At the Mountains of Blindness

At the Mountains of Blindness

WHILE WAITING, THERE WERE NINE THINGS Porky was able to watch, in the alley. The first was a bloated rat, the upper half of its cadaverous-grey body thrust through a gnawed hole in a rusty garbage can, gorging itself on refuse. The second was a clarinetist in the building across the alley, running changes, practicing scales. The third was the traffic that ran past the mouth of the alley; the fourth was the winking neon sign DENNY’S JAZZ CLUB in red and gold that had no reason for existence, back here near the stage door of Denny’s.

The remaining five were the nails of his right hand, methodically chewed to the quick. These he studied best of all. Porky was a pusher. He was waiting for his mark to come and make the connection. Porky was also a philosopher of sorts. A phlegmatic philosopher whose ethical view of the Universe, simply stated, was,Them as strikes first don’t get struck.

It was a sultry night, mid-August, a good night to make the connection and then go back to the apartment for beer and Beethoven. The steel fire door of Denny’s shuddered open and a thick slash of light erupted from the doorway, ran up the brick wall opposite.

A snatch of crowd noise and rattling glasses followed, then was sliced off as the door closed.

“Porky?”

The pusher shoved away from the wall and turned toward the raised platform with its metal guardrail. The thin, dark-suited man stood against Denny’s door, back pressed tightly to the metal, staring down into the shadows of the alley. His voice was soft and tremulous. Porky — had he been more the suckblood pushers are characterized to be — might have smiled, knowing that tone in the other’s voice. It was the sound of need, the hunger of want, the stomach-drying, lip-wrenching desire for junk … the last stages of withdrawal before the junkie would start crying, thrashing, cursing, dying a little, then a great deal.

Had Porky not been a phlegmatic philosopher and a good businessman, had he been a succubus as the vice squad typified him, he would have gloated. It meant the market was prepared to stand as much as he could lay on. He would have no trouble wringing the last cent tonight.

“Hey, uh, you out there, Porky?”

Porky stepped into the feeble light cast by the street lamp at the mouth of the alley. “I’m here, Tómas.”

The Latin cast of the young man’s face eased with the passing of apprehension. Porky was here. A fix. It was all right. The sweat — bottled inside — burst forth. “Hey, mon, like I thought you wasn’t gonna make it.”

Softly, Porky made his point, then dismissed it: “I’m here, Tómas.”

The Puerto Rican came down the three steps to the moist stones of the alley. He two-fingered a cigarette from his shirt pocket and stuck it in his mouth, hand shaking. Porky watched. Phlegmatically.

“Nice night, leetle hot, maybe, but a nice night,” Tómas said, staring up into the sky. The sky was filled with nothing. It was that sort of night.

“You got the money, Tómas? I’ve got an appointment.” There was quiet, measured impatience in Porky’s voice. The business at hand, then away.

“Yeah, mon, nice night,” Tómas said. He was sweating like a pig, too much, now.

Porky didn’t speak. He turned to go. It was a bust connection. The mark couldn’t raise the bread; no dough, no H.

“Hey,” Tómas laughed lightly, “take it easy, mon. I got the goods. I was just take’n it light, you know.”

The pusher paused. “I’ve got an appointment, Tómas, let’s get this over with,” he said. Gentle. Nothing but soft. A businessman doesn’t argue with his customers. He merely sets up the supply, to match the demand.

The Puerto Rican reached into his inner jacket and brought out a wallet. He began counting bills. Then he handed the sheaf to Porky. The look of expectancy was on the Puerto Rican’s face; Porky didn’t bother counting.

“You’re short, Tómas.”

The Puerto Rican wiped a hand across his mouth, his cigarette down-to-filter between two fingers, yellowed from cigarettes long-gone.

“I’m not bad, Porky. Listen, we got a gig uptown at some deb brawl tomorrow night, mon, I get you the rest. I’m only down a few bills. Stake me, Porky. I breeng you the rest …”

Porky had laid the money gently on the concrete platform, and was walking away. Tómas lunged for him, grabbed his arm. “Hey, listen, mon, you don’t do thees to me — ”

Porky neither struggled nor fought back. He merely said (gently) “Tómas, you lay a hand on me, you’ll never get fixed again.” No blow to the stomach could have worked more effectively. The Puerto Rican backed off.

“I-I got to have the stuff, Porky. You g-got to take care of me, mon. I’m dead cat if you don’t.” His Spanish accent — submerged since his arrival in Nueva York seven years before — became stronger with his frenzy.

Porky spread his hands, “Sorry, Tómas. You know how I carry on my business. If you can’t pay, I can’t take care of you.”

The Puerto Rican slumped down on the steps. A moan and soft sob. “I tried ever’ting. I bugged my seester lives up on 82ndStreet, I hocked my fiddle case, mon I deed ever’ting. I can’t get it up till tomorra’.”

Porky shrugged. “I’ll come back tomorrow then.”

Tómas clutched at the air in front of Porky. “No, mon, I can’t stand eet. I can’t stand the pain, they comin’ close together now, they gone toss me off this gig if I don’t steady. Some of the other guys they hooked but they make other gigs, mon, they can get the bread — ”

Porky knew. He dealt with half a dozen musicians on this street. Two of them from this group. He knew they had Sutton Place broads keeping them in junk, or money from home, or ex-wives’ wealthy parents, or …

He preferred not to think about where some of them got it.

“Sorry, Tómas,” Porky said. Again, this time with no pretense to draw out the market dealings, he strode off. The shriek came from nowhere, from Tómas, from everywhere, and ricocheted off the brick walls of the alley; the clarinet player slammed the window. Tómas leaped off the stairs, his jacket flying behind him.

His hands locked around Porky’s throat, dragged him backward. Porky gagged, flailed the air, kicked back and missed Tómas’s shin. The steel door to Denny’s slammed open. A heavy voice yelled, “Tómas!Get off him!”

The sound of a body hurling the guardrail, the slap of soles hitting the alley. Three running steps, and rough hands grabbed the Puerto Rican by the ears, as Porky slumped to his knees.

Tómas thrashed as he was dragged by the ears, and the attacker hurled him against the wall. The Puerto Rican — lost, lost, fogged and lost with no way to go — came off the wall, rebounded — and caught the fist in the mouth. The attacker knew where to hit him: not a horn man, hit him in the mouth. Tómas slapped the walking bass, get him anywhere but the hands, the back.

Tómas settled in a heap.

The attacker lifted Porky and stood him against the wall, still holding his throat. “Didn’t he have the scratch, Porky?”

Porky looked up and saw another of his customers.

Norman Eney, leader of the group in which Tómas played bass, stared at the little pusher. His eyes were giveaways: he was just coming down off a high. Yet he had overcome his depression, his withdrawal (light now, but soon to get worse), to aid … who? Porky? Or Tómas?

“That’s my business, Eney. Do you want to buy?” Norman Eney shook his head slowly. He stood away from Porky, not moving, watching him out of cool, grey eyes that said nothing. He was a tall crew-cut man, the natural conception of a trombone player.

Finally, he murmured, “He’s not one of the good ones, Porky. You shouldn’t deal with him: he can’t defend himself the way we can.”

They stared across a knowing abyss at one another. Buyer and seller, both knowing how the system worked. Both knowing Porky was a dealer, but not a decider.

“Everybody’s got the right to go to hell in his own way, Eney,” the pusher said. “Nobody ruins anybody else. They only open doors. No one forces them through: that’s each man’s decision, whether to walk through the door or not.”

“You open doors for too many people, Porky.”

The pusher shrugged. He was a businessman. The ethics of the thing didn’t enter. He turned and left the alley. Tómas stirred feebly as Norman Eney lifted him under the shoulders, carried him back into Denny’s.

The rat continued feeding. There was hunger, and a way to assuage that hunger. Traffic moved. So did the night.

They came for Porky in his apartment.

The pusher’s apartment was uptown, and insulated from the world in which he conducted his business affairs by sight and sound and frame of mind. With the door closed New York was a mythical kingdom, far away. A Babylon not to be confused with realities, as this apartment was a reality. With the door closed, and the draperies pulled, with the air conditioning making an atmosphere all his own, and the stereo handling its Scarlatti, its Bach, its Orff — he was where he wanted to be. In a world not of that other world, in a world he made for himself, with no taints or remembrances from beyond. The sanctity of Porky’s world was a matter of custom-fitted bookshelves, well-stocked larders, and full turntables.

The sanctity was shattered by the ringing of the doorbell. Four-thirty A.M. The jazz joints were closed, the cops in the subways slipped their pennies into the candy machines and received their coated peanuts for the long beat, up and down the platform, looking for mashers, smokers. The cabbies lounged against steering wheels reading the finals. Somewhere the Pulmotor squad raced, siren-screaming, through the night streets. Gutter-cleaning machines with massive brushes churning marched up the cross streets. It was too late for visitors, here in the private universe of Porky’s.

He opened the peephole and stared out.

Norman Eney stood there, sweat-white pearls of hope and need and want on his face. He had come to the Man for his junk. Porky was annoyed; this was the first time — though his address was no great secret — one of his customers had come here to make a connection. He was annoyed —

But the loss of the expected revenue from Tómas had made him fall behind in receipts this week, so he opened.

Norman Eney was not alone.

Out of sight on either side of the apartment door, below the peephole level, they hung at ready. When the door swung inward, they leaped. There were five and Eney. They slammed the door behind themselves, and Porky was afraid, quickly.

But they made no move to hurt him. He knew them: all were junkies, all were customers. What was happening? Who …?

“Get your soul together, Porky,” one of them said. He was a thin-lipped pianist, hooked through the bag and out the other end with a need and a monkey so big it played King Kong to an SRO audience. He knew them all. They were all jazzmen. Some the good, others the screamhorn, but all played that sound. He knew them, knew they could not afford to hurt him. There were other Men on the turf, but none so steady, none so honest, none so businesslike as Porky. He knew they would not hurt him.

“I don’t keep my cache here, boys,” he assured them. “I’m not taking a fall for holding. So if it’s need you got, you’ll have to wait till business hours tomorrow.” He tried to usher up a smile, but it wouldn’t leave where it cowered, down there inside him.

“Let’s do that thing, man,” said Orville Grande, who played piano at the Concourse Inn. “You need a hat?” It was rhetorical: mid-August, hot, Porky was a nonhatter. They moved him (the center of that group) out the door, closing it softly behind, and down the back stairs to a car. Ralph Shetland (trumpet, The Jazz Lab) drove, and they took Porky back downtown, to the street.

Denny’s was a dark waiting place. Chairs lay up on the tables like so many dead animals, feet rigor mortis in the air. The still-moist hush of dead smoke, weak booze, loud voices, bad jazz. It was still there, a million smells and sounds and scrabbling touches imbedded in the what color? walls. Porky was apprehensive, not frightened, merely apprehensive:

(I’m not a crook. I’m a businessman. I only take care of a need. If they didn’t want it, I wouldn’t push it. Take away the bottom of the pyramid of hungers and the top collapses. I’m a link, not a totem. There’s no need for violence here … )

(Can you hear me?)

But he was silent, and they were silent. Even when they pulled the slat-back chair off the bandstand and tied him to it with their belts and silk repp ties. Even then they were nothing but silent. So cool.

It was not important before, but it is now. This is what Porky seemed to be, looking from the outside. He was short, perhaps five six and, except for the roll of baby fat about his middle, not particularly porcine. His face however, was that peculiar combination of stubble and sallowness that melded with pudge and pinpoint eye, immediately conjuring the impression of a hog. Hence, Porky. His hair was short, thinned across the temples and forehead, and the nose pugged back revealing two hair-overgrown nostrils. Despite this, he was not an unpleasant-looking man. He was clean, almost to a fault, and carried himself very straight. In other circumstances in some other walk of life, he might easily have been thought of as a credit and a caller. It was not important what Porky seemed to be, before, but it was now. The change was in the offing.

Norman Eney was the first to reach the bandstand. The others followed him, and from the darkness came three more. Nine jazzmen. All in a row. See how they blow. Go!

Porky watched, and tried to devise a rationale. There was a theme here, a statement, a meaning, they were trying to do, say, convince, something. What it was … well, perhaps there would be an explanation. Porky was phlegmatic, and his worldview contained the unquenchable belief that whether or not the questions get asked (how many neon bulbs, flickering on Times Square, to make the riddle high enough and bright enough for the right people to see it?), the answers are always given.

“Do you know what you do, Porky?” Norman Eney asked. “Do you know what you’re killing? Every time you let us feed ourselves, you take something. You take it and you bury it, man, and not only we miss it, because it’s us, but everybody, all of them, they lose it. We’re going to let you know. Tonight.”

Porky grasped for a handle. “Why tonight?”

Orville Grande, the pianist, turned on the stool: “Tómas got busted by the fuzz tonight. He was trying to hold up the deli on the corner so he could buy his stock from you.” He paused and saw something in the darkness, something nothing, then went on, “He was so sick, man, he tried to split, and they burned him down.”

A sax man — a customer named Eli — added, “He’s got the last sign on him, man. He’s got that big toe tag in the morgue.”

“So we’re going to show you, Porky,” Eney explained. “All these years you been living at the mountains of blindness, not knowing, not caring, just selling, man. Now we’re going to show you what you take from us, what we’ve got.”

And they played.

What did they play? They made their sounds in the dark moist cavern of the jazz club, and some of it said things and some of it didn’t, but it was them. All of them, from the shallowest part to the deepest niche, and the wail was first lonely then blaring and demanding, driven on a pastel breeze from a corner of the universe where the ones-who-hear-things-always lived. Porky listened, and knew he had better listen, because this was a credo for him, there was a test coming and notes should be taken, because this was the final exam. He was not a punk, nor was he a stupid man … he had thought himself a businessman, and his morality, his living, was a separateness, not to be confused with what he sold these damned ones. But it now seemed he was wrong. They wailed, they blew, these creatures who had drawn themselves on elbows and knees into his light-life. Now he could not ignore them. He had been thrust into Bedlam with them, and to survive, to ken their meanings, he must pay close attention.

Willow weep for me in the still of the night when the world was young …

That was it. But not all of it. Men who had done their living without mamas and without papas, in a half-light legend of junk and sound. These were the things they said:

I don’t sleep nights; I hear the rhythms.

There ain’t no good women for me because they don’t see me, they see an image, a jazz musician and that’s a false bit. I’m lonely, where’s a good broad in all this?

You got to have roots to sink, a place to go. I’m thirty-seven, man, and it’s been a long time since I had a place to lay my head.

Take this from me and I’m hollow.

If I had a son, I’d want him to be a horn man, it’s God right in the stomach, the way to go.

This is my truth, all of it. All I want. All I need.

That was what they played, and that was what they said. So Porky listened, and knew what they wanted. They did not want him to stop pushing, because they would only need it from someone else. They did not want to hurt him for denying Tómas, because that had been the kid’s gig, and not Porky’s. But they wanted him to know It wasn’t the punishment, or whether anything happened, it was merely being aware, of knowing what was reality, and what was blindness.

How long can you live in that thatch hut without windows, without cracks of light at the foot of the mountains of blindness? How long? Forever, unless you’re shown.

He was trapped, and they were trapped, one by the other — him by demand, and them by supply. But now he could not turn his non sequitur eyes on them, without knowing what things boiled in them. Porky listened, and they restated their theme.

The sax lifted the dusky night and slid it out on a wave of tired but struggling. Horn came up, trumpet from the sea, and with eyes closed, hunkered down into his shoulders, a man told of the freight cars left on the sidings, still rank from pig and cow, where the army blanket spread lumpy for a needed sleep. The sound of the country, of a hundred million nameless bad ones and bedouins, tramping away from Louisiana graves with a fast jog time-step funeral chant. The wails of lonely and depressed and sick and hungry and down at the socks guys who needed what was roiling and tumbling and kicking in the gut. That was the theme, softly snaggingly bang wham repeated. That was it, for all the world (who was Porky only) to hear and put down just right.

Yeah, even Lawrence Welk.

In there somewhere.

And when the sound had flown off, an almost extinct bird with plumage that crumbled to dust motes if touched too harshly, they stared down at Porky from the bandstand, their eyes cat and bird and snake intent. To see if he had seen. To hear if he had heard. To find out if they had written their primer so that even a pusher could dig.

Porky nodded his head. He still lived at the mountains of blindness, but it was different. He could not move, because home is where the home is, where you’ve been, and where you can exist, and for Porky this was the only way to make it.

But the difference was the greatest difference in the whole wide world. Now he knew.

Nothing would change.

The pyramid of hungers still existed, because it was the way the scene was run, and who changes it? Not a damned soul. Especially not the damned souls.

Porky knew and said with eyes that were mouths of sense: I’m one of you. I’m not the preying animal, I’m the preyed upon. By life, by need, by circumstance. I’m one with you, and though I can’t help you, I understand.

And that, in its own way, was the worst punishment of all.