19. The Theater of Ghosts

Days passed, and it stayed like that. Nothing seemed to warm him but Khora’s touch. Otherwise he felt empty and cold. He swam under the sun, lay asleep on the beach, fished; and always cold.

Khora’s people wandered the ruins of quartz, furtive by day and lascivious in the dusk, stroking each other, kissing, reaching inside each other’s clothes. Nights were much darker and quieter than the festival night of Thel’s arrival: the evenings punctuated by soft laughter and the gleam of one central torch, breaking its light in the big chipped blocks of quartz that lay around the plaza; and the long nights strange voyages of pleasure in the queen’s big bedroom. The cat never again flowed out of her pubic mound, but the memory of it—the idea of it—inflamed Thel’s imagination, at the same time that he was repulsed by it. In the bed she pushed him about, brought her maids in to watch, told him what to do, even slapped him hard in the face; and he began to find this more and more exciting, even though he hated her for it. He only seemed truly to live when he was in contact with her body. Everything changed then, the chamber seemed charged with color, and the stars in the doorway sparked as if engendered by a blow to the head.

Then one night—he had lost track of time, it seemed he had been in this life for weeks and weeks—the routine changed, and they lit four torches and set them at the corners of the plaza, and sat at the center among their crossed shadows. The queen walked among them, naked under her long red cape.

“You wonder how this world came to be,” she said to Thel.

He shrugged, surprised. In fact he had stopped wondering long before. He didn’t know what to say.

The queen laughed at his expression. “You talk in your sleep, you see. Now listen. Everything is full of gods. And in the beginning the sea god filled the universe. The sea’s ideas were bubbles, and one bubble idea she called love, and all the water in the universe fell into that bubble, taking all the other gods with it. Most drowned, but two learned to swim, and these were the gods rock and dragon. These two loved the sea goddess, and for ages they swam in her and the three were lovers, and all was well until dragon went away, and came back and found rock plunged to ocean’s very center, an embrace dragon could never know, for rock did not need to breathe, and dragon did. And in a rage dragon flew away and grew as big as the sky, and reached back with one bony hand and clenched it around the two lovers, cutting through ocean’s body to grasp rock and strangle him. And rock died; and the sea goddess, cut in half, died; and seeing his two lovers dead, dragon died. And the bubble burst, leaving nothing but a theater of ghosts. And the lovers’ bodies rotted, until nothing of dragon was left but his skeleton; nothing of rock but his heart; nothing of ocean but her salty blood. And ages later dragon’s skeleton broke away and flew off through the empty sky, scattering its bones that are the stars. Only the bones of the hand which had strangled the lovers remained here, wrapping the round drop of ocean’s blood, cutting it down to rock. All who live on the remains of these three are accidental vermin, walking an edge of bone, which is highest at the old wristbones, and nearly submerged where forefinger once met thumb. We live by drinking ocean, eating rock, and standing on the dragon’s bones.”

And Khora laughed bitterly, and walked toward Thel with a stalking, vengeful lust.

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