Glen Cook Call For The Dead

I

The figure wore scarlet.

It had a small, hairless skull. Its face was as delicate as that of a beautiful woman. A rouge colored its lips. Kohl shadowed its eyes. Zodiacal pendants hung from its earlobes. Yet no observer could have sworn to its sex.

Its eyes were dosed. Its mouth was open.

It sang.

Its song was terror. It was evil. Its voice stunk with its own fear.

Its lips did not move while the words came forth.

A dark basaltic throne served as its chair. A pentagram marked the floor surrounding it. That Stygian surface seemed to slope away into infinity. The arms of the pentagram, and the cabalistic signs filling them, had been sketched in brilliant reds and blues,

yellows and greens. The colors rippled and changed to the tempo of the song. They surrendered to momentary flashes of silver, lilac, and gold.

Perspiration dribbled down the satin-smooth effeminate face. Veins stood out darkly at its temples. Neck and shoulder muscles became knots and cords. Small, slim, delicate hands clawed at the arms of the throne. The fingernails were long, curved, sharp, and painted the color of the fresh blood.

Torches surmounting the throne's tall back flickered, growing weaker and weaker.

The song faltered....

The figure surged, drew upon some final bastion of inner resource. A scream ripped from its throat.

The darkness gradually withdrew.

The figure slowly stood, arms rising, its song/scream transmuted into a cry of triumph.

Its eyes opened. They were an incredible cerulean blue, almost shining. And they were incalculably malevolent.

Then the darkness struck. A finger came from behind, swiftly, coiling round its victim like a python of night. Tendrils of the tentacle thrust into the sorcerer's nostrils and open mouth.

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