Joseph Sani woke up feeling as though he were eighteen again. Nothing hurt. He sat up in his bed and wondered if he had died and this was what happened afterward. But his body looked like the body of an old man, and his breath was still too short.
He got up gingerly, expecting at any moment to feel as he had sitting trapped and helpless in the car. Aging, he knew, was part of living—a part of living that he’d chosen over the arguments of his father and his wife. That didn’t make the frustration of being dependent easier, he’d found.
But on his feet, his body was still obeying him as it had not in years. Not only didn’t it hurt, but he picked up a heavy potted plant that was set on the ground near the window; he had most of his old strength back.
There’s something you need to do, Charles had said, or words almost like that.
Joseph wasn’t a particularly spiritual man. Not like Charles, his brother-by-choice, and mostly he’d been grateful for that. Men who saw the spirits had to listen to them—though Charles only listened to them when he wanted to.
But even a man who wasn’t spiritual could tell that something was up when the wear and tear of eighty-odd years of life were lifted from him: it must be time for him to do that something. Too bad he had no idea what that was.
Still, a man who was doing something ought to do it with clothes on. And an old cowboy who ought to do something would do it with his boots on. So he pulled out a pair of new jeans … and set them aside for a faded and broken-in pair. He took out a good shirt, though, that snapped up the front like any shirt that belonged to a cowboy ought to. Cowboying was hard on the hands. Any cowboy who handled ropes for very long soon had knuckles that didn’t like fussing with tiny little buttons.
After a moment’s thought, he didn’t put on a hat. This didn’t feel like something a hat would help with. He took a good look at himself in the mirror in his bathroom.
“You are old,” he told his reflection. But he didn’t feel that way. Not at all. He tightened his right hand in a fist.
He could still see the crooked finger that he’d broken when that four-year-old stallion decided to get the old Indian off his back. He hadn’t stayed off and hadn’t realized his finger was broken until twenty minutes later, when the adrenaline had worn off.
That finger had hurt for ten years, but it didn’t hurt now.
He turned away from the mirror and met the bright blue eyes of a little red-haired boy.
“The fae can look like anyone,” the boy said. “He’s coming.”
“Who are you?” Joseph asked—but the boy, who had been standing in the doorway of the bathroom, was gone.
“Chindi,” said Joseph—though the boy hadn’t felt evil. Maybe he’d been imagining things. But he still was careful to twist around so he didn’t go through the space where the boy had stood as he walked through the doorway back into his bedroom.
He decided to go downstairs and find Charles. Charles would know … the right questions to ask, maybe. He could at least expect that Charles would believe him.
He stopped as he passed his chest of drawers and opened up the small drawer on the upper left side. And there was the old knife Charles had given him after rescuing him from a bar fight. It was a very good knife, six inches of pattern-welded steel. How good, he hadn’t realized until four or five years later when someone had tried to buy it from him for four hundred dollars. That had been at least sixty years ago. He had no idea what it might be worth now. But it was an old friend. Until very recently, he’d carried it every day of his life since the day Charles had given it to a skinny Indian kid with a chip on his shoulder.
It took him a minute to find the sheath and belt. Dressed properly, he opened his bedroom door and started down the hall. Mackie and Maggie were playing Candy Land. He could tell because Maggie exclaimed, “I get to go to Gumdrop Mountain!” while Mackie cheered her on.
That Mackie did not care whether she won or lost was not a fault of the game. Joseph thought that twenty years from now, when it was Mackie and not Kage competing in the rarefied atmosphere of the best equestrians of their generation, Mackie would still cheer on her opponents.
For a moment Joseph was deeply saddened by the thought that he would never get to witness that. But his time here was nearly past, and he really did not regret it. So much had changed, and so much had not. He was ready to go on to—how did Peter Pan put it? An awfully big adventure.
“I wanted to stay with you, Grandma,” Mackie was saying. “But I’m worried about Michael. Nix is too tired to ride and Michael is very little. Who do you think he’s riding today?”
“I don’t know,” Maggie said. “Max knows the horses who will be good for Michael. One purple. Your turn.”
“Orange,” said Mackie. “Do you think Anna will buy Merrylegs? I like Merrylegs.”
Evidently Max had taken his brother, Charles, and Anna out riding, Joseph thought.
“I hope she buys Hephzibah,” said Maggie. Joseph, unseen, still in the hall above the stairs, grinned. Mackie might not care about winning or losing, but her grandmother certainly did. If Anna had been what she had at first appeared, a too-young, too-innocent weakling, Maggie would have pitied her. But she would have taken her under her wing, too, and tried to teach her how to deal with strong-minded men.
But Anna was, in her own way, as strong-minded as Maggie. The two of them would never have been able to be friends. Maggie would always view her as competition. That Anna had Mackie’s appreciation of competition, except where Charles was concerned, didn’t make Maggie like her any better.
“Hephzibah is pretty,” said Mackie in a doubtful voice. “But Daddy calls her Hellbitch. I don’t think Anna should buy a horse called Hellbitch, do you? It’s okay, though. Max will help Anna find the right horse. Two reds. It’s your turn.”
A car drove up outside. Joseph, who had taken a step forward, hesitated. He backed up a few feet and went into one of the guest bedrooms that overlooked the parking area. The car wasn’t one of theirs, and it wasn’t one he knew.
He knew the woman who got out of it, though. Why was the owner, she could call herself a principal if she wanted to, of Michael and Mackie’s day care showing up at their door?
The hair on the back of his neck stood up suddenly.
She’s here. The soundless whisper was hot in his ear.
He knew that the feds had the person they thought had hexed Chelsea and killed all those kids. He also knew that Charles hadn’t been convinced.
If he knew his father, and he did, Hosteen would have wolves watching the place. So why hadn’t they stopped her? A fae can look like anyone. Maybe he could look like a woman, like the principal of Mackie’s day care. Instinctive certainty gripped him, and Joseph had learned to pay attention to his instincts. The woman approaching the house was the fae who’d tried to kill his grandchildren.
Charles had told him that this fae had taken down a werewolf—Joseph remembered Archibald Vaughn. He’d been a big, mean, scary old wolf, and this fae had torn him apart. One old Indian wasn’t going to stop him very easily.
There was a phone in the bedroom. He picked up the receiver and dialed Charles’s cell phone. As soon as Charles picked up, he told him what was going on.
The doorbell rang as Charles said, “English. My Navajo was never that good and I’ve hardly spoken it for twenty years.”
Downstairs Maggie got up and went to the door. How well did the fae hear? Were they like his father?
“The fae,” said Joseph in an urgent whisper, “the fae can look like anyone. She’s here.” And then he had to hang up because the door opened.
If she was here for Mackie, she would want to take her away from the ranch. One of the things that living with werewolves had taught him was that just because someone was supernatural didn’t mean that cars didn’t make getaways faster.
He pulled off his boots and ran stocking-footed down the hall to the other end of the house. He slipped out the window, dropped onto the back porch roof, and slid off as far as he could before jumping to the ground, hoping that his rejuvenation would keep him from breaking his knees on the landing. When he was eighteen he’d have thought nothing of making such a drop.
He was almost surprised to land on his feet. He ran to the cars and pulled his knife. He sank the blade into one tire of every car in the lot. Maybe Hosteen’s people would see him. But usually Hosteen didn’t like guards that close to the house. They were probably out by the main road somewhere.
If he’d had a cell phone, he could call his father and alert him. He could have called him from the house instead of Charles. But Charles was closer … and Charles had a better chance of coming out on top. His father was tough, but Charles … was Charles.
It took him less than a minute to disable the cars and the pair of four-wheelers—buying time for Charles to return and save Mackie. The knife had a real sharp edge; Charles had taught him how to sharpen it.
No getaway car. What would the fae do?
Kill Maggie.
His heart clenched and his teeth bared in a silent growl. The fae didn’t need her, didn’t want her, and his Maggie wouldn’t let anyone take Mackie without a fight.
He faced the fact that the fate of the woman he had loved for over half a century was entirely out of his hands. All he could do was go into that house and die beside her.
He’d do that willingly, except for Mackie.
There was nothing he could do to affect Maggie’s fate. Live or die, she would do it without him. He swallowed hard. Maggie would be happy to die if it gave someone a chance to save Mackie.
So.
The fae would come out of the house with Mackie and discover that it could not use the cars to run. If it tried to walk out of here, Hosteen’s wolves would notice that. If they were still alive to notice anything.
The horses … maybe.
There was a truck in the back of the barn. They never left the trucks hitched up overnight, so it would be parked next to the trailer they’d brought Nix back in. Mackie would know that.
Probably the fae could get Mackie to talk.
Another fact, like Maggie’s fate, to absorb and not react to. He had to use his head if Mackie was to be saved.
Instead of running into the house as his heart wanted to do—oh, Maggie—Joseph ran toward the barn as fast as he could. Which was plenty fast. He couldn’t run like one of his beloved horses, or a werewolf, either, but he had run everywhere when he had been a young man.
He stabbed the tire of the truck and then ducked back inside the barn. There were a lot of empty stalls because the barn was where they kept the show horses. The breeding barn was a quarter of a mile down the road, along with the paddocks where the rest of the horses were kept.
He stared at Hephzibah, who stared back at him with wicked eyes. He caught her and saddled her. Then he put her back in her stall and hung her bridle next to the stall door. They did that sometimes with horses they were planning on taking out or showing to clients so that they could move from one horse to another quickly.
The rest of the horses in this part of the barn were yearlings and two-year-olds—none of them trained to ride. He was trying to figure out his next move when he heard Mackie’s screams.
Mackie liked most of the people at the day care. Miss Baird was her current favorite, but she liked Michael’s teacher, Ms. Newman, too. She was predictable and strong—like Ánáli Hastiin. When she said something, she followed up on it. She’d told Michael that. Michael didn’t like being away from his family at day care, but Ms. Newman made him feel safe so he didn’t get scared and make them get Mackie for him anymore. He was glad when Ms. Newman brought his class to the horse show so that everybody saw him ride.
Mackie wished that Miss Baird had come to see her ride.
Ms. Edison was scary. She would smile and say nice things, but Mackie didn’t think that her eyes were nice at all. Grown-ups liked her, though, so she seldom said anything about it—except to Max. Max listened to what Mackie said, and even if he disagreed, he didn’t make her feel stupid.
When she had told Max she didn’t like Ms. Edison, Max had said, “Listen to your instincts, pipsqueak. I trust them. She’s not your teacher, right? Okay. If she does something that makes you feel uncomfortable, you make a lot of noise. I mean, really scream. That one you have that makes Hosteen grab his ears. People should come running and when they do, you make them get Mom or your dad or me, right? You don’t shut up until you are happy with the situation.”
Max had given her a plan of attack. So when Grandma had fallen against the wall and Ms. Edison grabbed her arm, she did what Max said and screamed and screamed.
She screamed when Ms. Edison carried her out to the car, and kept screaming when the principal changed her mind and carried her down to the barn. Even when she knew that there was no one who could hear her. Max had said to scream—so she did.
She screamed right up until the thing wearing Ms. Edison’s face and body made her stop.
Charles gave Anna a wild look and hopped off Portabella, tossing his reins to Max.
“If I told you the fae was a woman,” he asked her, “who would you pick?”
“Ms. Newman,” she said. “Or Ms. Edison.”
“Mackie thinks Ms. Edison is bad,” said Michael. “She said I shouldn’t be alone with her.”
“Did she?” Charles breathed. “We should have talked to Mackie.” He changed then, in one of those instantaneous changes he could do when the need was great enough, and then he was off and running.
“What’s going on?” asked Max.
“Joseph called to tell us that the fae is here and she’s after Mackie,” Anna told him. “The man that they have in jail was a fetch, like the one who took Amethyst’s place.”
“She’s after Mackie?” Max said, and his horse settled back on his hind legs, ready to go.
Anna swung off her horse and took a good hold on Max’s gelding’s bridle. She kept an eye on him and one on Michael.
“Both of you stay right here. Mackie has your grandparents and Hosteen’s wolves, and Charles is on his way.”
“We’re miles away,” said Max.
“She’s going to get Mackie like she got Amethyst,” Michael said, sounding frantic. “We’ve got to stop her.”
“Charles is fast,” she assured them. “Max, do you have your phone?”
He nodded.
“You call Hosteen and you tell him that the fae is here. That its human shape is female. Probably one of the teachers”—she looked at Michael—“probably the principal from Mackie and Michael’s day care. Then you stay here and keep Michael away from that thing so we can minimize the damage it might do, okay? It’s not going to find you out here.”
Max took a deep breath and let it out. He hopped off his horse and took Michael’s reins. “All right.”
“I’m going to help Charles. I can’t change like Charles. No one changes like my husband. I’ll take Merrylegs and head back. You have the worse task, but it is the most important one. Stay here until someone calls you. Or until you talk to your dad or Hosteen and they say it’s safe.”
Max nodded soberly. Then he said, “Take Portabella, not Merry. Bella’s a lot faster. If you ride up the trail a hundred yards that way”—he pointed opposite the way Charles had run—“and take the left marked by a white flag, you’ll be on one of the maintenance roads. I’m not supposed to, but I run her on that road all the time. There are three gates across the road. You can dismount and open them; you can’t open those kinds of gates without dismounting. But she’ll jump them. I jump them with her all the time. You do much jumping?”
“No,” Anna said. She handed Merry over and took Portabella from Max. “A couple of times, but there were two-foot-high logs on the trail.” She shortened the left stirrup six holes and did a quick measure against her arm. It looked about right, so she rounded the horse to do the other side as she absorbed Max’s instructions.
“These are about four feet high and, fair warning, jumping in a western saddle sucks. Just make sure your butt is out of the saddle when she goes up. Keep it out until she’s all the way down. Keep your weight in the stirrups and your knees and not your butt. She won’t run out—just give her her head and don’t hit her in the mouth when she lands.”
“Got it,” Anna said, mounting up and gathering her reins. “Don’t hit her with my butt or my hands while she’s doing what she can to get over the fence.”
“That’s it,” said Max.
“Stay safe,” she told them.
“You, too,” he said.
She asked Portabella to go. The mare took three short strides as if to ask, Do I have to leave my friends?
When Anna asked her a second time, she ran.
She was turning at the white flag before Anna asked her, obviously used to the path. Four strides and the trail connected to a narrow road, groomed and flat, and the mare put her mind to getting down the road.
At first Anna tried to ride this new gait like Charles had taught her to do, sinking her rump into the saddle and taking the movement with her back so her hands stayed steady. But a particularly hard stride pushed her up over the horse’s shoulders, where the ride was smooth as glass. She balanced there on her feet and knees and thought, So that’s how jockeys can stay on a racehorse.
She didn’t even think about slowing for the gates. The first jump was a disaster, except that she didn’t fall off. Portabella pinned her ears and gave a half buck to complain about the way Anna had landed on her back. The second jump was better, even though the saddle horn hit her in the stomach. The third jump … was magic.
Charles ran flat-out for the house. He hit the front door and broke the door frame so the heavy old door swung free. He staggered a couple of steps and saw Maggie.
She was crumpled up against the wall, a small figure for such a big personality. It took no time at all to see that she was already gone.
Her knuckles were split; she’d hit her attacker at least once. He took one hard breath that hurt—but there was Joseph and Mackie to think about. He would mourn Maggie later, when her loved ones were straightened out.
He wasted a minute checking out the house and when he didn’t scent the fae anywhere except the living room, he followed Joseph’s trail out a window in the back of the house. When he encountered the disabled vehicles he thought, as he had once before, You’ll do to ride the river with, Joseph.
Following the scent trail the fae had left, Charles ran for the barn.
It was hard to hide in the shadows and listen to Mackie scream. Joseph bit his lip and hunkered down in the empty stall. The staff had been busy and this stall hadn’t been properly cleaned. He was pretty sure that if the fae did have a good nose, the scent of horse urine would disguise the scent of one old man.
He caught a glimpse of them as the woman hauled Mackie out of the barn to the truck. He’d flattened the tire on the far side so she had to go all the way out to see. He heard the door of the truck open, and suddenly Mackie wasn’t making any noise.
The little girl had been like that when Charles and Anna had found her, he knew. It was magic, not death, that had silenced his Mackie. He held that thought close to him. He … she … it. He could think of the fae as it. It didn’t want to hurt Mackie, yet—not until it could use her. Left to its preferences, it kept its victims for a year and a day, Charles had told him.
Shaking and sweating, tucked behind the door of the horse stall, Joseph prayed that magic was why Mackie had quit screaming. After a few minutes a new noise filled the air, a woman’s frustrated cry.
“Where are you?” She—she sounded like a she—roared the words out.
Yeah. Sure he was coming out, like he was still that dumb-shit kid in that bar in Phoenix. He’d learned a lot that day; some of it Charles had taught him. But most of it he’d learned from those World War II veterans who’d risked their lives for their country and came back to learn that their promises had to mean that they changed how they treated people who didn’t happen to look like them. They hadn’t learned that lesson until he’d taken them on and Charles had come to his rescue. His fists hadn’t taught them anything, but that soft-spoken, laconic Charles? His words, what few there had been, had flattened them and left them bleeding by the wayside. He’d bet that they never beat up on someone because they were a different color or different anything again.
Charles had had words for Joseph, too.
If you’re going to face someone bigger and stronger than you, kid, make damn sure you are better armed. He could hear Charles’s dry voice as though it were yesterday instead of seventy-odd years ago.
The only weapons he had were the knife in his hand and the brain in his head, and the knowledge that Charles would be coming as fast as he could. Between the knife and Charles, Joseph was well armed, as long as he picked his fight.
That woman came back into the barn with Mackie slung over her shoulder like a leg of beef. He tightened his hand on the knife but stayed still. She paused beside Hephzibah’s stall and growled, “Horses.” She didn’t sound happy, and she didn’t sound very female anymore, either.
He had a pretty good view of her as she dropped Mackie to the ground—his granddaughter’s staring eyes met his through the crack of daylight between the half-open stall door and the door frame.
The fae grabbed the bridle he’d left hanging on the hook and opened the door. “Come ’ere, nag,” the thing growled.
He’d worried a little about making Hephzibah a target—what if the fae had been one of those who could ride anything? Hephzibah was quick and strong. If that fae could ride her, they’d have had a fine time trying to run her down—since he’d effectively disabled all the motorized vehicles in the place, except for the lawn mowers.
But no one who could ride like that would ever use the word “nag” to describe Hephzibah, at least not until she’d made them kiss dirt a time or ten. Kage had no trouble calling her a nag.
Hephzibah walked out of the stall quietly, her ears up. That was what caught everyone the first time. She looked happy to have someone saddle her up. She was quiet and well mannered until she wasn’t.
The fae grabbed Mackie by a leg and got on the mare. He’d given it a fifty-fifty chance whether the fae would ride out the back of the stables or go through the big arena and out the front. Hephzibah stopped right in front of his hiding place. She lowered her head and snorted at him.
Anyone would know she was telling them that there was an old man hiding behind the door. But the fae jerked Hephzibah’s head up with the bit. The mare didn’t even flick her ears. Yep. This was not going to last long. He wished he had moved Nix over where he could get to him, but there had been too great a chance that it would be Nix the fae grabbed. And on Nix, she might actually have escaped.
Joseph would just have to make sure that he stayed with them. His chance to grab Mackie would come. He’d grab Mackie and run and hope that Charles had had enough time to make it down here.
Charles could be watching them right now, biding his time like Joseph was. He’d believe that. It gave him hope.
The fae rode Hephzibah on past Joseph’s stall and out toward the big arena that lay between them and the front door of the barn. Joseph counted to five after the sound of the mare’s hooves on the hard-packed sand of the aisle gave way to soft thumps in the arena. Then he slipped out of the stall and followed them.
He figured that mare would trot peacefully about halfway down the arena, the better to sucker her rider, and then it would be all over but the crying. About a 30 percent chance she’d decide to stomp the fae, about a 68 percent chance she’d just bolt for the hills, and a 2 percent chance he didn’t want to think about that she’d go after Mackie if the fae dropped her while trying to stay on.
One of the times Hephzibah had dumped Kage, she’d gone after his hat, which had rolled off his head when he hit. She’d chomped down on it, tore three or four times around the ring carrying it in her mouth. Then when she had everyone’s attention, she dropped and trampled it until there wasn’t anything left except a sad bundle of straw. Mostly, though, after she dumped her rider, she either ran for freedom or went after the person who’d had the gall to get on her back in the first place.
Joseph would be ready for either of those.
Charles bolted the rest of the way across the big arena when he heard the fae scream from somewhere in front of him. He thought she said, “Where are you?” but he couldn’t be certain. As soon as he was past the open space, he dropped to the slinking walk he used when he was hunting deer. His body lowered and his fur served to hide some of the movement that might attract the wary eye.
He turned into the corridor that ran between the rows of stalls and immediately quit moving. He found a place in the shadows of a pair of rubber barrels set right at the corner where he could gather the pack magic around and disappear. He saw Ms. Edison striding back into the barn from the big white truck parked in plain view through the big opening at the end of the run of stalls.
Ms. Edison had Mackie slung over her shoulder. The child was as still as a brace of dead ducks, and the fae was hopping mad, snapping her teeth together in a way distinctly inhuman. She paused as she passed a stable.
He could smell Joseph. He was in here somewhere. Was he in the stall?
She growled, “Horses.” Spat on the walkway. Then dumped Mackie on the ground. She fell limply and Charles had a flash of Maggie in a limp mound on the floor of the house. His lips curled to expose his fangs, but he kept the growl silent.
Ms. Edison grabbed a bridle and slid open the stall door. She wasn’t in there very long before she led out a horse saddled with a worn western saddle.
Who had saddled the horse and left her in the stall?
And such a horse. Her pale tail dragged on the ground, and her thick mane—it was unusual for a chestnut to have such a thick mane—hung six inches below her slender, well-shaped neck. Huge dark eyes looked out at the world with an air of gentle sweetness. Her legs were strong and square-jointed. This was a mare who could run a hundred miles and emerge from the ride entirely sound and ready to go again.
Why wasn’t this horse at Scottsdale or in the breeding barn? He’d seen a lot of horses in his long life, and this mare was among the top three or four. Maybe even the very best.
The fae grabbed Mackie and tossed her back over her shoulder. Ms. Edison crawled onto the horse with enough competence that he could see it wasn’t the first or the twentieth time she’d been on a horse. That made sense. Until the twentieth century the horse was the prevalent method of transportation.
The horse snorted at an open stall door. That’s where you are, Joseph. Stay quiet. You’ve done your part, forcing the fae to stay until I could get here. This isn’t a good place for a fight when there’s an innocent bystander or two. We need a nice open place. The arena or the dirt lot behind the barn. Either would do.
The fae jerked hard at the bit and Charles winced for the mare’s soft mouth. The sweet-natured mare just lifted her head and started obediently for the arena. She walked right past Charles without pause, but he was hidden, so that wasn’t strange. Even if she’d noticed him, Hosteen and his pack ran all over this farm in wolf form. She wouldn’t view him as a predator.
He was just getting ready to leave his place when Joseph emerged from the stall and, moving like a young man, started after the mare.
Charles let the magic fall and trotted out to block his way.
Joseph stopped, gave him a tense smile, and pointed out to the arena with five fingers open. Five, he mouthed. Four. Three.
He didn’t know what the countdown was for, but he trusted Joseph and followed the horse out into the arena and planned on something happening in two seconds. An explosion. The big arena lights turning on suddenly. A loud noise.
Well, the explosion was pretty close.
That sweet-faced mare stretched her neck and pulled herself about six inches of slack in the reins. Then she levitated without gathering herself. Charles, horseman though he was, didn’t even see her move until she was four feet in the air with her front end going sideways one direction and her rear end the other in a catlike twist. When she landed, she planted one front foot, dropped her shoulder, and launched her rear end so high he’d have sworn it was briefly in front of her front feet before it snapped back down.
Mackie flew off one direction, and the fae fell the other. Without making a sound, without anything that might warn the thing that had been Mackie’s principal, Charles landed on her and dug his jaws and his claws into her flesh. He ripped, holding her body down with his paws while he jerked back his head.
She screamed, the noise starting as low as a big cat’s growl and then reaching a pitch that was a weapon in and of itself. High-pitched and sharp, sound traveled painfully from his ears right down his spine. He released the torn meat and bit down again—or he meant to. His jaws didn’t work. When she rolled, he fell off her as limp … as limp and unmoving as Mackie and Amethyst before him.
His first reaction was disbelief. Never had his body failed him before, not like this. His magic—wolf, witch, and shaman—had never left him defenseless. Charles felt a breath of panic that was knocked aside by the storm of Brother Wolf’s frenzied rage. He lost a moment or two to Brother Wolf. He hadn’t allowed the wolf to take over to the extent of losing time since he had been a child. When he took hold of Brother Wolf and dragged control back, the fae was already on her feet again. Her left shoulder drooped until she grabbed her left arm with her right and made a sharp movement. With a snap, the shoulder slipped into place and reknit itself.
She dropped the appearance of being human entirely then. Green mottled skin crawled up her body—his body, demonstratively, for he wore no clothes. Limbs elongated and, as if someone had put a hook in the back of his neck, his body jerked upward, unfolding into a form that was seven or eight feet tall.
He stood upright like a gorilla stands upright, with his knuckles dragging the ground. He twisted the upper part of his body until he could look at Charles, his face now covered with knobbly green skin and populated with tiny red eyes and a mouth that opened like a leech’s, complete with narrow, long, sharp teeth and a yellow-and-red-spotted tongue.
And Charles was helpless. His frustration and anger burned and sizzled, a tithe on Brother Wolf’s fury. Charles sought to push that emotion, all of that power, into magic that might combat the spell that held him helpless.
The fae creature roared at him; this time there was no magic at all in its cry, only triumph and rage. At that moment, two werewolves landed on the creature’s back, one from each side as if these two had fought together before.
Charles recognized the raccoon-masked face of the leftmost one as a wolf who’d belonged to Hosteen when he had come to see the Alpha of the Salt River Pack the first time, near enough to a century ago. His fur was dark with dried blood. Evidently this was not the first encounter that wolf had had: Ms. Edison had not driven up to the house unchallenged.
The fae grabbed one wolf with a move that proved him to be double-jointed. His hand was big enough to surround the wolf’s head and tear him off, flinging him out of Charles’s line of sight. He simply touched the other wolf and that one dropped like a stone. Like Charles.
Charles realized that it hadn’t been sound that had echoed through his body earlier, it had been magic. The second wolf landed half on Charles, half off. The remaining wolf, the one who’d been thrown, was back. He moved like a cattle dog working an angry bull, nip and run and nip and run.
For a moment, Charles thought that wolf had a chance. But he went for a throat grab. The fae’s joints didn’t work like a human’s joints—or those of any other animal Charles had seen. His head just moved with the wolf’s motion, neck emerging from his shoulders like a Slinky pulled out of a box. He swiveled and bit down on the wolf’s neck. The wolf cried out, red blossoming around the fae’s closed mouth.
Charles broke out in a sweat and curled his paw.
Joseph let Charles take the lead. He was amazingly glad to see Charles. The relief of it left him light-headed. Watching Hephzibah, the Evil One, dump the fae on her head was just the icing on the best zucchini bread he’d ever had.
But the fae didn’t follow the script. Charles just collapsed. A pair of his father’s wolves cleared the arena fence and joined in the battle. Two werewolves, and one was down in under a minute. That was when he knew his role wasn’t finished here.
He had no idea why Hephzibah hadn’t taken one of her famous exits. The arena gates were open at both ends, but she just kept circling around at a leisurely canter, her eye on … Mackie, he thought. He waited until Hephzibah started around again, and used her body to hide when he entered the arena. He ran beside her, keeping her between him and the fae.
He caught her reins and was grateful that it was Hephzibah he had to work with. Any other horse in the stable wouldn’t go anywhere near a thing that looked as deadly as the creature Ms. Edison had turned into. Hellbitch she might be, but Hephzibah had yet to meet something she was scared of.
She eyed Joseph warily but had no objection to him running at her side, not even when he started pushing her to get closer. A glance under her neck told him that the second werewolf was down, with the fae chomping on his neck.
Joseph thanked goodness that he’d tightened the cinch himself and that Hephzibah had the withers to hold the saddle straight as he pulled the old trick of jumping halfway into the saddle. One foot in the stirrup, one hand holding the horn. He pulled her nose tight, aiming her right at the fae as he kicked her in the haunch with his free toe. All of it at the same time, or none of it would work.
She launched herself sideways at the fae, landing smack on top in an ungraceful movement she’d never have made if he hadn’t knocked her off balance. The fae was shoved off the wolf. The horse scrambled hard to keep her feet and kicked the monster good a couple of times in the process.
Joseph, unnoticed, dropped to the ground behind the creature’s back. He pulled out his knife and with his full weight behind the blow, just as Charles had taught him, punched the blade through the fae’s back while it was still disoriented from Hephzibah’s surprise attack.
The fae-thing’s arm swung around improbably and hit Joseph in the chest. He heard the ribs crack before he felt them, and then he was down on the dirt next to a wolf who was bleeding out from the wound in his throat.
He had failed.
When the chestnut mare charged the fae, Charles felt a moment of stunned disbelief. There was no reason … and then he saw Joseph. It was an old Indian trick, hanging off the side of your horse so you could get close to your enemy.
He spared an instant of admiration. There was nothing Joseph couldn’t do with a horse. The horse landed on the fae, both of them equally surprised by it. And the fae’s hold on Charles weakened.
He pulled himself to all four feet, snarling silently with the effort. As Joseph stuck his knife into the fae’s back, Charles took two stumbling steps forward as the magic released him—just for a moment. Then the magic was back and his body was once again unwilling to follow his command.
But the fae’s hold wasn’t as strong as it had been. He couldn’t pay attention to the way Joseph was lying on his back, blood foaming from his nose and mouth. Charles had to get to his feet, had to kill the fae while it was still down.
The chestnut mare ran up toward Joseph, stopped about ten feet away, and then snorted, gave a half jump sideways, and trotted off again.
Joseph had severed the fae creature’s spine with the knife. As Charles dragged himself closer, he watched it try to reach the blade. But Joseph had, by luck or intent, found a place it couldn’t get its hands. The flesh around the knife moved as though there were something under the mottled and bumpy green skin that was both repelled by and attracted to the steel.
The fae gave up trying to reach the knife. Instead it focused on … Mackie. It levered itself up on its arms and began crawling toward the helpless girl at a speed roughly twice what Charles could manage.
The chestnut mare whinnied shrilly and galloped between the fae and the girl. She’d been running all over the place, so Charles didn’t pay her any more attention than the fae did. Until she did it a second time, blasting past with more attitude than speed, ears pinned and feet hitting the ground with extra force.
She did a pretty little rollback, her left rear planted in the sand as she rotated her body around, crossing her right front leg over her left in approved reining style. Then she trotted back across the fae’s path, her tail flagged over her back, her head up, and her tiny ears sharply forward. She did a rollback in the other direction.
And this time she planted herself between Mackie and the fae, pinned her ears flat, and ran past it. She snaked her long neck down, snapped her teeth at the creature, spun, and caught it with a nasty full-force kick right under its shoulder blade.
The fae let out a high-pitched cry, falling away—and the mare was back. This time she struck with her front feet. She pulled the fae underneath her and stomped it twice before hopping over it and bolting away with a triumphant squeal.
She came back again, snorting and side-passing until she stood between that thing and Mackie. Then she flipped her head in the classic warning that meant go away or die. She half reared and squealed—like a mare protecting her baby. Protecting Mackie.
Anna didn’t need to go to the house. She could feel Charles in the barn and she sent Bella that direction. The big mare was laboring; by Anna’s reckoning they’d run about four miles. But she ran willingly through the dark doorway that opened into the arena, and she cleared the huge arena fence by six inches.
Anna kicked both feet free of the stirrups then and jumped off as the mare gathered herself to keep running. She took in the scene of the arena in one comprehensive look: Mackie down, Joseph down, two werewolves down and unmoving, Charles on his feet but not by much, and the fae thing: huge, hideous, with a knife sticking out of its back. It was going, slowly, after Mackie. The only thing in its way was a big red mare.
Anna had no weapon, so she aimed herself at the knife sticking out of the fae’s back. She put one foot on its back and grabbed the knife. She twisted it until the blade was parallel to the creature’s spine. Using the strength of the wolf, she dragged it, still embedded in bone, up the body of the fae. At first the flesh healed behind the knife and it was hard to keep her balance because the fae wallowed and writhed underneath her. But as Anna continued dragging the knife forward, the healing slowed and then stopped and so did the fae’s motion. Its stillness deceived her and as she approached the creature’s head, its neck elongated, allowing it to bite down on her bicep. Anna just shifted her grip to the hand with the good arm and forced the blade all the way up until the point rested inside the fae’s skull. The fae was still again. Limp. But Anna remembered the rapid way it had healed itself at first, remembered Brother Wolf telling her that fae were tough. She took a better hold on the now-slippery handle. She thought about Mackie, about the bodies littering the arena sand and those that had been stacked in the hot attic of that little house, and she cut the monster’s head all the way off.
As soon as its teeth released her arm, she flung the head all the way across the arena. As quickly as it had healed its spine, she wanted no chance that it would repair the damage she’d done.
The body buckled unexpectedly, and Anna lost her balance at last. She rolled right underneath the feet of the chestnut horse, who reared and bolted away to join Portabella, who was standing, head down, on the far side of the arena.
Brother Wolf landed on the fae’s body and began savaging it. All that she could feel through their mating bond was a red haze. The other wolves were getting up, none too gracefully. Joseph didn’t move.
About that time, Mackie sat up and began to scream. Anna managed a half run, half hobble toward her. She wrapped her arms around Mackie and turned her, gently, because one arm was bent wrong, so that the child was facing away from the monster who’d tried to steal her away and the other monster who was trying to destroy the corpse.
“Charles,” she said, but the wolf continued his attack on the dead fae. “Brother Wolf? I need you.”
The wolf froze, let out a single savage growl, and then changed. Charles stood atop the dead thing’s body looking as clean and collected as he had when they’d left the house this morning. He wasn’t. She could feel his white-hot rage, his need to destroy. That he’d come to her call while feeling like that …
Well, she loved him, too.
“I have Mackie,” she said. “You need to check Joseph.”
Anna had come. When she cut off the abomination’s head, he and Brother Wolf would have howled in pride and triumph. But he didn’t regain his ability to do that until the deed was already done.
Brother Wolf thought the creature might still live. Very old fae could live for quite a while without their heads. He was determined to make sure that it didn’t survive its beheading. Charles let him out to do what he wanted.
That thing had killed all of those children. They’d died horribly and very, very slowly. If the spirits of the dead joined Brother Wolf’s savagery, he was inclined to allow it.
Until Anna called him.
She sat in the sand holding Mackie against her.
“Check Joseph,” she said.
First he went to her. She’d taken damage, but the wound in her arm was already healing over.
“I’m okay,” she told him. “Mackie will be okay. Listen to her healthy lungs. Go check Joseph.”
Charles knelt beside Joseph. To his surprise, the old man was still breathing.
“Dead?” Joseph asked in a breathy whisper.
“It’s dead,” Charles told him. “You severed its spine. It won’t be killing any more children.”
Joseph’s eyes closed and he concentrated on breathing, not that it was doing him much good.
“Maggie?”
Charles closed his eyes, too. When he opened them, Joseph was looking at him.
“Thought so,” he said. “Will see her soon. She’d be happy to die for our girl.” A half smile crooked his lips. “I hear she’ll be fine.”
“Good lungs,” acknowledged Charles. Mackie was still screaming.
“Better’n mine,” agreed Joseph with a smile. “Give knife to Max.”
“I will,” Charles said.
“Show him. Show.”
“I’ll show him how to use it. As I showed you.”
Joseph nodded. “Good. That’s good.” He took another painful breath and then grinned. “It was fun to be … to be me again.”
Charles sat beside him, holding Joseph with his eyes while his ears told him that Hosteen and a whole slew of other people were accumulating in the arena. Mackie quit screaming. Kage sat on Joseph’s other side. Joseph couldn’t talk anymore, but he held out his hand and Kage took it.
Charles had known this moment would come, ever since he’d understood that Joseph had no intention of becoming a werewolf like his father. Every moment spent in his company had been a moment closer to this. Had it been worth it in the face of Joseph’s death?
He thought of all the experiences they’d shared. He felt the huge hole that Joseph’s death was carving in his spirit, a hole that was even now filling with pain. Had it been worth it?
“I am so grateful to have had you as my friend,” he told Joseph. He would not have given up any of those times to avoid this pain of separation, let alone all of them. Yes, it had been worth it.
Eventually the arena got quieter. Max came and said good-bye. Kage got up, put an arm around his son, and left. Hosteen sat down in his place. Anna came and sat close to him.
Joseph tried to say something to Hosteen, but he didn’t have the voice. The hand that Charles held was very cold.
Hosteen said, “I love you. I will miss you. I am so proud to have been your father—and prouder to have been your friend. You have enriched the world with your spirit, my son. Don’t be afraid to let go.” He kissed his son’s forehead, and then, like Charles, settled in to wait.
Night fell.
Joseph took one breath. Let it out. And then he took no more. Charles opened his mouth and let Brother Wolf howl his grief.