Chimes at Midnight marks the start of what I view as the second stage in Toby’s journey, and I am grateful and a little awed that you’re all here with me, watching it happen. Writing these books is forever a labor of love, and a big part of that is all of you. Seriously. Thank you all. Thanks also to the Machete Squad, as always, since without them, I would probably still be hiding under the bed rather than facing the tangles of draft two; to the Disney Magic Bitches, for putting up with endless trips to Disneyland; and to Vixy, Amy, Brooke, and Shawn, for being extremely forgiving of the fact that no matter where we go, Toby goes there too.
I remain utterly delighted with my agent and personal superhero, Diana Fox, with my editor and savior, Sheila Gilbert, and with my eternally fantastic cover artist, Chris McGrath. Thanks to Christopher Mangum and Tara O’Shea for website design and maintenance, and to Kate Secor for keeping my email from eating me alive. I know it’s hungry . . .
We have come so far, and we have so far yet to go, and I am honored to have you all here with me to see where we wind up. I hope you’ll continue to stick around.
My soundtrack while writing Chimes at Midnight consisted mostly of Prepare the Preparations, by Ludo, Carry the Fire, by Delta Rae, Fairytale, by Heather Dale, endless live concert recordings of the Counting Crows, and Journey’s Greatest Hits, by Journey. Any errors in this book are entirely my own. The errors that aren’t here are the ones that all these people helped me fix.
Now remember: You must not look at goblin men. You must not buy their fruits . . .