I COMMONS

All things have a value. Sometimes the value is paid in coin. Other times, it is paid in time and sweat. And finally, sometimes it is paid in blood.

Humanity seems most eager to use this latter currency. And we never note how much of it we’re spending, unless it happens to be our own.

— KING ERMIEDES EUPATOR, “REFLECTIONS UPON CONQUEST”

1

As Sancia Grado lay facedown in the mud, stuffed underneath the wooden deck next to the old stone wall, she reflected that this evening was not going at all as she had wanted.

It had started out decently. She’d used her forged identifications to make it onto the Michiel property, and that had gone swimmingly — the guards at the first gates had barely glanced at her.

Then she’d come to the drainage tunnel, and that had gone…less swimmingly. It had worked, she supposed — the drainage tunnel had allowed her to slink below all the interior gates and walls and get close to the Michiel foundry — but her informants had neglected to mention the tunnel’s abundance of centipedes, mud adders, and shit, of both the human and equine variety.

Sancia hadn’t liked it, but she could handle it. That had not been her first time crawling through human waste.

But the problem with crawling through a river of sewage is that, naturally, you tend to gain a powerful odor. Sancia had tried to stay downwind from the security posts as she crept through the foundry yards. But just when she reached the north gate, some distant guard had cried out, “Oh my God, what is that smell?” and then, to her alarm, dutifully gone looking for the source.

She’d avoided being spotted, but she’d been forced to flee into a dead-end foundry passageway and hide under the crumbling wooden deck, which had likely once been a guard post. But the problem with this hiding place, she’d quickly realized, was it gave her no means of escape: there was nothing in the walled foundry passageway besides the deck, Sancia, and the guard.

Sancia stared at the guard’s muddy boots as he paced by the deck, sniffing. She waited until he walked past her, then poked her head out.

He was a big man, wearing a shiny steel cap and a leather cuirass embossed with the loggotipo of the Michiel Body Corporate — the candle flame set in the window — along with leather pauldrons and bracers. Most troublingly, he had a rapier sheathed at his side.

Sancia narrowed her eyes at the rapier. She thought she could hear a whispering in her mind as he walked away, a distant chanting. She’d assumed the blade was scrived, but that faint whispering confirmed it — and she knew a scrived blade could cut her in half with almost no effort at all.

This was such a damned stupid way to get cornered, she thought as she withdrew. And I’ve barely even started the job.

She had to get to the carriage fairways, which were probably only about two hundred feet away, behind the far wall. And she needed to get to them sooner rather than later.

She considered her options. She could dart the man, she supposed, for Sancia did have a little bamboo pipe and a set of small but expensive darts that were soaked in the poison of dolorspina fish — a lethal pest found in the deeper parts of the ocean. Diluted enough, the venom should only knock its victim into a deep sleep, with an absolute horror of a hangover a few hours later.

But the guard was sporting pretty decent armor. Sancia would have to make the shot perfect, perhaps aiming for his armpit. The risk of missing was far too high.

She could try to kill him, she supposed. She did have her stiletto, and she was an able sneak, and though she was small, she was strong for her size.

But Sancia was a lot better at thieving than she was killing, and this was a trained merchant house guard. She did not like her chances there.

Moreover, Sancia had not come to the Michiel foundry to slit throats, break faces, or crack skulls. She was here to do a job.

A voice echoed down the passageway: “Ahoy, Nicolo! What are you doing away from your post?”

“I think something died in the drains again. It smells like death down here!”

“Ohh, hang on,” said the voice. There came the sound of footsteps.

Ah, hell, thought Sancia. Now there are two of them…

She needed a way out of this, and fast.

She looked back at the stone wall behind her, thinking. Then she sighed, crawled over to it, and hesitated.

She did not want to spend her strength so soon. But she had no choice.

Sancia pulled off her left glove, pressed her bare palm to the dark stones, shut her eyes, and used her talent.

The wall spoke to her.

The wall told her of foundry smoke, of hot rains, of creeping moss, of the tiny footfalls of the thousands of ants that had traversed its mottled face over the decades. The surface of the wall bloomed in her mind, and she felt every crack and every crevice, every dollop of mortar and every stained stone.

All of this information coursed into Sancia’s thoughts the second she touched the wall. And among this sudden eruption of knowledge was what she had really been hoping for.

Loose stones. Four of them, big ones, just a few feet away from her. And on the other side, some kind of closed, dark space, about four feet wide and tall. She instantly knew where to find it like she’d built the wall herself.

There’s a building on the other side, she thought. An old one. Good.

Sancia took her hand away. To her dismay, the huge scar on the right side of her scalp was starting to hurt.

A bad sign. She’d have to use her talent a lot more than this tonight.

She replaced her glove and crawled over to the loose stones. It looked like there had been a small hatch here once, but it’d been bricked up years ago. She paused and listened — the two guards now seemed to be loudly sniffing the breeze.

“I swear to God, Pietro,” said one, “it was like the devil’s shit!” They began pacing the passageway together.

Sancia gripped the topmost loose stone and carefully, carefully tugged at it.

It gave way, inching out slightly. She looked back at the guards, who were still bickering.

Quickly and quietly, Sancia hauled the heavy stones out and placed them in the mud, one after the other. Then she peered into the musty space.

It was dark within, but she now let in a little light — and she saw many tiny eyes staring at her from the shadows, and piles of tiny turds on the stone floor.

Rats, she thought. Lots of them.

Still, nothing to do about it. Without another thought, she crawled into the tiny, dark space.

The rats panicked and began crawling up the walls, fleeing into gaps in the stones. Several of them scampered over Sancia, and a few tried to bite her — but Sancia was wearing what she called her “thieving rig,” a homemade, hooded, improvised outfit made of thick, gray woolen cloth and old black leather that covered all of her skin and was quite difficult to tear through.

As she got her shoulders through, she shook the rats off or swatted them away — but then a large rat, easily weighing two pounds, rose up on its hind legs and hissed at her threateningly.

Sancia’s fist flashed out and smashed the big rat, crushing its skull against the stone floor. She paused, listening to see if the guards had heard her — and, satisfied that they had not, she hit the big rat again for good measure. Then she finished crawling inside, and carefully reached out and bricked up the hatch behind her.

There, she thought, shaking off another rat and brushing away the turds. That wasn’t so bad.

She looked around. Though it was terribly dark, her eyes were adjusting. It looked like this space had once been a fireplace where the foundry workers cooked their food, long ago. The fireplace had been boarded up, but the chimney was open above her — though she could see now that someone had tried to board up the very top as well.

She examined it. The space within the chimney was quite small. But then, so was Sancia. And she was good at getting into tight places.

With a grunt, Sancia leapt up, wedged herself in the gap, and began climbing up the chimney, inch by inch. She was about halfway up when she heard a clanking sound below.

She froze and looked down. There was a bump, and then a crack, and light spilled into the fireplace below her.

The steel cap of a guard poked into the fireplace. The guard looked down at the abandoned rat’s nest and cried, “Ugh! Seems the rats have built themselves a merry tenement here. That must have been the smell.”

Sancia stared down at the guard. If he but glanced up, he’d spy her instantly.

The guard looked at the big rat she’d killed. She tried to will herself not to sweat so no drops would fall on his helmet.

“Filthy things,” muttered the guard. Then his head withdrew.

Sancia waited, still frozen — she could still hear them talking below. Then, slowly, their voices withdrew.

She let out a sigh. This is a lot of risk to get to one damned carriage.

She finished climbing and came to the top of the chimney. The boards there easily gave way to her push. Then she clambered out onto the roof of the building, lay flat, and looked around.

To her surprise, she was right above the carriage fairway — exactly where she needed to be. She watched as one carriage charged down the muddy lane to the loading dock, which was a bright, busy blotch of light in the darkened foundry yards. The foundry proper loomed above the loading dock, a huge, near-windowless brick structure with six fat smokestacks pouring smoke into the night sky.

She crawled to the edge of the roof, took off her glove, and felt the lip of the wall below with a bare hand. The wall blossomed in her mind, every crooked stone and clump of moss — and every good handhold to help her find her way down.

She lowered herself over the edge of the roof and started to descend. Her head was pounding, her hands hurt, and she was covered in all manner of filthy things. I haven’t even done step one yet, and I’ve already nearly got myself killed.

“Twenty thousand,” she whispered to herself as she climbed. “Twenty thousand duvots.”

A king’s ransom, really. Sancia was willing to eat a lot of shit and bleed a decent amount of blood for twenty thousand duvots. More than she had so far, at least.

The soles of her boots touched earth, and she started to run.

The carriage fairway was poorly lit, but the foundry loading dock was ahead, bright with firebaskets and scrived lanterns. Even at this hour it was swarming with activity as laborers sprinted back and forth, unloading the carriages lined up before it. A handful of guards watched them, bored.

Sancia hugged the wall and crept closer. Then there was a rumbling sound, and she froze and turned her head away, pressing her body to the wall.

Another enormous carriage came thundering down the fairway, splashing her with gray mud. After it passed, she blinked mud out of her eyes and watched it as it rolled away. The carriage appeared to be rolling along of its own accord: it wasn’t pulled by a horse, or a donkey, or any kind of animal at all.

Unfazed, Sancia looked back up the fairway. It’d be a pity, she thought, if I crawled through a river of sewage and a pile of rats, just to get crushed by a scrived carriage like a stray dog.

She continued on, and watched the carriages closely as she neared. Some were horse-drawn, but most weren’t. They came from all over the city of Tevanne — from the canals, from other foundries, or from the waterfront. And it was this last location that Sancia was most interested in.

She sunk down below the lip of the loading dock and crept up to the line of carriages. And as she approached, she heard them whisper in her mind.

Murmurings. Chatterings. Hushed voices. Not from the horse-drawn carriages — those were silent to her — but from the scrived ones.

Then she looked at the wheels of the closest carriage, and saw it.

The interiors of the huge wooden wheels had writing upon them, a sort of languid, joined-up script that looked to be made of silvery, gleaming metal: “sigillums” or “sigils,” as the Tevanni elite called them. But most just called them scrivings.

Sancia had no training in scriving, but the way scrived carriages worked was common knowledge in Tevanne: the commands written upon the wheels convinced them that they were on an incline, and so the wheels, absolutely believing this, would feel obliged to roll downhill — even if there was actually no hill at all, and the carriage was actually just rolling along, say, a perfectly flat (if particularly muddy) canal fairway. The pilot sat in the hatch of the carriage, adjusting the controls, which would tell the wheels something like, “Oh, we’re on a steep hill now, better hurry up,” or, “Wait, no, the hill’s flattening out, let’s slow down,” or, “There’s no hill at all now, actually, so let’s just stop.” And the wheels, thoroughly duped by the scrivings, would happily comply, thus eliminating the need for any horses, or mules, or goats, or whichever other dull creature could be coaxed into hauling people around.

That was how scrivings worked: they were instructions written upon mindless objects that convinced them to disobey reality in select ways. Scrivings had to be carefully thought out, though, and carefully wrought. Sancia had heard stories about how the first scrived carriages didn’t have their wheels calibrated properly, so on one occasion the front wheels thought they were rolling downhill, but the wheels in the back thought they were rolling uphill, which quickly tore the carriage apart, sending the wheels hurtling through the streets of Tevanne at phenomenal speeds, with much mayhem and destruction and death ensuing.

All of which meant that, despite their being highly advanced creations, hanging around a carriage’s wheels was not exactly the brightest of things to do with one’s evening.

Sancia crawled to one wheel. She cringed as the scrivings whispered in her ears, growing louder. This was perhaps the oddest aspect of her talents — she’d certainly never met anyone else who could hear scrivings — but it was tolerable. She ignored the sound and poked her index and middle finger through two slits in the glove on her right hand, baring her fingertips to the moist air. She touched the wheel of the carriage with her fingers, and asked it what it knew.

And, much like the wall in the passageway, the wheel answered.

The wheel told her of ash, of stone, of broiling flame, of sparks and iron.

Sancia thought, Nope. The carriage had probably come from a foundry — and she was not interested in foundries tonight.

She leaned around the back of the carriage, confirmed the guards hadn’t seen her, and slipped down the line to the next one.

She touched the carriage’s wheel with her fingertips, and asked it what it knew.

The wheel knew soft, loamy soil, the acrid smell of dung, the aroma of crushed greenery and vegetation.

A farm, probably. Nope. Not this one either.

She slipped down to the next carriage — this one your average, horse-drawn carriage — touched a wheel, and asked it what it knew.

The wheel knew of ash, and fire, and hot, and the hissing sparks of smelting ore…

This one came from another foundry, she thought. Same as the first. I hope Sark’s source was right. If all of these came from foundries or farmland, the whole plan’s over before it began.

She slipped down to the next carriage, the horse snuffling disapprovingly as she moved. This was the penultimate one in line, so she was running out of options.

She reached out, touched a wheel, and asked it what it knew.

This one spoke of gravel, of salt, of seaweed, of the tang of ocean spray, and wooden beams soaking above the waves…

Sancia nodded, relieved. That’s the one.

She reached into a pouch on her rig and pulled out a curious-looking object: a small bronze plate inscribed with many sigils. She took out a pot of tar, painted the back of the plate with it, and reached up into the carriage and stuck the little bronze plate to the bottom.

She paused, remembering what her black-market contacts had told her.

Stick the guiding plate to the thing you want to go to, and make sure it’s stuck hard. You don’t want it falling off.

So…what happens if it falls off in the street or something? Sancia had then asked.

Well. Then you’ll die. Pretty gruesomely, I expect.

Sancia pressed on the bronze plate harder. Don’t you scrumming get me killed, she thought, glaring at it. This job’s offering enough damned opportunities as it is. Then she slid out, slipped through the other carriages, and returned to the fairway and the foundry yards.

She was more careful this time, and made sure to stay upwind of any guards. She made it to the drainage tunnel quickly. Now she’d have to trudge back through those fetid waters and make straight for the waterfront.

Which was, of course, where the carriage she’d tampered with was also bound, since its wheels had spoken to her of sea spray and gravel and salty air — things a carriage would only encounter at the waterfront. Hopefully the carriage would help her get into that highly controlled site.

Because somewhere on the waterfront was a safe. And someone incomprehensibly wealthy had hired Sancia to steal one specific item inside it in exchange for a simply inconceivable amount of money.

Sancia liked stealing. She was good at it. But after tonight, she might never need to steal again.

“Twenty thousand,” she chanted softly. “Twenty thousand. Twenty thousand lovely, lovely duvots…”

She dropped down into the sewers.

2

Sancia did not truly understand her talents. She did not know how they worked, what their limits were, or even if they were all that dependable. She just knew what they did, and how they could help her.

When she touched an object with her bare skin, she understood it. She understood its nature, its makeup, its shape. If it had been somewhere or touched something recently, she could remember that sensation as if it had happened to her. And if she got close to a scrived item, or touched one, she could hear it muttering its commands in her head.

That didn’t mean she could understand what the scrivings were saying. She just knew something was being said.

Sancia’s talents could be used in a number of ways. A quick, light touch with any object would let its most immediate sensations spill into her. Longer contact would give her a physical sense of the thing she was touching — where its handholds were, where it was weak or soft or hollow, or what it contained. And if she kept her hands on something for long enough — a process which was deeply painful for her — it would give her near-perfect spatial awareness: if she held her hand to a brick in the floor of a room, for example, she’d eventually sense the floor, the walls, the ceiling, and anything touching them. Provided she didn’t pass out or vomit from the pain, that is.

Because there were downsides to these abilities. Sancia had to keep a lot of her skin concealed at all times, for it’s difficult to, say, eat a meal with the fork you’re holding spilling into your mind.

But there were upsides, too. A facility with items is a tremendous boon if you’re looking to steal those items. And it meant Sancia was phenomenally talented at scaling walls, navigating dark passageways, and picking locks — because picking locks is easy if the lock is actually telling you how to pick it.

The one thing she tried hard not to think about was where her talents came from. For Sancia had gotten her abilities in the same place she’d gotten the lurid white scar that ran down the right side of her skull, the scar that burned hot whenever she overextended her talents.

Sancia did not exactly like her talents: they were as restrictive and punishing as they were powerful. But they’d helped her stay alive. And tonight, hopefully, they would make her rich.

The next step was the Fernezzi complex, a nine story building across from the Tevanni waterfront. It was an old structure, built for customs officers and brokers to manage their accounts back before the merchant houses took over almost all of Tevanne’s trade. But its age and ornate designs were useful for Sancia, offering many sturdy handholds.

It says something, she thought, grunting as she climbed, that scaling this big goddamn building is the easiest part of this job.

Finally she came to the roof. She gripped the granite cornices, clambered onto the top of the building, ran to the western side, and looked out, panting with exhaustion.

Below her was a wide bay, a bridge crossing it, and, on the other side, the Tevanni waterfront. Huge carriages trundled across the bridge, their tops quaking on the wet cobblestones. Almost all of them were certainly merchant house carriages, carrying goods back and forth from the foundries.

One of the carriages should be the one she’d marked with the guiding plate. I scrumming well hope so, she thought. Otherwise I hauled my stupid ass through a river of shit and up a building for no damned reason at all.

For ages the waterfront had been as corrupt and dangerous as any other part of Tevanne that wasn’t under direct control of the merchant houses — which was to say, incredibly, flagrantly, unbelievably corrupt. But a few months ago they’d gone and hired some hero from the Enlightenment Wars, and he’d booted out all the crooks, hired a bunch of professional guards, and installed security wards all over the waterfront — including scrived, defensive walls, just like those at the merchant houses, which wouldn’t let you in or out without the proper identification.

Suddenly it’d become difficult to do illegal things on the waterfront. Which was quite inconvenient for Sancia. So she’d needed to find an alternate way into the waterfront for her job tonight.

She kneeled, unbuttoned a pouch on her chest, and took out what was likely her most important tool of the night. It looked like a roll of cloth, but as she unfolded it, it gained a somewhat cuplike shape.

When she was finished, Sancia looked at the little black parachute lying on the rooftop.

“This is going to kill me, isn’t it?” she said.

She took out the final piece of the parachute: a telescoping steel rod. Set into the ends of this rod were two small, scrived plates — she could hear them chanting and whispering in her head. Like all scrived devices, she had no idea what they were saying, but her black-market contacts had given her strict instructions on how all this would work.

It’s a two-part system, Claudia had told her. You stick the guidance plate to the thing you want to go to. The guidance plate then says to the plates in the rod, “Hey, I know you think you’re your own thing, but you’re actually part of this thing that I’m attached to — so you need to get over here and be part of it, fast.” And the rod says, “Really? Oh gosh, what am I doing all the way over here? I need to go be a part of this other thing right away!” And when you hit the switch, it does. Really, really fast.

Sancia was vaguely familiar with this scriving technique. It was a version of the method the merchant houses used to stick bricks and other construction materials together, duping them into thinking they were all one object. But no one tried to use this method over distances — it was considered unstable to the point of being useless, and there were far safer methods of locomotion available.

But those methods were expensive. Too expensive for Sancia.

And the parachute keeps me from falling, Sancia had said when Claudia was done explaining it all.

Uh, no, Claudia had said. The parachute slows it down. Like I told you — this thing is going to go really, really fast. So you’re going to want to be high up when you turn it on. Just make sure the guidance plate is actually where you need it to be, and nothing’s blocking your path. Use the test piece first. If it’s all lined up, turn on the rod and go.

Sancia reached into yet another pocket and pulled out a small glass jar. In this glass jar was a bronze coin, and inscribed on this coin were sigils similar to the ones on the parachute rod.

She squinted at the coin. It was stuck firmly to the side of the glass facing the waterfront. She turned the glass over, and, as if magnetized, the coin zipped across the jar and stuck itself to the other side with a tinny tink! — again, the side facing the waterfront.

If this thing is attracted to the guiding plate, she thought, and if the guiding plate is on the carriage, then it means the carriage is at the waterfront. So I’m good.

She paused. Probably. Maybe.

She hesitated for a long time. “Shit,” she muttered.

Sancia hated this sort of thing. The logic behind scriving always seemed so stupidly simple — barely logic at all, really. But then, scriving more or less bent reality, or at least confused it.

She put the jar away and threaded the rod through the tapered end of the parachute.

Just think of what Sark told you, she thought. Just think of that number — twenty thousand duvots.

Enough money to fix herself. To make herself normal.

Sancia hit a lever on the side of the rod and jumped off the roof.

Instantly she was soaring through the air across the bay at a speed she’d never thought possible, hauled along by the steel rod, which, as far as she understood, was frantically trying to join the carriage down in the waterfront. She could hear the parachute whipping out behind her and finally catching the air, which slowed her down some — first not much at all, but then a little more, and a little more.

Her eyes watered and she gritted her teeth. The nightscape of Tevanne was a whirl around her. She could see water glittering in the bay below, the shifting forest of masts from the ships in the harbor, the shuddering roofs of the carriages as they made their way to the waterfront, the smoke unscrolling from the foundries clutched around the shipping channel…

Focus, she thought. Focus, idiot.

Then things…dipped.

Her stomach lurched. Something was wrong.

She looked back, and saw there was a tear in the parachute.

Shit.

She watched, horrified, as the tear began to widen.

Shit! Double shit!

The sailing rig lurched again, so hard that she barely noticed she’d flown over the waterfront walls. The rig started speeding up, faster and faster.

I need to get off this thing. Now. Now!

She saw she was sailing over the waterfront cargo stacks, huge towers of boxes and crates, and some of the stacks looked high indeed. High enough for her to fall and catch herself. Maybe.

She blinked tears out of her eyes, focused on one tall stack of crates, angled the rig, and then…

She hit the lever on the side of the rod.

Instantly, she started losing momentum. She was no longer flying but was instead drifting down toward the crates, which were about twenty feet below. She was slowed somewhat by the rapidly dissolving parachute — but not enough to make her comfortable.

She watched as the giant crates flew up to her.

Ah, hell.

She hit the corner of the crate so hard that it knocked the wind out of her, yet she still retained sense to reach out and snag the wooden corner, grabbing hold and clutching to its side. The sailing rig caught some wind, and was ripped out of her hands and went drifting away.

She hung fast to the side of the crate, breathing hard. She’d trained herself to fall, to catch onto walls in an instant, or bounce or slide off of surfaces — but she’d rarely had to use such training.

There was a clank from somewhere to her right as the sailing rig fell to the ground. She froze and just hung there for a moment, listening for any alarms being raised.

Nothing. Silence.

The waterfront was a big place. One noise was easy to disregard.

Hopefully.

Sancia took her left hand away from the crate, dangling by just one hold, and used her teeth to pull off her glove. Then she pressed her bare left hand to the crate, and listened.

The crate told her of water, and rain, and oil, and straw, and the tiny bite of many nails…

And also how to climb down it.

Step two — getting in the waterfront — had not gone quite as planned.

Now on to step three, she thought wearily, climbing down. Let’s see if I can avoid screwing that one up.

When Sancia made it to the ground, at first all she did was breathe hard and rub her bruised side.

I made it. I’m inside. I’m there.

She peered through the cargo stacks at the building on the far side of the waterfront: the Waterwatch offices — the police force for the waterfront.

Well. Almost there.

She pulled off her other glove, stuffed both of them in her pockets, and placed her hands on the stone surface at her feet. Then she shut her eyes and listened to the stone.

This was a hard trick, for Sancia: the ground around her was a wide area, so it was a lot to listen to all at once. But she could still listen, still let the stones spill into her mind, still feel the vibrations and trembling all around her as people…

Walked. Stood. Ran. Shifted feet. Sancia could feel all of them just as one could feel fingers running down one’s own bare back.

Nine guards nearby, she thought. Heavy ones — big men. Two stationary, seven on patrols. There were doubtlessly many more than that on the waterfront, but her abilities could only see so far through the stones.

She noted their positions, their directions, their speed. For the ones close to her she could even feel their heels on the stones — so she knew which way they were facing.

The scar on the side of her head started getting painfully warm. She winced and took her hands away — but the memory of the guards remained. Which meant this would be like trying to navigate a familiar room in the dark.

Sancia took a breath, slipped out of the shadows, and started off, dodging through crates, slipping under carts, pausing always just-so as guards made their rounds. She tried not to look at the crates as she moved. Most bore markings from the plantations, far out in the Durazzo Sea, and Sancia was well acquainted with such places. She knew that these raw goods — hemp, sugar, tar, coffee — had not been harvested or produced with anything resembling consensual labor.

Bastards, thought Sancia as she slipped through the crates. Bunch of rotten, scrumming bastards…

She paused at one crate. She couldn’t read its label in the dark, but she placed a bare finger against a wooden slat, listened carefully, and saw within it…

Paper. Lots of it. Blank, raw paper. Which should do nicely.

Time to prepare an exit strategy, she thought.

Sancia pulled her gloves on, untied one pocket on her thigh, and pulled out her final scrived tool for the evening: a small wooden box. The box had cost her more than she’d ever spent on a job in her life, but without it, her life wouldn’t be worth a fig tonight.

She placed the box on top of the crate. This should work well enough. She hoped so. Getting out of the waterfront would be a hell of a lot harder if it didn’t.

She reached back into her pocket and pulled out what looked like a simple knot of twine, running through a thick ball of lead. In the center of this ball was a tiny, perfect clutch of sigils — and as she held it, she heard a soft whispering in her ear.

She looked at the ball of lead, then the box on the crates. This scrumming box, she thought, putting the lead ball back in her pocket, had damned well better work. Or I’ll be trapped here like a fish in a pot.

Sancia jumped the short fence around the Waterwatch offices and ran to the wall. She crept to the corner of the building, then ducked her head out. No one. But there was a large, thick doorframe. It stuck out about four or five inches from the wall — plenty of room for Sancia to work with.

She leapt up and grabbed the top of the doorframe, then pulled herself up, paused to rebalance, and placed her right foot on the top of the frame. Then she hauled herself up until she stood on the doorframe.

Two second-floor windows were on her right and left, old and thick with oily, yellowed glass. Sancia pulled out her stiletto, slipped it into the crack in one window, flipped back the latch, and pulled the window open. She sheathed her stiletto, lifted herself up, and peered in.

Inside were rows and rows of shelves, filled with what looked like parchment boxes. Probably records of some kind. The area was deserted, as it ought to be at this time of night — close to one in the morning by now — but there was a light downstairs. A candle flame, perhaps.

Downstairs is where the safes are, thought Sancia. Which won’t be unguarded, even now…

She crawled inside, shutting the window behind her. Then she crouched low and listened.

A cough, then a sniff. She crept through the shelves until she came to the railing at the edge of the second floor, and peered down into the first floor.

A single Waterwatch officer sat at a desk at the front door, filling out paperwork, a candle burning before him. He was an older man, plump and timid-looking, with a slightly lopsided mustache and a crinkled blue uniform. But it was what was behind him that really interested Sancia, for there sat a row of huge iron safes, nearly a dozen of them — and one of them, she knew, was the safe she’d come for.

But now, she thought, what to do about our friend down there?

She sighed as she realized what her only option was. She took her bamboo pipe out and loaded it with a dolorspina dart. Another ninety duvots spent on this job, she thought. Then she gauged the distance between herself and the guard, who was tsking and scratching out something on the page before him. She placed the pipe to her lips, aimed carefully, breathed in through her nose, and then…

Before she could fire, the front door of the Waterwatch offices slammed open, and a large, scarred officer strode through, clutching something wet and dripping in one hand.

She lowered the pipe. Well. Shit.

The officer was tall, broad, and well-muscled, and his dark skin, dark eyes, and thick black beard suggested he was a pureblood Tevanni. The hair atop his head was cut close, and his appearance and bearing immediately made Sancia think of a soldier: he had the look of a man used to having his words listened to and acted upon immediately.

This new arrival turned to the officer seated at the desk, who looked no less surprised than Sancia to see him. “Captain Dandolo!” said the officer at the desk. “I thought you’d be out at the piers tonight.”

The name was familiar to Sancia. Dandolo was the name of one of the four main merchant houses, and she’d heard that the new waterfront captain had some kind of elite connections…

Ah, she thought, so this is the striper who’s taken it upon himself to reform the waterfront. She drew back into the shelves, though not so far that she couldn’t see.

“Something wrong, sir?” said the officer at the desk.

“One of the boys heard a sound out in the stacks, and found this.” His voice was terribly loud, like he spoke to fill up every room he was in with whatever he had to say. Then he held up something ragged and wet — and Sancia immediately recognized it as the remains of her air-sailing rig.

She grimaced. Shit.

“Is that a…kite?” said the officer at the desk.

“No,” said Dandolo. “It’s an air-sailing rig — what the merchant houses use for mercantile espionage. It’s an unusually poor version, but that’s what it seems to be.”

“Wouldn’t the walls have notified us if someone unauthorized crossed over the barrier?”

“Not if they crossed over high enough.”

“Ah,” said the sergeant. “And you think…” He looked over his shoulder at the line of safes.

“I’m having the boys comb the stacks as we speak,” said Dandolo. “But if they’re mad enough to fly into the waterfront with this thing, maybe they’re mad enough to go for the safes.” He sucked his teeth. “Keep an eye out, Sergeant, but stay at your post. I’ll look around. Just to see.”

“Right, sir.”

Sancia watched with growing horror as Dandolo mounted the stairs, the wood creaking under his considerable weight.

Shit! Shit!

She considered her options. She could go back to the window, open it up, slip outside, and stand on the doorframe below, waiting for Dandolo to leave. But this took a lot of risks, since she could be seen or heard by the man.

She could shoot Dandolo with the dolorspina dart. That would likely cause him to go tumbling back down the stairs, alarming the sergeant below, who could then raise the alarm. She debated if she could reload in time to hit him too, and found this plan no better.

Then she had a third idea.

She reached into her pocket and pulled out the knot of twine and the scrived lead ball.

She’d intended to save this final trick as a distraction while she made her escape. But then, she did need to escape from this current situation.

She put away her pipe, gripped each end of the twine knot, and looked up at the approaching captain, who was still climbing the stairs in front of her.

You’re an asshole for scrumming this up for me, she thought.

She gripped the ends of the twine knot, and ripped it untied in one fast motion.

Sancia vaguely understood how the scriving mechanism worked: the interior of the lead ball was lined with sandpaper, and the twine was treated with fire potash, so when it was ripped through the sandpaper, it ignited. Just a small flare, but that was enough.

Because the scrived ball in her hands was linked with a second lead ball, which was far, far away in the box atop the paper crates in the cargo stacks. Both balls were altered to be convinced that they were actually the same ball — and thus, whatever happened to the one happened to the other. Dunk one in cold water, and the other would grow rapidly cool. Shatter one, and the other would shatter as well.

So this meant that when she pulled the twine and ignited the flare inside, the second ball in the cargo stacks suddenly grew burning hot too.

But the second ball was packed in quite a lot more fire potash — and the box it sat in was filled to the brim with flash powder.

The instant Sancia ripped the twine through the lead ball, she heard a faint boom way out in the cargo stacks.

The captain paused on the stairs, bewildered. “What the hell was that?” he said.

“Captain?” called the sergeant downstairs. “Captain!

He turned away from Sancia and called down the stairs, “Sergeant — what was that?”

“I don’t know, Captain, but, but…There’s smoke.”

Sancia turned toward the window and saw that the scrived device had worked quite well — there was now a thick column of white smoke out in the cargo stacks, along with a cheery flame.

“Fire!” shouted the captain. “Shit! Come on, Prizzo!”

Sancia watched, pleased, as the two of them sprinted out the door. Then she dashed downstairs to the safes.

Let’s hope it keeps burning, she thought as she ran. Otherwise I might crack the safe, and get the prize — but I’ll have no tricks left to get me off the waterfront.

Sancia looked at the line of safes. She remembered Sark’s instructions—It’s safe 23D. A small wooden box. The combinations are changed every day — Dandolo is a clever bastard — but it should be no issue for you, girl. Should it?

She knew it shouldn’t. But then, she was now working with a much tighter deadline than she’d previously planned for.

Sancia approached 23D and took her gloves off. These safes were where civilian passengers stored away valuables with the Waterwatch — specifically, passengers unaffiliated with the merchant houses. If you were affiliated with one of the merchant houses, it was assumed you’d store your valuables with them directly, because they, being the manufacturers and producers of all scrived rigs, would have far better security and protection than just a bunch of safes with combination locks.

Sancia placed one bare hand on 23D. Then she leaned her bare forehead against it, took the tumbler wheel in her other hand, and shut her eyes.

The safe blossomed to life in her mind, telling her of iron and darkness and oil, the chattering of its many toothed gears, the clinkings and clankings of its stupendously complicated mechanisms.

She slowly started turning the wheel, and felt instantly where it wanted to go. She slowed the combination wheel down, and…

Click. One tumbler fell into place.

Sancia breathed deep and started turning the wheel in the opposite direction, feeling the mechanisms clicking and clanking inside the door.

There was another boom out in the cargo yard.

Sancia opened her eyes. Pretty sure I didn’t do that one…

She looked back at the window on the western side of the offices, and saw that the greasy glass panes were dancing with greedy firelight. Something must have caught out there, something much more flammable than the paper crate she’d intended to set alight.

She heard shouting, screaming, and cries out in the yard. Ah, hell, she thought. I need to hurry before the whole damned place burns down!

She shut her eyes again and kept turning the wheel. She felt it clicking into place, felt that perfect little gap approaching…and the scar on her head burning hot, like a needle in her brain. I’m doing too much. I’m pushing myself too damned far…

Click.

She sucked her teeth. That’s two…

More screams from outside. Another soft boom.

She focused. She listened to the safe, letting it pour into her, feeling the anticipation of the mechanism within, feeling it wait with bated breath for that one final turn…

Click.

She opened her eyes and turned the handle on the safe. It opened with a clunk. She swung it open.

The safe was filled with an abundance of items: letters, scrolls, envelopes, and the like. But at the back was her prize: a wooden box, about eight inches long and four inches deep. A simple, dull box, unremarkable in nearly every way — and yet this bland thing was worth more than all the precious goods Sancia had ever stolen in her life combined.

She reached in and picked up the box with her bare fingers. Then she paused.

Her abilities had been so taxed by the evening’s excitement that she could tell something was curious about the box, but not immediately what — she got a hazy picture in her mind of pine wood walls within walls, but not much more. It was like trying to look at a painting in the dark during a lightning storm.

She knew that wasn’t important, though — she was just meant to get it, and not ask questions about its contents.

She stowed it away in a pouch on her chest. Then she shut the safe, locked it, and turned and ran for the door.

As she exited the Waterwatch offices, she saw that the little fire was now a full-on blaze. It looked like she’d set the entire damned cargo yard alight. Waterwatch officers sprinted around the inferno, trying to contain it — which meant likely all of the exits were now available for her to use.

She turned and ran. If they find out I did this, she thought, I’ll be harpered for sure.

She made it to the eastern exit of the waterfront. She slowed, hid behind a stack of crates, and confirmed that she was right — all the officers were tending to the blaze, which meant it was unguarded. She ran through, head aching, heart pounding, and the scar on the side of her head screaming in pain.

Yet just as she crossed, she looked back for one moment, watching the fire. The entire western fifth of the waterfront was now a wild blaze, and an unbelievably thick column of black smoke stretched up and curled about the moon above.

Sancia turned and ran.

3

A block away from the waterfront, Sancia slipped into an alley and changed clothing, wiping the mud from her face, rolling up her filthy thieving rig, and putting on a hooded doublet, gloves, and hosiery.

She cringed as she did so — she hated changing clothes. She stood in the alley and shut her eyes, wincing as the sensations of mud and smoke and soil and dark wool bled out of her thoughts, and bright, crunchy, crispy hemp fabric surged in to replace them. It was like stepping out of a nice warm bath and jumping into an icy lake, and it took some time for her mind to recalibrate.

Once this was done, she hurried away down the street, pausing twice to confirm she’d not been followed. She took a turn, then another. Soon the huge merchant house walls swelled up on either side of her, white and towering and indifferent — Michiel on the left, Dandolo on the right. Behind those walls were the merchant house enclaves — commonly called “campos”—where the merchant houses ran their clutch of neighborhoods like their own little kingdoms.

Clinging to the bases of the walls was a tall, rambling stretch of ramshackle wooden tenements and rookery buildings and crooked chimneys, an improvised, makeshift, smoky tangle of soaking warrens stuffed between the two campo walls like a raft trapped between two converging ships.

Foundryside. The closest thing Sancia had to a home.

She passed through an alley, and was greeted by a familiar scene. Firebaskets sparked and hissed at the street corners ahead. A taverna on her left was still thriving even at this hour, its old yellow windows glimmering with candlelight, cackles and curses spilling through the drapes across the entrance. Weeds and vines and rogue nut trees tumbled out of the flooded alleys as if launching an ambush. Three old women on a balcony above watched her passage, all picking at a wooden plate, upon which sat the remains of a striper — a large, ugly water bug that turned a rather pretty, striped violet pattern when boiled.

The scene was familiar, but it didn’t make her any more relaxed. The Tevanni Commons were Sancia’s home, but her neighbors were just as ruthless and dangerous as any merchant house guard.

She took back passageways to her rookery building, and slipped in through a side door. She walked down the hallway to her rooms, felt the door with a bare index finger, then the floorboards. They told her nothing unusual — it seemed things hadn’t been tampered with.

She unlocked all six of the locks on the door, walked in, and locked it again. Then she crouched and listened, her bare index finger stuck to the floorboards.

She waited ten minutes. The throbbing in her head slowly returned. But she had to be sure.

When nothing came, she lit a candle — she was tired of using her talents to see — crossed her room, and opened the shutters of her windows, just a crack. Then she stood there and watched the streets.

For two hours, Sancia stared out the tiny crack at the street below. She knew she had good reason to be paranoid — she’d not only just pulled off a twenty-thousand-duvot job, she’d also just burned down the damned Tevanni waterfront. She wasn’t sure which was worse.

If someone had happened to look up at Sancia’s window and catch a glimpse of her, they likely would’ve been struck by the sight. She was a young girl, barely older than twenty, but she’d already lived more than most people ever would, and you could see it in her face. Her dark skin was weather-beaten and hard, the face of someone for whom starvation was a frequent occurrence. She was short but muscular, with bulky shoulders and thighs, and her hands were calloused and hard as iron — all consequences of her occupation. She sported a lopsided, self-applied haircut, and a lurid, jagged scar ran along her right temple, approaching close to her right eye, whose whites were slightly muddier than those of the left.

People did not like it when Sancia looked at them too hard. It made them nervous.

After two hours of watching, Sancia felt satisfied. She closed her shutters, locked them, and went to her closet and removed the false floor. It always discomfited her to open up the floor there — the Commons had no banks or treasuries, so the whole of her life’s savings was squirreled away in that dank niche.

She took the pine box out of her thieving rig, held it in her bare hands, and looked at it.

Now that she’d had some time to recover — the screaming pain in her skull had subsided into a dull ache — she could tell right away what was odd about the box, and it bloomed clear in her mind, the shape and space of the box congealing in her thoughts like wax chambers in a beehive.

The box had a false bottom in it — a secret compartment. And inside the false bottom, Sancia’s talents told her, was something small and wrapped in linen.

She paused, thinking about this.

Twenty thousand duvots? For this thing?

But then, it was not for her to think about. Her purpose had been to get the box, and nothing more. Sark had been very clear about that. And Sancia was well favored by their clients because she always did as she was asked — no more, no less. In three days, she’d hand the box off to Sark, and then she’d never think about it again.

She put the box in the false floor, closed the floor, and shut the closet.

She confirmed that her door and shutters were secure. Then she walked over to her bed, sat, placed her stiletto on the floor beside her, and breathed deep.

Home, she thought. And safe.

But her room did not look much like a home. If anyone had happened to peer inside, they’d have thought Sancia lived like the most ascetic of monks: she had only a plain chair, a bucket, an unadorned table, and a bare bed — no sheets, no pillows.

Yet this was how she was forced to live. She preferred sleeping in her own clothes to sleeping in sheets: not only was it difficult to adjust to lying in yet more cloth, but bedsheets were prone to lice and fleas and other vermin, and the feeling of their many tiny legs picking their way across her skin drove her absolutely mad. And when her scar burned hot, she couldn’t bear to have any of her other senses overloaded either — too much light and too many colors was like having nails in her skull.

Food was even worse. Eating meat was out of the question — blood and fat did not taste delicious to her, but instead carried an overpowering sensation of rot, decay, and putrefaction. All those muscle fibers and tendons remembered being part of a living creature, of being connected, whole, bright with life. To taste meat was to know, instantly and profoundly, that she was gnawing on a hunk of a corpse.

It made her gag. Sancia lived almost entirely off of plain rice mixed with beans, and weak cane wine. She did not touch strong alcohol — she needed total control over her senses just to function. And any water found in the Commons, of course, was not to be trusted.

Sancia sat on her bed, bent forward, rocking back and forth with anxiety. She felt small and alone, as she often did after a job, and she missed the one creature comfort she desired the most: human company.

Sancia was the only person who’d ever been in her room, or in her bed, for touching people was unbearable: it wasn’t quite like she heard their thoughts, because people’s thoughts, despite what most believed, were not a smooth, linear narration. They were more like a giant, hot cloud of bellowing impulses and neuroses, and when she touched a person’s skin, that hot cloud filled up her skull.

The press of flesh, the touch of warm skin — these sensations were perhaps the most intolerable of all for her.

But perhaps it was better, to be solitary. There was less risk that way.

She breathed deep for a moment, trying to calm her mind.

You’re safe, she said to herself. And alone. And free. For another day.

Then she pulled her hood over her head, tied it tight, lay down, and shut her eyes.

But sleep never came.

After an hour of lying there, she sat up, took off her hood, lit a candle, looked at her closed closet door, and thought.

This…bothers me, she thought. A lot.

The problem, she decided, was a matter of risks.

Sancia lived her life very carefully — or at least as carefully as one could while making a living climbing towers and breaking into places full of dangerous, armed men — and she always sought to minimize any potential hazards.

And the more she thought about it, possessing something small that was worth the nigh-inconceivable sum of twenty thousand duvots while not knowing what that thing actually was

Well. It now felt mad. Especially if she was going to hold on to it for three scrumming days.

Because the most valuable things in the city of Tevanne were undoubtedly scriving designs: the strings of sigils that made scrived rigs work. Scriving designs took a great deal of effort and talent to compose, and were the most protected property of any merchant house. Get the right scriving design and you could instantly start making all kinds of augmented devices at a foundry — devices that could easily be worth a fortune. Though Sancia had often been offered work to go after merchant house designs, she and Sark always turned it down, since house-breakers who ran such jobs often wound up pale, cold, and bobbing in a canal.

And though Sark had assured her that this job had not been about scriving designs — twenty thousand duvots could make anyone too stupid for their own good.

She sighed, trying to quell the dread in her stomach. She walked over to the closet, opened it, opened her false floor, and took the box out.

She looked at it for a long time. It was unadorned pine, with a brass clasp. She took off her gloves and felt it with her bare hands.

Again, the box’s form and shape bled into her mind — a large cavity, full of papers. Again, she sensed the box’s false bottom, with the linen-wrapped item beneath. Nothing else — and no way for someone to know she’d opened the box, then.

Sancia took a breath and opened it.

She felt sure the papers would be covered in sigil strings, which would have been as good as a death warrant for her — but they were not. They were elaborate-looking sketches of what looked like old carved stones with writing on them.

Someone had written notes on the bottom of a sketch. Sancia was only a little better than literate, but she tried her best, and read:

Artifacts of the Occidental Empire

It is common knowledge that the hierophants of the old empire utilized a number of astounding tools in their works, but their methods remain unclear to us. While our modern-day scriving persuades objects that their reality is something that it is not, the Occidental hierophants were apparently able to use scriving to alter reality directly, commanding the world itself to instantly and permanently change. Many have theorized about how this was possible — but none have conclusive answers.

More questions arise when we study the stories of Crasedes the Great himself, first of the Occidental hierophants. There are many tales and legends of Crasedes utilizing some kind of invisible assistant — sometimes a sprite, or spirit, or entity, often kept in a jar or box that he could open at his discretion — to help him in his labors.

Was this entity another alteration that the hierophants had made to reality? Or did it exist at all? We do not know — but there seems to be some connection to the greatest and most mysterious of the tales of Crasedes the Great: that he built his own artificial god to govern the whole of the world.

If Crasedes was in possession of some kind of invisible entity, perhaps it was but a rough prototype for this last and greatest iteration.

Sancia put the paper down. She understood absolutely none of this. She’d heard something once about the Occidentals during her time in Tevanne — some kind of fairy story about ancient giants, or maybe angels — but no one had ever claimed the hierophants were real. Yet whoever had written these notes — perhaps the owner of the box — certainly seemed to think so.

But she knew these papers weren’t the real treasure. She dumped them out and set them aside.

She reached into the box, touched two fingers to the bottom, and slid the false bottom away. Below was the small item, wrapped in linen, about as long as your hand.

Sancia reached for it, but paused.

She couldn’t afford to screw up this payout. She needed to get the money together to pay a physiquere who could fix the scar on her head, fix what was wrong with her, make her somewhat…normal. Or close to it.

She rubbed the scar on the side of her head as she looked inside the box. She knew that somewhere under her scalp, screwed into her skull, was a fairly large metal plate, and on that plate were some complicated sigils. She didn’t know anything about the commands there, but she knew that they were almost certainly the source of her talents.

She also knew that the fact that the plate had been forcibly implanted inside her would not matter one whit to the merchant houses: a scrived human was somewhere between an abomination and a rare, invaluable specimen, and they’d treat her accordingly.

Which was why her operation would be so expensive: Sancia would have to pay a black-market physiquere more than the merchant houses were willing to reward them for handing her in — and the merchant houses were willing to pay a lot.

She looked at the linen-wrapped item in her hand. She had no idea what it was. But despite Sark’s warnings, the risks of not knowing were just too high.

She put the box down, took out the item, and began unwrapping it. As she did so, she caught a glint of gold…

Just a gold piece? A piece of gold jewelry?

But then she pulled the cloth away, and saw it was not jewelry.

She looked at the item lying on the linen in the palm of her hand.

It was a key. A large, long key made of gold, with an intricate, terribly strange tooth, and a rounded head that sported an oddly carved hole. To Sancia, the hole faintly resembled the outline of a butterfly.

“What in hell?” she said aloud.

Sancia peered closely at it. It was a curious piece, but she couldn’t see why it would be worth all this…

Then she saw them — there, along the edge of the key, and curling around the tooth: etchings. The key was scrived, but the commands were so slender, so delicate, so complex…They were like nothing she’d ever seen before.

But what was stranger still — if this key was scrived, why couldn’t she hear it? Why didn’t it murmur in the back of her mind like every other scrived device she’d ever encountered?

This doesn’t make any sense, she thought.

She touched a single bare finger to the gold key.

And the second she did, she heard a voice in her mind — not the usual avalanche of sensations, but a real, actual voice, so clear it sounded like someone was standing right next to her, speaking rapidly in a bored tone:

Sancia let out a gasp and dropped the key. It fell to the floor, and she jumped back from it like it was a rabid mouse.

The key just sat there, much as any key would.

She stared around herself. She was — as she knew full well — completely alone in this room.

She crouched down and looked at the key. Then she reached down and carefully touched it…

Instantly, the voice sprang to life in her ear.

<…can’t have heard me. It’s impossible! But ah yeeaaahh she’s definitely looking at me like she heard me, and…Okay. Now she’s touching me again. Yeah. Yeah. This is probably bad.>

Sancia took her finger away like it had been burned. She looked around herself again, wondering if she were going mad.

“This is impossible,” she muttered.

Then, throwing caution to the wind, she picked up the key.

Nothing. Silence. Maybe she’d imagined it.

Then the voice said:

Sancia’s eyes shot wide.

can hear me, can’t you?>

She blinked, wondering what to do. She said aloud, “Uh. Yes.”

hear me? I haven’t met anyone who could hear me in…Hell, I don’t know. I can’t remember the last time. Then again, I can’t really remember all that much, truth be to—>

“This is impossible,” said Sancia for the second time.

said the voice.

“You’re a…a…”

“A…” She swallowed. “A key.”

“Right, but a…a talking key.”

said the voice in her ear. I’m the normal one here.>

Sancia laughed madly. “This is insane. It’s insane. That’s got to be it. I’ve gone insane.”

The voice cleared his throat.

4

Sancia put the key back in the false floor in her closet, slammed it shut, and then slammed the closet door closed.

She stared at the closet for a moment, breathing hard. Then she walked over to her apartment door, unlocked the six locks, and peered out into her hallway.

Empty. Which made sense, since it was probably three in the morning by now.

She shut the door, locked it, went to the shutters, unlocked them, and looked outside, panic fluttering in her rib cage like a trapped moth. Again, no movement in the street.

She didn’t know why she was doing this. Perhaps it was sheer compulsion: to have something so wild, so insane, so unbelievable happen to her had to invite danger.

Yet she could see none coming — not yet, at least.

She closed her shutters and locked them. Then she sat on her bed, holding her stiletto. She wasn’t sure what she was going to do with it — stab the key? — but it felt better to be holding it.

She stood, walked back to her closet door, and said, “I’m…I’m going to open the door and take you out now — all right?”

Silence.

She let out a shuddering breath. What the hell did we get mixed up in? She was used to scrived devices muttering things, sure, but to have one directly address her like an overcaffeinated street vendor…

She opened the closet door, opened the false floor, and looked at the key. Then she gritted her teeth, stiletto still in her left hand, and picked it up with her right.

Silence. Perhaps she’d dreamed it, or imagined it.

Then the voice spoke up in her mind:

Sancia flinched. “I don’t think so,” she said. “If my chair starts talking to me, it’s going out the goddamn window. What the hell are you?”

“I don’t need to tell a damn object my name!” said Sancia angrily. “I’m also not going to introduce myself to the doorknob!”

“What merchant house made you?” she demanded.

“What merchant house made you? Dandolo? Candiano? Morsini, Michiel? Which one of them made this…this thing you are, whatever it is?”

“A scrived device!” she said, exasperated. “Altered, augmented, elevated, whatever damn term the campo people use! You’re a rig, aren’t you?”

Clef was silent for a long while. Then he said,

“You don’t know what scriving is? It’s the…it’s the symbols that are drawn on you, these things that make you who you are, what you are!” She looked closer at his tooth. She didn’t know much about scriving — as far as she was aware, it took about a thousand certifications and degrees to do it — but she hadn’t ever seen sigils like these. “Where did you come from?”

that question I can answer!> said Clef.

“Okay. Then tell me.”

He said the word with palpable contempt. something resembling decent treatment, here.>

Sancia hesitated. She wasn’t sure why she was so reluctant to tell Clef her name — perhaps it felt like something out of a children’s story, the foolish girl who gives her name away to the wicked demon. But finally she relented, and said, “Sancia.”

He said the word like it was the name of a grotesque dish.

“Yes. My name is Sancia.”

said Clef.

“And where did you come from, Clef?” she said, frustrated.

said Clef.

“You…what? The dark? You’re from the dark?”

“Where is this dark place?”

“So they shipped you over the ocean. Yeah. I figured that. Who shipped you over here?”

“Where were you before the dark?”

There was a note of anxiety in his voice at that.

“What was with you in the dark?” asked Sancia.

He paused.

“For how long?”

Clef laughed miserably. that times a hundred. Then a thousand. That still doesn’t come close to how long I was there, in the dark, alone.>

Sancia was silent. That sounded like something akin to hell to her — and it sounded like Clef was still shaken by it.

said Clef.

“This is my apartment.”

voluntarily? What, you can’t get yourself even, like, one picture?>

Sancia decided to cut to it. “Clef…You know I stole you — right?”

“I don’t know. From a safe.”

“I’m panicked,” said Sancia, “because to get you, I had to do a ton of things that could get me harpered in a blink.”

Sighing, Sancia quickly tried to tell Clef that “harpering” referred to a method of public torture and execution in Tevanne: the subject was placed in a stockade, and the harper — a long, thin piece of extremely strong wire, attached to a small, scrived device — was placed in a loop around their neck, or perhaps their hands or feet or delicates. The scrived device would then, much to the subject’s distress, begin cheerily retracting the wire, tightening the loop inch by inch, until finally the wire bit into and completely amputated the chosen extremity.

It was an extremely popular spectacle in Tevanne, but Sancia had never attended a harpering. Mostly because she knew that, in her line of work, there was a not-insignificant chance it could be her bits in the loop.

“Right. So. You don’t know who owned you, do you?”

“Or who made you.”

“That’s insane, someone had to have made you!”

She couldn’t come up with a good answer to that. She was mainly trying to figure out exactly how much danger she was in. Clef was obviously, undoubtedly the most advanced scrived device she’d ever seen — and she was pretty sure he was a scrived device — but she wasn’t sure why someone would be willing to pay forty fortunes for him. A key that did little more than insult you in your mind would have pretty low value to the merchant houses.

Then she realized there was an obvious question she hadn’t asked yet.

“Clef,” she said, “since you’re a key and all…what exactly do you ope—”

Sancia dropped the key and backed away to the corner of her room.

She stared at Clef, thinking rapidly. She did not like the idea of a scrived item reading her mind, not one damned bit. She tried to remember all the things she’d thought since she’d started talking to him. Had she given away any secrets? Could Clef even hear the thoughts she hadn’t known she’d been thinking?

If there’s risk in exposing yourself to him, she thought, it’s a risk you’ve already taken.

Glowering, she walked back over, knelt, touched a digit to the key, and demanded, “What the hell do you mean, hear my thoughts?”

some of your thoughts. I can hear them if — if! — you think them hard enough.>

She picked him up. “What does that mean, think them hard enough?”

Sancia thought something very hard at Clef.

said Clef.

thought Sancia.

She wasn’t sure how she felt about this. It was as if Clef had moved into a room upstairs inside her mind, and was whispering to her through a hole in the ceiling. She struggled to remember what she’d been talking to him about.

she asked him.

There was a silence.

said Sancia.

asked Clef.

Sancia considered it, and had an idea. She walked over to her open closet. Sitting in the corner was her collection of practice locks, specimens she’d ripped out of doors or stolen from mechanists’ shops, which she labored over every other night, refining her skills.

she said,

said Clef.

Sancia picked up one of the locks, a Miranda Brass, which was generally considered to be one of the more formidable conventional locks — meaning not scrived — in Tevanne. Sancia herself, with all her talents, usually took about three to five minutes to pick it.

she asked.

Sancia lined Clef up, gave him a mistrustful glance, and slid the golden key into the lock.

Instantly, there was a loud click, and the Miranda Brass sprang open.

Sancia stared.

“Holy shit,” she whispered.

said Clef.

Sancia dropped the Miranda Brass, picked up another — this one a Genzetti, not as durable as a Miranda, but more complicated — and popped Clef in.

Click.

“Oh my God,” said Sancia. “What in all harpering hell…how are you doing that?”

made to open. They’re just made to be really reluctant about it. It’s a matter of asking them from the right way, from inside themselves.>

They went through the rest of the locks, one by one. Every time, the second Clef penetrated the keyhole, the lock sprang open.

said Sancia.

said Clef.

She stared into space, thinking. And an inevitable idea quickly captured her thoughts.

With Clef in her hands, she could rob the Commons absolutely blind, build up the savings to pay the black-market physiqueres to make her normal again, and skip town. Maybe she didn’t even need the twenty thousand her client was dangling in front of her.

But Sancia was pretty sure her client was from one of the four merchant houses, since that was who dealt in scrived items. And she couldn’t exactly use a lockpick to fend off a dozen bounty hunters all looking to lop her to pieces, and that was precisely what the houses would send her way. Sancia was good at running, and with Clef in her hand, she could maybe run quite far — but outrunning the merchant houses was difficult to ponder.

said Clef.

Sancia snapped out of her reverie.

Sancia pulled a face and wondered how in the hell to explain scriving.

really different. So they can make locks that only open for one key in the whole world, and they’re completely unpickable. It’s not a matter of pressing and pulling on the right lever, or something — the lock knows there’s only one key it’s supposed to open for.>

said Clef.

that!> said Clef, disgusted.

Sancia had never heard of a rig that was capable of picking scrived locks — but then, she’d never heard of one that could see and talk either.

<’Course I can. You want me to prove that too?> he said, smug.

Sancia looked out her window. It was almost dawn, the sun crawling over the edge of the distant campo walls and spilling across the leaning rooftops of the Commons.

she said. She put him in her false floor, shut the door, and lay on her bed.

Alone in her room, Sancia thought back to her last meeting with Sark, at the abandoned fishery building on the Anafesto Channel.

She remembered navigating all the tripwires and traps that Sark had set for her—“insurance,” Sark had called it, since he’d known that Sancia, with all her talents, would be the only one who could safely circumvent them. As she’d gingerly stepped over the last tripwire and trotted upstairs, she’d glimpsed his gnarled, scarred face emerging from the shadows of the reeking building — and to her surprise, he’d been grinning.

I’ve got a corker for you, San, he’d rasped. I’ve got a big fish on the line and no mistake.

Marino Sarccolini, her fence, agent, and the closest thing she had to a friend in this world. Though few would have thought to befriend Sark — for he was one of the most disfigured people Sancia had ever seen.

Sark had one foot, no ears, no nose, and he was missing every other finger on his hands. Sometimes it seemed about half his body was scar tissue. It took him hours to get around the city, especially if he had to take any stairs — but his mind was still quick and cunning. He was a former “canal man” for Company Candiano, an officer who’d organized theft, espionage, and sabotage against the other three merchant houses. The position was called such because the work, like Tevanne’s canals, was filthy. But then the founder of Company Candiano had gone mysteriously mad, the company had almost collapsed, and nearly everyone had gotten fired except for the most valuable scrivers. Suddenly all kinds of people who’d been used to campo life found themselves living in the Commons.

And there, Sark had tried to keep doing what he’d always done: thieving, sabotaging, and spying on the four main merchant houses.

Except in the Commons he hadn’t had the protection of a merchant house. So when he’d finally gotten sniffed out by agents of Morsini House after one daring raid, they’d taken him and ruined him beyond repair.

Such were the rules of life in the Commons.

When she finally saw him that day in the fishery, Sancia had been taken aback by the look on Sark’s face — for she’d never seen him…delighted. A person like Sark had little to be delighted about. It was unsettling.

He’d started talking. He’d vaguely described the job. She’d listened. When he’d told her the price tag, she’d scoffed and told him that the whole thing had to be a scam — no one was going to pay them that much.

At that, he’d tossed her a leather envelope. She’d glanced in it, and gasped.

Inside had been nearly three thousand in paper duvots — an absurd rarity in the Commons.

An advance, said Sark.

What! We never get advances.

I know.

Especially not in…in paper money!

I know.

She’d looked at him, wary. Is this a design job, Sark? I don’t deal in scriving designs, you know that. That shit will get us both harpered.

And that’s not what this is, if you can believe it. The job is just a box. A small box. And since scriving designs are usually dozens of pages long, if not hundreds, then I think we can rule that out.

Then what is in the box?

We don’t know.

And who owns the box?

We don’t know.

And who wants the box?

Someone with twenty thousand duvots.

She’d considered it. This hadn’t been terribly unusual for their line of work — usually it was better for all parties involved to know as little as possible about one another.

So, she’d said. How are we supposed to get the box?

He’d grinned wider, flashing crooked teeth. I’m glad you asked…

And they’d sat and hashed it all out right then and there.

Afterward, though — after the glee of planning it out, preparing it, discussing it there in the dark of the fishery — a queer dread had seeped into Sancia’s stomach. There anything I should be worried about here, Sark?

Anything I know? No.

Okay. Then anything you suspect?

I think it’s house work, he’d said. That’s the only people who could toss around three thousand in paper. But we’ve done work for the houses before, when they need deniability. So in some ways, it’s familiar — do as they ask, and they’ll pay well, and let you keep your guts where they are.

So why is this different?

He’d thought for a moment, and said, With this price tag…well, it’s got to be coming from the top, yeah? A founder, or a founderkin. People who live behind walls and walls and walls. And the higher you go in the houses, the richer and madder and stupider these people get. We could be stealing some princeling’s plaything. Or we could be stealing the wand of Crasedes the Great himself, for all I know.

Comforting.

Yeah. So we need to play this right, Sancia.

I always play it right.

I know. You’re a professional. But if this is coming from the echelons, we need to be extra cautious. He’d held out his arms. I mean, look at me. You can see what happens when you cross them. And you…

She’d looked at him, eyes hard. And me?

Well. They used to own you. So you know what they can be like.

Sancia slowly sat up in bed. She was achingly tired, but she still couldn’t sleep.

That comment—They used to own you—it had bothered her then, and it bothered her now.

The scar on the side of her head prickled. So did the scars on her back — and she had a lot more there.

They don’t own me still, she insisted to herself. My days are free now.

But this, she knew, was not entirely true.

She opened the closet, opened the false floor, and picked Clef up.

she said.

Clef said, excited.

5

Sancia ran a string through Clef’s head and hung him around her neck, hidden in her jerkin. Then she walked down her rookery stairs and slipped out the side door. She scanned the muddy fairway for any watchful eyes, and started off.

By now the streets of Foundryside were filling up with people, tottering or skulking over the wooden sidewalks. Most were laborers, staggering off to work with their heads still aching from too much cane wine the night before. The air was hazy and humid, and the mountains rose in the distance, steaming and dark. Sancia had never been in the uplands beyond Tevanne. Most Tevannis hadn’t. Living in Tevanne might be rough, but the mountainous jungles were a lot worse.

Sancia turned a corner and spotted a body lying in the fairway up ahead, its clothes dark with blood. She crossed the street to avoid it.

said Clef.

<…that’s a good point, I guess.>

did see that, right? That guy was dead?>

She looked back and observed how much of the man’s throat was missing.

said Sancia.

And she explained.

Since it was the merchant houses that made Tevanne great, it was probably inevitable that most city property would wind up being owned by them. But the houses were also all competitors who jealously protected their scriving designs; for as everyone knew, intellectual property is the easiest kind to steal.

This meant that all the land the houses owned was fiercely guarded, hidden behind walls and gates and checkpoints, inaccessible to all except those who possessed the proper markers. The house lands were so restricted and controlled they were practically different countries — which the city of Tevanne more or less acknowledged.

Four walled-off little city-states, all crammed into Tevanne, all wildly different regions with their own schools, their own living quarters, their own marketplaces, their own cultures. These merchant house enclaves — the campos — took up about 80 percent of Tevanne.

But if you didn’t work for a house, or weren’t affiliated with them — in other words, if you were poor, lame, uneducated, or just the wrong sort of person — then you lived in the remaining 20 percent of Tevanne: a wandering, crooked ribbon of streets and city squares and in-between places — the Commons.

There were a lot of differences between the Commons and the campos. The campos, for instance, had waste systems, fresh water, well-maintained roads, and their buildings tended to stay standing, which wasn’t always the case in the Commons. The campos also had a plethora of scrived devices to make their lives easier, which the Commons certainly did not. Walk into the Commons showing off a fancy scrived trinket, and you’d have your throat slit and your treasure snatched in an instant.

Because another thing that the campos had that the Commons did not was laws.

Each campo had its own rules and law enforcement, all of which fully applied within their rambling, crooked boundaries. But because each campo’s individuality was considered sacrosanct, this meant there was no defined set of citywide laws, nor was there any real citywide law enforcement, or judicial system, or even prisons — to establish such things, the Tevanni elite had decided, would be to suggest that the power of Tevanne superseded the powers of the campos.

So if you were part of a merchant house, and resided on a campo, you had such things.

If you didn’t, and you lived in the Commons, then you were just…there. And, considering all the disease and starvation and violence and whatnot, you probably weren’t there for long.

said Clef.

said Sancia, taking a left.

Finally they came to their destination. Up ahead, the wet, rambling rookeries of Foundryside came to a sharp stop at a tall, smooth white wall, about sixty feet high, clean and perfect and unblemished.

said Clef.

That disturbed her. She could tell if a rig was scrived if she got within a few feet of it — she’d start hearing that muttering in her head. But Clef seemed to be able to do it from dozens of feet away.

She walked along the wall until she found it. Set in the face of the wall was a huge, engraved bronze door, intricate and ornate, with a house loggotipo in the middle: the hammer and the chisel.

said Clef.

She approached the door and heard a faint chanting in her head. She stood before the door. It was tall, about ten feet high or so.

love to try,> he said with surprising relish.

The answer, Sancia knew, was “a lot.” Tampering with anything related to the merchant houses was a great way to lose a hand, or a head. She knew this wasn’t like her, to be walking around the Commons with stolen goods in broad daylight — especially considering this particular stolen good was the most advanced scrived rig she’d ever seen.

It was unprofessional. It was risky. It was stupid.

But that nonchalant comment of Sark’s—They used to own you, you know what they’re like—it echoed in her head. She was surprised to find how much she resented it, and she wasn’t sure why. She’d always known when she was doing work for the merchant houses, and it’d never inspired her to play the job wrong before.

But to have him just come out and say that — it burned her.

begged Clef.

She approached the door, eyeing the scrivings running along its frame. She heard the faint muttering in her head, as she did whenever she was close to anything altered…

Then she knelt and put Clef into the lock, and the muttering turned into a scream.

Screaming questions poured into her mind, all of them directed at Clef, asking him dozens if not hundreds of questions, trying to figure out what he was. Many of them went by too fast for her to understand, but she caught some of them:

bellowed the door at Clef.

And on and on and on. It all went too fast for Sancia to really understand — and how she was even hearing it was stupefying to her — but she could still catch snatches of the conversation. It sounded like security questions, like the scrived door was expecting a specific key, and it was slowly figuring out that Clef was not that key.

Clef said.

A pause.

Information poured back and forth between Clef and the door. Sancia was still trying to catch her breath — it was like trying to swallow an ocean all at once. She suspected that, as long as she was touching Clef, she could hear whatever he heard as well.

But all she could think was: That’s what a scrived device is? That? It’s…like, a mind? They think?

She’d never have expected this. Certainly, she was used to hearing a faint muttering when she was close to scrived items — but she’d still assumed they were just things, just objects.

said Clef.

said the door, now uncertain,

asked Clef.

More messages poured back and forth between the door and Clef. She began to understand: when the proper scrived key was inserted into the door, it would send a signal to the door, which would tell it to withdraw its bolts and pivot outward. But Clef was confusing it, somehow, asking it too many questions about which direction it was supposed to pivot, and how fast or hard.

Clef said to the door.

A massive amount of information coursed through the two entities. Sancia couldn’t understand a bit of it.

against any of this, is there?>

Silence.

Then the door started quivering. And then…

There was a loud crack, and the door opened. But it opened inward, and astonishingly hard — so hard that, since she was still holding Clef, and Clef was still in the lock, she was almost jerked off her feet.

Clef popped out as the door fell backward, its bronze face falling away…and then she saw the streets of the Candiano campo within.

Sancia stared down an empty Candiano street, alarmed, terrified, and bewildered. It was a totally different world on the other side of the wall: clean cobblestone streets, tall buildings with sculpted facades of white moss clay, colorful banners and flags hanging from cords running over the paths, and…

Water. Fountains with just water in them, real, clear, running water. She could see three of them, even from here.

Even though she was stunned and terrified, she couldn’t help but think: They use water — clean water — as decoration? Clean water was impossibly rare in the Commons, and most people drank weak cane wine instead. To just have it bubbling away in the streets for no reason was incomprehensible.

She came to her wits. She stared at the door, and saw a ragged hole in the wall beside it. She realized the door had never retracted its bolts — it had just swung backward so hard that the shafts had torn right through the wall.

“Holy…Holy shit!” whispered Sancia.

She turned and ran. Fast.

said Clef in her head.

she thought, running.

said Clef. He sounded relaxed, even drunk. She got the mad idea that cracking a scrived device gave Clef something akin to a powerful sexual release.

She dashed around a corner, then leaned up against the wall, panting.

Sancia then quickly attempted to explain that a scrum hole on a ship referred to the vents that allowed waves to wash out the fecal matter in the latrines. But some matter inevitably built up in the scrum hole, so crewmen would have to shove poles down into the holes to clear it out, which, sailors being somewhat filthy-minded people, inevitably became slang for the sexual practice of…

said Clef.

she asked.

said Clef.

any of that? You’d only just heard of scrived devices last night.>

There was a long pause. he said, and he sounded somewhat unsettled.

Another long silence. asked Clef quietly.

Sancia took that as a no.

he said,

Sancia froze.

said Clef.

she demanded.

Clef said, now sounding confused again.

Sancia slowly leaned back against the wall. The world felt wobbly and distant to her as she tried to process all of this.

To begin with, it now seemed abundantly clear that Clef was suffering from some kind of memory loss. It felt odd to diagnose a key with a mental affliction, given that Sancia still didn’t understand how or even if he possessed something resembling a mind. But if he did have a mind, that long time spent trapped in the dark — decades, if not centuries — would have been more than enough to break it.

Perhaps Clef was damaged. Either way, it seemed Clef did not know his own potential — and that was troubling, since Clef already seemed stupefyingly powerful.

Because though few understood how scriving worked, everyone in the world understood that it was both powerful and reliable. When merchant house ships — scrived to part the waters with incredible ease, and sporting altered sails that always billowed with the perfect breeze at the perfect angle — pulled up in front of your city and pointed their vast, scrived weaponry at you, you understood that all those weapons would work perfectly well, and you’d promptly surrender.

The alternative — the idea that those ships might malfunction, or fail — was inconceivable.

But it wasn’t anymore. Not to Sancia, clutching Clef in her hand.

Scriving formed the foundation of the Tevanni empire. It had won countless cities, built up an army of slaves, and sent them to work in the plantation isles. But now, in Sancia’s mind, that foundation was beginning to shift, and crack…

Then her skin went cold. If I were a merchant house, she thought to herself, I’d do everything in my power to destroy Clef, and make sure no one ever, ever knew he’d existed.

said Clef cheerily.

She was wondering that herself.

think it means that you and I and probably Sark are in a shitload of mortal peril, Clef.>

She rubbed her mouth. Then she stood up, hung Clef back around her neck, and started off.

6

Sancia slipped down alleys and passageways and crossed the carriage fairways of Foundryside until she came to the next Commons neighborhood — Old Ditch. Foundryside might have been unpleasant to live in because of the residents — the neighborhood was notorious for its dense concentration of criminals — but Old Ditch was unpleasant due to its environment: since it was situated next to the Tevanni tanneries, the whole area smelled like death and rot.

Sancia did not mind such odors, however, and she wandered down a meandering alley, peering through the staggered rookeries and wooden shacks. The alley ended in a small, bland door, but hanging above it were four lit colored lanterns — three red, one blue.

Not here, she thought.

She returned to the main street, then walked around a block until she came to a basement door. Four lanterns hung outside — again, three red, one blue.

Not here, either. She walked back to the main thoroughfare.

asked Clef.

she said.

She peered through a leaning iron fence at a crumbling stone courtyard. At the very back was a long stairwell down, and hanging above it were four lanterns — yet unlike the others, these were three blue, one red.

Sancia hopped the fence and crossed the courtyard. She walked down the dark stairwell to a thick wooden door and knocked three times.

A slot in the door opened. A pair of eyes peered out, narrowed in suspicion. Then they saw Sancia and crinkled into a smile. “Back so soon?” said a woman’s voice.

“Not by choice,” said Sancia.

The door fell open and Sancia walked in. Instantly, the murmuring of hundreds of scrived objects filled up her ears.

said Clef.

The basement within was long, low, and strangely lit. Most of the luminescence came from the ten or so scrived glass lights that had been carelessly laid down on the stone floor. The corners were stuffed with books and piles of paper, all of them covered with instructions and diagrams. In between the lights were rolling carts that would, to the untrained eye, appear to be covered with rubbish: ingots of metals, loops of leather bands, strips of wood, and so on.

The room was also incredibly hot, thanks to the large scrived bowls at the back that heated copper and bronze and other metals into a broiling liquid, though someone had set up a fan to circulate the hot air out — cleverly powered, Sancia saw, by stolen carriage wheels, which ran and ran in place, operating the fans. About a half dozen people sat around the bowls of molten metals, plucking at the metals with long, stylus-like tools, which they then used to paint symbols on…Well. All kinds of things. Small, bronze balls. Wooden boards. Shoes. Shirt collars. Carriage wheels. Hammers. Knives. Anything and everything.

The door shut behind Sancia, revealing a tall, thin, dark-skinned woman with a pair of magnifying goggles on top of her head. “If you’re looking for a custom job, San, you’ll have to wait,” she said. “We’ve got a rush order.”

“What’s happening?” asked Sancia.

“The Candianos are mixing up their sachet procedures,” said the woman. “Totally redoing everything. So a lot of our clients are desperate.”

“When are your clients ever not desperate?” asked Sancia.

She smiled, but Claudia was always smiling a little. This mystified Sancia, since in her own estimation Claudia didn’t have much to smile about: scriving in such circumstances — hot, dark, and cramped — was not only uncomfortable, but also incredibly dangerous. Claudia’s fingers and forearms, for instance, were spotted with shiny, bubbly burn scars.

But that was what the Scrappers had to do. To do their work in open environs would be to invite violence, if not death.

Scriving was a difficult practice. Painting dozens and hundreds of sigillums upon objects, all carefully forming commands and logic that would reshape that object’s reality, required not only years of study but also a mind both calculating and creative. Lots of scrivers failed to secure employment at a merchant house campo, and many others washed out. And there’d been recent changes in the scriving culture that had made it suddenly quite difficult for a woman to find employment on the campos. Most merchant-house applicants who didn’t make it went to other Tevanni fealty states to do undignified, dull work out in the backwaters.

But not all. Some moved to the Tevanni Commons and went independent: forging, adjusting, and stealing the designs of the four prime merchant houses.

This wasn’t easy — but everyone had their contacts. Some were corrupt campo officials who could pass along the right designs and strings. Others were thieves like Sancia, who could steal merchant house instructions on how to make a sigil just right. But bit by bit, people had begun to share knowledge, until a small, nebulous group of dilettantes, ex-campo employees, and frustrated scrivers had built up a library of information in the Commons, and trade had flourished.

That was how the Scrappers got started.

If you needed a lock fixed, or a door reinforced, or a blade altered, or if you just wanted light or clean water, the Scrappers would sell you rigs that could do that — for a fee, of course. And that fee was usually pretty high. But it was the only way for a Commoner to get the tools and creature comforts reserved for the campos — though the quality was never totally reliable.

This was not illegal — as there were no laws in the Commons, it couldn’t be. But it was also not illegal for the merchant houses to organize raids to kick down your door, destroy everything you’d made, and also maybe break your fingers or your face in the process.

So you had to stay quiet. Stay underground. And keep moving.

Clef said in Sancia’s ear as they walked through the messy workshop.

said Sancia.

Claudia led Sancia to the back of the room, where Giovanni, a veteran Scrapper, was seated before a small desk and was carefully painting sigils onto a wooden button. He glanced up from his work, ever so briefly. “Evening, San.” He smiled at her, his graying beard crinkling. He’d been a venerated scriver before he’d washed out of Morsini House, and the other Scrappers tended to defer to him. “How’d the goods hold up? You seem all in one piece.”

“Somewhat.”

“Somewhat what?”

Sancia walked around and, with an air of quaint civility, moved his desk aside. Then she sat down in front of him and smiled into his face, her muddy eye squinting unpleasantly. “They somewhat worked. Right up until your goddamn sailing rig nearly fell apart, and dumped me over the waterfront bridge.”

“It what?”

“Yeah. If it were anyone else, Gio, anyone else, I’d gut you stern to crotch for what happened out there.”

Giovanni blinked, then smiled. “Discount next time? Twenty percent?”

“Fifty.”

“Twenty-five.”

“Fifty.”

“Thirty?”

Fifty.

“All right, all right! Fifty it is…”

“Good,” said Sancia. “Get stronger material for the parachute next time. And you overdid it on the flashbox.”

Giovanni’s eyebrows rose. “Oh. Oh. So that’s what caused the waterfront fire?”

“Too much magnesium in the box,” said Claudia. She tsked. “I told you so, Gio.”

“Duly noted,” he said. “And…my apologies, dear Sancia. I shall correct the formulas accordingly for future rigs.” He moved his desk back and returned to the wooden button.

Sancia watched. “So, what’s going on? Your customers need new sachets that quick?”

“Yes,” said Claudia. “Apparently the Candiano campo is…an unusually promiscuous one.”

“Promiscuous.”

“Yes. There is, how shall I say, a strong appetite there for discreet arrangements.”

“Ahh,” said Sancia, understanding. “Night ladies, then.”

“And men,” added Giovanni.

“Yes,” said Claudia. “Them too.”

This was well-trodden ground for Sancia. Merchant-house walls were scrived so that the entrances only allowed in people with specific identifying markers called sachets — wooden buttons with scrived permissions on them. If you walked through the wrong door with the wrong sachet or no sachet at all, you’d get accosted by guards, or even killed by them; or, in some of the inner walls of the campos, where the richest, most protected people lived, rumor had it you could spontaneously explode.

As someone who frequently needed illegitimate access to the campos, Sancia usually had to go to the Scrappers for forged sachets. But their biggest customers were undoubtedly prostitutes, who just wanted to go where the money was — though the Scrappers could usually only get you past the first wall or two. It was a lot harder to steal or forge the more elite credentials.

“Why’d the Candianos change up their sachets?” she asked. “Did someone spook them?”

“No idea,” said Claudia. “Rumor has it mad old Tribuno Candiano is finally about to pull up the eternal blanket and begin his final sleep.”

Giovanni clucked his tongue. “The Conqueror himself, about to be conquered by old age. How tragic.”

“Maybe it’s that,” said Claudia. “Elite deaths often cause some campo shuffling. If so, with everything in flux, there’s probably a lot of easy targets on the Candiano campo…If you were willing to take a side job, we’d pay.”

Not market rates,” said Giovanni pointedly. “But we’d pay.”

“Not this time,” Sancia said. “I’ve got some pressing matters. I need you to look at something.”

“Like I said,” Claudia told her, “we’ve got a rush job here.”

“I don’t need you to copy the scrivings,” said Sancia. “And I’m not sure you can. I just need…advice.”

Claudia and Giovanni exchanged a glance. “What do you mean, we can’t copy the scrivings?” asked Claudia.

“And since when do you ever ask for advice?” asked Giovanni.

said Clef in her ear.

“Neat,” said Claudia. She peered at Clef over the scrived lights, her pale eyes huge and enlarged by her magnifying goggles. “But also…very weird.”

Giovanni looked over her shoulder. “I’ve never seen anything like it. Never, in all my days.”

Claudia glanced sideways at Sancia. “You say it…talks to you?”

“Yeah,” said Sancia.

“And it’s not your…” She tapped the side of her head.

“I think that’s why I can hear him — when I’m touching him, that is,” said Sancia. Besides Sark, Claudia and Giovanni were the only people who knew that Sancia was a scrived human. They’d had to know, since they were the ones who’d put her in touch with the black-market physiqueres. But she trusted them. Mostly because the Scrappers were just as hated and hunted by the merchant houses as she herself would be, if they ever found out what she was. If the Scrappers gave her up, she could give them up in turn.

“What does it say?” asked Giovanni.

“Mostly he asks what all of our swears mean. Have you ever heard of anything like this?”

“I’ve seen scrived keys before,” said Claudia. “I tinkered with a few myself. Yet these etchings, these sigils…They’re totally unfamiliar to me.” She looked up at Giovanni. “Sieve?”

Giovanni nodded. “Sieve.”

“Huh?” said Sancia. She watched as Giovanni unrolled what appeared to be a largish sheet of leather. She saw it had buttons sewn into the corners, brass ones, with faint, complicated sigils on their faces. He picked up Clef as if the key were a small, dying bird, and gently placed him in the center of the leather.

“Whatever this is…this isn’t going to hurt him, is it?” asked Sancia.

Giovanni blinked at her through his spectacles. “Him? You’re suddenly sounding very attached to this object, San.”

“That object is worth a whole harpering heap of money,” she said, feeling suddenly defensive about Clef.

“One of Sark’s jobs?” asked Giovanni.

Sancia said nothing.

“Stoic little San,” he said. He began slowly folding up the leather around Clef. “Our grim, tiny specter of the night. One day I will get a smile out of you.”

“What is this thing?” Sancia asked.

“A scriving sieve,” said Claudia. “Place the object within it, and it’ll identify some — but usually not all — of the major sigils being used to shape the object’s nature.”

“Why not all?” said Sancia.

Giovanni laughed as he placed a thick plate of iron on top of the wrapped-up leather. “One of these days, San, I will teach you something about the tiers of scriving. It’s not one language, so it’s not like you can just translate each sigillum individually. Rather, each sigil is its own command — which calls up a whole string of other sigils on the nearby lexico—”

“Yeah, I didn’t ask you to give me a degree in this stuff,” said Sancia.

Giovanni paused, miffed. “One might imagine, Sancia, that you’d show more interest in the languages that power everything around y—”

“One also might imagine my ass getting to bed at a reasonable time.”

Grumbling, Giovanni grabbed a pinch of iron filings from a small cup and sprinkled them over the face of the plate. “Now, let’s see what we’ve got…”

They sat there, watching.

And watching. Nothing seemed to be happening.

“Did you do it right?” asked Sancia.

“Of course I damned well did it right!” snapped Giovanni.

“So what should we be seeing?” asked Sancia.

“The filings should be rearranging themselves into the shapes of the primary commands being used in the object,” said Claudia. “But — if we are to believe this — it’d imply there are none.”

“Which, unless I’m mistaken,” said Giovanni, “is impossible…”

Giovanni and Claudia looked at the iron plate for a while before turning to stare at each other, bewildered.

“So, uh, right,” said Claudia. She cleared her throat, then knelt and began wiping the plate clean. “So…it seems like there are, somehow, no sigils or commands on Clef that our methods can identify. Like, none.”

“Meaning what?” asked Sancia.

“Meaning we don’t know what the hell it — or he, or whatever — really is,” said Giovanni. “His sigils are talking a language we don’t know, in other words.”

“Would a merchant house be interested in this?” said Sancia.

“Oh, holy monkeys, yes,” said Claudia. “If there’s a whole new scriving language out there, and they get ahold of it, they…they…” She trailed off. Then she looked at Giovanni, troubled.

“What?” said Sancia.

“I was thinking the same thing,” said Giovanni to her quietly.

“What?” said Sancia. “Thinking what?”

The two of them sat in silence, staring at each other and occasionally glancing at Sancia.

“Thinking what?” she demanded.

Claudia glanced nervously around the workshop. “Let’s…take this somewhere private.”

Sancia followed Claudia and Giovanni into the back office, stuffing Clef back down her jerkin as she did so. The back office was filled with tomes and books of sigil strings and scriving commands, reams and reams and reams of papers covered in symbols that made no sense to Sancia.

She watched as Claudia shut the door behind them and locked it.

said Clef.

Giovanni pulled out a bottle of a potent, noxious cane wine, poured three glasses, and picked up two. “Drink?” he said, extending one to Sancia.

“No.”

“Sure?”

“Yes,” she said testily.

“You never have fun, San. You deserve some. Especially now.”

“Fun is a luxury. What I deserve is to know how big of a pot of shit I’m in.”

“How long have you lived in Tevanne now?” asked Giovanni.

“A bit over three years. Why?”

“Mm…Well.” Giovanni tossed one glass back, then the other. “This will take some explaining, then.”

Claudia took a seat behind a stack of tomes. “Ever heard of the Occidentals, Sancia?” she asked quietly.

“Yeah,” said Sancia. “The fairy giants. They built the ruins across the Durazzo, in the Daulo countries. Aqueducts and the like. Right?”

“Hm. Kind of,” said Giovanni. “To put it plainly, they were the people who invented scriving, long, long, long ago. Though no one’s even sure if they really were people. Some say they were angels, or something a lot like angels. They were also called hierophants, and in most of the old stories they’re regarded as priests or monks or prophets. The first of them — the most notable of them — was Crasedes the Great. They weren’t giants, though. They just used their scriving to do some very, very big things.”

“Like what?” asked Sancia.

“Like move mountains,” said Claudia. “Carve out oceans. And annihilate cities, and build a massive, massive empire.”

“Really?” said Sancia.

“Yes,” said Giovanni. “One that makes the merchant house empire we’ve got today look like a piddling pile of shit.”

“This was a long time ago, mind,” said Claudia. “A thousand years or so.”

“What happened to this empire?” she asked.

“It all fell apart,” said Claudia. “Nobody knows how, or why. But when it fell, it fell hard. Almost nothing survived. No one even knows the real name of the empire. We just call it the Occidental Empire because it was to the west. Like, everything to the west. The hierophants owned all of it.”

“Supposedly Tevanne was just a backwater jungle port for this empire, ages and ages and ages ago,” said Giovanni, pouring himself another drink.

Claudia frowned at him. “You’ve got work tonight, Gio.”

He sniffed. “Makes my hands steadier.”

“That’s not what the Morsinis said when they tossed you out on your ass.”

“They misunderstood the nature of my genius,” he said airily. He slurped down cane wine. Claudia rolled her eyes. “Anyways. Apparently Tevanne was far-flung enough that when the Occidental Empire collapsed, and all the hierophants died out, it escaped the damage.”

“And it just stuck around,” said Claudia. “Until about eighty years ago, when some Tevanni found a hidden cache of Occidental records in the cliffs east of here, detailing in vague terms the art of scriving.”

“And that,” said Giovanni with a theatrical flourish, “is how the Tevanne of today was born!”

There was a moment of silence as this sank in.

“Wait…what?” said Sancia. “Really? You’re saying that what the merchant houses do today is based on some notes from some ancient, dead civilization?”

“Not even good notes,” said Giovanni. “Boggles the mind, doesn’t it?”

“It boggles a whole hell of a lot more than that,” said Claudia. “Because the merchant houses today can do a lot of stuff with scriving — but they don’t hold a scrumming candle to what the hierophants could do. Like fly or make things float.”

“Or walk on water,” said Giovanni.

“Make a door in the sky,” said Claudia.

“Crasedes the Great would point his magic wand…”—Giovanni mimed the action—“and — poof! — the seas themselves would part.”

“They say Crasedes even kept a genie in a basket at his waist,” said Claudia. “He’d open it up and let it out and it’d build a castle for him, or tear down walls, or…You get the idea.”

Suddenly Sancia recalled a passage from the note she’d found in the box with Clef: If Crasedes was in possession of some kind of invisible entity, perhaps it was but a rough prototype for this last and greatest iteration…

“No one knows how the hierophants did what they did,” said Claudia. “But the merchant houses are desperately, desperately searching for ways to figure it out.”

“To graduate from making scrived toilets,” said Giovanni, “to making tools and devices that can, say, smash mountains or drain the sea — maybe.”

“No one’s gotten close. Until recently.”

“What’s happened recently?” asked Sancia.

“About a year ago, a band of pirates stumbled across a tiny island in the western Durazzo,” said Giovanni, “and found it covered with Occidental ruins.”

“The nearby town of Vialto went absolutely barking mad with treasure hunters,” said Claudia.

“Agents of the merchant houses,” said Giovanni, “or anyone who wanted to be a merchant house.”

“Because if you can find more records, more notes…” said Claudia.

“Or, better yet, a real, whole, functional Occidental tool…” said Giovanni.

“Well, then,” said Claudia quietly. “You’d change the future of scriving forever. You’d make the merchant houses themselves obsolete.”

“You’d make our whole damn civilization obsolete,” said Giovanni.

Sancia felt nauseous. She suddenly remembered Clef saying: There’s nothing before the dark. There’s just the dark. I was always in the dark, as…as far as I can recall.

And it would, after all, be very dark in an ancient ruin.

“And…” she said slowly. “And you think Clef…”

“I…I think Clef doesn’t use any language that the houses use,” said Claudia. “And if what you say is true, he can do some pretty amazing things. And I think if you nabbed him from the waterfront…Which would be, of course, where people would ship in anything from Vialto…” She trailed off.

“Then you might be walking around with a million-duvot key hanging from your neck,” said Giovanni. “Feel heavy?”

Sancia stood there, totally still. she said.

But Clef was silent.

They said nothing for a while. Then there was a knock at the door — another Scrapper, asking for Giovanni’s assistance. He apologized and departed, leaving Claudia and Sancia alone in the back office.

“You…seem to be dealing with this well,” said Claudia.

Sancia said nothing. She’d barely moved.

“Most people…they would have had an absolute nervous breakdown if—”

“I don’t have time for nervous breakdowns,” said Sancia, quietly and coldly. She looked away, rubbing the side of her head. “Damn it. I was going to get this payout, and then…”

“Get yourself fixed?”

“Yeah. But I don’t see that happening now.”

Claudia absently fingered a scar on her forearm. “Do I need to say that you shouldn’t have taken the job?”

Sancia glared at her. “Claudia. Not now.”

“I warned you about merchant house work. I told you they’d scrum you in the end.”

“Enough.”

“But you kept doing it.”

Sancia went silent.

“Why don’t you hate them?” said Claudia, frustrated. “Why don’t you despise them, for what they did to you?” There was a brittle fury in her eyes. Claudia was an immensely talented scriver, but after the house academies had stopped accepting women, all her prospects had vanished. She’d been forced to join the Scrappers and spend her days working in dank basements and abandoned lofts. Despite her cheerful demeanor, she’d never been able to forgive the merchant houses for that.

“Grudges,” said Sancia, “are a privilege I can’t afford.”

Claudia sank back in her chair and scoffed. “Sometimes I admire how you can be so bloodlessly practical, Sancia,” she said. “But then I remember that it doesn’t look very pleasant.”

Sancia said nothing.

“Does Sark know?” asked Claudia.

She shook her head. “Don’t think so.”

“What are you going to do?”

“Tell Sark when I go to debrief with him in two days. Then we skip town. Grab the first boat out of here and go somewhere far, far away.”

“Really?”

Sancia nodded. “I don’t see another way around it. Not if Clef is what you say he is.”

“And you’re taking him with you?”

“I’m not leaving him behind. I’m not going to be the asshole who lets the merchant houses assume godlike powers out of sheer scrumming negligence.”

“You can’t get to Sark earlier?”

“I know one of his apartments, but Sark’s even more paranoid than I am. Getting tortured has that effect on you. He vanishes after I’ve done a job for him. Even I don’t know where he goes.”

“Well — not to make your options any more complicated — but leaving Tevanne might not be quite as easy as you think.”

Sancia raised an eyebrow.

“There’s all the stuff with Clef,” said Claudia. “That’s one thing. But…there’s also the fact that you burned down the waterfront, Sancia. Or at least a lot of it. I have no doubt that some powerful people are looking for you right now. And if they find out who you are…no ship’s captain in Tevanne is going to take you anywhere. Not for all the cane wine and roses on this earth.”

7

Captain Gregor Dandolo of the Tevanni Waterwatch held his head high as he walked through the throngs of Foundryside. He did not really know another way to walk: his posture was, at all times, absolutely pristine, back arched and shoulders thrown back. Between this, his large size, and his Waterwatch sash, everyone in the Commons tended to get out of his way. They didn’t know what he was here for, but they wanted no part of it.

Gregor knew it was odd to feel so jaunty. He was a thoroughly disgraced man, having allowed nearly half the waterfront to burn down under his watch, and he was now facing suspension from the Waterwatch, if not outright expulsion.

Yet this was a situation that Gregor was quite comfortable with: a wrong had been done, and he intended to set it right. As quickly and as efficiently as possible.

A musty wine-bar door opened on his right up ahead, and a soused woman with smeared face paint staggered out onto the creaky wooden walkway in front of him.

He stopped, bowed, and extended an arm. “After you, ma’am.”

The drunken woman stared at him like he was mad. “After what?”

“Ah. You, ma’am. After you.”

“Oh. I see.” She blinked drunkenly, but did not move.

Gregor, realizing she had no idea what the phrase meant, sighed slightly. “You may walk ahead of me,” he said gently.

“Oh. Oh! Well, then. Thanks to you.”

“Certainly, ma’am.” Again, he bowed.

She tottered ahead of him. Gregor walked up beside her, and the wooden walkway bent slightly under his sizeable bulk, which made her stumble. “Pardon me,” he said, “but I had a question.”

She looked him over. “I’m off duty,” she said. “Least till I find someplace quiet to spew up a bit and dab my nose.”

“I see. But no. I wanted to ask — would the taverna the Perch and Lark be somewhere nearby?”

She gaped at him. “The Perch and Lark?”

“Indeed, ma’am.”

“You want to go there?”

“Yes, ma’am.”

“Well. S’up thataway.” She pointed down a filthy alley.

He bowed once more. “Excellent. Thank you so much. Good evening to you.”

“Wait,” she said. “A fine man such as y’self won’t want to go there! That place is a damn snake pit! Antonin’s boys will chew you up and spit you out soon as look at you!”

“Thank you!” sang Gregor, and he strode off into the evening mist.

It had been three days since the waterfront fiasco. Three days since all of Gregor’s efforts to make a decent, functional, law-abiding civilian police force — the first of its kind in Tevanne — had quite literally gone up in smoke. There’d been a lot of finger pointing and accusations in that handful of days since, but only Gregor had had a mind to actually do some investigating.

What he’d found was that his initial instincts on the night of the fiasco had been correct: there had been a bad actor on the premises, they had indeed targeted the safes of the Waterwatch, and they’d even successfully stolen something. Specifically, a small, bland box from safe 23D had gone missing. How they’d managed to do that, Gregor couldn’t imagine — every safe was outfitted with a Miranda Brass tumbler lock, and Gregor himself changed the combinations on a fixed schedule. They must have been a master safe cracker to pull it off.

But a theft and a fire, on the same night? That was no coincidence. Whoever had done one had also done the other.

Gregor had checked the Waterwatch logs regarding the box, hoping that the owner might suggest the identity of the thief. But that had been a dead end — the owner’s name had been submitted just as “Berenice,” nothing more, with no contact information included. He could find nothing more about this Berenice, either.

But he was well acquainted with the criminal element in Tevanne. If he could find nothing about the box’s owner, then he would start making headway on potential thieves. And this evening, here in the south end of Foundryside, he could get started.

He stopped at one thoroughfare, squinting through the mist, which turned mottled colors from the lanterns hanging overhead. Then he saw his destination.

The sign hanging above the taverna door read THE PERCH AND LARK. He didn’t really need to see the sign, however — the large, scarred, threatening-looking men loitering outside the door were enough to tell him he was in the right place.

The Perch and Lark was base of operations for one of the most preeminent crime lords in Foundryside, if not all the Commons: Antonin di Nove. Gregor knew this because his own reforms at the waterfront had directly affected the economics of Antonin’s ventures, which had displeased Antonin to the point that he’d sent some hired steel out after Gregor — though Gregor had sent them back very quickly, with many broken fingers and one shattered jaw.

He had no doubt that Antonin still harbored lots of bad feelings about this. Which was why Gregor had brought five hundred duvots of his own money, and Whip, his scrived truncheon. Hopefully the duvots would entice Antonin into giving Gregor some information about what thief could have hit the waterfront. And hopefully Whip would keep Gregor alive long enough to ask.

He marched up to the four glowering heavies before the taverna entrance. “Good evening, gentlemen!” he said. “I’d like to see Mr. di Nove, please.”

The heavies glanced at each other, somewhat baffled by Gregor’s politeness. Then one — who was missing quite a lot of teeth — said, “Not with that, you aren’t.” He nodded at Whip, which was hanging by Gregor’s side.

“Certainly,” he said. He unbuckled Whip and held it out. One of them took it and tossed it into a box, where it had company with a simply staggering number of knives, rapiers, swords, and other, grislier armaments.

“May I enter now, please?” asked Gregor.

“Fifty duvots,” said the toothless heavy.

“I beg your pardon,” said Gregor. “Fifty?”

“Fifty if we haven’t seen your face afore. And I don’t know your face, sir.”

“I see. Well.” Gregor glanced at their weapons. Spears, knives, and one even had an espringal — a sort of mechanized, heavy crossbow that you had to crank — though its gears hadn’t been set correctly.

He made a note of it. Gregor always made a note of such things.

He reached into his satchel, took out a handful of duvots, and handed them over. “Now may I enter?”

The heavies exchanged another glance. “What’s your business with Antonin?” asked the toothless one.

“My business is both pressing and private,” said Gregor.

The toothless guard grinned at him. “Oh, very professional. We don’t see too many professional types here, do we, chaps? Not unless they’ve come down here to scrum the night lads, eh?” The others laughed.

Gregor waited calmly, meeting the man’s gaze.

“Fair enough,” said the toothless heavy. He opened the door. “Back table. But move slow.”

Gregor smiled curtly, said, “Thank you,” and walked inside.

Immediately inside was a short flight of steps. He bounced up the steps, and as he did the air got smokier, louder, and much, much more pungent. At the top of the steps was a blue drape, and he shoved it aside and walked into the taverna.

Gregor glanced around. “Hum,” he said.

As a former career soldier, Gregor was accustomed to tavernas, even ones as filthy as this. Reeking candles burned on all the tabletops. The floor was little more than a loose grid of wooden slats, so that if someone spilled anything — cane wine, grain alcohol, or any number of bodily fluids — it would drain right through to the mud below. Someone was playing a set of box pipes in the back, albeit very badly, and the music was loud enough to drown out most conversation.

But then, people did not come to tavernas like this for conversation. They came to fill their skulls up with so much cane wine that they forgot for one brief moment that they lived in shit-spattered, muddy ditches clinging to the clean white walls of the campos, that they shared their living quarters with animals, that they awoke every morning to fresh insect bites or shrieking monkeys or the putrid scent of rotting striper shells in the alleys — if they awoke at all, that is.

Gregor barely blinked at the sight. He had seen many horrors in war, and he did not count the sight of the impoverished among them. He himself had once been far more desperate than any of these people.

He glanced through the crowd, looking for Antonin’s men. He counted four straightaway, taking up positions at the edges of the taverna. All of them had rapiers, except for the one in the far corner, who was huge and thickset, and leaned against the wall with a threatening black ax strapped to his back.

A Daulo ax, Gregor saw. He’d seen many of their like in the Enlightenment Wars.

He crossed the taverna, spied a table in the back, and approached — slowly.

He could tell which one of them was Antonin right away, because the man’s clothes were clean, his skin unblemished, his thin hair combed neatly back, and he was hugely, hugely fat — a rarity in the Commons. He was also reading a book, something Gregor had never seen anyone do in such a place. Antonin had another guard sitting beside him, this one with two stilettos stuffed in his belt, and the guard tensed as Gregor neared.

Antonin’s brow furrowed slightly and he looked up from his book. He glanced at Gregor’s face, then his belt — which held no weapons — and then his sash. “Waterwatch,” he remarked aloud. “What’s Waterwatch doing in a place where the only waters to watch are wine and piss?” Then he peered closer at Gregor’s face. “Ahh…I know you. It’s Dandolo, isn’t it?”

“You are a knowledgeable man, sir,” said Gregor. He bowed slightly. “I am indeed Captain Gregor Dandolo of the Waterwatch, Mr. Antonin.”

“Mr. Antonin…” he echoed. Antonin laughed, showing off black teeth. “Such a well-mannered gent here among us! I’d have wiped myself better this morn if I’d known you’d deign to bless us with your presence. If I recall, I tried to have you killed once…Didn’t I?”

“You did.”

“Ahh. Here to return the favor?”

The thickset guard with the ax wandered over to take up a position behind Gregor.

“No, sir,” said Gregor. “I’ve come to ask you a question.”

“Huh.” His gaze lingered on Gregor’s Waterwatch sash. “I will assume your question has something to do with your waterfront disaster?”

Gregor smiled humorlessly. “It would, sir.”

“Yes. It would.” Antonin gestured to the seat across him with one pudgy finger. “Please. Do me the honor of sitting.”

Gregor bowed lightly and did so.

“Now — why would you come to me to ask about that?” said Antonin. “I gave up the waterfront a long time ago. Thanks to you, of course.” His black eyes glittered.

“Because it was an independent,” said Gregor. “And you know independents.”

“What makes you so sure?”

“They used an improvised sailing rig. They planted a construction scriving on one of the carriages — something used for adhesives and mortars — and this acted as a rudimentary arrangement to power their rig. It was shoddily made, and did not seem to work well.”

“Something no real canal operator would ever use, then.”

“Correct. A real one could get the real thing. So. An independent. And independents tend to live in one place — Foundryside. Or close to it. Which is your domain, unless I’m mistaken.”

“Makes sense. Very clever. But the real question is…why would I help you?” He smiled. “Your Waterwatch experiment seems to have failed. Wouldn’t it be in my interests to make sure it stays that way, and reclaim the waterfront?”

“It has not failed,” said Gregor. “That remains to be seen.”

“I don’t need to see,” said Antonin with a laugh. “So long as the merchant houses run their campos like kings, Tevanne won’t ever have anything resembling a policing system — no matter how excellent you make the Waterwatch. And that will fail too, in time. So, my noble captain, I really just need to wait. And then I’ll find my way back in — won’t I?”

Gregor blinked slowly, but did not react — though Antonin was now needling a sensitive wound of his. He had done a lot of work to build up the Waterwatch, and he did not appreciate hearing it threatened. “I can pay,” he said.

Antonin smirked. “How much?”

“Four hundred and fifty duvots.”

Antonin glanced at his satchel. “Which, I assume, you’ve brought yourself. Because I wouldn’t believe you’d pay if you hadn’t.”

“Yes.”

“So what’s keeping me from putting some steel in your ribs and taking it now?” asked Antonin.

“My last name,” said Gregor.

Antonin sighed. “Ah, yes. Were we to expire the sole progeny of Ofelia Dandolo, I’ve no doubt that all hell would come down on us.”

“Yes.” Gregor tried to swallow his self-disgust. His mother was a direct descendant of the founder of Dandolo Chartered, which made them something akin to royalty in Tevanne — but he thoroughly disdained leveraging his family’s reputation for his own ends. “And I would not give up the money easily. You would have to kill me, Antonin.”

“Yes, yes, the good soldier,” said Antonin. “But not the best strategist.” He smiled wickedly. “You were at the siege of Dantua — weren’t you, Captain?”

Gregor was silent.

“You were,” said Antonin. “I know. They call you the Revenant of Dantua — have you heard that?”

Again, he said nothing.

“And I’m told they called you that,” said Antonin, “because you died there. Or came damn close. They even had a memorial service here in the city for you. Thought you were rotting in a mass grave somewhere in the north.”

“I’ve heard the same,” said Gregor. “They were wrong.”

“So I see. I get a lot of veterans working for me, you know,” said Antonin. “And they tell me so many stories.” He leaned closer. “They told me that when your cohorts were holed up in Dantua, with all your scrived armaments ruined…Why, they say you resorted to eating rats and garbage. And worse things besides.” He grinned wide. “Tell me, Captain Dandolo — how does Tevanni long pig taste?”

There was a long silence.

“I would not know,” said Gregor calmly. “What does this have to do with my proposal?”

“I suppose I’m just a filthy gossip,” said Antonin. “Or maybe I like telling you you’re not as righteous as you act. You killed my profit from the waterfront, brave Captain Dandolo. But no fear, friend — I’ve made up the difference. Any enterprising man must. Would you like to know how?”

“Would this involve our independent thief?”

Antonin stood, ignoring him, and gestured to a set of rickety wooden stalls in the back, with drapes drawn across their entrances. “Come with me, sir. Yes, yes, come on.”

Gregor grudgingly obliged, following him.

“Tough economy, these days,” said Antonin. “Tough market. That’s what the campos talk about all day long, market conditions. We all play the same game. One opportunity dries up, so one must look for another.” He walked over to one stall, grabbed a drape, and pulled it open.

Gregor looked inside. The stall was dark, but he could see a pallet on the floor, and a single burning candle. At the far back was a boy, wearing a short tunic, legs and feet bared. The boy stood when the drape opened. He was maybe thirteen. Maybe.

Gregor looked at the soft pallet on the floor, and then at the boy. Then he understood.

“You take away my waterfront work,” said Antonin merrily, “so I expand my enterprise into a new market. But this market is so much more profitable than the waterfront. High margins, low capital. I just needed the nudge to give it a go.” He stepped closer to Gregor. The scent of his rotting teeth was overwhelming. “So, Captain Dandolo…I don’t need a single duvot of your damned money.”

Gregor turned to look at Antonin, his fists trembling.

“Welcome back to Tevanne,” said Antonin. “The only law in the Commons is might, and success. Those who win are the ones who make the rules. Perhaps an elite child such as yourself forgot.” He grinned, his greasy teeth glimmering. “Now. Get the hell out of my taverna.”

Gregor Dandolo walked out of the Perch and Lark in a daze. He retrieved Whip from the toothless thug at the door, ignoring the other guards as they cackled at him.

“Fruitful meeting?” asked the toothless heavy. “Did he give you a handful of minutes in the stalls? Was there any pull left when you pushed?”

Gregor walked away without a word, buckling Whip back to his belt. He walked a bit down the alley, and stopped.

He thought for a moment.

He took a breath, and thought some more.

Gregor Dandolo did his utmost to follow the laws: both the laws of the city, and his own moral laws of the universe. But more and more these days, one seemed to disagree with the other.

He took off his Waterwatch sash, folded it up, and carefully placed it on a nearby windowsill. Then he took Whip off his belt, and began the process of securely buckling its many leather straps to his forearm. Then he turned and marched back toward the taverna.

The toothless heavy saw him coming and squared himself. Then he cawed out a laugh, and whooped. “Look here, lads! We’ve got one who thinks he ca—”

But he never finished his sentence. Because then Gregor used Whip.

Gregor had made sure that when he’d had Whip commissioned, all of its sigils were carefully concealed, so no one who looked at it would know it was altered in any way. With the sole exception of the straps for buckling it to your wrist, it mostly looked like an ordinary truncheon — with a shaft of about three and a half feet, and a ridged, four-pound steel head at the end — but in truth, it was much more than that.

For when Gregor pressed a button on Whip and snapped it forward, the four-pound head would detach and fly forward, connected to the shaft of the truncheon by a thin but strong metal cable. The truncheon’s head had been scrived to believe that, when it was detached from the shaft, it was actually falling straight down toward the earth, and so was simply obeying gravity — unaware that it was actually flying in whatever direction Gregor had tossed it. It would smash into anything in its path before Gregor clicked a small lever on the side of Whip’s handle, at which point Whip’s head would remember how gravity actually worked, the cable would start rapidly retracting, and the head would come zipping back to the shaft with tremendous speed.

This is what Gregor did as he approached the taverna. He was so familiar with Whip that he almost didn’t have to think while he was doing it: he just made the motion, and then the toothless heavy was lying on the ground, screaming through a bloody, ravaged mouth.

He hit the lever, and the straps tugged against his forearm as Whip’s head came hurtling back to Gregor with a soft, rabid zzzzip. His arm shook as it connected with the shaft, but his attention was fixed on the thug on his right, a short, pockmarked man with a black-bladed machete, who looked down at his fallen comrade, looked up at Gregor, and screamed and sprinted at him.

Gregor, still marching down the alley, flicked Whip forward again, aiming for the man’s legs. The head of the truncheon connected soundly with his kneecap, and the man fell to the ground, howling in pain. Gregor retracted Whip, and as he passed him he brought the truncheon down sharply on the man’s forearm, either bruising or breaking his radius or ulna, which made him howl quite a bit louder.

There were two left, one on each side of the taverna door. One had the espringal, though he looked shocked when he pulled the trigger and nothing happened — ignorant, of course, that he’d prepared it wrong. Before he could do anything else, Gregor hurled Whip forward, and the dense, heavy head of the weapon went crashing into the guard’s right hand, smashing his fingers. He dropped the weapon, cursing and screaming.

This left the fourth and final guard, who had picked up a battered steel shield and a small spear. The guard crouched low and advanced on Gregor down the alley, hiding almost all of his body behind the shield.

Served in the wars, Gregor thought. He’d had training, certainly. But not enough.

Gregor flicked Whip out again, and the head of the truncheon sailed over the guard’s head, landing behind him, and brought the metal cable down with it. The cable fell over the top of the guard’s shield, which made the man pause — until Gregor pressed the lever to retract it.

The head of the truncheon hurtled back with its usual enthusiastic zzzip!, cracking into the guard’s shoulder along the way, which sent him tumbling forward, sprawling facedown in the alley. He groaned as he looked up at Gregor, who walked up and kicked the guard in the face.

Gregor Dandolo picked up the shield. The guard with the espringal tossed away his weapon and pulled out a stiletto with his good hand. He assumed a fighting position, crouching low. Then he seemed to reconsider his position, and turned and ran away.

Gregor watched him go. Then, with the air of someone on a quick errand, Gregor walked up the stairs of the taverna, lifted his shield, brushed aside the drape, and waged war on the Perch and Lark.

It helped that there were only five guards. It helped more that they hadn’t moved since he’d left, so he knew exactly where they would be. It helped even more that it was dark and loud, and Whip’s attack was fairly quiet, so Gregor took down two of his opponents before anyone in the room even understood what was happening.

When the second guard hit the floor, blood streaming from his nose and mouth, the whole taverna erupted into chaos. Gregor lowered his shield, which made him an obvious target, and skirted the edges of the screaming, drunken crowd until he came up on the flank of a guard with a spear. The guard saw him at the last minute, eyes widening. He thrust his spear forward, but Gregor had already raised his shield, deflecting the blow. Then he thrust Whip forward, smashing in the man’s jaw. The man crumpled to the ground.

Two left. The guard with the Daulo ax and one with an espringal — and this latter one, he could tell, had been trained properly with the weapon. Which was bad.

Gregor raised the shield and sought cover behind a table just as a bolt slammed into his shield. The point of the bolt actually pierced the damn thing, penetrating three inches through — any more and it would have almost certainly punched through Gregor’s neck. Muttering discontentedly, Gregor strafed to the right and flung Whip forward. He missed his target, but the head of the truncheon smashed through the wall just over the guard’s shoulder, which sent the man diving for cover behind the bar.

The two of them stayed low, waiting for the screaming crowd to evacuate. Gregor glanced up and saw a shelf of bottles above the bar, and, above that, a flickering oil lamp. He estimated the distance, and flicked Whip forward twice: once to smash the bottles of alcohol, and again to shatter the oil lamp.

Hot, burning oil rained down, which quickly set the pools of alcohol alight. There was a shriek, and the guard with the espringal came sprinting out from behind the bar, slapping at his smoking clothes. He never even saw Whip hurtling toward his face.

Once the man was down, Gregor crouched low and looked around. Antonin was still there, cowering in the back, but the guard with the Daulo ax was nowhere to be seen…

Gregor felt footsteps through the floorboards on his right. Without thinking, he turned and raised his shield.

There was a loud scream, and then his shield arm lit up with pain. It had been a long time since he’d been hit with a Daulo ax, and he found he didn’t enjoy it any more now than he had back during the wars.

Gregor rolled out from the bar and raised his shield again, just in time to catch another blow from the guard with the ax. His whole arm went numb with the strike, and he heard a snap—but it turned out to be the wooden slats under his feet, which could hardly bear the pressure.

Which gave Gregor an idea.

Keeping his shield up, he backed away. The guard with the ax charged at him — but before he could bring the ax down, Gregor flicked Whip at the slats at his feet.

The head of the truncheon punched through the wooden slats like they were water reeds. Before the guard could even realize what had happened, he’d put his foot in the gaping hole that Whip had created. Then he slipped, crashed down, and as he did, the entire floor collapsed underneath him.

Gregor leapt back as the wooden slats gave way. When the creaking stopped, he retracted Whip and peeked over the edge of the hole, wrinkling his nose. He couldn’t see the guard in the muddy darkness below — but he knew that the taverna latrines emptied into the filthy space under the building.

Gregor took stock of the situation. The taverna was now mostly empty except for the moaning guards — and the large, fat man trying to hide behind a chair.

Gregor grinned, stood up straight, and marched over. “Antonin di Nove!” he called.

Antonin shrieked in terror as Gregor approached.

“How did you like my experiment?” Gregor asked. “You said that might makes right in the Commons.” He ripped the chair away, and Antonin quailed in the corner. “But might is so often illusory, isn’t it?”

“I’ll tell you anything you want!” shrieked Antonin. “Anything!”

“I want the thief,” said Gregor.

“Ask…ask Sark!” said Antonin.

“Who?”

“An independent! Former canal man! He’s a fence, he sets up jobs and I’m almost positive he did the waterfront!”

“And why would that be?” asked Gregor.

“Because only a damned canal man would think of trying to use a damned sailing rig!”

Gregor nodded. “I see. So. This Sark. Where would he reside?”

“The Greens! Selvo Building! Third floor!”

“Greens,” said Gregor quietly. “Selvo. Third floor. Sark.”

“R-right!” said Antonin. Face quivering, he cringed and looked up at Gregor. “So. Will you…Will you let me go?”

“I was always going to let you go, Antonin,” said Gregor, sheathing Whip. “This is Tevanne. We have no prisons, no courts. And I am not going to kill you. I try hard not to do that anymore.”

Antonin sighed with relief.

“But,” said Gregor, clenching a fist and cracking his knuckles, “I do not like you. I do not like what you do here, Antonin. And I will show you how much I dislike it, using the only language men like you understand.”

His eyes shot wide. “N-no!”

Gregor raised his fist. “Yes.”

Gregor turned, shaking his hand, and walked back to the rickety stalls with the drapes. He pulled them aside, one by one.

Four girls, two boys. None of them older than seventeen.

“Come on, then,” said Gregor gently to them. “Come on.”

He led the children down the hallway, across the battered, broken taverna, and down the stairs to the alley, where the three guards were still whimpering. The children watched as Gregor searched the body of the unconscious, toothless guard for his fifty duvots.

“Now what?” asked a boy.

“You have nowhere else to go, I assume?” said Gregor.

The line of children stared at him. This question, clearly, was preposterous.

He wondered what to do. He wished there were some charity or home he could send them to. But the Commons, of course, had no such thing.

He nodded, and pulled out his satchel. “Here. This is five hundred duvots. You lot could put this to far better use than Antonin ever could. If we divide it evenly, we ca—”

But he never finished, because then one of the youngest girls snatched the satchel out of his hand and ran for it.

In a blink of an eye, all the other children were chasing her, screaming threats: “Pietra, if you think you’re keeping all that, we’ll cut your damned throat!

Try and catch me, you worthless stripers!” the girl howled back.

Gregor watched, stunned, as the children ran away. He started after them, about to shout at them to stop, when he remembered he had other things to do tonight.

He sighed deeply, listened to the fading sounds of these bickering children, so monstrously abused. He liked to imagine he was accustomed to such horrors, but sometimes the futility of it all overwhelmed him. No matter how I try, Tevanne remains Tevanne.

Then he walked down the alley to where he’d hung up his Waterwatch sash. He unfolded it, then slid it back over his head. As he adjusted it, he noticed a splotch of blood on his shoulder. Frowning, he licked a finger and rubbed it clean.

His shield arm hurt. A lot. And it was likely he’d made a good deal of enemies tonight. But it was wisest to move before word could spread.

Now, thought Gregor, on to this Sark.

8

Sancia sat on her building’s rooftop and stared out at the crooked Foundryside streets below. She came up here only occasionally, usually to make sure she wasn’t being watched. And tonight, she needed to be sure, since tonight was her night to meet Sark at the fishery and tell him they needed to get the hell out of Tevanne.

She wondered how she’d explain Clef to him. Despite all the Scrappers had told her, she still didn’t know much about him — about what he really was, or could do, or why. And Clef had not spoken to her since that night. She almost wondered if she’d imagined their conversations.

She looked out at the city. All of Tevanne was smeared with starlit smoke and steam, a ghostly cityscape sinking into the fog. The huge white campo walls surfaced among the ramble of the Commons like the bones of a beached whale. Behind them stood the towers of the campos, which glowed with soft, colorful luminescence. Among them was the Michiel clock tower, its face a bright, cheery pink, and beyond that was the Mountain of the Candianos, the biggest structure in all of Tevanne, a huge dome that reminded her of a fat, swollen tick, sitting in the center of the Candiano campo.

She felt lonely, and small. Sancia had always been alone. But feeling lonely was different from just being alone.

Sancia sat up.

He sounded sullen.

There was a pause.

remember that sensation, that feeling of cool wine on a hot day.>

and not knowing it. Of having things built into you by someone else, things you can’t resist obeying or doing. Like when you put me in that lock in that door, I just…started. Instantly. And it felt good. It felt so good, kid.>

They sat in silence.

he said quietly.

Clef sighed.

She moved from Foundryside to Old Ditch, and then on to the Greens, which earned its name due to a curious fungus that merrily feasted on all the wood in this neighborhood, turning it a dull lime color. The Greens ran along the Anafesto, one of the main shipping channels, and the area had once been the thriving heart of Tevanne’s fishing industry. But then the merchant houses had built up a surplus of scrived ships for the wars, and they’d started to use them to fish instead, which drove everyone else out of business, since they were about a hundred times more efficient. The Greens looked a lot like Foundryside — lots of rookeries, lots of low-slung slums and shops — but rather than being constrained by the campo walls, all the housing came to a sharp stop at the decaying industrial ramble running beside the channel.

Sancia walked along the Anafesto, eyeing the dark, decrepit fisheries ahead. She kept looking to her left, toward the lanes of the Greens. This area was a lot quieter than Foundryside, but she took no chances. Every time she spied someone, she stopped and watched their movements, sensitive to any suggestion that they might be there looking for her, and she didn’t move on until satisfied.

She was anxious because she had Clef, of course, and knew all the threats that invited. But she also had her life savings in the pack on her back — three thousand duvots, almost entirely in coinage. She’d need every penny of it to get out of Tevanne, provided she even got that far. And though she carried her usual thieving kit, this offered little in the way of defense beyond her stiletto. It would be darkly funny if, after all she’d been through, she wound up getting mugged in the Greens by the luckiest street urchin of all time.

Once she got close enough she took the back way to the fishery, crawling across crumbling stone foundations and rusting pipes until she approached it from a narrow, shadowy passage. Probably no one thought she’d approach from this angle, including Sark. The fishery was a two-story moldy stone structure, a place so rotted and decayed it was hard to tell its original purpose anymore. Sark was waiting on the second floor, she knew, and the first floor would be riddled with traps — his usual “insurance.”

She looked at the dark windows, thinking. How in hell am I going to convince Sark to run?

said Clef.

She started toward it, feeling somewhat comfortable for the first time that night.

She silently crept around the corner, then past the big iron doors — which she knew she shouldn’t use, since Sark had trapped them — and slipped through a broken window. She landed softly, took off her gloves, and touched her bare hands to the stone floor and the wall beside her.

Bones, blood, and viscera flooded her mind. The fishery had been the site of so much fish gutting that it almost always bowled her over every time, all the accumulated sensations of so much gore. There were still piles of fish bones here and there throughout the first floor, delicate tangles of tiny, translucent skeletons, and the scent still lingered, of course.

Sancia concentrated, and soon the traps lit up in her mind like fireworks, three trip wires running across the room to three hidden espringals that were almost certainly loaded up with fléchettes: paper packets of razor blades that would turn into a lethal cloud when fired.

She sighed in relief.

better?> said Clef.

She moved forward to delicately step over the first trip wire…

Then she stopped.

She thought for a moment, and peered throughout the darkness of the room. She thought she could spy the trip wires in the dim light — tiny, dark filaments stretching across the shadows.

One, she counted. Two. Three…

She frowned. Then she knelt to touch the floor and wall again with her bare hands.

asked Clef.

said Sancia. She waited until her talents confirmed it once more.

She didn’t answer. She looked around the first floor again. It was dark, but she couldn’t see anything unusual.

She looked out the windows at the building fronts beyond. No movement, nothing strange.

She cocked her head and listened. She could hear the lapping of waves, the sigh of the wind, the creaking and crackling as the building flexed in the breeze — but nothing else.

Perhaps he’s forgotten it, she thought. Perhaps he overlooked it, just this one time.

But that was not like Sark. After his torture at the hands of the Morsinis, he’d become wildly paranoid and cautious. It was not in his nature to forget a safeguard.

She looked around again, just to be sure…

Then she spied something.

Was that a glint of metal, there in the wooden beam across the room? She narrowed her eyes, and thought it was.

A fléchette? Buried there in the wood?

She stared at it, and felt her heart beating faster.

She knelt again and touched her hands to the floor for a third time.

Again, the stone told her of bones and blood and viscera, as they always did. Yet now she focused to find out…

Was any of that blood new?

And she found it was. There was a big splotch of new blood just a few feet from her. It was almost impossible to see with the naked eye, since its stain blended in with the much older, larger stain of ancient fish blood. And her talents hadn’t initially spotted it, as it’d been lost in the larger memory of so much gore.

She took her hands away as her scar began to throb. She felt cold sweat prickling across her back and belly. She turned again to the windows, staring out at the streets. Still nothing.

said Clef.

She felt faint.

Sancia slowly lifted her eyes to stare at the ceiling. She took a deep breath, and slowed her thoughts.

It was obvious what was happening now. The question was what to do next.

What resources do I have? What tools are available?

Not much, she knew. All she had was a stiletto. But she looked around, thinking.

She silently crept along one trip wire, and found its espringal hidden in the corner — yet it was unloaded. Normally it would have had a fléchette pack sitting in its pocket, ready to be hurled forward — but now it was gone. Just a cocked espringal with nothing to shoot.

She grimaced. I guess I shouldn’t be surprised. She silently dismantled the trap and slung the espringal across her back.

Clef asked.

> she said. She crept along a second trip wire and started disarming it, but she didn’t completely dismantle it.

said Clef, astonished.

She did the same to the third trip wire. Then she set them both up so they ran across the base of the stairs, and positioned the espringals so they were pointed right at the stairway.

she said.

She looked around. I need a weapon, she thought. Or a distraction. Anything. But one stiletto and three espringals with no ammunition didn’t get her very far.

Then she had an idea. Grimacing — for she no longer had any idea how much she’d have to use her talents tonight — she touched her bare hands to the wooden beam above her.

Saltwater, rot, termites, and dust…but then she found it: the crackling old bones of the beams were shot through with iron spikes in a few places…and several of them were quite loose.

She quietly paced over to one loose nail, took out her stiletto, and waited for the breeze to rise. When it did, and the creaking and groaning of the old building rose with it, she gently pried the nail out of the soft wood.

She held it in her hands, letting it spill into her thoughts, iron and rust and slow corruption. It was big, about four or five inches long, and about a pound in weight.

Not aerodynamic, she thought. But it wouldn’t need to be, over short distances.

She pocketed it, then pried out two more nails and carefully, carefully placed them in the pockets of the two espringals pointed at the stairwell door.

Maybe this will kill, she thought. Or disable. Or something. I just need to slow them down.

Again, she looked at the street outside. Still no movement. But that didn’t necessarily mean much. These people were prepared.

she asked.

asked Sancia.

said Clef. really fast, all of a sudden, in a perfectly straight line.>

Sancia listened to this closely.

said Sancia.

think these do that.>

She took her espringal and huddled at the window at the back, but did not exit yet.

said Clef.

She did some quick thinking. She knew there was a window just above this one.

She’d reviewed her weapon. The espringal was a clunky, powerful weapon, one of the old models you had to crank four or five times. And a big, rusty iron nail was not the best ammunition to use. She’d have to be close.

said Clef.

She slipped the iron nail in her espringal’s pocket.

said Clef.

She did her best to convince herself she was going to do what she needed to do.

It felt insane. She was no soldier, and she knew it. But she knew there were no other options.

Don’t miss, she thought.

Then she leapt out, raised the espringal at the window above her, and fired.

The espringal kicked far harder than she thought it would, and it responded so fast. She thought there’d be some delay when she squeezed the lever on the bottom, some moment before the gears would engage — but at the slightest pressure, the espringal’s cords snapped forward like a crocodile trying to snag a fish.

There was a dark blur as the iron nail hurtled up at the window, then a wet thud—and the dark window exploded with agonized screams.

said Clef, excited.

Sancia shrank back up against the wall.

Someone upstairs cried, “She’s here! She’s downstairs!” Then there was the sound of rapid footfalls.

Sancia hugged the wall, heart beating like mad. The screaming above her kept going on and on. It was an awful sound, and she tried her best to ignore it.

she asked.

She waited, not even breathing. The man above kept shrieking and howling in pain.

Then there was a harsh snap from somewhere inside the first floor, and the interior lit up with fresh screams — but these tapered off pretty quickly. Probably because those traps had delivered more of a direct hit, which was likely lethal.

One left — but it was dark. She’d have to risk it.

She dropped the espringal and ran, sprinting through the passageways back to the channel, dodging through all the crumbling buildings and rotting wood, her satchel of duvots bouncing on her back. Finally her feet hit soft mud and she picked up the pace, frantically running along the water’s edge.

A voice echoed out from behind her: “She’s loose! She’s gone, she’s gone!

She glanced to her right, up the street, and saw a dozen men pouring out of two buildings and sprinting for the channel. It looked like they were fanning out, so maybe they didn’t know exactly where she was. Maybe.

They were waiting for me, she thought as she ran. It’s a whole damn army. They called out a whole damn army for m—

Then the bolt hit her square in the back, and she fell forward.

The first thing she knew was the taste of blood and earth in her mouth. The rest of the world was dark and smeared and indistinct, noise and screams and distant lights.

Clef’s voice cut through the blur:

Sancia groaned. Her back hurt like it’d been kicked by a horse. Her mouth was thick with blood — she must have bitten her lip as she fell. She stirred, pulled her face from the mud, and sat up, faintly aware of a tinkling sound.

She looked at her back, and saw her satchel of duvots was now little more than a rag. The mud around her was covered in shiny coins. She stared at this, trying to understand what had happened.

said Clef.

But it didn’t feel like a miracle to Sancia. This glittering metal in the channel mud represented the whole of her life’s savings.

asked Clef.

she said wearily.

She looked back and saw a dark figure running along the channel toward her — the third man from the fishery building, probably. He must have been the one to fire the shot. He cried, “She’s over there, over there!

“Damn it all,” said Sancia. She staggered to her feet and sprinted up the hill and off into the Greens.

Sancia ran blindly, thoughtlessly, drunkenly, hurtling through the muddy lanes, her head still spinning from the scrived bolt. Clef chattered madly in her ear as she ran, spitting out directions:

She dodged and turned to avoid them, running deeper and deeper into the Greens, her chest and legs aching with the effort. She knew she couldn’t run much farther. Eventually she’d stumble, or collapse, or they’d catch up to her. she thought. She was close to Foundryside by now, but that didn’t mean much. Foundryside Commoners would sell her out in a heartbeat.

cried Clef.

She realized what he meant. She glanced ahead, picked a building that looked secure and commercial — so hopefully it’d be empty in the middle of the night — ran up to a side door, and stuck Clef into the lock.

There was a click. She shoved the door open, darted inside, and locked it behind her.

She glanced around. It was dark in the building, but it seemed to be some kind of clothier’s warehouse, full of musty rolls of cloth and flittering moths. It also appeared to be empty, thankfully.

asked Sancia.

said Sancia.

She knelt, touched a hand to the floor, and shut her eyes, letting the building tell her the layout. This was pushing her abilities — her head felt like it was full of molten iron — but she didn’t have a choice.

She found the stairs and started climbing until she came to the top window. She opened it, felt the wall outside, let it bleed into her thoughts. Then she slipped out the window and climbed up until she rolled onto the roof. The roof was rickety, old, and not well built — but it was the safest place she’d been yet. It might as well have been paradise.

She lay on the roof, chest heaving, and slowly pulled her gloves on. Every part of her hurt. The scrived bolt might not have penetrated her flesh, but it’d hit her so hard it felt like she’d strained muscles she didn’t even know she had. Still, she knew she couldn’t relax now.

She crawled to the edge and peered out. She was about three floors up, she saw — and the streets were crawling with heavily armed men, all waving and signaling to one another as they scoured the neighborhoods. It was the sort of thing professional soldiers did, which didn’t reassure her.

She tried to count their number. Twelve? Twenty? A lot more than three, and she’d barely escaped three.

Some of the men were being followed by a curious type of rig she’d heard about, but never seen: floating paper lanterns, which had been scrived so they levitated about ten feet off the ground, glowing softly. They were scrived so they knew to follow specific markers, like a sachet — you put one in your pocket and the lantern would follow you around like a puppy. She’d heard they used them as streetlights in the inner enclaves of the campos.

Sancia watched as the lanterns bobbed through the air like jellyfish in the deep, following the men and spilling rosy luminescence into the dark corners. She supposed they’d brought them in case she was hiding in the shadows. They were prepared for her, in other words.

“Shit,” she whispered.

said Clef.

She looked at the remnants of her pack. Not only were the coins gone, but so was her thieving kit. It must have fallen out as she ran.

She poked her head up and took stock of her surroundings. The rooftop was bordered by three rookery buildings, one on either side and one behind. The two on the sides were both too tall and too far away, but the building behind was doable — about the same height as the warehouse, with a stone tile roof.

She looked out farther, and spied the white campo walls and smokestacks of a campo a few blocks beyond.

That was a good question. She knew that a merchant house had to be behind this — that was the only force that could deploy a small army in the Commons just to find her. But which one? None of the assassins she’d seen had worn a house loggotipo — but it would have been supremely stupid for them to do that.

All this meant she could go to ground in the Michiel campo only to find out that the men down there were Michiel house guards, or someone employed by the Michiels. There was no place she could deem truly safe.

Sancia shut her eyes and rested her forehead against the roof. Sark…damn you. What in hell have you gotten me mixed up in?

Though she knew she was just as much at fault as he was. He’d been upfront about the job, and she’d still taken it. The money had been too good, and despite all her care and caution, it’d made her stupid.

But she likely wouldn’t have survived this long without Clef. If she hadn’t opened the box, she realized, she’d be trussed up like a hog right now, about to be butchered.

she said to Clef.

said Clef.

Then she heard a rattling sound in the street below. She poked her head back over the edge of the roof.

An unmarked, black scrived carriage was slowly trundling down the tiny mud pathway in the Greens. Such rigs were about as frequent as a yellow striper here — and the sight of it made her uneasy.

Now what?

She watched with growing dread as the carriage approached. Anxious, she pulled off one glove with her teeth and touched a bare palm to the rooftop. It told her of rain, mold, and piles and piles of bird shit, but nothing more — it seemed they were alone up here.

The carriage finally stopped a few buildings down. The door opened, and a man climbed out. He was tall and thin, and not dressed ostentatiously. His posture was stooped — perhaps a man used to sitting, to indoors work. It was hard to see his face in the shifting lights of the floating lanterns, but he had curly locks that looked somewhat reddish.

And clean. Clean hair, clean skin. That gave it away.

He’s campo, she thought. Got to be.

One of the soldiers ran up to the campo man and started talking. The campo man listened and nodded.

And he’s the man running the show. Which meant he was probably the one who’d arranged the trap that had almost gotten her killed.

She narrowed her eyes at him. Who are you, you son of a bitch? Which house do you work for? But she could glean nothing more about him.

The campo man gestured at a rookery building to the left of the clothier’s warehouse — which Sancia didn’t like. But then he did something odd: he peered at the buildings around him, then reached into his pocket and took out something…gold.

She leaned forward slightly, straining to see. It looked like a round, golden device of some kind — like a big, awkward pocket watch, perhaps, slightly larger than his hand.

A tool made of gold, she thought. Like…Clef?

The campo man examined the gold pocket watch, and frowned. He kept looking at the tool, then up and around, and then back at the tool.

asked Sancia.

said Clef.

She heard a shout, this one close, from the rookery to her left — someone crying, “Stop, stop, you can’t just come in here!” She looked up just as the window shutters of one room banged open, about three floors above her, and a glowering man wearing a steel cap stuck his head out.

The man spied Sancia immediately, pointed, and cried, “There! She’s there, on the rooftop, sir!

Sancia looked back at the campo man in the street below. The campo man looked at the guard in the rookery — and then at her.

Then he held up the golden pocket watch and appeared to hit a button on the side. And everything changed.

The first thing Sancia noticed was that all of the floating lanterns in the streets below abruptly went dark and fell to the ground.

The other thing was that her mind went suddenly…quiet. A sort of quiet she hadn’t heard in a long, long time, like when you live in the city for years and then spend a night out in the country, and hear simply nothing at night.

said Clef.

He kept talking.

But though she was frantic, Sancia couldn’t help noticing that her abilities had…changed.

Her hand was still pressed to the rooftop — but now it told her nothing. Just silence.

Then she heard the screaming.

Gregor Dandolo strode through the alley in the Greens, muttering, “Selvo Building, Selvo Building…” as he went. It was harder to find than he’d anticipated, since nothing in the Commons was properly labeled — there were no street names, nor signage of any kind. He needed to hurry — he had to get ahold of this Sark before the man heard he was looking for him.

He stopped in his tracks when he heard the thump beside him. He looked down to see that Whip’s dense metal head had just fallen off its shaft, and its metal cable was unspooling beside it.

“What?” he said, confused. He hit Whip’s lever to retract it.

Nothing happened.

“What the devil?” he said.

In an abandoned loft in Old Ditch, the Scrappers were carefully testing out a new scrived device, one that Giovanni hoped would be his masterpiece: a rig that, when attached to a scrived carriage, would give them remote control of the wheels — or it should, in theory, but it was persistently failing to work.

“Something’s wrong with the commands again,” said Claudia, sighing.

“What’s not expressing correctly?” asked Giovanni. “Where have we made the wrong ste—”

Then all the scrived lights in the loft blinked off.

There was total silence. Even the hums from the fans were gone.

“Uhhh,” said Giovanni. “Did we do that?”

People did not have many scrived devices in Foundryside and the Greens, and those who did kept them secret. But as some of the residents checked on their hidden treasures, they found something…strange.

Lights went out. Machines that had previously worked just up and died. Musical trinkets went silent. And a few of the larger scrivings simply failed — some with disastrous results.

Like the Zoagli rookery in Foundryside. Though the residents didn’t know it, the supports beneath the building that kept it upright were actually scrived with commands that convinced the wooden pieces they were dark stone, immune to the rotting effects of moisture and waste.

But when those scrivings stopped, the wooden beams remembered what they really were…

The wood creaked. Groaned. Moaned.

And then snapped.

In an instant, the entire Zoagli Building collapsed, bringing all the roofs and all the floors down on its residents before they could even understand what was happening.

Sancia looked up when she heard the enormous crack from Foundryside, and stared as a building collapsed. It was like watching a big stack of books slowly slump to the side and then tumble to pieces — yet she knew that dozens and dozens of people had to be inside that structure.

“Holy shit,” she whispered.

said Clef drunkenly.

She looked back at the campo man. He looked surprised by the sound of the building’s collapse, even nervous, and stowed the golden pocket watch away in his vest — a curiously guilty gesture.

Sancia looked at the dead lanterns lying in the street.

Clef muttered.

Her bare hand was pressed into the rooftop, but the rooftop was still silent to her.

A mad idea wriggled into her thoughts.

No, said Sancia, horrified. That can’t be…

Then a voice to her left: “Scrumming little bastard!” She looked up, and saw the man in the rookery window lifting up an espringal.

“Shit!” she cried.

She sprang to her feet and started to run toward the building behind the warehouse.

said Clef.

A bolt thudded into the rooftop just ahead of her. She screamed and covered her head as she ran — not like that would stop the next shot — but in some calm, distant corner of her mind, she recognized that it had not been a scrived bolt. A scrived bolt likely would have punched right through the poorly built roof.

Sancia ran faster, faster. She took note of the stone shingles of the rooftop beyond, imagining how she’d land on them, how the soles of her boots would grip them.

I really goddamn hope, she thought as she madly pumped her arms, that I was right about it being twenty feet…

She came to the corner and jumped.

The alley soared beneath her, dark and yawning, passing ever so slowly like a cloud traversing the face of the sun. She’d pushed off with her left foot and stretched out with her right, pointing the arch of her foot at the edge of the distant rooftop, every tendon in her leg and hip and back extending to connect with that one spot, like a sprouting plant reaching toward a sunbeam.

She lifted her arms as she leapt and pumped them back down, maximizing her propulsion. She lifted her left foot to join her right. She pulled her knees up. The edge of the roof flew closer to her.

The man in the rookery screamed, “No scrumming way!

And then…

She compressed her legs as she landed, lessening the impact. She’d made it — almost. For one splinter of a moment she seemed to hang here, the edge of the roof biting into her feet, her ass dangling over the alley below.

Then momentum, that oh-so-fickle friend of hers, carried her forward just a little, until…

Sancia found her equilibrium, and stood up.

Her body was still. She’d made it.

A voice in the alley below shouted, “Shoot! Shoot her!

She started running as the bolts thudded into the wall below her, up from the alley — they must have surrounded the clothier’s warehouse. She leapt forward and skidded along the slimy stone roof until she came to a small raised hatch, leading down.

The hatch was locked. She fumbled for Clef again, but screamed as a bolt slammed into the roof right beside her shoulder.

She’s over there!” cried the man from the rookeries. She peeked over the hatch and saw him signaling to someone below as he reloaded, cranking his espringal once, twice. “On the roof, on the other roof!”

She finally pulled Clef out and jammed him into the lock in the hatch.

said Clef.

Another bolt came hurtling down, this one a handful of feet away.

now would be just terrific, Clef!> she said.

A sharp click. Sancia wrenched the hatch open and leapt down the dark stairs to the floor below, flying from floor to floor.

But she wasn’t alone. Sancia could hear footsteps below.

She came to the second floor. She glimpsed someone running up the stairwell just below her — a woman’s face, a dagger in her hand. She screamed, “Stop! Stop, you!

“Not a harpering chance,” whispered Sancia.

She leapt herself through the door to the second floor, then slammed it shut behind her.

said Clef drunkenly.

Sancia threw her shoulder against it as she ripped Clef off the string around her neck. She tried to slip him into the lock, but then…

Bang. Someone on the other side hit the door hard, almost knocking Sancia to the ground. She gritted her teeth, threw herself against the door again, and wriggled Clef into the lock…

Click.

Someone slammed into the door again. But this time, because it was locked, it didn’t move. A voice on the other side moaned in surprise and pain.

She ran down the hallway as people poked their heads out their doors. She took a left, kicked down one door, and ran into the room.

The apartment was small and filthy. A young couple was lying on a pallet, quite nude, and Sancia could not see much of the man’s face, as most of it was obscured by the woman’s thighs. Both of them screamed in abject terror as Sancia darted inside.

“Pardon,” she said. She ran through the apartment, kicked open the wooden shutters, climbed up onto the window, and jumped across the alley to the next building.

It was an aging structure — her favorite kind, as it offered plenty of good handholds and niches to stuff her toes into. She crawled down its side slowly and awkwardly, since she’d lost her ability to sense the walls at a touch, then leapt into the muddy alley below and started running north, away from the Anafesto channel, away from the Greens, away from the Commons and the fisheries and the smell of rot and the hissing bolts…

Screams echoed in the distance. Maybe another building had fallen down.

Again, she thought about the dead lanterns, Clef’s slurred words, and how all the world was dead to her touch — and, again, the mad idea returned to her.

But it was impossible. Just impossible.

No one could just turn scrivings off. No one could just hit a switch or a button and make every rig in a whole neighborhood just stop.

But though it might be impossible, thought Sancia, so is a key that can open anything…

She remembered the wink of gold as the man played with his contraption…

What if he already had something like Clef? Something that could do…something else?

Smokestacks soared into the sky ahead of her like a cindery forest — the Michiel campo foundries. She had a sachet, but most of the entryways would be closed and locked by now, since it was well after nightfall.

Then she realized she had an easy solution.

said Clef.

She ran along the smooth, white campo wall until she came to a large iron door, tall and thick and elaborately decorated with the Michiel loggotipo. She took Clef out and was about to stuff him into the lock when suddenly things…changed.

There was a scrived lantern just on the other side of the wall. She hadn’t been able to see it before, because it’d been dark. Yet it had just come back on, flickering to life.

said Clef, suddenly articulate. was that?>

A whispering filled her mind. Sancia looked at the iron door. She reached out with her bare hand and touched it. The whispering filled her mind, as did a thousand other things about the door.

“Scriving’s back on,” she said out loud. “It’s back.”

It seemed as if the effects of…well, of whatever the campo man had done back there were fading. This was both good and bad. Good, because both she and Clef now had their abilities back. But also bad, because that meant the scrived lock in this door would now also be fully functional — and though she didn’t know how long it’d take for Clef to pick it, she could tell from the calls and shouts behind her that she didn’t have much time before her pursuers found her.

she said.

She didn’t let him finish the question. She slid Clef into the lock.

Just like with the Candiano door, a thousand questions and thoughts poured into her mind, all of them directed at Clef.

the door shouted.

asked Clef.

said the door.

Sancia glanced down the alley as she listened. She somewhat understood this: apparently after nightfall, only someone with a specific scrived key — one with an important seventeenth tooth — was allowed to unlock and open the door.

asked Clef.

A huge exchange of information took place between Clef and the door. The distant sounds of shouts were drifting toward her. “Come on,” she whispered. “Come on…”

said the door.

said Clef.

<Yep. Yep. So, uh, go ahead and open, okay?>

Silence. Then there was a click, and the door opened. Sancia slipped through and slowly shut it behind her. She crouched behind the wall, listening. Her ankles ached, her feet ached, her hands ached, her back ached — but at least for once her head didn’t hurt much.

she said.

She heard footsteps on the other side, someone walking, slowing down…and then they tried the handle of the iron door.

Sancia stared at the handle, fervently praying that the handle didn’t keep moving — but it didn’t. It moved just a tiny, tiny bit — and then it stopped.

The person on the other side grunted. Then they walked away.

Sancia waited for a long time. Then she let out a slow breath, and turned to face the gray spires and domes and smokestacks of the Michiel campo.

said Clef.

said Sancia.

Sancia rubbed her eyes. She had to get out of the city, but this presented a familiar problem.

She needed money. She always needed money. Money to bribe someone, money to buy tools to get more money, money to get a safe place to store her damned money. Life was cheap, and cash, as ever, remained dauntingly expensive.

Her normal source of money had been Sark. But Sark wasn’t an option anymore.

Then she had an idea, and slowly cocked her head. But his house — that might be a different case.

she said to Clef.

this?>

She sighed and rubbed her eyes.

She turned left, through the foundry yards.

Sancia tried to think about how to phrase these words, as they were essentially incomprehensible to any Tevanni.

that what you think happened back there?>

Sancia grimaced.

She glanced to the east, where the giant cloud of dust was drifting toward the moon.

said Clef.

Sancia kept to the rooftops as she made her way through Foundryside to Old Ditch. Her hands hurt like hell and her head wasn’t much better, but she had to make do. Every once in a while she’d peer down into the warrens and spy someone who looked large, well fed, well armed, and quite mean — and she’d know she wasn’t out of danger yet.

She briefly stopped in Old Ditch to hit up a once-favorite stop of hers: the Bibbona Wine Brewery. Everyone said the cane wine made there was atrocious, but they still did a brisk business — brisk enough to be worth her robbing the place every once in a while, back in the day. But then some clever bastard had not only installed a reinforced door in the brewery, but they’d also rigged up a timing system: three Miranda Brass locks that had to be unlocked within twenty seconds of each other — otherwise, they’d all re-lock. Even with Sancia’s talents, the hassle hadn’t been worth the payout.

But with Clef, it was easy — one, two, three, and suddenly she had two hundred duvots in her pocket.

asked Clef as she crept away.

She quickly scaled the side of a rookery and scrambled onto the rooftop.

Luckily, the Scrappers were in the first place she looked — an abandoned loft in Old Ditch. To her surprise, they weren’t in their workshop, but were instead standing on the balcony, staring out at the distant chaos in Foundryside. Sancia peered over the rooftop at them, then carefully started climbing down.

Giovanni screamed in surprise and fell backward into the other Scrappers as Sancia dropped down to the balcony. “For the love of God!” she said, standing. “Could you keep it down!”

“San?” said Claudia. “What the hell are you doing here?” She looked up along the wall. “Why were you on the roof?”

“I’m here to buy,” said Sancia. “And buy fast. And I had to take a safe route.” She glanced at the street below. “Can we go indoors?”

“No,” said Claudia. “All our lights are off. Nothing works, that’s why we’re out here.”

“Have you checked recently?” asked Sancia.

“Why?” said Giovanni suspiciously.

“We haven’t,” said Claudia. “Because the second we came outside, some scrumming buildings started falling down! The whole neighborhood’s gone mad!”

“Oh,” said Sancia. She coughed. “Ah. Very strange, that. But — can we, uh, light a candle, and go inside anyway?

Giovanni narrowed his eyes at her. “Sancia…I suddenly feel that your arrival, and all these disasters, seems terribly coincidental.”

Sancia spied someone in a steel cap walking down the alley below. “Can we please just go inside?” she begged.

Claudia and Giovanni exchanged a glance. Then Claudia said to the rest of the Scrappers, “Stay out here. Let me know if anything…I don’t know, explodes or something.”

Inside, Sancia quickly told them what had happened — or tried to. The more she talked, the madder it all felt. As she spoke, she washed her hands in the candlelight and wrapped her palms and wrists in chalk cloth. She didn’t like it much — she didn’t like any new clothing — but she knew she had to do a lot more climbing soon.

Claudia stared at her in disbelief. “You’ve got a whole goddamn campo army out looking for you?”

“Pretty much,” said Sancia.

“And…and Sark’s dead?” asked Giovanni.

“Yes,” she said quietly. “Almost certainly.”

“And…” Claudia looked at her, frightened. “You say some campo lordling is running around…with some rig that can turn scrivings off?”

“It all happened fast,” said Sancia. “So I’m not positive. But…that seems to be what I saw. He hit a button, and everything just stopped. I’m guessing those buildings fell down because they were being supported by scrivings, in some fashion or another. And his soldiers expected it — that was why they switched to regular espringals, rather than scrived ones.”

“Shit,” said Claudia weakly.

“You really think this was all about your key?” said Giovanni.

“That I’m sure of.”

“Where did you hide it?” he asked. “Did you bury it, or put it in a safe drop, or just throw it away?”

Sancia thought about what to say. “Ah…”

Giovanni went white. “You don’t still have it, do you? You didn’t bring it here?”

Sancia’s hand guiltily crept up to her chest, where Clef was hanging from her neck. “At this point, bringing Clef here isn’t any more dangerous than my being here.”

“Oh my Lord,” whispered Giovanni.

“Goddamn it, Sancia!” said Claudia, furious. “I…I told you to stop taking house jobs! You’re going to get us all killed just by our knowing you!”

“Then get me out of here fast,” said Sancia. “I need to get to Sark’s and grab his emergency kit. I get that, and I can get out of Tevanne, and you’ll never know me again.” She took what she’d stolen from the brewery and dropped it on the table. “There’s two hundred here. You said I’d get a fifty percent discount next time. I’m calling it in. Now.”

Claudia and Giovanni looked at each other. Then Claudia sighed deeply, took the candle to a cupboard, and started pulling out a box. “You want dolorspina darts again — yes?”

“Yeah. These are trained soldiers. A one-shot stop would be damned handy. But do you have anything else? I need any fight to be as unfair as it can get.”

“There’s…something new I cooked up,” said Giovanni. “But it’s not totally ready yet.” He opened a drawer and pulled out what looked like a small black wooden ball.

said Clef in her head.

Sancia tried to ignore him. “What is it?”

“I rigged it up so it uses multiple lighting scrivings from the four houses,” he said. “In other words, you hit the button, throw it, and it makes an ungodly amount of light, flashing bright. Enough to blind someone. Then…”

“Then what?” said Sancia.

“Well, this is the part I’m not so sure about,” said Giovanni. “There’s a charge inside — no more than a firecracker. But I’ve made its chamber sensitive to vibrations so it feels like it’s playing host to a much, much larger combustion. It amplifies the noise, in other words…”

“So it makes a really, really loud bang,” said Claudia.

“That,” said Giovanni, “or it might actually explode. It’s hard to test things like this. So I’m not sure yet.”

said Clef.

“I’ll take as many of those as I can buy,” she said.

Giovanni took out three more of the black balls and popped them in a sack for her. “Sancia…you ought to know that Sark’s apartments likely aren’t safe, either.”

“I know that,” she said. “That’s why I’m here!”

“No, listen,” said Claudia. “Some big thug walked into the Perch and Lark just a handful of hours ago and beat every single one of Antonin di Nove’s men half to death — as well as Antonin himself — all while asking for information about the waterfront job.”

Sancia stared at her. “One guy? One guy fought all of Antonin’s crew, single-handedly, and won?”

“Yes,” said Claudia. “I’ve no doubt Antonin told him everything he knew about Sark — which was probably a lot. Seems you’ve called all kinds of devils out of the dark with your antics.”

“And now you, Sancia Grado,” said Giovanni, tying up the sack, “at all of five foot no inches, and a hundred and nothing pounds, are going to take them all on.” He held it out to her, grinning. “Good luck.”

9

Gregor Dandolo stood below the Selvo Building and looked up. It was large, dark, and crumbling — in other words, it looked much like the sort of place where a thief’s fence would reside. Each room had a short balcony, though few looked sturdy.

He glanced back at the plume of dust rising from Foundryside. Something bad had happened back there — likely a building had collapsed, if not several. Every instinct of his told him to run to the site and help, but he realized that his previous actions tonight made that unwise. There was now an entire criminal organization that wanted him dead, and this Sark would surely soon catch word that Gregor was looking for him, and go to ground.

The one night I have business in the Commons, he thought to himself, is, of course, the one night the entire place falls apart.

He checked to make sure Whip was working. His weapon seemed to be all in order — he had no idea what that odd bit of business had been about back there. Grimacing, he walked inside the Selvo and found a few residents anxiously wandering the halls, wondering what the crash was.

Sark’s door was easy to find — it was the one with eight locks on it. He listened for a bit but heard nothing inside. He walked down the rooms on Sark’s side of the building and quietly tried all the doorknobs. One was open on the very far end. The room within was empty — for sale or abandoned, he supposed.

Gregor stumbled through the dark room. He fumbled with the door on the far end and walked out onto the balcony that dangled on the side of the building. Then he looked down the face of the building at all the balconies, all lined up close together.

An idea occurred to him. I must try my hardest, he thought, straddling the baluster, not to look down.

With slow, careful movements, Gregor Dandolo vaulted from balcony to balcony toward Sark’s rooms. There wasn’t much of a gap between the balconies, only about three feet or so, so his primary concern was that the balconies might not be able to support his weight. But despite a few creaks and cracks, they held.

Finally he came to Sark’s rooms. The door leading in was locked, but this lock was far weaker than the ones in the front door. He wedged the bottom of Whip’s handle into the crack and tugged at it. The lock popped free easily.

He was about to go in when he paused…He thought for just one moment, just a split second, that he’d seen someone on the rooftop across the alley. But now that he looked there didn’t seem to be anyone. He grunted and slipped inside.

It took a moment for his eyes to adjust. Gregor took out a match, struck it, and lit a candle.

Now. What’s to find here?

What he found made his heart sink: this Sark had at least ten safes, all of them lined up along the walls, all of them locked and, to Gregor, impenetrable.

He sighed. If there is evidence in there, he thought, I can’t get to it. So I must find any evidence outside of the safes, then.

He searched the rooms. The space looked like something adapted for an invalid: lots of canes, lots of handles, lots of low seats. He also found Sark had little in the way of crockery and cutlery and pans. He apparently did not make his own food much at all, which was not terribly unusual. Few Commoners could afford all the materials that went into the preparation of food.

Gregor was about to move past the cooking stove and into the living room when he paused.

“If he doesn’t have plates or spoons,” he said aloud, looking down, “and if he doesn’t eat at home…then why does he have a stove?”

Certainly not for heat — Tevanne had no shortage of that: the city’s two seasons were hot and wet, or unbelievably hot and unbelievably wet.

Gregor squatted before the stove. There was no wood ash inside — which was odd.

Grunting, Gregor reached down and felt the back of the stove, until he found a small switch.

He turned it, and the back of the stove popped open. “Oho,” said Gregor. Inside were four small shelves, and on those shelves were many precious items.

He looked at the safes around him. These are just a distraction, aren’t they? Make any interlopers focus on them, while the real safe sits hidden right in front of you…He suddenly thought this Sark a very clever man.

There was a small bag on the top shelf, and he opened it and carefully looked through it. “My goodness,” he murmured.

Inside were four thousand duvots — paper duvots, no less — and multiple documents, almost certainly forged, that would allow the holder to secure quick passage on any number of ships. One of them even granted the bearer the powers of a minor ambassador from Dandolo Chartered — and even though Gregor had little to do with his family’s house, he couldn’t help but feel insulted by that.

He looked through the rest of the bag, and found a knife, lockpicks, and other unseemly tools. He’s definitely the fence, he thought. And the man was ready to run in a heartbeat.

He searched the rest of the hidden safe. It contained small sacks of gemstones, jewelry, and the like. On the bottom shelf was a small book. Gregor grabbed it and flipped through it, and found it was full of dates, plans, and tactics for Sark’s many jobs.

At first the notes were extremely detailed — methods of entry and escape, tools required for breaking a specific lock or safe — but at one point, about two years ago, the jobs suddenly got a lot more frequent and the payouts a lot higher, but the notes became far sparser. Gregor got the impression that Sark had made a connection with someone good enough that they didn’t need much of his help.

He flipped to the last entry and found Sark’s notes on the waterfront job. He felt a bit pleased to see that his defenses had frustrated this Sark immensely — one scribbled line read: This bastard Dandolo is going to make S work double-time!!

Gregor made a note of that—“S.” He doubted it stood for “Sark.”

That must be the thief — whoever they are.

But there was another note at the end that he found deeply curious — scrawled in the margins of the paper were two words: Dandolo Hyp??

Gregor stared at the words.

He knew that they did not refer to him — they had to be shorthand for “Dandolo Hypatus.” And that was very, very troubling.

A hypatus was a merchant house officer who acted as something akin to a head of research, experimenting with sigillums to dream up new methods, techniques, and tools. Most hypati were madder than a speared striper, mostly because they often didn’t survive long — experimental scrivings had a tendency to inflict gruesome death on anyone involved with them. And then there was the backstabbing the position attracted: since every scriver on a campo wanted to be a hypatus, betrayals and even assassinations were common hazards of the job.

But the Dandolo Chartered hypatus was Orso Ignacio — and Orso Ignacio was notorious, if not legendary, for being an amoral, arrogant, duplicitous, and fiendishly clever campo operator. He’d lasted nearly a decade as hypatus, which had to be a record in Tevanne. And he hadn’t risen from within the ranks of Dandolo Chartered — he’d originally been employed at Company Candiano, though Gregor had heard rumors he’d departed that house under leery terms. It was a known fact that the whole damned merchant house had almost collapsed mere weeks after his departure.

Yet as unsavory as Orso Ignacio’s reputation might be — would he be willing to hire an independent thief to rob Gregor’s waterfront? Since Gregor was the son of Ofelia Dandolo — the head of the entire Dandolo Chartered merchant house — this seemed totally insane. But then, hypati were generally agreed to be insane, or close enough to it.

Gregor considered what he knew. Only one thing had been stolen that night — a box, entered into the safes under the name of “Berenice.” Which could have been a false name, for all Gregor knew.

So — was Orso Ignacio the buyer? Or was he the one being robbed? Or is this small note here just nonsense, a complete coincidence?

He wasn’t sure. But he now intended to find out.

Gregor heard something, and sat up. There were footfalls in the hallway — all heavy boots. And it sounded like there were a lot of them.

He didn’t wait to listen and see if the new arrivals came to Sark’s door. Instead he took Whip out and walked quietly into the bedroom, where he hid behind the open door, peering through the crack in the hinge at the living room beyond.

Could this be Sark? Has he returned?

There was a tremendous crack as someone kicked the door down.

Ah, no, he thought. Probably not Sark.

Gregor watched as two men in dark-brown clothing and black cloth masks walked into Sark’s rooms. But what really caught Gregor’s eye were their weapons.

One bore a stiletto, the other a rapier — and both were scrived. He could see the sigils running along the lengths of the blades, even from where he was.

He sighed inwardly. Well. That’s going to be a problem.

Gregor was familiar with scrived weapons. Scrived armaments, though prohibitively expensive, were the primary reason why the city of Tevanne had been so successful in warfare. But you couldn’t just glance at a scrived weapon and know what it was scrived to do. It could be anything.

For example, the common blades used in the Enlightenment Wars were scrived so that they’d automatically target the weakest part of whatever they were swung at, and then target the weakest part of that weakest part, and then to target the weakest part of that weakest part of the weakest part, and then strike that exact area. Operating off of these commands, the blades would be able to cut through a solid oak beam with little force.

But that was just one possibility. Other scrivings convinced the blades they were hurtling through the air with amplified gravity — this was what Whip’s head was scrived to do, for example. Others had been scrived specifically to break down and destroy other metals, like armor and weapons. And still others burned incredibly hot when whirled through the air, giving them the possibility of setting one’s opponent alight.

All of these possibilities ran through Gregor’s head as the two thugs stalked through Sark’s rooms. So what I need to do, he thought, is make sure they never get to use them.

He watched as the two men examined the open back of the stove. They crouched and peered in, then exchanged a glance, perhaps worried.

They turned and approached the balcony door. One gestured to the other, silently pointing out that the lock had been broken in. Then they started walking toward the bedroom, with the one with the rapier in the lead.

Still hidden behind the door, Gregor waited until the first of his opponents had stepped into the bedroom, with the second one right behind him. Then he kicked the door as hard as he could.

The door hurled shut, smashing the second thug in the face. Gregor could feel the wood resonate with the blow, and felt satisfied with the damage done. The thug with the rapier turned around, raising his weapon, but Gregor snapped Whip forward and cracked him in the face.

But the man did not crumple, whimpering, as Gregor had been expecting. Instead the thug stumbled back, shook himself, and charged forward again.

The man’s mask, thought Gregor. It must be scrived to deflect strikes. Maybe all of his scrumming clothing’s scrived!

Gregor dove to the side as the man’s rapier slashed through the wall like it was made of warm cheese. Though it was dark in the rooms, he could tell that the rapier was, like Whip’s head, scrived to amplify its gravity, crashing through the air like a man ten times as strong had swung it. Which, Gregor knew from experience, was a dangerous weapon to face — but also a dangerous weapon to wield.

Gregor rose and flicked Whip out. The truncheon’s head flew forward and smashed the man on his knee, hard enough to knock him over — but he stayed standing. Not good, thought Gregor. Their outfits must have cost a fortune…

He did not have time to reflect on the cost of their armaments, though, because then the second thug barged in, almost knocking the door off its hinges. The thug with the rapier then pivoted, sword in his hand, trying to pin Gregor into the corner.

Gregor grabbed the mattress on Sark’s bed and flung it at his two assailants. The man with the rapier slashed it in two, sending feathers flying everywhere. Gregor used this momentary distraction to hurl yet more furniture at them — a chair, a small desk — though his goal was not to harm them, but to clutter the room, making it harder to move.

The man with the rapier hacked his way through, cursing. But now the space was too small for them both to confront him — only the one with the rapier could engage.

He led the man back, toward the window of the bedroom, and got in position. His attacker gave a rough shout, and thrust forward with the rapier, aiming for Gregor’s heart.

Gregor fell to the side and sent Whip’s head flying at the man’s feet.

His attacker tripped. And ordinarily this would not have meant much — but Gregor’s attacker had just thrust his rapier forward, expecting to plunge it into Gregor’s chest, and the weapon accelerated as it flew; and now that there was nothing to stop it, it just kept hurtling forward, pulling the man along like someone trying to walk a large dog that’s just seen a rat and bolted after it.

The sword plunged right through the window behind Gregor — and took its owner with it. Gregor stood and watched with grim pleasure as the thug sailed down three floors and crashed onto the wooden sidewalk.

Scrived defenses or not, he thought, the man’s brain is soup now.

“Son of a bitch,” snarled the second attacker. “You…You son of a bitch!” He did something to his stiletto — adjusted some lever or button — and the blade started vibrating hard and fast. This augmentation was new to Gregor, and he did not like it: that blade wouldn’t make a nice puncture hole, but instead would tear him to pieces.

The man advanced on him. Gregor flicked Whip forward, and the man ducked — but the man had not been his target. Rather, Gregor had been aiming at the bedroom door, which was barely hanging on to the doorframe after its ill treatment. The truncheon’s head punched through the door and even part of the wall, and the impact finally severed the door from its frame.

The man glanced back at it, then rose and growled as he started to advance on Gregor.

But then Gregor hit the switch on the side of Whip, and it started to retract the truncheon’s head.

And, as Gregor had hoped, it hauled the bedroom door along with it. The door crashed into the man’s back, and Gregor leapt aside just in time as the sheer momentum carried his attacker forward and into the wall.

Gregor stood, ripped Whip free of the shattered remains of the door, and started bashing the back of the prone man’s head. Gregor was not the sort of person to beat a fallen man to death, but he had to make sure the man stayed down, as his opponent’s defenses likely dulled the impact of anything that hit him.

After seven or so strikes, Gregor paused, chest heaving, and kicked the thug over. He realized he might have inadvertently overwhelmed the scrived defenses of the man’s clothing. A pool of blood was slowly spreading out into a gruesome halo around his head.

Gregor sighed. He did not like killing.

He looked out the window. The man with the rapier was still lying on the broken wooden sidewalk. He hadn’t moved.

This is not how I wanted the evening to go, thought Gregor. He didn’t even know who these men had been coming for. Were they Sark’s men, responding to his break-in? Or had they been looking for Sark? Or was it something else entirely?

“Let’s at least find out who you are,” he said. He knelt and started to pull the man’s mask off.

But before he could, the wall behind him exploded.

The second the wall erupted, two thoughts entered Gregor’s mind.

The first was that he had really been quite stupid: he’d heard the number of footsteps outside Sark’s door, and he’d known there had been more than two men who’d come to the room. He’d just forgotten it in the melee — a very stupid move.

The second thought was: I cannot be hearing this right now. It is impossible.

Because as the wall exploded, sending shattered wood and stone flying through the room, there was a sound over the fracas that was distinct: a high-pitched, wailing shriek. And Gregor had not heard that sound since the Enlightenment Wars.

He dove to the ground as dust and debris showered over him. He looked up just in time to see it — a large, thick, iron arrow hurtling through the far wall of the bedroom, flying just over him, and punching out the other wall as if it were made of paper. The arrow was burning hot, bright and red, leaving a trail of fire in its wake, and he knew that eventually it would erupt into a shower of hot, flaming metal.

He sat up, dust pouring off of him, and watched in horror as the burning-hot missile shrieked out over the Greens before exploding. Bright sparks and flaming shrapnel danced down to the buildings below.

No! he thought. No, no! There are civilians, there are civilians!

Before he could think further on it, the wall erupted again in a different place, and another shrieker punched through the walls of Sark’s bedroom, showering Gregor with stones and smoking splinters and passing just overhead.

Gregor lay on the ground, stunned. How is this happening? How do they have shriekers?

The Tevanni military had always used altered weaponry to terrific results. There were the swords, certainly, but its bolts and arrows were also scrived, much like Whip, to believe that they were not being flung forward but were instead falling down, obeying gravity. Thus they were able to fly perfectly straight, reach a high velocity, and go much farther than conventional ranged weapons could.

There were some downsides, however. The military had to lug around miniature lexicons specifically built to power such scrivings, and once the projectiles reached the limit of that lexicon’s range, the scrivings failed and the bolts began to descend as any normal projectile would.

So the Tevanni scrivers experimented. Their eventual inspiration came from the release scrivings on common bolts — for Tevanni bolts were not just scrived to believe that they were falling, since a bolt traveling the distance of, say, fifty feet at the constant acceleration of a free-falling object would not do much damage at all.

Instead, the release scrivings on the bolts worked so that the instant the bolts were released, they suddenly believed that they had been falling straight down for around seven thousand feet, give or take. This produced an initial release velocity of over six hundred feet per second, which everyone found satisfyingly lethal.

So, when pressed to develop an armament with a longer range, the scrivers had simply upped the distance. A lot. They’d developed a projectile that, when released from its caster, did not simply believe it’d been falling for a few thousand feet, but rather that it’d been plummeting toward the earth for thousands and thousands of miles. The second you released it, it’d suddenly roar forward, plunging through the air at a phenomenal speed like a black bolt of lightning. Usually the projectile would get so hot from sheer friction that it would abruptly explode in midair. Even if it didn’t, the damage it did was nothing short of catastrophic.

The name for this projectile had been easy to choose. Because as the projectile gained heat and boiled the air around it, it tended to create a high-pitched, terrifying roaring sound.

Gasping, Gregor started crawling toward the living room. He blinked blood out of his eyes. A stone or piece of wood had struck him on the head, and the room was now so smoky it was hard to breathe.

He tried not to think of Dantua, with its tattered walls and smoke, its streets echoing with moans, and the sound of the army laying waste to the countryside beyond…

Stay here, he pleaded with his mind. Stay with me…

Another shrieker ripped through the walls of the living room as Gregor crawled forward. Hot ash and smoking debris rained over him once more. He knew now that there was a third man in the hallway, armed with a shrieker, and he must have decided to use it when he heard the fight and his two compatriots did not emerge.

But this should have been impossible. For a shrieker to work, you had to have a nearby lexicon that would permit it. And that was strictly outlawed in Tevanne. A shrieker brought within Tevanne should have been just another piece of dumb metal.

What is going on? How is any of this happening right now?

Gregor finally made it into the living room, exhausted and battered, still crawling forward with Whip in one hand. He crawled to the center and looked out the front door.

At first, the way out was clear. But then a man stepped into the doorway, dressed in black. Balanced on one of his arms was a huge device made of metal and wood, like a monstrous, handheld ballista. Nestled in the pocket of the ballista was a long, slender iron arrow. It seemed to be quivering slightly, like a furious animal on a leash.

The man pointed the shrieker at Gregor. Gregor, coughing and disoriented, stared at him.

In a low, growling voice, the man asked, “Is the thief here?”

Gregor stared back, unsure what to say.

But then something flew in through the open balcony door. It was small and round, and it flew over Gregor’s head and landed just before the man with the shrieker.

Then the world lit up.

It was like someone had turned on a thousand lights at once, a sort of brightness Gregor had not known was even possible — and then there was a tremendous, earsplitting, earth-shattering bang.

Gregor almost lost consciousness from sheer oversensation — or perhaps that was due to the blow to the head he’d taken.

The light and sound faded. Gregor’s ears were still ringing, but his eyesight returned. He could see the man with the shrieker was still in the hallway, but he’d dropped his weapon and was rubbing his eyes, evidently as blinded as Gregor had been.

Gregor rolled over and looked at the balcony door, just in time to see a very short girl dressed in black drop in out of nowhere, stand on the balcony, lift a pipe to her lips, and blow.

A dart flew out of the pipe, zipped across the room, and hit the man with the shrieker in the neck. His eyes went wide. He pawed at his throat, trying to pull it out, but then he turned a dull shade of green and toppled over.

Gregor’s savior put away the pipe and ran over to him. She looked at his Waterwatch sash, sighed, grabbed him by the arm, and hauled him up. Even though his hearing was still scrambled, he could hear what she said: “Come on, asshole! Run! Run!

Gregor staggered through the alleys of the Greens, one arm thrown on the shoulders of his small but surprisingly strong rescuer. If anyone saw them they’d have assumed it was a friend helping a drunk get home.

Once they were safe, she stopped and shoved him to the ground. Gregor tumbled over and crashed into the mud.

“You,” said the girl, “are scrumming lucky I happened to be watching! What the hell is the matter with you? You and those other fools practically blew up the whole building!”

Gregor blinked and rubbed the side of his head. “Whu…What’s going on? What was that back there?”

“It was a stun bomb,” said the girl. “And it was damned valuable. I’d barely had it for more than an hour too. And a fat lot of good it’s done for me, after you’ve scrummed everything up!” She began pacing around the alley. “Now where am I going to get money? Now how am I going to get out of the city? Now what do I do!”

“Who…Who are you?” asked Gregor. “Why did you save me?”

“I wasn’t even sure I was going to,” she said. “I saw those three bastards watching the room and decided to hold off. Then I see you come and jump from balcony to balcony like a damned fool and break in. And then they see you and try to blow you to smithereens! I think I mostly did it so that one mad bastard would stop shooting up the Greens!”

Gregor frowned. “Wait. What was it you said? Where are you going to get money? You…You mean you came to Sark’s for…”

He stared at the young woman in black, and slowly realized that this person, despite having saved him, was likely one of Sark’s thieves.

And, knowing it was Sark, it was suddenly likely that this young woman was the person who had robbed the Waterwatch and burned down the waterfront.

Without another word, Gregor rose and tried to dive at her — but between her stun bomb and the damage the shrieker had done to him, he could barely walk in a straight line.

The young woman danced aside and kicked his feet out from under him. Gregor tumbled down into the mud, cursing. He tried to stand up, but she put a boot in his back and shoved him down. Again, he was surprised at how strong she was — or maybe he was just that weakened.

“You burned down the waterfront!” he said.

“That was an accident,” she said.

“You robbed my damned safes!”

“Okay, well, that wasn’t. What did you find in Sark’s?”

Gregor said nothing.

“I saw you reading. I know you found something. What?”

He considered what to say — and then he considered her behavior: how she’d acted, and what she’d done, why she was here. And he started to develop an idea of her circumstances.

“What I found,” he said, “is that you have either stolen from, or stolen for, some of the most powerful, merciless people in the city of Tevanne. But I think you knew that. And I think your arrangement has gone quite wrong, and you are now desperate to escape. But you won’t. They will find you, and kill you.”

She pressed harder into his back and crouched down. He couldn’t see her face — yet he could smell her.

And strangely, her smell was…familiar.

I know that scent, he thought. How odd…

He felt something sharp being drawn along the side of his neck. She showed it to him — another dart. “Know what this is?” she asked.

He looked at it, then looked her in the eye. “I am not afraid to die,” he said. “If that is your intent, I suggest you hurry it along.”

She paused at that, clearly surprised. She tried to gather herself. “Goddamn it, tell me what you fo—”

“You are no killer,” said Gregor. “No soldier. That I can see. The wisest course of action here is to surrender now and come with me.”

“What, so you can have me harpered?” asked the girl. “This is some shit negotiation you’re trying.”

“If you surrender,” said Gregor, “I will plead mercy for you personally. And I will do everything I can to prevent your death.”

“You’re lying.”

He looked over his shoulder at her. “I do not lie,” he said quietly.

She squinted at him, surprised by his tone.

“Nor do I kill anymore,” said Gregor, “unless I have to. I have had enough of that for one life. Surrender. Now. I will protect you. And though I will see justice done, I will not allow them to kill you. But if you do not surrender — I will not stop coming for you. And either I will catch you, or they will kill you.”

She seemed to be considering it. “I believe you,” she said. She leaned close. “But I’m still willing to take my chances, Captain.”

There was a sharp pain in his neck. Then everything went dark.

When Gregor Dandolo awoke, he was no longer convinced that consciousness was the best choice for him. It felt as if some foundryman had swung by, opened up his head, and filled it with smelted metals. He groaned and rolled over, and realized he’d been lying facedown in the mud for what must have been hours, since the sun was now out. It was a miracle someone hadn’t cut his throat and robbed him blind.

But then, it did look as if the young woman had covered him in trash and refuse so no one could see him. Which he supposed was a generous gesture — even if it made him smell like a canal.

He sat up, whimpering and rubbing his skull. Then his thoughts turned to the young woman, and he remembered how she’d smelled.

Her odor had been distinct. Because it had smelled like she’d been in a Tevanni foundry, or near a foundry’s smokestacks.

And as Ofelia Dandolo’s child, Gregor knew a great deal about Tevanni foundries.

He laughed to himself in disbelief, and stood and hobbled away.

10

The next morning, Gregor held his head high as he walked through the southern gates of the outermost Dandolo Chartered wall. As he moved from Commons to campo, the change was abrupt, and severe: from muddy pathways to clean cobblestone; from the odor of smoke and dung and rot to the faint aroma of spiced meat being grilled nearby; and then, of course, there were the people in the streets, whose clothing changed to being clean and colorful, whose skin became clear and unblemished, who suddenly walked without any ailment or deformity or drunkenness or exhaustion.

It never failed to amaze him: you walked exactly one dozen feet, and fell out of one civilization and into another. This was the outer campo too, not even one of the nicer parts. Behind each door, he thought, another world waits. And another and another and another…

He counted his steps as he walked across the threshold. “One,” he said. “Two…Three and four…”

The guardhouse door popped open, and a Dandolo house guard in full scrived armor trotted up to keep pace with him. “Morning, sir!” called the guard.

“Good morning,” said Gregor. Four steps — they’re getting slow.

“Going far, Founder?” asked the guard. “Would you like me to call you a carriage?”

“My formal title, lieutenant,” he said, glancing at the guard’s helm for his rank, “is Captain. Not Founder.”

“I see, Foun…I mean, I see, sir.” He coughed nervously. “But the sachet you carry, ah, it notified us tha—”

“Yes,” said Gregor. “I know what my sachet told you. Either way, there’s no need for a carriage, lieutenant. I am content to walk.” He bowed to the man, touching his brow with two fingers. “Good morning!”

The guard, confused, stopped and watched Gregor leave. “Good day, sir…”

Gregor Dandolo walked from the outer campo wall to the second wall gates. And, again, he had to turn down another offer of a carriage — as he did at the third wall, and the fourth, penetrating deeper and deeper into the Dandolo Chartered campo. The guards offered the carriages with a nervous eagerness, because Gregor’s sachet was flagged as founder lineage — and the idea of founderkin just walking around the campo on their own two feet was unthinkable to most Tevannis.

The truth of it was, he would have loved a carriage ride — his head still ached from that poison that girl had put in him, and he’d already walked damn near across Tevanne the night before, looking for Sark. But Gregor ignored all offers. He ignored them just as he ignored the flocks of floating lanterns that coiled above the Dandolo campo streets, and the bubbling fountains, and the tall, white stone towers, and the beautiful women picking their way through the campo parks, adorned in silk robes and sporting faces painted with intricate, curling patterns.

This could have been his — as the son of Ofelia Dandolo, he could have lived in these gleaming streets like the most pampered princeling in all the world. And maybe, once, he would have.

But then Dantua had happened. And Gregor, and perhaps the world, had changed.

Though from the way everyone on the Dandolo campo was acting, maybe the world had changed again, just last night. People looked grave, solemn, and shaken, and they talked quietly, in hushed, anxious tones.

Gregor understood how they felt all too well. Scriving was the foundation of their entire society. After the blackouts last night, they were no doubt worrying their entire way of life could crumble to pieces, much like the Zoagli block, and take them with it.

Finally he came to the campo illustris — the administrative facility, where the elites governed all merchant house duties. It was a massive, white structure, with a huge, vaulted ceiling supported by a curling vanguard of riblike buttresses. Countless officials trotted up and down the clean white steps at the front, gathering in clumps to discuss business in hushed tones. They stared at Gregor as he walked by, tall and only somewhat washed and wearing his leather armor and Waterwatch sash. He gave them no notice, leapt up the steps, and strode into the building.

As Gregor paced through the illustris, he reflected that the whole place felt more like a temple than an administrative building: too many columns, too much stained glass, too many floating lanterns drifting amongst the vaulted ceilings, suggesting a divine light above. But perhaps that was the intended effect: perhaps it made those who worked here believe they worked the very will of God, rather than the will of Gregor’s mother.

It could be worse, he thought. It could be like the Mountain of the Candianos, which is practically its own damn city, if not its own nation.

He trotted up the back spiral staircase until he came to the fourth floor, where he took a winding hallway to a huge, imposing wooden door. Gregor hauled it open and walked in.

The room within was long, ornate, and it ended in a huge, grand desk that sat before an undistinguished door. A man sat at the desk, small and plump and bald, and he looked up as Gregor entered. Even though Gregor was quite far away, he could hear the man’s miserable sigh at the sight of him: “Oh, for God’s sakes…”

Gregor walked across the room to the desk, glancing to either side as he did. The walls were covered with paintings, and he knew most of them by heart, especially the more recent ones. He eyed them as he walked through the room — he’d been so distracted with his case, he’d forgotten to prepare himself for this.

The painting he most dreaded sat at the end of the room, behind the desk. It showed a man, nobly built, nobly arraigned, and nobly positioned, standing behind a chair with his chin and chest thrust out. In the chair sat a tall, handsome, dark-skinned woman with curling black hair. Beside her stood a young boy of about five, dressed in black velvet, and sitting in her lap was a fat infant, wrapped in gold robes.

Gregor stared at the painting — especially at the woman in the chair, and the fat infant. His gaze lingered on the baby. That is how she still thinks of me, he thought. Despite all my deeds and scars and accomplishments, I am still a fat, gurgling infant to her, bouncing in her lap.

His eyes moved to the boy in black velvet — his brother, Domenico. He looked at the face of the painted boy, so earnest and hopeful, and felt a shard of sorrow somewhere within him. The child that had posed for this painting could never have known he’d die in less than ten years alongside his father in a carriage crash.

The bald man at the desk cleared his throat, and said, “I…assume…that…” The words seemed to reluctantly drip out of him, like poison from a wound. “That you wish to…see her.”

Gregor turned to him. “If I could, sir,” he said chipperly.

“Now. You want to see her…now? Of all times?”

“If I could,” said Gregor again. “Sir.”

The bald man considered it. “You are aware,” he said, “that we have had a major scriving incident just last night. One we are still recovering from.”

“I did hear rumor of that, sir.” Gregor smiled at him. He kept smiling, showing all of his large white teeth, while the bald man glowered back.

“Fine,” said the bald man, exasperated. “Fine, fine…” He sat forward and rang a bell. The door behind him opened, and a young man of about twelve dressed in Dandolo house colors popped out.

The bald man opened his mouth, but struggled with what to say. He gestured to Gregor, then at the door, and, seeming to surrender, wearily said, “You see?”

The boy nodded and ducked back into the doorway. They waited.

The bald man glared at Gregor. Gregor smiled back at the bald man. Then, after what felt like hours, the boy popped back out again.

“She will see you, Founder,” he said, his voice low and passive — the tone of someone used to being spoken over.

“Thank you,” said Gregor. He bowed to the man, and followed the boy into the sanctum beyond.

To be the descendant of a merchant house founder was to wield an almost incomprehensible degree of wealth, power, and resources in Tevanne. One of the Morsini sons only took meetings in his private gardens, while mounted atop a giraffe bedecked in a jeweled saddle cover and bridle. Tribuno Candiano’s sister had apparently had a silk dress designed for each day of the year: each gown was labored over by dozens of seamstresses, worn once, and then promptly disposed of.

So it was probably inevitable that Ofelia Dandolo, as not only of founder lineage but also head of the house itself, was a supremely impressive person. But what Gregor found most impressive about his mother was that she actually worked.

She was not like Torino Morsini, head of Morsini House, who was hugely fat and often hugely drunk, and usually spent his time trying to stuff his aged candle into every nubile girl on his campo. Nor was she like Eferizo Michiel, who had retired from the burdensome life of responsibility to pass his days painting portraits, landscapes, and nudes — quite a lot of nudes, actually, Gregor had heard, chiefly of young men.

No — Ofelia Dandolo passed her days, and indeed most of her nights, behind desks: she read and wrote letters behind desks, sat through meetings behind desks, and listened to her countless advisers prattle on and on from behind desks. And since that madness in Foundryside and the Greens last night, Gregor was not at all surprised to find her seated behind her desk in her personal office, reviewing reports.

She did not look up as he walked in. He stood before her, hands clasped behind his back, and waited for her to finish. He eyed her as she read a report: she was wearing evening attire, and her face was painted in an ornate pattern, with a red bar across her eyes and blue curls emanating from her blue lips. Her hair was also done up in an elaborate bun. He suspected she’d received news of the Foundryside blackout during a party of some sort, and had been working ever since.

She was still grand, and beautiful, and strong. But she was also looking her age, he thought. Perhaps it was the job. She’d taken over for the merchant house after Gregor’s father had died in the carriage accident, and that had been, what, twenty-three years ago? Twenty-four? He’d assumed she’d eventually start relinquishing duties, but his mother had not — instead, she’d taken on more and more responsibilities until she practically was Dandolo Chartered, and all of its policies and decisions emanated solely from her person.

Ten years of that would kill a normal person. Ofelia Dandolo had managed two decades — but he wasn’t sure she had a full third in her.

“Your brow is damp,” she said quietly — without looking up.

“Pardon?” he said, surprised.

“Your brow is damp, my dear.” She scratched out a response to the report, and set it aside. “With sweat, I assume. You must have walked a long way. I will assume you refused a carriage from all the house guards? Again?”

“I did.”

She looked at him, and a lesser person would have winced: Ofelia Dandolo’s amber eyes shone bright against her dark skin, and they had the curious power of making her will feel almost palpable. A glare from her felt like a slap. “And I will assume you took smug delight in confusing and disappointing them?”

Gregor opened his mouth, unsure what to say.

“Oh, never mind,” she said, setting her report aside. She looked him over. “I hope, Gregor, that you’ve come to offer aid to your campo. I hope that you heard about the disasters in Foundryside, about how all the scrivings failed in what seems to have been a half-mile radius across the Commons, and came straight here to see how you could assist. I hope these things — but I do not expect these things. Because I doubt if even this disaster could make you come back to us, Gregor.”

“Was Dandolo Chartered really affected by the blackout?”

She laughed lowly. “Was it affected? A foundry lexicon failed in the Spinola site, right next to the Greens. We were lucky we had two others in the region to keep everything running smoothly. Otherwise things would have graduated from disaster to outright catastrophe.”

This was startling. A foundry lexicon was an intricate, bafflingly complicated, and stupendously expensive device that essentially made all scrived devices work on the campo. “Do you suspect sabotage?”

“Possibly,” she said reluctantly. “Yet whatever happened to us also hit the Michiel campo bordering Foundryside. It doesn’t seem to have discriminated much. But you’re not really here to talk about that — are you, Gregor?”

“No, Mother,” he said. “I’m afraid I am not.”

“Then…what are you interrupting me for, at this worst of all moments?”

“The fire.”

At first she looked surprised, then furious. “Really.”

“Really,” he said.

“Our entire civilization has just been gravely threatened,” she said, “and yet you want to talk about your little project? About resuscitating your…municipal militia?”

“City police,” said Gregor quickly.

She sighed. “Ah, Gregor…I know you were worried the fire had ruined your project, but trust me, that’s the last thing on everyone’s minds right now. Everyone’s probably forgotten all about it! I know I did.”

“I wanted to make you aware, Mother,” said Gregor, stung, “that I believe I am mere moments away from catching the saboteur that set the fire. I was in the Commons last night.”

Her mouth fell open. “You were in the Commons? Last night? When—”

“Yes. When all hell broke loose. I was making inquiries at the time — and was quite successful, if I might say so. I have located the thief, and will almost certainly capture them tonight. When I do so, I would like to bring them before the Tevanni council.”

“Ahhh,” she said. “You want a big, showy, public trial — to clear your name.”

“To make it clear that the Waterwatch project is sustainable,” said Gregor. “Yes. So…if you would begin clearing the way for that process…”

She smirked. “I thought, my dear, that you didn’t like using your family access,” she said.

This was true. His mother was one of the major committee chairs for the Council of Tevanne. The council was entirely populated by merchant-house elites, and generally ensured that the houses didn’t excessively sabotage or plagiarize one another — though the definition of “excessively” was getting more nebulous these days. It was the closest thing the city of Tevanne had to a real government, though in Gregor’s opinion, it was not that close at all.

As such, Gregor could have used his mother’s position to press all kinds of advantages — yet he’d always refrained, thus far. But not today.

“If it is to advance the greater good of Tevanne,” said Gregor, “then I will use any means necessary.”

“Yes, yes. Gregor Dandolo, friend of the common man.” She sighed. “Odd that your solution is to start chucking so many common men in jail.”

Gregor’s natural response would have been—It is not just common men that I wish to jail. But he wasn’t so stupid as to come out and say that.

She considered it. A handful of moths flitted down out of the ceiling to rotate around her head in a drunken halo. She waved a hand at them. “Shoo, now. Damn things…We can’t even keep our offices clean.” She glared at Gregor. “Fine. I will initiate the proceedings — but the blackout takes precedence. Once that’s resolved, we will move on to your Waterwatches and your thieves and scoundrels. All right?”

“And…how long will that take?”

“How in the hell should I know, Gregor?” she snapped. “We don’t even know what happened, let alone what to do next!”

“I see,” he said.

“Are you satisfied?” she asked, picking up her quill.

“Almost,” he said. “I had one last request…”

She sighed and put her quill back down.

“Would it be possible for me to consult with the Dandolo hypatus?” he said. “I had some questions I wanted to ask him.”

She stared at him. “With…with Orso?” she said, incredulous. “Whatever do you want to do that for?”

“I had some scriving questions related to the theft.”

“But…but you could go to any scriver for that!”

“I could go to ten different scrivers and get ten different answers,” said Gregor. “Or I could go to the smartest scriver in Tevanne and get the right one.”

“At the moment, I doubt if he could give it to you,” said Ofelia. “Not only is he occupied with the blackout, but I’ve recently come to wonder if he’s even more insane than I’d previously thought.”

That piqued Gregor’s interest. “Oh? Why would that be, Mother?”

She seemed to debate whether to answer, then sighed. “Because he’s screwed up. Considerably. When they found the ruins in Vialto, Orso lobbied me heavily to try to secure some of the items before they were snatched up by our competitors. I consented — reluctantly — and Orso did his utmost to acquire one curious relic. It was an old, cracked stone box, but it had some similarities to a lexicon. Orso spent a fortune getting it — but then, while in transit between Vialto and here, it…vanished.”

“It was lost at sea?” said Gregor. “Or was it stolen?”

“No one can say,” said Ofelia. “But the loss was significant. I have seen the numbers in the balance books. They are large, and not positive. I forbade any future efforts. He didn’t take it well.”

So…Orso Ignacio might have been robbed before, thought Gregor. He made a note of it.

“If you really want to talk to Orso Ignacio,” she said, “you’ll need to go to the Spinola Foundry — the one bordering the Greens. That’s where the lexicon failed — so that, of course, is where Orso is, trying to figure out what the hell happened.” She looked at him sharply. Gregor suppressed a wince at the sight of it. “I know I can’t tell you what to do, Gregor. You’ve always made that clear. But I strongly suggest you consider going elsewhere with your questions. Orso is not someone to trifle with — and after the blackouts, I’ve no doubt he’ll be in the foulest of foul moods.”

He smiled politely. “I have dealt with worse people,” he said. “I believe I can handle myself, Mother.”

She smiled. “I’m sure you think so.”

Son of a scrumming bitch!” echoed the voice up the stairs. “Son of a worthless, toothless, shitting whore!

Gregor paused at the top of the Spinola Foundry stairs and glanced at the foundry guard, who gave him a nervous shrug. The voice continued screaming.

What do you mean, you think the records are accurate? How do you shitting think records are accurate? Accuracy is a binary scrumming state — they either are accurate, or they ARE! NOT!” These last two words were screamed so loud, they genuinely hurt Gregor’s ears, even from here. “Are you married, man? Do you have children? If so, I’m stunned, I’m just flummoxed, because I’d have thought you were so damned stupid you wouldn’t know how to stick your candle in your wife! Maybe check around and see if there are any other slack-jawed idiots about with a strong resemblance to your grubby spawn! I swear to God, if you aren’t back here in one hour with records that are genuinely, unimpeachably, undeniably accurate, I’ll personally paint your balls with fig jelly and toss you stark naked into a hog pit! Now, get out of my goddamn sight!

There was the sound of frantic footfalls below. Then silence.

“It’s been like that all morning,” said the foundry guard quietly. “I’d have thought his voice would’ve given out by now.”

“I see,” said Gregor. “Thank you.” He started off down the stairs to the lexicon chamber below.

The stairs went down, and down, and down, into the dark.

As Gregor descended, things began to feel…different.

They felt heavier. Slower. Denser. Like he was walking not through dank, musty air but was instead at the bottom of the sea, with miles and miles of water pressing down on him.

How I hate getting near lexicons, thought Gregor.

Like most people, Gregor did not understand the mechanics of scriving. He could not tell one sigillum from another. In fact, he couldn’t even differentiate one house’s scriving language from another, which was even more fundamental. But he knew how scriving worked, in broad terms.

The basic sigillums were symbols that naturally occurred within the world. No one knew exactly where the base sigils came from. Some said the Occidentals had invented them. Others said that the symbols were written into the world by the Creator, by God Himself, that He had defined reality by encoding it with these sigillums, forging the world much as the foundries forged scrived rigs. No one was sure.

Each basic sigillum referenced specific things: there were symbols for stone, wind, air, fire, growth, leaves, and even ones for more abstract phenomena, for “change” or “stop” or “start” or “sharp.” There were millions, if not billions, of them. If you knew these symbols — though few did — then there was nothing stopping you from using them. Even in the most primitive settlement out in the middle of nowhere, if you were trying to carve wood into some intricate shape, you could inscribe it with the base sigil for “clay” or “mud,” and this tiny alteration would make the wood slightly, slightly more malleable.

But despite all the legends around its origins, basic scriving was very restricted. To start with, its effects were minor, no more than a slight nudge. But worse, if you wanted to tell an ax, “You are very durable, very sharp, very light, and you part the wood of the cedar tree as if it were water”—something much more complicated than just “sharp” or “hard,” in other words — such a command would be fifty or sixty sigils long. You’d run out of room on the ax blade — and you’d also have to get the sigil logic just right so the ax blade would understand what it was supposed to be. You had to be specific, and definite — and this was hard.

But then the city of Tevanne had discovered an old cache of Occidental records in a cave down the coast. And in those records they’d discovered something crucial.

The sigil for “meaning.” And then some cunning Tevanni had gotten a brilliant idea.

They’d figured out that you could take a blank slate of iron, write out that extensive, complicated scriving command; but then, you could follow it with the sigil for “meaning,” and next write a completely new sigil, one you yourself just made up. Then that new sigil would essentially mean “You are very durable, very sharp, very light, and you part the wood of the cedar tree as if it were water”—and then you’d just have to write that one sigil on your ax blade.

Or on a dozen blades. Or a thousand. It didn’t matter. Every blade would do the same thing.

After that discovery, much more complicated scriving commands were suddenly possible — yet even this was still quite limited.

For one thing, you had to stay close to whichever slate of iron had the commands written on it. If you walked too far away, then the ax blade essentially forgot what that new sigil was supposed to mean, and it stopped working. It no longer had a reference point, in a way.

The other problem was that if you wrote too many complicated scriving definitions on one slate of metal, it had a tendency to burst into flames. A common object such as an iron plate, it seemed, could only bear so much meaning.

So the city of Tevanne, and its many nascent scriving houses, then had a problem to solve: how were they to house all the definitions and meanings for these complicated scrivings without having everything burst into flames and melt?

Which was why they’d invented lexicons.

Lexicons were huge, complicated, durable machines built to store and maintain thousands and thousands of incredibly complex scriving definitions, and bear the burden of all of that concentrated meaning. With a lexicon, you didn’t have to worry about wandering a dozen feet too far and suddenly having all your scrived devices fail on you: lexicons could amplify and project the meaning of those definitions for great distances in all directions — enough to cover part of a campo, if not more. The closer you were to a lexicon, though, the better your scrivings worked — which was why a lexicon was always the beating heart of any foundry. You wanted all of your biggest, most intricate rigs to work at peak efficiency.

And since lexicons were the beating heart of foundries, they were, in effect, the beating heart of all of Tevanne.

But they were complicated. Incredibly complicated. Astoundingly complicated. Only geniuses and madmen, everyone agreed, could truly understand a lexicon, and the difference between the two was almost nil.

So it probably said something that out of all the hypati in the entire history of Tevanne, Orso Ignacio understood lexicons better than anybody. After all, Orso had been the one to invent the combat lexicon — a smaller version of the regular kind, which ships and teams of oxen could haul around. That device was still quite large, complicated, and improbably expensive, and it could only manage to power a cohort’s armaments — but without that contribution, Tevanne would have never captured the Durazzo Sea, and all the cities around it.

Gregor knew quite a bit about combat lexicons. He’d had one at the siege of Dantua — right up until he didn’t. So he also knew quite a bit about what it was like to lose a lexicon. And he thought he could understand how Orso Ignacio felt right now. Perhaps he would be able to work the man from that angle.

He found himself promptly disabused of these notions when he entered the lexicon chamber and instantly heard the words, “Who the shit are you?”

Gregor blinked in the dim light while his eyes adjusted. The lexicon chamber was wide, dark, and mostly empty. There was a thick glass wall at the back with an open door set in its center, and a tall, thin man stood in the doorway, staring at Gregor. He wore a thick apron, thick gloves, and a pair of thick, dark goggles. He held in his hands a threatening-looking tool, some kind of bendy, looped metal wand with a lot of sharp teeth.

“P-pardon?” said Gregor.

The man tossed the wand away, lifted his goggles, and a pair of pale, deep-set, harsh eyes stared at him. “I said, who. The shit. Are you?” asked Orso Ignacio, this time much louder.

Orso had the look of an artist or sculptor who’d just stepped away from his studio, wearing a stained, beige shirt and off-white hose under his apron, and his beaked shoes — customary for the highest echelons — were ratty and had holes in the toes. His white hair rose up in a wild, unkempt shock, and his once-handsome face was dark and lined and skeletally thin, as if the man had sat for too long in a fish curer’s shed.

Gregor cleared his throat. “I apologize. Good morning, Hypatus. I’m terribly sorry to interrupt you during this most diffic—”

Orso rolled his eyes and looked across the room. “Who is he?”

Gregor peered through the shadows, and saw that there was someone else at the back of the room, someone he’d missed: a tall, rather pretty girl with a still, closed face. She was sitting on the floor before a tray of scriving blocks — an abacus-like device that scrivers used to test scriving strings — and she was popping the blocks in and out with a frightening speed, like a professional scivoli player moving their pieces across the board, creating a steady clackclackclack sound.

The girl paused and glanced at Gregor, her face immaculately inscrutable. “I believe,” she said, in a quiet, even voice, “that that is Captain Gregor Dandolo.”

Gregor frowned at her, surprised. He’d never met this girl in his life. The girl calmly resumed slotting the blocks in and out of the tray.

“Oh,” said Orso. “Ofelia’s boy?” He peered at Gregor. “My God, you’ve gained weight.”

The girl — Gregor suspected she was Orso’s assistant of some kind — cringed ever so slightly.

But Gregor was not insulted. The last time Orso had glimpsed him he’d probably just returned from the wars. “Yes,” said Gregor. “That tends to happen when a person goes from a place that has no food at all to a place that has some.”

“Fascinating,” said Orso. “So. What the hell are you doing down here, Captain?”

“Yes, I—”

“You’re still slumming it down at the waterfront, right?” His eyes suddenly burned with a strange fury. “If there is still a waterfront to slum in, that is.”

“Yes, and in fact I—”

“Well, as you may notice, Captain…” He held his hands out and gestured to the large, dark, empty room. “Our current environs are bereft of waters, as well as fronts of all kinds. Not much for you to do here, it seems. Got plenty of doors, though. Loads of ’em.” Orso turned to examine something behind him. “I advise you scrumming make use of one. Any one, I frankly don’t care.”

Gregor strode forward into the chamber, and said in a slightly louder voice, “I am here to ask you, Hypatus…” Then he stopped, wincing as a headache pulsed through his skull, and rubbed his forehead.

Orso looked at him. “Yes?” he said.

Gregor took a deep breath. “I’m sorry.”

“Take your time.”

He swallowed and tried to collect himself — but the headache persisted. “Does that…does that go away?”

“No.” Orso was smiling unpleasantly. “Never been near a lexicon before?”

“I have, but this one seems very…”

“Big?”

“Yes. Big. The machine is off, isn’t it? I mean — that’s the problem, correct?”

Orso scoffed and turned to stare at the device behind him. “Right now, it is not ‘off,’ as you put it — the more accurate term is reduced. It’s difficult to turn a lexicon just off—it’s not a damned windmill, it’s a collection of assertions about physics and reality. Turning it off would be like, oh, converting a striper into all the carbon and calcium and nitrogen and whatever else makes it up — conceptually feasible? Sure, why not. Practically possible? Not scrumming likely.”

“I…see,” said Gregor. Though in truth he was nowhere close to seeing.

Orso’s assistant exhaled softly, as if to say—Here he goes again.

Orso grinned at Gregor over his shoulder. “Want to come closer? Take a look?”

Gregor knew Orso was goading him — the closer you got to a lexicon, the more uncomfortable it felt. But Gregor wanted to put Orso’s guard down, however he could — and allowing himself to be toyed with was one option.

Squinting in pain, he walked over to the glass wall and looked in at the lexicon. It resembled a huge metal can lying on its side, only the can had been cut into tiny slivers or discs — thousands of them, or maybe even millions. He knew in vague terms that each disc was full of scriving definitions — the instructions or arguments that convinced scrived devices to work the way they ought to — though he was aware that he understood this to about the same degree that he understood that his brain was what did all his thinking for him.

“I’ve never seen one this close before,” said Gregor.

“Almost no one has,” said Orso. “The stress of all that meaning, forcing reality to comply with so many arguments — it makes the thing hot as hell, and damned difficult to be around. And yet, last night this device — all its assertions about reality — went poof, and turned off. Like blowing out a damned candle. Which, as I have just generously described to you, ought to be impossible.”

“How?” asked Gregor.

“Beats the ever-living shit out of me!” said Orso with savage cheer. He joined the girl at the scriving blocks and watched as she plugged in strings one after the other, the tiny metal cubes flying in and out as her fingers danced over the tray with blinding speed. Each time, a tiny glass at the top of the tiles would glow softly. “Now all kinds of goddamn strings work!” he said. “They work perfectly, implacably, and inarguably! How comforting. It’s like the whole thing never happened.”

“I see,” said Gregor. “And, may I ask — who is this, exactly?” He nodded at the girl.

“Her?” Orso seemed surprised by the question. “She’s my fab.”

Gregor did not know what a “fab” was, and the girl seemed uninterested in answering, ignoring them as she tested string after string of sigils. He decided to move on.

“Was it sabotage?” he asked. “Another merchant house?”

“Again — beats the ever-living shit out of me,” said Orso. “I’ve checked all the infrastructural scrivings that keep the thing afloat, and those strings are all working away, cheery as can be. The lexicon itself doesn’t show any damage. It shows no sign of having been properly or improperly reduced. If the dumb piece of shit who’s in charge of maintenance could confirm the thing’s regularly scheduled checkups, I could rule that out. And the tiles are all arranged in some pretty basic, boring, conventional configurations. Right?”

His assistant nodded. “Correct, sir.” She gestured to the walls behind her. “Manufacturing, security, lighting, and transport. That’s the extent of the wall’s load.”

Gregor looked at the walls and slowly realized what she meant. “The wall” was the industry term for a tremendous wall of thousands of white tiles, covered in sigils, which slid up or down on a short track. Each tile represented a scriving definition: if the tile was in the up position, the definition was inactive, and thus did not work; if it was in the down position, then it did.

This sounded simple, but only a scriver with decades of high-level training could look at a wall and tell exactly what was going on. A lexicon’s wall, of course, was carefully watched and maintained: if someone slid the wrong tile up, and deactivated a crucial definition, it could, say, render all the scrived carriages in the Dandolo campo suddenly unable to stop. Which would be bad.

Or, if someone slid several critical tiles down, and activated some extremely complicated definitions, then it could overload the lexicon, and then…

Well. That would be much, much worse.

Because a lexicon was essentially a giant violation of reality — that was why it was so unpleasant to be close to one. The consequences of a lexicon going haywire were too horrific to contemplate. And this was the chief reason that the city of Tevanne, with all of its power, corruption, and fractious merchant houses, had yet to experience much deliberate turmoil: as the entire city was essentially maintained by a system of huge bombs, that tended to make people cautious.

“How troublesome,” said Gregor.

“Yes. Isn’t it?” Orso peered at him suspiciously. “Doesn’t your mother know all this? I thought I’d been a good boy and properly kept her up to date.”

“I cannot speak to my mother’s knowledge regarding your situation here, Hypatus,” said Gregor. “I’m not here about the blackouts. Rather, I had a question for you regarding the waterfront.”

“The waterfront?” said Orso, irritated. “Why the hell would you bother me about that?”

“I wanted to ask you about the theft that took place.”

“What a waste of time! You can’t expect me to…” He paused. “Wait. Theft? You mean the fire.”

“No, no,” said Gregor politely. “I mean the theft. Our investigations suggest that the fire was set as a distraction to allow a thief to get at our safes.”

“How do you know that?” he demanded.

“Because we have looked in our safes,” said Gregor. “And found something missing.”

Orso blinked, very slowly. “Ah,” he said. He was quiet for a moment. “I…had thought the safes burned down along with the Waterwatch headquarters. I thought they were destroyed.”

“That was nearly the case,” said Gregor. “But when it became clear that the fire would spread, I had all of our safes loaded on carts and removed to safety.”

Again, Orso blinked. “Really.”

“Yes,” said Gregor. “And we found something was stolen. A small, plain, wooden box, from safe 23D.”

Orso and his assistant had gone very, very still. Gregor could not help but feel pleased.

It’s nice to be right, sometimes.

“Odd…” said Orso carefully. “But you said you had a question for me — and I’ve yet to hear a question, Captain.”

“Well, I did some follow-ups in the Commons last night, trying to track down the thief. I located their fence — the person who sells the things a thief steals — and found a note in their belongings referencing the Dandolo hypatus, in relation to this theft, and fire. My question, Hypatus, would be — why do you think that is?”

“I’ve no idea.” The man’s face — which had previously been riddled with contempt, impatience, and suspicion — was now perfectly bereft of almost all emotion. “You think I commissioned the theft, Captain?”

“I think little so far, because I know little so far, sir. You could have been the person who was robbed.”

Orso smirked. “You think someone stole scriving definitions from me?”

A diversion. But Gregor was willing to be diverted for a bit. “Well…they are the most valuable thing in Tevanne, usually. And they can be quite small, sir.”

“They can be. That’s true.” Orso stood, walked over to a shelf, pulled out three huge tomes, each about seven inches thick, and walked back over to Gregor. “Do you see these, Captain?”

“I do.”

Orso dropped one on the ground, and it made a large thud. “That is the opening definition for reducing a lexicon.” Then the second — which also made a huge thud. “This is a continuation of that definition.” He dropped the third. “And that is the closing definition for reducing a lexicon. Do you know how I know that?”

“I…”

“Because I wrote them, Captain. I wrote every sigil and every string in those big goddamn books.” He stepped closer. “A scriving definition might have fit in a small box. But not one of mine.”

It was a good performance. Gregor was almost impressed. “I see, sir. And nothing else was stolen from you?”

“Not that I’m aware of.”

“Well, then. I suppose the fence made the note concerning you by accident, perhaps.”

“Or you misread it,” said Orso.

Gregor nodded. “Or that. We shall find out soon, I believe.”

“Soon? Why?”

“Well…I think I am close to catching the thief. And unless my instincts are incorrect, I think that their arrangements to sell what was stolen have gone quite wrong. Which means they might still have what was stolen. So we might soon find it, and get to the bottom of all this.” He smiled broadly at Orso. “Which I’m sure we all find reassuring.”

Orso was perfectly frozen now — the man was barely breathing. Then he said, “Yes. We certainly do, I’m sure.”

“Yes.” Gregor looked at the grand machine behind him. “Is it true what they say about lexicons, and the hierophants, sir?”

“What?” said Orso, startled.

“About the hierophants. I’ve heard old stories about how when people were close to a true hierophant — like Crasedes the Great himself — they suffered from powerful migraines. Much like how one feels these days, when close to a lexicon. Is that true, sir?”

“How should I know?”

“I understand that you’re interested in the Occidentals yourself, yes?” asked Gregor. “Or you were, once.”

Orso glared at him, and the severity of his harsh, pale eyes rivaled Ofelia Dandolo’s stare. “Once. Yes. But no longer.”

For a moment the two men just stared at each other, Gregor smiling placidly, Orso’s face fixed in a furious glare.

“Now,” said Orso. “If you will excuse us, Captain.”

“Of course. I will let you get back to your business, sir,” said Gregor. “Sorry to trouble you.” He started toward the steps, but paused. “Oh, I’m sorry, but — young lady?”

The girl looked up. “Yes?”

“I apologize, but I believe I have been quite rude. I don’t think I ever learned your name.”

“Oh. It’s Grimaldi.”

“Thank you — but I meant your first name?”

She glanced at Orso, but he still had his back to her. “Berenice,” she said.

Gregor smiled. “Thank you. It was nice meeting you both.” Then he turned and trotted up the stairs.

Orso Ignacio listened as the captain’s footfalls faded. Then he and Berenice turned to look at each other.

“Sir…” said Berenice.

Orso shook his head and lifted a finger to his lips. He pointed at the various hallways and doors leading out of the lexicon chamber, then pointed to his ears: Could be people listening.

She nodded. “Workshop?” she asked.

“Workshop,” he said.

They exited the lexicon chamber, called a carriage, and rode back to the Hypatus Department of the inner Dandolo enclaves, a sprawling, rambling structure that somewhat resembled a university. Orso and Berenice walked in, then silently climbed the stairs to Orso’s workshop. The thick, heavy wooden door felt Orso coming, and began opening. He’d scrived it to sense his blood — a deviously difficult trick — but he was impatient, and shoved it open the rest of the way.

He waited for the door to shut after him. Then he exploded.

“Shit. Shit! Shit!” he screamed.

“Ah,” said Berenice. “Yes. I agree, sir.”

“I…I thought the goddamn thing had been destroyed!” cried Orso. “Along with the rest of the goddamn waterfront! But…It was stolen? Again? I’ve been robbed again?”

“It would seem so, sir,” said Berenice.

“But how? We kept it between us, Berenice! We only discussed it in this room! How did someone find out again?”

“That is concerning, sir,” said Berenice.

“Concerning! It’s a hell of a lot more than conce—”

“True, sir. But the larger question is…” She glanced at him, anxious. “What happens if Captain Dandolo does as he suggested, and catches this thief tonight — and they still have the item in their possession?”

Orso went pale. “Then when he brings the thief back…Ofelia will find out.”

“Yes, sir.”

“She’ll find out that I paid for another expedition, another artifact.”

“Yes, sir.”

“And…and she’ll find out how I paid for it! And how much.” Orso grabbed the sides of his head. “Oh, God! All the thousands of duvots I took, all that money I took, all that money I arranged in the ledgers just right!”

She nodded. “That is my concern, sir.”

“Shit,” said Orso, pacing. “Shit! Shit! We have to…We have to…” He looked at her. “You have to follow him.”

“I beg your pardon, sir?”

“Follow him!” said Orso. “You have to follow him, Berenice!”

Me, sir?”

“Yes!” He ran to a cabinet and grabbed a small box. “He can’t have left yet. Gregor Dandolo walks all over the campo, like an idiot! Ofelia complains about it all the time! Grab a carriage, go to the southern gates, wait for him, and follow him! And…” He fumbled with the box, frantic, and snatched something out of it. “Take this.”

He shoved what appeared to be a small, scrived strip of tin into her hands, with small tabs at the top and the bottom. “A twinned plate, sir?” she asked.

“Yes!” he said. “I’ll keep its pair. Ah, let’s see — snap off the top tab if Gregor catches the thief. Snap off the bottom if he doesn’t. And snap off both if he catches them and they still have the artifact! If the thief gets away, follow them if you can, and find out where they are. Whatever you do, the same thing will happen to my plate, so I’ll know exactly what’s happened.”

“And you will stay here and do what, exactly, sir?”

“There are favors I can call in,” said Orso. “Debts people owe me, so that I can maybe cover up my own debts to the goddamn company! If Gregor Dandolo comes back here with that key, I need to make it look like I put just a toe out of line, not my whole damn body and thirty thousand scrumming duvots of Dandolo Chartered money!”

“And you plan to arrange all that in…” She glanced out the open workshop window at the Michiel clock tower. “Eight hours?”

“Yes!” he said. “But it would certainly be nice if Gregor Dandolo didn’t bring the thief back here, so then I’d never have to do this at all!”

“I hesitate to say this, sir,” she said. “But I’m surprised that you aren’t asking me to interfere with the captain’s efforts, and make sure the thief gets away. Then Ofelia would never know.”

He paused. “Gets away? Gets away? Berenice — that key could change everything, everything we know about scriving. There’s almost nothing I wouldn’t do to get it. If I’ve got to let Ofelia Dandolo cane me raw, so be it! I just don’t want her tossing me in the campo prison and keeping it for herself! And…” His face slowly twisted into an expression of pure, murderous rage. “And I certainly wouldn’t mind getting ahold of that damned thief — who has humiliated me not once, but twice—and seeing them dismembered right in front of my scrumming nose, either.”

11

asked Clef.

Seated on the edge of a Michiel rooftop, just downwind from the foundries, Sancia tried to shrug, and found she didn’t have the spirit.

said Clef.

Sancia thought about it.

She pointed north.

really big one?>

She sighed.

She laughed lowly. no one—has ever broken into the Mountain. You couldn’t break into that place even if you had the wand of Crasedes himself. I hear weird rumors about the Mountain — that it’s haunted or…well. Something worse.>

She yawned, stretched out, and lay down on the flat stone roof.

Clef paused.

Sancia lay on the roof, staring up at the sky. She thought about Sark, about her apartment — which, as barren as it was, now seemed like a paradise to her.

she said.

He thought about it. His voice grew soft, and a singsong cadence crept into it.

Sancia listened to his voice, her eyelids growing heavy.

She was glad to have him here. He was a friend when she had none.

he whispered.

She slept.

Sancia did not dream anymore, after the operation. Yet sometimes when she slept her memories returned to her, like bones bubbling up from the depths of a tar pit.

There on the roof, Sancia slept, and remembered.

She remembered the hot sun of the plantations, the bite and slash of the sugarcane leaves. She remembered the taste of old bread and the swarms of stinging flies and the tiny, hard cots in the shoddy huts.

She remembered the smell of shit and urine, festering in an open pit mere yards from where they slept. The sound of whimpering and weeping at night. The panicked cries from the woods as the guards hauled away a woman, or sometimes a man, and did as they pleased with them.

And she remembered the house on the hill, behind the plantation house, where the fancy men from Tevanne had worked.

She remembered the wagon that had trundled away from the house on the hill every day at dusk. And she remembered how the flies had followed that wagon so closely, its contents hidden beneath a thick tarp.

It hadn’t taken long for everyone to realize what was happening. One night, a slave would simply vanish — the next day, the wagon would trundle away from the house on the hill, a horrid reek following it.

Some had whispered that the missing slaves had escaped, but everyone had known this was a lie. Everyone had understood what was happening. Everyone knew about the screams they heard from the house on the hill, always at midnight. Always, always, always at midnight, every night.

Yet they’d been voiceless and helpless. Though they’d outnumbered the Tevannis eight to one on the island, the Tevannis bore armaments of terrifying power. They’d seen what happened when a slave raised a hand against their master, and wanted no part of it.

One night she’d tried to run away. They’d caught her easily. And perhaps because she’d tried to run away, they’d decided that she would be next.

Sancia remembered how the house had smelled. Alcohol and preservatives and putrefaction.

She remembered the white marble table in the middle of the basement, its shackles for her wrists and ankles. The thin, metal plates on the walls, covered with strange symbols, and the bright, sharp screws paired with them.

And she remembered the man down in that basement, short and thin and one eye just a blank socket, and she remembered how he was always dabbing at his brow, wiping away sweat.

She remembered how he’d looked at her, and smiled, and wearily said, “Well. Let’s see if this one works, then.”

That had been the first scriver Sancia had ever met.

She often remembered these things when she slept. And whenever she did, two things happened.

The first was that the scar on the side of her head would ache as if it were not a scar, but a brand.

And the second was that she forced herself to remember the one memory that made her feel safe.

Sancia remembered how everything had burned.

It was dark when she awoke. The first thing she did was slip her fingers out of her glove and touch the roof of the foundry.

The roof lit up in her mind. She felt the smoke coiling across it, felt the rain puddling at the base of the stacks, felt her own body, tiny and insignificant, pressing against its huge, stone skin. But most important, she felt she was alone. No one up here but her and Clef.

She started moving. She stood up, yawned, and rubbed her eyes.

said Clef.

There was a sharp crack from somewhere in the distance. Then something slammed into her knees, hard.

Sancia toppled over, crying out in surprise. As she did, she looked down and saw a strange, silvery rope was looping around her shins like a snare. She dimly realized that someone out on the rooftops across from her had hurled or fired this rope at her — whatever it was.

She crashed onto the stone roof. said Clef.

said Sancia. She tried to start crawling away, but found she couldn’t. The rope suddenly seemed impossibly heavy, as if it were not made of fibers but rather lead, and no matter how she heaved she could barely drag the coil of rope any farther than half an inch.

said Clef.

She never finished, because then there was a second crack. She looked up in time to see a silvery rope hurtling toward her from a rooftop nearly a block away. It stretched out like someone opening their arms for an embrace before slamming into her chest, knocking her back onto the roof.

She started to heave at it, but stopped.

could make it so dense that you fall through the roof, though.>

she said. She looked down at the cords — there seemed to be a locking mechanism on the side, awaiting a scrived key.

Sancia tried to pull him out of her shirt, but the second rope kept her arms tied fast to her body.

Sancia stared up at the night sky.

They waited there, looking up, the chants of the scrived ropes echoing in Sancia’s ears. Then, after a long while, she heard footsteps coming close. Heavy ones.

The bruised, scratched face of Captain Gregor Dandolo leaned overhead, a huge espringal on his back. He smiled politely. “Good evening again.”

Apparently Captain Dandolo had the control for the ropes: after adjusting something on his espringal, he was able to reduce their density enough that he could flip her over. He kept her bound, of course. “Something we used back in the wars, when capturing trespassers,” he said merrily. He grabbed the ropes with each hand, and picked her up much as one would a bound pig. “I’d know the smell of the Michiel foundry smoke like I would the scent of jasmine. I had to come here all the time to commission armaments. Flame and heat, as one would expect, are useful when making war.”

“Let me go, you dumb bastard!” she said. “Let me go!”

“No.” He somehow packed an infuriating amount of cheer into that one word.

“You put me in prison and they’ll kill me!”

“Who, your client?” he said, making his way for the stairs down. “They won’t be able to get at you. We’ll put you in the Dandolo jailhouse, which is quite safe. Your only concern will be me, young lady.”

Sancia bucked and kicked and snarled, but Dandolo was quite strong, and seemingly indifferent to her countless swears. He hummed happily as they started down the stairs.

He exited the stairs and hauled her across the street to a scrived carriage bearing the Dandolo loggotipo — the quill and the gear. “Our chariot awaits!” he said. He opened up the back, set her down on the floor, and reactivated the scrivings on the rope — there was some kind of dial on the side of the espringal — until she was pinned to the floor. “I hope this will be comfortable during our short ride.” Then he looked her over, took a breath, and said, “But first, I must ask…where is it?”

“Where’s what?”

“The item you stole,” he said. “The box.”

said Clef.

I don’t have it!” said Sancia, inventing a story as fast as she could. “I gave it over to my client!”

“Did you,” he said flatly.

said Clef.

“Yes!” she said.

“Then why is your client trying to kill you, if you did as they asked? That is why you’re trying to escape the city — yes?”

“Yes,” said Sancia honestly. “And I don’t know why they’re out for me, or why they killed Sark.”

That gave him pause. “Sark is dead?”

“Yes.”

“Your client killed him?”

“Yes. Yes!”

He scratched his beard at his chin. “And I suppose you don’t know who your client is.”

“No. We were never to know names, and never to look in the box.”

“What did you do with it, then?”

Sancia decided on a story that was close to the truth. “Sark and I took the box to an appointed place and time — an abandoned fishery in the Greens. Four men showed up. Well-fed, campo sort. One took the box away and said he wanted to confirm it. Left us with the other three. Then there was some signal, and they stabbed Sark, and nearly killed me.”

“And you…fought your way out?”

She narrowed her eyes at him. “Yes,” she said defensively.

His large, dark eyes flicked over her small frame. “All by yourself?”

“I’m decent enough in a fight.”

“What fishery was this?”

“By the Anafesto Channel.”

He nodded, thinking about this. “Anafesto, eh. Well then,” he said. “Let’s go have a look, then!” He shut the door and climbed into the pilot’s seat.

“Look where?” said Sancia, startled.

“To the Greens,” said the captain. “To this fishery of which you speak. Presumably there will be dead bodies inside — yes? Bodies that might suggest exactly who paid you to rob my waterfront?”

“Wait! You…you can’t take me there!” she cried. “Just hours ago there were dozens of big bastards walking around there, looking to gut me!”

“Then you had better stay quiet, hadn’t you?”

Sancia lay perfectly still as the carriage rattled over the muddy Commons lanes to the Greens. This was possibly the worst outcome for her: she’d intended to never return to the Greens, let alone trussed up in Captain Gregor Dandolo’s carriage. she said.

said Clef.

Finally the carriage rolled to a stop. There was darkness outside the windows, but she could tell they were at the fisheries by the smell. Dread bloomed in her stomach as she remembered that night — just last night, though it seemed so long ago now.

For a long time, Dandolo said nothing. She imagined him sitting hunched in the cockpit, watching the streets and the fisheries. Then she heard his voice, quiet but confident: “Won’t be a moment.”

The carriage rocked slightly as he climbed out and slammed the door.

Sancia sat there, and waited. And waited.

asked Clef.

said Sancia.

Really small. Tiny, even, easy to miss. It’s…like a dot, stuck to the outside of the carriage, in the back.>

Sancia tensed up. She realized what must be happening. she said.

The cockpit door opened, and someone climbed in — presumably Gregor Dandolo, but she couldn’t see. Then she heard his voice quietly saying, “No bodies. None.”

Sancia blinked in shock. “But…That’s impossible.”

“Is it?”

“Yes. Yes!”

“Where ought there have been bodies, young miss?”

“Upstairs, and on the stairs!”

He looked over the back of the seat at her. “Are you sure? Positive?”

She glared at him. “Yes, damn it!”

He sighed. “I see. Well. I did find quite a bit of blood in both of those locations — so I must grudgingly admit that some aspect of your story appears to be at least somewhat true.”

She stared at the ceiling, outraged. “You were testing me!”

He nodded. “I was testing you.”

“You…You…”

“Do you know what was in the box?” he demanded suddenly.

Surprised, Sancia tried to recover. “I told you. No.”

He stared off into the distance, thinking. “And…I suppose you don’t know anything about the hierophants?” he said softly.

Her skin went cold, but she said nothing.

“Do you?” he asked.

“Beyond that they were magic giants?” said Sancia. “No.”

“I think you’re lying. I think you’re lying to me about something — about what was in the box, about how your deal went down, about how that blood got there.”

said Clef.

“And I think I’m about to save your life,” she said. “Again.”

“Beg pardon?”

“Walk around to the back of your carriage and look for something. It’ll be stuck on the bottom right. Looks like a button, one that shouldn’t be there.”

He narrowed his eyes at her. “What kind of ploy is this?”

“It’s not a ploy at all. Go on,” she said. “I’ll wait.”

He looked at her for a moment. Then he reached down and pulled at her ropes, confirming they were secure. Satisfied, he opened the door again and climbed out.

She listened to the crunch of his feet outside. He stopped somewhere behind the carriage.

said Clef.

Gregor walked around and looked through the back passenger window at her. “What’s this?” he asked, slightly outraged. He held it up — it looked like a big brass tack. “It’s scrived, on the bottom. What is this?”

“It’s like a construction scriving,” said Sancia. “It pulls at its twin, like a magnet.”

“And why,” he said, “would someone want to stick a construction scriving to my carriage?”

“Think for a second,” said Sancia. “They stick one half to your carriage. Then they tie another to a string. Then the string will act like a needle in a compass, always pointing to you like you’re true north.”

He stared at her. Then he looked around, peering at the streets behind him.

“Now you’re figuring it out,” asked Sancia. “See anyone?”

He was silent. Then he thrust his head back through the window. “How did you know it was there?” he demanded. “How did you know what it was?”

“Intuition,” she said.

“Nonsense,” he said. “Did you put it there?”

“When could I have done that? When I was sleeping on the roof, or tied up with your ropes? You need to let me go, Captain. They didn’t put it on there to track you — they put it on there to find me. They’re coming for me. They figured out you knew where I was, so they just followed you. And now you’re right here in it with me. Let me go, and maybe you can survive this.”

He was quiet for a while. It strangely pleased her — for so long it’d seemed like the captain had ice in his veins, so it was nice to see him sweat.

“Hm. No,” he said finally.

“What?” she said, surprised. “No?”

He dropped the button on the ground and stomped on it. “No.” He climbed back into the cockpit.

“Just…Just no?”

“Just no.” The carriage started off again.

“You…You goddamn fool!” she shouted at him. “You’re going to get us both killed!”

“You have damaged lives and careers through your actions,” said the captain. “Not just mine, but those of my officers. You harm those around you without reflection or compunction. I am obligated to amend that. And I will not permit any threat, any lie, or any attack to dissuade me from my path.”

Sancia stared at the ceiling, stunned. “You…You smug idiot!” she said. “What right do you have to speak such flowery words with the Dandolo name hanging over you?”

“What does that have to do with it?”

“Harming people, using people, damaging lives — that’s all the merchant houses ever do!” she said. “You people are every bit as dirty as I am!”

“That may be so,” said Dandolo with infuriating serenity. “This place has a tainted heart. That I’ve seen up-close. But I have also seen horrors out in the world, young lady. I learned to tame some of them. And I have come home to bring to this city the very thing I am delivering you to.”

“And what’s that?”

“Justice,” he said simply.

Her mouth fell open. “What? Are you serious?”

“As serious,” he said as the carriage turned, “as the grave.”

Sancia laughed, incredulous. “Oh, as simple as that? Just like dropping off a package? ‘Here, friends — have some justice!’ That’s the dumbest damned thing I ever heard!”

“All great things must start somewhere,” he said. “I started with the waterfront. Which you burned down. By capturing you, I can continue.”

She kept laughing. “You know, I almost believe you, you and your holy-crusade talk. But if you really are as noble and honest as you sound, Captain Dandolo, you won’t live long. If there’s one thing this city can’t tolerate, it’s honesty.”

“Let them try,” he said. “Many already have. I nearly died once. I can afford to do so agai—”

But he never finished his statement. Because then the carriage went careening out of control.

Gregor Dandolo had piloted scrived carriages many times before, so he was well acquainted with how to maneuver such a vehicle — but he had never piloted one that suddenly had only one front wheel.

And that seemed to have been what had happened, in the blink of an eye: at first they’d been rolling along — and then, suddenly the driver’s front wheel had simply exploded.

He shoved down the deceleration lever while also spinning the pilot wheel away from the damaged carriage wheel — but this proved unwise, because then the carriage jumped a wooden walkway, which snapped the other front wheel — which meant he no longer had any control over the carriage’s direction at all as it hurtled across the muddy lanes.

The world was rattling and quaking around him, but Gregor had sense enough to decipher where the carriage was now headed — and he saw that that space was occupied by a tall, stone building. One that looked well built.

“Oh dear,” he said. He leapt through into the back of the carriage, where the girl was stuck to the floor.

“What did you do, you big idiot?” she cried at him.

Gregor grabbed his espringal and turned the density of her bonds down — otherwise they could fly around throughout the carriage and crush him, and certainly her. “Hold on, please,” he said. “We’re about t—”

Then the world leapt around them, and Gregor Dandolo remembered.

He remembered the carriage crash from long ago. The way the vehicle tipped, the way the world tumbled, the sprinkle of glass and the creak of wood.

And he remembered the whimpering in the dark and the glimmer of torchlight from outside. How the light caught the ruined form of Gregor’s father, crumpled in the seat, and the face of the young man beside him in the ruined carriage, weeping as his blood poured out of his body.

Domenico. He’d died terrified and whimpering in the dark for their mother. The way many young men in this world died, Gregor would later find.

Gregor heard whimpering again, and had to tell himself—No. No. That is the past. That all happened long ago.

Then his mother’s voice in his ear: Wake up, my love…

The muddy world congealed around him, and reality returned.

Gregor groaned and looked up. It seemed the carriage had flipped over, so one passenger window was now pointed at the sky while the other was stuck in the mud. The young woman lay in a heap next to him. “Are you alive?” he asked.

She coughed. “Why do you give a damn?”

“I am not in the business of killing captured people, even accidentally.”

“Are you so sure that was an accident?” she said, her voice rasping. “I told you. They followed you. They’re coming for me.”

Gregor glared at her, then pulled out Whip and climbed up through the cab of the carriage. He crawled out the window of the passenger door, which now looked out on the night sky.

He sat on the edge of the tipped-over carriage and looked at the front axle. A large, thick, metal espringal bolt was sticking out of it right where the wheel had been.

It must have gone right through the spokes of the wheel — and as the wheel spun around it, it shredded the damned thing…

It was an impressive shot. He looked around, but he could see no assailants. They were in one of the larger fairways in Foundryside, but the street was empty — after the building collapse and the shriekers last night, odds were the residents thought if they poked their heads out to see what the commotion was, they’d lose them.

The young woman cried: “Ah, shit. Shit! Hey, Captain!”

“What now?” sighed Gregor.

“I’m going to say something else you’re not going to believe. But I’m still going to say it.”

“You are, of course, free to say what you like, miss.”

She hesitated. “I…I can hear scrivings.”

“You…You what?”

“I can hear scrivings,” she said again. “That’s how I knew about the thing on your carriage.”

He tried to understand what she was implying. “That’s impossible!” he said. “No one can jus—”

“Yeah, yeah, yeah,” said the young woman. “But listen — you need to know this because right now, right now, a number of very loud scrived rigs are converging on us. I know because I can hear them. And if they’re really loud, that means they must be really powerful.”

He scoffed. “I know you think I’m stupid — after all, you have said so both loudly and repeatedly — but it is biologically impossible that someone could be stupid enough to believe that.” He looked around. “I don’t see anyone walking down the street toward us carrying, say, a shrieker.”

“I don’t hear them on the street. Look up. They’re above us.”

Rolling his eyes, Gregor looked up. And then he froze.

On the side of the building façade above him, four stories up, was a masked person, dressed all in black. They were standing on the building façade as if it were not the side of a building but was actually the floor — in full defiance of all known laws of physics — and they were pointing an espringal at him.

Gregor dove down into the upended carriage. The next thing he knew there were a lot of loud thunks. He shook his head and looked up.

Five espringal bolts were now poking in through the side of the carriage. They had almost punched straight through — and since the walls and floors of this carriage were reinforced, that meant their attackers were using scrived weapons.

More than one of them, he thought. At least five.

“Impossible,” said Gregor. “That can’t be.”

“What?” said the young woman. “What’s out there?”

“There…there was a man standing on the building sides!” said Gregor. “Standing there like gravity doesn’t work at all!”

He looked up through the open window on the side of the carriage, and watched in shock as a figure in black appeared to gracefully float over the carriage like a bizarre cloud. Then he pointed an espringal down, and fired.

Gregor hugged the wall of the carriage as the bolt came hurtling down. The young woman screamed as it thudded into the mud below them.

Gregor and the young woman looked at it, then stared at each other.

“I scrumming hate being right,” she said.

12

The entire theory of scriving relied on the idea that you could convince an object to behave like something that it wasn’t. But the early Tevanni scrivers figured out pretty quick that it was a lot easier to convince an object it was something it was similar to, rather than something it was not similar to at all.

In other words, it would not take much effort to scrive a block of copper into thinking it was a block of iron. However, it would take an impossible amount of effort to convince the block of copper that it was actually, say, a block of ice, or a pile of pudding, or a fish. The more convincing an object needed, the more complicated the scriving definitions became, and the more of a lexicon they’d take up, until finally you were using a whole lexicon or even multiple lexicons to make one scriving work.

The first scrivers hit this wall pretty quickly. Because one of the initial things they tried to alter was an object’s gravity — and gravity proved to be a deeply stubborn bastard that simply could not be convinced to do things it didn’t believe it ought to.

The first efforts to scrive objects to sort of gently, casually step around the laws of gravity were utter disasters — explosions, mutilations, and maimings were common. This had been a great surprise to the scrivers, since they knew from the old stories that the hierophants had been able to make objects float across the room, and some hierophants were recorded as flying nearly all the time. The hierophant Pharnakes was even said to have crushed an entire army with boulders from a mountaintop.

But eventually, after an untold number of deaths, the Tevanni scrivers came up with a somewhat decent solution.

The laws of gravity would not be outright denied. But it was possible to obey the laws of gravity in very unusual ways. Like scrived bolts — they were convinced they were just obeying gravity; they just had some interesting new ideas about where the ground was, and how long they’d been falling for. Or floating lanterns, which believed they contained a sack full of gas that was lighter than air, though they did not. All these designs acknowledged the laws of gravity. They just obeyed the letter of the laws, rather than the spirit.

But despite these successes, the dream stayed alive: Tevanni scrivers kept trying to find ways to truly defy gravity — to make people float, or fly, just like the hierophants of old. Even though such efforts almost always had lethal side effects.

For example, some scrivers accidentally adjusted their gravity so that two different portions of themselves recognized two different directions of pull, causing their limbs to stretch or simply get ripped clean off their bodies. Others accidentally crushed themselves into a bloody, flat disc, or a ball, or a cube, depending on their methodology. Others gravely underestimated the amount of gravity they should have, and they wound up floating away into the ether until they reached the limits of their lexicon, at which point they rather anticlimactically smashed into the surface of the earth.

This was considered a pleasant way to go. You had something to bury that way.

Many of these attempts had coincided with a larger effort to scrive the human body — and these experiments had been far more horrific than tinkering with gravity.

Unimaginably worse. Unspeakably worse.

And so, after they’d cleaned up all the bloodstains from the umpteenth disaster, the merchant houses had made a rare, diplomatic agreement: they’d all decided that trying to scrive a body or its gravity was to be banned, and never trifled with. Humans had enough danger just handling altered items — they didn’t need to worry about their own limbs or torsos going haywire on them too.

And that was why Gregor Dandolo simply could not believe what he was seeing as he peeked out the top of the carriage: nine men, all dressed in black, running across the building faces with impossibly balletic grace. Some even ran upside down along the overhangs of roofs.

Such a thing was not only illegal, as much as anything could be in Tevanne — it was also, as far as he was aware, technologically impossible.

Three of the men stopped and pointed their espringals at him. Gregor ducked back down as bolts punched into the carriage just where he’d been peeking out.

“They’re good shots too,” he muttered. “Of course.” He considered what to do — but there was little he could accomplish, being stuck in a box in the middle of the road.

“Do you want to live?” asked the girl.

“What?” he said, irritated.

“Do you want to live?” she said again. “Because if you do, you should let me go.”

“Why would I do that?”

“Because I can help you get out of this.”

“If I let you go, you’ll run off the first second you can get! Or you’ll stab me in the back and leave me to get shot full of bolts.”

“Maybe,” she said. “But they’re here for me, not you. It wouldn’t hurt my feelings if you put those bastards in the ground, Captain. I’d be happy to help you do that.”

“And what could you do to help me?”

“Something. Which is better than nothing. Besides, Captain, you owe me one — I saved your life, remember?”

Scowling, Gregor rubbed his mouth. He hated this. He’d worked ceaselessly to get here, to capture this girl who’d been the source of all his problems, and now he was either going to die for having her, or have to let her go.

But then, slowly, Gregor’s priorities shifted.

The men flying around up there almost certainly worked for a merchant house — only a house could have outfitted them with such rigs.

A merchant house is trying to kill me to get the girl, he thought. So they almost certainly also commissioned the theft, of course.

And it was one thing to catch a grubby thief and make a show of her as the cause of great evils in Tevanne — but it was quite another to expose massive misconduct, conspiracy, and death being perpetrated by a merchant house faction right here in the city. The merchant houses did conduct espionage and sabotage against one another, everyone knew that — but there was a bright, unspoken line they did not cross.

They did not make war upon one another. War in Tevanne would be disastrous, everyone knew that.

But a bunch of flying assassins, Gregor thought, certainly looks a lot like war.

He reached into the front seat, rummaged around, and brought back a thick metal cord. He quickly fastened it to the girl’s left foot with a small, scrived key, which had a dial on the head.

“I said to let me go!” she said. “Not tie me up more.”

“This thing works the same way as the cords on you right now.” He held up the key and pointed to it. “I turn up the dial, and it gets heavier, and heavier. You try to run or kill me, and you’ll find yourself stuck in one spot out in the open. Or it could crush your foot. So I recommend you behave.”

To his frustration, this didn’t seem to intimidate her much. “Yeah, yeah. Just get the rest of these things off me, all right?”

Gregor glared at her. Then he pulled the release key out of the stock of his espringal and used it to free her. “I assume you haven’t ever dealt with assailants such as this before,” he said as she shook off the cords.

“No. No, I have not tangled with a bunch of flying assholes before. How many of them are there?”

“I counted nine.”

She peered up as another assassin danced over the carriage. There was a thunk as the bolt struck the door above. Gregor noticed the girl did not flinch. “They like us out in the open,” she said softly. “Where we’re exposed.”

“So how do we get to someplace confined where their tools will offer less advantage?”

The girl cocked her head, thought, and then scrambled up to the top window, gripping the edges of the seat. She readied herself, then leapt up with a swift, measured grace, popping up through the window before falling back down to the mud. A chorus of thunks echoed throughout the carriage as she landed.

“Shit,” she said. “They’re fast. But at least I know where we are now. You drove the carriage into the Zorzi Building, which is lucky.”

“I did not drive it into the building,” he said, indignant. “We crashed.”

“Whatever. It used to be a paper mill or something. It stretches across the whole block. A bunch of vagrants live there now, but the top floor is big and open, with lots of windows — and the street on the other side is pretty narrow.”

“How does that help us?”

“It doesn’t help us,” said Sancia. “It helps me, though.”

He frowned at her. “What exactly are you planning, here?”

She explained. And Gregor listened.

When she was done, he considered what she was asking of him. It was not a bad plan. He’d heard worse ones.

“Think you can do it?” she asked.

“I know I can,” said Gregor. “Do you think you can get into the building?”

“That won’t be a problem,” she said. “Just give me that big goddamn crossbow.” He handed it over, and she slung it across her back. “I just point and shoot like a normal espringal, right?”

“Essentially. The cords will wrap around their target, and then they should start amplifying their densities — the more the target moves, of course.”

“Terrific.” She pulled two small, black balls out of a pocket on her side. “You ready?”

He climbed up to the open window, looked down, and nodded.

“Here we go.” She took one of the balls in her hand and pressed a small plate on its side. Then she threw one of the balls out the window, waited a beat, and then threw the other. The instant the streets lit up with that incredible, bright flashing light, Gregor leapt out of the carriage and made a run for it.

Despite the fact that he’d witnessed this phenomenon before, the flash and sound of the stun bombs was no less stupefying for Gregor. He caught the barest glimpse of the Foundryside street, and then it was all wiped away in a flash of illumination brighter than a lightning strike, followed by a tooth-rattling bang. He staggered blindly for the alley ahead, hands outstretched. He tripped on a porch, crashed into the wooden slats, and crawled forward until he felt a corner of wood.

He crawled around the corner, shakily stood, and pressed his back to the wall. There. I’m there.

He stood up and began to wobble down the alley, one hand on the wall, the other outstretched before him, the sounds of the stun bombs still ringing in his ears.

Eventually the world took shape around him. He was stumbling down a dark, decrepit alley, lined with refuse and rags. He looked over his shoulder and saw the lights of the stun bombs were fading. Then six silhouettes emerged in between the building faces of the alley — and, bizarrely, began bounding back and forth among the shop fronts like leaves on the wind.

Gregor stepped into a shadowed doorway. Remarkably odd to see, he thought, watching them drift gracefully through the air like acrobats on wires. After a moment, a seventh man joined them.

That’s two of them unaccounted for, thought Gregor. Then he took Whip out. Still. Time to test the limits of gravity.

He watched their progression, calculated their arcs, and flicked Whip forward.

His shot was true. The truncheon’s head caught the man directly in the chest — and, since the man’s reality had apparently been rearranged to believe he was as light as a feather, he went hurtling off into the sky like he’d been fired out of a cannon.

His comrades paused on a linen shop’s roof to watch him sail off into the night sky. Then they raised their espringals and fired.

Gregor leapt back into the doorway as the bolts thudded around him. Whip came zipping back to its shaft. He waited a beat, then dashed out and started running.

One down, he thought. Eight to go.

Sancia waited quietly underneath the carriage, the big espringal on her back. She tried to ignore her rapid heartbeat and the trembling in her hands. When the stun bombs had gone off, she’d leapt out and hidden in the gap between the carriage and the base of the building. She could hear one of the assassins standing on the top of the carriage, peering down into the empty vehicle. Then she watched, relieved, as he joined his comrades in chasing Gregor down the side alley.

asked Clef.

There was a thud, a cry of pain, and then one of the men came rocketing out of the alley, tumbling ass-over-head.

said Sancia.

She wormed her way out from underneath the carriage, pulled Clef off her neck, and stuck him in the side door to the Zorzi Building. There was the usual click, and Sancia darted inside.

The place reeked of sulfur and whatever other chemicals they’d used to make paper back in the day — as well as a variety of other, more human smells, because the bottom floor appeared to have been totally taken over by vagrants. Piles of rags and straw and refuse were everywhere. A few of the occupants cried out at the sight of her, a huge espringal slung over her shoulder.

Sancia knelt, touched a bare finger to the ground, and let the layout of the building unscroll in her mind. Once she felt the stairs, she popped up, leapt over one of the shrieking vagrants, and darted over to the hallway that led to the stairs. she thought.

Gregor turned the corner on the fairway, then turned again, until he was headed toward the other side of the Zorzi Building — but hopefully his attackers didn’t realize that. He looked ahead and saw a welcome sight: there were dozens of clotheslines strung up over the narrow fairway beside the old paper mill, running about four stories up, old dresses and gray undergarments and bedsheets drifting in the night breeze.

Ah, he thought. Cover. That should do nicely.

He ran to the left, finding shelter under a thick set of off-white bedsheets, and looked up. With the clotheslines above, he was much less exposed.

And hopefully, he thought, glancing up, the girl will be getting into position sometime soon…

He saw an iron baluster on a balcony across the street, which gave him an idea. He took Whip out, aimed carefully, and flicked it at the baluster…

With a loud clang, Whip’s head caught on the iron railing. Gregor pulled the cable taut, hid in a doorway, and waited.

He couldn’t see them coming through the clothes above. He could only hear the soft scrape of their boots on the building fronts, echoing all around him. He imagined them dancing from rooftop to rooftop, weaving through the hanging clothes, drifting like dust motes on a gentle breeze. But then, as if he were fishing, his line suddenly gave a great leap…

There was a gagging sound, and a cough. Gregor peeked around the corner and saw one of their attackers spinning wildly through the air, having apparently been caught on Whip’s cable. The man sailed through the clotheslines, flying end-over-end, the lines and clothes wrapping around his form as he coughed. Finally he crashed into the street below, trailing tangles of clothing like some kind of bizarre kite, and was still.

Gregor nodded, pleased. That worked nicely. He hit the switch to retract Whip’s head from the baluster. It took a jerk or two from him, but soon the truncheon’s head came zipping down — and accidentally pulled a string of clothes with it.

Which, he realized, told his attackers exactly where he was.

He looked up as a black-clad man did a flip over the clotheslines, tumbling like an acrobat. Then the man adjusted something on his stomach, which caused him to fall rapidly back toward the building face opposite Gregor. Once the man’s feet were steady, he looked up at Gregor, and raised his espringal.

Gregor started to flick Whip forward, but he knew it was too late. He could see it happening, see the bolt whipping down at him, see its black tip glinting in the moonlight. He tried to withdraw farther into the doorway, but then his arm lit up with pain.

He cried out and looked at his left arm. He immediately saw that he’d been lucky: the bolt had caught him on the inside bottom of his forearm, slashing it open. The unnatural momentum of the bolt meant it’d shredded his flesh as it passed directly through, but it had not speared his arm, or hit the bone. Scrived bolts did tremendous damage to the human body.

Cursing, Gregor looked up just in time to see a second assassin join the one who’d just fired — and this one, he suspected, would not miss.

Gregor fumbled to get Whip ready.

The attacker raised his espringal…

But then a silvery, strange rope came hurtling from above to wrap itself around the second man’s legs.

The second attacker staggered as the ropes struck him — at least, he staggered as much as anyone could while defying gravity and standing on a wall.

Praise God, thought Gregor. The girl came through. He looked up, but the windows above were lost in the fluttering storm of laundry. Presumably she was somewhere up there, firing away.

The bound man tried to leap off the building front — but this quickly proved to have been a bad idea: the density cords wrapped around the man’s shins believed that, as long as the target they were bound to was not at rest, they would keep increasing their density until it was.

However, the man’s gravity rig — whatever it was — allowed him to circumnavigate gravity itself: the one force that allowed objects to come to a resting state.

So, because of his rig, he could not be at rest. And because he could not be at rest, the bonds got denser, and denser…

The man started shrieking in surprise and pain, and he slapped at something on his chest, some kind of control mechanism for his gravity rig, probably. This caused him to just float in the middle of the air over the street — but that did not amend his situation, it seemed.

His shrieking got higher-pitched, and louder…

There was a sound like a tree root cracking in half, or fabric being torn. Then came a horrific spray of blood — and then the man’s legs separated from the rest of his body at the knees.

Sancia stared over the sights of her espringal as the man screamed in agony, floating above the street, pouring blood from his knees. She was crouched on the remnants of a wooden walkway that ran the perimeter of the Zorzi’s upstairs, peering through the old windows. She’d assumed that shooting the flying men with the espringal would just weigh them down until they couldn’t fly anymore — she certainly hadn’t thought it would do that.

said Clef, disgusted.

She swallowed her nausea. she said. She started reloading.

Gregor watched in dull surprise as the man’s feet and calves crashed into the earth, still wearing the density bonds. Then the man just hung there in the air, screaming as blood poured out of him onto the ground like a horrific water feature of the neighborhood…

And that, thought Gregor, is why scrivers so rarely fool with gravity.

Understandably, such a phenomenon got one’s attention. It certainly seemed to have distracted the man who’d injured Gregor — he was still standing on the building face across the fairway, staring at the sight, having seemingly forgotten all about Gregor.

Narrowing his eyes, Gregor took aim with Whip and flung the truncheon’s head forward at the man. There was a dull plonk! sound, and the thick weight cleanly connected with the man’s left temple.

The man’s body went slack and he dropped the espringal. Then, slowly, his legs slipped off the wall and his unconscious body started drifting over the street. It seemed his rig was set to keep him at a specific level — he neither rose nor fell. It looked like he was slowly skating over an invisible ice pond.

Gregor peered at the espringal lying in the mud. Then he got an idea. It was one of his favorite tactics: when outnumbered and outmatched, clutter up the battlefield as much as you can. Only this battlefield, he thought, is the very air above our heads.

He took aim at the unconscious, floating man, and hurled Whip forward. The truncheon’s head caught the man’s body in the chest and — just as Gregor had hoped — the momentum sent the man ricocheting off the building fronts, hurtling through hanging clothes, bouncing off his dying colleague, and generally wreaking havoc.

Gregor watched, satisfied, as the chaos unfolded. One of the men tried to get out of the way and leap across the alley, but the growing tangle of clotheslines caught him like a fish in a net.

Gregor scrambled forward, grabbed the espringal, raised it, and shot the tangled man, all in one smooth motion. The man cried out and went still.

Five down, said Gregor. Four left.

He looked up, reloaded, and saw two attackers flit across the street and twirl in midair. Gregor tried to draw a bead on one of them — but then both of them gracefully tumbled through the upstairs windows of the Zorzi Building.

Gregor lowered the espringal. “Oh hell,” he sighed.

Sancia saw them coming. She pointed the big espringal at one of the attackers just as they passed through the windows, and fired. But the shot went wide, and the density cords tangled around a rafter — which was, of course, already at rest, so that didn’t do much.

“Shit!” she cried. She leapt forward as a scrived bolt hurtled toward her. As she fell she reached into her pocket, grabbed a stun bomb, pressed its plate, and tossed it into the rafters.

She knew, of course, that in this terribly dark place it would blind her as well, along with whichever vagrants were still in there with her. But Sancia was pretty good at getting around without seeing.

The flash of the bomb was tremendous, as was the pop from its charge. For a moment she just lay there on the walkway, her head ringing and her eyes aching. Clef’s voice cut through all her sensory overload.

he said.

Sancia was keenly aware that wouldn’t last forever — though the effects might likely last unusually long, given the dark environment. Yet she found she could hear her attackers, or at least their rigs — there was a faint chanting in the blistering, flashing darkness, from their gravity rigs. I guess I don’t hear scrivings with my ears, she thought, which was a curious revelation. She also realized that these rigs must be terribly powerful for her to be able to hear them from so far away.

That gave her an idea. She slipped out her bamboo pipe, which was loaded with a single dolorspina dart.

Clef seemed to not understand this was disturbing, since it suggested his method of seeing things was different from human eyes. She lifted the pipe to her lips.

Sancia took a deep breath in through her nose and blew as hard as she could.

She had no idea what happened — she still couldn’t see or hear much. It was like firing the dart into the blackest of nights in here. But then Clef said,

She could see blurs in the darkness — her vision was coming back, but only slightly. she said.

She touched her bare hand to the wall beside her, then the rafter above her, and she listened to both of them. She let all the rafters and the supports and the beams overhead pour into her.

It was too much, far, far, too much. Her head felt like it was going to break open. I’m going to pay for this later, she thought. But she kept going until every inch of the ceiling had made an impression in her thoughts, every beam of wood and every brick fixed in her mind.

Then, still mostly blind and deaf, Sancia leapt up, grabbed a rafter, lifted herself up, and started crawling through the rafters of the Zorzi Building with her eyes closed.

She couldn’t see any of the dangers underneath her, but Clef could. he said.

she said as she blindly leapt from one rafter to another,

She kept going, hopping from rafter to rafter, beam to beam, until she felt like she was getting close. she asked.

She did so, and found he was right. And as she touched the wall, she felt him.

A tight, warm bundle of a person, pressed up in the crevice between the wall and the ceiling, like a bat in its roost. Waiting for his vision to return, probably. But the second she felt him…

He moved. Fast. Speeding down.

He must have felt me coming! she thought. I hit the damned rafter too hard!

But she still felt what the wall felt — and the wall had felt him push off, including how hard and which direction he was going.

Sancia gauged his likely position and blindly jumped into open space.

For a moment she just fell, and she was sure she’d cocked it up, sure she’d missed him, sure she would just plummet three stories down into the vagrants’ nest, where she’d break a leg, or her skull, and then she’d just die there.

But then she hit him. Hard.

Sancia instinctively threw her arms around the man and clung tightly to him. Her hearing was coming back, and she heard him scream in surprise and anger. They were still falling, but as someone who was somewhat used to falling in space, the way they were falling was so strange: they suddenly, rapidly decelerated to a curiously steady rate, like they were trapped in a floating bubble, twisting through the air.

Until they hit the ground. Then the man shoved off, hard, and they went rocketing throughout the old paper mill.

The man smashed Sancia into walls, into rafters, and, once, into what she guessed was his floating, unconscious comrade. He hurtled back and forth throughout the building, trying to shake her off and struggling with her grasp.

But Sancia was strong, and she held fast. The world was tumbling and twirling about them, the vagrants were screaming and shrieking, and her sight was slowly, slowly coming back to her…

She saw the fourth-floor windows flying at them, and realized what was going to happen.

“Ah, shit!” she cried.

They crashed through a pair of shutters, and then they were outside, flying through the open night air, still tumbling over and over and over. Now he could fly up a mile and dump her off, or have one of his comrades pry her off and slit her throat, or…

Clef shouted at her.

Sancia clung tighter to him, gritted her teeth, and started swatting at the man’s stomach with her hand, clawing and tearing at anything she could find there.

Then her hand felt a small wheel — which she managed to turn.

They froze, hanging in midair.

No!” screamed the man.

And then he seemed to explode.

It was as if someone had filled a huge water skin with hot blood and jumped on it. The spray of gore was unspeakably tremendous, and totally shocking to Sancia.

More concerning, though, was that the man she’d leapt on was no longer…well, there. It was as if he’d simply disappeared, leaving only the scrived gravity device behind.

Which meant Sancia was now falling.

She tried to grab at something, anything. The only thing to hold on to was the dead man’s device, which was covered in blood. She grabbed it purely out of instinct, yet this did nothing. Everything seemed to slow down as she fell to the fairway below.

cried Clef.

Sancia had no mind to answer. The world was sliding by her, every ripple of the bedsheets and twist of the undergarments frozen in space…

And then Gregor Dandolo was there, beneath her.

He cried out in pain as Sancia landed in his arms. Sancia herself was still dumbfounded, her mind reeling as she tried to understand what had just happened. Then he dumped her in the mud, cursing and rubbing his lower vertebrae.

“You…you caught me?” she said aloud, still stunned.

He groaned and fell to his knees. “My scrumming back…Consider my debt repaid,” he snarled.

She looked at herself. She was trembling, absolutely covered in blood, and she still clutched the gravity device in her hands. It looked like two plates connected with cloth bands — one for your belly, one for your back — and one plate had a series of little dials on it.

She stammered out, “I…I…”

“You must have sabotaged the device he was using to float,” said Gregor. He looked up at the bedsheets above, which were all spattered with gore. “Causing his gravity to collapse, crushing him. Somewhere in the street is probably a fleshy marble that was once the whole of that man’s body.” He looked around. “Help me up. Now!”

“Why? That’s all of them, right?”

“No, that was just seven! There were nine in tota—”

Gregor never got the chance to finish. Because then the remaining two attackers crested the peaks of the roofs on one side of the street, and fired.

Sancia’s adrenaline was still running strong, so the world still seemed terribly slow and clear, every second sliding by like the slice of a razor.

She watched the two men take positions on the roof, her eyes catching every gesture and movement. She knew there was no running from them, no shelter, no trick up her sleeve. She and Gregor were exposed in the alley, unarmed, with nowhere to run.

Clef’s voice roared in her ear:

Sancia didn’t stop to think. She ripped Clef off the string around her neck and stabbed him down to the bloody plates in her lap.

Their attackers loosed their bolts. She watched helplessly as the scrived bolts leapt forth from their espringal pockets like fish jumping out of the water to catch an unsuspecting fly.

She felt metal strike metal as Clef touched the gravity plate. And then…

A curious pressure fell across Sancia’s body, and her stomach fluttered unpleasantly, like she was falling again — but she was standing still. Wasn’t she?

But then, everything seemed to be standing still. The bolts weren’t flying forward anymore — they hung limply in the air. The attackers were like statues stuck to the walls. The hanging clothes were barely rippling anymore — a curl of a bedsheet hanging above the alley almost perfectly still, like icing on a cake.

Sancia looked around at the drifting world, dazed. “What the hell…”

She was still touching Clef, and he was still stuck to the gravity plate, and she heard his voice whispering, speaking, chanting. She couldn’t understand what he was saying, but she could tell he was doing…something to the device.

Then she and Gregor slowly started to float off the ground, rising up as if they had no weight at all.

She heard Gregor crying out, “What the devil?

Clef’s chanting filled her ears. She dimly realized he was making the rig work for him, making it do something it was not meant to do, something it should have never been able to do.

Because from what she’d seen that night, these gravity rigs only affected the gravity of the person wearing them — yet Clef was now somehow using this rig to control the gravity of everything around them.

Other objects began to float into the air, barrels and bags and firebaskets and the body of one of their attackers, festooned with laundry. The two attackers on the walls began screaming in terror as they helplessly floated off the building fronts, slowly turning end over end.

Clef’s voice overpowered her thoughts, filling her mind. His strange chanting grew louder.

How is he doing this? she thought. How can he possibly be doing this?

Then her scar grew hot, and she heard something, smelled something, saw something…

A vision.

A vast, sandy plain. Tiny stars twinkling above. The sky at dusk, dark and purpled at the horizon.

There was a man on the plain, wearing robes. And in his hand, a wink of gold.

He raised the golden thing, and then…

The stars began dying, one by one. Snuffed out as if they were but candle flames.

Darkness fell.

Sancia heard herself screaming in terror. The vision bled out of her mind and the world returned to her, with Gregor and all the random objects floating in the muddy fairway, the barrels and the firebaskets and the bolts.

She watched as the two bolts slowly, slowly flipped in midair, changing direction so they pointed not at Sancia and Gregor but rather at the men who had fired them.

The bolts trembled with pent-up energy. The men, realizing what was about to happen, shrieked in naked terror.

Clef said a single word, and the bolts hurtled forward. They flew so fast they almost fell apart in the air. When the bolts struck the men, they punched through their bodies as if their ribs and stomachs were made of soft gelatin, shredding them effortlessly, like scythes parting soft, green grasses.

Clef’s chanting halted. Instantly, Gregor, Sancia, the floating corpses, and all the other levitating things in the fairway crashed to the ground.

For a moment they just lay there. Then Gregor sat up and peered at the bodies lying in the mud.

“They’re…They’re dead.” He looked at Sancia. “How…How did you do that?”

Sancia’s mind was still whirling, but she had wit enough to slip Clef up her sleeve before Gregor could see him. she asked him.

Clef was silent.

Nothing. She looked at the gravity plates, and saw the device was now melted and smeared, like Clef’s manipulations had burned the thing out.

“How did you do that?” demanded Gregor again. For once, the captain looked genuinely shaken.

“I don’t know,” she said.

“You don’t know?”

“No!” she shouted. “No, no! I don’t even know if I did do that!”

She sat there in the fairway, bewildered and exhausted. Gregor watched her, wary.

“We’ve got to get out of here,” she said wearily. “There could be more of them. Last time they called in a whole damn army! There could b—”

She stopped talking as a black, unmarked carriage rattled into the fairway.

“Shit,” she sighed.

Gregor scrambled through the mud, grabbed his espringal, and pointed it at the carriage — but then he lowered it, surprised.

The carriage pulled up in front of them. A young, rather pretty girl wearing gold-and-yellow robes peered out of the cockpit window. “Get in, Captain,” she said. “Now.” She looked at Sancia. “You too.”

“Miss Berenice?” said the captain, astonished.

“Now means now,” she said.

The captain hobbled around and started climbing in on the other side of the cockpit. “I’m not going to have to make you get in this thing, am I?” he asked Sancia.

Sancia briefly calculated the risks. She had absolutely no idea who in the hell this girl was. But with the captain’s bond still on her ankle, Clef suddenly dead and silent, and the whole of the Commons suddenly deeply unsafe for her, she had few choices.

She climbed in the back, and the carriage took off toward the Dandolo Chartered campo.

13

Sancia sat huddled in the passenger seat, gripping her wrist where she’d hidden Clef. She stayed quiet. Her skull was pounding terribly, and she had no idea what in hell was going on. For all she knew this girl was the queen of Tevanne, and could have her head lopped off with but a word.

She tugged at the bond on her ankle. It held fast, of course. She’d considered using Clef to undo it during the fight — but that would have tipped off the captain to the fact that she possessed something that could break scrived locks, so she’d refrained. She bitterly regretted the choice now.

Gregor sat in the cockpit with the girl, wrapping up his injured arm. He peered up at the rooftops outside. “You saw them?” he asked. “The flying men?”

“I saw them,” said the girl. Her voice was oddly calm.

“They have spies everywhere,” he said. “Eyes everywhere.” Then he sat up. “Did…Did you check this carriage? They put this thing on mine, this scrived button so they could follow me! You should pull over, now, and we should—”

“That won’t be necessary, Captain,” she said.

“I am deadly serious, Miss Berenice!” said Gregor. “We should pull over now and look over every inch of this carriage!”

“That is not necessary, Captain,” she said again. “Please calm down.”

Gregor slowly turned to look at her. “Why?”

She said nothing.

“How…How did you happen upon us, anyway?” he asked, suspicious.

Silence.

“They weren’t the ones who put that button on my carriage at all, were they?” he asked. “It was you. You put it there.”

She glanced at him as she piloted the carriage through the Dandolo southern gates. “Yes,” she said reluctantly.

“Orso sent you to follow me,” he said. “As I went to catch the thief.”

The girl took a long breath in, and let it out. “It has been,” she said with a touch of fatigue, “a very eventful evening.”

Sancia listened closely. She still didn’t understand what the hell they were talking about, but now it seemed to involve her. That was bad.

She considered her options. she said. But Clef was silent. If he was awake, she could pop the bond off her ankle and jump out of the carriage the first chance she got. She supposed she could dart Dandolo, or both of them, and steal the key to the bond. But she’d been in an out-of-control carriage once tonight, and had no desire to repeat the experience. And either way, both options left her abandoned on the Dandolo campo — and without Clef, her life there wasn’t worth a copper duvot.

So she stayed put, and waited. An opportunity would present itself eventually. Provided they all stayed alive.

“So it was Orso’s box,” he said, triumphant. “Wasn’t it? I was right! He had you ship it into my waterfront, under your name, didn’t he? And he…” He stopped. “Wait. So if you put the scrived button on my carriage instead of our attackers…how did our attackers find us at all?”

“That’s simple,” said the girl. “They found you because they were following me.”

He stared at her. “You, Miss Berenice? What makes you say that?”

She pointed up. Gregor and Sancia slowly looked up at the ceiling. “Oh,” said Gregor quietly.

The roof of the carriage sported three large, ragged holes, and one bolt point was lodged in it as well. “I assume you wondered why two of them split off from the main attack force,” said Berenice. “They chased me for a block or so, but left when they heard the screaming.” She glanced backward at Sancia. “There was a lot of screaming, it seemed.”

“What makes you so sure they were following you?” said Gregor.

“They certainly knew which carriage to shoot at,” said Berenice.

“I see. But how did they know to follow you to begin with? Certainly they couldn’t have followed you all the way from the inner Dandolo enclaves.”

“I’m not sure yet,” said Berenice. “But this was planned. They intended to kill all of us at once, I suspect. Everyone involved…” She trailed off.

“Involved with me,” said Sancia quietly. “With the box.”

“Yes.”

“Everyone involved…” said Gregor. “Orso’s back at the campo?”

“Yes,” said the girl. “So he should be safe.”

Gregor peered out the window. “But if you go high enough over a campo wall,” he said, “you don’t trigger any of its warding scrivings — do you?” He looked back at Sancia. “That’s what you did at the waterfront, correct?”

She shrugged. “Basically?”

He looked at Berenice. “So if you have a rig that can allow you to fly, you can sail right over all the campo walls — and no one would ever know you’d done it.”

“Damn,” Berenice said quietly. She pressed the accelerating lever farther forward. The carriage sped up. Then she cleared her throat. “You back there,” she said.

“Me?” said Sancia.

“Yes. There’s a bag at your feet. Inside is a strip of metal with two tabs at the ends. Let me know when you find it.”

Sancia rummaged around in the satchel in the passenger seat. She found the strip of metal quickly, and recognized a few of the sigils on the back.

“Got it,” she said. “It’s twinned, isn’t it?”

“It is,” said Berenice.

“How’d you know that?” asked Gregor.

“I, uh, used a scriving like this to blow up your waterfront,” said Sancia.

Gregor scowled and shook his head.

“I need you to tear off both tabs,” said the girl. “And then I need you to scratch a word on the back of it—not the side with the scrivings, that’ll ruin the rig.”

Sancia tore the tabs off. “Scratch something in it? With, like, a knife?”

“Yes,” said Berenice.

Gregor handed Sancia his stiletto. “What word?” he asked.

Run.

Alone in his workshop, Orso Ignacio reviewed the ledger page he’d hidden among his scriving materials.

He’d concealed it quite cleverly, he thought. Much like his door, he’d scrived the book to sense his blood, so that only he (or someone with a lot of his blood) could read it. The instant he touched a hand to the covers, a slot in the spine opened up, and he could slip out the page hidden inside.

A page that was covered with figures. Extremely bad figures, he now thought as he reviewed it. Amounts he’d pilfered from this department or that department, jobs and tasks that had been paid for but did not really exist. Discovering any one of these figures would lead to serious charges. But discovering all of them…

I got stupid, he thought, sighing. The idea of that key was too good. And now…

Then there was a tinny ping! noise from his desk.

He sat up, dug through the papers, and found the twinned plate.

One tab had popped off. He stared at it. That means Dandolo has found the thief.

He watched the plate closely. Then, to his dismay, there was another ping! The second tab popped off.

“Oh shit,” he moaned. “Oh God.” This meant that Dandolo had the thief — and the thief had the key.

Which meant he was going to have to start calling in favors. Favors he desperately did not wish to call in.

But before he could move, something strange happened.

The plate twitched. He turned it over, and saw that something was happening to the back.

Someone was writing there, gouging letters deep into the metal, and it was not Berenice’s clear, perfect script. This was harsh and jagged, and it spelled out one word.

“Run?” said Orso, perplexed. He scratched his head. Why would Berenice message him to run?

He looked around his workshop, and he didn’t see anything he needed to run from. There were his definition tomes, his scriving blocks, his test lexicon, and the open window on the far wall…

He paused.

He didn’t remember opening the window.

There was a creak from somewhere in his workshop. It was something akin to the creak of a floorboard as you walk across the room — but this did not come from the floor. It came from the ceiling.

Orso slowly looked up.

A man was crouched on his ceiling, in full defiance of gravity, dressed in black, wearing a black cloth mask.

Orso’s mouth dropped open. “What in he—”

The man fell on him, knocking Orso to the floor.

Cursing, Orso struggled to get up. As he did, the man calmly walked over to Orso’s desk, snatched up his page of secret accounts, walked back, and kicked Orso in the stomach. Hard.

Orso collapsed again, coughing. Then his attacker slipped a loop over his head, and pulled it tight around his neck. He gagged and his eyes watered. The man hauled him to his feet, the cord cutting into his windpipe, and whispered in his ear, “Now, now, poppy. Don’t struggle too much, eh?” He jerked the cord back, and Orso nearly blacked out. “Just come along, then. Come along!”

His attacker shoved him toward the window, then ripped the cord hard, pulling Orso along like a dog on a leash. Orso clawed at the cord, coughing, but it was tight and ferociously strong. The man glanced out the window. “Not quite high enough, is it?” he mused aloud. “We do want to make sure. Come along, poppy!”

Then — unbelievably — the man slipped out the window and stood on the side of the building as if it were the ground. He adjusted something on his stomach, nodded, and ripped Orso out after him.

Sancia stared as the carriage hurtled through the gates, one after the other. She realized, to her alarm, that they were careening into the deepest enclaves of the Dandolo campo, where the richest, most powerful people resided. She’d never even dreamed she’d get into such areas — especially not under these circumstances.

“There,” said Berenice. “The Hypatus Building is just ahead.”

They peered through the front window of the carriage. A sprawling, elaborate, three-story structure emerged from the rosy glow of the streets. It looked dark yet peaceful, as most buildings would in the middle of the night.

“It…doesn’t look like anything’s wrong,” said Gregor slowly.

Then something moved in the window on the third floor, and they watched, horrified, as a man in black climbed out the window, stood on the side of the wall, and hauled out a struggling human form, dangling from a rope of some kind by the neck.

“Ohh dear,” said Gregor.

Berenice shoved the acceleration lever forward, but it was too late — the man in black hopped up the wall and tugged the helpless person onto the roof.

“No,” said Berenice. “No!

“What can we do?” asked Gregor.

“The way up onto the roof is the south tower! It’ll take forever to get there!”

Sancia looked at the side of the building, thinking. Perhaps this was the opportunity she’d been waiting for — she was well aware she was now dealing with some powerful people, and she was at their mercy.

Which she did not like one bit. It would be handy to put them in her debt.

“So, that’s your guy, right?” she asked. “Orso, or whatever?”

“Yes!” said Berenice.

“The guy whose box I stole?”

“Yes!” said Gregor.

“And…you want him to live?”

Yes!” said Gregor and Berenice at the same time.

Sancia stuck Gregor’s stiletto into her belt and tugged off both her gloves. “Pull up close to the corner of the building there,” she said.

“What are you going to do?” asked Gregor.

Grimacing, Sancia rubbed her temple with two fingers. This would be too much, she knew. “Something real dumb.” She sighed. “I sure hope this asshole is rich.”

“Up, up, up we go!” said the man. He hauled Orso up over the edge of the roof, adjusting the device on his belly as he did. Then he dragged Orso across the roof to the east side of the building, which overlooked the square.

The man dropped Orso and turned around. “Now, don’t get testy, poppy!” he said. He kicked Orso in the stomach again. Orso curled up, whimpering, and barely noticed as the man slipped the loop off of his head. “Can’t leave any evidence, dearie. You must be immaculate. Simply sparkling.” He walked around and kicked Orso again, rolling him toward the edge of the roof.

“This will be handy,” said the man, pocketing Orso’s page of accounts. “All your pilfered money, all for a key. Once everyone finds this, no one will suspect a thing.” He gave Orso another brutal kick, again pushing him toward the edge.

No, Orso thought. No! He tried to fight, to grab hold of the roof, to push back against his attacker, but the blows kept coming, landing on his shoulder, his fingers, his stomach. Orso watched through teary eyes as the edge of the roof came closer and closer.

“A bitter, old screw,” said the attacker with savage relish. “Deep in debt.” Another kick. “In over his head.” Another kick. “A dumb bastard who has thoroughly shat where he ate.” He paused to position the final blow. “Who’d be surprised to think you’d go and kill yourse—”

Then someone small and dressed in black came sprinting down the edge of the rooftop and tackled the man, knocking him to the ground.

Gasping, Orso looked up and watched as the two people in black wrestled. He had no idea who this new arrival was — it appeared to be a small, bloody, and somewhat dirty-looking young woman — but she tore into the man with savage intensity, slashing at him with a stiletto.

Yet the man was far more skilled in combat. He rebounded quickly, dodging her attacks and managing to land a fierce blow on her chin, knocking her to the side. She coughed and cried, “Dandolo! Are you scrumming coming or not?

Orso’s attacker dove at the woman hard enough that the two rolled over and over again, tumbling right toward…

Orso watched as they rolled close. “Oh no,” he whispered.

The two combatants knocked him toward the edge. He felt numb and slow and stupid as his body tipped over. He reached out frantically, scrabbling for a handhold, and then his fingers finally found purchase on the edge…

Orso let out a rather undignified shriek as he dangled from the edge of the roof. The man and the young woman were just above him, almost on top of his fingers, wrestling and clawing at each other. Orso’s attacker finally overpowered the young woman and climbed on top, fingers around her throat, clearly intending to choke her to death, or throw her off the roof, or both.

“Stupid little whore,” the man whispered. He leaned down on her throat. “Just a bit more, just a bit more…”

The young woman, gagging, clawed at the device on his stomach, twisting and turning it.

Then something on the device slid into place.

The man froze, horrified, let her go, and looked down.

And then he simply…erupted.

Orso nearly let go of the roof in shock as the blood rained down on him in a hot wave. It stung his eyes and spattered into his mouth, a coppery, saline taste. If he had not been terrified, he would have been unspeakably disgusted.

“Ah, shit,” said the young woman, sputtering and coughing. She tossed away some remnant of the dead man — something akin to two plates held together with cloth. “Not again!”

“H-help?” stammered Orso. “Help. Help!

“Hold on, hold on!” she said. The young woman rolled over, wiped her hands on the roof — her clothing was not an option, as it was just as bloody as her palms — and grabbed his wrists. With surprising strength, she hauled him up and dumped him onto the roof.

Orso lay on the roof, gasping in pain and horror and confusion and staring up at the night sky. “What…What…What was…”

The young woman sat next to him, heaving with exhaustion. She looked terribly ill. “Captain Dandolo’s on his way up. Idiot is probably still looking for the stairs. You’re Orso, right?”

He looked at her, still shocked. “What…Who…”

She nodded at him, panting. “I’m Sancia.” Her face went slack, and she suddenly vomited onto the side of the roof. She coughed and wiped her mouth. “I’m the one who stole your shit.”

Sancia turned her head and vomited again. It felt like her brain was burning up. She’d pushed herself much too far tonight, and her body was breaking down.

She lugged the man to his feet and limped with him across the roof. He was shaking, blood-spattered, and he kept coughing and gagging after what the cord did to his throat — but he still looked better than she felt. Her skull was fire and her bones were lead. If she managed to stay conscious, she’d count herself lucky.

She felt herself getting weaker as they hobbled over the peaks. The door to the south tower opened, and light spilled across the red-tile rooftop. The blade of light was a golden, buttery smear in the dark, and no matter how hard she blinked, she couldn’t focus on it.

She realized her vision was blurred, like a drunk’s. The man — Orso — seemed to be saying something to her, but she couldn’t understand it.

This startled her. She knew she was doing bad, but not that bad.

“I’m sorry,” she mumbled. “My head…It…My head really…”

She felt herself listing to the side, and knew that she needed to get the man away from one of the peaks — because she was about to collapse.

She got him to a decently flat part, then let go of him and knelt to the ground. She knew she didn’t have long.

She fumbled for Clef, slipped him out of her sleeve, and stuffed him deep into her boot.

Maybe they wouldn’t think to look there. Maybe.

Then she leaned forward until her forehead touched the roof. Things went dark.

14

“…Say we just haul her out and dump her somewhere. She might have done us all a favor and up and died.”

“She’s not dead. And she saved your life.”

“So what! She also robbed me and burned down your damned waterfront! God, I’d never have imagined the fabled lone survivor of Dantua could be so soft.

“She is the only person who could possibly know who’s behind all this. I doubt if you know much, Orso. From the looks of things, you’ve just been up here panicking.”

“I don’t need this shit. She’s a blood-spattered, grimy girl in my office! I could have the house guard come in and arrest her if I wanted!”

“If that happened, then they would ask me questions. And I would be obliged to answer them, Hypatus.”

“Oh, son of a bitch…”

Sancia felt consciousness flickering somewhere in the hollows of her head. She was lying on something soft, with a pillow under her head. People were talking around her, but she couldn’t make sense of it. The fight on the rooftop was a handful of broken moments scattered through her mind. She picked through each one, trying to fit them together.

There was a man on the roof of a campo building, she thought. About to be killed…

Then she heard them: thousands and thousands and thousands of hushed, chattering voices.

Scrivings. More scrivings than I’ve ever been around. Where the hell am I?

She cracked an eye and saw a ceiling above her. It was an odd thing to think, but it was undoubtedly the most ornate ceiling she’d ever seen in her life, made of tiny green tiles and golden plaster.

She glimpsed movement nearby and shut her eye all the way again. Then she felt a cold rag being pressed against her head. She felt the rag speak to her, the cool swirl of water, the twist of so many fibers…It pained her greatly in her weakened state, but she managed not to flinch.

“She’s got scars,” said a voice nearby — a girl’s. Berenice’s? “Lots of them.”

“She’s a thief,” said a raspy man’s voice. She’d heard it on the rooftop, she remembered — that must be Orso. “Probably a hazard of the damned job.”

“No, sir. This looks more like surgery. On her skull.”

There was a silence.

“She climbed the side of this building like a monkey in the canopies,” said Gregor’s voice quietly. “I’ve never seen anything like it. And she says she can hear scrivings.”

“She said she what?” said Orso. “What rot! That’s like saying you can taste a goddamn sonata! The girl must be a raving loon.”

“Maybe. But she knew where those men in the gravity rigs were. And there was something she did, with one of the rigs…I doubt if even you’ve ever seen anything like it. She made it—”

Sancia realized she needed to stop this line of discussion. Gregor was about to describe Clef’s trick with the gravity plates; and Orso, apparently, was the man who’d owned or at least tried to own Clef, so he might be able to identify what he could do — which meant he might hear Gregor’s story and realize Sancia was still walking around with him.

She sucked in a breath, coughed, and started to sit up.

“She wakes,” said Orso’s voice sourly. “Oh goody.”

Sancia looked around. She was lying on a sofa in a large and dazzlingly sumptuous office: rosy scrived lights flickered along the walls, a huge wooden desk stretched along one half of the room, and every inch of the walls was covered in shelves and books.

Sitting behind the desk was the man she’d saved — Orso — still stained with blood, though his throat was black and blue under the dried gore. He was glaring at her over a glass of bubble rum — an outrageously expensive liquor she’d stolen and sold before, but never tried. The gravity plates from the man who’d exploded on the roof sat on the desk before him, crusted with blood. Gregor Dandolo stood next to him, arms crossed, one forearm wrapped in bandages. And beside her, on the sofa, sat the girl, Berenice, who watched everything with a calm look of detached bemusement, as if this were all a birthday party entertainment gone thoroughly awry.

“Where the hell am I?” asked Sancia.

“You’re in the Dandolo campo inner enclaves,” said Gregor. “In the Hypatus Building. It’s a sort of research buildi—”

“I know what the goddamn hypatus does,” said Sancia. “I’m not an idiot.”

“Mm, no,” said Orso. “Stealing my box was very much an idiot thing to do. That was you, yes? Can we cop to that?”

“I stole a box,” said Sancia. “In a safe. I’m only just now figuring out who you are.”

Orso scoffed. “You’re either ignorant or a liar. So. It’s Sancia, is it?”

“Yeah.”

“Never heard of you. Are you a canal operator?” asked Orso. “What house do you work for?”

“None.”

“An independent, eh?” He poured another glass of bubble rum and tossed it back quickly. “I never did much canal work on other houses, but I understood the independents didn’t last long. About as reusable as a wooden knife. So. You must be good, if you’re still breathing. Who was it? Who hired you to steal from me?”

“She said she doesn’t know,” said Gregor.

“Can’t she speak for herself?” said Orso.

Gregor glanced at Orso, then Sancia. “Let’s find out. Sancia — do you know what was in the box?”

At that, Orso froze. He glanced at Berenice, then stared resolutely at the floor.

“Go on,” said Gregor.

“I already told you,” said Sancia. “My client said not to open the box.”

“That is not an answer,” said Gregor.

“It’s what they said.”

“I don’t doubt that.” He turned back to Orso. “I doubt if you find that odd either, Hypatus. Because these criminals knew, just as you did, that its contents were Occidental — weren’t they?”

Even though he was covered in blood, Sancia could see Orso going pale. “What…What do you mean, Captain?” he asked.

“I will dispense with all pretenses,” said Gregor, sighing. “I’ve neither the time nor the energy for them.” He sat in a chair opposite Orso. “You broke my mother’s ban on the purchase of Occidental items. You tried to buy something valuable. This item was stored at my waterfront, for it could not be stored at the Dandolo campo. While it was there, young Sancia here was hired to steal it. Her partner, Sark, dutifully passed it along to their client — and was murdered for his troubles. And since then, this person has tried to kill anyone who’s had the remotest of interactions with that item — Sancia, you, Berenice, and me. And I suspect that such efforts will not end tonight — because the item must be incredibly important. As Occidental tools generally are. After all, they say Crasedes built his own god out of metals and stones — and a tool that could do that would be beyond value. Yes?”

Orso started rocking back and forth.

“What was in the box, Orso?” asked Gregor. “You need to tell me. It appears our lives depend on it.”

Orso rubbed his mouth, then suddenly turned to Sancia and spat, “Where is it now? What did you do with it, damn you?”

“No,” said Gregor. “First tell me what could be so valuable that it drove someone to try to kill us all tonight.”

Orso grumbled for a moment. Then he said, “It was…It was a key.”

Sancia did her utmost not to emote, but her heart was suddenly thrumming. Or maybe she should emote, she thought. She tried her best to look confused.

Gregor raised an eyebrow. “A key?”

“Yes. A key. Just a key. A golden key.”

“And did this key do anything?” asked Gregor.

“No one knew for certain. Grave robbers tend to lack the proper testing experience, you see. They found it in some giant, musty, collapsed fortress in Vialto. It was one of several Occidental tools they and the pirates and all the rest discovered.”

“You’d already tried to purchase one such tool, hadn’t you?” asked Gregor.

“Yes,” said Orso through gritted teeth. “I assume your mother told you about that. It was something like a lexicon. A big, ancient box. We paid dearly for it, and it vanished between Vialto and here.”

“How dear is dearly?” asked Gregor.

“A lot.”

Gregor rolled his eyes and looked at Berenice.

“Sixty thousand duvots,” said Berenice quietly.

Sancia coughed. “Holy shit.”

“Yes,” said Orso. “Hence Ofelia Dandolo’s frustration. But the key…It was worth trying again. There are all kinds of stories about the hierophants using scrived tools to navigate the barriers of reality — barriers we ourselves barely understand!”

“So you just wanted to make more powerful tools,” said Gregor.

“No,” said Orso. “Not just. Listen — when we inscribe an item with sigillums, we alter its reality, as anyone knows. But if you wipe the sigillums away or move beyond a lexicon, then those alterations vanish. The Occidentals not only developed tools that didn’t need lexicons — when the Occidentals altered reality, it was permanent.”

“Permanent?” said Sancia.

“Yes. So, say you have a scrived hierophantic tool that, oh, can make a stream burble up from the ground. Sure, you’d need sigillums to make the tool — but if you use the tool on the ground, then that water is there forever. It will have edited reality in a direct, instantaneous, and everlasting fashion. Supposedly the wand of Crasedes could unthread reality and tie it all back together again, if the stories are to be believed.”

“Whoa,” said Sancia quietly.

“Whoa is right,” said Orso.

“How is that possible?” asked Gregor.

“That’s one of the giant goddamn mysteries I was trying to solve!” said Orso. “There are some theories. A few hierophantic texts call the basic sigils we use the lingai terrora—the language of the earth, of creation. But the Occidental sigils were the lingai divina—the language of God.”

“Meaning?” said Sancia.

“Meaning our sigils are the language of reality, of trees and grass and, hell, I don’t know, fish. But Occidental sigils are the language God used to fashion that reality. So — use God’s coded commands, and reality is your plaything. Still, just a theory. The key would have helped me figure out how true all that was.”

said Sancia. But Clef remained silent, stuffed down the side of her boot. She wondered if his efforts had broken him, just as her own had almost broken her tonight.

“But the key was stolen as well…” said Gregor.

“Well, originally I thought the damned thing had gotten burned to bits in the waterfront fire.” He scowled at Sancia. “But the fire was you as well?”

Sancia shrugged. “Shit got out of hand.”

“I’ll say,” said Orso. “But what happened next? What did you do with it?”

Sancia then reiterated the story she’d told Gregor — bringing it to the fishery, Sark’s death, the fight, the escape.

“So you gave it over,” said Orso.

“I did,” she said.

“And your Sark said he suspected founder lineage behind this.”

“It’s what he said.”

Orso looked at Gregor.

I might be founder lineage,” said Gregor, “but I think we can count me out, yes?”

“That’s not what I was looking at you for, idiot!” snapped Orso. “Do you believe her or not?”

Gregor thought about it. “No,” he said. “I don’t. Not entirely. I think there’s something she’s not telling us.”

Shit, thought Sancia.

“Have you searched her?” said Orso.

Sancia’s heart leapt in her chest. Shit!

“I’ve not had the time,” said Gregor. “Nor am I, ah, willing to submit a woman to my touch without her conse—”

Orso rolled his eyes. “Oh, for the love of God…Berenice! Would you please search Miss Sancia here for us?”

Berenice hesitated. “Uh. Really, sir?”

“You’ve already been shot at,” said Orso, “so you know this won’t be the worst thing to have happened to you tonight. Just wash your hands well afterwards.” He nodded at Sancia. “Go on. Stand up.”

Sighing, Sancia stood and raised her arms above her head. Berenice quickly patted her down. She was about a head taller than Sancia, so she had to stoop to do it. She paused at Sancia’s hips, and pulled out the last remaining stun bomb, a handful of old lockpicks, and nothing else.

Sancia tried to suppress the relief in her face. Thank God she didn’t make me take my scrumming boots off.

“That’s it,” said Berenice as she stood. The girl turned away quickly, but oddly enough, she was blushing.

Gregor looked at Sancia hard. “Really,” he said.

“Really,” said Sancia with as much defiance as she could muster.

“Terrific,” said Orso. “So we have a thief with a dull story, and no treasure. Is there anything else? Anything else?”

Sancia thought rapidly. She knew there was quite a lot more. The problem was what to keep, and what to give up.

Her current problem was that despite saving Orso’s life, her own still offered no value to these men. One bore the authorities assigned to him by the city, the other carried with him all the privileges of the merchant houses — and she was just a Commons thief who, as far as they were aware, no longer possessed the treasure everyone was seeking. Either one of them could have her killed, if they wished.

But she knew things they didn’t. And that was worth something.

“There’s more,” she said.

“Is there?” asked Gregor. “You omitted something from what you told me?”

“Yeah,” she said. “I didn’t tell you the part about how my client is the one who shut down all the scrivings in the Commons.”

The room fell silent. Everyone stared at her.

What?” sputtered Orso. “What do you mean?”

“Your client?” said Gregor.

“Yeah,” said Sancia.

“One man did all that?” asked Gregor.

“Yeah,” said Sancia.

Yeah?” said Orso, exasperated. “You can’t say something like that and then just keep saying yeah!”

“Yes. Please explain yourself,” said Gregor.

She told them about the escape, how she’d fled the fisheries and hidden in the Greens — omitting, of course, the bit about how Clef had helped her — and then she told them about the campo man, and his odd golden pocket watch.

Orso raised his hands, shaking his head. “Stop. Stop! This is insane. You’re telling me your client used one device, just one, and it somehow dampened or negated all the scrivings in the Greens, and Foundryside, and half a dozen other places to boot?”

“Basically,” said Sancia.

“One button, and all the commands and all the bindings and all the etchings just stopped?”

“Basically.”

He laughed. “It’s madness. It’s idiotic! It’s…”

“It’s like the Battle of Armiedes,” said Berenice suddenly.

“Eh?” said Orso. “What? What’s that?”

She cleared her throat. “The Battle of Armiedes, from the Occidental Empire. Long, long ago. There was a giant fleet of scrived ships, threatening to overthrow the empire. The hierophants met the fleet with but one boat — but that boat had a weapon on it, and when this weapon was used, all the ships…”

“Simply sank to the bottom,” said Orso slowly. “That’s right. I remember now. When did you learn about that, Berenice?”

“When you made me read those eighteen tomes of hierophantic history while we were negotiating with our people in Vialto.”

“Ah. Now that I think about it, it seems a bit cruel that I made you do that, Berenice.”

“That is because it was, sir.” She turned, looked at a bookcase behind her, and found one huge tome. She hauled it out, flipped it open, and scanned the lines. “Here’s the passage. ‘…but by focusing the influences of the imperiat, the hierophants were able to wrest control of all the sigillums of their foes, and discard them as if they were chaff among the wheat. And so the king of Cambysius and all his men sank to the bottom of the bay, and drowned, and were never heard from again.’ ” She looked around at them. “That description always puzzled me…but if they were describing an actual tool, it might make sense.”

Orso cocked his head and half closed his eyes. “By focusing the influences of the imperiat…Hm.”

“So it doesn’t say if it looked like a big, weird pocket watch?” asked Sancia. “Because what I saw looked like a big, weird pocket watch.”

“It doesn’t,” said Berenice. “But if the key survived, then I suppose other tools could have as well.”

“How does knowing this help us?” asked Gregor.

“It doesn’t,” said Sancia. “But I saw him. I saw his face. And he’s got to be the man running the whole crew, from the men who ambushed me at the fishery to the ones who tried to kill us just tonight. If this gold pocket watch — this imperiat, if that’s the word for it — if it’s anything like the key, he probably spent fortunes getting it. You don’t hand that off to your lieutenant. You keep it in your own damn pocket. So that must have been him.”

“What did he look like, Sancia?” asked Gregor.

“Like campo sort,” said Sancia. “Clean. Clean skin. Clean clothes. Proper clothes. Like you, I guess,” she said, pointing at Berenice. “Not like you,” she said to Orso.

“Hey,” said Orso, offended.

“What else?” said Gregor.

“Tall,” she said. “Curly hair. Stooped posture. An indoor man for indoor work. Measly beard. But he didn’t have a loggotipo, or crest, or anything so simple.”

“That is a vague description,” said Gregor. “I suspect you will now say that if you saw him, you’d recognize him. Which would be useful for you — since we’d then need to look after you.”

“If I had more, I’d tell you more,” said Sancia.

“But it could be anyone!” said Orso. “Any house! Morsini, Michiel, Candiano — or even our own, I suppose! And we’ve no way of winnowing down our options!”

“The gravity rig doesn’t tell you anything, Orso?” asked Gregor.

“No,” said Orso. “Because that thing is some unprecedented, groundbreaking work! It’s some truly genius shit, of a kind I’ve never seen before. Whoever’s made this rig has been keeping their talent a dead secret, it seems.”

At that, Berenice cleared her throat. “There is another unanswered question, sir. Whoever this man is — how did he find out about the Occidental lexicon? About the key? About Captain Dandolo going to capture Sancia, and my following them? How did he know all that?”

“That’s, like, six unanswered questions!” said Orso. “And the answer is simple! There’s a leak, or a mole, or a spy somewhere here on the campo!”

Berenice shook her head. “We only talked about the key to each other, sir. And there was no one around when you told me to follow Captain Dandolo, just today. But there is a commonality, sir.”

“There is?” said Gregor.

“There is. They all took place in the same location — your workshop.”

“So?” said Orso.

Berenice sighed. She then reached into a desk, produced a large sheaf of paper, dipped a pen in some ink, and then drew at least twenty elaborate, complicated, beautiful symbols onto the paper, dazzlingly, dazzlingly fast. It was like a party trick, effortlessly creating these gorgeous designs in the blink of an eye.

Berenice showed the piece of paper to Orso. They had no meaning to Sancia — but he gasped at the sight of it. “No!” he said.

“I think so, sir,” she said.

He turned and stared at his workshop door, his jaw slack. “It couldn’t be…”

“What just happened?” asked Gregor. “What is that you drew there, Berenice?”

“An old scriving problem,” said Berenice. “An incomplete design, created to make students wonder — how do you make a rig that captures sounds of the air?”

“Someone’s solved it,” said Orso faintly. “It’s a rig. A rig! It’s all just a rig, isn’t it?”

“I suspect so, sir,” said Berenice. “A device, a secret one, planted in your workshop that somehow reports our conversations.”

For once, Gregor and Sancia seemed to be on the same side — both of them glanced at each other, bewildered.

“You think a rig is spying on you?” said Sancia.

“Isn’t that impossible?” said Gregor. “I thought scriving mostly moved things around or made them light or heavy.”

“That’s true,” said Berenice. “Scriving is good at big, simple processes, huge exchanges done on a grand scale. It makes things get fast, get hot, get cold. But little things, delicate things, complicated things…those are trickier.”

“Trickier,” said Orso. “But not impossible. A sound rig — one that makes or captures noise — is a favorite theory problem for scrivers to toy with. But no one’s ever actually done it.”

“But if these people have scrived gravity,” said Berenice, looking at the plates on Orso’s desk, “who knows what other barriers they’ve broken?”

“Assuming they could make such a rig — how could they get it in there?” asked Gregor.

“They can fly, asshole,” said Sancia. “And this place has windows.”

“Oh,” said Gregor. “Right.”

“Still,” said Berenice. “This is all just a theory I have. I could be totally wrong.”

“But if my client did put that thing in there,” said Sancia, “now we just go in and get it — right? And then, I don’t know, smash it or something, yeah?”

“Think,” said Orso. “If the rig were obvious, we’d have already spotted the damn thing!”

“We’ve no idea how such a rig would even look,” said Berenice. “It could look like anything. A plate. A pencil. A coin. Or it could be hidden in the walls, or floor, or ceiling.”

“And if we go digging around for it, and they hear us,” said Orso, “then we’ll have given the game away.”

Gregor looked at Sancia. “But Sancia — you can hear scrivings, can’t you?”

The room went quiet.

“Uh,” said Sancia. “Y-yeah.” Of course, it’d been Clef who’d heard the gravity rigs converging on them before. Sancia had just told him a half truth. It was getting hard to keep up with all her lies.

“So you can just go in to the workshop and listen for it, yes?” said Gregor.

“Yes, can’t you?” said Orso, sitting forward. He was looking at her a little too intensely.

“I can try,” said Sancia. “But there’s a lot of noise around here…” This was true. The campo was echoing with whispered commands, muttered scripts, quiet chanting. Every once in a while they would spike, growing loud as some vast, invisible infrastructure performed some task, and her brain could hardly bear it.

“Is there?” demanded Orso. “And how can you hear this noise? How does this process work?”

“It just does. You want my help or not?”

“That depends on whether you can actually give it.”

Sancia didn’t move.

“What’s the problem here?” asked Orso. “You go look, you find, that’s it, right?”

Sancia looked around at them. “If I do this…I’m not going to do it for free.”

“Ohh, fine,” said Orso dismissively. “You want money? I’m sure we can work out some kind of arrangement. Especially because I’m convinced you’ll fail.”

“No,” said Gregor. “Orso can promise you money all he likes. But he is not the person you are bargaining with. That would be me.” He held up the key to her bond.

“Son of a bitch,” snapped Sancia. “I’m not your hostage! I’m not doing this for nothing!”

“You would be doing it because you owe it to me. And for the good of the city.”

“It’s not my damned city! It’s yours! I just live here, or try to! But you people are making it goddamn hard!”

He looked surprised by her ferocity. He considered it. “Find the rig, if you can,” he said. “Then we’ll talk. I am not unreasonable when it comes to these things.”

“Could have scrumming fooled me,” said Sancia. She stood, opened the door to the workshop, and walked inside.

“Hey,” Orso called after her. “Hey—don’t touch anything in there, all right?

Walking into Orso Ignacio’s workshop would have been startling to anyone. The amount of stuff — the sheer, ungodly avalanche of so many things—was awe-inspiring.

The workshop was a large, long room, containing six long tables piled up with bowls of cooled metals, as well as styli, wooden buttons, and dozens and dozens of machines, devices, contraptions — or parts of them. Some of the rigs were moving, twirling ever so slowly or arrhythmically clunking away. Where the walls weren’t covered with bookcases, they were covered with papers, drawings, engravings, sigil strings, and maps. The oddest device sat in the back, some kind of giant metal can full of discs covered in scrivings. It sat on rails that would slide it back into what appeared to be some kind of oven set in the wall, like the one they made pies in at the Greens. She supposed it was a test lexicon — a tiny version of the real thing. She’d heard of them from the Scrappers, but she’d certainly never seen one before.

It was a lot to see. But to Sancia, it was deafening.

The room echoed and swarmed with quiet chanting, all these scrived devices muttering like a rookery of uneasy crows. Sancia’s mind was still weak after saving Orso, so it was like rubbing sand on a sunburn.

One thing’s for sure, she thought. These people are doing a hell of a lot more than the Scrappers ever were.

She started stalking through the room, listening carefully. She walked past the innards of some component, dissected and laid out on a piece of linen; then a set of bizarre, scrived tools, which all seemed to be vibrating softly; then rows and rows of blank black boxes that were curiously veiled in shadow, as if they sucked up light itself.

If something in here is a traitor, she thought, I don’t know how I’m going to identify it. She wished Clef were awake. He’d sniff it out right away.

Then she glimpsed something on the wall, and stopped.

Hanging on the wall between two bookcases was a large charcoal sketch of Clef. It wasn’t perfect — the tooth was all wrong — but the head, with its odd butterfly-shaped hole, was perfect.

Sancia walked closer to it, and saw there was a handwritten note scrawled at the bottom:

What could it open? For what grand lock was this designed??

This guy has been thinking about Clef for a lot longer than I have, she thought. Maybe he knows more than he’s letting on — just as I do.

Then she saw there was a smudge at the bottom of the sketch, at the bottom, where the paper was crinkled. Someone must have pinched the paper there repeatedly.

She reached out, grabbed the paper, and lifted it — and saw there was something behind the sketch of Clef.

It was a large engraving. And the sight disturbed her.

The engraving depicted a group of men standing in a hall. They looked like monks, wearing plain robes, though each robe bore a curious insignia — perhaps the outline of a butterfly, she couldn’t quite tell. She found she did not like the sight of the hall: it was a massive, ornate stone chamber, huge and blocky with angles in all the wrong places. It felt like light bent in the wrong ways in that room.

At the end of the hall was a box, like a giant casket or treasure chest. The group looked on as one man stood before the box, raised his hands, and seemed to open it by will alone. Emerging from this open box was…

Something. A person, perhaps. Perhaps a woman, or perhaps a statue, though there was something indistinct about the figure, like the artist had not been sure what they were depicting.

Sancia looked at the print at the bottom of the engraving. It read:

CRASEDES THE GREAT IN THE CHAMBER AT THE CENTER OF THE WORLD: The hierophants are recorded as believing the world is a machine, wrought by God, and somewhere at its heart it is a chamber which was once His seat. Crasedes, finding the seat of God vacant, attempted to install a god of his own making in the chamber to oversee the world. This engraving, like so many sources, suggests he was successful. But if he was, it does not explain why his grand empire fell to ash and ruin.

She shivered, looking at the engraving. She remembered what Claudia and Giovanni had said the hierophants could do. Then she remembered what Clef did to the gravity rig — the vision of the man in the desert, turning out the stars.

She imagined what a man like Orso Ignacio could do with Clef, and shivered again.

Then she heard it — a chattering, a murmuring. But this one was louder than the others.

That’s…unusual.

She shut her eyes, listening to it, and walked to the back of the room. The sound was much louder here.

Just like the gravity plates, she thought. So maybe…it’s either really powerful, or made by the same person?

She realized the noise was coming from a desk at the back, some kind of drafting table where Orso scrawled out strings of sigils. She tilted her head to it, listening to the pencils, the inkpots, the blocks of stone, and then…

A small, golden statue of a bird sat on the corner of the desk. Sweating, Sancia picked it up and held it up to her ear. The sound of it was almost deafening to her.

If it’s anything in this room, she thought, it’s this. She set it back down, feeling quite pleased. She’d never used her talents like this before. As she walked back to the office, she wondered — ever so briefly — what else she could do.

Ten minutes later they all huddled around a table in Orso’s workshop, watching as he turned the golden statue over. There was a small, copper plate on the bottom with a large screw in the center. Orso glanced around at them, held a finger to his lips, picked up a screwdriver, and began to unscrew it. He gently, gently plucked the screw out, and then, with a tiny, flat tool, pried out the plate.

Orso’s mouth fell open in a silent gasp. Inside the statue was a device — but a device so tiny, so fragile, it was like it was made of spider webs and mouse bones.

He grabbed a light and a magnifying glass and peered carefully at it. His eyes shot wide, and he gestured to Berenice, who also took a look. She blinked, startled, and looked at Orso, who nodded, his face serious.

Finally the inspection was finished. Orso gingerly placed the device on the table, and they all crept back into the office.

Orso shut the door to his workshop — and then he erupted. “I’ve been a goddamn fool!” he shouted. “I’ve been a slack-jawed, crotch-pawing fool!

“So…it seems your suspicion was correct?” asked Gregor.

“Of course!” cried Orso. “God, we’re in a state. Who knows what they’ve heard? What have I said in front of that stupid little bird? And I never, never, never would have known!”

“You’re welcome,” said Sancia.

“That statue is an exact copy of one that once sat on my desk,” he continued, ignoring her. “I suppose they must have replaced it long ago with an altered version.”

“By flying up using those rigs,” said Gregor.

“Yes,” said Berenice, shaken. “And whoever made that thing is…good.”

“Damned good,” said Orso. “Amazingly good. That’s top-rate work, there! I feel sure if someone was that good in this city, we’d all know about it. Everyone would be lining up to lick his candle, I’ve no doubt!”

Gregor pulled a face. “Thank you for that elaboration.”

“Have you ever seen anything like it, Captain?” asked Orso. “You’re more well traveled than I am, and the houses have used a lot of experimental stuff during the wars. Have you seen any military faction using rigs like this?”

He shook his head. “No. And the only thing I’ve ever seen that was similar to the gravity rigs is a lorica — and those rigs far outclassed any lorica.”

“What’s a lorica?” asked Sancia.

“It’s a scrived suit of armor,” said Gregor. “But unlike the armor we have here in Tevanne, which is scrived to be both preternaturally light and preternaturally strong, a lorica also augments the movements of the person within it. It amplifies their gravity, in other words, making them faster and stronger than a normal person.”

“I thought scriving gravity was illegal,” said Sancia.

“It is,” said Gregor. “Which is why loricas are only used abroad in the wars, and in limited numbers, at that.” He rubbed his face. “Now. Can we focus on the consequential conclusions, please?”

“Yeah,” said Sancia. “What the hell do we do about this? Can’t you look at that thing and figure out…I don’t know, something?”

Berenice took a breath. “Well. What I believe we saw in there was an advanced version of twinning.”

“What, like the explosive I used at the waterfront? And that plate of yours?” asked Sancia.

“Exactly. But what’s been twinned is a tiny, tiny, tiny needle, in the center of the device. A delicate one that’s somehow terribly sensitive to noise.”

“How is a needle sensitive to noise?” asked Gregor.

“Because sound travels through the air,” said Berenice. “In waves.”

Sancia and Gregor stared at her.

“It does?” said Sancia.

“Like…the ocean?” said Gregor.

“We don’t have time to amend your dogshit educations!” said Orso. “Assume that yes, it does! The sound hits the needle, and it shakes it. The needle vibrates. But it’s twinned, so there’s another needle that vibrates with it — somewhere.”

“And that’s the tricky part,” said Berenice. “What then? This second needle vibrates, and then…”

“Oh, come on, Berenice,” said Orso. “It’s obvious! The second needle scratches its vibrations into a soft surface — tar, or rubber, or wax of some kind. Then that surface hardens…”

Her eyes grew wide. “Then you can run another needle through the surface, through all the scratches…and it’ll duplicate the noise.”

“Right. It’d be a shitty rendition, but it’d be enough to catch words.”

“Wait,” said Gregor, holding up a hand. “Are you really saying someone has come up with a scrived method of capturing sounds out of the air?”

“That’s crazy,” said Sancia. “So you could make the same sound or conversation over and over and over again?”

“You just used some magic-ear bullshit to find that damn thing!” said Orso angrily, pointing at the door. “And a flying man just tried to throw me off the roof! Our idea of ‘crazy’ is obviously in need of some updates!”

“But this is some delicate twinning,” said Berenice.

“How is that significant?” asked Gregor.

“Twinning is a proximal effect,” she said. “Usually the two twinned items don’t have to be too close, since the effects you want to twin often aren’t complicated. Like a detonator — it’s motion, friction, and heat. You can twin those effects over miles. But this…This is much more complicated.”

Orso stopped pacing. “So the second needle has to be very close!” he said. “You’re right, Berenice! The apparatus that writes down the sound, that engraves the vibrations in wax — it has to be somewhere near for it to accurately capture all the sounds!”

“Somewhere on the property, sir,” said Berenice. “Probably somewhere in this very building. That’s the only way to make it work properly.”

“You!” Orso pointed at Sancia. “Do the thing again and find it!”

Sancia froze. That was far, far beyond her talents. Hearing a powerful device in a single room was one thing — but combing an entire building to find a specific rig was quite another. She’d need Clef for that — if he ever spoke again.

To her relief, Gregor cleared his throat. “That will have to wait,” he said.

“What!” said Orso. “Why, damn it?”

Gregor nodded to the window. “Because the sun is rising. People will be coming here soon. And when they do, it would probably be best if they did not find a blood-spattered girl wandering the halls with a blood-spattered hypatus.”

Orso sighed. “Goddamn it. We’re running out of time.”

“What do you mean?” said Gregor.

“I have a Tevanni council meeting tomorrow about the Commons blackouts. Tons of merchant-house officers from all four houses will be there, along with me and Ofelia. I’ll be seen by loads of people.”

“So word’ll get out that you’re not dead,” said Sancia. “Which will tip off whoever sent these assassins.”

“And they’ll come for the captured sounds, to see what happened,” said Berenice.

“Right,” said Orso. “We’ve got to get to it before them.”

“We’ll return as soon as we can,” said Gregor. “But for now, we need a place to clean up.”

Orso thought about it. Then he turned to Berenice and said, “Check out a carriage again, and take them to my house. Get them bathed and cleaned up. They can spend the day there. But this is not a permanent fix. Even the inner enclaves aren’t safe.”

15

Berenice checked out a small passenger carriage and drove them north, grumbling a touch about “not being a damned house servant.” Sancia stared out the windows as they drove. She hadn’t really been paying attention before, but now she couldn’t stop staring at the inner Dandolo enclaves.

The strangest thing about them was that almost all of them glowed. The entire enclaves glowed a soft, warm, rosy color that seemed to emanate from the corners of the huge towers, or from the bases, perhaps — it was hard to tell. She suspected that scrived lights had been built into the facades, lights that had been designed to cast indirect luminescence so no beams of light shone into anyone’s windows at night.

There were other wonders, of course. There were floating lanterns, like the ones her client had used to search for her: they floated in flocks above the main fairways like schools of jellyfish. There were also many narrow canals, full of needle-shaped boats with reclining seats. She imagined residents hopping in a boat and being zipped off across the waters to their destination.

It was unreal. To imagine that people lived in muddy alleys mere miles from here, that she herself had lived in a squalid rookery that shared the same rain clouds as this place…She glanced at Berenice and Gregor. Berenice was totally indifferent to it all. Gregor, on the other hand, had a faint scowl on his face.

Finally they came to a tall, gated mansion, the sort of place for a prestigious campo official. It was impossible to imagine Orso Ignacio living here — yet the copper gates silently parted before them.

“The hypatus bound them to respond to my blood,” said Berenice. She didn’t sound too happy about it. “Along with his own, of course. It’s a favorite trick of his. He rarely comes here.”

“Why wouldn’t he come to the goddamn mansion he owns?” asked Sancia.

“He gets the house as a condition of his position — he didn’t go out and buy the place. I don’t think he actually cares about it at all.”

This became apparent when they walked inside: the carpets, tables, and lanterns all bore a faint coating of dust. “Where does he sleep?” asked Sancia.

“In his office,” said Berenice, “I think. I’ve never actually seen him sleep.” She gestured to the stairs. “The bedrooms are upstairs on the fourth floor, as are the bathing facilities. I suggest you both use them if you’re going to be on the campo, in case someone spots you — it would be wise if you looked the part.” She looked at them and wrinkled her nose. “And you don’t, right now.”

Gregor thanked her and Berenice departed. Sancia wandered upstairs to the third floor, where she found an immense set of windowed doors that opened onto the balcony. She opened them, stepped out, and looked.

The Dandolo inner enclaves curled out before her, bright and creamy and pink as a rose. There was a park across the cobblestone fairway, with a hedge maze and bursting flowers. People were walking the paths together. It was a stupefying idea to Sancia — in the Commons, if you were outdoors at night, there was a decent chance you’d die.

“They went a bit overboard, didn’t they,” said Gregor’s voice behind her.

“Eh?” said Sancia.

He stood beside her. “With the lights. The Daulos call us the glow-men, in their language, because we tend to put lights on everything.”

“Something you picked up in the Enlightenment Wars?”

“Yes.” He turned to her, leaning up against the balcony. “Now. Our deal.”

“You want my client,” said Sancia.

“I want your client,” he said. “Very much so. If you can give him to me.”

“In what condition? You want his name, his head, or what?”

“No, no,” said Gregor. “No heads. These are the stakes of our deal — you not only help me find him, but also get the evidence I need to expose him. I don’t want his name, his money, his company, or his blood. I want ramifications. I want consequences.”

“You want justice,” she said, sighing.

“I want justice. Yes.”

“And why do you think I can help you get it?”

“Because you have evaded nearly every effort to kill you or seize you. And you stole from me. You are — and this is not a compliment, mind — a very accomplished sneak. And I suspect we will need someone with your talents if we are to succeed.”

“But this is a tall goddamn order!” said Sancia. “Sark said he thought our client was founder lineage, just like you, or someone close to it. That means me working in places like this.” She nodded at the city below. “In the enclaves. The places that are basically designed to make sure people like me die the second I step foot in them.”

“I’ll help you. And Orso will too.”

“Why would Orso help me?”

“To get back his key, of course,” said Gregor. “Along with any other Occidental treasures the man’s been hoarding. Our opponent has stolen two items from Orso, and seems to have acquired a third — this imperiat. No doubt there’s more.”

“No doubt.” She suppressed the flicker of anxiety in her belly. She wasn’t sure what seemed harder — delivering founderkin to Gregor, or returning a treasure she wasn’t supposed to have. “So I help you get this…this justice of yours, and then you let me go?”

“In essence.”

She shook her head. “Justice…God. Why are you doing all this? Why are you out here risking your life?”

“Is justice such an odd thing to desire?”

“Justice is a luxury.”

“No,” said Gregor. “It is not. It is a right. And it is a right that has long been denied.” He stared out at the city. “The chance for reform…for real, genuine reform for this city…I would shed every drop of blood in my body for such a thing. And then, of course, there is the fact that if we fail, then a vicious person will possess tools of near-divine power. Which I, personally, would find quite bad.” He took out the key to her bond and held it out. “You can do the honors yourself, I believe.”

“I thought Orso was crazy,” she said, unlocking the bond. “But you’re really crazy.”

“I’d thought you would be more amenable to the idea than others,” he said lightly.

“And why’s that?”

“For the same reason I think wearing that bond irked you so, Sancia,” he said. “And the same reason you conceal the scars on your back.”

She froze and slowly turned to stare at him. “What?” she said softly.

“I am a traveled man, Sancia,” he said. “I know the look of you. I have seen such things before. Though I hope I never will agai—”

She stepped forward, sticking her finger in his face. “No,” she said fiercely. “No.”

He drew back, startled.

“I am not having this conversation with you,” she said. “Not now. Maybe not ever.”

He blinked. “All right.”

She slowly lowered her finger. “You don’t know a goddamn thing about me,” she said. Then she walked back indoors.

She stalked upstairs, found a bedroom, and shut and locked the door. She stood there in the darkened room, breathing hard.

Then a voice spoke up in her mind:

she said.

She sat down in the middle of the floor, hauled her boot off, and held him in her bare hands. Then she pummeled him with questions.

He was silent for a long time. he said in a quiet voice.

She tried to catch him up as fast as she could.

he said.

Clef said nothing for a bit. A flock of floating lanterns trickled through the street below, casting pulsing pink light on the ceiling.

she asked.

he said, sighing.

vague. It gave me a lot to work with. Even though the device itself couldn’t stand the strain — because the more a rig pushes against its boundaries, the more it falls apart. And when I made it do that, I…I remembered something. And then I fell asleep, and dreamed.>

His voice took on a dreamy cadence.

Sancia’s skin crawled.

She didn’t know what to say to that.

he asked.

he said quietly.

There was a pause. And then…she felt it.

Or, rather, she heard it: it was a quiet, rhythmic tap-tap, tap, tap—a soft series of beats and pulses, echoing through her mind. She listened to it, reached out, grasped it, and then…

The beats unfolded, expanded, and enveloped her, filling her thoughts.

And then the memory took her.

Sand. Darkness. Quiet, anxious mutterings from somewhere nearby. She was lying on a stone surface, staring up into the darkness.

Midnight, she thought to herself. When the world grinds to a stop, and then restarts. She knew that — but she didn’t know how she knew it.

Then a flame, bright and hot, molten metal glowing in the shadows. She felt pain, fierce and terrible, piercing her, running her through, and she heard herself cry out — but it wasn’t her, she was someone else, she knew that — and then, suddenly, she felt herself fill this form, this function, this design.

She felt her mind flooding into the shaft, the teeth, the notches, the tip. She became the key, became this thing, this apparatus. Yet she now understood that she was to be much, much more than a key.

A compendium, a compilation. A device filled with so, so much knowledge of scrivings, of sigils, of the language and makeup of the world. A tool, bright and terrible. Just like a blade is meant to part wood or flesh, she was meant to part…

Sancia gasped and the memory released her. It was too much, too much. She was back in the bedroom, yet she was so stunned she nearly collapsed.

Clef asked.

She tried to catch her breath.

More silence. Then: He laughed sadly.

A pause.

She sat there for a moment, stunned.

Sancia swallowed. She’d imagined many horrors when it came to Clef — mostly that he might fall into the wrong hands, or she might lose him — but the idea of him dying had never occurred to her.

he said firmly. want you to use me, Sancia. I want to…to do things with you. To be alive with you, to help you. You’re the only person I can remember ever truly knowing. I’m not even sure if I want to be fixed, to be honest, even if someone could fix me — because then I’d go back to my original state. A device with no mind at all.>

She sat there, trying to process this.

She hesitated, then walked into the bathing room. It was all marble and metal with a huge porcelain tub, and it had mirrors — something she’d seen only rarely in her life. She looked around for a place to hide Clef in case someone walked in, and settled on a cabinet.

said Clef as she set him down.

Sancia shut the cabinet.

Alone in the bathing room, Sancia stripped down. Then she looked at herself in the mirrors.

Her arms and thighs and shoulders, strong and rippling and wiry. Her belly and breasts, covered in rashes and bites and filth.

She turned around, and saw her back. She took a sharp breath in.

She’d thought they’d have gone away by now, or shrunk, but they seemed just as huge as ever, the bright, shiny strips of scars that ran from her shoulders down to her buttocks. She stared at them, transfixed. It had been so long since she’d last seen them, for mirrors were rare in the Commons.

They’d told stories of slaves that had bravely borne countless whippings, stoically taking lash after lash. But the instant she’d been whipped, Sancia had realized it’d all been a lie. The second the lash had touched her, all her pride and fury and hope had been dashed away. It was surprising, how fragile your idea of yourself was.

Sancia stood in the tub, soaked a cloth in hot water, and scrubbed herself clean. As she did, she told herself she was not a slave anymore. She told herself she was free, and strong, that she’d been alone for years, and she’d be alone again one day, and she would, as always, survive. Because surviving was what Sancia did best. And as she scrubbed at her filthy, scarred skin, she tried to tell herself that the drops on her cheeks were just water from the spigots, and nothing more.

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