Cannibal Corpse, M/C

Chapter Nineteen

“What I tell you happened when I was a boy,” the old man said, “and in those days the Spirit Lake Reservation was a place of the most awful poverty and desperation. There were several villages on the reservation—Crow Hill, Wood Lake, Fort Totten, a few others—but the one we lived in was called Crabeater Creek. It’s not there anymore. It burned to the ground one night and was never rebuilt. I suppose that’s what I want to tell you about…”

Crabeater Creek was nothing but a collection of houses that were so very ramshackle they weren’t even houses, they were more like shacks. This was long before the days of the casinos and the easy money they pumped into the rez. There was little to no medical care, and what there was of it was doled out by a white doctor in Fort Totten named Dr. Beak who sampled liberally from his own pharmacy and was only working the reservation because he cut a deal with the feds that kept him out of federal prison on charges of narcotics trafficking. Something which, obviously, would have cost him his license to practice anywhere but Mexico or Calcutta. How men like Beak get their licenses in the first place is one of the eternal mysteries of this life, like why God made little green apples or why fat women wear tight pants.

We had no running water, precious little food, rampant disease outbreaks, and a sort of communal curse that was the drink. My father was a kind man and a good man, but when he drank—which was whenever he could—he became a violent drunk that beat other men, beat my mother, and beat my brothers and I. In the end, the booze beat him. It beat him hard and beat him silly and when it was done there was nothing left. Not that any of this should come as a surprise to you or anyone else. The reservation was an awful place in those days. In the summers we subsisted on handouts and whatever we could hunt up in the woods and hills and in the winter, well, we crowded around woodstoves and prayed for spring while we watched each other get thinner as the snow fell and babies died of the croup and the flu each morning. The men drank. The woman mourned. We kids just stayed out of the way.

Anyway, you ask of this fellow in black. Well, first I ever heard of him was when Skip Darling lost his mind one long dead white winter. He took up an axe and chopped up his wife and three children. It was in the middle of a blizzard. When the tribal police got there, he had their remains stacked up tidy as cordwood and he was sitting in his rocker by the stove with the bloody axe in his hand. Jim Fastwind, who was my best friend, had an uncle who was with the tribal police. And he told us all about it by the fire one night. He said Skip’s eyes were like black holes leading down into a darkness you did not want to know about. When they questioned him, he said a man in a black hat had told him to do it. Was he an Indian? they asked. No sir, he was white. His face was bleached white and his eyes were like pink quartz. He carried a book with him. He showed it to Skip. In it were written the names of Skip’s wife and children. That’s why they had to die. Skip said his name was in the book, too. Two days later, Skip hung himself in jail.

That was one incident. Here’s another. My sister Darlene had a thing for cats and she begged and pleaded with my mother for one until she finally got her way. Darlene was a cute little shit with huge chocolate brown eyes that would melt you. No one could say no to her, least of all my mother. So Darlene got her kitten and she loved that thing to death. Then one night, winter again, my mother was tending to a neighbor’s sick child and my father was off drinking. Darlene began to scream and we charged into her room and it took us a long time to calm her down. But by then we already saw what had unnerved her: the kitten was dead on the floor, drowned in a pool of its own blood and innards. It looked like it had been stepped upon. Hard. But Darlene said a skeleton man in black came into her room and he was a white man with “funny eyes” and that he picked up her kitten and squeezed it until the guts came out of its mouth. Then he laughed and said that one night soon, he was coming back to do the same to her.

Now, let me tell you about Shayla Hawk, our teacher at the mission school. A full-blooded Sioux, she was beautiful beyond belief. Her skin was copper, her hair long and black, her eyes just this side of midnight. Absolutely breathtaking. That same winter, the winter of the worst blizzard in memory, she did not come into town from her little cabin on the Creek. The tribal police, again, went in there. Shayla was quite dead. She had been taken apart, anatomized I guess you might say. Her head had been tied by the hair to the beams above along with her legs and arms and entrails. Her torso was nailed to the wall. They found her heart, tongue, and stomach in a stewpot. There was blood everywhere, of course. A single setting had been placed out on the table with cooked portions of her anatomy upon a plate. It had been partially eaten and a mug filled with her blood had been drained. A very grisly discovery, you might say. But what seemed worse is that whoever slaughtered her, whoever dressed her out like a deer, calmly sat there, eating her as her organs boiled on the stove and her remains dripped from the rafters above.

That’s a horror story, isn’t it?

But it’s true. There was a rumor that the only evidence was a single handprint burned into the wall. Months later, Jim Fastwind and I snuck up there and had ourselves a look. Even then, the stink was still evident—sour, gamey, heavy in the air. But we saw the handprint burned into the log wall nearly an inch by our reckoning. Not the hand of a monster but a very human hand, except the fingers were easily ten or eleven inches in length.

Well, now you’re getting a taste of life on the reservation in those days, aren’t you? It wasn’t all bad, surely, but when the man in black started showing up—and when he did, people died or went mad—things became considerably worse. By then, of course, he was called the Skeleton Man when he was mentioned at all… because that’s how Darlene described him. Like a skeleton in a black suit. So thin he could slide under a door which, she claimed, was how he entered her room that night.

Regardless, the reasonable thinking people of the tribe decided that this boogeyman was nothing but a campfire story, a folktale, what have you. Something that years later might have been referred to as an urban legend. Yet, when things happened now and again there was always some skein of bullshit concerning the Skeleton Man. But the tribal police said it was nonsense and people concurred… at least publicly. Privately, they kept a close eye on their children. For maybe the light of reason will chase away the shadows, but sooner or later that light will go out and the shadows will come skittering back.

One dog-hot August night of the year as I lay in my bed, my father was sitting on a willow stump out in the yard doing his drinking. I heard him talking to someone. I looked out there and there was a man with him. A tall, thin almost emaciated man dressed in black. In the moonlight I could see his face and it was like white cheese. His eyes were like topaz. And his mouth—oh, how I remember that mouth—grinning huge like if it opened much more it would swallow the world.

My father said something and this man in black, the Skeleton Man, said, “We’ll walk together, hand in hand. To a place you’ve never seen and no man may yet know.”

I wanted to cry out to my father not to go with him, not to listen to what he said… but I was terrified. I was so afraid I was shaking. As they started walking side by side I noticed that the Skeleton Man cast no shadow in the moonlight. I opened my mouth to scream. That’s when the man in black put those pink jellyfish eyes on me and I swear to you it felt like a thousand spiders crept up my spine. I could not speak. I could not move. Maybe it was what they call a hysterical paralysis, but maybe it was a little something more. I lapsed into a fever that lasted over a week and I only vaguely remember Dr. Beak hovering over me smelling of disinfectants and five-dollar rye whiskey.

And my father? We never saw him again. But a few years later when a particularly dark tract of woods we kids called Lonesome Thicket got flattened by a rogue tornado, bones were found. A complete set of white shining bones in the very top branches of a thirty-foot oak. I won’t attempt to explain that, but I believe I knew who the bones belonged to.

But now I backtrack. For on the morning of the night I saw my father walk off with the Skeleton Man, something happened. A 1969 Plymouth Roadrunner rolled into Crabeater Creek. The Roadrunner had been cruising the Spirit Lake Reservation most of the morning and people had noticed it, of course it. It would pull up before someone’s house, the big meat-eating 426 Hemi under the hood purring like a big cat with an empty belly, then it would drive off. There seemed to be no rhyme or reason. Every time the tribal police showed to investigate, the car was gone and there was only some crazy story of a long, sleek machine painted flat black that looked like a shark out of a nightmare, something fast and lethal that swam the roads of the rez, its sparkling chrome grill like jaws waiting to open for a sacrifice of flesh and blood.

But the Roadrunner took no sacrifice.

It slowly cruised the high roads and dirt tracks, getting familiar with Crabeater Creek particularly for reasons only known to the man behind the wheel. Who was that man? You may well ask and I may well tell you. But for now, don’t ask me how it is I know these things. Just listen.

The man’s name was Chaney, though he had been known in other places as Royer and Smith and Bowers. He had been known by a lot of names in a lot of places. But that day, at the end of a hot dead August, he was Chaney. Had you seen him walking down the street, tall and proud and juiced to the gills on hard, acid-eating attitude, you would have crossed the street to get out of his way. For it was within him and without, that simmering evil, something physical yet impossibly… nebulous. Something savage and empty and raw-boned. I had a teacher at the mission school who said that iniquity in its purest form has a certain attraction, but there was nothing remotely attractive about Chaney. His eyes were soft and pink and juicy like the bowels of a hog. He was a skeleton wrapped in skin. His face was the color of a new moon, pocked with holes and drawn by scars.

So Chaney was indeed the Skeleton Man. He pulled up in front of a deserted house on Grassy Hill just across the creek and sat behind the wheel of that death-black Roadrunner. He did not move. He did not fidget and he did not blink his eyes, he only stared and hummed a morose tune under his breath. Just waiting, forever waiting. That house on Grassy Hill had once belonged to an Indian agent named Summers and had been sitting empty since Mathew Lake had hung himself from the chandelier three years earlier.

Several dozen people had seen the Roadrunner that morning and the strange thing was that, though they saw the actual physical incarnation of the car, their minds assured them that what they had seen was not a 1960’s muscle car with a flat and lusterless paintjob, but a black hearse. An old Cadillac hearse straight out of the 1950’s, glossy and dark and somehow ghostly, even in the early hours of that sunny, fine day. The sight of it disturbed them in ways they could not—or did not want to—understand. It made something turn bad inside them, made voices whisper in their heads and their bellies turn over in a slow unpleasant roll. They saw it pass and felt the spit dry up in their mouths, smelled impossible things like black graveyard dirt and rotting flowers. But what bothered them most was that, although the sunlight came down bright and sure, the car cast no shadow that they could see. This was something they would tell themselves later that they had imagined, but when the nightmares of that hearse haunted their bones at three in the morning, they would know better.

Only one man, far as I can tell, talked with Chaney that morning and that was Albert Smith. But Albert was a drunk and nobody paid much mind to anything he said. Albert claimed to have stepped out of an alley in Crabeater Creek and there was Chaney the Skeleton Man. Albert described him as looking like “a loose, slithering weave of shadows.”

Albert was terrified and particularly because there was not another soul around. Just him and the Skeleton Man. He claimed he went down to his knees and begged that his life be spared. But the Skeleton Man was disinterested. He stared down the street with his pink eyes and said, “This village appeals to me. Each time I come here I enjoy it. How ready is it for the reaping, the harvesting. Too many dark places tucked away in too many hearts. Too many secrets under the surface and too many closets filled with bones. I bid you good day, sir. Tomorrow I will be back and you will wait for me.”

So, far as I can tell, Albert was the only one that day that spoke with Chaney the Skeleton Man and lived to tell the story.

Anyway, Chaney was at the house on Grassy Hill. He stepped out of the Roadrunner, lit a filterless cigarette with a finger that burned sulfur-hot like a matchhead and waited. As he told Albert, he liked Crabeater Creek. He had been there before and he liked its lines and curves, the smell and taste of it. Like a seductive and exotic woman, he was anxious to put his hands and mouth on it, to run his tongue over its hot, perfumed flesh.

But that would be later.

For now, Chaney was content just to be there. He pulled a briefcase from the backseat and, whistling like a man on his way to work, he moved through the gate and up the flagstone path to the vacant two-story frame house with an apple tree in full bloom out front. He plucked a FOR SALE sign out of the overgrown yard and went up the steps and in.

Inside, there was silence and echoes. A darkness that clung too readily beneath stairs and behind half-shut doors. His face pale and his eyes shining, Chaney looked around, seeing that there was no furniture to be had save a card table and a folding chair.

A car door slammed outside and Lona Whitebird, the local reservation real estate agent, came through the door smiling brightly even though she did not like this man called Chaney. For reasons she did not fully understand, he reminded her of the snake house at the Chicago Zoo. There was that same coiling vitality to him, that vague musky, reptilian odor that seemed to waft off him. But he had the proper paperwork, proving he was an enrolled member of the Spirit Lake Sioux, so she could not deny him even though she was certain he was no Indian. She was, in the back of her crowding little mind, not even sure he was a man.

“Well, Mr. Chaney,” she said. “I see you’ve taken down the sign. I think that means you’ve made a decision.”

“I have,” he said.

“And?”

“This will do nicely.” He nodded his head, but did not smile. “I will make a fine and secret work here.”

Lona did not know what he meant by that and was not sure she wanted to. Chaney was always saying things like that, she discovered in their earlier meeting when he inquired of the house, things loaded with innuendo that you did not dare question. There was a concrete ambiance to him, an appetite she did not like. He reminded her of something stark and cold like a slaughterhouse. When she looked at him she could only think of winds blown through October cemeteries. His eyes did not emote, they were dead things waiting to be filled with something. His face was the color of bone, a pallid canvas of scar-tissue set with draws and hollows that coveted shadow.

Nothing good could come of a man like Chaney, she thought.

And she was right. For he was just a gnawed shell, an empty drum of giggling darkness and scratching midnight. He was no more human than a bag of cobras.

“Well, then,” Lona said. “I guess we have some papers to sign.”

She sat at the card table and opened a folder of documents. Chaney stood behind her and she could feel his shadow that was cold and blank. His own briefcase was open and she could see it held nothing but a hammer and a bag of long nails.

“All set to do some home improvement, I see.”

“Yes,” he breathed. “Oh yes.”

She turned to look at him, smelling his breath which was like thawing meat, and seeing that he was grinning. His teeth were long and overlapping like those of a crocodile. He had something in his hand. A six-inch blade sprung from it.

He handed it to her and although she shook her head, she took it in her hand and immediately began to shake and tremble.

“Use it,” he said. “There’s a good girl. Let us sign the pact.”

Still shaking her head, Lona sank the knife into her own throat. She fell to the floor, bleeding and moaning, trying to crawl for the door. She left a bloody trail behind her and died with her fingers gripping the knob. Whistling, Chaney took up his hammer and put a few nails in his mouth like carpenter. Then he lifted Lona up and nailed her to the wall, crucifying her. A nail in each wrist and one through each ankle. Then another through her throat just because it pleased him to do so.

He stared at her corpse for some time, knowing that a simple act of expiation was what was needed to get the ball rolling.

Wiping blood from his hands, he sat down at the table, humming, listening to the continual dripping of Lona’s corpse.

“And that is all I know about the man called Chaney. How I know you’ll soon learn. All I can say is that I learned it the same way you’ll learn answers to your own questions. Now, as I said, I was down with a violent fever for a week. More than a week… then, one hot night, I woke up with the most awful feeling of being watched. Of being stared at. I felt those eyes boring into me and nobody could convince me different. I remember being terrified, being filled with an irrational terror of the unknown only a child can truly know. So, despite the fear, I got up and went to the window. I saw a man standing in the road below. He was staring up at me. To this day I remember him only too well. He was the man in black, the Skeleton Man, and I knew this without question—a tall, narrow man, skeletal and grinning like a skull. He stood in the moonlight and he cast no shadow.

He beckoned to me and I felt rivers of cool-hot sweat course down my face. I shook and trembled. I tried to call out to someone but it was like my lips were sewn shut. What made it worse—if it could have been worse—was that I had been dreaming about him in my delirium. Ever since he walked off with my father and threw that look at me, drove me down into that rank pit of fevers, he had been in my dreams. Infesting them, you might say. The image of him had been growing in my head like a dark seed planted in the soil of my soul. I had not known this, not until afterwards, but it had been there, that face, that expression, that personality slowly eclipsing my own, growing in my head until it filled my skull, casting who I was into a pool of shadow from which it would never escape.

I finally managed to cry out.

But no one came to my rescue because there was no one left, you see. I cried out and down there, in the road, the Skeleton Man faded away. The last thing to go was the face. It was like a bright full moon burned into my retinas and I could see nothing else. Just that face. A face of darkness and light, a phosphorescent complexion that was pitted and sinister, teeth long and narrow and impossibly white. And eyes… oh yes, those eyes… those pink, pink eyes like glistening roe. Long after the face had faded, those eyes remained, shining and discarnate.

Though I was still pretty loopy from the fever, I made myself stand up straight. I made myself breathe in deep. I forced air into my lungs, oxygenating my blood, pushing the shadows out of my brain so I could see clearly, because I knew then that clarity had never been so important. I went to the door and that’s when I heard the first scream. It was quick and shrieking. Then there was another and another and another. All of them were quick. They left me reeling. I counted six of them and I knew they were the screams of my four brothers, my mother, and my sister Darlene.

I made myself go down the stairs.

I felt something behind me. Something following me. Even before I got downstairs I could smell the death: it was hot and meaty. It was a slaughterhouse down there. The floor was slick with fluids and entrails, the air tasted almost salty with fresh blood. I think I slipped on it and fell or maybe I blacked out for a few seconds. But when I opened my eyes I was laying right beneath them: the carcasses of my family. They were hanging upside down, nailed to the rafters above by the feet. Each of them had been opened crotch to throat and what had been inside was slopped over the floor. Their eyes were plucked out, their tongues yanked free, their throats cut, and as a final… depravity, the edges of their mouths had been slit upwards giving them each a bright red clownish grin.

They were dead.

My family had been butchered.

And into their backs a word had been branded. I think you know what word it is if you’ve been through Victoria so I won’t tell you even if I could read it.

Darlene, poor sweet little Darlene. She was on the floor by me, squeezed like her kitten… her guts steaming from her mouth.

Anyway, I could not scream. I had no air in my lungs. All that came out was a whistling expulsion of black air. And it was then that I became aware of a funny smell, a sharp stink like ozone that cut through the stench of death all around me: not subtle but searing and overpowering. Something in the corner by the woodstove shifted, rustled. A shadow rose like a balloon filling itself with air. There was someone there, something there. It was no optical illusion, a form was taking shape, something born of shadows, born of darkness. It filled out and I saw a man. He was dressed in black and his face was pale as moonlight, the complexion craggy and drawn. The eyes were pink and bright like pockets of pus.

“How fare you, little boy?” he said. “Does thee fare well?”

I wanted to leap at him and tear him into pieces but I knew I never could because he was a ghost. He had no more true solidity than mist. But I was young and hot-blooded so I jumped to my feet and ran at him. Even the pungent stink of open graves and corpse slime that came off him did not stop me. I went at him, swinging and clawing and he was like black smoke. My fists went right through him and he laughed at me until I fell at his feet, panting and sobbing and wailing.

“The little injun that could,” he said in that voice of whispering casket silk. “What spirit, what gumption, what guile.” He laughed again, then held out his hand to me. “Take it boy. Take what is offered.” The hand was like white rubber, shiny like wet neoprene. The fingers were white and slender and almost delicate. There were no nails at the ends of the fingers but thorny yellow claws. Flies were crawling over the back of the hand. “Take it, Little Injun, whilst I have patience. Your sister took it.”

I looked up at him and I knew I was dead. I knew he’d roast my soul in hell and cook my brains on a hot dog fork over the hottest fire in the nether regions, but I did not believe what he said. I had decided that he was the Devil or perhaps Death, or perhaps the very thing that had inspired those stories. Trembling and sobbing, I just looked up at him and hated with everything I had. “YOU LIE!” I told him “YOU ARE NOTHING BUT LIES!”

And he laughed. Oh, how he laughed. But you have never heard such laughter, my friend. There was no joy or mirth in it. It was the sound of agony and cruel suffering, starvation and suicide, scraping blackness and minds imploding with raw insanity. “Little Injun! How dare you speaketh unto thou! But I do not lie, my little red heathen, my little wagon-burner, my quaint little red savage: Darlene took it. She begged for it and I took her. Before I opened her, I raped her and she died screaming, begging for more! Oh, how she twisted, how she writhed, how she foamed with blood and squealed a fine hellsong, plump squealing piggy!”

I shouted something at him and he roared with laughter again. I covered my ears because I would not listen and he grinned and it was the grin of something dead pulled from a lake. I felt things in my ears. Crawling things biting my hands, so I pulled them away and they were red with blood from the bites of hundreds of spiders that were pouring from my ears… black widows, I think. Black, round, shiny bodies, skittering needle legs.

“When I speak, you will listen. My words you will hear… do you understand, Little Injun?”

“NO!” I cried.

“Then let’s spin another tale. If you won’t listen I’ll crawl inside your head. Would you like that? Would you like me to live in your skull and scream at you all day long and on through the night?” He saw that the idea of such a thing scared me and knew without a doubt that he had my undivided attention. “Your mother, the poor squaw. Hadn’t she suffered enough? Hadn’t she begged gods both black and white, pagan and Christian and wholly indifferent for a few crusts of bread? For food for the mouths of her children and clothes for their backs? Yes, Little Injun, she had. But being a squaw she was born to suffer for the word squaw is but French trapper slang for cunt. Did you know that, Little Injun? Now you do. For the hole of woman is the mouth of hell and the vanity that spawns Armageddon.” He lowered himself down until his face was six inches from my own and I could smell the hot, cremating stench of his breath which was carrion in moldering boxes and sewers clogged with black filth, excrement, tomatoes rotting black and babies swollen blue. “I took special pains with your mother. I had to rape her, Little Injun. For she was guilty of bringing you squalling little redskin brats into the world in the first place. So she had to be punished for that seething hungry hole of hers, sucking life and spewing babes… and as God is my witness—for he must be, mustn’t he?—I punished her and jabbed my frozen member into her until she screamed, until black arterial blood ran from her mouth, until she knew the torments of the damned and she renounced her false gods and swore allegiance to me. And then, and only then, did I let her take me in her mouth where I gave her a squirt of something that turned her tongue to pulp and burned a hole in her throat.” He laughed again and it sounded like babies flayed.

“Now take my hand, you squirming grub,” he ordered me.

And I almost did. But when I looked again there was no hand and there was no Skeleton Man. Just the sound of his laughter and two glowing pink eyes shrinking into the shadows where they winked out like dying stars.

I ran outside into the night.

I knocked on door after door after door, but there was no answer so I stopped knocking and invited myself in and in house after house after house it was the same: carcasses hanging upside down, slit open, gouged and rent, feet nailed to beams above. In the house of my friend Jim Fastwind, the corpses were moving. They were swaying back and forth like they were dancing to some sort of rhythm. Their mouths were opening and closing and they were all saying the same thing: my name. It was the Skeleton Man and I knew it was the Skeleton Man. He had done this. All of it.

Then he was beside me again. He didn’t ask for my hand, he took it. His hand was so cold it burned my own. He dragged me outside and across the way, into the house of Macey Flowers who’d just had a baby. Macey and her father were hanging upside down, of course, saying things to me in the voice of my mother. But I would not listen. It was blasphemy and I would not listen.

In the back bedroom, Macey’s baby boy was squirming beneath a dirty blanket, bawling for his mother whose love he’d never know again. I looked down at the child, afraid of what I might see, but it was only a tear-streaked face red with exertion and frustration and fear.

“Let’s play a game, Little Injun.”

I just stared at the child. I wanted to pick it up, hold it against me and make it feel better, but the Skeleton Man would not allow it and I knew it. When I tried to move, my arms were rubber. Dead, senseless limbs.

The Skeleton Man held a deck of tarot cards in his hand and they were well-worn. I remember that much. “We’ll cut for the little porker, shall we? A gentleman’s wager for I am a gentleman and you with your heathen red blood must surely understand pride.”

My hand was working suddenly and I drew a card from the deck without even thinking about what it was I was doing. The card I drew was the Fool and the card the Skeleton Man drew was Death. “Ha! You’ve lost, Little Injun! For Death trumps all!”

I wanted to run, but he wouldn’t let me. He made me watch what he did then. “Death, so sayeth the Lord of Graveyards!” He pointed a finger at the baby and it no longer moved. Its eyes were wide and glazed, drool running from its pink blossom of a mouth. Then it began to go green, it bloated up like it was filling with gas and then it made a sound like violent farting and maggots poured from it in squirming rivers.

“Do you favor the hand of Death, Little Injun?”

But I could not speak. It was only the will of the Skeleton Man that kept me standing, kept my eyes open.

“Tut,” he said. “I see that you do not.” Then he dug the nails of his left thumb and forefinger into one of the holes in his white face and pulled out a wriggling red worm. A resurrection worm of the sort that would fall from the sky much later on. It came out with a sound like a thread pulled through a button hole. He dropped it onto the dead baby and it swam into the foaming white sea of maggots. “Born again, so sayeth the Maker and Unmaker, breathe my plump little chavy, smile out at us from the charnel!”

The baby moved. It reached out its gas-distended fingers at me, making a crying, hungry sound as graveworms fountained from its mouth. “Hold it, Little Injun. Pick it up and love it. Press the sweet baby against your cheek. Breathe warmth into the little grub. But beware, I say, of its sharp little milk teeth.”

But I could not touch it and he did not make me. It wasn’t mercy; it was amusement. He pointed his finger at the baby and it seized up. “Back to the earth, sayeth my voice!” The baby not only seized up, but blackened and fell into itself with a crackling sound like melted plastic or dry cellophane. Then it burst open, cracking apart like an egg and there was nothing but maggots inside, shining and white, then a blackness of oily carrion beetles.

“As I did unto your family, I have done unto that squalling brat,” the Skeleton Man said to me with a whispering, windy voice. “And as I have done unto them so I have done unto the village of the Crabeater and certainly to Shayla Hawk who I made beg for death before I gutted her like a fish.”

I screamed and ran out of there, tripping down the stairs and crawling through the grass and that’s when I saw the town was burning. The fire was racing up the road and house after house went up in flames. I ran with the heat at my back and made it outside Crabeater Creek, winded and seared and blackened with smoke, but I made it. I watched the town burn flat.

They said a propane leak had started it all. Bullshit, of course. But nobody dug any deeper into it and that was that. I ended up in the mission school and some years later I became a tribal cop after I got out of the Army. Some twenty years after the inferno that took Crabeater Creek, I was out on patrol. In Crow Hill one afternoon, I saw the car: that black car, the Roadrunner.

I told myself it wasn’t so as you would tell yourself it wasn’t so.

But I knew it was the one, that same flat black monster with tinted windows that had crawled from the sixties. I slowed and saw there was a man leaning up against it. He waved. He was dressed in black. That white face. Those awful eyes. It was Chaney. It was the Skeleton Man. Again, I told myself it wasn’t so as I pulled the patrol car up behind that Road Runner. But something had already gone bad inside me, something went cold and my guts pulled down deep.

I had a mad desire to stomp on the accelerator and drive off, run while I still could but instead I pulled to a stop and grabbed the riot gun, clicked the safety off.

I stepped out, my belly filled with poison now. “Who the hell are you, Slick?”

The man in black just grinned and his teeth were long and narrow like those of something that fed on dead things. He was tall and thin. All over his white hands were names, dozens and dozens of names written in tiny, flowing letters.

“I said, what’s your name?”

“Chaney,” he said. “Chaney. Just like last time, Little Injun. How fare you, my heathen savage?”

There was an accent to his voice but I couldn’t place it. He had an accent in Crabeater Creek that night, too. It sounded European, I thought. Regardless, in Crow Hill that day the voice was raspy and raw like he had been gargling with powdered glass. His face was skullish, set with lots of hollows and draws, the lips thin as a paper cut, the flesh nothing but poorly mended scar tissue like he had used lye as a facial scrub sometime in the past. But it was the eyes lording over all this that found and held me… they were flesh-pink, bubblegum pink, and glossy, completely without whites. The eyes of an unborn reptile.

“Long has it been since we met, Little Injun.”

“Shut your mouth,” I said. “Tell me who you are and where you are from.”

He laughed. “I think you know who I am and perhaps what I am. But I enjoy games. So let us play, you and I. Now, you know I’m not from these parts. I just come and go like a… well, like a bad storm or a disease wind. I do my thing, as it were, I sow and reap, and then I just push on. My name is Chaney. At least today it is. I plan on causing trouble tonight and having a bit of a lark. How’s that set with you, Little Injun? About the time this village wakes from its nightmare and comes to its senses, I’ll be on my way. Another dark story for another dark and rainy night, hmm?”

I had no spit in my mouth. My throat had constricted down to a pinhole and I was having trouble breathing. When I got my voice out, it was broken and airless: “Okay, Mr. Chaney, okay. I’ve had about enough of your shit for one day. You wanna blow smoke up somebody’s ass, it won’t be mine. Now, why don’t you turn around and put your hands flat on the hood of the car there. Assume the position, because I figure you know it.”

The Skeleton Man started laughing… at least laughter came out of his mouth. It never touched the rest of his face, though. That was still hard and cruel and hideous. The laughter was high and scraping and almost hysterical. “Now, you know you can’t put the cuffs on me, Little Injun. You damn well know you can’t any more than you can draw down the moon and put it in your back pocket or knit yourself a set of breeches from the fog that comes in off the river. Shall we be sensible? Shall we sit like old friends and talk of Crabeater Creek?”

The sweat was rolling down my face. There was a smell coming off Chaney and it reminded me of things long buried that had been exhumed. “Who the hell are you?”

Chaney the Skeleton Man lit a cigarette, only no flame ever touched it… it just flared up. Smoke rolled from his nostrils. “I’m Chaney. Already told you that. Oh, tomorrow I might be Smith or Blake or Lupez or Snarnov, but right now I’m Chaney. Fair enough, Little Injun?”

I could feel the shotgun in my hands, feel my finger putting pressure on the trigger. “What’re you doing here?”

“You already know why I’m here. I’m Chaney and I’ve come to do some business, that’s all. Next week, next month it’ll be a different town and a different name.”

Chaney stepped forward and I put the shotgun on him, had every intention of killing him. I had dreamed of doing it for many years. Only I couldn’t seem to pull the trigger. And Chaney knew that. He grinned, his pink eyes filled with motion like ripples in a fleshy pond.

“Now, Little Injun. Look what I have here. Look what is in mine hand.”

It was a book. One of those huge antique books, a folio like the Gutenberg Bible. A massive leather-bound tome thicker than a Manhattan phonebook. It was well-worn, the iron hasp rusting. I knew what it was: The Book of Hell. This is where the names of the dead were written, the names of the souls the Skeleton Man reaped. He cracked it open and held it out to me. The pages fluttered in the breeze. About two-thirds of the way through the book they stopped and my eyes locked on a single page. There were the names. The names of all the families that had been exterminated in Crabeater Creek written in a spidery precise hand using a faded brown ink that looked like old blood. I saw the names of Jim Fastwind and his family. Shayla Hawk. Skip Darling, his wife, and children. Lona Whitebird. They were all there, as were the names of my mother and father, my brothers and my kid sister. My name was there, too. In fact, it had been underlined three times.

By this time, the Skeleton Man’s grin was immense and ghoulish, an autopsy grin, a leering death rictus of long white teeth, the grin of a hungry corpse. His breath was like hot sulfur. “Now we understand each other, Little Injun, do we not?”

I was sweating and shaking, something inside my head, maybe my free will, melting and going to taffy. “Don’t you move or I swear to God I’ll kill you!” I was still pretending things were not what I knew them to be. Chaney was just some perp, some low-life criminal scum and me, Sergeant Frank Feathers, why I was going to run him in and put him behind bars. That’s how much I was deluding myself. But it was fear, friend. I was negotiating from a position of fear. “Put your hands up or I’ll kill you! I swear to God I will!”

“God has nothing to do with this,” said Chaney, still grinning. The Cheshire Cat? Certainly. But maybe more like the Cheshire Cat after starving a week in a grave and then showing up scratching at Alice’s window after midnight, grave-dirt falling from his whiskers, that horrible appetite on full display in the form of a toothy charnel grin. “And you will not kill me because I cannot be killed. I, who am the cosmic lord of death! I, the dark lord of gallows and graveyards, gibbets and—”

“SHUT UP!” I screamed at him. “SHUT THE FUCK UP WITH THAT FILTH! I DON’T WANT TO HEAR ANY MORE OF YOUR DIRTY ROTTEN FUCKING FILTH! YOU PESTILENCE! YOU SORE! YOU CANCER!”

I brought the riot gun up at that moment, my hands shaking wildly as I tried to jerk the trigger. But it was no good, simply no good. I did not have the strength or the will. Tears began to roll down my cheeks and I saw in Chaney’s face the images of my mother and father, my brothers and little sister, Jim Fastwind and Shayla Hawk and the lunatic giggling face of Skip Darling.

“I know all about you, Frank Feathers,” said the Skeleton Man.

“You don’t!”

“Ah, Little Injun, but I do. Your daddy was Jim and your mother was Clarice. I knew them well, as did I your brothers and your sister Darlene because I gutted them and I nailed them to the ceiling, did I not? I danced in the moonlight wearing the bowels of your baby sister! I chewed her from cunt to throat! Yummy, yummy, hot in my tummy!” He laughed with a sound like breaking glass. “But I know more, much more! You had a kid brother that went stillborn in the womb. When you were seven years old you got bit by a spider and contracted blood poisoning and nearly died. You had another sister named Amanda that was run down by a car when you were but five years old. You played baseball and you got your first handjob from a squaw named Leslie when you were thirteen. You were in the Army and you knocked up a girl in Germany, only you never did meet your son. What a shame. And not six years back your wife died of cancer. Now wasn’t that a sad business? She was in a coma for two weeks beforehand and when she finally came out of it, she was so doped up on morphine she thought you were her Aunt Maurine. Remember, Little Injun? Remember how you held her hand when they shut her life support off? The digital displays slowly dropping as she passed into death? The way her hand felt small and greasy in your own like the flesh of a mushroom and how you cried as she passed from this life and—”

“Shut up! Shut up! Shut up!”

The Skeleton Man just laughed, laughed with that same high and hysterical sound, just beside himself and quite possibly out of his mind. And at that moment, I was not sure about anything. Not sure if this was even happening or that, if it was, if Chaney was even a man. Yes, he had two arms and two legs, one head, all the standard equipment, but there was something terribly off about him. He was like some cardboard cut-out, something one-dimensional lacking any true depth or substance. Not really a human being as such, but the reflection of one, a shade, a grim caricature of a man. I had the disquieting notion that if Chaney turned sideways, he would cease to exist altogether. That if I was able to actually pull the trigger of the riot gun, Chaney would not die from the blast, would not even be wounded… he would simply dissipate like a cloud of smoke, atoms scattered, waiting to be organized into Chaney the Skeleton Man all over again.

I squeezed my eyes shut, hoping Chaney would not be there when I opened them. But he was. He was there, all right, and he was no longer smiling. He was just staring with those pink, steaming eyes. “Put the gun in your mouth, Little Injun,” he said.

I tried to jerk the trigger again, but it was no good. Something was inside my head, something dark and diabolic, something eating my mind up one bite at a time and there wasn’t a goddamn thing I could do but feel my willpower being shredded and ingested. I was just a passenger, a marionette waiting to be worked.

“Do as you are told, Little Injun.”

So I did. I slid that oily, black-tasting barrel into my mouth and as much as the idea was abhorrent to who and what I was, I saw escape. I saw a way out. I saw release from the clutches of the thing that held me and that release was pure, it was sweet to taste. I frantically tried to pull the trigger but my fingers were no good, they would not obey.

“Soon enough, Little Injun, soon enough.”

The riot gun fell from my hands and clattered into the street. I was defeated and fatigued. I was drained. I was broken. I noticed then what so many had noticed before: that the Skeleton Man cast no shadow. Not that that bit of information was any real surprise: things like him never cast shadows.

Something released me at that moment and I ran.

I ran out of pure animal fear. I ran through fields and thickets, I splashed through streams, I struggled in the mud of bogs… and all the while, the Skeleton Man followed. He did not walk or run, he drifted six inches off the ground, telling me how he had killed my family and speaking in their voices and telling me how, when the time came, I would die, too.

Then he was gone and I was alone, sore and scratched from twigs scraping my face, my uniform filthy with dirt and pond mud and pickers. I think I made up some crazy story about chasing some guy, something the other cops could understand, and it was that night I found something in my pocket, something he had given me.