A Magic of Nightfall

S. L. Farrell
Prelude: Nessantico

If a city can have a gender, Nessantico was female…

Once, she had been young and vital: the city, the woman. During her ascension, she had transformed herself into the most famous, the most beautiful, the most powerful of her kind.

She looked at herself now and wondered-as someone might who glimpses herself all unexpected in a mirror and is startled and disturbed by the image staring back-if those attributes still held true.

Oh, she knew that youth was fleeting and ephemeral. After all, the people dwelling within her walls led lives that were short and harsh. For them, the mirrored face changed relentlessly with each passing day until that morning when they realized that the reflection in the silvered glass was lined and tired, that the gray at the temples had spread and whitened. They might feel their joints protesting at a movement that had once required no effort or thought at all, or discover that injuries now required weeks rather than days to heal, or that illnesses lingered like unwelcome guests-or worse, transitioned from “lingering” to “chronic.”

The chill of mortality seeped into their mortal bones like slow ice.

Mortality: Nessantico felt it, too. Those within her disguised her lines and folds with the cosmetics of architecture. Look, she could say: there is cu’Brunelli’s grand dome for the Old Temple-fifteen years under construction now-which when finished will be the largest free-standing dome in the known world. There: that’s ca’Casseli’s ornate and beautiful Theatre a’Kralji on the Isle, capable of holding an audience of two thousand, with acoustics so fine that everyone can hear the slightest whisper on the stage; there, the Grande Libreria on the South Bank, begun under Kraljiki Justi’s reign and containing all the greatest intellectual works of humankind. Listen: that is the sweet music of ce’Miella, whose compositions rival the lush melodies of the master Darkmavis. Gaze on the symbol-laden paintings and murals of ce’Vaggio, whose ability to paint figures is often compared to that of the tragic master ci’Recroix. There is so much vibrant life here within Nessantico: all the plays and the dances, the celebrations and gaiety.

All is the same here as it has always been; no, all is better.

Yet she had changed, and she knew it. There were signs and portents. In Oldtown, not long ago, there was a woman born with the legs of a tarantula who (it was whispered) could kill with a single glance from her faceted eyes. There had been the affliction of thousands of green toads from the Fens two springs ago, so thick that they had covered the nearby lanes in a writhing mass a hand’s span deep. In the sewers of the North Bank, a creature with the head of a dragon, the body of a bull, and the hands and feet of a human was said to prowl, eating rats that had grown to the size of wolves.

There were the real, inarguable signs, too. The Holdings had been broken, that strong alliance of countries forged slowly over centuries. After an ill-fated attack on Nessantico in the wake of Kraljica Marguerite’s assassination, the city Brezno had become her rival as Firenzcia gathered around itself several of its neighboring lands: a Coalition under the direction of Hirzg Jan ca’Vorl.

The Concenzia Faith, too, had been sundered, and it was not what it had been. Archigos Ana sat in the temple on the South Bank, yes, but another called himself Archigos in Brezno. Within Nessantico, the heretical Numetodo took on new adherents, and it was not uncommon to see someone casting a spell who was not wearing green robes or calling first on Cenzi.

Signs and portents. Change. The older Nessantico grew, the more change became difficult for her.

Caught in her own unwelcome autumn, Nessantico-the city, the woman-stared at her reflection in the dark waters of the River A’Sele and wondered…

And, like many in her position, she denied what she saw.