The Kit

The Kit was contained in a khaki tin box about the size of a briefcase. It was scratched and dented, but then we had been carrying it with us ever since we had landed in Normandy in June, and we had used it five times since then.

Corporal Little opened it up and together we inspected the contents. A large Bible, with a polished cover carved out of ash-wood and a silver crucifix mounted on the front. A large glass flask of holy oil, from St. Basil’s Romanian Orthodox church in New York. A pair of silver thumbscrews and a pair of silver toescrews. A silver compass, about five inches across, with a base that was filled with the dried petals of wild roses. A thirty-foot whip made of braided silver wire. A surgical saw. A small silver pot filled with black mustard seeds. Two small pots of paint, one white and one black.

I lifted out a roll of greasy chamois leather and unwrapped it. Inside were three iron nails, about nine inches long. They were black and corroded and each had been fashioned by hand. I had no proof that they were genuine, but if the price that the detachment had paid for them was anything to go by, they should have been. These were supposed to be the nails that had been pulled out of Christ’s wrists and ankles when he was taken down from the cross.

At the bottom of the tin box there was a circular mirror, made of highly polished silver, a large pair of dental forceps and a sculptor’s mallet. Hunting Screechers was always a combination of science, religion, common sense and magic, so you needed the apparatus that went with each. You also needed a willingness to believe that a human being can defy gravity.

“Running kind of low on garlic,” said Corporal Little, lifting up a bunch of papery-covered cloves. Frank came sniffing around, his pendulous jowls swaying. “See?” said Corporal Little. “Frank knows that we’re going out tonight, don’t you, boy?”

Frank gave one of those barks that can deafen you in one ear.

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