, awkward flipper. He needed to hurt me and couldn’t.

He must love me, I thought, amazed. A faint whiff of nausea hit me at seeing pain as proof of love. But it seemed true. Unavoidable.

Afternoon. The midway music clanking faintly nearby. Everybody at work but me. I was alone in the van, sick in my cupboard. I was swamped hot and cold with the vicious swim of nausea. The cupboard doors hung open so I could see the gleaming linoleum. Orange brick pattern. I wanted the floor to be blue or grey so it would cool me. The white sunlight through the window hit the bricks with a terrible heat splash that burned through my dark glasses. If I closed my eyes, my head spun and my stomach did its tumbling act. If I rolled over to face the back wall, I smothered. I hugged my knees over my cramping belly and felt sorry for myself. I was almost dozing when I heard a step outside. Chick came in quietly.

“Should have told me, Oly.”

I grunted and stared at his bare, dusty feet kicking the bottoms of his ragged coverall legs. He pulled the curtains and the light greyed mercifully. “You seen Arty?” I asked as his legs reappeared. He crouched on the floor beside me. He stuck out a grubby hand and touched my forehead. “That’s better.” I felt cool and quiet suddenly, as though I’d been floating motionless in a pond for hours.

“He’s working. Still mad.” Chick looked down at me curiously.

I put my hand on my chest where mad Arty had left a ball of sick snakes knotted and jabbing each other poisonously. “This too, please.” Chick frowned at me and the pain narrowed to a single vibrating spot like a bee sting. I tapped my fingers on the pained spot, impatient. “Go on. Keep on. Do the rest, please.”

“I could put you to sleep. Want me to?”

“No. Did you tell him?”

“He didn’t believe me. He thinks I’m just trying to smooth him down. And the Pin Kid is gone.”

• • •

I got up right away and went to the swallowers’ stage, dragging Chick along. We poked our heads in through the rear flap and watched the scuttling shadows on the backdrop as the swallowers went through their act. Their chatter was marked by silences as the swords went down. The swallowers’ oldest girl finished her turn and came rushing out, sweating. I snatched at her arm. “Where’d the Pin Kid go?”

She shrugged, reaching to scratch under her sequined vest.

“Gee, Oly, I don’t know. Daddy’s mad at him. They were supposed to do a turn together. They’ve been rehearsing. But he was gone this morning when we got up. He took his knapsack and bedroll but left his trunk.” She rolled her eyes, perplexed. “He’ll have to come back for the trunk. And he knows we’re breaking down tonight. Maybe he’ll be back before we leave. Maybe he’ll catch us in St. Joe?”

I could see the buckled trunk, drab in the dusty grass against the tent wall with swords and torches collapsing against it. The swallower’s girl tossed her hair back and waved as she made off to the other side of the stage for her second entrance.

Chick was staring at the trunk. I could feel him thinking. The trunk looked abandoned, like letters in an attic, to and from the dead.

“We better go see Arty,” I muttered. Chick nodded, still looking at the trunk.

“Tell them to come back tomorrow.” It was Arty’s voice seeping through the door crack. The bald novice who answered the bell left us waiting so he could see “if the Master has a moment for you.” The shaved head appeared again, smirking consolingly. “I’m afraid the Master …” he started. But I jumped forward, shoving the door wider, hollering, “Arty! You pig shit! Arty!” bursting past the gasping novice with Chick behind me, trotting toward Arty’s desk while I watched his face set in anger and his voice boom, “Get her out! Out!” and the novice’s three-fingered hands closed on my arms, but it was really Chick who lifted me. I knew by the softness, the easiness as I sailed back out through the door and landed on the deck. Chick leaned out and looked at me. “I’ll talk to him. Wait,” he said. Arty’s door closed and I stood waiting. Angry myself, for a change. It was a relief from feeling sorry for myself.

As we moved that night in the dark toward St. Joe, Papa drove with Mama in his co-pilot’s seat. Chick and I huddled in the dining booth and he told me.

“O.K. Now he really does believe me, kind of, because he talked to Horst about the tiger being pregnant and Horst told him it couldn’t happen because she hadn’t been in with anybody. But he’s still pretending he doesn’t believe me. He won’t admit anything. Besides, he’s scared his juice isn’t good. He’s afraid he can’t plant babies. But he says he’s sick of the novices sliming around and he’ll let you come back to work for him.”

“But what about the Pin Kid?”

I couldn’t see Chick’s face in the dark. He waited a few seconds before he answered. A dozen heartbeats.

“He just says, ‘What Pin Kid?’ and then won’t listen. That’s another thing. You’re not to mention the Pin Kid or your baby or any of this to Arty. He wants you to act like always.”

I took Arty his breakfast in St. Joe. I cleaned and dusted and carried messages and shut the novices out of his van completely. I rode on the back of his golf cart to his show tent and waited behind the tank listening to the big St. Joe crowd roaring and sighing like the tide. I scrubbed Arty after the show and rubbed him down and painted him for the next show. I did all the usual things. He was sullen and moody at first but then he forgot and was just like always.

The Pin Kid never came back for his trunk. We never heard anything more about him. When I did think of him it was a pleasure — a fool’s pleasure — that Arty had got rid of him, run him off, scared him away, for fear of losing me. I don’t think Arty had him killed.

Elly was coming back. Iphy tried to hide the change but I sat for hours watching Mumpo twitch and Iphy crooning over him. I saw the differences. When Iphy used both hands to change Mumpo, or to turn him or wash him, Elly no longer collapsed like a spent balloon. She was holding herself upright without Iphy’s arm supporting her. There were also moments when I could have sworn that Elly’s eyes were focused, looking at Mumpo, looking at me, or following the movements of Iphy’s hands. Elly’s mouth stayed shut for longer periods. She drooled less. Once I saw her hand lift deliberately to her swollen, seeping breast.

“I use this little pump on Elly and put the milk into the bottle,” Iphy was explaining. Mumpo lay beside her on the bed sucking noisily at the rubber teat on the bottle. The pale blue milk sloshed and bubbled in the glass as the pull from his mouth drew the level down fast.

“He’s so hungry all the time. It takes both of us to feed him but it’s so awkward holding him and Elly so he can nurse straight from her titties …”

Iphy stole a look to see if I believed that she still had to hold Elly. Elly’s mouth opened and she said, “Greedy, greedy, greedy.”

It was as clear as pizzicato. “Ha ha,” said Iphy, staring at me intently. “She’s been making more sounds lately. Ha ha. Sometimes they’re almost words.”

Perched at the foot of the bed with my feet over the edge so my shoes wouldn’t dirty the sheets, I nodded and said nothing. The bottle ran dry and the deep voice of Mumpo rocked out an echoing belch. The lips of Elly closed primly and her eyes wandered again, soft, not looking while Iphy looked at us all so fast that her eyes must have ached with the whip of their nerve stalks.

Papa ordered signs painted for “Mumpo, the World’s Fattest Baby” and tried to talk Iphy into arranging a schedule so the baby could nap in a show booth and tickets could be sold. Iphy insisted on waiting until his first birthday. Papa was indignant. “This is a working outfit! No moochers! No parasites! And what about yourself, young lady?” he demanded. “How about a turn in the variety tent? You can work around Elly. There must be some way!”

Iphy bristled and reminded him of all the money she’d made for him the years she worked with Elly. She told him to wait. Papa left her alone. Iphy wasn’t worried about it.

“Papa’s just trying out old reflexes. He’s not the boss anymore.”

My belly grew. It hung at an odd angle and gave me a lot of back pain. The veins in my legs threatened to rupture until Chick took care of them.

I spent time with Iphy and became convinced that Elly was almost all there, almost all the time.

“She’s lying doggo, Iphy, don’t lie to me.”

Elly’s face was frozen on Iphy’s shoulder but her arms were coming back. Their dead flabbiness was turning to muscle again, and I could see it rolling thinly beneath the white skin, filling out the sleeves of her blouses.

“Elly? You’ve been exercising in secret, haven’t you?” I’d ask, coming up close and staring into the unfocused eyes. She never reacted.

“Buzz off, Oly,” Iphy would snap, and I’d wander away, speculating about Iphy too, and how much more like Elly she was now. Stronger. Meaner. She never cried anymore. Never sang. She cleaned. She fed Mumpo, lying down beside him because she couldn’t lift him. She gave up on bottles and turned so he could reach Elly’s breast when he had flattened her own. She urged him toward solid food and he gobbled that, too, spilling nothing, sucking it all in, then demanding tit.

In Santa Rosa a Twins Fan Club came to the door. They were sixteen-year-old girls who had started dressing the “Twin Way” when they were twelve or so and were still wrapping two waists in one big skirt like potato-sack racers. They dyed each other’s California hair to the blue-black gloss of the twins.

I went to the door. The pair in front tried to look past me into the trailer. “We just love them! Is it true they had a baby? We wanted to give them a present.”

The bouquet came in, passed from mock pair to mock pair and finally to me. I said Elly and Iphy were sleeping or maybe working. I took the green paper cone of flowers and thanked them and shut the door. Iphy watched through the curtains as the troop hobbled and giggled away, four pairs of twins with their arms around each other. Iphy absent-mindedly hugged Elly, who flopped from the squeezing.

“We used to have a lot of fans in this part of the country,” said Iphy. She put the flowers in a big jug of water and they sat on the table for days.

It was easy for me and it could have been much harder for the twins. We had a small world, peculiarly unalarmed by nature. We had no worries about food or shelter, the opinions of the family, or the hardships of lone child rearing. There were Mama and Papa and Chick. There was an inexhaustible reservoir of obliging redheads.

Part of being pregnant is that you think about it so much that you’re seldom bored. Terrified often enough, but rarely bored. There was some disappointment in my mind occasionally. I’d sit in the sun next to Grandpa’s urn on the generator truck and drift into lip-sucking melancholy.

Life for me was not like the songs the redheads played. It wasn’t the electric clutch I had seen ten million times in the midway — the toreador girls pumping flags until those bulging-crotched tractor drivers were strung as tight as banjo wire, glinting in the sun. It wasn’t for me, the stammering hilarity of Papa and Lil, or even the helpless, dribbling lust of the Bag Man rocked by the sight of the twins. I have certainly mourned for myself. I have wallowed in grief for the lonesome, deliberate seep of my love into the air like the smell of uneaten popcorn greening to rubbery staleness. In the end I would always pull up with a sense of glory, that loving is the strong side. It’s feeble to be an object. What’s the point of being loved in return, I’d ask myself. To warm my spine in the dark? To change the face in my mirror every morning? It was none of Arty’s business that I loved him. It was my secret ace, like a bluebird tattooed under pubic hair or a ruby tucked up my ass.

Understand, daughter, that the only reason for your existing was as a tribute to your uncle-father. You were meant to love him. I planned to teach you how to serve him and adore him. You would be his monument and his fortress against mortality.

Forgive me. As soon as you arrived I realized that you were worth far more than that.

Lily collected Mumpo’s castoffs and washed them and folded them into the drawers next to my cupboard. She moved the dish towels and the knives and forks and her plastic-bag collection and sewing scraps as well as Papa’s junk tools. “These will be your little hope chest,” she said.

Lily was delighted to have me swelling close to her, not cut off and strange as the twins had been. She would hug me distractedly in the kitchen or as we did the laundry together. “Now hope hard!” she’d whisper, squeezing me, with her watery blue eyes blinking in filmed pleasure. An odd, warm scent of her favorite spray warmed by sweat and a faint bite of rot had begun to drift around her. I would lean against her, watching her hands, her crumpled-paper skin rustling as she stroked my face. “You won’t tell …” she whispered once, “don’t ever breathe it.… I don’t like Mumpo.… I love him.… I’d tear my heart out for him … but there’s something about him I just can’t like.”

Mumpo was eating the twins. “Mama, he only shits once every three days and then not much. Is it O.K.?” Iphy fretted and Elly had frozen into an intelligent frown that bobbled perpetually against Iphy’s shoulder. They grew frail and bony except for the four breasts that ballooned every three hours in time for Mumpo to wake. He bellowed before he even opened his eyes, roaring until the gap was crammed with raw tit. Then he vacuumed the bag until it draped flat over the protruding ribs of his mothers, and bellowed for the next tit until all four milk bags were drained and limp. He would sleep for three more hours before beginning again.

“Every baby is different,” Mama would say diplomatically. But later, in the home van, she’d shake her head at me and crackle, “Greedy! Takes it in. Won’t let it go. Keeps it!”

Mumpo grew, spreading around himself in looping, creased pools of pinkness that pulsated with his breathing.

Chick checked me over each morning before he ambled off to the Arturans for the day. He was ragged, growing out of his clothes. Mama was too distracted to notice. He missed Dr. Phyllis.

“It was easier when she was here,” he explained. “I’m scared a lot now. Almost all the time.”

He came in for meals with his hands bloated like a drowned corpse’s from the perpetual washing followed by the airtight gloves of surgery. He sank into a doze if he sat still for more than a few minutes. He worried about the ritual wrangling of Horst and Norval Sanderson.

“It’s fair, isn’t it?” he’d ask me. “That’s the way Doc P. set it up. Horst gets the legs and arms and Mr. Sanderson gets fingers, toes, and hands and feet. It’s because the little bones are bad for the cats. That makes sense, doesn’t it? Why does Mr. Sanderson keep trying to cheat? I had to ask a novice to guard the thighs in the refrigerator truck the other day because Mr. Sanderson kept sneaking them away in garbage bags. Horst threatened to let Lilith, the Bengal, loose in Mr. Sanderson’s trailer some night if he doesn’t stop. Horst is drinking all the time now. He might do it. And Papa goes over there to drink with him. They sit inside with the checkerboard and argue and drink and forget whose turn it is to move.”

Chick talked to me more all the time because he had no one else.

“Arty doesn’t like the hometown surgeons getting in on the Arturans. He doesn’t like the rest-home doctors setting up. But I do. I can’t do it all. They can’t all travel with us. Arty wants it all where he can see it but it’s too big now. There are too many.”

Arty got a new folder of clippings every morning. The office novices would comb papers and magazines from all over the country for any mention of Arturism and for anything that might affect Arty. He subscribed to a broadcast-monitoring outfit that provided video or sound tapes of any news item, comment, discussion, or joke that mentioned Arturism on television or the radio.

“Here’s another imitator in California, the Reverend Raunch! That’s three in one state!” he snarled as I brought in his breakfast tray. “And there’s that brain-slice scam in Detroit, a takeoff on Doc P.’s trip. The silly cocksuckers are getting hauled in front of a grand jury. Ass lickers will screw us all!”

Arty didn’t need to worry about the tadpole competition but he did. His tent was the biggest ever made on this continent, and it was always full, with a crowd as live as a hurricane wailing for him. But Arty sulked over every ten-cent Baptist, sneered at the plastic surgeons, turned green at ads for weight-loss clinics and alcoholism programs.

He’d gloat sometimes. “I have the best tools. I talk to Doc P.’s keeper every week, you know. And my little brother did a much tidier job on Doc P. than Doc P. ever did in her life. Smartest thing I ever did was tuck Chick in her pocket.”

I didn’t pay much attention. I was caught up in the amazing contents of my belly. Everything else was insignificant. As the time got close, though, I got scared. I wasn’t afraid of dying. Chick wouldn’t let me die. I wasn’t afraid of the baby dying. Chick would make sure it stayed alive. Still, a sick grey fear sat in my chest, nameless. Chick kept offering to put me to sleep.

“Hey, it’s good. Doc P. is happy. I’d like it myself. I’d put myself to sleep only there’s nobody to do my job.”

When my labor started Mama gave me tea and Chick put me into one of the Arturan wheelchairs and took me to his surgery. It was late in the afternoon. The Ferris wheel lights were bright against the dusk and I could smell popcorn and hear the talkers hollering, “Show the little lady what you’re made of!”

It didn’t hurt. I sat up against pillows and slept for a minute at a time between squeezes. There was no pain but it was exhausting work. I remember looking at Chick and Mama and trying to tell them why it was called “labor.”

I remember seeing Miranda’s head for the first time between my legs. She looked so silly, like a red turtle’s head stretching on its spindly neck and turning, blinking, wobbling, I nearly laughed. And I remember Chick’s smile as he reached for her. She slid out onto the white cloth he held for her, and he lifted her dripping, squirming little carcass and put it on my collapsing belly. “I like this!” he said. This was his second delivery, of course, and he told me later that Miranda was easy compared to Mumpo, that he’d worked much harder to suppress the twins’ pain.

Mama and I examined her amazing body and found only that ridiculous tail. My heart died. Arty would despise her. But Mama told me to go on hoping. “Go ahead and love her,” Mama said. I’ve wondered since whether those were Mama’s last sane words, the final sizzle of her synapses.

Then the real fear began. With the baby outside me and vulnerable, I suddenly saw the world as hostile and dangerous. Anything, including my own ignorance, could hurt her, kill her, snatch her from me. I wanted to cram her back inside where she’d be safe. I was too weak to protect her. I needed the family. Arty had to care about her. Iphy had to help me. Papa had to be sober and brave, and Mama had to lay off the pills and be wise. But there was really only Chick, and I was terrified whenever he was out of sight. I scared him with my clinging but I couldn’t trust the baby to anyone else.

She had Arty’s face and I named her Miranda because Miranda’s father loved her.

Arty did not love my baby. He never asked to see her. When I finally went to see him — took him his breakfast a few days after she was born — I left her with Chick. I was testing the water and I found it cold.

“How kind of you to call,” Arty sneered. “Good of you to take the time. I suppose you won’t be working anymore. Gone into retirement like Iphy.”

I felt my lungs ice over. I couldn’t snap back at him. I went back and hid in the cupboard, holding Miranda, careful not to press her bottom the wrong way for fear her tail would be twisted or pinched.

I always slept curled around her in my cupboard. It made Mama nervous but there was no room for me to turn over so I thought there was no danger that I’d crush or smother her. I didn’t dare put her in a box or drawer separate from me.

• • •

“He doesn’t hate her,” Chick said. “How could he?” Chick was holding Miranda in the sink as I bathed her. His arm looped behind her flat little back so she wouldn’t topple over and crack her perfect skull. I was afraid to trust myself bathing her. Her five-month-old fingers grabbed at his moving lips and he kissed them, making slurpy noises. “Mama and the redheads say you should be getting better now, Oly. Not so afraid.”

My arms disappeared below the elbows, covered by the warm grey water in the sink. Across the lot, Leona the Lizard Girl was floating, still and silent, in the green murk of her jar. Miranda could chortle and hurl a spoonful of pablum at the wall but she would be as helpless as Leona against Arty. I wanted Chick to believe me, to be as frightened and watchful as I was.

“Baby’s no threat to him.” Chick spoke as though he were answering my thoughts. A bubble of light swelled in me. He was right. That puny tail of hers was no threat to the Aqua Man.

“Besides,” Chick protested, “he keeps after me to bring Elly back. He says it would be good if she could help with Mumpo. I’ve been working on it but it’s tricky in there. In her head.”

My bubble fantasy sank into a chilly puddle. So that’s why Chick was so sure of Arty’s benevolence. “Guilty,” I said.

Chick nodded agreeably, his shiny head bobbing on his scrawny neck above Miranda’s unfathomable curls. “He feels bad.”

I sponged her puffing cheeks and she opened her gums and clamped down on the sponge, squeezing it happily. “I thought she was coming back.”

“It’s slow,” he nodded. “It was starting anyway. But I’m trying, a little bit every time. You should go over more. They’re lonely, the twins. It helps if things are busy, exciting around them. Elly notices more.”

“I help Iphy with the cleaning.”

“You don’t like Mumpo. You think he’s bad, but he’s not. Take Miranda to play with him.”

“He doesn’t play. He just lies there and eats.”

Chick’s golden face fell into a shadow of hurt. “He’s a wonderful baby. He’s different from Miranda.” His face drooped down to rub against her damp hair. “But he’s wonderful.”

I reached for a towel. “Let’s get her out now.”

She rose, dripping, straight up from the water and swooped into my arms, crowing.

“She likes to fly.” I smiled up at Chick, ashamed of insulting his other child.

“I have to go to surgery now.” He wouldn’t look at me. His face was flushed.

“We’ll come with you.” I started dressing her quickly.

“No, Oly. Don’t. It’s hard for me to concentrate when I have to take care of you. I have hard things to do.” I watched him through the window as he walked away. The ragged straps of his coveralls rode his bare bony shoulders as though nobody loved him.

Miranda was just learning to walk. She traveled from Papa’s big chair to the built-in sofa bench where Chick slept at night. Then she fell, face first, and split her lip. I was crying. She was bleeding and screaming. That was when Arty decided to come calling. It was the first time he had ever seen Miranda.

It is true that I’d been useless to him since she was born. She changed me. When I did work I was afraid to be close to him because I had something to lose.

After he wheeled out in disgust, I ran, with the baby still bleeding in my arms, and burst through the door of the surgery. The nurse grabbed my shoulders and hustled me into the waiting tent. Chick was severing a thigh. A critical procedure. She gave me a swab for Miranda’s lip and went back to the surgery.

He came out in his green scrubs and I flung myself on him. He was thirteen years old. I was nineteen. Miranda was one. He looked at her and she stopped crying. Her lip stopped bleeding. She reached up to him and he lifted her. She sighed and let her head fall onto his shoulder.

“He called her a norm,” I stormed. “He says he’ll feed her to Mumpo! He wouldn’t even look at her tail! Iphy will laugh all crazy and Mama will pop a pill and Al will swig on his bottle and nobody, nobody can help me but you!”

His child face rumpled in puzzlement. “I don’t understand,” he said.

At once a coolness swept over me. A woods-pond stillness filled me. “No!” I shrieked. “No! Don’t!” But it was too late and the anger and pain were small and hard in me, not gone, but distant.

“Now explain, please,” Chick pleaded. And we walked calmly out through the tent flap and strolled up the grass behind the midway booths, and Miranda fell asleep in Chick’s arms on the way.

I believe Chick tried. When he came out of Arty’s van he looked a thousand years old. He was the one who had to tell me.

• • •

Dear daughter, I won’t try to call my feeling for Arty love. Call it focus. My focus on Arty was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I have ever had. Remember what a poor thing I have always been and forgive me.

He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you.

The Arturan Administrative Office arranged everything. They located the convent school. They deposited a lump sum of money in a trust fund to be doled out to the nuns.

My job was to take you to that cross-cursed old woman — who, don’t forget, had given up children for her God-love long before you or even I came along. I had to take you to her and come back without you.

My job was to come back directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.

Arty could have done worse, but he chose not to.

25. All Fall Down

Hopalong McGurk smiles with pearly dentures because my perfect Binewski teeth went down the spout with everything else. Yet the day we lost it all was nothing special. Miranda had been gone a year or so. Late in the morning I was in Arty’s dressing room as usual, coating him with grease as the tent filled and the ropy voice of the crowd came through the wall, thickening the air. Arty lay on his belly on the massage table while I painted him. He watched me in the big wall mirror.

“Thick in the creases, please. I want to shine.”

I pushed the rolled flesh at the back of his neck and slathered a handful of grease over the smooth skin. He put his forehead against the bench and arched to pull the rolls out flat. I smoothed and rubbed and the sheen came up onto the back of his skull and crept toward his ears.

“Do you want the tips on your flippers?”

“I like it. The whole crowd breathes in when I go like this …” He spread his flippers and winked into the mirror.

I slid a hand under his chest and heaved. His back muscles rolled in cut slabs, every knob of his incredible spine visible as he bunched to help me. When he was balanced upright on his rear fins, I worked on his forehead and pulled the grease down onto his long eyelids and the flat cheekbones.

“I want a straight stroke of the white under each brow, down the nose, and under my lower lip. Not too blatant for the folks up close to the tank.”

I opened the jar of deli-white and spread his right fore-flipper. The pale glitter was already dry between his web creases. I painted brushfuls of soft gleam onto the fine fan of bones that were almost a hand sprouting from his shoulder. He flexed and spread and the light danced on the webbed flap.

The flippers on Arty’s hips were graceful. Nearly flat, twisting at their short joints like swans’ necks, smooth and powerful and extending with asymmetrical purpose. The little toelike thing that never had grime beneath its square nail could grip or scratch or turn a page. He twitched as I stroked on white, sending ripples through his whole body.

“Good. Go ahead and grease it now,” he said.

The undercoat caught the light in a subtle prism. When it was set, the final greasing had a sheen of its own and kept the white on even through the hour under water with Arty squirming his wildest. The white tipping and streaking were new touches. Arty examined himself in the mirror and his wide mouth wriggled from corner to corner.

“My, my. Won’t they just lick my jizz today?”

The sky above Molalla was aching blue but I walked from Arty’s tent to our van in the same air I’d sucked all my life. It was a Binewski blend of lube grease, dust, popcorn, and hot sugar. We made that air and we carried it with us. The Fabulons light was the same in Arkansas as in Idaho — the patented electric dance step of the Binewskis. We made it. Like the mucoid nubbin that spins a shell called “oyster,” we Binewskis wove a midway shelter called “carnival.”

It was noon and the crowds were building. Arty was in his tank holding elevation services for the Admitted in the big tent. Sanderson was hawking maggots in his elegant kudzu grammar. The redheads threw daring looks from every ticket booth and candy stand. Two dozen simp twisters did their best to shake, shock, and dizzy the change out of all the local pockets. I strolled down the midway, ready for lunch. I thought Crystal Lil was brewing Scotch broth for all her children.

But then I saw Lily in front of the twins’ van. She opened her long face and yelled, “Chick!” just as Chick pelted past me, elbows and knees pumping toward her. His white hair lashed behind him and I began to run. “It’s Elly!” howled Lil.

The bedroom door was open. The pink bed was filled with thrashing. One bare leg bent, beating its hard heel into the limp thigh of its mate. A long arm arced out of the snarling hair and flesh and whipped downward, clenching scissors.

“No!” said Chick, but the glinting fist landed and the heel went on kicking its other leg. “No!” Chick pounced on the bed and two frail arms jerked up out of the long black hair. The furious leg straightened and fell down on the sheets. Iphy’s red-smeared face tipped up between the raised arms and she lay quietly down beside Elly. The bubble pumping red from Elly’s breast flattened and then ceased. The two shining eyes of the scissor handles sat straight up in the shadowed socket of Elly’s left eye.

“No.” Chick reached for Elly while Lily, on her knees beside the bed, moaned, “Baaaby.”

“Elly?” said Chick.

I could see the thing on the floor in front of Lil, the bloody diapered heap of Mumpo.

“I can’t find her!” The creak of fright in Chick’s voice. A long thin tone whined from Lily’s open mouth.

“I killed her,” said Iphy calmly. She looked up at the ceiling from between arms stuck to the sheets by Chick’s mind.

“I can’t fix her!” Chick was crying.

“She killed my little boy.” Iphy’s voice was flat as Kansas.

“Mumpo,” said Chick and he lunged off the bed and saw the mess on the floor at Lily’s knees.

“Oh no,” Chick whispered. “I didn’t feel him go. Mumpo.”

Lily keened. “I did it,” sobbed Chick. “I brought Elly back.”

“Arty,” said Iphigenia. Then she died.

Rooted to the carpet, I stood and watched her go.

Chick whirled to look at her; his tear-slimed face broke. He threw himself on her, his hands grabbing her face. He jammed his face against hers, screaming, “No!”

Lil rocked on her knees beside the cooling pile of Mumpo. The high whine came and went with her breath. Chick’s face and hands were buried in Iphy’s dark mane. He said, “Arty.”

I broke for the door. Arty, I thought. Tell Arty. I hit the ramp as Chick passed me, his blond body hurtling barefoot to the dirt. I chased him. He stopped when he hit the midway. He stamped his feet into the sawdust, gathering himself, staring up the line to where the big tent loomed fifty feet above the booths and rides. “Arty,” he said, and I heard him through the wheezing music from the Mad Mouse as he stood, clenching his fists in the midway, stretching his neck with his eyes closed. No sign appeared around him. The air did not quiver. But silence came off him and the stretch of his neck cords made him old, and the veins blue and hard against his skin, and far down the line Arty’s tent, full of Arty and his cripples, blew upward, incinerating.

The white rocking air hit us before the sound. I heard nothing, but raised my hands against the rushing air, and the fire came, toppling toward us in falling blocks like the wave in a child’s dream, huge, though the torches were booths and tents no taller than a man could touch with his hand. It came billowing, scorching toward us, and the Chick, in his pain, could not hold himself but reached. I felt him rush through me like a current of love to my cross points, and then draw back. I, with my arms lifted, felt his eyes open into me, and felt their blue flicker of recognition. Then he drew back. He pulled out of my separate self and was gone. He turned away — and the fire came. The flames spouted from him — pale as light — bursting outward from his belly. He did not scream or move but he spread, and my world exploded with him, and I, watching, bit down — bit down and knew it — bit down with a sense of enormous relief, and ground my teeth to powdered shards — and stood singed and grinding at the stumps as they died — my roses — Arty and Al and Chick and the twins — gone dustward as the coals rid themselves of that terrible heat.

Many died. Many burned. Babes snuffed to grease smears in the blackened arms of their charcoaled mothers. Sudden switches, lean and brittle, had started as dancing children only seconds before. All the dark, gaping corpses, in their fire-frenzy ballet, flexed and tangled in the dreams of the finders. The firefighters and ambulance shriekers who had worked arson-struck tenements and the crashes of jumbo jets puked and retreated, or quit their jobs to grow lettuce, but still dreamed, after wading the ashes of Binewski’s Carnival Fabulon.

For me there were only Arty and Al and Chick and the twins snatched into nothing — and I with them — grinding, for relief, my teeth into powder.

The cats were lost but Horst made it. He took care of business while I was in the hospital. He brought me the papers to sign but he made the decisions. I didn’t object. He sent what he could find of Zephir McGurk home to his sons. He cleaned and polished the Fly Roper’s stork-shaped scissors before mailing them to the ex-wife in Nebraska. Horst was the one who identified Arty’s boiled body, no longer beautiful, in the dark char left when the big tank vaporized. He gathered the torn, soggy jar kin from the remnants of their shattered jugs and ushered them, with the rest of the Binewski dead, through what he called “decent” cremation.

The family living vans weren’t touched by the firestorm. Horst took out everything personal and then sold the vans. Norval Sanderson died in the Transcendental Maggot booth near Arty’s tent, but his van was safe. Horst was quick enough to get the papers, tapes, and journals out and away before the reporters got hold of them. He stored everything and rented a shabby room for himself near the hospital. He was occupied for months with the dismantling and bankruptcy of the Arturan rest homes. He visited me every day except Wednesdays, when he trekked down to the state mental hospital near Salem to visit Mama in her padded room.

He brought me from the hospital to a small rented room across a dark hall from his own.

“We might as well stay here, in Portland,” he said. “Every place is the same now.”

The Binewski name stank and drew flies. Horst gave my name as McGurk when he rented my room. “Zephir was a good man,” Horst told me. McGurk loved Arty so I kept the name.

Horst was the one who found Crystal Lil after the firestorm. It was a year or more before he told me about it. By then I had a job recording books for the blind. I had begun building a small life in the strange, stuck world. Horst had met a woman with strong thighs and a Siamese cat. He was moving in with her. He took me to McLarnin’s bar for our goodbye. Horst had a few extra jolts and then told me.

“I was looking for your papa. It was all over but the screaming. I came around the end of a van and saw him on the ground. He must have just stepped down from the generator truck when it blew. Your grandpa’s silver urn was lying in the gravel beyond him, battered. There was blood on it. I think it was Als.”

Horst couldn’t look at me. He wound his thick fingers in his grey mustache and glared into his glass.

“I knew he was dead and I stayed back. I couldn’t go up to him. I sat down in the gravel by the urn but I couldn’t touch that, either. Then, here comes your mama, calling ‘Al’ like it was suppertime. She was off her head. Out of it, you understand.

“She runs to where he’s lying and rips off her blouse — pulls her skirt down — hikes her underpants tight against her crotch. She’s saying, Al … broken … just completely broken … we’ll have to start over.’ She crouches over Al’s body, straddling his thighs, fumbling at his belt, opening his zipper, yanking those white jodhpurs down to his hips and talking softly. She settles herself over his limp penis and she rocks, rubbing her crotch against him, stroking his chest, not noticing the half of his face that isn’t there anymore — not noticing the handless stump of his arm smoldering, but rubbing herself slowly like a cat against him and running her hands inside his shirt against his chest hair and saying, ‘Broken … Al … after all our work … we’ll start again … Al … you and me … Al.’ ”

Mumpo was not quite three years old when he died. And you, Miranda, were two, stringing beads and eating vanilla wafers in Sister Lucy’s nursery. But you were nine years old before the doctors let me bring Crystal Lil home to the house on Kearney Street.

I was full-grown before I ever set foot in a house without wheels. Of course I had been in stores, offices, fuel stations, barns, and warehouses. But I had never walked through the door of a place where people slept and ate and bathed and picked their noses, and, as the saying goes, “lived,” unless that place was three times longer than it was wide and came equipped with road shocks and tires.

When I first stood in such a house I was struck by its terrible solidity. The thing had concrete tentacles sunk into the earth, and a sprawling inefficiency. Everything was bigger than it needed to be and there were so many shadowed, dusty corners empty and wasted that I thought I would get lost if I stepped away from the door. That building wasn’t going anywhere despite an itchy sense that it was not entirely comfortable where it was.

That was when I first recognized a need to explain myself. That was the time when I realized that the peculiar look on people’s faces when they saw me was not envy or hatred, but could be translated into one simple question: “What the hell happened to you?” They needed to know so they could prevent it from happening to them.

My answer was simple, too. “My father and mother designed me this way. They achieved greater originality in some of their other projects.”

For a while I told people this. I was proud of it. It was the truth. Only a few folks ever actually asked — little children, drunks, or people so old that they exempted themselves from the taboos of courtesy by pretending senile irresponsibility. I got interested. I’d throw the answer even when the question wasn’t voiced but was only lightly etched in the flesh around the eyes. I’d smile calmly and announce it to the kid at the gas pump, or the garbage collector, or a lady with a shopping bag at a street light.

Some, particularly women, would turn away as though I hadn’t spoken or they hadn’t heard me. They thought I was crazy. They didn’t want to encourage me. Next thing I’d be asking for money.

I worked on polishing my story and my delivery. To excuse them for wondering, to make them feel all right about it. I felt exhilarated by each explanation, but still they shut me out.

“Shit!” some would say. Or “Do tell!” The best I could hope for was “Born that way, eh?” Were they bored by it? Or embarrassed? Did they assume I was lying?

This mystery appeared when I first stood in a rooted house. I hadn’t understood before that anything about me needed explaining. It’s all very well to read about houses, and see houses from the road, and to tell yourself, That’s where folks live. But it’s another thing entirely to walk inside and stand there.

Al always laughed at the stuck houses. He hauled out his only bit of scripture to deal with houses. “The birds of the air have their nests,” he would announce as though it were a nursery rhyme, “the foxes of the ground have their holes.” And he would raise one finger and jut his eyebrows forward in his teaching way, “But the son of man hath nowhere to rest his head.”