Budayeen Nights: Stories

Introduction to Marîd Changes His Mind

This is, of course, the first two chapters of A Fire in the Sun, the second of the Budayeen novels. George always said he liked to start a novel with what is essentially an unrelated (or almost unrelated) short story about the character, like that first ten-minute sequence of the film Goldfinger.

George was the first person I knew to write about clip-in personalities, long before Hollywood explored the idea in the film Strange Days, and he came back to this device many times in the Budayeen series. In many ways this story is an exploration of the Wonderful World of Moddies and Daddies.

The technology itself, he said, had been designed for treatment of neurological damage. But like all technology, it was immediately seized upon and exploited by the entertainment and pornography industries so that its original intent was almost forgotten.

In this story we also meet some of the Effinger Revolving Cast. George liked to recycle characters from story to story, sometimes disregarding entirely the fact that they might have been killed in a previous tale. In “Marîd Changes His Mind,” we encounter the tavern keeper M. Gargotier and his daughter Maddie, who are prototypical inhabitants of the Budayeen, having first made their appearance in “The City on the Sand” and who also figured in George’s caper-novel Felicia — which of course wasn’t set in the Budayeen and hadn’t the slightest thing to do with it.

We also encounter one of the many incarnations of Sandor Courane, the hapless science fiction writer who gets killed in so many of George’s stories. This is one of Courane’s few appearances where he doesn’t die, and in fact gets to live presumably happily ever after. Courane (whom we also meet in “The City on the Sand”) is, like Marîd, a version of George himself, so of course Marîd describes him as looking a little like himself but older, plumper, and wiser. A poet, allegedly, hut not a very good one.

— Barbara Hambly