Dark Echo

Nine

She arrived in Southport at four in the afternoon of the following day. She left the apocalyptic weather in the wake of the express as it rattled south-west across the country. By mid-morning there were fields golden with wheat and vivid with rapeseed to remind her again that it was June. She had to change twice. Southport was not the resort it had been in Victorian times, when trains full of excursionists in their masses made the summer rail journey faithfully there each holiday from Scotland or the Lancashire and Yorkshire mill towns and the Black Country of the Midlands. Nor was it the gaudy seaside tribute to wealth it had been in the 1920s. The great Art Deco outdoor pool had gone now, replaced by a windblown retail park full of discount names. The grand, and some said haunted, Palace Hotel was long demolished. Even Lord Street, the great tree-lined boulevard of exclusive shops, was in decline. Panes were missing from many of the cast-iron pillared awnings that covered the pavement for most of a mile. And there were security guards outside a couple of the splashier jeweller’s shops.

Suzanne knew all this before seeing the evidence herself. She had been able to print off information about Southport in her guest quarters at the seminary. The most openly critical assessments of the town’s aesthetic and economic decline had come from its own tourism department. The town had been beautifully planned and maintained and then systematically vandalised from the early 1970s onwards, when Southport ceased to be an independent borough and came under the authority of Sefton Metropolitan Council. Sefton’s rule seemed to be typified by spite, envy, indifference and greed. If ever there was a goose to lay a golden egg, in Southport, Sefton killed it. The first big decision was symptomatic of what followed. Southport’s buses, attired in a splendid yellow and red livery and proudly adorned with the town’s crest, were painted over in Sefton’s drab, utilitarian green. It was the imposition of a grim visual austerity entirely out of keeping with the gaiety visitors expected. Subsequent decisions were just as crass and much more damaging. Sefton’s decision to sell sand from the beach to the building trade had destroyed the dunes on which generations of families had picnicked and played. The yellow, rolling hills of sand had vanished from the end of Weld Road in Birkdale, all the way south to the nature reserve at Formby. Sefton had been obliged to leave the nature reserve intact. That was Formby’s reprieve. Southport had not been treated so mercifully.

But the Southport Harry Spalding had known had been a splendid place; handsome, sun-drenched and dedicated to pleasure. It was a cut above Blackpool and Morecambe to the north, and knew it. There were casinos and luxury cinemas and theatres and concert halls. There was marble and terrazzo and parquet and there was money. The thoroughbreds ridden at Aintree were trained on the shore. Birkdale was considered the best links golf course in the whole of England. The Giroud brothers ran their aviation club on a hard, smooth strip between the sand hills and the sea. Star entertainers were lured in the season to the Floral Hall and the summer flower show held in Victoria Park was at least the rival of the show held annually at Chelsea. Then, Lord Street had boasted an array of shops to compete with anything in Paris or Milan.

Suzanne walked through the station approach to Chapel Street. She had booked her accommodation the previous evening by email, after choosing a small private hotel in Birkdale that had looked nice without being massively overpriced. The fact that she had found somewhere so easily was indicative, she supposed, of the decline of the resort. Once its hotels and guesthouses would have been full to capacity from the end of May until the beginning of September. But it was no longer the case. It was made plain in her reading that the town saw its future appeal more as a conference location than a place where people sought to spend a holiday.

She was aware that she was spending the BBC’s money on something that was nothing at all to do with the corporation. But in her five years there, she had seen a great deal of money squandered.

Chapel Street was pedestrianised. Late afternoon shoppers browsed the windows of generic stores or sipped coffee at the tables in Café Nero. A pair of middle-aged buskers stood with electric guitars in the middle of the street and played an old hit by Dire Straits. She felt a stab of disappointment. It wasn’t that the town looked any drearier than anywhere else did. It was just that she could have been anywhere in England. Then she sniffed and looked up at the sky. And she smelled ozone and salt on the fresh summer breeze from the sea and saw the shimmering, layered cobalt light that only skies on the coast possess when the sun is shining on them and reflecting back the sea.

Chapel Street ran parallel with Lord Street. Or rather, with part of Lord Street, which was much longer than Chapel Street. She walked through a covered arcade that connected the two and found herself on a wide avenue with high trees and fountains. To her left, she knew, she would find the town’s main library. And opposite the main entrance to the library, on the same stretch of wide pavement, she would find the Tourist Information Office. She hefted the single bag comprising her luggage. Unpacking her bag could wait. There were mysteries here to be solved.

But she solved none of those mysteries on her first visit to Southport’s main public library. The Atkinson Library was situated in a grand building paid for by the philanthropist after whom it was named. Other parts of the building housed an arts centre and the Atkinson Art Gallery. In Spalding’s era, the arts centre had been a theatre given to glittering premiers and productions hailed for their extravagance. But Suzanne was aware that she lived in a more practical age. And the reference library there was excellent, she discovered, once she had completed the formality of taking out a temporary membership. There was a rich and vivid archive charting the history and development of the town. There was lots of information on the great maritime disaster that occurred when the crew of the Southport lifeboat went to the aid of the stricken vessel Mexico. There was nothing whatsoever in the library about Jane Boyte.

After an hour and a half of searching without result, Suzanne decided that she would go for coffee. She crossed the road from the library to the west side of Lord Street, where the shops were arrayed, then turned right and after a block came to a Costa coffee house. Costa roasted their beans at a plant in Old Paradise Street, around the corner from the Lambeth flat she shared with Martin. When the wind was blowing in the right direction, it was a familiar, homely smell. She was a fair way from home. When she ordered her drink, there was even a photograph of the Old Paradise Street street sign in sepia as part of a montage on the wall. And, of course, that was fondly familiar, too. But as the June shadows began their slow lengthening towards dusk, she felt a very long way from home indeed.

What if Martin never came back? It was a desolate thought, and one she had tried to avoid consciously thinking, while thinking it all the while at some deeper and less disciplined level of her mind. What if they never sat down again at their corner table in the Windmill for a drink to a soundtrack of the landlord’s tearful soul? There would be no more impromptu picnics in Archbishop’s Park, no more games on balmy evenings on the tennis courts, no more shopping amid the fruit and bric-a-brac stalls of Lower Marsh, and no more browsing in the book and record shops there. What if they had shared a bed for the last time, exchanged their final intimacy? She looked around her, trying to dismiss the thought, at the young girls in their northern gaggles wearing too much make-up for the daytime and wearing generally far too few clothes. What if she never heard the familiar sound of his key in the lock ever again? If his clothes just hung, limp in the wardrobe, and the scent of him faded altogether from the pillow? It was why she was here, wasn’t it? It was why she was in this unfamiliar place. She would do everything she could to bring about his safe return. She would do anything.

She sipped coffee. She looked along the still-handsome avenue she sat in, trying to imagine Harry Spalding here. He had said he was looking forward to shopping on Lord Street. She imagined him rigged out in a summer suit and hat. It would not be seersucker and straw boater for him, though. He was Europeanised. He had drunk cocktails with Scott and sparred with Hemingway in Paris. Maybe he had been granted an audience with Gertrude Stein or the scholar madman Ezra Pound. Certainly he had been on nodding terms with the dark magician, Aleister Crowley. No; it would not have been straw and seersucker for him. It would have been slubbed silk and a pale fedora and a malacca cane to twirl in his louche search along Lord Street’s glittering windows for a diamond tiepin or an engraved silver case for his cigarettes. She could imagine him fairly well, pretty vividly. There was no absence of detail. But when she saw him walk, he did not stroll. Instead Harry Spalding moved with the lope of a predator along the pavement.

The following morning, because it was all she knew to do, Suzanne went back to the library. Her Birkdale hotel room had been comfortable enough. She had thought over breakfast about exploring the locality. It looked encouragingly unchanged. She had Jane’s old address. But she knew that she would not knock on the door and discover Jane’s daughter there, cogent at eighty and happy to reminisce. Jane Boyte had died in 1971. There had been no descendents. The internet and the fashion for the subject on television made genealogy a very easy subject to research. She had researched the descendants of a northern comic from this very region for just such a programme herself two years earlier. She was familiar from that study with the old Southport surnames. The salient facts had taken Suzanne fifteen minutes to discover. Jane’s life ended in a cul-de-sac. She had encountered in her life a great man in Michael Collins and a bad one by the name of Harry Spalding. How well she had known either of them remained to be established. But her own life seemed to have ended with a whimper rather than a bang. Such was the lot of most people. Glamour was not a quality that sustained itself, unless you were Marlene Dietrich. Unless you were Pablo Picasso.

Again, she came up with nothing at the library in Southport. After two hours of musty, futile digging she went and got her cup of coffee and sat in the shade of an umbrella at a pavement table on sun-drenched Lord Street and pondered on what to do next. Maybe she ought to go to Liverpool and examine the maritime archive at the library there. What if, as she supposed, Dark Echo had been as accident-prone in Patrick Boyte’s boatyard as it had in that owned by poor Frank Hadley? There might be something.

She sighed. She sipped cappuccino. She watched traffic for a bit, the cars predominantly that silver metallic they were everywhere nowadays, and she toyed with her Marlboro packet without opening it and lighting one. What would an accident-prone boatyard in the Liverpool of eighty years ago prove? She knew that Martin and his father were in danger. She did not need a catalogue of old accidents to prove that to her. She knew it already. What she needed was the something indefinable that her instinct had impelled her to Southport in search of. It was not a coincidence in all of this that she did what she did for a living. It was her duty and her solitary hope. And sipping coffee, and resisting the craving for nicotine, she had to do what she could now to prevent a deep and powerful hopelessness from engulfing her like the tide.

‘Mind if I sit here, love?’

Suzanne smiled into the light against which the voice was silhouetted. The honest answer was that she did, of course. In the proximity of old people, you risked conversation. And this was particularly true in the north, where she knew that complete strangers often inflicted chat on you in the way that only care in the community victims ever did back in London. Age wasn’t even a consideration. Young people here did it, too. It was an indiscriminate vice.

Martin had warned her about it, years ago. But he had not done so deliberately. Magnus Stannard did it. Magnus was from Manchester. He talked to strangers all the time. He actually engaged people he did not know and had never met in conversation. Suzanne was there on a couple of occasions when he was blatantly guilty of it.

‘What is it with your dad?’

‘What?’

‘The compulsive attention seeking.’

‘He’s an attention seeker. But it’s not compulsive.’

‘He’ll talk to anyone.’

And Martin had laughed. ‘He’s from Manchester, Suzanne. And he might be a terrible show-off. Christ knows he’s got his faults. But my dad’s never had any side.’

‘Any what?’

‘Never mind.’

Eventually, she had understood. It was why she smiled in a manner she hoped might be warm and welcoming to the old lady who had invited herself to share her table outside Costa on Lord Street in Southport in the north of England where people spoke habitually to strangers and had no side. She swivelled her eyes, surreptitiously, to right and left.

‘All taken, love.’

Which they were. Every other table was occupied by families, by shop girls on their break, by fat men sweating in suits and dragging furiously on their outlawed choice of smoke.

‘I’m truly sorry,’ Suzanne said. And she was. She stood slightly and held out her hand. ‘My name is Suzanne. I’m very pleased to make your acquaintance.’

The old woman smiled. A waiter from somewhere in Eastern Europe delivered her iced coffee. So she was a regular. Of course she was. Suzanne had felt surprised at the choice of beverage and now cursed herself for her snobbery. It was a kind of bigotry. What it was, was parochial.

Harry Spalding had not been parochial.

‘You look a bit lost, love. If you don’t mind me saying so.’

Her hair had been blonde a lifetime ago. Now it was grey and tied back above the patina of tiny creases on her forehead. It was fine and thick and still abundant on her head. She wore Ray-Ban sunglasses, which she took off and put on the table. They had those old-fashioned green lenses. They had tortoiseshell frames. She put her elbows on the table and clasped her hands together and Suzanne saw that she wore a Cartier Tank wristwatch and a huge ruby eternity ring. So much for care in the community.

‘My name is Alice Daunt. I’m tempted to ask why someone so beautiful looks so crestfallen. And you are beautiful, you know, dear. You are exquisitely beautiful.’

‘Thank you.’

‘But I won’t ask.’

Suzanne nodded.

Alice Daunt winked. ‘I’ll just let you tell me. If, and only if, you choose to do so.’

Suzanne sighed. ‘I’m researching a woman from Southport. Specifically, she was from Birkdale. Her name was Jane Boyte.’

‘I knew her.’ Alice Daunt raised and sipped her drink. There was condensation beading on the glass. Her hand was steady as she brought it to her lips. ‘Well, I say I knew her. I didn’t really. But my mother did.’

‘I’m trying to research her life.’

‘Oh? How?’

‘Over at the library there.’ Suzanne gestured.

Alice Daunt snorted into her drink. ‘Jane Boyte was a Birkdale girl.’

‘I know. I know that was where she lived.’

‘There was a Birkdale library, love. Gone now, like everything that was great about this town. Destroyed, the land sold on, by Sefton. Flats. Offices. Desecration.’

‘What was she like?’

Alice Daunt smiled. The smile was sly, concealing. ‘She looked uncannily like you do, Suzanne. It might be why I stopped. I was walking along Lord Street and I was transposed these eighty years. I thought for a moment I’d seen a ghost.’

Suzanne smiled back, or tried to. ‘Aren’t you afraid of ghosts, Alice?’

Alice Daunt sipped from her glass. ‘Of course I am. But a man whose opinion I respected very much told me a long time ago that we should confront our fears.’

The use of the past tense was not lost on Suzanne. ‘Your husband?’

‘My son,’ Alice Daunt said.

‘I’m so sorry.’

‘And you’re very nice.’ She put down her iced coffee and picked up her sunglasses from the tabletop. ‘I could have only been seven or eight. But if you would like to meet me here at the same time tomorrow, Suzanne, I’ll tell you what I remember about the rather unfortunate person you so resemble.’

Suzanne sat for a while after Alice Daunt’s departure and watched the ice slip and subside in the June warmth at the bottom of her coffee glass. Southport had a lot of elderly residents and they had lived here all their lives. It was a demographic oddity. But it was a fact. There was a sprinkling of nonagenarians and even centurians among their frail number. But how many of them had known Jane Boyte? Had her meeting with Alice Daunt just now been a matter of coincidence or fate? Suddenly, she missed Monsignor Delaunay. His strength and certainty had been a reassuring comfort to her. She felt very alone and isolated, doing this. She shivered in the warmth and decided she would spend the afternoon exploring parts of the town relevant to her stalled investigation.

She walked south towards Birkdale and Weld Road. The shops petered out and eventually the road became lined instead with huge gardens and enormous, grand houses. Many of the houses had been turned into rest homes or dental clinics or bases for genteel professionals like chartered accountants, architects, solicitors and surveyors. She saw the signs on the grass and the brass plates on the gateposts saying so. Some had been divided into flats, their expansive lawns pulled up and paved over to accommodate residents’ cars. But many more of these grand houses were still still exactly that. Merchants made wealthy by businesses in Lancashire and Merseyside had come to live here in their opulent droves. That had been the Southport of Harry Spalding’s golden summer here.

Eventually she reached Birkdale and turned right on to Weld Road. The road rose into a gentle hill at its conclusion half a mile away, beyond which she knew the beach lay. To right and left, if anything the houses were even grander here. No two were exactly alike. But they shared characteristics beyond their enormity. Many had turrets and towers and crenellations. She smiled, reminded of her preconceptions concerning the women’s guest quarters at the seminary in Northumberland. Here, there was a great deal of Victorian Gothic. It was easy to imagine dark drawing rooms filled with William Morris furniture beyond those high front doors of studded oak and stained-glass panelling. The theme had been continued and exaggerated at the Palace Hotel, which had sprawled across the area approaching now to her left as she neared the rise that would take her to the sea. What a self-styled modernist like Harry Spalding had made of it was anyone’s guess. The Palace had been much more Tennyson than T.S. Eliot. Then again, it had been haunted. And that might have amused and even delighted its sardonic American guest.

There was only one place left in the locality of the Palace now to serve as a public amenity, and that was the Weld Road pub called the Fisherman’s Rest. It had originally been built as a coach house for the hotel and was later converted into a non-residents’ bar. It was here that the fourteen lifeboatmen who drowned attempting to reach the Mexico had been brought on a December night in 1886. The bar became a makeshift mortuary as the corpses were laid out for identification.

It was at the neighbouring hotel that a coroner’s enquiry was hastily convened. Suzanne ordered her half of Guinness and fingered one of the fourteen small brass mermaids holding the handrail of the bar in place. They were cast and fitted as a tribute to the lost lifeboatmen. She shuddered, thinking of death at sea, of brine-filled lungs and being washed up drowned, the tide lapping at grey, indifferent flesh. And she took her drink outside to sip in the sunshine at one of the bench seats attached to the tables there.

The Palace was opened in November of 1866, built by the Manchester-based architects Cuffley, Horton and Bridgeford. At its peak it boasted 1,000 rooms and had its own railway station on the Cheshire Lines to link it directly, for the convenience of guests, to the racecourse at Aintree. But there never were enough guests. And in 1881 a health hydro was added to the building to enhance its appeal to the ailing victims of northern industry. By Spalding’s time, the hotel was even equipped with its own runway. Famous guests in its latter years included Clark Gable and Frank Sinatra. But rumours of paranormal activity plagued the hotel almost from its opening. Two sisters died there in a suicide pact. The last and saddest event in its grisly history occurred when the body of an abducted child was found under a bed there in 1961. She had been taken and assaulted by a kitchen porter later hanged for the crime. The hotel never really recovered from this damaging scandal. In 1969 it was demolished. And the demolition men were unnerved and eventually terrified by lifts that groaned into life without power and wouldn’t stop the steady, clanking habit of their work.

But there was nothing of Harry Spalding for her to find there on the spot where the Palace Hotel had been. Suzanne finished her drink and decided to recross Weld Road and walk north along Rotten Row back into the centre of the town. Spalding had left the hotel and rented a house on Rotten Row. You could not see the houses here, though. They lay at the top of a steep grassy slope above a drystone wall to her right as she walked, with the flower beds and high hedgerows of Victoria Park on the other side of the road to her left.

‘Sod it,’ Suzanne said. There were summer pedestrians on Rotten Row. There were gardeners tending the flower beds beyond the park boundary and there were cars in a bright procession on the road itself. But she had to see. She had to have a look. She scaled the wall and climbed the embankment to the fences protecting the mansions of Rotten Row from prying eyes. The slope was steep, the ground too hard for purchase and the manicured grass covering it dry and glassy under her feet. Once again, she was wearing shoes inappropriate to the task. But she had not planned this. This was spontaneous. She had lost a pair of boots to bad planning in France. Here, all she might lose was her balance and her dignity if she slithered on her leather soles on to her backside and tumbled down the hill.

She knew which of them had been Harry Spalding’s house as soon as she saw it. She knew because as she saw its clusters of ivy and black, sightless windows staring back, a chill gathered in her chest and gripped her heart. There was a stillness about the long lawn and the grouping of stunted ornamental trees providing shade by the path that wound from the front porch to the summer house. Thirty feet along the rise from where she stood, steps had been cut into the earth to give the owner access through a latched gate. She looked at the old brick and terracotta and knew that Harry Spalding had ascended those steps with his lupine stride and his cane gripped in his fist on his grinning journey home. She started, her eyes reclaimed by the house itself as she sensed a shape, just for a sly instant, at one of the upper-floor windows. A cleaner, she thought. Even in Southport, the Poles and the Filipinos would come to polish and scour. An address as prestigious as this had not sat empty for eighty years awaiting a spectre’s return. He had rented it for a summer only. He was here for a solitary season. He was not here now. But by God, Suzanne thought, shuddering with cold in the high June heat, he had left his baleful mark on the place.

Because she did not know what else to do, Suzanne went back to Lord Street and Southport Library. And then in the late afternoon, because she was facing a dead end, she left the library and walked up Nevill Street and found the promenade and the pier. Nevill Street embodied everything that was wrong with Southport as a modern tourist destination. Fat clouds of fish batter and beefburger grease scented the pavement. There was rock in stripy midget walking sticks, and toffee apples and pink candyfloss swollen in the breeze in bags of cellophane pinned and flapping against wooden racks. Men peered over pints with long-suffering wives from inside the picture windows of sad, modernised bars.

She walked the length of the pier, over the Marine Lake, over the start of the flat wastes of Southport beach and finally over the water as the sluggish wavelets of the Irish Sea began their shallow approach. The tram passed her on its path to the pier head. It was full of smiling day trippers. She waved back at a toddler waving at her though the rear window. She squinted over the railing to her right. She could see Blackpool Tower faintly through the heat shimmer over the salt marsh, rising on the peninsula thirty miles away.

At the end of the pier, she went into a modern and, to her mind, absurdly incongruous glass and steel visitors’ centre with a big display devoted to the wild birdlife of the Fylde Coast. To her left there was a café area with views out over the featureless wilderness of sea and sand. To her right, there was a cluster of antique machines she assumed had been salvaged from old amusement arcades in the resort. You could change modern pounds into old-fashioned copper pennies to use them. You got ten old pennies to the pound, which Suzanne knew was more robbery than exchange rate. But she thought she might have fun here, or at least lighten her prevailing mood. So she changed a couple of pounds.

After spending about half of them, she shuffled through her remaining pennies, looking at the dates. She got to the last one, King George V’s bearded profile stoical and aristocratic and resembling rather the slaughtered Romanov tsar to whom, of course, he’d been related, on one side. She flipped the coin. And the date underneath Britannia, sitting with her spear and shield on the reverse face of the penny, read 1927.

As she had known it would. She jumped. A child had put a penny in the slot for the laughing sailor and, inside his glass case, this sinister relic was swaying and wheezing in a show of mirth in his fusty, mottled blues. Next to him, there was a fortune-telling machine. You fed it money and your character and fate emerged neatly printed in tiny letters on a little rectangle of board. Suzanne fingered the flat, worn-smooth edges of her penny. She raised it to her nose and smelled its acrid, copper smell. Had Spalding handled it? Had he flung it bright and new among others across the Palace bar as a careless tip? She slipped the penny into her pocket. She did not want to know her fortune. She thought her fate predetermined. She knew who it involved, even if she was unsure of the what and precisely of the when.

Further to her right, beyond the old machines, a film about the history of Southport was showing on a projection screen mounted up on the wall. Images, grey and sunny at the same time, showed the great days of the outdoor pool and the flower show and the bandstand next to the town’s large cenotaph of dignified Portland stone. Water shimmered and roses bloomed in this monochrome world of long ago. She stiffened as she saw a scene from the 1920s. Black sedans prowled the length of Lord Street, sleek as panthers. Women in furs and cloche hats walked arm in arm and discussed the intrusion of the camera, smiling at it. She did not see Harry Spalding. She did not recognise any of the women as Jane Boyte. Fingering the old penny in her pocket, unaware that she was doing so, Suzanne sat down on the chairs before the screen and waited for the film to reach its conclusion and loop back again to its beginning.

Aboard Dark Echo

Night had fallen again by the time I awoke. I looked at my watch. The date wheel told me I had been asleep for a full twenty-four hours. I dressed in an incredulous rush and climbed to the deck. A fog had descended and under it the sea wore the still torpor of a lily pond. I had been forced to reduce to nothing the amount of sail we were carrying in the squall of the previous evening. Everything had been hauled in. Now I saw to my irritation and disappointment that nothing had been done to raise sail since. There was no wind. Every inch we carried should have been up in a bid to keep us moving, however sluggishly, on our course. Then I became aware that we were moving. The engine was not being used. But we were in motion, the Dark Echo travelling as though being tugged through the water, at a speed sufficient to leave a wake churning under the fog at our stern. We felt to be doing about ten knots. I walked to the wheel. The auto-steer was on, of course. I took a bearing from the binnacle compass next to the wheel. It was impossible. With no wind and no power and under no sail, we were doing about ten knots on a south-easterly course. We seemed to be in the grip of a current. And still more than a thousand miles off the coast of America, we were coursing swiftly back in the direction we had come.

My father must have done something to the auto-steer, I thought. But even if he had, I couldn’t understand from where the Dark Echo was deriving this propulsion. She weighed seventy tons. What freak force under the covering of the fog could be urging her on at such a rate? I needed to gather my thoughts. Nothing in my recent maritime schooling had prepared me for something so odd as this. The auto-steer had suffered a malfunction. That was clear. It might or might not be repairable, but for now there was no option. I had to switch it off. I had to take the wheel. I had to turn us swiftly about and raise sail and sit out the fog and, if necessary, the night. The North Atlantic was a very large expanse of ocean. We had plentiful supplies of food and water aboard. But we could not afford to lose our momentum. We had to keep going. It was what vessels under sail were obliged to do. If you failed to do that you became not just becalmed but helpless and you risked disaster and tragedy.

I realised then how hungry I was. I had not eaten anything substantial for well over twenty-four hours. Where was my father? What was he doing? I felt as though I faced this sinister crisis entirely alone. I was hungry and thirsty, too. And I was close to clueless about what was going on with the boat, still slipping urgently through the fogbound sea in the wrong direction under my feet. With a loud curse, I locked the wheel. I had to eat. I had to rouse my father. I would wrestle with the boat’s steering but could not do it without sustenance. He could make me a mug of soup. It was the very least he could do.

There were voices coming from his cabin. I knew he was the only person in there. But he was reading and reciting stuff and doing it in character. I stood outside his door and listened. There were snatches of Imagist and Vorticist poetry. There was some Wyndham Lewis and fragments of T.S. Eliot and what I thought I recognised as E.E. Cummings and part of a story by Ford Madox Ford. It was all of a piece, really, all from the same decade and most of it having originated among the expatriates in Paris. He began to recite that line from the Hemingway short story, the one that begins: In the fall the war was always there, but we did not go to it any more.

I knew it as the first line of the story ‘In Another Country’. It was familiar to me as the first line of what my father had often said he thought was the most beautiful paragraph of prose fiction written in English in the twentieth century. And I wouldn’t have argued with him. It was vivid and it had this melancholy cadence and it really was very beautiful. But he was reciting it over and over, behind his cabin door, like a mantra. And like a mantra, with repetition the words seemed to lose their sense of meaning altogether and become an abstract, inconsequential jumble of sounds.

In the fall the war was always there, but we did not go to it any more.

And behind his door he laughed and the laugh was sardonic, almost a chuckle. And it was delivered in a high, viperish register that did not sound at all like the rumble of my father’s familiar laughter. And I thought that perhaps Harry Spalding was behind the door, sharing his desk and a joke with my dad, perusing the contents of my father’s gun cabinet with judicious expertise and the hole still jagged and dripping in his head from his self-murder.

I almost slapped myself, then. It seemed as if my father was losing his mind. If I followed, then both of us were lost. I was very afraid, listening to what I was hearing from behind that door, the snatches of nonsense, the weird logic of its period somehow dictating it was not, any of it, entirely random. In his mind, he was in the 1920s. He was in the decade of Lindbergh and Dempsey and Carpentier and Bricktop and Al Capone.

And Harry Spalding, of course. Who Suzanne had insisted was the Devil himself.

If I succumbed to panic now, then I would not be able to save my father. Both of us would be lost. Under me, I thought I could feel the boat gathering speed and impetus. I stole away from the cabin door towards the galley. I would have to get my own food. I had to eat or I felt I would faint. Though now, of course, I found my appetite was entirely gone.

‘Martin?’

I did not reply.

‘Martin? Why don’t you join our little salon? We’re devoting ourselves to a cultural evening.’ More laughter, this time muffled, as though the mirth were contained by a stifling hand. ‘It’s all very intimate and not at all formal. You’re more than welcome.’

Was this how people sounded when they went mad? Was I sharing this wilful, disobedient boat in the middle of an ocean with a madman? When I got to the galley I realised I was sobbing. Tears dripped from my face on to surfaces still with the showroom sheen of newness on them. We had been at sea less than a week and were victims of catastrophe. The situation was hopeless. It was hopeless. But it was not terror that made me weep, and it was not self-pity either. It was grief for my father, believing him lost.

I ate a bowl of chicken and lentil broth in the fog at the wheel with a chunk of defrosted bread. And I drank with my meal a large measure of rum. I had brought the rum aboard myself as a sort of ironic joke, played against the traditions of the sea. But I badly needed a drink and it was warm in my belly and a comfort as the Dark Echo continued with smooth relentlessness through the water on its rogue course. The booze emboldened me, I think. I realised that I would have to confront my father. There were guns in his cabin. In his present, irrational mood, he was a danger to himself and a liability to both of us. Maybe I would be obliged to restrain him. Perhaps I would have to do that and then dump the various weapons over the side. But I could not just ignore what was going on. It was a reversal of our normal roles, but I had a duty of care to my dad. And there was an urgent practical imperative. If I could shake him out of the delusional fugue he was in, he could help me with the boat. His seamanship was more than the equal of mine. Maybe he had tampered with the auto-steer and maybe he had not. Whatever, the graveness of the situation and the rum told me that I had no choice but to confront him.

I knocked.

‘Enter.’

His cabin looked normal. There was no harsh smell of tobacco and the lamps lit the space with unambiguous clarity. I stole a glance at the guns in their cabinet. But there was no belligerence about them now. They looked like the lethal tools they undoubtedly were. But there was a neutrality about them that had been troublingly absent earlier. My father looked groomed, composed. He must have eaten, too, I thought. Certainly he had discovered the presence of mind from somewhere to shower and shave. Under us, I could feel the Dark Echo smooth on its mutinous path. If anything, the vessel was getting faster in the fog. It was inexplicable.

‘We’re on a homeward heading, Dad.’

‘I know.’

‘Why?

‘You’re a good sailor, Martin. I’ve watched you. You’re punctilious and possess no shortage of endurance.’ He smiled, but it was a flawed, conflicted smile. ‘I’ve been delighted with you. I’ve been proud of you, truth be told. But I’m no part of what the Dark Echo is doing, in answer to your unasked question. She’s doing what she’s doing. It’s no doing of mine.’

I dumped myself in the chair at his desk in front of him.

‘All our communications systems are out. Cellular, satellite phone, wireless. We don’t have sonar and email is so sporadic it’s virtually useless. The engine is completely dead. The binnacle compass is the only instrument still working consistently. That, and the emergency beacon, which no one can see anyway in the fog. We know which direction we’re going in, but we can’t pinpoint our own position. Even if we could, we can’t get on to the emergency frequencies to put out a Mayday call. We’re on our own.’

‘Do you think this fog is some sort of experimental thing we’ve blundered into?’

He smiled. ‘Are you asking me if it has a military application? I don’t think so, Martin. And neither do you. It’s a long time since the character who conjured this fog had anything to do with the military.’ He reached for the framed picture of the boat, the one he had seen originally as a child. He held it between his hands. ‘I remember very vividly the time I first saw this photograph. The volume containing it lay open on the page. It lay in a pool of sunlight on the bedside locker at which I would sit to do my homework. My mother swore she hadn’t put it there. We did not run in those days to domestic staff, Martin. And I did not take it from the shelf and put it there myself. Was it destiny, do you think? Or was it some omnipotent design, dictating my ambitions, shaping the fabric of my dreams.’

He put the picture back down. He lifted his hands to his face and rubbed at his eyes with his fingers. ‘It gets hard, after the age of forty or so.’

‘What does?’

‘You lose the resilience. You lose the dynamism. There are all sorts of ways of continuing the illusion of youth. But that’s what it becomes, son. It becomes an illusion. And it turns itself, regardless of your will, into a memory. You become tired. And fatigue makes a man vulnerable.’

I didn’t much care about what he was saying, to be honest. I was just relieved that he was sounding like my father again. It was that happy mixture of portentousness and self-pity and good sense I fondly recognised as him. But we had still the problem to confront of our ungovernable boat. I’d have called her delinquent, but she was ninety years old. There were forces aboard her, I felt, far more profound and troubling than delinquency. She felt possessed.

It was then that I noticed the mirror. The small brass-bound mirror in which I had caught Spalding’s reflection on my first terrible visit to the boat was back were I had seen it then. It had been mounted in its original place on my father’s cabin wall.

‘I need you on the deck, now, Dad. We’ve got to try to turn her about. We have to assert control over her. Either you’re the master of this vessel or you’re not. I believe you are.’

‘So I am, by God,’ he said. He thumped the table. His jaw jutted. He held my eyes steadily. He sounded as though he meant it. Had I succeeded in rekindling the pride that remained in him? It was his cherished dream, after all, that had descended into this waking nightmare. Perhaps he had remembered Monsignor Delaunay’s blessing. Whatever, with what seemed like fresh hope and newly summoned defiance, we went above.

The fog had thickened. And it seemed the Dark Echo had gathered speed. I wrestled with the wheel, but she kept heading back to the same slyly insistent course. We raised our sails to try to put about by harnessing the wind. It was what you did aboard a sailing boat. But there was no wind to harness. The sails sagged in the windless mist like shrouds. We dropped a dragging anchor, just in an attempt to slow her down, to arrest the impetus of the vessel. The anchor chain merely strained and groaned against the capstan as her speed through the still water further increased.

‘It’s as though we’re only provoking her,’ I said.

‘It’s him we’re provoking,’ my father said. He was standing beside the deck compass. ‘If we continue on this heading, in four or five days we shall reach the Irish coastline. There we will founder. Unless we can stop her, on her present course, she will either run aground or break up on the rocks off the coast of County Clare.’

I could see the boat in my mind, dashed to pieces in the boiling surf under the great, indifferent ramparts of the Cliffs of Moher. Was that to be our fate?

We stood there beside one another on the deck, mist prickling our skin, salt in our lungs, all silence except for the water trailing the stern of the seventy tons of wood and metal aboard which we were now no more than hostages. Or prisoners. Despite my father’s cryptic mention of Spalding, I did not feel that his ghost shared our voyage. I felt rather that my father and myself were the only people left in the world. And the sense of isolation and our helplessness in it was terrible.

‘I’m going below, Martin. I can do nothing here.’

‘You can do nothing there.’

‘I can get drunk,’ my father said.

I did not answer him.

‘I’m going below.’

I went below myself. I turned on the computer, but my email would neither send nor receive. So I started to write – which had become almost a compulsion with me – and, I thought, might provide more comfort for the moment than the bottle in which my father would be seeking his consolation.

I began writing this account on the evening of the day all those months ago at Bullen and Clore that my father bought the boat. I have kept at it faithfully over the days and weeks and months since then. I brought it aboard the Dark Echo on a disc. And I transferred the file to my little white laptop. Writing it, as the account grew, I’d often wondered what it was for. It seemed part diary, part chronicle and part confession. Reading it back, sometimes the tone of it seemed to me a bit pompous or hysterical. Its singular virtue was truth. Every word of what I’d written – and now continued to write – was a true account of what had taken place. And now I did at last know what its function was to be, always assuming that little bit of luck or providence required. I was not confident about this part. Luck seemed an element in desperately short supply aboard the Dark Echo.

I was interrupted by a roar from my father’s cabin. It could have been a cry equally of pain or triumph. But whatever it was, it was inspired, I was sure, by more than just whatever it was he was choosing to drink. I got up from my chair, walked towards the stern and knocked loudly on his door.

‘Come in, Martin.’

There was a sea chest sitting at the centre of his desk. It was old and iron-bound and water-stained. And my father was breathless from the exertion of putting it there. I looked around the cabin. He had removed a wall panel from about waist height on the starboard side. I could make out the struts and rivets strengthening the bulkhead in the shadowy gloom of the gap.

‘I heard a rattling,’ he said. ‘I decided to investigate. This must have belonged to Harry Spalding.’

Or the Waltrow brothers, I thought. I swallowed. Or Gubby Tench. But it couldn’t have belonged to any of them, could it? The man who called himself Jack Peitersen would surely have found it during the refit. And that had been only the boat’s most recent overhaul. Surely this box could not have lain there undiscovered for eighty years? My father clearly thought it had. Just as he thought he had heard it rattling in its snug cavity, with the boat on a straight course over water as smooth as glass.

‘There’s a toolbox in the sail store, Martin.’

I nodded. I knew there was.

‘Go and fetch a crowbar or a jemmy.’ The padlock on the trunk was made of brass. It had tarnished, of course. But it had not corroded. I went and got the jemmy and came back and forced the lock. I lifted the lid of the trunk. It opened on a foul stench of marine decay. This long-dead odour could not have accrued over a matter of weeks. It was years, decades, since the interior of the trunk had been exposed to light and air.

I had to stand away to let the stink dissipate for fear that I might gag and vomit. The smell was nauseatingly strong. When it had weakened a little, diluted to pervade the cabin, I took a step forward again and looked into the trunk. It contained a badly tarnished rectangular wooden case. There had been padding put around the case and it had rotted to a putrid black paste. That was the source of the awful smell.

‘What is it?’

‘It’s an old-fashioned sewing machine,’ I said. I had seen them in antique shops, even in the houses of people who liked their homes stuffed with chintz and curios.

But I was mistaken. When I lifted the heavy box free of the trunk and set it down on my father’s desk and took off the lid, it was not a sewing machine at all. It was a record player. It was one of those primitive machines that plays recordings cut into wax cylinders. And there were three such cylinders in the box with the machine, carefully laid into a velvet bed grooved to house them. I realised that the cylinders were also to blame in part for the foul smell rising to pervade my father’s cabin. The wax had corrupted somehow and had a clinging, fetid reek.

‘Put one on,’ my father said. ‘Let’s hear what we have, Martin.’ His voice sounded sane and calm. He was quite serious. He had stumbled upon a mystery. And now he wanted to explore it.

‘They won’t play,’ I said. ‘The wax has become unstable, you can smell it decomposing. What do you think that vile stink is?’

‘Put one on.’

‘The machine will have long seized up, Dad. You can’t possibly expect it to play.’

‘Then I’ll put one on myself,’ he said. He shouldered me out of the way. His hand hovered over the cylinders and he selected one. The lights in the cabin flickered, then, dimming. I looked up at one of the portholes. The fog was bruise-coloured. You could not tell if it was night or day. He put the recording in its cradle at the top of the machine and dropped the needle and began to turn the handle. I knew what would happen, before the handle turned, when he dropped the needle on to the wax. It slotted down as smoothly as if the machine had been routinely cleaned and lubricated only yesterday.

The static of eighty years ago filled the cabin. And then the voice came, keen and high and cruel. ‘Magnus, old sport. Wanted to welcome you aboard. And your son, of course. Wanted to welcome Martin, too. Hope you’re both having a fine old time.’ There was laughter, then. And it was sardonic down the decades, reaching us. The hair on the back of my neck prickled at the sound of it. It was a sound neither sane, nor human.

‘Thought I’d tell you about the Jericho Crew, Magnus. But make yourself comfortable, sport. Take a seat. Occupy a pew, why don’t you. Please don’t worry about the machine. It will continue to function quite capably.’ My father nodded. He took his hand off the handle. He went and sat down and reached absently for his whisky glass. His face was rapt. I had lost him.

‘Took me weeks to find twelve apostles with just the right combination of qualities, Magnus. I needed the sly and the insubordinate, the savage and the self-interested. It helped enormously to have men who were both cunning and stupid at the same time. And that’s an unusual blend of attributes. A dash of cowardice was an advantage, too. I needed men prepared to do pretty much anything to guarantee their own survival in the fray. They had to be willing to submit to the necessary ceremonies, you see. There were, too, what might be termed certain contractual obligations. It helped if, above all else, they valued their own skins. It smoothed things along.

‘It was terrible at first, Magnus. They lined up the brave and the noble for me. There was lots of bravery and nobility among the American forces in France in the fall of 1917.’ On the cylinder, he laughed. ‘Those qualities were as common in the line as chocolate and chewing gum. And they were all very fine in their way. But they were no good to me in the way I intended to fight the war. Bravery and nobility would have been . . . how shall I put it? Help me out here, Magnus. You’ve been a leader of men.’

‘They would have been impractical,’ my father said.

‘Precisely,’ Spalding said. ‘Knew you’d understand, sport. Took me weeks to select my band of faithful acolytes. One of them was plucked from the cell of a makeshift military prison. Always a mistake to rape a civilian from the side you’re supposed to be fighting for. Positively dumb when they’re under age. Another two were deserters, snatched from in front of firing squads with the blindfolds already tied. And, of course, I was only starting out myself. I was pretty green, Magnus, a raw tenderfoot in the business of killing. But I had leadership quality, I think, as history proved. And I had an appetite for the work.’

My father nodded. He was no more enjoying this than he could escape it.

‘Still do, Magnus. Still possess that appetite, don’t you know. And, if anything, I’d say it’s grown.’

My father had his head in his hands.

‘We’ll enjoy being shipmates,’ Spalding said. ‘You’ll have to accept a subordinate role, of course. But you’ll be keeping the boy in line, so you won’t be on the bottom of the heap.’ The voice turned to steel. ‘And I will want the boy kept in line, Magnus. I run a tight ship. I will not tolerate insubordination. The Waltrow brothers discovered that, to their cost. So have other crewmen over the years. There is no escape on the high seas from the need for discipline.’

The voice had risen to a high, angry screech.

‘Why the Jericho Crew?’ I said.

There was a pause. ‘You’ll refer to me as captain, boy.’

‘Why the Jericho Crew, Captain?’

‘The name derives from the Jericho Society, into which I initiated my men. We completed an important mission in the cathedral city of Rouen. We arrived aboard a barge, berthing in the port there in the fog. We became a crew aboard that barge. It was a joke made by Corporal Tench. But the name stuck. We became the Jericho Crew.’

‘Rouen was always in Allied hands.’

Laughter snickered. ‘Student of conflict, are you, boy? I’ll teach you about war. I’m looking forward to you, Martin.’

The voice had subsided, become lower and more intimate again. ‘Let me tell you about our base in France, Magnus. Indulge the reminiscences of a proud old soldier. Let me tell you about how we came to build our own Calvary by a barn on a farm near the town of Béthune.’

But I knew already about their Calvary. I knew from Suzanne, who knew from Pierre Duval. And I had no wish to listen to the voice of Harry Spalding any longer as it smirked and bragged. I turned and walked out of my father’s cabin and closed the door behind me and went back to my own. I had my writing to conclude.

Passing through the galley I saw a rat. It saw me first and tried to slither into a cupboard it had prised partially open. But my hands were fast when I boxed and I have retained that speed of reflex and I was too quick for it. I grabbed it by the tail and raised and smashed it with a vicious downward swing against the sink edge. Blood flecked the metal. I unscrewed the butterfly nuts locking a porthole, opened it and dropped the dead rodent out of it into the sea. It had been a large rat. Its tail was as thick and coarse in my fist as an abseil rope. It was large enough for me to hear the splash as it hit the water. I cleaned the stain off the sink with some wadded kitchen roll and dropped that out of the porthole, too.

And now, a momentary change of tenses, as I sit for the last time and tap out the letters forming each painstaking word of this account, in what will be my last contribution to it.

All this has happened before. I knew it in my heart back as long ago as the winter, when clever Suzanne found that news page from the archive of the Liverpool Daily Post. I was distracted by the resemblance then between Jane Boyte, the beautiful criminal suspect in the picture, and Suzanne herself. Who wouldn’t have been? The likeness was uncanny. But it wasn’t the point. The point was the worry and fatigue worn on the face of her father, Patrick Boyte. I had seen it in life on the face of Frank Hadley with the Dark Echo lashed to his dock and tragedy afflicting the men in his boatyard. Spalding just now, his disembodied voice, had referred to contractual obligations. It seems to me that sacrifices were required, also. And I think that thought occurred both to Patrick Boyte and Frank Hadley in the period when their men were the ones being sacrificed. Suzanne said as much at the time. It has all happened before, she said. Jesus, I wish I had listened. In a moment, I will write to her. It may be the last opportunity I will get and she may never get the message. But I will do it anyway. She is owed that.

Earlier I called this part diary, part chronicle and part confession. And one of those words has given me my clue as to whom I shall send it to. It is likely to be the last of me, I think. And as such I value it. In doing so, do I commit the sin of pride? I suppose I do. But it is a small sin to be guilty of in the scheme of things. And I want this story to be a warning. Because I really do believe all this has happened before. And I do not want what is happening to my father and me now ever to happen to anyone again.

Are you reading, Monsignor Delaunay? I very much hope that you are. And I’m equally very sorry to have burdened you with this. But you are almost at the end of the account, now. I must break off to write my goodbye to Suzanne. I hope, with all my heart, this reaches you. You will know what to do. You called the Dark Echo benign. You called her a beautiful toy. In that judgement you were woefully wrong. But Spalding has been at this game of his a long time. The boat has gone under different guises and its master many aliases, I am sure. But it has always been essentially the same vessel, the same game, the same nightmarish voyage.

I can hear the crying of an infant child again. It is no gull. It is coming from outside my cabin door and is my lost sister, Catherine Ann, I fear. Spalding has brought the torment of her back to us.

God bless you, Monsignor Delaunay.

And God help us all.

Martin.