Acknowledgements

All novels, perhaps historical novels especially, are to some extent collaborative efforts. Dominion has benefited from the help of others more than most. First and foremost I must thank my wonderful editor and agent, Maria Rejt of Mantle/Macmillan, and Antony Topping of Greene & Heaton, and their excellent staff – especially Sophie Orme, Ali Blackburn and Susan Opie at Mantle and Chris Wellbelove at Greene & Heaton, who managed to track down a crucial 1999 Channel 4 documentary on the Great Smog of 1952.

My thanks to Maria and Antony are all the greater for their support when, following a long period of debilitating illness, which put the book behind schedule, I was diagnosed this year with bone-marrow cancer. Along with treatment, their faith in the book and in me has allowed it to be finished in time for October 2012 publication.

Becky Smith once again did an astonishingly speedy and accurate job of typing. Olivia Williams carried out some crucial research for me in London when I was not well enough to go there, and I am grateful for the excellent job she did.

Once again, I thank the group of friends who read the book in manuscript and commented on it comprehensively and perceptively as usual: Roz Brody, Mike Holmes, Jan King and William Shaw.

Lou Taylor, Professor of Dress and Textile History, and Dr Gillian Scott, both of the School of Humanities, University of Brighton, were very generous with their time in discussing aspects of social history and fashion during the period from the 1930s to the 1950s, which helped greatly in my construction of an alternate universe.

My warm thanks to Dr Françoise Hutton for discussing the type of medication Frank might have been on, and the modern history of mental hospitals.

Robert Edwards was very helpful in sharing his great knowledge of Sussex for the scenes set there. Martin Foster advised me, a complete ignoramus on the subject, on some basics of radio communication.

For the second book running, Rear-Admiral John Lippiett, Chief Executive of the Mary Rose Trust, helped me with naval matters, which are important at the end of the story, and I am grateful to him for taking time out from his work in completing the final stages of the new Mary Rose Museum, which will be opening in 2013. (I can reassure him that in my planned next novel, Matthew Shardlake will keep his feet firmly on dry land.) The Museum Appeal has done wonders in raising funds, but is still £400,000 short of its target. When finished, it will have on display the greatest store of Tudor artefacts anywhere in the world, in a magnificent setting. More information and pictures can be found at www.maryrose.org. Donations for the final stages of the project can be sent via the website or to The Mary Rose Trust, HM Naval Base, Portsmouth PO1 3LX.

Alan Purdie at the British Legion was very helpful in providing details which helped me construct the 1952 Remembrance Day Ceremony in Chapter One. It is a very different Remembrance Day in my alternate universe, but I hope I managed to retain something of the atmosphere of respect which the ceremony deserves.

Any errors of fact in the book are, of course, my own responsibility.

Thanks to my friend Robyn Young for discussions of history and the strategy of book-writing, and support when times were tough. Thanks also to Paul Tempest and Peter Allinson for lending me their house to work in while building works were taking place in mine. And last but not least, to Graham Brown of Fullertons for frequent bouts of photocopying and limitless supplies of stationery.

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