“How can we know the dancer from the dance?”
Yes—we let him go.
We allow Aton to revisit life.
He was dead when he came to us,
His culture says.
But he was unfinished.
And we require him—complete.
We give him to our half-sane minion, Bedside,
And wait for his return.
Aton, Aton—did you search for evil?
Did you desert your father in his hour of need, to pursue a fond illusion?
Did you forsake honest love for incestuous passion?
Did you betray your fellows into decimation?
Did you finally bargain with hell itself, which you symbolized as Chthon?
You have been condemned:
Not by your father
Not by your first or second love
Not by your fellows
Not by Chthon.
Where is the evil for which you search?
How can you tell it from yourself?
How can you condemn yourself
For being what you are?
We had thought to salvage the good of your culture’s philosophy
And destroy the evil of its being;
But we find them near of kin.
We had thought to recruit an envoy of extermination
To cleanse our galaxy of life.
But that envoy brings us LOE
And mocks our intellect with ethical conception.
(All we had seen before was your unsane element.)
How can we know life’s destiny from ours?
Are we not near of kin in our quest for completion?
How can we condemn you
For sharing our ideal
In your inverted terms?
And thus we must accept you with your woman;
We must banish the chill from the shell,
And learn that in our mercy
Is our own nova.
For as we study the chill we discover a thing of wonder:
Not natural
Not inimical
Not accidental
But an agitation planted within our galaxy,
Whose side-effects on life are unintentional:
A signal.
A message to every intellect with strength to comprehend:
We are not alone in the universe.
The god-intellects are waiting for our reply.