11

I see a red door and I want it painted black,

No colours any more, I want them to turn black.

I see the girls walk by dressed in their summer clothes -

I have to turn my head until my darkness goes.

Mick Jagger and Keith Richards, ‘Paint It Black’

Maybe for some people the business of knowing who and what and when and where they are is simple; not for me. The past and the present flicker together in my mind and it isn’t easy to sort through the different strands of story to find one that is only mine. Here’s an extract from one of Helen Gorn’s notebooks of 2022, the year of her suicide and my birth:

18.08.22

‘I know death hath ten thousand several doors for men to take their exits.’ Going out is easy, coming in is a labour. Hold it up by the ankles and smack its bottom. Cry — you’re in the world. Nobody asks to be born. Lots of people ask for the other.

And yet another transcript, this one from one of my mother’s therapy sessions (which I, the as yet unborn Gorn, attended) after her first suicide attempt later that same August:

SNG REST AND REASSESSMENT CENTRE


GORN, HELEN — SESSION 12–15:30 — 22.08.22


THERAPISTD. SCHWARTZ, DIRECTOR, PHYSIO/PSYCHO

(GORN IS WEARING HEADPHONES AND LISTENING TO AN AUDIOBOY)

S: What are you listening to?

G: Bloody cheek!

S: Why do you say that?

G: (MOCKING ME) ‘Why do you say that?’ I never saw you before in my life and here you come with your face and your spectacles and your beard and you want to know what I’m listening to. I don’t ask you what you’re listening to, do I?

S: I’m not listening to anything.

G: That’s your problem — you don’t listen.

S: I meant that I’m not listening to music.

G: Never mind. Those that can’t hear, let them not listen.

S: What can you hear?

G: The black.

S: By?

G: Johann Sebastian Schwarz.

S: Do you mean Bach?

G: I mean Black. That’s your name too — Schwarz. But you don’t listen.

S: Which of Schwarz’s compositions are you listening to?

G: The Art of Frog. I hate it.

S: Why?

G: No hop.

S: What about you? Have you got hop?

G: Don’t be stupid. If I had I wouldn’t be here, would I. Would you like to disappear?

S: I’m interested in why you tried to disappear.

G: ‘If I should take a notion to jump right into the ocean, ain’t nobody’s business if I do.’ Know that song?

S: No.

G: Neither do I, because whatever I do is Corporation business. If I weren’t who I am you wouldn’t be interested in me.

S: I’m interested because what you’ve done is my business now.

G: You really care about me, do you? (PUTS HER HAND BETWEEN HER LEGS) Do you fancy me?

S: Can you remember what you were thinking when you took the Lethenil tablets?

G: Life is a dis-integration.

S: Can you say more about that?

G: Before we’re born we’re integrated with the black. Birth tears us loose from that and dis-integrates us into life. So I thought, why not re-integrate. Haven’t you ever thought that, Dr Black? You’re quite hairy, aren’t you.

S: No, I haven’t ever thought that.

G: What — never thought that you’re quite hairy?

S: Never thought of re-integrating with the black. When you took the tablets were you mindful of the fact that another life besides your own was involved?

G: It was in my mind, yes.

S: Can you say a little more about that?

G: How can I say more to someone who’s never thought about re-integrating with the black?

S: Two other lives, I should have said — there’s the father, isn’t there?

G: You’re right, this was not an immaculate conception. That’s a very shrewd insight.

S: Physio says you’re about six months pregnant. Does the father know?

G: Now I know what happened: I died and went to hell and my punishment is to spend eternity talking to arseholes.

S: You haven’t answered my question.

G: Who the hell are you, that all your questions must be answered? You think all my questions get answered?

S: Do you know who the father is?

G: Do you know who yours was?

S: Yes, I do.

G: Was he an arsehole too?

S: We were talking about the father of the child you’re carrying.

G: You were, I wasn’t. I don’t think I can give you any more time just now. (GORN LEAVES THE ROOM)

That session followed Helen Gorn’s first attempt at reintegration with the black. A month later she made a better job of it.

In Izzy’s notebooks the handwriting was different but the voice is pretty much the same. Here’s one of his entries about two months before his death:

10.02.22

The black is all there is. That’s why if you build your house on the black it’ll last for ever.

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