Anathem

The last night of 3689 I dreamed that something was troubling Fraa Orolo, and that everyone had noticed, but on no account would he or anyone else speak of it openly. So it was a mystery. And yet everyone knew what it was: the planets were deviating from their courses, and the clock was wrong. For part of the clock was an orrery: a mechanical model of the solar system that displayed the current positions of the planets and many of their moons. It was in the narthex or lobby between the Day Gate and the north nave. It had been exactly correct for thirty-four centuries, but now it had gone out of whack. The marble, crystal, steel, and lapis spheres that represented the planets had moved to positions that were at odds with what Fraa Orolo could plainly see even in the smallest of telescopes. Never mentioned in the dream, but understood by me, was that the problem must have something to do with the Ita, because the orrery was one of the systems driven by the devices that they tended in the vaulted cavern beneath the floor of the Mynster.

The same system, it was rumored, effected subtle corrections to the rate of the main clock. If the error down in the cellar were not fixed, it would lead to greater errors that would be obvious to all, such as the bells chiming midday when the sun was not at its zenith, or the Day Gate opening before or after sunrise.

In a universe governed by the usual logic, those errors would have cropped up later than the tiny discrepancies between the orrery and the planets. But in dream-logic, it all happened at the same time, so that I was wondering what was troubling Fraa Orolo even as I saw the orrery show the phase of the moon wrong, which happened at the same time as burgers were wandering in through the Day Gate at midnight. But for some reason, none of those errors troubled me as much as the sounds emanating from the belfry: the bells ringing the wrong changes…

I opened my eyes to hear Apert ringing. Or so the other fraas in my cell speculated. There was no way of telling unless you listened carefully for a few minutes. The belfry movement could play fixed tunes, for example to chime the hours. But to announce auts and other events, our team of ringers would disengage that mechanism and ring changes, or permutations of tones. There was a pattern or code in them that we were taught to understand. This was supposedly so that messages could be cast to a sprawling concent without the people extramuros knowing what was being said.

Not that there was anything secret about Apert. This was the first day of 3690; therefore, not only the Day Gate but the Unarian and Decenarian Gates would open at sunrise. Any extra who glanced at a calendar knew this perfectly well, and so did we. But for some reason none of us would get out of bed and act upon it until we heard the right sequence of tones ring out from the belfry: a melody reversed, flipped upside-down, and turned back on itself in a particular way.

We sat up, three naked fraas in a cold cell with our bolts and chords and spheres all disheveled on the pallets. Such a day called for a formal wrap, which was difficult to manage alone. Fraa Holbane’s feet had touched the floor first, so I leaned over and rummaged through his warm, stirred-up bolt until my fingers felt the fraying end, which I drew toward me. Fraa Arsibalt, the third one in the cell, was the last to wake up; after some strong language from me and Holbane, he finally took up the selvage end. We went out into the corridor and stretched it between us. Fraa Holbane had made it short, thick, and fuzzy for warmth.

Arsibalt and I pleated Holbane’s bolt and then backed away from each other as Holbane made it three times as long and much thinner. Chord wadded in his hand, he crawled under it and then stood so that it was tented over his left shoulder. Then all he had to do was swivel this way and that, and raise and lower his arms at the right times, while Arsibalt and I moved about him, like planets in an orrery, winding the bolt, spreading or bunching pleats as necessary. The finished wrap was notoriously unstable, so we held it in place for a minute while Holbane passed his chord over it in several places and tied a few important knots. Then he was free to partner with Arsibalt in getting my bolt around me. Finally, Holbane and I did it for Arsibalt. Arsibalt always liked to go last, so that he would get the best results. Not that he was vain. On the contrary, of all of our crop, he seemed best suited to live in a math. He was big and portly, and kept trying to grow a beard so that he could look more like the old fraa that he was destined to be. But unlike, say, Fraa Lio, who invented new wraps all the time, Arsibalt insisted on having it done right.

When we were all clothed, we spent a few more minutes making extra passes with our chords and shaping the pleats that hooded our heads: just about the only part of this wrap where it was possible to show any individual style.

Completed sandals were heaped on the ground next to the exit of the cell-house. I kicked through them looking for a pair big enough for my feet. The Discipline had been created by people who lived in warm places. It allowed each of the avout to own a bolt, a chord, and a sphere, but it said nothing about footwear. That didn’t trouble us much during the summer. But the weather was getting ready to turn cold. And during Apert we might go extramuros and walk on city streets with broken glass and other hazards. We stretched the Discipline a little bit, wearing tire sandals during Apert and soft-soled mukluks during the winter months. The avout of Saunt Edhar had been doing this for a long time now and the Inquisition hadn’t come down on us yet, so it seemed that we were safe. I made a pair of sandals mine, and tied them onto my feet.

Finally, each of us took his sphere and made it fist-sized. As we strolled in the direction of the Mynster, we passed the knotted ends of our chords around these, weaving simple nets to entrap them, then made the spheres inhale and swell to draw the chords taut. Each of us then made his sphere glow with a soft scarlet light. The light was so that we could see where we were going and the color was to mark ourselves as Tenners, which was necessary since before long we’d be mixed up with One-offs.

When all of these preparations were finished, the sphere dangled from the right hip and swung against the thigh, which looked fascinating when a couple of hundred of us were converging on the Mynster in the dark. If you wanted to look like a real Saunt in a statue, you could cup the glowing sphere in one hand and stroke it with the other while staring off into the distance as though mesmerized by the Light of Cnous.

Forty avout had risen earlier and gathered in the chancel. They were singing the processional of Decennial Apert as we came in. Woven into this chant was a melody I had not heard in ten years, or since I had stood inside the Decade Gate at sunrise and watched its stone-and-steel doors grind shut on everything I had ever known. To hear that melody now penetrated so deep into my brain that it literally threw me off balance, and I leaned into another fraa: Lio, who for once did not use it as an excuse to flip me over his hipbone and slam me to the ground, but rather pushed me back up straight, as if I were a crooked ikon, and turned his attention back to the aut.

All of the music was synchronized to the clock, which served as metronome and conductor. It went on for another quarter of an hour: no reading, no homily, just music.

The sky was clear, and so at the moment of sunrise, light washed down the well from the quartz prism at the top of the starhenge. The music stopped. We extinguished our spheres. I had an impression that the light from above was emerald-colored at first, or perhaps that was a trick of my eyes; by the time I’d blinked once, it had gone the color of the back of your hand when you shine a light through it in a dark cell. There was an unbearable moment of stillness when we all feared that (as in my dream) the clock was wrong and nothing would happen.

Then the central weight began to drop. This happened every day at sunrise to open the Day Gate. But today it was the signal for everyone to crane their necks and look up to where the Pr?sidium’s pillars pierced the Mynster’s vault. We heard, then saw movement. It was happening! Two of the weights were descending, riding down their rails to open the Year Gate and the Decade Gate.

We all gasped and exclaimed and cheered and many of us had to wipe our eyes. I could even hear the Thousanders reacting to it behind their screen. The cube and the octahedron descended into plain view and everyone roared. We applauded them as if they were celebrities at an awards ceremony. As they neared the chancel floor we hushed, as if fearing that they might smash into the ground. But as they got closer they slowed, and finally crept to a halt only a hand’s-breadth above the floor. Then we all laughed.

In some ways this was ridiculous. The clock was but a mechanism. It had no choice at this moment but to let those weights drop. Yet to see it happen created a feeling that can’t be conveyed to one who was not there. The choir were supposed to break into polyphonic singing now, and they almost couldn’t. But the raggedness of their voices was a music of its own.

Outside, beneath the singing, I could hear the sound of running waters.