ABSENT BY KATIE WILLIAMS

FOR ULY

PROLOGUE

“WHEN YOU DIE,” LUCAS HAYES ONCE TOLD ME, “IT’S LIKE every wound your body has ever had—every skinned knee, paper cut, pimple—opens up and says See? I told you so.” Lucas had held Brooke Lee as she’d jittered and bucked, rolled and foamed, and—yeah—died, so I figured he knew what he was talking about.

My best friend, Usha Das, took a different view. “Dying isn’t pain,” she said. “It’s nothing. That’s scary now, but you won’t feel scared when you’re nothing. You’ll feel nothing when you’re nothing.”

The biblicals in their cafeteria prayer circle all agreed that dying was being folded in the arms of Our Father, all woolly beard, thick bathrobe, and water vapor. The burners, on the other hand, hated their fathers, who bothered them all the time. Or didn’t bother them enough. They sucked on their cigarettes and said that dying was like blowing out smoke. Then they’d watch their smoke rise and twist and disappear over the heads of the shampoo-shiny ponies and gym-wet testos, who didn’t need to think about death because they could just smile pretty at the grim reaper and watch him float the other way, couldn’t they?

People were talking a lot about death that year, my senior year, because Brooke Lee had died right there in the girls’ bathroom across from the gym. I didn’t pay attention to most of it. My classmates were no more than what Usha and I had named them—biblicals, well-rounders, testos, and the rest—and they were always babbling on about one thing or another. But after I died, they started talking about my death and then I had no choice but to listen.

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