Picnic On Nearside

Bagatelle

THERE WAS A BOMB on the Leystrasse, level forty-five, right outside the Bagatelle Flower and Gift Shoppe, about a hundred meters down the promenade from Prosperity Plaza.

"I am a bomb," the bomb said to passersby. "I will explode in four hours, five minutes, and seventeen seconds. I have a force equal to fifty thousand English tons of trinitrololuene."

A small knot of people gathered to look at it.

"I will go off in four hours, four minutes, and thirty-seven seconds."

A few people became worried as the bomb talked on. They remembered business elsewhere and hurried away, often toward the tube trains to King City. Eventually, the trains became overcrowded and there was some pushing and shoving.

The bomb was a metal cylinder, a meter high, two meters long, mounted on four steerable wheels. There was an array of four television cameras mounted on top of the cylinder, slowly scanning through ninety degrees. No one could recall how it came to be there. It looked a little like the municipal street-cleaning machines; perhaps no one had noticed it because of that.

"I am rated at fifty kilotons," the bomb said, with a trace of pride.

The police were called.

"A nuclear bomb, you say?" Municipal Police Chief Anna-Louise Bach felt sourness in the pit of her stomach and reached for a box of medicated candy. She was overdue for a new stomach, but the rate she went through them on her job coupled with the size of her paycheck had caused her to rely more and more on these stopgap measures. And the cost of cloned transplants was going up.

"It says fifty kilotons," said the man on the screen. "I don't see what else it could be. Unless it's just faking, of course. We're moving in radiation detectors."

"You said 'it says.' Are you speaking of a note, or phone call, or what?"

"No. It's talking to us. Seems friendly enough, too, but we haven't gotten around to asking it to disarm itself. It could be that its friendliness won't extend that far."

"No doubt." She ate another candy. "Call in the bomb squad, of course. Then tell them to do nothing until I arrive, other than look the situation over. I'm going to make a few calls, then I'll be there. No more than thirty minutes."

"All right. Will do."

There was nothing for it but to look for help. No nuclear bomb had ever been used on Luna. Bach had no experience with them, nor did her bomb crew. She brought her computer on line.

Roger Birkson liked his job. It wasn't so much the working conditions—which were appalling—but the fringe benefits. He was on call for thirty days, twenty-four hours a day, at a salary that was nearly astronomical. Then he got eleven months paid vacation. He was paid for the entire year whether or not he ever had to exercise his special talents during his thirty days duty. In that way, he was like a firefighter. In a way, he was a firefighter.

He spent his long vacations in Luna. No one had ever asked Birkson why he did so; had they asked, he would not have known. But the reason was a subconscious conviction that one day the entire planet Earth would blow up in one glorious fireball. He didn't want to be there when it happened.

Birkson's job was bomb disarming for the geopolitical administrative unit called CommEcon Europe. On a busy shift he might save the lives of twenty million CE Europeans.

Of the thirty-five Terran bomb experts vacationing on Luna at the time of the Leystrasse bomb scare, Birkson happened to be closest to the projected epicenter of the blast. The Central Computer found him twenty-five seconds after Chief Bach rang off from her initial report. He was lining up a putt on the seventeenth green of the Burning Tree underground golf course, a half kilometer from Prosperity Plaza, when his bag of clubs began to ring. Birkson was wealthy. He employed a human caddy instead of the mechanical sort. The caddy dropped the flag he had been holding and went to answer it. Birkson took a few practice swings, but found that his concentration had been broken. He relaxed, and took the call.

"I need your advice," Bach said, without preamble. "I'm the Chief of Municipal Police for New Dresden, Anna-Louise Bach. I've had a report on a nuclear bomb on the Leystrasse, and I don't have anyone with your experience in these matters. Could you meet me at the tube station in ten minutes?"

"Are you crazy? I'm shooting for a seventy-five with two holes to go, an easy three-footer on seventeen and facing a par five on the last hole, and you expect me to go chasing after a hoax?"

"Do you know it to be a hoax?" Bach asked, wishing he would say yes.

"Well, no, I just now heard about it, myself. But ninety percent of them are, you know."

"Fine. I suggest you continue your game. And since you're so sure, I'm going to have Burning Tree sealed off for the duration of the emergency. I want you right there."

Birkson considered this. "About how far away is this 'Leystrasse'?"

"About six hundred meters. Five levels up from you, and one sector over. Don't worry. There must be dozens of steel plates between you and the hoax. You just sit tight, all right?" Birkson said nothing.

"I'll be at the tube station in ten minutes," Bach said.

"I'll be in a special capsule. It'll be the last one for five hours." She hung up.

Birkson contemplated the wall of the underground enclosure. Then he knelt on the green and lined up his putt. He addressed the ball, tapped it, and heard the satisfying rattle as it sank into the cup.

He looked longingly at the eighteenth tee, then jogged off to the clubhouse.

"I'll be right back," he called over his shoulder.

Bach's capsule was two minutes late, but she had to wait another minute for Birkson to show up. She fumed, trying not to glance at the timepiece embedded in her wrist.

He got in, still carrying his putter, and their heads were jerked back as the capsule was launched. They moved for only a short distance, then came to a halt. The door didn't open.

"The system's probably tied up," Bach said, squirming. She didn't like to see the municipal services fail in the company of this Terran.

"Ah," Birkson said, flashing a grin with an impossible number of square teeth. "A panic evacuation, no doubt. You didn't have the tube system closed down, I suppose?"

"No," she said. "I... well, I thought there might be a chance to get a large number of people away from the area in case this thing does go off."

He shook his head, and grinned again. He put this grin after every sentence he spoke, like punctuation.

"You'd better seal off the city. If it's a hoax, you're going to have hundreds of dead and injured from the panic. It's a lost cause trying to evacuate. At most, you might save a few thousand."

"But..."

"Keep them stationary. If it goes off, it's no use anyway. You'll lose the whole city. And no one's going to question your judgment because you'll be dead. If it doesn't go off, you'll be sitting pretty for having prevented a panic. Do it. I know."

Bach began to really dislike this man right then, but decided to follow his advice. And his thinking did have a certain cold logic. She phoned the station and had the lid clamped on the city. Now the cars in the cross-tube ahead would be cleared, leaving only her priority capsule moving.

They used the few minutes delay while the order was implemented to size each other up. Bach saw a blonde, square-jawed young man in a checkered sweater and gold knickers. He had a friendly face, and that was what puzzled her. There was no trace of worry on his smooth features. His hands were steady, clasped calmly around the steel shaft of his putter. She wouldn't have called his manner cocky or assured, but he did manage to look cheerful.

She had just realized that he was looking her over, and was wondering what he saw, when he put his hand on her knee. He might as well have slapped her. She was stunned.

"What are you... get your hand off me you... you groundhog."

Birkson's hand had been moving upward. He was apparently unfazed by the insult. He turned in his seat and reached for her hand. His smile was dazzling.

"I just thought that since we're stalled here with nothing else to do, we might start getting to know each other. No harm in that, is there? I just hate to waste any time, that's all."

She wrenched free of his grasp and assumed a defensive posture, feeling trapped in a nightmare. But he relented, having no interest in pursuing the matter when he had been rebuffed.

"All right. We'll wait. But I'd like to have a drink with you, or maybe dinner. After this thing's wrapped up, of course."

" 'This thing...' How can you think of something like that...?"

"At a time like this. I know. I've heard it. Bombs get me horny, is all. So okay, so I'll leave you alone." He grinned again. "But maybe you'll feel different when this is over."

For a moment she thought she was going to throw up from a combination of revulsion and fear. Fear of the bomb, not this awful man. Her stomach was twisted into a pretzel, and here he sat, thinking of sex. What was he, anyway?

The capsule lurched again, and they were on their way.

The deserted Leystrasse made a gleaming frame of stainless steel storefronts and fluorescent ceiling for the improbable pair hurrying from the tube station in the Plaza: Birkson in his anachronistic golf togs, cleats rasping on the polished rock floor, and Bach, half a meter taller than him, thin like a Lunarian. She wore the regulation uniform of the Municipal Police, which was a blue armband and cap with her rank of chief emblazoned on them, a shoulder holster, an equipment belt around her waist from which dangled the shining and lethal-looking tools of her trade, cloth slippers, and a few scraps of clothing in arbitrary places. In the benign environment of Lunar corridors, modesty had died out ages ago.

They reached the cordon which had been established around the bomb, and Bach conferred with the officer in charge. The hall was echoing with off-key music.

"What's that?" Birkson asked.

Officer Walters, the man to whom Bach had been speaking, looked Birkson over, weighing just how far he had to go in deference to this grinning weirdo. He was obviously the bomb expert Bach had referred to in an earlier call, but he was a Terran, and not a member of the force. Should he be addressed as 'sir'? He couldn't decide.

"It's the bomb. It's been singing to us for the last five minutes. Ran out of things to say, I guess."

"Interesting." Swinging the putter lazily from side to side, he walked to the barrier of painted steel crowd-control sections. He started sliding one of them to the side.

"Hold it... ah, sir," Walters said.

"Wait a minute, Birkson," Bach confirmed, running to the man and almost grabbing his sleeve. She backed away at the last moment.

"It said no one's to cross that barrier," Walters supplied to Bach's questioning glance. "Says it'll blow us all to the Farside."

"What is that damn thing, anyway?" Bach asked, plaintively.

Birkson withdrew from the barrier and took Bach aside with a tactful touch on the arm. He spoke to her with his voice just low enough for Walters to hear.

"It's a cyborged human connected to a bomb, probably a uranium device," he said. "I've seen the design. It's just like one that went off in Johannesburg three years ago. I didn't know they were still making them."

"I heard about it," Bach said, feeling cold and alone. "Then you think it's really a bomb? How do you know it's a cyborg? Couldn't it be tape recordings, or a computer?"

Birkson rolled his eyes slightly, and Bach reddened. Damn it, they were reasonable questions. And to her surprise, he could not defend his opinion logically. She wondered what she was stuck with. Was this man really the expert she took him to be, or a plaid-sweatered imposter?

"You can call it a hunch. I'm going to talk to this fellow, and I want you to roll up an industrial X-ray unit on the level below this while I'm doing it. On the level above, photographic film. You get the idea?"

"You want to take a picture of the inside of this thing. Won't that be dangerous?"

"Yeah. Are your insurance premiums paid up?"

Bach said nothing, but gave the orders. A million questions were spinning through her head, but she didn't want to make a fool of herself by asking a stupid one. Such as: how much radiation did a big industrial X-ray machine produce when beamed through a rock and steel floor? She had a feeling she wouldn't like the answer. She sighed, and decided to let Birkson have his head until she felt he couldn't handle it. He was about the only hope she had.

And he was strolling casually around the perimeter, swinging his goddamn putter behind him, whistling bad harmony with the tune coming from the bomb. What was a career police officer to do? Back him up on the harmonica?

The scanning cameras atop the bomb stopped their back and forth motion. One of them began to track Birkson. He grinned his flashiest, and waved to it. The music stopped.

"I am a fifty kiloton nuclear bomb of the uranium-235 type," it said. "You must stay behind the perimeter I have caused to be erected here. You must not disobey this order."

Birkson held up his hands, still grinning, and splayed out his fingers.

"You got me, bud. I won't bother you. I was just admiring your casing. Pretty nice job, there. It seems a shame to blow it up."

"Thank you," the bomb said, cordially. "But that is my purpose. You cannot divert me from it."

"Never entered my mind. Promise."

"Very well. You may continue to admire me, if you wish, but from a safe distance. Do not attempt to rush me. All my vital wiring is safely protected, and I have a response time of three milliseconds. I can ignite long before you can reach me, but I do not wish to do so until the allotted time has come."

Birkson whistled. "That's pretty fast, brother. Much faster than me, I'm sure. It must be nice, being able to move like that after blundering along all your life with neural speeds."

"Yes, I find it very gratifying. It was a quite unexpected benefit of becoming a bomb."

This was more like it, Bach thought. Her dislike of Birkson had not blinded her to the fact that he had been checking out his hunch. And her questions had been answered: no tape array could answer questions like that, and the machine had as much as admitted that it had been a human being at one time.

Birkson completed a circuit, back to where Bach and Walters were standing. He paused, and said in a low voice, "Check out that time."

"What time?"

"What time did you say you were going to explode?" he yelled.

"In three hours, twenty-one minutes, and eighteen seconds," the bomb supplied.

"That time," he whispered. "Get your computers to work on it. See if it's the anniversary of any political group, or the time something happened that someone might have a grudge about." He started to turn away, then thought of something. "But most important, check the birth records."

"May I ask why?"

He seemed to be dreaming, but came back to them. "I'm just feeling this character out. I've got a feeling this might be his birthday. Find out who was born at that time—it can't be too many, down to the second—and try to locate them all. The one you can't find will be our guy. I'm betting on it."

"What are you betting? And how do you know for sure it's a man?"

That look again, and again she blushed. But, damn it, she had to ask questions. Why should he make her feel defensive about it?

"Because he's chosen a male voice to put over his speakers. I know that's not conclusive, but you get hunches after a while. As to what I'm betting... no, it's not my life. I'm sure I can get this one. How about dinner tonight if I'm right?" The smile was ingenuous, without the trace of lechery she thought she had seen before. But her stomach was still crawling. She turned away without answering.

For the next twenty minutes, nothing much happened. Birkson continued his slow stroll around the machine, stopping from time to time to shake his head in admiration. The thirty men and women of Chief Bach's police detail stood around nervously with nothing to do, as far away from the machine as pride would allow. There was no sense in taking cover.

Bach herself was kept busy coordinating the behind-the-scenes maneuvering from a command post that had been set up around the corner, in the Elysian Travel Agency. It had phones and a computer output printer. She sensed the dropping morale among her officers, who could see nothing going on. Had they known that surveying lasers were poking their noses around trees in the Plaza, taking bearings to within a thousandth of a millimeter, they might have felt a little better. And on the floor below, the X-ray had arrived.

Ten minutes later, the output began to chatter. Bach could hear it in the silent, echoing corridor from her position halfway between the travel agency and the bomb. She turned, and met a young officer with the green armband of a rookie. The woman's hand was ice-cold as she handed Bach the sheet of yellow printout paper. There were three names printed on it, and below that, some dates and events listed.

"This bottom information was from the fourth expansion of the problem," the officer explained. "Very low probability stuff. The three people were all born either on the second or within a three-second margin of error, in three different years. Everyone else has been contacted."

"Keep looking for these three, too," Bach said. As she turned away, she noticed that the young officer was pregnant, about in her fifth month. She thought briefly of sending her away from the scene, but what was the use?

Birkson saw her coming, and broke off his slow circuits of the bomb. He took the paper from her and scanned it. He tore off the bottom part without being told it was low probability, crumpled it, and let it drop to the floor. Scratching his head, he walked slowly back to the bomb.

"Hans?" he called out.

"How did you know my name?" the bomb asked.

"Ah, Hans, my boy, credit us with some sense. You can't have got into this without knowing that the MuniPol can do very fast investigations. Unless I've been underestimating you. Have I?"

"No," the bomb conceded. "I knew you would find out who I was. But it doesn't alter the situation."

"Of course not. But it makes for easier conversation. How has life been treating you, my friend?"

"Terrible," mourned the man who had become a fifty kiloton nuclear weapon.

Every morning Hans Leiter rolled out of bed and padded into his cozy water closet. It was not the standard model for residential apartment modules, but a special one he had installed after he moved in. Hans lived alone, and it was the one luxury he allowed himself. In his little palace, he sat in a chair that massaged him into wakefulness, washed him, shaved him, powdered him, cleaned his nails, splashed him with scent, them made love to him with a rubber imitation that was a good facsimile of the real thing. Hans was awkward with women.

He would dress, walk down three hundred meters of corridor, and surrender himself to a pedestrian slideway which took him as far as the Cross-Crisium Tube. There, he allowed himself to be fired like a projectile through a tunnel below the Lunar surface.

Hans worked in the Crisium Heavy Machinery Foundry. His job there was repairing almost anything that broke down. He was good at it; he was much more comfortable with machines than with people.

One day he made a slip and got his leg caught in a massive roller. It was not a serious accident, because the failsafe systems turned off the machine before his body or head could be damaged, but it hurt terribly and completed ruined the leg. It had to be taken off. While he was waiting for the cloned replacement limb to be grown, Hans had been fitted with a prosthetic.

It had been a revelation to him. It worked like a dream, as good as his old leg and perhaps better. It was connected to his severed leg nerve, but was equipped with a threshold cut-off circuit, and one day when he barked his artificial shin he saw that it had caused him no pain. He recalled the way that same injury had felt with his flesh and blood leg, and again he was impressed. He thought, too, of the agony when his leg had been caught in the machine.

When the new leg was ready for transplanting, Hans had elected to retain the prosthetic. It was unusual, but not unprecedented.

From that time on, Hans, who had never been known to his co-workers as talkative or social, withdrew even more from his fellow humans. He would speak only when spoken to. But people had observed him talking to the stamping press, and the water cooler, and the robot sweeper.

At night, it was Hans' habit to sit on his vibrating bed and watch the holovision until one o'clock. At that time, his kitchen would prepare him a late snack, roll it to him in his bed, and he would retire for the night.

For the last three years Hans had been neglecting to turn the set on before getting into bed. Nevertheless, he continued to sit quietly on the bed staring at the empty screen.

When she finished reading the personal data printout, Bach was struck once more at the efficiency of the machines in her control. This man was almost a cipher, yet there were nine thousand words in storage concerning his uneventful life, ready to be called up and printed into an excruciatingly boring biography.

"...so you came to feel that you were being controlled at every step in your life by machines," Birkson was saying. He was sitting on one of the barriers, swinging his legs back and forth. Bach joined him and offered the long sheet of printout. He waved it away. She could hardly blame him.

"But it's true!" the bomb said. "We all are, you know. We're part of this huge machine that's called New Dresden. It moves us around like parts on an assembly line, washes us, feeds us, puts us to bed and sings us to sleep."

"Ah," Birkson said, agreeably. "Are you a Luddite, Hans?"

"No!" the bomb said in a shocked voice. "Roger, you've missed the whole point. I don't want to destroy the machines. I want to serve them better. I wanted to become a machine, like my new leg. Don't you see? We're part of the machine, but we're the most inefficient part."

The two talked on, and Bach wiped the sweat from her palms. She couldn't see where all this was going, unless Birkson seriously hoped to talk Hans Leiter out of what he was going to do in—she glanced at the clock—two hours and forty-three minutes. It was maddening. On the one hand, she recognized the skill he was using in establishing a rapport with the cyborg. They were on a first-name basis, and at least the damn machine cared enough to argue its position. On the other hand, so what? What good was it doing?

Walters approached and whispered into her ear. She nodded, and tapped Birkson on the shoulder.

"They're ready to take the picture whenever you are," she said. He waved her off.

"Don't bother me," he said, loudly. "This is getting interesting. So if what you say is true," he went on to Hans, getting up and pacing intently back and forth, this time inside the line of barriers, "maybe I ought to look into this myself. You really like being cyborged better than being human?"

"Infinitely so," the bomb said. He sounded enthusiastic. "I need no sleep now, and I no longer have to bother with elimination or eating. I have a tank for nutrients, which are fed into the housing where my brain and central nervous system are located." He paused. "I tried to eliminate the ups and downs of hormone flow and the emotional reactions that followed," he confided.

"No dice, huh?"

"No. Something always distracted me. So when I heard of this place where they would cyborg me and get rid of all that, I jumped at the chance."

Inactivity was making Bach impulsive. She had to say or do something.

"Where did you get the work done, Hans?" she ventured. The bomb started to say something, but Birkson laughed loudly and slapped Bach hard on the back. "Oh, no, Chief. That's pretty tricky, right Hans? She's trying to get you to rat. That's not done, Chief. There's a point of honor involved."

"Who is that?" the bomb asked, suspiciously.

"Let me introduce Chief Anna-Louise Bach, of the New Dresden Police. Ann, meet Hans."

"Police?" Hans asked, and Bach felt goose-pimples when she detected a note of fright in the voice. What was this maniac trying to do, frightening the guy like that? She was close to pulling Birkson off the case. She held off because she thought she could see a familiar pattern in it, something she could use as a way to participate, even if ignominously. It was the good guy-bad guy routine, one of the oldest police maneuvers in the book.

"Aw, don't be like that," Birkson said to Hans. "Not all cops are brutes. Ann here, she's a nice person. Give her a chance. She's only doing her job."

"Oh, I have no objection to police," the bomb said. "They are necessary to keep the social machine functioning. Law and order is a basic precept of the coming new Mechanical Society. I'm pleased to meet you, Chief Bach. I wish the circumstances didn't make us enemies."

"Pleased to meet you, Hans." She thought carefully before she phrased her next question. She wouldn't have to take the hardline approach to contrast herself with affable, buddy-buddy Birkson. She needn't be an antagonist, but it wouldn't hurt if she asked questions that probed at his motives.

"Tell me, Hans. You say you're not a Luddite. You say you like machines. Do you know how many machines you'll destroy if you set yourself off? And even more important, what you'll do to this social machine you've been talking about? You'll wipe out the whole city."

The bomb seemed to be groping for words. He hesitated, and Bach felt the first glimmer of hope since this insanity began.

"You don't understand. You're speaking from an organic viewpoint. Life is important to you. A machine is not concerned with life. Damage to a machine, even the social machine, is simply something to be repaired. In a way, I hope to set an example. I wanted to become a machine—"

"And the best, the very ultimate machine," Birkson put in, "is the atomic bomb. It's the end point of all mechanical thinking."

"Exactly," said the bomb, sounding very pleased. It was nice to be understood. "I wanted to be the very best machine I could possibly be, and it had to be this."

"Beautiful, Hans," Birkson breathed. "I see what you're talking about. So if we go on with that line of thought we logically come to the conclusion..." and he was off into an exploration of the fine points of the new Mechanistic world view.

Bach was trying to decide which was the crazier of the two, when she was handed another message. She read it, then tried to find a place to break into the conversation. But there was no convenient place. Birkson was more and more animated, almost frothing at the mouth as he discovered points of agreement between the two of them. Bach noticed her officers standing around nervously, following the conversation. It was clear from their expressions that they feared they were being sold out, that when zero hour arrived they would still be here watching intellectual ping-pong. But long before that, she could have a mutiny on her hands. Several of them were fingering their weapons, probably without even knowing it.

She touched Birkson on the sleeve, but he waved her away. Damn it, this was too much. She grabbed him and nearly pulled him from his feet, swung him around until her mouth was close to his ear and growled.

"Listen to me, you idiot, they're going to take the picture. You'll have to stand back some. It's better if we're all shielded."

"Leave me alone," he shot back, and pulled from her grasp. But he was still smiling. "This is just getting interesting," he said, in a normal tone of voice.

Birkson came near to dying in that moment. Three guns were trained on him from the circle of officers, awaiting only the order to fire. They didn't like seeing their Chief treated that way.

Bach herself was damn near to giving the order. The only thing that stayed her hand was the knowledge that with Birkson dead, the machine might go off ahead of schedule. The only thing to do now was to get him out of the way and go on as best she could, knowing that she was doomed to failure. No one could say she hadn't given the expert a chance.

"But what I was wondering about," Birkson was saying, "was why today? What happened today? Is this the day Cyrus McCormick invented the combine harvester, or something?"

"It's my birthday," Hans said, somewhat shyly.

"Your birthday?" Birkson managed to look totally amazed to learn what he already knew. "Your birthday. That's great, Hans. Many happy returns of the day, my friend." He turned and took in all of the officers with an expansive sweep of his hands. "Let's sing, people. Come on, it's his birthday, for heaven's sake. Happy birthday to you, happy birthday to you, happy birthday dear Hans..."

He bellowed, he was off-key, he swept his hands in grand circles with no sense of rhythm. But so infectious was his mania that several of the officers found themselves joining in. He ran around the circle, pulling the words out of them with great scooping motions of his hands.

Bach bit down hard on the inside of her cheek to keep herself steady. She had been singing, too. The scene was so ridiculous, so blackly improbable...

She was not the only one who was struck the same way. One of her officers, a brave man who she knew personally to have shown courage under fire, fell on his face in a dead faint. A woman officer covered her face with her hands and fled down the corridor, making helpless coughing sounds. She found an alcove and vomited.

And still Birkson capered. Bach had her gun halfway out of the shoulder holster, when he shouted.

"What's a birthday without a party?" he asked. "Let's have a big party." He looked around, fixed on the flower shop. He started for it, and as he passed Bach he whispered, "Take the picture now."

It galvanized her. She desperately wanted to believe he knew what he was doing, and just at the moment when his madness seemed total he had shown her the method. A distraction. Please, let it be a distraction. She turned and gave the prearranged signal to the officer standing at the edge of Prosperity Plaza.

She turned back in time to see Birkson smash in the window of the flower shop with his putter. It made a deafening crash.

"Goodness," said Hans, who sounded truly shocked. "Did you have to do that? That's private property."

"What does it matter?" Birkson yelled. "Hell, man, you're going to do much worse real soon. I'm just getting things started." He reached in and pulled out an armload of flowers, signaling to others to give him a hand. The police didn't like it, but soon were looting the shop and building a huge wreath just outside the line of barriers.

"I guess you're right," said Hans, a little breathlessly. A taste of violence had excited him, whetted his appetite for more to come. "But you startled me. I felt a real thrill, like I haven't felt since I was human."

"Then let's do it some more." And Birkson ran up and down one side of the street, breaking out every window he could reach. He picked up small articles he found inside the shops and threw them. Some of them shattered when they hit.

He finally stopped. Leystrasse had been transformed. No longer the scrubbed and air-conditioned Lunar environment, it had become as shattered, as chaotic and uncertain as the tension-filled emotional atmosphere it contained. Bach shuddered and swallowed the rising taste of bile. It was a precursor of things to come, she was sure. It hit her deeply to see the staid and respectable Leystrasse ravaged.

"A cake," Birkson said. "We have to have a cake. Hold on a minute, I'll be right back." He strode quickly toward Bach, took her elbow and turned her, pulled her insistently away with him. "You have to get those officers away from here," he said, conversationally. "They're tense. They could explode at any minute. In fact," and he favored her with his imbecile grin, "they're probably more dangerous right now than the bomb."

"You mean you think it's a fake?"

"No. It's for real. I know the psychological pattern. After this much trouble, he won't want to be a dud. Other types, they're in it for the attention and they'd just as soon fake it. Not Hans. But what I mean is, I have him. I can get him. But I can't count on your officers. Pull them back and leave only two or three of your most trusted people."

"All right." She had decided again, more from a sense of helpless futility than anything else, to trust him. He had pulled a neat diversion with the flower shop and the X-ray.

"We may have him already," he went on, as they reached the end of the street and turned the corner. "Often, the X-ray is enough. It cooks some of the circuitry and makes it unreliable. I'd hope to kill him outright, but he's shielded. Oh, he's probably got a lethal dosage, but it'd take him days to die. That doesn't do us any good. And if his circuitry is knocked out, the only way to find out is to wait. We have to do better than that. Here's what I want you to do."

He stopped abruptly and relaxed, leaning against the wall and gazing out over the trees and artificial sunlight of the Plaza. Bach could hear songbirds. They had always made her feel good before. Now all she could think of was incinerated corpses. Birkson ticked off points on his fingers.

She listened to him carefully. Some of it was strange, but no worse than she had already witnessed. And he really did have a plan. He really did. The sense of relief was so tremendous that it threatened to create a mood of euphoria in her, one not yet justified by the circumstances. She nodded curtly to each of his suggestions, then again to the officer who stood beside her, confirming what Birkson had said and turning it into orders. The young man rushed off to carry them out and Birkson started to return to the bomb. Bach grabbed him.

"Why wouldn't you let Hans answer my question about who did the surgical work on him? Was that part of your plan?" The question was half belligerent.

"Oh. Yeah, it was, in a way. I just grabbed the opportunity to make him feel closer to me. But it wouldn't have done you any good. He'll have a block against telling that, for sure. It could even be set to explode the bomb if he tries to answer that question. Hans is a maniac, but don't underestimate the people who helped him get where he is now. They'll be protected."

"Who are they?"

Birkson shrugged. It was such a casual, uncaring gesture that Bach was annoyed again.

"I have no idea. I'm not political, Ann. I don't know the Antiabortion Movement from the Freedom for Mauretania League. They build 'em, I take 'em apart. It's as simple as that. Your job is to find out how it happened. I guess you ought to get started on that."

"We already have," she conceded. "I just thought that... well, coming from Earth, where this sort of thing happens all the time, that you might know... damn it, Birkson. Why? Why is this happening?"

He laughed, while Bach turned red and went into a slow boil. Any of her officers, seeing her expression, would have headed for the nearest blast shelter. But Birkson laughed on. Didn't he give a damn about anything?

"Sorry," he forced out. "I've heard that question before, from other police chiefs. It's a good question." He waited, a half-smile on his face. When she didn't say anything, he went on. "You don't have the right perspective on this, Ann."

"That's Chief Bach to you, damn you."

"Okay," he said, easily. "What you don't see is that this thing is no different from a hand grenade tossed into a crowd, or a bomb sent through the mail. It's a form of communication. It's just that today, with so many people, you have to shout a little louder to get any attention."

"But... who? They haven't even identified themselves. You're saying that Hans is a tool of these people. He's been wired into the bomb, with his own motives for exploding. Obviously he didn't have the resources to do this himself, I can see that."

"Oh, you'll hear from them. I don't think they expect him to be successful. He's a warning. If they were really serious they could find the sort of person they want, one who's politically committed and will die for the cause. Of course, they don't care if the bomb goes off; they'll be pleasantly surprised if it does. Then they can stand up and pound their chests for a while. They'll be famous."

"But where did they get the uranium? The security is..."

For the first time, Birkson showed a trace of annoyance. "Don't be silly. The path leading to today was irrevocably set in 1945. There was never any way to avoid it. The presence of a tool implies that it will be used. You can try your best to keep it in the hands of what you think of as responsible people, but it'll never work. And it's no different, that's what I'm saying. This bomb is just another weapon. It's a cherry bomb in an anthill. It's gonna cause one hill of ants a hell of a lot of trouble, but it's no threat to the race of ants."

Bach could not see it that way. She tried, but it was still a nightmare of entirely new proportions to her. How could he equate the killing of millions of people with a random act of violence where three or four might be hurt? She was familiar with that. Bombs went off every day in her city, as in every human city. People were always dissatisfied.

"I could walk down... no, it's up here, isn't it?" Birkson mused for a moment on cultural differences. "Anyway, give me enough money and I'll bet I could go up to your slum neighborhoods right this minute and buy you as many kilos of uranium or plutonium as you want. Which is something you ought to be doing, by the way. Anything can be bought. Anything. For the right price, you could have bought weapons-grade material on the black market as early as 1960 or so. It would have been very expensive; there wasn't much of it. You'd have had to buy a lot of people. But now... well, you think it out." He stopped, and seemed embarrassed by his outburst.

"I've read a little about this," he apologized. She did think it out as she followed him back to the cordon. What he said was true. When controlled fusion proved too costly for wide-scale use, humanity had opted for fast breeder reactors. There had been no other choice. And from that moment, nuclear bombs in the hands of terrorists had been the price humanity accepted. And the price they would continue to pay.

"I wanted to ask you one more question," she said. He stopped and turned to face her. His smile was dazzling.

"Ask away. But are you going to take me up on that bet?"

She was momentarily unsure of what he meant. "Oh. Are you saying you'd help us locate the underground uranium ring? I'd be grateful..."

"No, no. Oh, I'll help you. I'm sure I can make a contact. I used to do that before I got into this game. What I meant was, are you going to bet I can't find some? We could bet... say, a dinner together as soon as I've found it. Time limit of seven days. How about it?"

She thought she had only two alternatives: walk away from him, or kill him. But she found a third.

"You're a betting man. I guess I can see why. But that's what I wanted to ask you. How can you stay so calm? Why doesn't this get to you like it does to me and my people? You can't tell me it's simply that you're used to it."

He thought about it. "And why not? You can get used to anything, you know. Now what about that bet?"

"If you don't stop talking about that," she said, quietly, "I'm going to break your arm."

"All right." He said nothing further, and she asked no further questions.

The fireball grew in milliseconds into an inferno that could scarcely be described in terms comprehensible to humans. Everything in a half-kilometer radius simply vanished into super-heated gases and plasma: buttresses, plate-glass windows, floors and ceilings, pipes, wires, tanks, machines, gewgaws and trinkets by the million, books, tapes, apartments, furniture, household pets, men, women, and children. They were the lucky ones. The force of the expanding blast compressed two hundred levels below it like a giant sitting on a Dagwood sandwich, making holes through plate steel turned to putty by the heat as easily as a punch press through tinfoil. Upwards, the surface bulged into the soundless Lunar night and split to reveal a white hell beneath. Chunks flew away, chunks as large as city sectors, before the center collapsed back on itself to leave a crater whose walls were a maze of compartments and ant-tunnels that dripped and flowed like warm gelatin. No trace was left of human bodies within two kilometers of the explosion. They had died after only the shortest period of suffering, their bodies consumed or spread into an invisible layer of organic film by the combination of heat and pressure that passed through walls, entered rooms where the doors were firmly shut. Further away, the sound was enough to congeal the bodies of a million people before the heat roasted them, the blast stripped flesh from bones to leave shrunken stick figures. Still the effects attenuated as the blast was channeled into corridors that were structurally strong enough to remain intact, and that very strength was the downfall of the inhabitants of the maze. Twenty kilometers from the epicenter, pressure doors popped through steel flanges like squeezed watermelon seeds.

What was left was five million burnt, blasted corpses, and ten million injured so hideously that they would die in hours or days. But Bach had been miraculously thrown clear by some freak of the explosion. She hurtled through the void with fifteen million ghosts following her, and each carried a birthday cake. They were singing. She joined in.

"Happy birthday to you, happy birthday..."

"Chief Bach."

"Huh?" She felt a cold chill pass over her body. For a moment she could only stare down into the face of Roger Birkson.

"You all right now?" he asked. He looked concerned.

"I'm... what happened?"

He patted her on both arms, then shook her heartily.

"Nothing. You drifted off for a moment." He narrowed his eyes. "I think you were daydreaming. I want to be diplomatic about this... ah, what I mean... I've seen it happen before. I think you were trying to get away from us."

She rubbed her hands over her face.

"I think I was. But I sure went in the wrong direction. I'm all right now." She could remember it now, and knew she had not passed out or become totally detached from what was going on. She had watched it all. Her memories of the explosion, so raw and real a moment before, were already the stuff of nightmares.

Too bad she hadn't come awake into a better world. It was so damn unfair. That was the reward at the end of a nightmare, wasn't it? You woke up to find everything was all right.

Instead, here was a long line of uniformed officers, bearing birthday cakes to a fifty kiloton atomic bomb.

Birkson had ordered the lights turned off in the Leystrasse. When his order had not been carried out, he broke out the lights with his putter. Soon, he had some of the officers helping him.

Now the beautiful Leystrasse, the pride of New Dresden, was a flickering tunnel through hell. The light of a thousand tiny birthday candles on five hundred cakes turned everything red-orange and made people into shadowed demons. Officers kept arriving with hastily wrapped presents, flowers, balloons. Hans, the little man who was now nothing but a brain and nerve network floating in a lead container; Hans, the cause of all this, the birthday boy himself, watched it all in unconcealed delight from his battery of roving television cameras. He sang loudly.

"I am a bomb! I am a bomb!" he yelled. He had never had so much fun.

Bach and Birkson retreated from the scene into the darkened recess of the Bagatelle Flower Shoppe. There, a stereo viewing tank had been set up.

The X-ray picture had been taken with a moving plate technique that allowed a computer to generate a three dimensional model. They leaned over the tank now and studied it. They had been joined by Sergeant McCoy, Bach's resident bomb expert, and another man from the Lunar Radiation Laboratory.

"This is Hans," said Birkson, moving a red dot in the tank by means of a dial on the side. It flicked over and around a vague gray shape that trailed dozens of wires. Bach wondered again at the pressures that would allow a man to like having his body stripped from him. There was nothing in that lead flask but the core of the man, the brain and central nervous system.

"Here's the body of the bomb. The two sub-critical masses. The H.E. charge, the timer, the arming barrier, which is now withdrawn. It's an old design, ladies and gentlemen. Old, but reliable. As basic as the bow and arrow. It's very much like the first one dropped on the Nippon Empire at Hiroshima."

"You're sure it'll go off, then?" Bach put in.

"Sure as taxes. Hell, a kid could build one of these in the bathroom, given only the uranium and some shielding equipment. Now let me see." He pored over the phantom in the tank, tracing out wiring paths with the experts. They debated possibilities, lines of attack, drawbacks. At last they seemed to reach a consensus.

"As I see it, we have only one option," Birkson said. "We have to go for his volitional control over the bomb. I'm pretty sure we've isolated the main cable that goes from him to the detonator. Knock that out, and he can't do a thing. We can pry that tin can open by conventional means and disarm that way. McCoy?"

"I agree," said McCoy. "We'd have a full hour, and I'm sure we can get in there with no trouble. When they cyborged this one, they put all their cards on the human operator. They didn't bother with entry blocks, since Hans could presumably blow it up before we could get close enough to do anything. With his control out, we only have to open it up with a torch and drop the damper into place.

The LRL man nodded his agreement. "Though I'm not quite as convinced as Mr. Birkson that he's got the right cable in mind for what he wants to do. If we had more time..."

"We've wasted enough time already," Bach said, decisively. She had swung rapidly from near terror of Roger Birkson to total trust. It was her only defense. She knew she could do nothing at all about the bomb, and had to trust someone.

"Then we go for it. Is your crew in place? Do they know what to do? And above all, are they good? Really good? There won't be a second chance."

"Yes, yes, and yes," Bach said. "They'll do it. We know how to cut rock on Luna."

"Then give them the coordinates, and go." Birkson seemed to relax a bit. Bach saw that he had been under some form of tension, even if it was only excitement at the challenge. He had just given his last order. It was no longer in his hands. His fatalistic gambler's instinct came into play and the restless, churning energy he had brought to the enterprise vanished. There was nothing to do about it but wait. Birkson was good at waiting. He had lived through twenty-one of these final countdowns.

He faced Bach and started to say something to her, then thought better of it. She saw doubt in his face for the first time, and it made her skin crawl. Damn it, she had thought he was sure.

"Chief," he said, quietly, "I want to apologize for the way I treated you these last few hours. It's not something I can control when I'm on the job. I..."

This time it was Bach's turn to laugh, and the release of tension it brought with it was almost orgasmic. She felt like she hadn't laughed for a million years.

"Forgive me," she said. "I saw you were worried, and thought it was about the bomb. It was just such a relief."

"Oh, yeah," he said, dismissing it. "No point in worrying now. Either your people hit it or they don't. We won't know if they don't. What I was saying, it just sort of comes over me. Honestly. I get horny, I get manic, I totally forget about other people except as objects to be manipulated. So I just wanted to say I like you. I'm glad you put up with me. And I won't pester you anymore."

She came over and put her hand on his shoulder. "Can I call you Roger? Thanks. Listen, if this thing works, I'll have dinner with you. I'll give you the key to the city, a ticker tape parade, and a huge bonus for a consultant fee... and my eternal friendship. We've been tense, okay? Let's forget about these last few hours."

"All right." His smile was quite different this time.

Outside, it happened very quickly. The crew on the laser drill were positioned beneath the bomb, working from ranging reports and calculations to aim their brute at precisely the right spot.

The beam took less than a tenth of a second to eat through the layer of rock in the ceiling and emerge in the air above the Leystrasse. It ate through the metal sheath of the bomb's underside, the critical wire, the other side of the bomb, and part of the ceiling like they weren't even there. It had penetrated into the level above before it could be shut off.

There was a shower of sparks, a quick sliding sound, then a muffled thud. The whole structure of the bomb trembled, and smoke screeched from the two drilled holes in the top and bottom. Bach didn't understand it, but could see that she was alive and assumed it was over. She turned to Birkson, and the shock of seeing him nearly stopped her heart.

His face was a gray mask, drained of blood. His mouth hung open. He swayed, and almost fell over. Bach caught him and eased him to the floor.

"Roger... what is it? Is it still... will it go off? Answer me, answer me. What should I so?"

He waved weakly, pawed at her hands. She realized he was trying to give her a reassuring pat. It was feeble indeed.

"No danger," he wheezed, trying to get his breath back. "No danger. The wrong wire. We hit the wrong wire. Just luck, is all, nothing but luck."

She remembered. They had been trying to remove Hans' control over the bomb. Was he still in control? Birkson answered before she could speak.

"He's dead. That explosion. That was the detonator going off. He reacted just too late. We hit the disarming switch. The shield dropped into place so the masses couldn't come together even if the bomb was set off. Which he did. He set it off. That sound, that mmmmmmwooooph!" He was not with her. His eyes stared back into a time and place that held horror for him.

"I heard that sound—the detonator—once before, over the telephone. I was coaching this woman, no more than twenty-five, because I couldn't get there in time. She had only three more minutes. I heard that sound, then nothing, nothing."

She sat near him on the floor as her crew began to sort out the mess, haul the bomb away for disposal, laugh and joke in hysterical relief. At last Birkson regained control of himself. There was no trace of the bomb except a distant hollowness in his eyes.

"Come on," he said, getting to his feet with a little help from her. "You're going on twenty-four-hour leave. You've earned it. We're going back to Burning Tree and you're going to watch me make a par five on the eighteenth. Then we've got a date for dinner. What place is nice?"

The Funhouse Effect

"DID YOU SEE WHAT'S playing at the theater tonight, Mr. Quester?" The stewardess was holding a printed program in her hand.

"No, and I haven't the time now. Where's the captain? There are some things he should—"

"Two old flat movies," she went on, oblivious to his protests. "Have you ever seen one? They're very interesting and entertaining. A Night to Remember and The Poseidon Adventure. I'll make a reservation for you."

Quester called out to her as she was leaving.

"I'm trying to tell you, there's something badly wrong on this ship. Won't anybody listen?"

But she was gone, vanished into the crowd of merrymakers. She was busy enough without taking time to listen to the wild tales of a nervous passenger.

Quester was not quite right in thinking of Hell's Snowball as a ship. The official welcoming pamphlet referred to it as an asterite, but that was advertising jargon. Anyone else would have called it a comet.

Icarus Lines, Inc., the owners, had found it drifting along at a distance of 500 AU. It had been sixty kilometers in diameter, weighing in at about one hundred trillion tons.

Fortunately, it was made up of frozen liquids rich in hydrogen. Moving it was only a matter of installing a very large fusion motor, then sitting back for five years until it was time to slow it down for orbit in the umbra of Mercury.

The company knew they would not get many passengers on a bare snowball. They tunneled into the comet, digging out staterooms and pantries and crew's quarters as they went. The ship-fitters went in and paneled the bare ice walls in metal and plastic, then filled the rooms with furniture. There was room to spare, power to spare. They worked on a grand scale, and they had a grand vision. They intended to use the captive comet for sightseeing excursions to the sun.

Things went well for fifty years. The engine would shove the Snowball out of the protective shadow and, with the expenditure of ten million tons of ice and ammonia for reaction mass, inject it into a hyperbolic orbit that would actually brush the fringes of the solar corona. Business was good. Hell's Snowball became the vacation bonanza of the system, more popular than Saturn's Rings. But it had to end. This was to be the last trip. Huge as it is, there comes a time when a comet has boiled off too much of its mass to remain stable in a close approach to the sun. Hell's Snowball was robbed of a hundred million tons with each trip. The engineers had calculated it was good for only one more pass before it cracked apart from internal heating. But Quester was beginning to wonder. There was the matter of the engines. Early on the fourth day of the excursion, Quester had gone on a guided tour of the farside of the comet to see the fusion engines. The guide had quoted statistics all the way through the tunnel, priming the tourists for the mind-wrenching sight of them. They were the largest rocket engines ever constructed. Quester and everyone else had been prepared to be impressed.

He had been impressed; first at the size of the pits that showed where the engines had been, then at the look of utter amazement on the face of the tour guide. Also impressive had been the speed with which the expression had been masked. The guide sputtered for only a moment, then quickly filled in with a story that almost sounded logical.

"I wish they'd tell me these things," he laughed. Did the laugh sound hollow? Quester couldn't tell for sure. "The engines weren't due for removal until tomorrow. It's part of our accelerated salvage program, you see, whereby we remove everything that can be of use in fitting-out the Icarus, which you all saw near Mercury when you boarded. It's been decided not to slow Hell's Snowball when we complete this pass, but to let it coast on out where it came from. Naturally, we need to strip it as fast as possible. So equipment not actually needed for this trip has been removed already. The rest of it will be taken off on the other side of the sun, along with the passengers. I'm not a physicist, but evidently there is a saving in fuel. No need to worry about it; our course is set and we'll have no further need of the engines." He quickly shepherded the buzzing group of passengers back into the tunnel.

Quester was no physicist, either, but he could work simple equations. He was unable to find a way whereby Icarus Lines would save anything by removing the engines. The fuel was free; by their own admission whatever was left on the comet was to be discarded anyway. So why did it matter if they burned some more? Further, ships removing passengers and furnishings from the Snowball on the other side would have to match with its considerably velocity, then expend even more to slow down to solar system speeds. It sounded wasteful.

He managed to put this out of his mind. He was along for the ride, to have fun, and he wasn't a worrier. He had probably dropped a decimal point somewhere in his calculations, or was forgetting a little-known fact of ballistics. Certainly no one else seemed worried.

When he discovered that the lifeboats were missing, he was more angry than frightened.

"What are they doing to us?" he asked the steward who had come when he pressed the service bell. "Just because this is the last trip, does that mean we're not entitled to full protection? I'd like to know what's going on."

The steward, who was an affable man, scratched his head in bewilderment as he once more examined the empty lifeboat cradle.

"Beats me," he said, with a friendly grin. "Part of the salvage operation, I guess. But we've never had a spot of trouble in over fifty years. I hear the Icarus won't even carry lifeboats."

Quester fumed. If, sometime in the past, an engineer had decided Hell's Snowball needed lifeboats, he'd have felt a damn sight better if the ship still had lifeboats.

"I'd like to talk to someone who knows something about it."

"You might try the purser," the steward ventured, then quickly shook his head. "No, I forgot. The purser didn't make this trip. The first mate... no, she's... I guess that leaves the captain. You might talk to him."

Quester grumbled as he swam down the corridor toward the bridge. The company had no right to strip the ship before its final cruise. On the way there, he heard an announcement over the public address system.

"Attention. All passengers are to report to A Deck at 1300 hours for lifeboat drill. The purser... correction, the second officer will call the roll. Attendance is required of all passengers. That is all."

The announcement failed to mollify him, though he was puzzled.

The door to the bridge was ajar. There was a string spanning the open doorway with a hand-lettered sign hanging from it.

"The captain can be found at the temporary bridge," it read, "located on F Deck aft of the dispensary." Inside the room, a work crew was removing the last of the electronic equipment. There was the smell of ozone and oil, and the purple crackle of sparks. The room was little more than an ice-walled shell.

"What...?" Quester began.

"See the captain," the boss said tiredly, pulling out one of the last memory banks in a shower of shorting wires. "I just work here. Salvage crew."

Quester was reminded more of a wrecking crew. He started back toward F Deck.

"Correction on that last announcement," the PA said. "Lifeboat drill has been cancelled. The social director wishes to announce that he is no longer taking reservations for tours of the engine room. The second officer... correction, the third officer has requested all personnel to stay clear of the reactor room. There has been a slight spillage during the salvage program. Passengers are not to worry; this incident presents no danger to them. The power requirements of the ship are being taken over by the auxiliary reactor. The social director wishes to announce that tours of the auxiliary reactor are suspended. That is all."

"Is it just me?" Quester asked himself as he drifted by the groups of other passengers, none of whom seemed upset by any of this.

He located the temporary bridge, at the end of a little-used corridor that was stacked high with plastic crates marked "Immediate Removal—Rush, Urgent, Highest Priority." He insinuated his way past them with difficulty and was about to knock on the door when he was stopped by the sound of voices on the other side. The voices were angry.

"I tell you, we should abort this trip at once. I've lost the capability to maneuver the ship in the event of an emergency. I told you I wanted the attitude thrusters to remain in place until after perihelenion."

"Captain, there is no use protesting now," said another voice. "Maybe I agree with you; maybe I don't. In any case, the engines are gone now, and there's no chance of installing them again. There is to be no argument with these orders. The company's in bad shape, what with outfitting the new asterite. Can you picture what it would cost to abort this trip and refund the fares to seven thousand passengers?"

"Hang the company!" the captain exploded. "This ship is unsafe! What about those new calculations I gave you—the ones from Lewiston? Have you looked them over?"

The other voice was conciliatory. "Captain, Captain, you're wasting energy worrying about that crackpot. He's been laughed out of the Lunar Academy; his equations simply do not work."

"They look sound enough to me."

"Take it from me, Captain, the best minds in the system have assured us that the Snowball will hold together. Why, this old hunk of junk is good for a dozen more trips, and you know it. We've erred, if at all, on the conservative side."

"Well, maybe," the captain grumbled. "I still don't like that lifeboat situation, though. How many did you say we had left?"

"Twenty-eight," the other soothed.

Quester felt the hair stand up on the back of his neck. He peeked into the room, not knowing what he would say. But there was no one there. The voices were coming from a speaker on the wall. Evidently the captain was in another part of the ship. He considered going to his cabin and getting drunk, then decided it was a bad idea. He would go to the casino and get drunk. On the way he passed a lifeboat cradle that was not empty. It was the site of bustling activity, with crews hurrying up and down ramps into the ship. He stuck his head in, saw that the seats had been stripped and the interior was piled high with plastic crates. More were being added every minute.

He stopped one of the workers and asked her what was going on.

"Ask the captain," she shrugged. "They told me to stack these boxes in here, that's all I know."

He stood back and watched until the loading was complete, then was told to stand clear as the nullfield was turned off to allow the boat to drift clear of the Snowball. At a distance of two kilometers, the engines fired and the boat was away, blasting back toward the inner planets.

"Twenty-seven," Quester mumbled to himself and headed for the casino.

"Twenty-seven?" the woman asked.

"Probably less by now," Quester said with a broad shrug. "And they only hold fifty people."

They were sitting together at the roulette table, pressed into close company by the random currents of humanity that ebbed and flowed through the room. Quester was not gambling; his legs had just happened to give out, and the nearest place to collapse had been the chair he was sitting in. The woman had materialized out of his alcoholic mist.

It was nice to get back to gravity after the weightless levels of the Snowball. But, he discovered, getting drunk in a weightless state was less hazardous. One needn't worry about one's balance. Here in the casino there was the problem of standing. It was too much of a problem for Quester.

The casino was located at one end of a slowly rotating arm, which was mounted horizontally on a pivoted mast that extended straight up from Hell's Snowball. On the other end of the arm were the restaurants that served the passengers. Both modules were spherical; the structure resembled an anemometer with silver balls instead of cups on the ends. The view was tremendous. Overhead was the silver sphere that contained the restaurants. To one side was the slowly moving surface of the comet, a dirty gray even in the searing sunlight. To the other side were the stars and the main attraction: Sol itself, blemished with a choice collection of spots. The viewing was going to be good this trip. If anyone was alive to view it, Quester added to himself.

"Twenty-seven, you say?" the woman asked again.

"That's right, twenty-seven."

"One hundred Marks on number twenty-seven," she said and placed her bet. Quester looked up, wondering how many times he would have to repeat himself before she understood him.

The ball clattered to a stop, on number twenty-seven, and the croupier shoveled a tottering stack of chips to the woman. Quester looked around him again at the huge edifice he was sitting in, the incalculable tonnage of the spinning structure, and laughed.

"I wondered why they built this place," he said. "Who needs gravity?"

"Why did they build it?" she asked him, picking up the chips.

"For him," he said, pointing to the croupier. "That little ball would just hang there on the rim without gravity." He felt himself being lifted to his feet, and stood in precarious balance. He threw his arms wide.

"For that matter, that's what all the gravity in the system's for. To bring those little balls down to the number, the old wheel of fortune; and when they've got your number, there's nothing you can do because your number's up, that's all there is, twenty-seven, that's all..."

He was sobbing and mumbling philosophical truths as she led him from the room.

The ride in the elevator to the hub of the rotating structure sobered Quester considerably. The gradually decreasing weight combined with the Coriolis effect that tended to push him against one wall was more than an abused stomach could take. The management knew that and had provided facilities for it. Quester vomited until his legs were shaky. Luckily, by then he was weightless and didn't need them.

The woman towed him down the passageway like a toy balloon. They ended up in the grand ballroom.

The ballroom was a hemisphere of nullfield sitting on the surface of the Snowball. From inside it was invisible. The dance area was crowded with couples trying out free-fall dances. Most of them had the easy grace of a somersaulting giraffe.

Quester sobered a bit in the near-zero gee. Part of it was the effect of the antinausea drugs he had taken for free-fall; they also tended to reduce the effects of alcohol.

"What's your name?" he asked the woman.

"Solace. You?"

"I'm Quester. From Tharsis, Mars. I'm... I'm confused about a lot of things."

She floated over to a table, still towing Quester, and fastened him to one of the chairs. He turned his attention from the twisting bodies in the dance area to his companion.

Solace was tall, much taller than a man or a woman would naturally grow. He estimated she was two and a half meters from head to toe, though she had no toes. Her feet had been replaced with peds, oversized hands popular with spacers. They were useful in free-fall, and for other things, as he discovered when she reached across the table with one slender leg and cupped his cheek with her ped. Her legs were as limber and flexible as her arms.

"Thanks," she said, with a smile. "For the luck, I mean."

"Hmmm? Oh, you mean the bet." Quester had to drag his attention back from the delightful sensation on his cheek. She was beautiful. "But I wasn't advising you on a bet. I was trying to tell you..."

"I know. You were saying something about the lifeboats."

"Yes. It's astounding, I..." He stopped, realizing that he couldn't remember what was astounding. He was having trouble focusing on her. She was wearing a kaleidoholo suit, which meant she was naked but for a constantly shifting pattern of projections. There seemed to be fifty or sixty different suits contained in it, none persisting for longer than a few seconds. It would melt smoothly from a silver sheath dress to an almost military uniform with gold braid and buttons to a garland of flowers to Lady Godiva. He rubbed his eyes and went on.

"They're salvaging the ship," he said. "The last I heard there were only twenty-seven lifeboats left. And more are leaving every hour. They're taking the electronic equipment with them. And the furnishings and the machinery and who knows what else. I overheard the captain talking to a company representative. He's worried, the captain! But no one else seems to be. Am I worrying over nothing, or what?"

Solace looked down at her folded hands for a moment, then brought her eyes back up to his.

"I've been uneasy, too," she said in a low voice. She leaned closer to him. "I've shared my apprehensions with a group of friends. We... get together and share what we have learned. Our friends laugh at us when we tell them of our suspicions, but..." She paused and looked suspiciously around her.

Even in his befuddled state Quester had to smile. "Go on," he said.

She seemed to make up her mind about him and leaned even closer.

"We'll be meeting again soon. Several of us have been scouting around—I was covering the casino when we met—and we'll share our findings and try to come to a consensus on what to do. Are you with us?"

Quester fought off the feeling, quite strong since his suspicions began to haunt him, that he was somehow trapped in an adventure movie. But if he was, he was just getting to the good part. "You can count me in."

With no further ado, she grabbed his arm in one of her peds and began towing him along, using her hands to grab onto whatever was handy. He thought of objecting, but she was much better than he at weightless maneuvering. "May I have your attention, please?"

Quester looked around and spotted the captain standing in the center of the stage, in front of the band. He was not alone. On each side of him were women dressed in black jumpsuits, their eyes alertly scanning the audience. They were armed.

"Please, please." The captain held up his arms for quiet and eventually got it. He wiped his brow with a handkerchief.

"There is no cause for alarm. No matter what you may have been hearing, the ship is in no danger. The stories about the main engines having been removed are lies, pure and simple. We are looking for the people who planted these rumors and will soon have all of them in custody. The chief engineer wishes to announce that tours of the engine room will be resumed—"

One of the women shot the captain a glance. He mopped his brow again and consulted a slip of paper in his hand. The hand was shaking.

"Ah, a correction. The engineer announces that tours will not be resumed. There is, ah... that is, they are being overhauled, or... or something." The woman relaxed slightly.

"The rumor that the main reactor has been shut down is unfounded. The surgeon has told me that there has been no spillage of radioactive material, and even if there had been, the amount was insignificant and would only have been a danger to those passengers with high cumulative exposures. The surgeon will be collecting dosimeters at 1400 hours tomorrow.

"Let me repeat: there is no cause for alarm. As captain of this ship, I take a very dim view of rumormongering. Anyone caught disseminating stories about the unspaceworthiness of this vessel in the future will be dealt with sternly."

"Lifeboat drill will be held tomorrow on A Deck, as scheduled. Anyone who has not as yet been checked out on his life jacket will do so by noon tomorrow, ship's time. That is... is that all?" This last was addressed to the woman to his left, in a whisper. She nodded curtly, and the three of them walked off the stage, their magnetized shoes sticking to the deck like flypaper.

Solace nudged Quester in the ribs.

"Are those women bodyguards?" she whispered. "Do you think his life is in danger?"

Quester looked at the way the women gripped the captain's elbows. Not bodyguards, but guards, certainly...

"Say, I just remembered I still have some unpacking to do," he said. "Maybe I can join you and your friends later on. I'll just nose around, see what I can pick up, you know, and—"

But he couldn't squirm free of her grip. Those peds were strong.

"May I have your attention, please? Lifeboat drill for tomorrow has been canceled. Repeat, canceled. Passengers showing up at the cradles for lifeboat drill will be interrogated, by order of the captain. That is all."

On the way to Solace's room, the two were shoved out of the way by a group of people in uniform. Their faces were determined, and some of them carried clubs.

"Where does that corridor lead?" he asked.

"To the bridge. But they won't find anything there, it's been—"

"I know."

"I think we're being followed."

"Wha'?" He looked behind him as he bounced along in her wake. There was someone back there, all right. They turned a corner and Solace hauled Quester into a dimly lit alcove, bumping his head roughly against the wall. He was getting fed up with this business of being dragged. If this was an adventure, he was Winnie-the-Pooh following Christopher Robin up the stairs. He started to object, but she clapped a hand around his mouth, holding him close.

"Shhh," she hissed.

A fine thing, Quester grumbled to himself. Can't even speak my mind. He thought he was better off before, alone and puzzled, then he was with this mysterious giantess towing him around.

Of course, things could have been worse, he reflected. She was warm and naked to the touch no matter what his eyes told him. And tall. Floating there in the hall, she extended above and below him by a third of a meter.

"How can I think of something like that at a time like this?" he began, but she hushed him again and her arms tightened around him. He realized she was really scared, and he began to be so himself. The liquor and the sheer unlikelihood of recent events had detached him; he was drifting along, rudderless. Nothing in his life had prepared him to cope with things like the black-suited man who now eased slowly around the corner in shadowy pursuit of them.

They watched him from the concealment of the alcove. Many of the lights in the corridor were not working or were mere empty sockets. Earlier, Quester had been alarmed at this, adding it to his list of ways not to run a spaceship. Now, he was grateful.

"He doesn't look much like a man at all," Solace whispered. And sure enough, he didn't. Nor a woman. He didn't look too human.

"Humanoid, I'd say," Quester whispered back. "Pity no one told us. Obviously the system's been invaded by the first intelligent race of humanoids."

"Don't talk nonsense. And be quiet." The man, or whatever it was, was very close now. They could see the ill-fitting pink mask, the lumps and nodules in odd places under his sweater and pants. He passed them by, leaving a pungent odor of hydrogen sulfide.

Quester found himself laughing. To his surprise, Solace laughed along with him. The situation was so grotesque that he had to either laugh or scream.

"Listen," he said, "I don't believe in sinister humanoid invaders."

"No? But you believe in superhuman heavy-planet Invaders like the ones that have occupied the Earth, don't you? And you haven't even seen them."

"Are you telling me you do believe that thing was an... an alien?"

"I'm not saying anything. But I'm wondering what those people were doing, earlier, armed with clubs. Do you believe in mutiny?"

"Solace, I'd welcome a mutiny, I'd throw a party, give away all my worldly wealth to charity if only such a normal, everyday thing would happen. But I don't think it will. I think we've fallen through the looking glass."

"You think you're crazy?" She looked at him skeptically.

"Yep. I'm going to turn myself in right now. You're obviously not even here. Maybe this ship isn't even here."

She twisted slightly in the air, bringing her legs up close to his chest.

"I'll prove to you I'm here," she said, working with all four hands and peds at unbuttoning him.

"Hold it. What are you... how can you think of that at a time like..." It sounded familiar. She laughed, holding his wrists with her hands as her peds quickly stripped him.

"You've never been in danger before," she said. "I have. It's a common reaction to get aroused in a tight spot, especially when the danger's not immediate. And you are, and so am I."

It was true. He was, but didn't like doing it in the hallway.

"There's not room here," he protested. "Another of those critters could come along."

"Yes, isn't it exciting?" Her eyes were alight by now, and her breath was fast and shallow. "And if you think there isn't room, you haven't done it in free-fall yet. Ever tried the Hermesian Hyperbola?"

Quester sighed, and submitted. Soon he was doing more than submitting. He decided she was as crazy as everyone else, or, alternatively, he was crazy and she was as sane as everybody else. But she was right about the free-fall. There was plenty of room.

They were interrupted by a crackle of static from the public address. They paused to listen to it.

"Attention, your attention please. This is the provisional captain speaking. The traitor running-dog lackey ex-captain is now in chains. Long Live the Revolutionary Committee, who will now lead us on the true path of Procreative Anti-Abortionism."

"Free-Birthers!" Quester yelped. "We've been hijacked by Free-Birthers!"

The new captain, who sounded like a woman, started to go on, but her voice was cut short in a hideous gurgle.

"Long Live the Loyalist Faction of the Glorious Siblings of the—" a new voice began, but it, too, was cut short. Voices shouted in rapid succession.

"The counterrevolution has been suppressed," shouted yet another captain. "Liberate our wombs! Our gonads—our Freedom! Attention, attention! All female persons aboard this ship are ordered to report at once to the infirmary for artificial insemination. Shirkers will be obliterated. That is all."

Neither of them said anything for a long time. At last Solace eased herself away a bit and let him slip out of her. She let out a deep breath.

"I wonder if I could plead double jeopardy?"

"Insanity four, reality nothing," Quester giggled. He was in high spirits as they skulked their way down the dim corridors.

"Are you still on that?" Solace shot back. She sounded a bit tired of him. She kept having to hang back as he struggled to keep up with her supple quadridexterous pace. "Listen, if you want to get fitted for a straitjacket, the tailor's in the other direction. Me, I don't care how ridiculous the situation gets. I'll keep coping."

"I can't help it," he admitted. "I keep feeling that I wrote this story several years ago. Maybe in another life. I dunno."

She peered around another corner. They were on their way to the temporary bridge. They had stopped three times already to watch black-suited figures drift by. Everyone else they had seen— those dressed in holiday clothes—had ducked into doorways as quickly as they themselves. At least it seemed that the passengers were no longer in the holiday mood, were aware that there was something wrong.

"You a writer?" she asked.

"Yes. I write scientifiction. Maybe you've heard of it. There's a cult following, but we don't reach the general public."

"What's it about?"

"Scientifiction deals with life on Earth. It's set in the future— each of us creates our own hypothetical future with our own ground rules and set of assumptions. The basic assumption is that we figure out a way to fight the Invaders and reclaim the Earth, or at least a beachhead. In my stories we've managed to rout the Invaders, but the dolphins and whales are still around, and they want their allies back, so humans fight them. It's adventure stuff, purely for thrills. I have a hero called the Panama Kid."

She glanced back at him, and he couldn't read the expression. He was used to taking the defensive about his vocation.

"Is there a living in that?"

"I managed to get aboard the Snowball for the final trip, didn't I? That wasn't cheap, but then you know that. Say, what do you do for a living?"

"Nothing. My mother was a holehunter. She made a strike in '45 and got rich. She went out again and left the money to me. She's due back in about fifty years, unless she gets swallowed by a hole."

"So you were born on Pluto?"

"No. I was born in free-fall, about one hundred AU from the sun. I think that's a record so far." She grinned back at him, looking pleased with herself. "You made up your mind yet?"

"Huh?"

"Have you decided if you're the author or a character? If you really think you're crazy, you can shove off. What can you do but accept the reality of your senses?"

He paused and really thought about it for the first time since he met her.

"I do," he said firmly. "It's all happening. Holy Cetacean, it really is happening."

"Glad to have you with us. I told you you couldn't experience the Hermesian Hyperbola and still doubt your senses.

It hadn't been the love-making, Quester knew. That could be as illusory as anything else; he had the stained sheets to prove it. But he believed in her, even if there was something decidedly illogical about the goings-on around her.

"Attention, attention."

"Oh, shit. What now?" They slowed near a speaker so they could listen without distortion.

"Glad tidings! This is the provisional captain, speaking for the ad hoc steering committee. We have decided to steer this comet into a new, closer approach to the sun, thus gaining speed for a faster departure from solar space. It has been decided to convert this vessel hereafter to be referred to as the Spermatozoa, into an interstellar colony ship to spread the seed of humanity to the stars. All passengers are hereby inducted into the Proletarian Echelon of the Church of Unlimited Population. Conversion of all resources into a closed-ecology system will begin at once. Save your feces! Breathe shallowly until this crisis is past. Correction, correction, there is no crisis. Do not panic. Anyone found panicking will be shot. The steering committee has determined that there is no crisis. All surviving officers with knowledge of how to work these little gadgets on the bridge are ordered to report immediately."

Quester looked narrowly at Solace.

"Do you know anything about them?"

"I can pilot a ship, if that's what you mean. I've never flown anything quite this... enormous... but the principles are the same. You aren't suggesting that we help them, are you?"

"I don't know," he admitted. "I didn't really think in terms of plans until a few minutes ago. What was your plan? Why are we headed for the bridge?"

She shrugged. "Just to see what the hell's going on, I guess. But maybe we ought to make some preparations. Let's get some life jackets."

They found a locker in the hall containing emergency equipment. Inside were twenty of the nullfield devices called life jackets. More accurately, they were emergency spacesuit generators, with attached water recyclers and oxygen supply. Each of them was a red cylinder about thirty centimeters long and fifteen in diameter with shoulder straps and a single flexible tube with a metal connector on the end. They were worn strapped to the back with the tube reaching over the shoulder.

In operation, the life jackets generated a nullfield that conformed closely to the contours of the wearer's body. The field oscillated between one and one and a half millimeters from the skin, and the resulting bellows action forced waste air through the exhaust nozzle. The device attached itself to a tiny metal valve that was surgically implanted in all the passengers. The valve's external connection was located under Quester's left collarbone. He had almost forgotten it was there. It was just a brass-colored flower that might be mistaken for jewelry but was actually part of a plumbing system that could route venous blood from his pulmonary artery to the oxygenator on his back. It then returned through a parallel pipe to his left auricle and on to his body.

Solace helped him get into it and showed him the few manual controls. Most of it was automatic. It would switch on the field around him if the temperature or pressure changed suddenly.

Then they were off again through the silent corridors to confront the hijackers.

At the last turn in the corridor before reaching the temporary bridge, they stopped to manually switch on their suit fields. Solace instantly became a mirror in the shape of a woman. The field reflected all electromagnetic radiation except through pupil-sized discontinuities over her eyes which let in controlled quanta of visible light. It was disquieting. The funhouse effect, it was called, and it looked as if her body had been twisted through another spatial dimension. She almost disappeared, except for a pattern of distortions that hurt Quester's eyes when he looked at it.

They reached the door leading to the bridge and stopped for a moment. It was a perfectly ordinary door. Quester wondered why he was here with this impulsive woman.

"Do we knock first, or what?" she mused. "What do you think, Quester? What would the Panama Kid do?"

"He'd knock it down," Quester said without hesitation. "But he wouldn't have gotten here without his trusty laser. Say, do you think we ought to go back and..."

"No. We'd better do it now before we think about it too hard. These suits are protections against any weapon I know of. The most they can do is capture us."

"Then what?"

"Then you can talk us out of it. You're the one who's fast with words, aren't you?"

Quester remained silent as she backed up and planted herself against the opposite wall, coiled and ready to hit the door with her shoulder. He didn't want to point out that skill with a typer and skill at oratory are not necessarily related. Besides, if she wanted to risk forcible insemination, it was her business.

Just on the off chance, he touched the door plate with his palm. It clicked, and the door opened. It was too late. Solace howled and barreled end-over-end into the room, reaching out with all four limbs like a huge silver starfish to grab onto something. Quester rushed after her, then stopped short as soon as he was into the room. There was no one in it.

"Talk about your anticlimax," Solace breathed, getting herself sorted out from a pile of crates at the far end of the room. "I... never mind. It was my fault. Who'd have thought it'd be unlocked?"

"I did," Quester pointed out. "Hold it a minute. We're sort of, well, we're being pretty hasty, aren't we? I haven't really had time to stop and think since we got going, but I think we're going at this the wrong way, I really do. Damn it, this isn't an adventure, where everything goes according to a set pattern. I've written enough of them, I ought to know. This is life, and that means there's got to be a rational explanation."

"So what is it?"

"I don't know. But I don't think we'll find it this way. Things have been happening... well, think about the announcements over the PA, for instance. They are crazy! No one's that crazy, not even Free-Birthers."

Quester's chain of thought was interrupted by the noisy entrance of four people in life jackets. He and Solace jumped up, banged their heads on the ceiling, and were quickly captured.

"All right, which one of you is the provisional captain?"

There was a short silence, then Solace broke it with a laugh.

"Lincoln?" she asked.

"Solace?"

The four were part of Solace's short-lived cabal. It seemed the ship was crawling with people who were concerned enough about the situation to try and do something about it. Before Quester caught all the names, they were surprised by another group of four, with three more close on their heels. The situation threatened to degenerate into a pitched battle of confused identities until someone had a suggestion.

"Why don't we hang a sign on the door? Anybody who comes in here thinks we're the hijackers." They did, and the sign said the provisional captain was dead. While new arrivals were pondering that and wondering what to do next, someone had time to explain the situation.

Someone arrived with a tray of drinks, and soon the would-be liberators were releasing their tensions in liquor and argument. There were fifteen pet theories expounded in as many minutes.

Now that he felt he had his feet under him, Quester adopted a wait-and-see attitude. The data was still insufficient.

" 'When you have eliminated the impossible,' " he quoted, " 'whatever is left, however improbable, must be the truth.' "

"So what does that gain us?" Solace asked.

"Only a viewpoint. Me, I think we'll have to wait until we get back to Mercury to find out what's been happening. Unless you bring me a live alien, or Free-Birther, or... some physical evidence."

"Then let's go look for it," Solace said.

"Attention, attention. This is the ship's computer speaking. I have grave news for all passengers. The entire crew has been assassinated. Until now, I have been blocked by a rogue program inserted by the revolutionaries which has prevented me from regaining control of operations. Luckily, this situation has been remedied. Unluckily, the bridge is still in the hands of the pirates! They have access to all my manual controls from their position, and I'm afraid there is but one course open to those of you who wish to avoid a catastrophe. We are on a trajectory that will soon intersect with the solar chromosphere, and I am powerless to correct it until the bridge is regained. Rally to me! Rise in righteous fury and repulse the evil usurpers! Storm the bridge! Long live the counterrevolution!"

There was a short silence as the implications sank in, then a babble of near panic. Several people headed for the door, only to come back and bolt it. There was an ominous roar from outside.

"...chromosphere? Where the hell are we? Has anyone been out on the surface lately?"

"...some pleasure cruise. I haven't even seen the sun and now they say we're about to..."

"...pirates, revolutions, counterrevolutions, Free-Birthers, aliens, for heaven's sake..."

Solace looked helplessly around her, listened to the pounding on the door. She located Quester hunkered down beside an instrument console and crouched beside him.

"Talk your way out of this one, Panama Kid," she yelled in his ear.

"My dear, I'm much too busy to talk. If I can get the back off this thing..." He worked at it and finally pulled off a metal cover. "There was a click from here when the computer came on the line."

There was a recorder inside, with a long reel of tape strung between playback heads. He punched a button that said rewind, watched the tape cycle briefly through, and hit the play button.

"Attention, attention. This is the ship's computer speaking. I have grave news for all passengers."

"We've heard that one already," someone shouted. Quester held his head in his hands for a moment, then looked up at Solace. She opened her mouth to say something, then bit her lip, her eyebrows almost touched in a look of puzzlement so funny that Quester would have laughed out loud. But the roof of the bridge evaporated.

It took only a few seconds. There was a blinding white light and a terrible roaring sound; then he was whisked into the air and pulled toward the outside. In an instant, everyone was covered in a nullfield and milling around the hole in the roof like a school of silverfish. In two's and three's they were sucked through. Then the room was empty and Quester was still in it. He looked down and saw Solace's hand around his ankle. She was grasping the firmly anchored computer console with one ped. She hauled him down to her and held him close as he found handholds. His teeth were chattering.

The door burst open, and there was another flurry of astonished passengers sucked through the roof. It didn't take as long this time; the hole in the roof was much larger. Beyond the hole was blackness.

Quester was surprised to see how calm he was once his initial shock had dissipated. He thanked Solace for saving him, then went on with what he had been about to say before the blowout.

"Did you talk to anyone who actually saw a mutineer, or a Free-Birther, or whatever?"

"Huh? Is this the time to...? No, I guess I didn't. But we saw those aliens, or whatever they—"

"Exactly. Whatever they were. They could have been anything. Someone is playing an awfully complicated trick on us. Something's happening, but it isn't what we've been led to believe."

"We've been led to believe something?"

"We've been given clues. Sometimes contradictory, sometimes absolutely insane, and encouraged to think a mutiny is going on; and this recorder proves it isn't happening. Listen." And he played back the recordings of various announcements they had heard earlier. It sounded tinny in their middle-ear receivers.

"But what does that prove?" Solace wanted to know. "Maybe this thing just taped them as they happened."

Quester was dumfounded for a moment. The theory of a vast conspiracy had appealed to him, even if he didn't know the reason for it.

He played past the point of the computer's announcement and sighed with relief when he heard that there was more. They let it natter on to no one about crises in the engine room, spillage in the second auxiliary reactor, and so on. It was obvious that it was playing a scenario that could no longer happen. Because the ship had already broken down completely and they were headed directly for...

They seemed to reach that thought simultaneously and scrambled up toward a hole in the ceiling to see what was going on. Quester forgot, as usual, to hang onto something and would have drifted straight up at near-escape velocity but for Solace's grasping hands.

The sun had eaten up the sky. It was huge, huge.

"That's what we paid to see," Solace said, weakly.

"Yeah. But I thought we'd see it from the ballroom. It's sort of... big, isn't it?"

"Do you think we're...?"

"I don't know. I never thought we'd get this close. Something the captain said—no, wait, it wasn't the captain, was it? But one of the recordings said something about..."

The ground heaved under them.

Quester saw the revolving casino complex off to his right. It swayed, danced, and came apart. The twin balls broke open, still rotating, and spilled tables and roulette wheels and playing cards and dishes and walls and carpets to the waiting stars. The debris formed a glittering double spiral of ejecta, like droplets of water spraying from the tips of a lawn sprinkler. Bits of it twisted in the sunlight, cartwheeling, caroming, semaphoring, kicking.

"Those are people."

"Are they...?" Quester couldn't ask it.

"No," Solace answered. "Those suits will protect them. Maybe they can be picked up later. You see, when you hit something wearing one of these suits, you—"

She didn't have time to finish, but Quester soon had a demonstration of what she was talking about. The ground opened a few meters from them. They were swept off their feet and tumbled helplessly across the dirty white surface until they hung suspended over the pit.

Quester hit the far side of the rift and bounced. He felt little of the impact, though he hit quite hard, because the suit field automatically stiffened when struck by a fast-moving object. He had cause to be thankful for that fact, because the rift began to close. He clawed his way along the surface toward the sunlight, but the walls of ice closed on him like a book snapped shut.

For a brief moment he was frozen while the ice and rock around him shook and vaporized under the incredible pressures of shearing force. He saw nothing but white heat as frozen methane and water became gas in an instant without an intermediate liquid stage. Then he was shot free as the masses came apart again.

He was still frozen into a climbing position, but now he could see. He was surrounded by chunks of debris, ranging from fist-sized rocks glowing bright red to giant icebergs that sublimated and disappeared before his eyes. Each time the suit began to lose its rigidity he was hit by another object and frozen into a new position as the suit soaked up the kinetic energy.

In a surprisingly short time, everything had vanished. Every particle of the explosion was impelled away from every other particle by the pressures of expanding superheated steam.

But Solace was still clinging to his ankle. She was the only thing left in his universe apart from a few tiny flashing stars of debris far in the distance, tumbling, tumbling.

And the sun.

He could look directly at it as it swung past his field of vision once every ten seconds. It could barely be seen as a sphere; each second it looked more like a flat, boiling plane. The majestic, crushing presence of it flattened his ego with a weight he could barely tolerate. He found Solace in his arms. He looked at her face, which was endless mirrors showing a vanishing series of suns rebounding from his face to hers and back to infinity. The funhouse effect, so disconcerting only an hour ago, seemed familiar and reassuring now in comparison to the chaos below him. He hugged her and closed his eyes.

"Are we going to hit it?" he asked.

"I can't tell. If we do, it'll be the hardest test these suits have ever had. I don't know if they have limits."

He was astounded. "You mean we might actually...?"

"I tell you, I don't know. Theoretically, yes, we could graze the chromosphere and not feel a thing, not from the heat, anyway. But it would be bound to slow us down pretty quickly. The deceleration could kill us. The suits protect us from outside forces almost completely, but internal accelerations can break bones and rupture organs. This suit doesn't stop gravity or inertia from working."

There was no use thinking too long on that possibility.

They were hurtling through the corona now, building up a wake of ionized particles that trailed after them like the tail of a tiny comet. They looked around them for other survivors but could find nothing. Soon, they could see little but a flickering haze as the electrical potential they had built up began discharging in furry feathers of hot plasma. It couldn't have lasted longer than a few minutes; then it began to fade slowly away.

There came a time when the sun could be seen to have shrunk slightly. They didn't speak of it, just held onto each other.

"What are our chances of pickup?" Quester wanted to know. The sun was now much smaller, receding almost visibly behind them. They were concerned only for the next twenty hours, which was the length of their oxygen reserves.

"How should I know? Someone must know by now that something's happened, but I don't know if any ships can get to us in time. It would depend on where they were at the time of the disaster."

Quester scanned the stars as they swept past his field of vision. They had no way to slow their rotation; so the stars still went around them every ten seconds.

He didn't expect to see anything but was not surprised when he did. It was the next-to-last in a long series of incongruities. There was a ship closing in on them. A voice over the radio told them to stand by to come aboard and asked them how they enjoyed the trip.

Quester was winding up for a reply, but the speaker said one word, slowly and clearly:

"Frightfulness."

And everything changed.

I woke up and found out it had all been a dream.

The very first story I wrote, back when I was five years old, ended with words very much like that last sentence. I'm not ashamed of it. The thought was not new, but it was original with me. It was only later that I learned it's not a fair way to end a story, that the reader deserves more than that.

So here's more.

I woke up and found out it had almost all been a dream. The word, "frightfulness," was a posthypnotic trigger that caused me to remember all the things which had been blocked from me by earlier suggestion.

I don't know why I'm bothering to explain all this. I guess old writing habits die hard. No matter that this is being written for a board of psychists, mediartists, and flacks; I have to preserve the narrative thread. I've broken the rules by changing to first person at the end, but I found I could not write the account Icarus Lines requested of me unless I did it in the third person.

"I" am Quester, though that's not my real name. I am a scientifiction writer, but I have no character named the Panama Kid. Solace's name is something else. It was suggested that I change the names.

I signed aboard Hell's Snowball knowing that it was going to break apart along the way. That's why so much of it had been stripped. They retained only enough to preserve a tenuous illusion that the trip was a normal one, then threw in everything they could think of to scare the daylights out of us.

We knew they would. We agreed to and submitted to a hypnotic treatment that would fool us into thinking we were on a normal trip and were released into the crazy world they cooked up for us. It's the first time they had ever tried it, and so they threw in everything in the book: aliens, accidents, mutiny, confusion, crackpots, and I didn't even see it all. The experience is different for each passenger, but the basic theme is to put us into a scary situation with evident peril of life and limb; shake well, and then let us come through the experience safe and sound.

There was no danger, not from the first to the last. We were on a stable, carefully calculated orbit. The life jackets were enough to keep us absolutely safe against anything we would encounter, and we were conditioned to have them on at the right time. As proof of this, not a single passenger was injured.

We were all nearly scared to death.

It says here you want to know the motive. I remember it clearly now, though I remembered an entirely different one at the time. I went on the Disaster Express because I had just sold a novel and wanted to do something wild, out of character. That was the wildest thing I could think of, and I could wish I had gone to a museum instead. Because the next question you want me to answer is how I feel about it now that it's over, and you won't like it. I hope I'm in the majority and you people at Icarus will give this thing up and never run another like it.

There used to be something called a "haunted house." One was led blindfolded through it and encountered various horrors, the effect being heightened by the unknown nature of the things one touched and was touched by. People have done things like that for as long as we have history. We go to movies to be scared, ride on roller coasters, read books, go to funhouses. Thrills are never cheap, no matter what they say. It takes skill to produce them, and art, and a knowledge of what will be genuinely thrilling and what will be only amusing.

You people had mixed success. Part of it was the kitchen-sink approach you took on this first trip. If you unified your theme the next time, stuck to a mutiny or an invasion, for instance, instead of mucking it up with all the other insanity you put in... but what am I saying? I don't want you to improve it. It's true that I was a little bemused by the unreality of the opener, but it was stark terror all the way when we approached the sun. My stomach still tightens just to think about it.

But—and I must cry it from the rooftops—you have gone too far. I'm basically conservative, as are all scientifiction writers, being concerned as we are with the past on Earth rather than the future in the stars. But I can't avoid thinking how frivolous it all was. Have we come to this? While our precious home planet remains under the three-hundred-year Occupation, do we devote ourselves to more and more elaborate ways of finding thrills?

I hope not.

There is a second consideration, one that I find it difficult to put into words. You hear of the "shipboard romance," when passengers become involved with each other only to part forever at their destination. Something of the sort happened to me and to Solace. We grew close on that loop through the corona. I didn't write about it. It's still painful. We clung to each other for two days. We made love with the stars at our feet.

We might even have remained involved, if our minds had been our own. But upon the utterance of that magic word we suddenly found that we were not the people we had been presenting ourselves as being. It's difficult enough to find out that one you care for is not the person she seemed to be; how much harder when it is you who are not what you thought you were?

It is a tremendous identity crisis, one that I am only now getting over. I, Quester, would not have behaved as I did aboard the Snowball if I had been in possession of all my faculties. We were tested, destructively tested in a way, to see if the injunction against discovering the underlying facts was strong enough to hold. It was, though I was beginning to see through the veils at the end. With a more consistent emergency I'm sure I would have had no inkling that it was anything but real. And that would be much worse. As it was, I was able to retain a degree of detachment, to entertain the notion that I might be insane. I was right.

The trip to the sun is thrill enough. Leave it at that, please, so that we may be sure of our loves and fears and not come to think that all might be illusion. I'll always have the memory of the way Solace looked when she woke from the dream she shared with me. The dream was gone; Solace was not the person I thought she might be. I'll have to look for solace elsewhere.

The Barbie Murders

THE BODY CAME TO the morgue at 2246 hours. No one paid much attention to it. It was a Saturday night, and the bodies were piling up like logs in a millpond. A harried attendant working her way down the row of stainless steel tables picked up the sheaf of papers that came with the body, peeling back the sheet over the face. She took a card from her pocket and scrawled on it, copying from the reports filed by the investigating officer and the hospital staff:

Ingraham, Leah Petrie. Female. Age: 35. Length: 2.1 meters. Mass: 59 kilograms. Dead on arrival, Crisium Emergency Terminal. Cause of death: homicide. Next of kin: unknown.

She wrapped the wire attached to the card around the left big toe, slid the dead weight from the table and onto the wheeled carrier, took it to cubicle 659A, and rolled out the long tray.

The door slammed shut, and the attendant placed the paperwork in the out tray, never noticing that, in his report, the investigating officer had not specified the sex of the corpse.

Lieutenant Anna-Louise Bach had moved into her new office three days ago and already the paper on her desk was threatening to avalanche onto the floor.

To call it an office was almost a perversion of the term. It had a file cabinet for pending cases; she could open it only at severe risk to life and limb. The drawers had a tendency to spring out at her, pinning her in her chair in the corner. To reach "A" she had to stand on her chair; "Z" required her either to sit on her desk or to straddle the bottom drawer with one foot in the legwell and the other against the wall.

But the office had a door. True, it could only be opened if no one was occupying the single chair in front of the desk.

Bach was in no mood to gripe. She loved the place. It was ten times better than the squadroom, where she had spent ten years elbow-to-elbow with the other sergeants and corporals.

Jorge Weil stuck his head in the door.

"Hi. We're taking bids on a new case. What am I offered?"

"Put me down for half a Mark," Bach said, without looking up from the report she was writing. "Can't you see I'm busy?"

"Not as busy as you're going to be." Weil came in without an invitation and settled himself in the chair. Bach looked up, opened her mouth, then said nothing. She had the authority to order him to get his big feet out of her "cases completed" tray, but not the experience in exercising it. And she and Jorge had worked together for three years. Why should a stripe of gold paint on her shoulder change their relationship? She supposed the informality was Weil's way of saying he wouldn't let her promotion bother him as long as she didn't get snotty about it.

Weil deposited a folder on top of the teetering pile marked "For Immediate Action," then leaned back again. Bach eyed the stack of paper—and the circular file mounted in the wall not half a meter from it, leading to the incinerator—and thought about having an accident. Just a careless nudge with an elbow...

"Aren't you even going to open it?" Weil asked, sounding disappointed. "It's not every day I'm going to hand-deliver a case."

"You tell me about it, since you want to so badly."

"All right. We've got a body, which is cut up pretty bad. We've got the murder weapon, which is a knife. We've got thirteen eyewitnesses who can describe the killer, but we don't really need them since the murder was committed in front of a television camera. We've got the tape."

"You're talking about a case which has to have been solved ten minutes after the first report, untouched by human hands. Give it to the computer, idiot." But she looked up. She didn't like the smell of it. "Why give it to me?"

"Because of the other thing we know. The scene of the crime. The murder was committed at the barbie colony."

"Oh, sweet Jesus."

The Temple of the Standardized Church in Luna was in the center of the Standardist Commune, Anytown, North Crisium. The best way to reach it, they found, was a local tube line which paralleled the Cross-Crisium Express Tube.

She and Weil checked out a blue-and-white police capsule with a priority sorting code and surrendered themselves to the New Dresden municipal transport system—the pill sorter, as the New Dresdenites called it. They were whisked through the precinct chute to the main nexus, where thousands of capsules were stacked awaiting a routing order to clear the computer. On the big conveyer which should have taken them to a holding cubby, they were snatched by a grapple—the cops called it the long arm of the law—and moved ahead to the multiple maws of the Cross-Crisium while people in other capsules glared at them. The capsule was inserted, and Bach and Weil were pressed hard into the backs of their seats.

In seconds they emerged from the tube and out onto the plain of Crisium, speeding along through the vacuum, magnetically suspended a few millimeters above the induction rail. Bach glanced up at the Earth, then stared out the window at the featureless landscape rushing by. She brooded.

It had taken a look at the map to convince her that the barbie colony was indeed in the New Dresden jurisdiction—a case of blatant gerrymandering if ever there was one. Anytown was fifty kilometers from what she thought of as the boundaries of New Dresden, but was joined to the city by a dotted line that represented a strip of land one meter wide.

A roar built up as they entered a tunnel and air was injected into the tube ahead of them. The car shook briefly as the shock wave built up, then they popped through pressure doors into the tube station of Anytown. The capsule doors hissed and they climbed out onto the platform.

The tube station at Anytown was primarily a loading dock and warehouse. It was a large space with plastic crates stacked against all the walls, and about fifty people working to load them into freight capsules.

Bach and Weil stood on the platform for a moment, uncertain where to go. The murder had happened at a spot not twenty meters in front of them, right here in the tube station.

"This place gives me the creeps," Weil volunteered.

"Me, too."

Every one of the fifty people Bach could see was identical to every other. All appeared to be female, though only faces, feet, and hands were visible, everything else concealed by loose white pajamas belted at the waist. They were all blonde; all had hair cut off at the shoulder and parted in the middle, blue eyes, high foreheads, short noses, and small mouths.

The work slowly stopped as the barbies became aware of them. They eyed Bach and Weil suspiciously. Bach picked one at random and approached her.

"Who's in charge here?" she asked.

"We are," the barbie said. Bach took it to mean the woman herself, recalling something about barbies never using the singular pronoun.

"We're supposed to meet someone at the temple," she said. "How do we get there?"

"Through that doorway," the woman said. "It leads to Main Street. Follow the street to the temple. But you really should cover yourselves."

"Huh? What do you mean?" Bach was not aware of anything wrong with the way she and Weil were dressed. True, neither of them wore as much as the barbies did. Bach wore her usual blue nylon briefs in addition to a regulation uniform cap, arm and thigh bands, and cloth-soled slippers. Her weapon, communicator, and handcuffs were fastened to a leather equipment belt.

"Cover yourself," the barbie said, with a pained look. "You're flaunting your differentness. And you, with all that hair..." There were giggles and a few shouts from the other barbies.

"Police business," Weil snapped.

"Uh, yes," Bach said, feeling annoyed that the barbie had put her on the defensive. After all, this was New Dresden, it was a public thoroughfare—even though by tradition and usage a Standardist enclave—and they were entitled to dress as they wished.

Main Street was a narrow, mean little place. Bach had expected a promenade like those in the shopping districts of New Dresden; what she found was indistinguishable from a residential corridor. They drew curious stares and quite a few frowns from the identical people they met.

There was a modest plaza at the end of the street. It had a low roof of bare metal, a few trees, and a blocky stone building in the center of a radiating network of walks.

A barbie who looked just like all the others met them at the entrance. Bach asked if she was the one Weil had spoken to on the phone, and she said she was. Bach wanted to know if they could go inside to talk. The barbie said the temple was off limits to outsiders and suggested they sit on a bench outside the building.

When they were settled, Bach started her questioning. "First, I need to know your name, and your title. I assume that you are... what was it?" She consulted her notes, taken hastily from a display she had called up on the computer terminal in her office. "I don't seem to have found a title for you."

"We have none," the barbie said. "If you must think of a title, consider us as the keeper of records."

"All right. And your name?"

"We have no name."

Bach sighed. "Yes, I understand that you forsake names when you come here. But you had one before. You were given one at birth. I'm going to have to have it for my investigation."

The woman looked pained. "No, you don't understand. It is true that this body had a name at one time. But it has been wiped from this one's mind. It would cause this one a great deal of pain to be reminded of it." She stumbled verbally every time she said "this one." Evidently even a polite circumlocution of the personal pronoun was distressing.

"I'll try to get it from another angle, then." This was already getting hard to deal with, Bach saw, and knew it could only get tougher. "You say you are the keeper of records."

"We are. We keep records because the law says we must. Each citizen must be recorded, or so we have been told."

"For a very good reason," Bach said. "We're going to need access to those records. For the investigation. You understand? I assume an officer has already been through them, or the deceased couldn't have been identified as Leah P. Ingraham."

"That's true. But it won't be necessary for you to go through the records again. We are here to confess. We murdered L. P. Ingraham, serial number 11005. We are surrendering peacefully. You may take us to your prison." She held out her hands, wrists close together, ready to be shackled.

Weil was startled, reached tentatively for his handcuffs, then looked to Bach for guidance.

"Let me get this straight. You're saying you're the one who did it? You, personally."

"That's correct. We did it. We have never defied temporal authority, and we are willing to pay the penalty."

"Once more." Bach reached out and grasped the barbie's wrist, forced the hand open, palm up. "This is the person, this is the body that committed the murder? This hand, this one right here, held the knife and killed Ingraham? This hand, as opposed to 'your' thousands of other hands?"

The barbie frowned.

"Put that way, no. This hand did not grasp the murder weapon. But our hand did. What's the difference?"

"Quite a bit, in the eyes of the law." Bach sighed, and let go of the woman's hand. Woman? She wondered if the term applied. She realized she needed to know more about Standardists. But it was convenient to think of them as such, since their faces were feminine.

"Let's try again. I'll need you—and the eyewitnesses to the crime—to study the tape of the murder. I can't tell the difference between the murderer, the victim, or any of the bystanders. But surely you must be able to. I assume that... well, like the old saying went, 'all Chinamen look alike.' That was to Caucasian races, of course. Orientals had no trouble telling each other apart. So I thought that you... that you people would..." She trailed off at the look of blank incomprehension on the barbie's face.

"We don't know what you're talking about."

Bach's shoulders slumped.

"You mean you can't... not even if you saw her again...?"

The woman shrugged. "We all look the same to this one."

Anna-Louise Bach sprawled out on her flotation bed later that night, surrounded by scraps of paper. Untidy as it was, her thought processes were helped by actually scribbling facts on paper rather than filing them in her datalink. And she did her best work late at night, at home, in bed, after taking a bath or making love. Tonight she had done both and found she needed every bit of the invigorating clarity it gave her.

Standardists.

They were an off-beat religious sect founded ninety years earlier by someone whose name had not survived. That was not surprising, since Standardists gave up their names when they joined the order, made every effort consistent with the laws of the land to obliterate the name and person as if he or she had never existed. The epithet "barbie" had quickly been attached to them by the press. The origin of the word was a popular children's toy of the twentieth and early twenty-first centuries, a plastic, sexless, mass-produced "girl" doll with an elaborate wardrobe.

The barbies had done surprisingly well for a group which did not reproduce, which relied entirely on new members from the outside world to replenish their numbers. They had grown for twenty years, then reached a population stability where deaths equalled new members—which they call "components." They had suffered moderately from religious intolerance, moving from country to country until the majority had come to Luna sixty years ago.

They drew new components from the walking wounded of society, the people who had not done well in a world which preached conformity, passivity, and tolerance of your billions of neighbors, yet rewarded only those who were individualist and aggressive enough to stand apart from the herd. The barbies had opted out of a system where one had to be at once a face in the crowd and a proud individual with hopes and dreams and desires. They were the inheritors of a long tradition of ascetic withdrawal, surrendering their names, their bodies, and their temporal aspirations to a life that was ordered and easy to understand.

Bach realized she might be doing some of them a disservice in that evaluation. They were not necessarily all losers. There must be those among them who were attracted simply by the religious ideas of the sect, though Bach felt there was little in the teachings that made sense.

She skimmed through the dogma, taking notes. The Standardists preached the commonality of humanity, denigrated free will, and elevated the group and the consensus to demi-god status. Nothing too unusual in the theory; it was the practice of it that made people queasy.

There was a creation theory and a godhead, who was not worshipped but contemplated. Creation happened when the Goddess—a prototypical earth-mother who had no name—gave birth to the universe. She put people in it, all alike, stamped from the same universal mold.

Sin entered the picture. One of the people began to wonder. This person had a name, given to him or her after the original sin as part of the punishment, but Bach could not find it written down anywhere. She decided that it was a dirty word which Standardists never told an outsider.

This person asked Goddess what it was all for. What had been wrong with the void, that Goddess had seen fit to fill it with people who didn't seem to have a reason for existing?

That was too much. For reasons unexplained—and impolite to even ask about—Goddess had punished humans by introducing differentness into the world. Warts, big noses, kinky hair, white skin, tall people and fat people and deformed people, blue eyes, body hair, freckles, testicles, and labia. A billion faces and fingerprints, each soul trapped in a body distinct from all others, with the heavy burden of trying to establish an identity in a perpetual shouting match.

But the faith held that peace was achieved in striving to regain that lost Eden. When all humans were again the same person, Goddess would welcome them back. Life was a testing, a trial.

Bach certainly agreed with that. She gathered her notes and shuffled them together, then picked up the book she had brought back from Anytown. The barbie had given it to her when Bach asked for a picture of the murdered woman.

It was a blueprint for a human being.

The title was The Book of Specifications. The Specs, for short. Each barbie carried one, tied to her waist with a tape measure. It gave tolerances in engineering terms, defining what a barbie could look like. It was profusely illustrated with drawings of parts of the body in minute detail, giving measurements in millimeters.

She closed the book and sat up, propping her head on a pillow. She reached for her viewpad and propped it on her knees, punched the retrieval code for the murder tape. For the twentieth time that night, she watched a figure spring forward from a crowd of identical figures in the tube station, slash at Leah Ingraham, and melt back into the crowd as her victim lay bleeding and eviscerated on the floor.

She slowed it down, concentrating on the killer, trying to spot something different about her. Anything at all would do. The knife struck. Blood spurted. Barbies milled about in consternation. A few belatedly ran after the killer, not reacting fast enough. People seldom reacted quickly enough. But the killer had blood on her hand. Make a note to ask about that.

Bach viewed the film once more, saw nothing useful, and decided to call it a night.

The room was long and tall, brightly lit from strips high above. Bach followed the attendant down the rows of square locker doors which lined one wall. The air was cool and humid, the floor wet from a recent hosing.

The man consulted the card in his hand and pulled the metal handle on locker 659A, making a noise that echoed through the bare room. He slid the drawer out and lifted the sheet from the corpse.

It was not the first mutilated corpse Bach had seen, but it was the first nude barbie. She immediately noted the lack of nipples on the two hills of flesh that pretended to be breasts, and the smooth, unmarked skin in the crotch. The attendant was frowning, consulting the card on the corpse's foot.

"Some mistake here," he muttered. "Geez, the headaches. What do you do with a thing like that?" He scratched his head, then scribbled through the large letter "F" on the card, replacing it with a neat "N." He looked at Bach and grinned sheepishly. "What do you do?" he repeated.

Bach didn't much care what he did. She studied L. P. Ingraham's remains, hoping that something on the body would show her why a barbie had decided she must die.

There was little difficulty seeing how she had died. The knife had entered her abdomen, going deep, and the wound extended upward from there in a slash that ended beneath the breastbone. Part of the bone was cut through. The knife had been sharp, but it would have taken a powerful arm to slice through that much meat.

The attendant watched curiously as Bach pulled the dead woman's legs apart and studied what she saw there. She found the tiny slit of the urethra set back around the curve, just anterior to the anus.

Bach opened her copy of The Specs, took out a tape measure, and started to work.

"Mr. Atlas, I got your name from the Morphology Guide's files as a practitioner who's had a lot of dealings with the Standardist Church."

The man frowned, then shrugged. "So? You may not approve of them, but they're legal. And my records are in order. I don't do any work on anybody until the police have checked for a criminal record." He sat on the edge of the desk in the spacious consulting room, facing Bach. Mr. Rock Atlas—surely a nom de métier—had shoulders carved from granite, teeth like flashing pearls, and the face of a young god. He was a walking, flexing advertisement for his profession. Bach crossed her legs nervously. She had always had a taste for beef.

"I'm not investigating you, Mr. Atlas. This is a murder case, and I'd appreciate your cooperation."

"Call me Rock," he said, with a winning smile.

"Must I? Very well. I came to ask you what you would do, how long the work would take, if I asked to be converted to a barbie."

His face fell. "Oh, no, what a tragedy! I can't allow it. My dear, it would be a crime." He reached over to her and touched her chin lightly, turning her head. "No, Lieutenant, for you I'd build up the hollows in the cheeks just the slightest bit—maybe tighten up the muscles behind them—then drift the orbital bones out a little bit farther from the nose to set your eyes wider. More attention-getting, you understand. That touch of mystery. Then of course there's your nose."

She pushed his hand away and shook her head. "No, I'm not coming to you for the operation. I just want to know. How much work would it entail, and how close can you come to the specs of the church?" Then she frowned and looked at him suspiciously. "What's wrong with my nose?"

"Well, my dear, I didn't mean to imply there was anything wrong; in fact, it has a certain overbearing power that must be useful to you once in a while, in the circles you move in. Even the lean to the left could be justified, aesthetically—"

"Never mind," she said, angry at herself for having fallen into his sales pitch. "Just answer my question."

He studied her carefully, asked her to stand up and turn around. She was about to object that she had not necessarily meant herself personally as the surgical candidate, just a woman in general, when he seemed to lose interest in her.

"It wouldn't be much of a job," he said. "Your height is just slightly over the parameters; I could take that out of your thighs and lower legs, maybe shave some vertebrae. Take out some fat here and put it back there. Take off those nipples and dig out your uterus and ovaries, sew up your crotch. With a man, chop off the penis. I'd have to break up your skull a little and shift the bones around, then build up the face from there. Say two days work, one overnight and one outpatient."

"And when you were through, what would be left to identify me?"

"Say that again?"

Bach briefly explained her situation, and Atlas pondered it.

"You've got a problem. I take off the fingerprints and footprints. I don't leave any external scars, not even microscopic ones. No moles, freckles, warts or birthmarks; they all have to go. A blood test would work, and so would a retinal print. An X-ray of the skull. A voiceprint would be questionable. I even that out as much as possible. I can't think of anything else."

"Nothing that could be seen from a purely visual exam?"

"That's the whole point of the operation, isn't it?"

"I know. I was just hoping you might know something even the barbies were not aware of. Thank you, anyway."

He got up, took her hand, and kissed it. "No trouble. And if you ever decide to get that nose taken care of..."

She met Jorge Weil at the temple gate in the middle of Anytown. He had spent his morning there, going through the records, and she could see the work didn't agree with him. He took her back to the small office where the records were kept in battered file cabinets. There was a barbie waiting for them there. She spoke without preamble.

"We decided at equalization last night to help you as much as possible."

"Oh, yeah? Thanks. I wondered if you would, considering what happened fifty years ago."

Weil looked puzzled. "What was that?" Bach waited for the barbie to speak, but she evidently wasn't going to.

"All right. I found it last night. The Standardists were involved in murder once before, not long after they came to Luna. You notice you never see one of them in New Dresden?"

Weil shrugged. "So what? They keep to themselves."

"They were ordered to keep to themselves. At first, they could move freely like any other citizens. Then one of them killed somebody—not a Standardist this time. It was known the murderer was a barbie; there were witnesses. The police started looking for the killer. You guess what happened."

"They ran into the problems we're having." Weil grimaced. "It doesn't look so good, does it?"

"It's hard to be optimistic," Bach conceded. "The killer was never found. The barbies offered to surrender one of their number at random, thinking the law would be satisfied with that. But of course it wouldn't do. There was a public outcry, and a lot of pressure to force them to adopt some kind of distinguishing characteristic, like a number tattooed on their foreheads. I don't think that would have worked, either. It could have been covered.

"The fact is that the barbies were seen as a menace to society. They could kill at will and blend back into their community like grains of sand on a beach. We would be powerless to punish a guilty party. There was no provision in the law for dealing with them."

"So what happened?"

"The case is marked closed, but there's no arrest, no conviction, and no suspect. A deal was made whereby the Standardists could practice their religion as long as they never mixed with other citizens. They had to stay in Anytown. Am I right?" She looked at the barbie.

"Yes. We've adhered to the agreement."

"I don't doubt it. Most people are barely aware you exist out here. But now we've got this. One barbie kills another barbie, and under a television camera..." Bach stopped, and looked thoughtful. "Say, it occurs to me... wait a minute. Wait a minute." She didn't like the look of it.

"I wonder. This murder took place in the tube station. It's the only place in Anytown that's scanned by the municipal security system. And fifty years is a long time between murders, even in a town as small as... how many people did you say live here, Jorge?"

"About seven thousand. I feel I know them all intimately." Weil had spent the day sorting barbies. According to measurements made from the tape, the killer was at the top end of permissible height.

"How about it?" Bach said to the barbie. "Is there anything I ought to know?"

The woman bit her lip, looked uncertain.

"Come on, you said you were going to help me."

"Very well. There have been three other killings in the last month. You would not have heard of this one except it took place with outsiders present. Purchasing agents were there on the loading platform. They made the initial report. There was nothing we could do to hush it up."

"But why would you want to?"

"Isn't it obvious? We exist with the possibility of persecution always with us. We don't wish to appear a threat to others. We wish to appear peaceful—which we are—and prefer to handle the problems of the group within the group itself. By divine consensus."

Bach knew she would get nowhere pursuing that line of reasoning. She decided to take the conversation back to the previous murders.

"Tell me what you know. Who was killed, and do you have any idea why? Or should I be talking to someone else?" Something occurred to her then, and she wondered why she hadn't asked it before. "You are the person I was speaking to yesterday, aren't you? Let me rephrase that. You're the body... that is, this body before me..."

"We know what you're talking about," the barbie said. "Uh, yes, you are correct. We are... I am the one you spoke to." She had to choke the word out, blushing furiously. "We have been... I have been selected as the component to deal with you, since it was perceived at equalization that this matter must be dealt with. This one was chosen as... I was chosen as punishment."

"You don't have to say 'I' if you don't want to."

"Oh, thank you."

"Punishment for what?"

"For... for individualistic tendencies. We spoke up too personally at equalization, in favor of cooperation with you. As a political necessity. The conservatives wish to stick to our sacred principles no matter what the cost. We are divided; this makes for bad feelings within the organism, for sickness. This one spoke out, and was punished by having her own way, by being appointed... individually... to deal with you." The woman could not meet Bach's eyes. Her face burned with shame.

"This one has been instructed to reveal her serial number to you. In the future, when you come here you are to ask for 23900."

Bach made a note of it.

"All right. What can you tell me about a possible motive? Do you think all the killings were done by the same... component?"

"We do not know. We are no more equipped to select an... individual from the group than you are. But there is great consternation. We are fearful."

"I would think so. Do you have reason to believe that the victims were... does this make sense?... known to the killer? Or were they random killings?" Bach hoped not. Random killers were the hardest to catch; without motive, it was hard to tie killer to victim, or to sift one person out of thousands with the opportunity. With the barbies, the problem would be squared and cubed.

"Again, we don't know."

Bach sighed. "I want to see the witnesses to the crime. I might as well start interviewing them."

In short order, thirteen barbies were brought. Bach intended to question them thoroughly to see if their stories were consistent, and if they had changed.

She sat them down and took them one at a time, and almost immediately ran into a stone wall. It took her several minutes to see the problem, frustrating minutes spent trying to establish which of the barbies had spoken to the officer first, which second, and so forth.

"Hold it. Listen carefully. Was this body physically present at the time of the crime? Did these eyes see it happen?"

The barbie's brow furrowed. "Why, no. But does it matter?"

"It does to me, babe. Hey, twenty-three thousand!"

The barbie stuck her head in the door. Bach looked pained.

"I need the actual people who were there. Not thirteen picked at random."

"The story is known to all."

Bach spent five minutes explaining that it made a difference to her, then waited an hour as 23900 located the people who were actual witnesses.

And again she hit a stone wall. The stories were absolutely identical, which she knew to be impossible. Observers always report events differently. They make themselves the hero, invent things before and after they first began observing, rearrange and edit and interpret. But not the barbies. Bach struggled for an hour, trying to shake one of them, and got nowhere. She was facing a consensus, something that had been discussed among the barbies until an account of the event had emerged and then been accepted as truth. It was probably a close approximation, but it did Bach no good. She needed discrepancies to gnaw at, and there were none.

Worst of all, she was convinced no one was lying to her. Had she questioned the thirteen random choices she would have gotten the same answers. They would have thought of themselves as having been there, since some of them had been and they had been told about it. What happened to one, happened to all.

Her options were evaporating fast. She dismissed the witnesses, called 23900 back in, and sat her down. Bach ticked off points on her fingers.

"One. Do you have the personal effects of the deceased?"

"We have no private property."

Bach nodded. "Two. Can you take me to her room?"

"We each sleep in any room we find available at night. There is no—"

"Right. Three. Any friends or co-workers I might..." Bach rubbed her forehead with one hand. "Right. Skip it. Four. What was her job? Where did she work?"

"All jobs are interchangeable here. We work at what needs—"

"Right!" Bach exploded. She got up and paced the floor. "What the hell do you expect me to do with a situation like this? I don't have anything to work with, not one snuffin' thing. No way of telling why she was killed, no way to pick out the killer, no way... ah, shit. What do you expect me to do?"

"We don't expect you to do anything," the barbie said, quietly. "We didn't ask you to come here. We'd like it very much if you just went away."

In her anger Bach had forgotten that. She was stopped, unable to move in any direction. Finally, she caught Weil's eye and jerked her head toward the door.

"Let's get out of here." Weil said nothing. He followed Bach out the door and hurried to catch up.

They reached the tube station, and Bach stopped outside their waiting capsule. She sat down heavily on a bench, put her chin on her palm, and watched the ant-like mass of barbies working at the loading dock. "Any ideas?"

Weil shook his head, sitting beside her and removing his cap to wipe sweat from his forehead.

"They keep it too hot in here," he said. Bach nodded, not really hearing him. She watched the group of barbies as two separated themselves from the crowd and came a few steps in her direction. Both were laughing, as if at some private joke, looking right at Bach. One of them reached under her blouse and withdrew a long, gleaming steel knife. In one smooth motion she plunged it into the other barbie's stomach and lifted, bringing her up on the balls of her feet. The one who had been stabbed looked surprised for a moment, staring down at herself, her mouth open as the knife gutted her like a fish. Then her eyes widened and she stared horror-stricken at her companion, and slowly went to her knees, holding the knife to her as blood gushed out and soaked her white uniform.

"Stop her!" Bach shouted. She was on her feet and running, after a moment of horrified paralysis. It had looked so much like the tape.

She was about forty meters from the killer, who moved with deliberate speed, jogging rather than running. She passed the barbie who had been attacked—and who was now on her side, still holding the knife hilt almost tenderly to herself, wrapping her body around the pain. Bach thumbed the panic button on her communicator, glanced over her shoulder to see Weil kneeling beside the stricken barbie, then looked back—

—to a confusion of running figures. Which one was it? Which one?

She grabbed the one that seemed to be in the same place and moving in the same direction as the killer had been before she looked away. She swung the barbie around and hit her hard on the side of the neck with the edge of her palm, watched her fall while trying to look at all the other barbies at the same time. They were running in both directions, some trying to get away, others entering the loading dock to see what was going on. It was a madhouse scene with shrieks and shouts and baffling movement.

Bach spotted something bloody lying on the floor, then knelt by the inert figure and clapped the handcuffs on her.

She looked up into a sea of faces, all alike.

The commissioner dimmed the lights, and he, Bach, and Weil faced the big screen at the end of the room. Beside the screen was a department photoanalyst with a pointer in her hand. The tape began to run.

"Here they are," the woman said, indicating two barbies with the tip of the long stick. They were just faces on the edge of the crowd, beginning to move. "Victim right here, the suspect to her right." Everyone watched as the stabbing was re-created. Bach winced when she saw how long she had taken to react. In her favor, it had taken Weil a fraction of a second longer.

"Lieutenant Bach begins to move here. The suspect moves back toward the crowd. If you'll notice, she is watching Bach over her shoulder. Now. Here." She froze a frame. "Bach loses eye contact. The suspect peels off the plastic glove which prevented blood from staining her hand. She drops it, moves laterally. By the time Bach looks back, we can see she is after the wrong suspect."

Bach watched in sick fascination as her image assaulted the wrong barbie, the actual killer only a meter to her left. The tape resumed normal speed, and Bach watched the killer until her eyes began to hurt from not blinking. She would not lose her this time. "She's incredibly brazen. She does not leave the room for another twenty minutes." Bach saw herself kneel and help the medical team load the wounded barbie into the capsule. The killer had been at her elbow, almost touching her. She felt her arm break out in goose pimples.

She remembered the sick fear that had come over her as she knelt by the injured woman. It could be any of them. The one behind me, for instance...

She had drawn her weapon then, backed against the wall, and not moved until the reinforcements arrived a few minutes later. At a motion from the commissioner, the lights came back on. "Let's hear what you have," he said.

Bach glanced at Weil, then read from her notebook. " 'Sergeant Weil was able to communicate with the victim shortly before medical help arrived. He asked her if she knew anything pertinent as to the identity of her assailant. She answered no, saying only that it was "the wrath." She could not elaborate.' I quote now from the account Sergeant Weil wrote down immediately after the interview. ' "It hurts, it hurts." "I'm dying, I'm dying." I told her help was on the way. She responded: "I'm dying." Victim became incoherent, and I attempted to get a shirt from the onlookers to stop the flow of blood. No cooperation was forthcoming.' "

"It was the word 'I'," Weil supplied. "When she said that, they all started to drift away."

" 'She became rational once more,' " Bach resumed, " 'long enough to whisper a number to me. The number was twelve-fifteen, which I wrote down as one-two-one-five. She roused herself once more, said "I'm dying." ' " Bach closed the notebook and looked up. "Of course, she was right." She coughed nervously.

"We invoked section 35b of the New Dresden Unified Code, 'Hot Pursuit,' suspending civil liberties locally for the duration of the search. We located component 1215 by the simple expedient of lining up all the barbies and having them pull their pants down. Each has a serial number in the small of her back. Component 1215, one Sylvester J. Cronhausen, is in custody at this moment.

"While the search was going on, we went to sleeping cubicle 1215 with a team of criminologists. In a concealed compartment beneath the bunk we found these items." Bach got up, opened the evidence bag, and spread the items on the table.

There was a carved wooden mask. It had a huge nose with a hooked end, a mustache, and a fringe of black hair around it. Beside the mask were several jars of powders and creams, greasepaint and cologne. One black nylon sweater, one pair black trousers, one pair black sneakers. A stack of pictures clipped from magazines, showing ordinary people, many of them wearing more clothes than was normal in Luna. There was a black wig and a merkin of the same color.

"What was that last?" the commissioner asked.

"A merkin, sir," Bach supplied. "A pubic wig."

"Ah." He contemplated the assortment, leaned back in his chair. "Somebody liked to dress up."

"Evidently, sir." Bach stood at ease with her hands clasped behind her back, her face passive. She felt an acute sense of failure, and a cold determination to get the woman with the gall to stand at her elbow after committing murder before her eyes. She was sure the time and place had been chosen deliberately, that the barbie had been executed for Bach's benefit.

"Do you think these items belonged to the deceased?"

"We have no reason to state that, sir," Bach said. "However, the circumstances are suggestive."

"Of what?"

"I can't be sure. These things might have belonged to the victim. A random search of other cubicles turned up nothing like this. We showed the items to component 23900, our liaison. She professed not to know their purpose." She stopped, then added, "I believe she was lying. She looked quite disgusted."

"Did you arrest her?"

"No, sir. I didn't think it wise. She's the only connection we have, such as she is."

The commissioner frowned, and laced his fingers together. "I'll leave it up to you, Lieutenant Bach. Frankly, we'd like to be shut of this mess as soon as possible."

"I couldn't agree with you more, sir."

"Perhaps you don't understand me. We have to have a warm body to indict. We have to have one soon."

"Sir, I'm doing the best I can. Candidly, I'm beginning to wonder if there's anything I can do."

"You still don't understand me." He looked around the office. The stenographer and photoanalyst had left. He was alone with Bach and Weil. He flipped a switch on his desk, turning a recorder off, Bach realized.

"The news is picking up on this story. We're beginning to get some heat. On the one hand, people are afraid of these barbies. They're hearing about the murder fifty years ago, and the informal agreement. They don't like it much. On the other hand, there's the civil libertarians. They'll fight hard to prevent anything happening to the barbies, on principle. The government doesn't want to get into a mess like that. I can hardly blame them."

Bach said nothing, and the commissioner looked pained.

"I see I have to spell it out. We have a suspect in custody," he said.

"Are you referring to component 1215, Sylvester Cronhausen?"

"No. I'm speaking of the one you captured."

"Sir, the tape clearly shows she is not the guilty party. She was an innocent bystander." She felt her face heat up as she said it. Damn it; she had tried her best.

"Take a look at this." He pressed a button and the tape began to play again. But the quality was much impaired. There were bursts of snow, moments when the picture faded out entirely. It was a very good imitation of a camera failing. Bach watched herself running through the crowd—there was a flash of white— and she had hit the woman. The lights came back on in the room.

"I've checked with the analyst. She'll go along. There's a bonus in this, for both of you." He looked from Weil to Bach.

"I don't think I can go through with that, sir."

He looked like he'd tasted a lemon. "I didn't say we were doing this today. It's an option. But I ask you to look at it this way, just look at it, and I'll say no more. This is the way they themselves want it. They offered you the same deal the first time you were there. Close the case with a confession, no mess. We've already got this prisoner. She just says she killed her, she killed all of them. I want you to ask yourself, is she wrong? By her own lights and moral values? She believes she shares responsibility for the murders, and society demands a culprit. What's wrong with accepting their compromise and letting this all blow over?"

"Sir, it doesn't feel right to me. This is not in the oath I took. I'm supposed to protect the innocent, and she's innocent. She's the only barbie I know to be innocent."

The commissioner sighed. "Bach, you've got four days. You give me an alternative by then."

"Yes, sir. If I can't, I'll tell you now that I won't interfere with what you plan. But you'll have to accept my resignation."

Anna-Louise Bach reclined in the bathtub with her head pillowed on a folded towel. Only her neck, nipples, and knees stuck out above the placid surface of the water, tinted purple with a generous helping of bath salts. She clenched a thin cheroot in her teeth. A ribbon of lavender smoke curled from the end of it, rising to join the cloud near the ceiling.

She reached up with one foot and turned on the taps, letting out cooled water and refilling with hot until the sweat broke out on her brow. She had been in the tub for several hours. The tips of her fingers were like washboards.

There seemed to be few alternatives. The barbies were foreign to her, and to anyone she could assign to interview them. They didn't want her help in solving the crimes. All the old rules and procedures were useless. Witnesses meant nothing; one could not tell one from the next, nor separate their stories. Opportunity? Several thousand individuals had it. Motive was a blank. She had a physical description in minute detail, even tapes of the actual murders. Both were useless.

There was one course of action that might show results. She had been soaking for hours in the hope of determining just how important her job was to her.

Hell, what else did she want to do?

She got out of the tub quickly, bringing a lot of water with her to drip onto the floor. She hurried into her bedroom, pulled the sheets off the bed and slapped the nude male figure on the buttocks.

"Come on, Svengali," she said. "Here's your chance to do something about my nose."

She used every minute while her eyes were functioning to read all she could find about Standardists. When Atlas worked on her eyes, the computer droned into an earphone. She memorized most of the Book of Standards.

Ten hours of surgery, followed by eight hours flat on her back, paralyzed, her body undergoing forced regeneration, her eyes scanning the words that flew by on an overhead screen.

Three hours of practice, getting used to shorter legs and arms. Another hour to assemble her equipment.

When she left the Atlas clinic, she felt she would pass for a barbie as long as she kept her clothes on. She hadn't gone that far.

People tended to forget about access locks that led to the surface. Bach had used the fact more than once to show up in places where no one expected her.

She parked her rented crawler by the lock and left it there. Moving awkwardly in her pressure suit, she entered and started it cycling, then stepped through the inner door into an equipment room in Anytown. She stowed the suit, checked herself quickly in a washroom mirror, straightened the tape measure that belted her loose white jumpsuit, and entered the darkened corridors.

What she was doing was not illegal in any sense, but she was on edge. She didn't expect the barbies to take kindly to her masquerade if they discovered it, and she knew how easy it was for a barbie to vanish forever. Three had done so before Bach ever got the case.

The place seemed deserted. It was late evening by the arbitrary day cycle of New Dresden. Time for the nightly equalization. Bach hurried down the silent hallways to the main meeting room in the temple.

It was full of barbies and a vast roar of conversation. Bach had no trouble slipping in, and in a few minutes she knew her facial work was as good as Atlas had promised.

Equalization was the barbie's way of standardizing experience. They had been unable to simplify their lives to the point where each member of the community experienced the same things every day; the Book of Standards said it was a goal to be aimed for, but probably unattainable this side of Holy Reassimilation with Goddess. They tried to keep the available jobs easy enough that each member could do them all. The commune did not seek to make a profit; but air, water, and food had to be purchased, along with replacement parts and services to keep things running. The community had to produce things to trade with the outside.

They sold luxury items: hand-carved religious statues, illuminated holy books, painted crockery, and embroidered tapestries. None of the items were Standardist. The barbies had no religious symbols except their uniformity and the tape measure, but nothing in their dogma prevented them from selling objects of reverence to people of other faiths.

Bach had seen the products for sale in the better shops. They were meticulously produced, but suffered from the fact that each item looked too much like every other. People buying hand-produced luxuries in a technological age tend to want the differences that non-machine production entails, whereas the barbies wanted everything to look exactly alike. It was an ironic situation, but the barbies willingly sacrificed value by adhering to their standards.

Each barbie did things during the day that were as close as possible to what everyone else had done. But someone had to cook meals, tend the air machines, load the freight. Each component had a different job each day. At equalization, they got together and tried to even that out.

It was boring. Everyone talked at once, to anyone that happened to be around. Each woman told what she had done that day. Bach heard the same group of stories a hundred times before the night was over, and repeated them to anyone who would listen.

Anything unusual was related over a loudspeaker so everyone could be aware of it and thus spread out the intolerable burden of anomaly. No barbie wanted to keep a unique experience to herself; it made her soiled, unclean, until it was shared by all.

Bach was getting very tired of it—she was short on sleep— when the lights went out. The buzz of conversation shut off as if a tape had broken.

"All cats are alike in the dark," someone muttered, quite near Bach. Then a single voice was raised. It was solemn; almost a chant.

"We are the wrath. There is blood on our hands, but it is the holy blood of cleansing. We have told you of the cancer eating at the heart of the body, and yet still you cower away from what must be done. The filth must be removed from us!"

Bach was trying to tell which direction the words were coming from in the total darkness. Then she became aware of movement, people brushing against her, all going in the same direction. She began to buck the tide when she realized everyone was moving away from the voice.

"You think you can use our holy uniformity to hide among us, but the vengeful hand of Goddess will not be stayed. The mark is upon you, our one-time sisters. Your sins have set you apart, and retribution will strike swiftly.

"There are five of you left. Goddess knows who you are, and will not tolerate your perversion of her holy truth. Death will strike you when you least expect it. Goddess sees the differentness within you, the differentness you seek but hope to hide from your upright sisters."

People were moving more swiftly now, and a scuffle had developed ahead of her. She struggled free of people who were breathing panic from every pore, until she stood in a clear space. The speaker was shouting to be heard over the sound of whimpering and the shuffling of bare feet. Bach moved forward, swinging her outstretched hands. But another hand brushed her first.

The punch was not centered on her stomach, but it drove the air from her lungs and sent her sprawling. Someone tripped over her, and she realized things would get pretty bad if she didn't get to her feet. She was struggling up when the lights came back on.

There was a mass sigh of relief as each barbie examined her neighbor. Bach half expected another body to be found, but that didn't seem to be the case. The killer had vanished again.

She slipped away from the equalization before it began to break up, and hurried down the deserted corridors to room 1215.

She sat in the room—little more than a cell, with a bunk, a chair, and a light on a table—for more than two hours before the door opened, as she had hoped it would. A barbie stepped inside, breathing hard, closed the door, and leaned against it.

"We wondered if you would come," Bach said, tentatively.

The woman ran to Bach and collapsed at her knees, sobbing.

"Forgive us, please forgive us, our darling. We didn't dare come last night. We were afraid that... that if... that it might have been you who was murdered, and that the wrath would be waiting for us here. Forgive us, forgive us."

"It's all right," Bach said, for lack of anything better. Suddenly, the barbie was on top of her, kissing her with a desperate passion. Bach was startled, though she had expected something of the sort. She responded as best she could. The barbie finally began to talk again.

"We must stop this, we just have to stop. We're so frightened of the wrath, but... but the longing! We can't stop ourselves. We need to see you so badly that we can hardly get through the day, not knowing if you are across town or working at our elbow. It builds all day, and at night, we cannot stop ourselves from sinning yet again." She was crying, more softly this time, not from happiness at seeing the woman she took Bach to be, but from a depth of desperation. "What's going to become of us?" she asked, helplessly.

"Shhh," Bach soothed. "It's going to be all right."

She comforted the barbie for a while, then saw her lift her head. Her eyes seemed to glow with a strange light.

"I can't wait any longer," she said. She stood up, and began taking off her clothes. Bach could see her hands shaking.

Beneath her clothing the barbie had concealed a few things that looked familiar. Bach could see that the merkin was already in place between her legs. There was a wooden mask much like the one that had been found in the secret panel, and a jar. The barbie unscrewed the top of it and used her middle finger to smear dabs of brown onto her breasts, making stylized nipples.

"Look what I got," she said, coming down hard on the pronoun, her voice trembling. She pulled a flimsy yellow blouse from the pile of clothing on the floor, and slipped it over her shoulders. She struck a pose, then strutted up and down the tiny room.

"Come on, darling," she said. "Tell me how beautiful I am. Tell me I'm lovely. Tell me I'm the only one for you. The only one. What's the matter? Are you still frightened? I'm not. I'll dare anything for you, my one and only love." But now she stopped walking and looked suspiciously at Bach. "Why aren't you getting dressed?"

"We...uh, I can't," Bach said, extemporizing. "They, uh, someone found the things. They're all gone." She didn't dare remove her clothes because her nipples and pubic hair would look too real, even in the dim light.

The barbie was backing away. She picked up her mask and held it protectively to her. "What do you mean? Was she here? The wrath? Are they after us? It's true, isn't it? They can see us." She was on the edge of crying again, near panic.

"No, no, I think it was the police—" But it was doing no good. The barbie was at the door now, and had it half open.

"You're her! What have you done to... no, no, you stay away." She reached into the clothing that she now held in her hand, and Bach hesitated for a moment, expecting a knife. It was enough time for the barbie to dart quickly through the door, slamming it behind her.

When Bach reached the door, the woman was gone.

Bach kept reminding herself that she was not here to find the other potential victims—of whom her visitor was certainly one— but to catch the killer. The fact remained that she wished she could have detained her, to question her further.

The woman was a pervert, by the only definition that made any sense among the Standardists. She, and presumably the other dead barbies, had an individuality fetish. When Bach had realized that, her first thought had been to wonder why they didn't simply leave the colony and become whatever they wished. But then why did a Christian seek out prostitutes? For the taste of sin. In the larger world, what these barbies did would have had little meaning. Here, it was sin of the worst and tastiest kind.

And somebody didn't like it at all.

The door opened again, and the woman stood there facing Bach, her hair disheveled, breathing hard.

"We had to come back," she said. "We're so sorry that we panicked like that. Can you forgive us?" She was coming toward Bach now, her arms out. She looked so vulnerable and contrite that Bach was astonished when the fist connected with her cheek.

Bach thudded against the wall, then found herself pinned under the woman's knees, with something sharp and cool against her throat. She swallowed very carefully, and said nothing. Her throat itched unbearably.

"She's dead," the barbie said. "And you're next." But there was something in her face that Bach didn't understand. The barbie brushed at her eyes a few times, and squinted down at her.

"Listen, I'm not who you think I am. If you kill me, you'll be bringing more trouble on your sisters than you can imagine."

The barbie hesitated, then roughly thrust her hand down into Bach's pants. Her eyes widened when she felt the genitals, but the knife didn't move. Bach knew she had to talk fast, and say all the right things.

"You understand what I'm talking about, don't you?" She looked for a response, but saw none. "You're aware of the political pressures that are coming down. You know this whole colony could be wiped out if you look like a threat to the outside. You don't want that."

"If it must be, it will be," the barbie said. "The purity is the important thing. If we die, we shall die pure. The blasphemers must be killed."

"I don't care about that anymore," Bach said, and finally got a ripple of interest from the barbie. "I have my principles, too. Maybe I'm not as fanatical about them as you are about yours. But they're important to me. One is that the guilty be brought to justice."

"You have the guilty party. Try her. Execute her. She will not protest."

"You are the guilty party."

The woman smiled. "So arrest us."

"All right, all right. I can't, obviously. Even if you don't kill me, you'll walk out that door and I'll never be able to find you. I've given up on that. I just don't have the time. This was my last chance, and it looks like it didn't work."

"We didn't think you could do it, even with more time. But why should we let you live?"

"Because we can help each other." She felt the pressure ease up a little, and managed to swallow again. "You don't want to kill me, because it could destroy your community. Myself... I need to be able to salvage some self-respect out of this mess. I'm willing to accept your definition of morality and let you be the law in your own community. Maybe you're even right. Maybe you are one being. But I can't let that woman be convicted, when I know she didn't kill anyone."

The knife was not touching her neck now, but it was still being held so that the barbie could plunge it into her throat at the slightest movement.

"And if we let you live? What do you get out of it? How do you free your 'innocent' prisoner?"

"Tell me where to find the body of the woman you just killed. I'll take care of the rest."

The pathology team had gone and Anytown was settling down once again. Bach sat on the edge of the bed with Jorge Weil. She was as tired as she ever remembered being. How long had it been since she slept?

"I'll tell you," Weil said, "I honestly didn't think this thing would work. I guess I was wrong."

Bach sighed. "I wanted to take her alive, Jorge. I thought I could. But when she came at me with the knife..." She let him finish the thought, not caring to lie to him. She'd already done that to the interviewer. In her story, she had taken the knife from her assailant and tried to disable her, but was forced in the end to kill her. Luckily, she had the bump on the back of her head from being thrown against the wall. It made a blackout period plausible. Otherwise, someone would have wondered why she waited so long to call for police and an ambulance. The barbie had been dead for an hour when they arrived.

"Well, I'll hand it to you. You sure pulled this out. I'll admit it, I was having a hard time deciding if I'd do as you were going to do and resign, or if I could have stayed on. Now I'll never know."

"Maybe it's best that way. I don't really know, either."

Jorge grinned at her. "I can't get used to thinking of you being behind that godawful face."

"Neither can I, and I don't want to see any mirrors. I'm going straight to Atlas and get it changed back." She got wearily to her feet and walked toward the tube station with Weil.

She had not quite told him the truth. She did intend to get her own face back as soon as possible—nose and all—but there was one thing left to do.

From the first, a problem that had bothered her had been the question of how the killer identified her victims.

Presumably the perverts had arranged times and places to meet for their strange rites. That would have been easy enough. Any one barbie could easily shirk her duties. She could say she was sick, and no one would know it was the same barbie who had been sick yesterday, and for a week or month before. She need not work; she could wander the halls acting as if she was on her way from one job to another. No one could challenge her. Likewise, while 23900 had said no barbie spent consecutive nights in the same room, there was no way for her to know that. Evidently room 1215 had been taken over permanently by the perverts.

And the perverts would have no scruples about identifying each other by serial number at their clandestine meetings, though they could do it in the streets. The killer didn't even have that.

But someone had known how to identify them, to pick them out of a crowd. Bach thought she must have infiltrated meetings, marked the participants in some way. One could lead her to another, until she knew them all and was ready to strike.

She kept recalling the strange way the killer had looked at her, the way she had squinted. The mere fact that she had not killed Bach instantly in a case of mistaken identity meant she had been expecting to see something that had not been there.

And she had an idea about that.

She meant to go to the morgue first, and to examine the corpses under different wavelengths of lights, with various filters. She was betting some kind of mark would become visible on the faces, a mark the killer had been looking for with her contact lenses.

It had to be something that was visible only with the right kind of equipment, or under the right circumstances. If she kept at it long enough, she would find it.

If it was an invisible ink, it brought up another interesting question. How had it been applied? With a brush or spray gun? Unlikely. But such an ink on the killer's hands might look and feel like water.

Once she had marked her victims, the killer would have to be confident the mark would stay in place for a reasonable time. The murders had stretched over a month. So she was looking for an indelible, invisible ink, one that soaked into pores.

And if it was indelible...

There was no use thinking further about it. She was right, or she was wrong. When she struck the bargain with the killer she had faced up to the possibility that she might have to live with it. Certainly she could not now bring a killer into court, not after what she had just said.

No, if she came back to Anytown and found a barbie whose hands were stained with guilt, she would have to do the job herself.

Equinoctial

PARAMETER KNEW SHE WAS being followed. They had been behind her for days, always far enough behind that they couldn't get a permanent fix on her, but never so far that she could lose them. She was in danger, but now was not the time to worry about it.

Now was one of the big moments in her life. She proposed to savor it to the full and refused to be distracted by the hunters. She was giving birth to quintuplets.

Uni, Duo, Tri, Quad... Hopelessly trite. Doc, Happy, Sneezy, Grumpy—no, there were seven of those. Army, Navy, Marine, Airforce, Coastguard? That was a pentagon, for an interesting pun. But who wanted to be called Coastguard? What was a Coastguard, anyway?

She put the naming ordeal out of her mind. It wasn't important; they would pick their own names when the time came. She just thought it might be nice with five to have something to tag them with, if only for bookkeeping purposes.

"They just got another sighting," she thought, but it wasn't her own thought. It was the voice of Equinox. Equinox was Parameter's companion, her environment, her space suit, her alter ego; her Symb. She looked in the direction she had come from.

She looked back on the most spectacular scene in the solar system. She was 230,000 kilometers from the center of Saturn, according to the figures floating in the upper left corner of her field of vision. To one side of her was the yellow bulk of the giant planet, and all around her was a golden line that bisected the universe. She was inside the second and brightest of the Rings.

But Saturn and the Rings was not all she saw. About ten degrees away from Saturn and in the plane of the Rings was a hazy thing like the bell of a trumpet. It was transparent. The wide end of the bell was facing her. Within this shape were four lines of red that were sharp and well-defined far away but became fuzzy as they neared her. These were the hunters. All around her, but concentrated in the plane of the Rings, were slowly moving lines of all colors, each with an arrow at one end, each shifting perspective in a dazzling 3-D ballet.

None of it—the lines, the bells, the "hunters," even Saturn itself—none of it was any more real than the image in a picture tube. Some of it was even less real than that. The shifting lines, for instance, were vector representations of the large chunks of rock and ice within radar range of Equinox.

The bell was closer than it had been for days. That was bad news, because the space-time event it represented was the approach of the hunters and their possible locations projected from the time of the last fix. The fuzzy part was almost touching her. That meant they could be very close indeed, though it wasn't too likely. They were probably back in the stem where the projection looked almost solid, and almost certainly within the four lines that were their most probable location. But it was still too close.

"Since they know where we are, let's get a fix on them," Parameter decided, and as she thought it the bell disappeared, to be replaced by four red points that grew tails even as she watched.

"Too close. Way too close." Now they had two fixes on her: one of their own, and the one she had given them by bouncing a signal off them. From this, their Symbs could plot a course; therefore, it was time to alter it.

She couldn't afford to change course in the usual way, by bouncing off a rock. The hunters were close enough that they would detect the change in the rock's velocity and get a better idea of where she was. It was time for thrusters, though she could ill afford the wasted mass.

"Which way?" she asked.

"I suggest you move out of the plane. They won't expect that yet. They don't know you're in labor."

"That's pretty dangerous. There's nothing to hide in out there."

Equinox considered it. "If they get any closer, you'll have to do something at least that drastic, with less chance of success. But I only advise."

"Sure. All right, do it, my green pasture."

The world around her jerked, and all the colored lines started moving down around her, bending as their relative velocity changed. There was a gentle pressure at the small of her back.

"Keep an eye on them. I'm going back to the business of giving birth. How are they doing, by the way?"

"No sweat. One of the girls is in the tube right now—you can feel her—"

"You can tell me that three times..."

"—and she's a little puzzled by the pressure. But she's taking it well. She tells you not to worry, she'll be all right."

"Can I talk to her yet?"

"Not for another few hours. Be patient."

"Right. It shouldn't be long now."

And that was very true. She felt the wave of sensation as her uterus contracted again. She looked down at herself, absently expecting to see the first head coming out. But she could no longer see that far; her belly stuck out.

Nothing that Parameter saw was real; all was illusion. Her head was completely enclosed in the thick, opaque substance of Equinox, and all the sensory data she received was through the direct connection from Equinox's senses into her own brain. Much of this information was edited and embellished in ways that made it easier for Parameter to interpret.

So it was that when she looked down at herself she saw not the dark-green surface of Equinox, but her own brown skin. She had asked for that illusion long ago, when it had become a matter of some importance to her to believe she still had her own body. The illusion was flawless. She could see the fingerprints on her hand, the mole on her knee, the color of her nipples, the sentimental scar on her forearm, all illuminated by the soft diffusion of light from the Rings. But if she tried to touch herself, her hand would be stopped while still a good distance from what she saw as the surface of her body. Equinox was invisible to her, but she was certainly there.

She watched as the contraction caused her stomach to writhe and flow like putty. This was more like it. She remembered her other deliveries, before she married Equinox. One had been "natural" and it hadn't worked all that well. She didn't regret it, but it had been painful, not something she would want to repeat. The other had been under anesthetic, and no fun at all. She might as well not have bothered; there had been no pain, no pleasure, no sensation. It was like reading about it in the newspaper. But this one, her third birth, was different. It was intense, so intense she had difficulty concentrating on eluding the hunters. But there was no pain. All she felt was a series of waves of pleasure-pain that didn't hurt, and could be related to no other sensation humans had ever experienced.

One of the lines ahead seemed to point almost directly at her. It was a thick red line, meaning it was seventy percent ice and about a million kilograms in mass. The vector was short. It was moving slowly enough that rendezvous would be easy.

She took the opportunity and altered course slightly with the sure instinct she had developed. The line swung, foreshortened even more, then flashed brighter and began to pulse. This was the collision warning from Equinox's plotting sector.

When the rock was close enough to see as an object rather than a simulated projection, she rotated until her legs pointed at it. She soaked up the shock of the landing, then began to scuttle over the surface in a manner quite astonishing, and with a speed not to be believed. She moved with the coordinated complexity of a spider, all four limbs grasping at the rock and ice.

To an observer, she was a comical sight. She looked like a barbell with arms and legs and a bulge at the top that just might be a head. There were no creases or sharp lines anywhere on the outer surface of Equinox; all was gentle curves, absolutely featureless except for short claws on the hands and feet. At the ends of her legs were grasping appendages more like oversized hands than feet. And her legs bent the wrong way. Her knees were hinged to bend away from each other.

But she swarmed over the rock with effortless ease, not even hampered by her pregnancy, though the labor "pains" were getting intense.

When she was where she wanted to be, she pushed off with both hands and peds, rising rapidly. She was now on a course about ninety degrees away from her pursuers. She hoped they would not be expecting this. Now she had to rely on the screening effect of the billions of tiny rocks and ice crystals around her. For the next few hours she would be vulnerable if they beamed in her direction, but she didn't think it likely they would. Their Symbs would be plotting a course for her almost opposite to the one she was actually taking. If she had continued that way they would certainly have caught her later when she was burdened with five infants. Now was the time for audacity.

Having done that, she put the matter out of her mind again, and none too soon. The first baby had arrived.

The head was just emerging as she pushed off the rock. She savored the delicious agony as the head forced its way through her body, struggling to reach the air. It would never reach it. There was no air out here, just another womb that Equinox had prepared, a womb the baby would live in for the rest of its life. No first breath for Parameter's children; no breath at all.

The babies were not full-term. Each had been growing only seven months and would not be able to survive without extensive care. But Equinox was the world's best incubator. She had counseled, and Parameter had agreed, that it would be best to birth them while they were still small and get them out where Equinox could keep a closer eye on them.

Parameter moved her strangely articulated legs, bringing the hand-like peds up to the baby. She pressed slowly and felt the peds sink in as Equinox absorbed the outer covering. Then she felt the head with her own nerve endings. She ran her long fingers over the wet ball. There was another contraction and the baby was out. She was holding it in her peds. She couldn't see much of it, and suddenly she wanted to.

"This is one of the girls, right?"

"Yes. And so are two, three, and five. Navy, Marine, and Coastguard, if you want to get more personal."

"Those were just tags," she laughed. "I didn't even like them."

"Until you think of something else, they'll do."

"They won't want them."

"Perhaps not. Anyway, I'm thinking of shifting the boy around to fifth position. There's a little tangling of the cords."

"Whatever you want. I'd like to see her. 'Army,' I mean."

"Do you want a picture, or should I move her?"

"Move her." She knew it was only a semantic quibble as to whether she would actually "see" her child. The projection Equinox could provide would look just as real, hanging in space. But she wanted the picture to coincide with the feel she was getting of the baby against her skin.

By undulating the inner surface of her body, Equinox was able to move the infant around the curve of Parameter's belly until she was visible. She was wet, but there was no blood; Equinox had already absorbed it all.

"I want to touch her with my hands," Parameter thought.

"Go ahead. But don't forget there's another coming in a few minutes."

"Hold it up. I want to enjoy this one first."

She put her hands on the invisible surface of Equinox and they sank in until she was holding the child. It stirred and opened its mouth, but no sound came. There seemed to be no trauma involved for the brand-new human being; she moved her arms and legs slowly but seemed content to lie still for the most part. Compared to most human children, she hadn't really been born at all. Parameter tried to interest her in a nipple, but she didn't want it. She was the prettiest thing Parameter had ever seen.

"Let's get the next one out," she said. "This is so extravagant I still can't believe it. Five!"

She drifted into a wonderful haze as the others arrived, each as pretty as the last. Soon she was covered with tiny bodies, each still tied to an umbilicus. The cords would be left in place until Equinox had finished her childbirth and had five semiautonomous baby Symbs to receive the children. Until then, the children were still a part of her. It was a feeling Parameter loved; she would never be closer to her children.

"Can you hear them yet?" Equinox asked.

"No, not yet."

"You'll have to wait a while longer for mind contact. I'm tuning out. Are you all right? I shouldn't be longer than about two hours."

"Don't worry about me. I'll be fine. In fact, I've never been happier." She stopped verbalizing and let a wave of intense love flood over her; love for her invisible mate. It was answered by such an outpouring of affection that Parameter was in tears. "I love you, earthmother," she said.

"And you, sunshine."

"I hope it'll be as good for you as it was for me."

"I wish I could share it with you. But back to business. I really think we've shaken the hunters. There's been no signal from them for an hour, and their projected path is well away from us. I think we'll be safe, at least for a few hours."

"I hope so. But don't worry about me. I'll get along while you're away. I'm not scared of the dark."

"I know. It won't be for long. See you later."

Parameter felt her mate slipping away. For a moment she was afraid, but not of the dark. She was afraid of the loneliness. Equinox would be unavailable to her for the time it took to give birth to her children, and that meant she would be cut off from the outside. That didn't matter, but the absence of Equinox from Parameter's mind was a little frightening. It recalled an unpleasant incident in her past.

But as the lights faded she realized she was not alone. Cut off from sight, sound, smell, and taste by the shutdown of Equinox's interpretative faculties, she still had touch, and that was enough.

She floated in total darkness and felt the sharp tingle as a mouth found a nipple and began to suck. Imperceptibly, she drifted into sleep.

She awoke to a vague feeling of discomfort. It was small and nagging, and impossible to ignore. She felt in her mind for Equinox, and couldn't find her. So she was still in the process of giving birth.

But the feeling persisted. She felt helpless in the dark, then she realized it wasn't totally dark. There was a faint pinkness, like looking into closed eyelids. She could not account for it. Then she knew what was wrong, and it was worse than she could have imagined. The babies were gone.

She felt over her body with increasing panic, but they were nowhere to be found. Before her panic overwhelmed her, she tried to think of what could have happened that would have separated them, and all she could come up with was the hunters. But why would they take the babies? Then she lost control; there was nothing she could do in the darkness without Equinox to create the universe for her.

She was drawn back to rationality by a thought so black she could hardly credit it. In torment, she opened her eyes.

She could see.

She was floating in the center of a room hollowed out of bare rock. There was another person in the room, or rather another symbiote; all she could see was the dark-green, curved form of the Symb.

"Equinox!" she yelled, and heard herself. In a dream, she looked down at her body and felt the bare reality of it. She touched herself; there was no resistance. She was alone. Half of her was gone.

Her mind was dissolving; She watched it go, and knew it to be preferable to facing life without Equinox. She said good-bye to the last shreds of reality, rolled her eyes up into her head, and swallowed her tongue.

The figure looked like a cartoon of a human drawn by a three-year-old, one who was confused about sex. The broad shoulders and bullish neck were ludicrously like the build of a weightlifter, and the narrowing waist and bulbous ass were a moron's idea of a well-built woman. He was green, and featureless except for an oval opening where his mouth should have been.

"Just why do you want to become a Ringer?" The sound issued from the hole in his "face."

Parameter sighed and leaned back in her chair. The operation at Titan was anything but efficient. She had spent three days talking to people who had been no help at all and finally found this man, who seemed to have the authority to give her a Symb. Her patience—never very long—was at an end.

"I should make a tape," she said. "You're the fourth bastard who's asked me that today."

"Nevertheless, I must have your answer. And why don't you keep the smart remarks to yourself? I don't need them. For two cents I'd walk out of here and forget about you."

"Why don't you? I don't think you can even get out of that chair, much less walk out of here. I never expected anything like this. I thought you Consers wanted new people, so why are you giving me such a runaround? I might get up and walk out myself. You people aren't the only Ringers."

He proved her wrong by rising from the chair. He was awkward but steady, and, even more interesting, there was something in his hand that could only be a gun. She was amazed. He was sitting in a bare room, and had been empty-handed. Suddenly there was this gun, out of nowhere.

"If you mean that you're thinking of going over to the Engineers, it's my duty to blow your brains out. You have ten seconds to explain yourself." There was no trace of anger. The gun never wavered.

She swallowed hard, keeping very still.

"Uh, no, that's not what I meant."

The gun dropped slightly.

"It was a foolish remark," she said, her ears burning with shame and anger. "I'm committed to the Conservationists."

The gun vanished into the Symb he was wearing. It could still be in his hand for all she could tell.

"Now you can answer my question."

Keeping her anger rigidly in check, she started her story. She was quite good at it by now, and had it condensed nicely. She recited it in a singsong tone that the interrogator didn't seem to notice.

"I am seventy-seven Earth years old, I was born on Mercury, the Helios Enclave, the child of an extremely wealthy energy magnate. I grew up in the rigid, confining atmosphere that has always existed in Mercury, and I hated it. When I turned twelve, my mother gave me twenty percent of her fortune and said she hoped I'd use it wisely. Luckily for me, I was an adult and beyond her reach, because I disappointed her badly.

"I bought passage on the first ship leaving the planet, which happened to be going to Mars. For the next sixty years I devoted myself to experiencing everything the human organism can experience and still survive.

"It would be tedious and overlong to tell you everything I did, but so you won't think I'm hiding something, I can give you a random sample.

"Drugs: I tried them all. Some only once. Others for years at a time. I had to have my personality rebuilt three times and lost a lot of memory in the process.

"Sex: with two, three, four partners; seven partners; thirty partners; three hundred partners. All-week orgies. Men, women, girls, boys. Infants. Elephants. Pythons. Corpses. I changed sex so many times I'm not sure if I grew up as a male or a female.

"I killed a man. I got away with it. I killed a woman and got away again. I got caught the third time and spent seven years in rehabilitation.

"I traveled. I went to the Belt, to Luna, to the moons of Saturn, Uranus, Neptune. I went to Pluto, and beyond with a holehunter.

"I tried surgery. I joined up with a pair-cult and was connected for a year to another woman as a Siamese twin. I tried out weird new organs and sex systems. I tried on extra limbs.

"A few years ago I joined a passivity cult. They believed all action was meaningless, and demonstrated it by having their arms and legs amputated and relying on the mercy of random strangers to feed them and keep them alive. I lay for months in the public square beneath Coprates. Sometimes I went hungry and thirsty. Sometimes I stewed in my own filth; then someone would clean me up, usually with a stern lecture to quit this way of life and go straight. I didn't care.

"But the second time a dog used me for a urinal, I gave it up. I asked someone to carry me to a doctor, and walked out a changed woman. I decided I had done everything and had better start looking for an elaborate and original suicide. I was so bored, so jaded, that breathing seemed like too much of a bother.

"Then I thought of two places I'd never been: the sun and the Rings. The sun is the fancy suicide I told you about. The only way to get to the Rings is in a Symb. I tend to sympathize with you people over the Engineers. So here I am."

She settled back in her chair. She was not optimistic about being allowed to join the Conservationist Church, and was already planning ways to get over to the Engineers. If there was ever an unprepossessing story, it was hers, and she knew it. These Consers were supposed to be dedicated people, and she knew she couldn't present a very convincing line. In point of fact, she didn't give any thought at all to the Grand Design of the Engineers. Why should she care if a band of religious fanatics were trying to paint one of Saturn's Rings?

"The next to the last statement was a lie," the man informed her.

"Right," she spat. "You self-righteous bastards. It's the custom in polite society to inform someone when they're undergoing a lie-detector test. Even ask their consent." She got up to go.

"Please sit down, Parameter." She hesitated, then did so.

"It's time some false impressions were cleared up. First, this is not 'polite society,' this is war. Religious war, which is the dirtiest kind. We do what we have to in the interest of security. The sole purpose of this interview was to determine if your story was true. We don't care what you have done, as long as you haven't been consorting with our enemy. Have you?"

"No."

"That is a true statement. Now for the other mistake. We are not self-righteous bastards. We're pragmatists. And we're not religious fanatics, not really, though we all come to believe deeply in what we're doing out here. And that brings us to the third mistake. The primary reasons we're out here have little to do with defeating the Engineers. We're all out here for our own personal reasons, too."

"And what are they?"

"They're personal. Each of us had a different reason for coming. You are out here to satisfy the last dregs of a jaded appetite; that's a common reason. You have some surprises coming up, but you'll stay. You'll have to. You won't be able to bear leaving. And you'll like it. You might even help us fight the Engineers."

She looked at him with suspicion.

"We don't care why you're out here. Your story doesn't impress me one way or the other. You probably expected condemnation or contempt. Don't flatter yourself. As long as you're not here to help paint Ring Beta red, we don't care."