Harlan Ellison

Sally in our Alley

THEY FOUND THIS CHICK, this Sally, lying on her stomach, behind the garbage cans. Somebody had tried to separate her from her head, and they’d come pretty close; looked like a dull bread knife.

Actually, I’d have found her myself in a couple of hours, when I came to sweep out the rear doorway at 3126 McMurdo Alley. I’m the janitor there. I mean, it’s not the best job in the world, but they give me the basement apartment at 3128 rent-free, plus twenty-five a week, so I janitor it up for the old Polack who owns the buildings. It gives me time to finish my epic.

I’m writing this epic poem about the destruction of the Great Wall of China, and you can yuck, but it’s a subject that’s needed talking about for a helluva long time. Besides, I like being a poet; it’s easier than working.

McMurdo Alley is glutted right now with the beat element. A bunch of lazy ne’er-do-wells all talking about Hegel and Kant and Nietzsche and writing The Great American Whatchamacallit. They’ll never do it, of course, they’re not like me, they’re all phonies. Besides, they like to party it too much. Well, so do I, of course, but my work … you know, that’s big with me, too.

I just janitor to keep eating. It helps.

But that has nothing to do with this Sally kid. The two who found her were Whipper Georgulis (his first name is Philoctoden, but who the hell can pronounce that? ) And Betty January. That isn’ther name, either, but who needs a last name like Manzenetti to be a stripper. You see what I mean? Phonies, all of them.

Anyhow, they were out in the alley, having left a party upstairs in the Tower Suite, which is what Bernie Katz calls his pad. Be kind enough not to ask what they were doing down in the alley, behind the garbage cans, as it was a rainy night, and whatever they were doing, they would be doing it messily.

So Whipper and Miss January (as she’s billed) found her, oozing into a puddle, and they called the cops. As well as the rest of the damned neighborhood. This January kid has a great set of screamers on her; she even woke old Mrs. Perlmutter, who hasn’t heard a sound since Alf Landon got his ears pinned back.

Then the fuzz descended on us, stringing up ropes to keep everyone back, and all the bearded ones yelled bloody murder because the Alley was the only way into most of their pads. The fuzz had a rough time, let me tell you.

It went that way for a couple of days, with them dragging everyone down to Homicide East, and asking questions you’d at least think they’d offer haggis or baggis for answering. But they drew a blank.

Because the funny damned thing, for a whore, nobody knew who this Sally’s customers were. None of the artists knew her; they had enough amateur talent around ever to go pay for it. In the Alley, payment in cash is a rarity. Everybody had seen the trade slouching up to her door, but no one knew who.

Finally, my turn came, and they took me down in a prowl car, sitting between two yo-yo cops whose faces would have looked great on the lions’ heads in front of the Public Library.

They ushered me into a dark little room, sat me in a chair as hard as the Polack’s heart, and went away. There was a glob of fat and slime behind the desk, and the nameplate read LT. B. C. KROLL.

Let me tell you, this Kroll character was so far out, he’d automatically have to have a ticket stub to get back in.

“You want to help us, Spivack?”

“The name is Snivack. My cat will get hungry if I’m not home in an hour.”

“Screw your cat. You want to help us?”

“Since when do the badges need help from impecunious poets?” I demanded, crossing my legs.

“Since now,” he answered, staring at my thong sandals and my dirty feet.

I uncrossed my legs.

“I didn’t do it,” I said automatically. Philo Vance always said that, and I figured I’d best get on record before the ranks got cluttered.

“Not very well you couldn’t.”

“How do you know? What’s the matter, I’m not good enough?” I was offended.

“Not unless you have abnormally long arms. Your alibi was in here yesterday, and she had corroboration.” He seemed damned smug about it. I was still piqued.

“Aggie never could keep her yap shut.”

“Nice-looking girl.”

“Mind your business, cop. My sex life is nobody’s business.”

This Kroll got up from behind the desk; “got up” isn’t the best way of describing it, but I have a gorge that becomes buoyant easily. So Kroll “got up” and came around the desk. He must have weighed as much as a small Percheron.

“You know what we found in Sally James’s apartment?” he asked. He wanted to tell me, so I saw no reason to be nasty and not wonder. Besides, he could have beaten the hell out of me. Have I mentioned that brutality frightens me? I’m basically a very gentle person. My art demands it.

“A set of bagpipes?”

“Who the hell’s been writing your material? Goodman Ace?” he was getting peeved. I was sorry I had jested with him. The constabulary in our precinct was never known for its riotous sense of humor, and Homicide East could only be the kings of the bland stare.

“All right, I give up,” I fell in with him with a thump, “I’ll play your silly little game;what did you find in Sally James’s apartment?”

Had he said a matched set of cockatoos or a full symphony orchestra, I couldn’t have been more rocked. I pride myself in being rather blasé. Even a no-vacancy parking lot in that little apartment off McMurdo Alley wouldn’t have thrown me as much as what Kroll said.

“That’s crazy,” I answered him, “what kind of a whore would use a set-up like that? Or was she having an abortion pulled on herself?”

Kroll shrugged and offered me a cigarette. It was so dim in his office, I didn’t see it coming: it was abruptly like getting a fence post thrust into my eyes. I took it out of reflex, and when I couldn’t figure out what to do with it, it dawned on me that I didn’t smoke.

“She had the bedroom set up as an operating room. What we think now is that somebody was performing an illegal on her, and something went wrong, she made a fuss, and the doctor used something sharp on her.”

“The trail of blood shows she managed to get from the bedroom to the alley before she collapsed. Almost impossible, but she made it … and then dropped.”

I thought it was about time I ferreted out my place in this little saga of gore and sex. “What’s that got to do with me?”

“You get around in the Bohemian section, Snivack. They trust you; they think you’re nuts, but they know you. We’re going to need help on this thing. We want you to get some leads for us. No detective work, just a little judicious spadework.”

“What’re ya, crazy or something?” I started. “I’m no cop. What good could a janitor do? You better get somebody else.”

Kroll leaned over my chair. “Do you know how old Aggie is?”

“When do I start?” I mumbled. Aggie never could keep her mouth shut.

The next week was a series of low blows for me. I felt like a minor-league Herbert Philbrick, spying on all my friends in the Alley. First, I got so annoyed at Aggie — she came sneaking down to my pad at six one morning when her mother went off to empty waste baskets at the Crane building — I tossed her out on her underage can, and she stood in the Alley yelling she was going to dispense her favors in the future to Bernie Katz. That got back to her old lady, and she being of the shotgun set, it was nip and tuck for a few hours later that day.

Then Priscilla and Teddy, the lesbos on the second floor at 3126, had their monthly falling-out, and this time — since Teddy was playing the male — Priscilla came tumbling out onto the fire escape howling murder, rape, incest, carnage, and I had to go up and separate them.

I came away from that gallant effort with a handsome shiner. Right eye.

As though I hadn’t found my share of aggravation, the union came around and demanded to see my card. I hedged; I didn’t have one. So they sent around a pair of bully-boys who proceeded to convince me of the merits of joining the janitor’s union. Left eye.

Three young toughs from Gulliver Street caught one of the three ballerinas who lived at 3128 on the front stoop, and gave her a real hard time. When I tried to scare them away they yanked shake-knives on me and I decided cowardice was the better part of living, which cut me off from the three ballerinas.

So it went, through the week, helter-skelter, sort of devil-may-care digging my own grave.

Then came Saturday night, which was always big for parties in the Alley, and Scat Bell, the ex–Mr. Newark who had discovered he had a psyche and had moved into McMurdo Alley to nourish it, decided to import talent. He had heard about a whole colony of Zen-oriented poets from way Uptown, and had convinced them to come over, to read their stuff with a jazz background.

Half a dozen boys from the neighborhood got their instruments together, and we had a pretty fair combo. It promised to be a fine bash, with everybody letting their beards grow, and the chicks dying their hair stringy black to go with the turtlenecks.

Interest was running high, particularly when Scat told us one of the boys coming from way Uptown was The Hooded One.

This made no sense whatever until he informed us this guy was really far out; he wore a hood like an excommunicated Ku Klux Klanner. They said he was the beatest, like he had the word and the word was TRUTH! So we were all looking forward to his showing up and reading the stuff. Hood and all.

Seeing as how it had been a rotten week anyhow, it was no surprise that as I was emptying the trash cans behind 3126, Kroll should emerge from a doorway.

“Hey,” he commanded with a syllable. I set down the can full of beer bottles and muscatel flagons, and walked over to him.

“Fancy meeting you here,” I said. “Am I overdue?”

“Did you find out anything for us yet?”

I spread my hands. “I told you I was no Nero Wolfe.” I regretted having referred to the ¼-ton detective because Kroll did look like Nero Wolfe. He was pretty stout in the rex.

“Any of these characters,” he saluted both buildings in the Alley with a sweeping gesture, “ever go to college to study medicine? None of them have any police record, except Yarbrough.”

He was referring to Pastey Yarbrough, who had a thing about stealing from the five and ten. He’d been picked up so many times, Woolworth’s was thinking of making him a tax exemption.

“I don’t know. I can find out, I suppose,” I said.

“Do it, Snivack,” he said, sliding oozily into the doorway from whence he’d come. “Time’s getting short. The police commissioner is howling for action.”

“This is my concern, your job?” I demanded with outrage.

“You aware of the rap for statutory rape in this state?”

Funny how you can suddenly develop an interest in the affairs of your fellow man. Humanitarianism, that’s what it is, goddam humanitarianism.

I decided the night of the party, Saturday, was the time to find out if anyone had practiced medicine, or if they’d been to college for it. I had a very subtle plan all laid out. Scintillant, it was.

The party was in The Tower Suite, and somehow or other Bernie Katz had persuaded Aggie’s mother to let her attend. I more or less sulked in a corner while the usual crowd had their good time, seeing Aggie was playing the barefoot contessa bit again, on the table with her underwear showing.

The usual crowd consisted of Weep For Me, who was maybe the ugliest girl in the world, who had a lech for Scat Bell, and who made it a point of demonstrating her affection for him at least once every party, by throwing herself under his feet as he walked past. This sometimes proved unfortunate, for if Scat was hammered, as was his usual performance at social gatherings, he would pointedly ignore Weep For Me and stomp across her prostrate body.

Eventually, someone would help her up and either take her to the couch to rub her with Ben Gay, or haul her down to the Lying-In Hospital where she’d be admitted under some pretext or other.

The usual crowd: Enrico Massetti, who was the grocery boy in the neighborhood, and who thought he was the new Caruso. He had had his name legally changed from Buno to Enrico to aid his career. He was pitiful. Whipper and Betty January, either of whom seldom came up for air, and who seemingly waited for parties so they could fall down in a corner and copulate. Someone once suggested they use the bedroom, and Miss January, after breaking the impertinent’s nose, advised him to take his dirty mind elsewhere.

There were about thirty others, of course, all neighborhood regulars who found in the Alley those things so dear to the existence of a liberal-minded, intellectual beat type: stimulating conversation, artistic atmosphere, cultural contacts, cheap booze and chicks.

The party was in full flower when Scat was called to the apartment’s door; he came back with a grin that wasn’t entirely drunkenness plastered across his ruggedly good-looking face. “Hey, like everybody,” he announced, “you know who that was at the slammer? It was our Zen Men and they’re here to wail a while.”

Scat always was impressed by pseudo-hip jargon. We indulge him; he has a wealthy family.

“So …come on in , Zen Men,” he chirped, as though he was the moderator on What’s My Line? And in violent contrast, through the doorway came these three weirdies. Everybody made small applause, and the poets clustered together by the wall. One of them was real short, with a lot of hair. He didn’t have much forehead. The second one was a Negro with a gigantic wart on his cheek, and a patch over his left eye. He had a violent tic in the wartcheek, and he clutched a sheaf of papers to his bosom with ferocity.

The third poet was The Hooded One, and he was about six feet tall, with muscular hands, and a black sack-hood, gathered by a drawstring, around his head. He wore a very sharp low-crown snap-brim with an Alpine feather-pin in the band. Perhaps he wore it to hide the fact that he was masked, on the street.

I could see where it might cause talk.

Scat got up on something (it turned out to be Weep For Me) and, standing there, announced that these three major poets of rebellion were here to impart truth, man, like tous!

He announced the first one as Flo Goldknecht, and the hairy midget came forward with a malevolent smirk on his ratty little countenance.

“My first poem,” he said, in a voice that brought back memories of the grave, from my first incarnation, “is called ’respects to a Shallow Parade’. It’s kinda short, to sort of get you in the mood.”

He pulled a crumpled sheet of paper from his jacket pocket, and smoothed it between his hands. Then his hair — for lack of a forehead — pulled down, and he began to read. This is what he read:

Roaring through midtown streets,

Brawling balloons of sound. Smite

the caustic unawareness of the teletypes.

Throw from your gray-flanneled

balconies the arthritic conscience of

Nervous souls in jeopardy.

Oh! Sensuality of intent!

Cascading down, homage for a spent icon.

Waltzing to earth with false bravado,

Can you smell my hunger of defeat?”

He was perspiring, because he had read it in a great voice, with much compassion and clenching of hand. His voice had gotten deeper as he read, and if it was a mood he was trying to evoke, he evoked it. I was scared out of my wits. I didn’t stay to hear his second poem, “Puke.”

I went into the kitchen where Art Penny and his current wench Vania were on-lap enjoying each other’s affections. “Beg pardon,” I mumbled and helped myself to a beer from the sink. It wasn’t quite cold, having been left on top of the cracked ice mound. But it was better than “Puke.”

When I went back in, having heard applause, Scat was introducing Jathrath Hamutt, the Negro with the wartcheek. His first poem was “Essence of Peaceful Non-Existence” and it began:

When I am young, and the flesh-eating oldsters

Cry for my humanity … then do I suck dry the

Marrow of aggression with a carbine in my

Anointed fist and the blind upstaring eyes

Of my designated victims bright as stars in

A field of slime …”

I had another beer.

When I came back in, I noticed that everyone was in a state of great anxiety, and I supposed it was because The Hooded One was now about to regale us with his efforts. I imagined they’d be called “Upchuck” or “Garbage” or something equally as charming, but when he came forward and began to speak in a quiet, dark voice, there was meter and rhythm and sensitivity in his work.

“The Opening” was his first poem, and it was a solemn, honest tribute to virginity, and the morality of innocence. It made some of the more loose types in the room look uncomfortable.

His second was “Respite” and it effectively damned the uselessness of war without being vitriolic. As a poet myself, I had immense respect for this hooded man, whoever he was.

We listened to them, and for a few moments after he had finished them, I leaned against the bookshelf with growing awareness that this was a major talent. How ugly he must be, under that hood, to be able to write such gutty, such effective stuff. He was the essence of what has been misnamed “beat,” for there was a strength in defeat in him.

I had completely forgotten my scintillant ruse to find out if anyone was a doctor in disguise. I had planned to cut my finger and see who knew the most about first aid. Now it didn’t seem like such a good idea. I was enjoying myself immensely.

Then Aggie got up from where she was sitting cross-legged on the floor, and she threw herself at The Hooded One.

“You’re cool!” she squeaked, and her arms went around his neck. Aggie is a nice kid, a real sweet girl, well brought-up and that sort of thing, but she has one small character flaw: she’s a nympho.

And the slightest little thing can set her off.

The next thing we knew, she was smothering his hood with kisses, and he was trying to break away from her. His poems fluttered all around his feet as he flailed at her, and Bernie Katz was starting to get up, muttering, “Aw, c’mon, Aggie, knock it off …”

When a peculiar thing happened.

Aggie tried to get his hood off, and he straight-armed her as best he could. It only served to help her cause, and as she fell on her back, half of us were watching her thighs, and the other half were looking at The Hooded One.

A seismic gasp made the length of the room. And then The Hooded One had a knife in his hand, a switchblade, and he pressed the stud, with aphwip! the blade came up, and he screamed;

“You! You’re all alike! All of you! All you rotten women! You can’t let a man have his art! You’ve got to ruin him! I wanted my art, but she gave me this … this! ” And he plucked at his face. Then he jumped for the white-faced, terrified Aggie.

I don’t know what happened, how I managed it, but I grabbed a book from the bookshelf at my shoulder, and brought it across in a wide sweep, catching him full on the nose. He went down like the Andrea Doria .

Later, I saw it was a copy of Under Milk Wood by Dylan Thomas. For a poet as beat as The Hooded One, it somehow seemed apropos.

Kroll showed up at the party, the following week, of all people. He mentioned something about a public citation, but I poo-poohed it; I had my reward; Aggie was back in the fold. Of my arm.

“The funny thing about it,” I said to him as we sipped beer in the kitchen, “is that Sally wasn’t a prostitute at all.”

“Mmm,” he agreed, slurping, “but who’d ever think a female plastic surgeon would be living in McMurdo Alley? And a renegade at that.”

“We always thought the guys who came to visit her were clients. I guess they were, but of a different kind.”

Kroll finished the beer and squashed the can with one hand. “This Hooded creep was really buggy,” he admitted, watching Scat and Weep For Me. Scat was trying to stuff a dirty sink sponge in Weep For Me’s mouth to stop her protestations of love. “He went for plastic surgery, and she misunderstood. Did it just the opposite of what he wanted.”

“Yeah,” I mused, “pretty weird. You’d think the guy would be happy to look like that. But he wanted to be ugly, so he could commune with God, or whatever it is these beatniks want to do. Couldn’t stand being a good-looker. Said it destroyed his work, his recognition with his art. Pretty bad.”

Kroll nodded. “Well, I got to go. Just wanted to stop over and thank you for your help.”

“Any time, Lieutenant,” I waved as he went out the door.

Fattest man I ever saw.

I sat there a few minutes, hearing the sound of the party in the other room. What a weird world it was. A female plastic surgeon, carrying on illegal operations in McMurdo Alley, everyone thinking she was a whore, and when a screwball slices her up, they find her operating equipment, and think someone came to perform an abort on her. How weird.

The weirdest part of all, though, was the cuckaboo with the hood. He wore it because he detested what he looked like. She probably hadn’t done too much to him, only shaved and altered select parts of his kisser, but what kind of a nut is it that gets sore when he turns out to look like Rock Hudson.

I mean, how beat can you get?

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